Podcasts about Phantom Thread

Erin Prus is a design leader living in the heart of the Midwest, focuses on the ways words (and their systems and styles) shape design, and impact UI design elements, accessibility, and more. She returns to the show to talk about Challengers, directed by Luca Guadagnino and written by Justin Kuritzkes, starring Zendaya, Mike Faist, and Josh O'Connor. Is Challengers the horniest tennis movies ever? What about the sweaty, rainy scenes? And how does it compare to 9 1/2 Weeks or Basic Instinct?-A teacher-journalist turned content designer and UX writer, Erin Prus is no stranger to career pivots. She's been consulting for two seemingly disparate clients in the health tech and horticulture spaces, two things she cares deeply about. Also, she's scheduled to wrap up a forthcoming memoir later this year. When she's not working, Erin loves being outside, spending time with her French Bulldog Rumi, doing Pilates, and watching movies with her son.-Challengers (2024)https://www.imdb.com/title/tt16426418/https://www.cincinnati.com/story/entertainment/movies/2024/04/29/yes-applebees-in-challengers-is-accurate-zendaya-cincinnati-open/73499584007/https://www.vulture.com/article/why-challengers-had-that-applebees-scene.html-Other movies discussed, alphabetical listCall Me By Your Name (2017)Matchpoint (2005)Phantom Thread (2017)Queer (2024)The Royal Tenenbaums (2001)The Social Network (2010)The Squid and the Whale (2005)Wimbeldon (2004)Y tu mamá también (2001)

Madeleine Sims-Fewer & Dusty Mancinelli are a Toronto-based filmmaking duo who premiered their second feature HONEY BUNCH, an unconventional thriller set in a 70s medical clinic, at the Berlinale earlier this year. They're an exciting, genre-defying voice in contemporary cinema and it was great to get them on the podcast. We spoke about what it's like working as a duo, making the anti-revenge film VIOLATION, accessibility in film, and much more. Show Notes:Madeleine & Dusty's website Slap Happy (2017)Woman in Stall (2018)Chubby (2019)Violation (2020)Honey Bunch (2025)Her Friend Adam (2016)Great dm interview with Alexandra Heller-Nicholas Describe VideoHeavenly Creatures (1994)Don't Look Now (1973)Eternal Sunshine of a Spotless Mind (2004)Possession (1981)Phantom Thread (2017)Babygirl (2024)Brussels International Film FestivalFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

In this new episode of Time on Screen, Zach Kazan welcomes Worn & Wound contributor Brett Braley to talk about Paul Thomas Anderson's Phantom Thread. Why Phantom Thread? Well, for a number of reasons. First, PTA has a new film out later this year and it has Zach and other members of the Worn & Wound team thinking about his filmography. Second, there's a clear link in our minds between the craft depicted in this film and the world of watchmaking. Third, Brett and Zach previously discussed Tár, a movie with more than a few links to Phantom Thread. Lastly, it's just a great film, with great performances, and some of the best scenes of a couple eating breakfast that you'll ever find in a movie. To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast on all major platforms including Apple Podcasts, Stitcher, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.

Josh and Vulture critic Roxana Hadadi review BLACK BAG, with Josh calling it Steven Soderbergh's best in over a decade. Roxana sticks around for Round 1 of Filmspotting Madness - Best of the 21st Century (So Far), only to be confronted with choices like PHANTOM THREAD or WALL-E. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:03:42) Review: “Black Bag” (00:03:43-00:36:51) Filmspotting Family (00:36:52-00:42:29) Next Week / Notes (00:42:30-00:49:54) Filmspotting Madness: Round 1 (00:49:55-01:15:33) Credits / New Releases (01:15:34-01:21:24) Notes/Links: -Filmspotting Madness https://www.filmspotting.net/madness -2025 Ebert Interruptus https://www.colorado.edu/cwa/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

"Reynolds has made my dreams come true." For Episode 347, Thomas and Brandon continue the show's Romantic Drama series. Listen as they discuss what personal experience inspired the film, how Daniel Day-Lewis became involved, and how Paul Thomas Anderson and his crew created the visual style for the film.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Happiness and Philip Seymour Hoffman (00:00:10) Recap of the Romance Drama Genre (00:04:03) Intro to Phantom Thread (00:09:14) How Phantom Thread Made It To Production (00:16:55) Favorite Scenes (00:30:28) On Set Life (01:13:00) Aftermath: Release and Legacy (01:17:35) What Worked and What Didn't (01:23:34) Film Facts (01:26:45) Awards (01:29:02) Final Questions on the Movie (01:34:08) Wrapping Up the Episode (01:38:23) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Mark's work for director Paul Thomas Anderson includes: Boogie Nights, Magnolia, Punch Drunk Love, There Will Be Blood, The Master, and Phantom Thread, for which he won an Academy Award. Mark had also won an Oscar for his work on the The Artist.  Mark's more recent work includes: Joker, The Fabelmans, Maestro, and the upcoming The Lost Bus for Paul Greengrass.

