Podcasts about tyneside cinema

In association with Dead Good Film Club and Death Futures [DORS#6]) In this episode, Neil accepts an invitation from Newcastle's Dead Good Film Club and the Death Online Research Network (DORN) to host a Q&A on the Japanese film Plan 75 (2022). The panel brought together religious and humanist celebrants, death educators and palliative care specialists as part of the 6th Death Online Research Symposium held at Northumbria University, tilted 'Death Futures'. The screening was hosted at the wonderful Tyneside Cinema in early June 2023. Elsewhere in the episode Neil and Dario get into the themes of the film and the cinematic application of them, as well as the vagaries of hosting Q&As, and Neil catches up with the Dead Good Film Club's Andy Jones about his work. Thanks to Andrew at Tyneside Cinema, Andy at DGFC, Stacey at DORN and the panellists; Emma Satchell, Kate Owens-Palmer and Dr Mark Lee. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing    

New Talk Art!!! Russell & Robert meet leading artist Larry Achiampong (b. 1984, UK). Larry Achiampong's solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity.With works that examine his communal and personal heritage – in particular, the intersection between pop culture and the postcolonial position, Achiampong crate-digs the vaults of history. These investigations examine constructions of ‘the self' by splicing the audible and visual materials of personal and interpersonal archives, offering multiple perspectives that reveal entrenched socio-political contradictions in contemporary society.Achiampong has exhibited, performed and presented projects within the UK and abroad including Tate Britain/Modern, London; The Institute For Creative Arts, Cape Town; The British Film Institute, London; David Roberts Art Foundation, London; Kunsthal Charlottenborg, Copenhagen; Bokoor African Popular Music Archives Foundation, Accra; Logan Center Exhibitions, Chicago; Prospect New Orleans, New Orleans; Diaspora Pavilion – 57th Venice Biennale, Venice; and Somerset House, London. Achiampong's recent residencies include Tyneside Cinema, Newcastle; Praksis, Oslo; The British Library/Sound & Music, London; Wysing Arts Centre, Cambridge; and Primary, Nottingham and Somerset House Studios (London).Achiampong is a Jarman Award nominated artist (2018) and completed a BA in Mixed Media Fine Art at University of Westminster in 2005 and an MA in Sculpture at The Slade School of Fine Art in 2008. In 2020 Achiampong was awarded the Stanley Picker fellow and in 2019 received the Paul Hamlyn Artist award in recognition for his practice. He lives and works in Essex, and has been a tutor on the Photography MA programme at Royal College of Art since 2016. Achiampong currently serves on the Board of Trustees at Iniva (Institute of International Visual Arts) facilitating art policies in the UK and internationally and also holds a place on the board of trustees for Elephant Trust and is represented by C Ø P P E R F I E L D. See acast.com/privacy for privacy and opt-out information.

Matthew Sweet talks to the Chilean French director and gets a take on his occult, drug filled and violently psychedelic world from critics Larushka Ivan Zadeh and Adam Scovell. Jodorowksy's 1973 surrealist fantasy film The Holy Mountain certificate 18 (the rating specifies that it contains strong bloody violence) has been re-released in cinemas in a 4K restoration and is being screened around the UK including events coming up at Tyneside Cinema, the ICA in London. The Alejandro Jodorowsky Collection is released on blu-ray 30th March 2020. Adam Scovell is the author of books including How Pale the Winter Has Made Us, Mothlight and Folk Horror. He writes for Sight and Sound. Larushak Ivan-Zadeh is Chief Film Critic for the Metro newspaper. Producer: Torquil MacLeod

For this week's episode Alice and Amy popped back along to the Tyneside Cinema to check out the most recent event in the Projections programme: Visions of Collisions by FilmBee. FilmBee is a collective based in the North East who experiment with all things film: shooting it, developing it, screening it and creating fab events with it, like this one! This was a weird and wonderful collaboration of ideas and source material, and we learned about the concept of agonism and how that can be thought of in the cinema space.

For this week's episode the girls popped back along to the Tyneside Cinema to check out the most recent event in the Projections programme: Susie Green & Simon Bayliss: Artists' Music Videos. They had a fantastic evening watching an eclectic mix of music videos and true experimentations of what a music video could be.

Rachel is the Film Programme Coordinator at Newcastle’s Tyneside Cinema. Previously she was the Producer of Alchemy Film and Moving Arts Festival, and has also held roles at Film Hub Scotland, Edinburgh Film Festival, BFI Festivals and Picturehouse, and she is also an archive activist. Rachel co-founded a project called Invisible Women that examines how curators can address gendered absence in the archive through public exhibition and looks to reinsert women into cinematic history. Read their manifesto here: https://www.invisible-women.co.uk/manifesto This was succhhh a good chat, I learnt so much and Rachel is incredibly eloquent and intelligent. We talk about the Invisible Women project, particularly some of the women filmmakers that it’s helping to resurrect, programming in the age of Me Too and career pivots. Enjoy!