SEASON 2 - EPISODE 118 - Mark Bridges - Costume Designer In his podcast debut, costume designer Mark Bridges (THE FABELMANS, JOKER, PHANTOM THREAD) speaks with us on this episode of the Team Deakins Podcast. Mark was once a costume assistant on BARTON FINK and HUDSUCKER PROXY alongside Mary Zophres (Season 1, Episode 80), and he shares how he made the jump to being a costume designer in his own right after meeting director Paul Thomas Anderson to work on his debut feature, HARD EIGHT. Throughout the episode, we discuss Mark's approach to his work, and he shares how he builds out a character's closet through diligent research and frequent testing. We also discuss how Mark communicates with the hair and makeup department, and he describes the types of conversations he has with the actors embodying a film's characters. Later, Mark discusses how he designs costumes in black-and-white, and he reflects on the extra legwork done to get ahead of any potential problems while shooting on location. And, while sharing advice at the end of the episode, Mark cautions young designers against making it about the money. - This episode is sponsored by Aputure

We were incredibly saddened by the loss of 1st Assistant Director and producer, Adam Somner. You can hear his fantastic energy, enthusiasm and entertaining storytelling as a guest on The Cinematography Podcast. Here we have re-posted his 2021 episode in memorial and tribute to his blockbuster career. He will be greatly missed. The job of the assistant director is to work in concert with the director and the DP to get everything done on a movie set. As a 1st AD, Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group, persuading people to do things on the schedule and timeline needed to complete the job. Adam's father, Basil Somner, worked for MGM Studios in England, and through him, Adam got a job as a runner/production assistant at age 17. He began working on movies in the late '80's, like Indiana Jones and the Last Crusade, Superman IV, and Who Framed Roger Rabbit? He worked under many assistant directors, observed how they took charge on set, and decided he was really interested in becoming an AD. Adam has worked on eight Ridley Scott films to date, as well as several of the late Tony Scott's films. He was first hired on a Ridley Scott film as a third assistant director on 1492: Conquest of Paradise and White Squall, then moved up to second assistant director on Gladiator, (with DP John Mathieson) where he learned how to manage a huge crew of extras and background action from the 1st AD, Terry Needham. On Black Hawk Down, Adam was promoted to first assistant director for the second unit. Black Hawk Down was shooting in Morocco, and the second unit was responsible for most of the helicopter sequences, with lots of moving parts and extras, involving real Black Hawk helicopters and real U.S. military soldiers. After Black Hawk Down, Adam got the call to begin working with Steven Spielberg on War of the Worlds, where he quickly learned to read Spielberg's mind and keep an eye on the details. He's worked with Spielberg on ten films now, including Munich, Lincoln, and Ready Player One. A 1st AD is responsible for coordinating most of the background action. Adam's ability to work on big sets with lots of action, extras and special effects led director Paul Thomas Anderson to hire him for There Will Be Blood, and Anderson has since become a personal friend. Adam finds Anderson's on-set approach to be very thoughtful and measured. Unlike the action-heavy films Adam has worked on, he knew it was important to keep the crew and background actors quiet and subdued on Anderson's films with heavy dialog, such as The Master and Phantom Thread. For The Wolf of Wall Street, Adam was thrilled to work with director Martin Scorsese. Scorsese and cinematographer Rodrigo Prieto had Adam sit in during their preproduction shotlisting process, so they were all thoroughly prepared. Scorsese loves shooting scenes with complex background action, and Adam delivered. He carefully rehearsed all the extras in different stages of panic as the brokers watched the stock market crash. For the famous in-flight orgy scene, Adam wasn't totally sure how he wanted to deal with not just one sex scene, which is hard enough, but several at once. So he decided to hire a choreographer to help rehearse and plan all the action, making sure each background player knew exactly what they were doing and taking care that everyone was comfortable with their role in front of the camera. Adam was excited to work with Alejandro González Iñárritu on some of Birdman, and as the 1st AD on one of the may units shooting The Revenant, where Iñárritu and the DP Emmanuel Lubezki “Chivo” wanted everything shot and rehearsed during magic hour. Rehearsals were incredibly important on both Birdman and The Revenant...

We must never begin a day with conflict, and today we began with a beautiful discussion. This time it's 2017's PHANTOM THREAD, joined by our wonderful friend Brie! We get into luxury estates in the Cotswolds, PTA goes to London, smoking the camera, Dr. Steve Brule, Daniel Day Lewis' final film (for now), the amazing Vicky Krieps, modern PTA, Reynolds Woodcock's relatability, and a ton more. It's a great episode, we had a lot of fun. Rate and review us too, it helps us out! PHANTOM THREAD | Camera Tests https://www.youtube.com/watch?v=GHRl0urd5qE Follow Brie: https://bsky.app/profile/brieplay.com Follow Altmania, support the show: linktr.ee/altmania patreon.com/altmania

The great Mikki Hernandez joins Alex and Nick to break down Paul Thomas Anderson's “Phantom Thread.” They discuss their favorite PTA films, Daniel Day-Lewis co-writing the movie, Lesley Manville, Vicky Krieps, Oscar-winning costumes, breakfast, relationships, marriage, fragile male egos, DDL's retirement (?), and much more.Watch Mikki and Nick in Alex's film, “I Am Alive.”Purchase Mikki's book, “Cake Mix: Learning to Love All Your Ingredients” on Amazon, or Barnes & Noble.

The spooky thriller House of Spoils on Amazon Prime is about an ambitious chef, Ana (Ariana DeBose) who follows her dream to open a restaurant on a remote estate in the woods. She quickly realizes it's haunted by the vengeful spirit of the previous owner. As Ana battles stress, self-doubt, a skeptical investor, and kitchen chaos, the ghost's sinister presence threatens to sabotage her every step. When cinematographer Eric Lin met with directors Bridget Savage Cole and Danielle Krudy (Blow The Man Down), they presented him with several inspirational references by surrealist painter Leonor Fini and Dutch painter Adriaen van Utrecht. Both artists captured the unsettling feeling of eerie decay while being surrounded by the natural world. Nature, rot and its influence on bodies became the movie's core aesthetic. Films like Black Swan (psychological horror), The Shining (single, oppressive location) and Phantom Thread (artistic obsession) also served as inspiration. Eric embraced the use of zoom lenses in the film. “Zooms are super psychological and we tried to find ways that we would sneak them in, because it has this very unsettling feel,” he says. Because Ana is a chef, food also played a major role in the film. “I was interested in trying to find a way to represent the colors that had a feeling of decay- almost a mushroom, moldy look,” Eric explains. “Because what comes from that decay is life, right? It's like creativity is born through all this death and decay. And so I wanted the colors of the film to represent that feeling.” He created a LUT where the vibrant colors stood out while the browns and greens stayed dull and earthy. The kitchen was really being used to cook the dishes, and a food stylist helped to plate all the ingredients. Second unit would then shoot the dishes as they were presented to the table. House of Spoils was shot on location at an estate in Budapest. The crew built a fully functional kitchen set, allowing for meticulously planned lighting. The garden outside the kitchen was also created by the production design team and the greens department. The natural fog blanketing the estate's garden provided the perfect eerie atmosphere, eliminating the need for fog machines. Eric's passion for cinematography wasn't always his career path. After studying at UC Berkeley, he switched gears to study film in grad school at NYU. He managed to land a job as an assistant editor, but cinematography was his true passion. Eric shot music videos and independent films as much as he could on the side. While shooting music videos and independent films, his dedication paid off. The short film Missing went to the Cannes Film Festival. Eric's cinematography is also in several Sundance Film Festival projects, such as The Sound of Silence, Hearts Beat Loud, and I'll Be Your Mirror (originally titled Blood). House of Spoils is currently streaming on Amazon Prime Video. Find Eric Lin: www.eric-lin.com Instagram: @holdtheframe Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

 Daniel Day-Lewis is coming out of retirement, seven years after his last movie, for a film directed by his son Ronan Day-Lewis. The project was announced Tuesday by Focus Features and Plan B, who are partnering on “Anemone.” The film, Ronan Day-Lewis' directorial debut, will star his father along with Sean Bean and Samantha Morton. The two Day-Lewises co-wrote the film. Earlier Tuesday, Daniel Day-Lewis and Bean were spotted driving a motorbike through Manchester, England, stoking intrigue about his impending return to acting. After making Paul Thomas Anderson's 2017 film “Phantom Thread,” the 67-year-old said he was quitting acting. Given Day-Lewis's decades-long filmography, and 3 Academy Awards to his name, we thought it'd be good to look back at his legacy to help contextualize how significant his contributions have been.    With files from the Associated Press  