This episode covers the Silent Divas screening of Italian silent film Assunta Spina (dirs. Francesca Bertini & Gustavo Serena, 1915) with live score from Italian folk band The Badwills at Tyneside Cinema on 12 May 2019. This was accompanied by documentaries from the BFI archive shown in association with Invisible Women detailed in the episode by Rachel Pronger (Film Programme Coordinator, Tyneside Cinema). Andrew Shail lends some early cinema knowledge, Shona Thomson (A Kind Of Seeing) talks about commissioning the music and Alastair Cole tells Paula Blair about the band, his research and documentary filmmaking. commonGround by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703Recorded on 12 & 13 May 2019. Edited by Paula Blair using Audacity. Auto-captioned video. Automated transcript. audiovisualcultures@gmail.comSign up for our free monthly newsletter.More info: https://audiovisualcultures.wordpress.com/ Early releases and bonus content: https://www.patreon.com/avcultures Tip jar: https://supporter.acast.com/audiovisual-cultures-podcast If you enjoyed this, please subscribe and give it a good rating in your app! Thank you for listening. Get bonus content on PatreonSupport this show http://supporter.acast.com/avcultures. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Cultural Peeps Podcast Episode 6: Jude Thomas Further information about Jude Thomas: Jude Thomas (Northumbria University Profile): https://www.northumbria.ac.uk/about-us/our-staff/t/judy-ann-thomas/ Links to Podcast Content: Martineau House: http://www.formerchildrenshomes.org.uk/convalescent_and_holiday_homes.html Romanian Revolution: https://en.wikipedia.org/wiki/Romanian_Revolution Children On The Edge: https://www.childrenontheedge.org/our-history.html The Black-E: http://www.theblack-e.co.uk/ Northumbria University: https://www.northumbria.ac.uk/ Newcastle City Council Arts Development Team: https://www.informationnow.org.uk/organisation/arts-development-team-newcastle-city-council/ Duke of Edinburgh Award Scheme: https://www.dofe.org/ Raleigh International: https://raleighinternational.org/ PGCE: https://getintoteaching.education.gov.uk/explore-my-options/teacher-training-routes/pgce Baltic: http://baltic.art/ Liverpool Bieniale of Contemporary Art: https://www.biennial.com/ Baltic 39: http://baltic.art/baltic39 B&D Studios: https://www.facebook.com/BDStudiosCIC/ Lime Street Studios: http://36limestreet.co.uk/ The New Bridge Project: https://thenewbridgeproject.com/ Creative Partnerships: https://www.creativitycultureeducation.org/programme/creative-partnerships/ Creatitivity Culture Education (CCE): https://www.creativitycultureeducation.org/ The Bluecoat: http://www.thebluecoat.org.uk/ Tyneside Cinema: https://www.tynesidecinema.co.uk/ Mortal Fools Theatre: https://www.mortalfools.org.uk/ Don’t forget you can follow the podcast at: Twitter: twitter.com/culturalpeeps Instagram: www.instagram.com/culturalpeeps/ Facebook: www.facebook.com/culturalpeeps/ SoundCloud: https://soundcloud.com/culturalpeeps Blog: https://culturalpeeps.wordpress.com/

For this week's episode the girls went back over to the Tyneside Cinema to check out what's on in the Projections programme. This time Holly Argent, known for starting the Women Artists of the North East Library, gave a 'performative lecture' about here archival findings of the Polish art duo, KwieKulik. This was a really amazing and unique experience, and a fantastic taste of what you can check out at Projections.

This week the girls went along to one of Newcastle's many gems, the Tyneside Cinema. They checked out 'Decompression' by Sally Golding and Spatial, a moving image piece that was part of the cinema's Projections programme.

Film doctors Paula Blair and Andrew Shail discuss Leave No Trace (dir. Debra Granik, 2018, BBFC cert. PG), cinema audiences and other elements of film and visual culture at the Tyneside Cinema. Music: commonGround by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703Recorded on 4 July 2018. Edited by Paula Blair using Audacity. Auto-captioned video. Automated transcript. audiovisualcultures@gmail.com Sign up for our free monthly newsletter.More info: https://audiovisualcultures.wordpress.com/ Early releases and bonus content: https://www.patreon.com/avcultures Tip jar: https://supporter.acast.com/audiovisual-cultures-podcast Get bonus content on PatreonSupport this show http://supporter.acast.com/avcultures. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

A brief episode about the Russian entry for the Oscar for Best Foreign Language Film 'Loveless' by Andrey Zvyaginstev

Daniel Day Lewis swaps oil for thread as he returns into the loving arms of Paul Thomas Anderson for 'Phantom Thread'. Guess what? This podcast has Simon lavishing praise on PTA again, but for the last time this year (unless PTA makes a super secret film and drops it without warning)

An episode in which I describe Paul Thomas Anderson's Magnolia as 'stunning' four too many times, and Alexander Payne's Downsizing as baffling four too many times

A bumper (albeit still short) edition of 'A Year At The Tyneside Cinema' covering The Post, The Final Year, and Boogie Nights. The 'OPEN LETTER OF THANKS TO THE MEN WHO TELL ME WHO PAUL THOMAS ANDERSON IS' is by Charlotte Barnett and can be read on McSweeneys.net.

Episode 3 of 'A Year At The Tyneside Cinema' is about Joe Wright's Churchill biopic Darkest Hour.

Episode 2 of 'A Year At The Tyneside Cinema' is about All The Money In The World, Ridley Scott's thriller about J. Paul Getty's kidnapped grandson.

Episode 1 of my new series 'A Year At The Tyneside Cinema', which will have me tracking each film that I see towards my goal of seeing 52 films at the Tyneside this year. Episode 1 covers Molly's Game, a film by Aaron Sorkin, starring Jessica Chastain and Idris Elba

Its our extra long Xmas Special!! Steven (@Geek_apocalypse) and Ricky (@vividricky) are live in the studio to talk all things Christmas! The guys are joined in the Spice Fm studio on this 3 hour edition by Christine Stephenson who made headlines for defending her autistic son, Ian Driver from Veterans Response and Sharon from Community Counselling North East! They are also joined by Sally - Action For Children for fun chat including recent 'memory walk' , Oriana Franceschi to talk xmas schedule for Tyneside Cinema as well as being dementia friendly and we also finish with the last mental heath news of 2017!

Ashley Pharoah, writer of Life on Mars and Ashes to Ashes, discusses his latest creation for BBC TV - The Living and the Dead. Set in rural Somerset in 1894, this supernatural drama follows Nathan Appleby, a reluctant gentleman farmer who is obsessed with proving the existence of the afterlife, as he investigates hauntings, paranormal happenings and ghostly visitations.Writer Sarah Crossan has won the 2016 Bookseller YA prize for her novel One. It's the story of conjoined twins, written in verse. Ros Barber's debut novel The Marlowe Papers is a fictional account of the life of Christopher Marlowe, also written in verse. They talk to Kirsty about writing novels which take the form of series of poems.Sound artist Chris Watson, who has worked alongside David Attenborough on many of his BBC nature series, discusses his new project The Town Moor - A Portrait in Sound. Over the course of a year he documented the sounds of the ancient and vast grazing common at the heart of Newcastle, and will be presenting the audio portrait as a 'dark' cinema experience at the Tyneside Cinema.Presenter: Kirsty Lang Producer: Rebecca Armstrong.

It's five weeks to Polling Day. As part of our investigation into how different BBC networks are covering the election, Roger Bolton talks to the political team of Radio 1's Newsbeat. Young listeners ask editor Louisa Compton how the coverage will be tailored to the age and interests of the Radio 1 audience. And what effect did the sounds of a glacier, a football crowd and a dawn chorus have on our listeners? Sound recordist Chris Watson produced a series of audio postcards - each Exploring the sound of a spectacular natural event in compressed time. Chris Watson explains how he risked life and limb in the middle of the Kalahari Desert - but which of the sounds was the most challenging to record? Sound also infiltrated the Today Programme this week. Sarah Montague visited the café of the Tyneside Cinema in Newcastle as part of their coverage of '100 constituencies in 100 days' - but did clattering background noise make it too difficult to listen. Radio 4 Drama 'Far Side of the Moore' brought astronomer and former BBC presenter Patrick Moore's voice back to life. Listeners praise actor Tom Hollander for his authentic portrayal of the late astronomer's quirks and eccentricity. And the results of the Feedback twitter challenge are revealed - did anyone correctly guess which animal inspired our alternative Tweet of the Day? Producer: Karen Pirie A Whistledown production for BBC Radio 4.

Friday 1st March 2013. Podcast #4. Windy Pops Martin and Alex 'the Golden Swan' return for episode 4 of the renowned, unbeatably childish Friendly Atmosphere Newcastle Music Scene Podcast. This month we have a wonderful interview with Calum Lynn of Brilliant Mind fame, recorded at The Tyneside Cinema in that Newcastle, and the usual mix of awesome Newcastle-based music and buggery (“fuck-a-way, fuck-a-way”) . Tracks played: Razmataz Lorry Excitement – If It Takes Me All Night Long Taken from the Album If It Takes Me All Night Long available at: www.razmatazlorryexcitement.co.uk Grandfather Birds – Higher Bridges Taken from the E.P., Now That’s What I Call… Grandfather Birds! Available at: www.grandfatherbirds.bandcamp.com Brilliant Mind – Blyth Taken from The Blyth E.P. Available to stream at: www.soundcloud.com/brilliantmind Other tracks available to download at: www.brilliantmind.bandcamp.com Tracks played: during Calum Lynn’s interview: The Room Upstairs – From The Blyth E.P. Leave Your Friends Behind – From Leave Your Friends Behind (bandcamp, as above) Twitter: @Calumlynn or @BrilliantMindd Nick Gladdish – Sticks and Stones www.nickgladdish.com Coalition Against Crime - www.thecoalition.org.uk My Attorney – John, You Saved My Life Taken from the album From Our Own Correspondent, found at: www.myattorney.bandcamp.com Ian Courtney – Small Town Hero Available at: www.smalltownhero.co.uk Purple Shards – Reality First Last FM: Search ‘Purple Shards’ Mike Gatto – The Phone Box Taken from Floating Through Reality. Available at: www.mikegatto.co.uk