This week, SepTIMEber concludes with another charming British time travel rom-com that segues into fam-dram territory before it reaches the finish line. It's 2013's About Time, written and directed by Richard Curtis, and starring Domhnall Gleason, Rachel McAdams, Bill Nighy, Tom Hollander, Margot Robbie, Lydia Wilson, Vanessa Kirby and an uncredited Richard E. Grant. It's once again the final Friday of the month, as even this theme month can not stop the inexorable march of time, and Hayley's got the keys to the vault this time around, as she's chosen to nominate a cozy comfort film that's come to mean a great deal to her over the last decade. It's a cute movie with a sharp premise that plays a bit like if Edge of Tomorrow was a romantic comedy -- at least as far as it's interested in being a romantic comedy, anyway. We debate, as always. If you'd like to watch the movie before listening along to our conversation, About Time is not currently available to stream in Canada at the time of publication, but is rentable on YouTube, Cineplex and Amazon. And you can nab it for $5 on DVD at your local Sunrise Records. Other works discussed on this episode include Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, Star Trek VI: The Undiscovered Country, Star Trek: Insurrection, Star Trek: Lower Decks, Star Trek: Strange New Worlds, Star Trek: Discovery, Star Trek (2009), Spider-Man: Far From Home, San Andreas, Lost, Super 8, Star Wars: The Rise of Skywalker, Star Wars: The Force Awakens, Arrested Development, Pirates of the Caribbean: Dead Man's Chest, Early Edition, Phantom Thread, Saltburn and Love, Actually..., among others. We'll be back next week to kick off a new theme month as we put SepTIMEber in the past and move on to four weeks of frights, as Spooktober begins with a meeting of the minds from George A. Romero and Stephen King: 1982's Creepshow, which is currently streaming north of the border on Hollywood Suite. The rest of the Spooktober schedule includes 1408, The Birds, and our October canon consideration The Thing! It's gonna be a great month, so come on back, and until then, we'll see you at the movies!!

Paul Thomas Anderson sai fora do esquema hollywoodiano do fast cinema para nos servir mais uma delicada refeição do mais gourmet que o cinema americano tem para oferecer.

This week we are once again fumbling our way to the end of a mystery as we're joined by our noir-comedy correspondent, as the great "Wild Eyes" Travis Woloshyn (Boom Pro Wrestling, Percy Jackson & The Olympians) returns to the program to talk a movie that is thematically linked to the last movie he was here to discuss. It's 2014's Inherent Vice, written and directed by Paul Thomas Anderson from the novel by Thomas Pynchon, and starring Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio Del Toro, Jena Malone, Hong Chau, Martin Short and Joanna Newsom. If it's not Anderson's funniest film it's certainly right up there, with two heavyweight comedy performances from Phoenix and Brolin, who are just as adept at character comedy as they are at broad slapstick. If you'd like to watch the movie before listening to our conversation, you may be out of luck! Inherent Vice is not currently streaming in Canada at the time of publication. You may however be able to find it in stock at your local library. Other works discussed on this episode include The Long Goodbye, Trap, The Sixth Sense, Unbreakable, Signs, Wrath of Man, The Usual Suspects, Fight Club, Don't Breathe, Gremlins, Batman ('89), Jurassic Park, Melvin and Howard, Aquaman & The Lost Kingdom, Twister, Twisters, Riverdale, The Big Lebowski, Mandy, Her, C'mon C'mon, You Were Never Really Here, Joker, Fear and Loathing in Las Vegas, Sleeping With Other People, Alien: Covenant, Tenet, The Candidate, A Talking Cat?!, and other entries in the PTA ouevre like Phantom Thread, Punch-Drunk Love, Licorice Pizza, Magnolia, and Hard Eight. We'll be back next week to close out P.T.August with our monthly canon selection, as 1998's Boogie Nights is up for consideration this time. You can find that movie streaming in Canada on Crave, Starz and Hollywood Suite, so good luck to ya. Until then, we'll see you at the movies!!

This week: Phantom Thread (2018) dir. Christopher McQuarrie Alan's Game: Cruise Runs For Critics Guest: Braden Griffiths Movie chat begins at 5 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and becoming a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

P.T.August rolls on with the only PTA movie neither host had seen before embarking on this month-long odyssey, a 1950s period piece set in the London fashion world that seems on the outside like a stuffy Oscar drama but packs some hidden humour in its dramatic depths. It's 2017's Phantom Thread, written and directed by Paul Thomas Anderson and starring Daniel Day-Lewis, Vicky Krieps and Lesley Manville. While most folks would might work their way through a filmography in chronological order, we've fallen into an accidental cosmic alignment as this feels more in line with The Master than almost any other movie Anderson has made, boasting another terrific Jonny Greenwood score. Plus: Hayley's fired up to welcome her little niece into the world, while J Mo's got a theatrical field report on Deadpool & Wolverine. If you'd like to watch the movie before listening to our discussion, Phantom Thread is currently streaming on Amazon Prime at the time of publication. Other works discussed in this episode include The Hangover, The O.C., Deadpool 2, X-Men Origins: Wolverine, X-Men, X-2: X-Men United, X-Men: First Class, Ghostbusters: Frozen Empire, Alias, Maestro, The Crown and Old. We'll be back next week with returning favourite Matt Pollock as P.T.August continues with a much more youthful and funny film: 2021's Licorice Pizza, starring Alana Haim and Cooper Hoffman, which can currently be found streaming on Crave and the Criterion Channel. Until then, we'll see you at the movies!!

Our newest contributor Paul rejoins the podcast as Max and Brian revisit their series pairing off the films of Quentin Tarantino and Paul Thomas Anderson. We've skipped ahead a bit to land on their 70mm roadshow pictures, each auteur using their clout to shoot on film, on location. In doing so they crafted two of their most personal movies, with wildly varied results. Give us a listen as we continue to pit these two geniuses against each other!Say Hi!

Our deep dive of Wes Anderson and P.T. Anderson continues: this time we discuss the 2017 film The Phantom Thread which tells the story of a toxic relationship fostered by a tyrannical dressmaker. Michael and Abe discuss Paul Thomas Anderson's distinctive style, themes, and characters. Features: Michael Swaim: https://twitter.com/SWAIM_CORP Abe Epperson: https://twitter.com/AbeTheMighty Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

This week, it's the first week of P.T.August as we're set to spend the next five Fridays indulging in the works of Paul Thomas Anderson, beginning with a Blu-ray J Mo's been carting around for 11 years now without having ever actually watched before now. It's 2012's The Master, written and directed by P.T. Anderson, and starring Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Rami Malek, Laura Dern, Jesse Plemons, Ambyr Childers and Kevin J. O'Connor. Watching it now, it feels like PTA was a good four years ahead of the culture in exploring the dynamics of cults, how they operate and why people get sucked in to them -- a subject on which there are now countless documentary series, but must have felt cutting edge in 2012. Loaded with visual flair and anchored by a trio of tremendous lead performances, it's Anderson's own personal favourite of his films. Will our hosts agree? Plus: Hayley's still boiling over the cut kiss from the end of Twisters. If you'd like to watch the film along with us this week, The Master can be found streaming in Canada on Amazon Prime, Hoopla and the Criterion Channel at the time of publication, the latter of which is also celebrating P.T.August with an August collection of Anderson's work. Other works discussed in this episode include The Fabelmans, Deadpool, Deadpool 2, Species, Species II, Under The Skin, Evil, Plane, There Will Be Blood, Arrival, Night Bitch, Nocturnal Animals, Ren Faire, Fight Club and many more. P.T.August continues next week as we get back at it with an unseen film-on-disc from Hayley's collection, as we watch Daniel Day-Lewis and Vicky Krieps in 2017's Phantom Thread, also available to stream at the moment on Amazon Prime. Until then, we'll see you at the movies!!

This week: Phantom Thread (2017) dir. Paul Thomas Anderson Alan's Game: Method or Madness Guest: Carly Maga Movie chat begins at 11 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and becoming a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

This week, it wouldn't be the final episode of July if we weren't talking about a huge new theatrical release, but we're doing it a bit differently this time around as for the very first time (officially anyway) we review two movies at the same time! July's canon consideration is 1996's Twister, directed by Jan de Bont and starring Helen Hunt, Bill Paxton, Jami Gertz, Cary Elwes, Lois Smith, Philip Seymour Hoffman, Alan Ruck, Todd Field, Joey Slotnick, Jeremy Davies and Zach Grenier, but we spend just as much if not more time discussing 2024's Twisters, directed Lee Isaac Chung and starring Daisy Edgar-Jones, Glen Powell, Anthony Ramos, Brandon Perea, Maura Tierney, Sasha Lane, Katy O'Brian, Kiernan Shipka, David Corenswet and Paul Scheer. And we're joined to discuss both by returning favourite / girlfriend of the show Ashley Olson, a self-confessed "weather girlie" for whom the original film has been a lifelong fave. It's a delightful chat as two prairie girls roast an ignorant city boy for knowing nothing about storm tracking. If you'd like to watch the films before listening along to our conversation, Twister is currently streaming on Crave and Starz in Canada at the time of publication, while Twisters can be found in theaters everywhere. Oh, you thought we would be discussing other works this week as well? Well, we're not. Two movies is more than enough, you sickos. We'll be back next week to kick off P.T.August, a month-long celebration of the works of Paul Thomas Anderson, beginning with 2012's The Master, a movie J Mo's been hauling around on Blu-ray for 11 years without ever having watched it. That all changes next Friday! So come on back now, as the rest of our PTA slate includes Phantom Thread, Inherent Vice, Licorice Pizza and concludes with our August canon entry Boogie Nights. Until then, we'll see you at the movies!!

Daniel Day Lewis' seminal final performance came in Paul Thomas Anderson's Phantom Thread from 2017. The film subverts expectations in the best possible way, appearing to be a 1950s period drama about a fashion designer and morphing into a bizarre love story that explores the darker sides of both masculinity and femineity. Phantom Thread is incredibly dense, nuances, and brimming with beautiful costumes and incredible performances. The movie demands multiple viewings and delves into themes of class distinction, the frivolity of high fashion, psychological needs, and more.

Do you hate starting your day with a confrontation? Then you should listen to our new episode instead! That's right, we're back and covering Paul Thomas Anderson's 2017 offering PHANTOM THREAD. Starring Daniel Day Lewis, Vicky Krieps and Lesley Manville. We talk all things fashion, breakfast and routine. And if you listen closely, perhaps you'll catch the plenty of tangents we stitched lovingly into the fabric of this episode. We strongly recommend listening alone or with headphones as not to disturb your loved ones at breakfast. Support Amusing Ourselves to Death by contributing to their tip jar: https://tips.pinecast.com/jar/amusing-ourselves-to-death Find out more at https://amusing-ourselves-to-death.pinecast.co

Boomer, Brandon, and Alli discuss Fritz Lang's German expressionist sci-fi landmark Metropolis (1927) https://swampflix.com/ 00:00 Welcome 01:07 Idiocracy (2006) 07:40 Days of Heaven (1978) 13:42 The Parallax View (1974) 20:01 Blue Sunshine (1977) 25:54 Phantom Thread (2017) 29:02 M (1931) 33:30 Gasoline Rainbow (2024) 38:42 Furiosa (2024) 43:26 Hundreds of Beavers (2024) 47:56 Blue Velvet (1986) 51:55 It's Such a Beautiful Day (2012) 57:30 Le Samouraï (1967) 59:02 Evil Does Not Exist (2024) 1:02:22 Metropolis (1927)

Resident Paul Thomas Anderson expert, at least around these parts, Kurt is back on the show to talk about, surprise, a PTA movie! This is one Jake missed out on back when he was finally getting into film for real, and it is time to rectify that. How does it hold up/compare to PTA's other films? Is Alma the ultimate girlboss and are her and Woodcock #couplegoals? What is wrong with me when I write these summaries? It's a great episode with a great guest, so check it out! --- Support this podcast: https://podcasters.spotify.com/pod/show/cleartintedclassics/support

Paul Thomas Anderson's 2017 beautifully twisted London romance, PHANTOM THREAD, is our feature presentation this week! We'll talk the film's surprising twist, if it's a great dark comedy or not, what inspired the film, how Reynolds Woodcock likes his asparagus, and much more! We also pick our TOP 7 PAUL THOMAS ANDERSON MOVIES in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

Phantom ThreadHosts: Clark Coffey & Cullen McFaterClark and Cullen are back to discuss Paul Thomas Anderson's Phantom Thread! Daniel Day Lewis' final on-screen performance is an incredible show of talent as he portrays the eccentric, intensely passionate 1950's Fitzrovia dressmaker Reynolds Woodcock. A visually stunning, small-scale film, the discussion covers everything from our own personal experiences with the film to the technical details of how it was made.Phantom Thread TrailerDirector: Paul Thomas AndersonStarring: Daniel Day Lewis, Vicky Krieps, Leslie ManvilleSocials:FacebookTwitterInstagram

Join us for an extended discussion of movies, snacks and streaming picks! We also review: Our streaming picks this week are: To Leslie The Impossible The Phantom Thread   00:00 – Intro 05:15 – Streaming Picks 05:43 – To Leslie 07:23 – The Impossible 09:36 – The Phantom Thread 12:40 – Love Lies Bleeding 20:03 […]

“Variety” TV critic Alison Herman had just moved to Los Angeles in the year of our lord 2017, and she joins us to recall, with fondness, the cockeyed comedy of “Phantom Thread,” the deft commentary of “Get Out,” and the totally not-divisive pleasures of “Star Wars: The Last Jedi.” Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we watch the fashion-focused movie, Phantom Thread - which won the Academy Award for Costume Design. We talk about superstitions,  mushrooms,  dude muses ("duses"), and the struggle with control between the main characters. Intro and Outro music: "Hate Yourself" by TV GirlFollow us on Instagram @GoodChemPod for episode updates, email us at goodchempod@gmail.com and don't forget to like, rate, and subscribe!

This week we are reuniting with old flames while we discuss “all things”! We're talking how this episode clearly came about because Gillian Anderson wanted to direct a Moby music video, how scared we were by Daniel's massive man hands, how this is Gillian's first directing gig because she's not tall enough to reach the cameras, we make fun of Scully's disgusting lunch, and track the continuing story of Scully's old man predilection. We yell at Scully to go hang out at Stonehenge with her boyfriend, track Scully's multiple Phantom Thread situationships, point out Mulder's blonde woman energy, and celebrate because the Boo Crew is at least heavily implied to have had relations, which more importantly means Amanda was right. We wonder whether Scully has slept with all her teachers, we get sad because Gillian has been inducted into the boring voiceover cult, and we're just asking where we can get that “Stonehenge Rocks” hat, because it is amazing.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

On this episode, I spoke to costume designer Mark Bridges about his work on Maestro. Bridges' accolades include:  4x Oscar nominee; 2x winner for Phantom Thread and The Artist 2x BAFTA Award winner for Phantom Thread and The Artist 3x Critics Choice Award nominee; 2x winner for Phantom Thread and The Artist César Award nominee for The Artist 8x Costume Designers Guild Award nominee Maestro stars Bradley Cooper, Carey Mulligan, Matt Bomer, Maya Hawke, and Sarah Silverman. 

EMAILS: Red Lobster gift cardVOICEMAILS: Another Argylle theory. Exhausted by Wonka. Becky's follow-up to her birthing experience. Shook that Ali's never had summer sausage. Burger King Whopper sacrifice campaign. Ghost touching back of neck. Dog stealing a pink dinosaur toy. Phantom Thread coincidence. Lots of support messages for Becky. -Webcrawlerspod@gmail.com626-634-2069Twitter / Instagram / Patreon / Merch Support this show http://supporter.acast.com/webcrawlers. Hosted on Acast. See acast.com/privacy for more information.

Two hungry boys devour Paul Thomas Anderson’s “Phantom Thread” and discuss: Cinematography without a cinematographer; Directing, sound design; Story & Writing; and other such stuff and things and stuff. “There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time!“ – Coco Chanel Notes & […] The post Ep 263: “Phantom Thread” appeared first on The Pestle.

Mark's work for director Paul Thomas Anderson includes: Boogie Nights, Magnolia, Punch Drunk Love, There Will Be Blood, The Master, and Phantom Thread, for which he won an Academy Award. Mark had also won an Oscar for his work on the The Artist. Mark's more recent work includes: Joker, The Fabelmans, and Maestro. 

Take 83: The Golden Globes, Spirited Away, Old Boy, & The Phantom Thread

Kelsi and Trey recorded a 3 hour exploration of Paul Thomas Anderson's masterpiece 'Phantom Thread' starring Daniel Day-Lewis and Vicky Krieps. They discuss how the film is revered as a meditation on the cost of romance, a deconstruction of the tortured great man myth, and how Anderson subverts our genre expectations with suggestions of a post-war through line with subtle themes of anti-semitism, homophobia, and class constraints. Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

In the Season 4 finale — Cade and Diane discuss two films about vampires: 20th Century Women (2016) and Phantom Thread (2017). Watch the video version at: ⁠YouTube.com/@CadeThomas/streams⁠ Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Three people. One rambling conversation. Each film is our first time watching them. We often go off-topic. 20th Century Women is a 2016 American coming-of-age comedy drama film written and directed by Mike Mills and starring Annette Bening, Elle Fanning, Greta Gerwig, Lucas Jade Zumann, and Billy Crudup. It is set in 1979 in Southern California and partly inspired by Mills's childhood. Phantom Thread is a 2017 American historical drama film written and directed by Paul Thomas Anderson, and starring Daniel Day-Lewis, Vicky Krieps and Lesley Manville. Set in 1950s London, it stars Day-Lewis as couture dressmaker who takes a young waitress, played by Krieps, as his muse. It marked Day-Lewis's final film role to date.

Alison Herman (Variety) joins us for Paul Thomas Anderson's beloved dissection into codependency and gender dynamics in 2017's phenonomal PHANTOM THREAD. Together, we remember how remarkable Vicky Krieps was, showing the film to your partner, Jonny Greenwood's score which is one of the best of the decade and how this toxic relationship compares best to Gary and Alana of LICORICE PIZZA  --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Paul Thomas Anderson's exquisite Phantom Thread (2017) is our New Year's movie of choice, as our friend Renee (follow on LB: Pixie_Bomber) sits in for a discussion that weaves discussions of terrific costume design with subjects who are driven to become experts in their field. Phantom Thread is one of the reasons this site came to exist and we'll always have time for PTA's tightly-wound precision. Meanwhile, George Clooney has directed The Boys in the Boat, the story of the UW rowing team who beat Hitler's team, and Renee has brought her expertise as a former coxswain to weigh in on the new locally-focused movie. All this and more as we enter another year of delightful cinema ahead.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 25 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Paul Thomas Anderson series, Phantom Thread (2017). The idea for PTA's eighth film came to him when he was ill. As he laid helpless on his back in bed, he saw the look of his wife taking care of him, and knew there was something there to latch onto. In creating Phantom Thread, Anderson recruited his There Will Be Blood lead actor Daniel Day-Lewis, to craft a story about an eccentric, meticulously mannered dressmaker who meets his match with a strong-willed woman that becomes his muse. Within this period piece lies honest, captivating power dynamics that showcase not only what it is like to fall in love and live with an artist, but the realistic, day to day interactions one has with someone whom they've been in a long term relationship with. These interactions can be sad, sexy, hilarious, deliciously evil, or a combination of all of them at once, much like the film. Led by three fantastic performances, Ryan, Jay, Sophia breakdown why this is Sophia's favorite film of all time, if the dress in the film are actually good dresses, the iconic breakfast order, if this is really Daniel Day-Lewis's final role, their favorite lines from the film, their thoughts on Taylor Swift using the film as inspiration for one of her songs, and which of one our Director Watch co-hosts has the film as their favorite PTA film. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h33m. The guys will be back next week to conclude their series covering the films of Paul Thomas Anderson with a review of his next film, Licorice Pizza. The film is streaming on Amazon Prime. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 24 of the Director Watch Podcast, the boys discuss the next film in their Paul Thomas Anderson series, Inherent Vice (2014). In what is his most controversial film of his career amongst cinephiles, PTA set out to do what many in the literary and film world deemed impossible; adapt a novel by author Thomas Pynchon. In doing this exercise, he was able to take this stoner neo-noir comedy and mold it into another brilliant examination of how power structures of the world is built on a system of corrupt that will eat you alive the more you go down the rabbit hole looking for answers. With an all-star cast led by a gonzo performance by Joaquin Phoenix, Inherent Vice rewards viewers more and more over time, making it a rewarding, layered puzzle box film within Anderson's filmography. Over the course of this episode, Ryan and Jay discuss their initial viewing experiences with the film, PTA's love of making movies in LA, the wild adaption process PTA took to bring the book to the screen, how great Josh Brolin and Reese Witherspoon are, how much paranoia was at play in the 1970s, the use of perfect needle drops throughout the film, and showcase their Jay Leno impressions. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h40m. The guys will be back next week to continue their series covering the films of Paul Thomas Anderson with a review of his next film, Phantom Thread. The film is streaming on Netflix. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. We discuss everyone's favorite method man: Daniel Day-Lewis. Our B-Sides are 1988's Stars and Bars, Eversmile, New Jersey (1989), Jim Sheridan's The Boxer, and Rebecca Miller's The Ballad of Jack and Rose. Returning guest Fiona Underhill joins us to discuss the myth-making around the actor, his process, as well as a few hot takes on whether some of his most lauded credits are properly rated. Naturally, we also discuss his peak ‘90s hotness (it's a tie between, Mohicans and The Crucible, by the way), and his influence, for better or worse, on a younger generation of actors. The scope of our B-Sides unlock a few lesser-seen tools in Day-Lewis' belt, from the farcical to the oddball. These are modes he doesn't necessarily seem comfortable in as a younger star, but that serve as practice for when he deconstructs his own serious image with his career peak in Phantom Thread. We can all be glad he gave us Reynolds Woodcock before retiring. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

What makes Chloë Sevigny the coolest girl in the world? Is Taylor Swift's Mastermind really inspired by Phantom Thread? This week we dive into the fascinating career of the "It Girl to End All It Girls", Chloe Sevigny. We also discuss Taylor Swift's Time Magazine Person of the Year profile and have a spiritual experience at Beyonce's Renaissance Movie.   Listen to us on Apple: https://podcasts.apple.com/us/podcast/late-to-the-party-with-nikki-bri/id1593848890 Listen to us on Spotify: https://open.spotify.com/show/6Uk6XEk4IZIV34CiqvGQUa Listen to us on Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy83MjBjMzM1OC9wb2RjYXN0L3Jzcw   Find us on Tik Tok https://www.tiktok.com/@thelatetothepartypod Find us on Twitter https://twitter.com/lttppod?s=11&t=N2TE0731pImO1eOG4T_wCQ Find us on Instagram https://instagram.com/thelatetothepartypod?igshid=NTc4MTIwNjQ2YQ==   (0:00) – Beyonce's Renaissance film was a spiritual experience! (13:56) – Taylor Swift's Time issue (23:33) – Chloë Sevigny (32:58) – Our histories with Chloë Sevigny (46:01) – How Chloë Sevigny was discovered (1:01:06) – “You can make anything sexy” (1:09:50) – The No Eyebrow look This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

*Please note we get into heavy spoilers for Saltburn and May December in this episode. Spoiler Talk begins at 24:00 and ends at 43:46*On today's episode, Lauren is under the weather and Chelsea plots her revenge against cyclists on Mulholland Drive. We also discuss Cynthia Nixon's divisive appearance on The View, George Santos' Cameo debut, Taylor Swift's Time profile and Phantom Thread-inspired bop, Madeline Brockway's viral wedding, the delicious bathwater in Saltburn, Julianne Moore's beauty routine in May December, Netflix's latest cult docuseries Escaping Twin Flames, Suki Waterhouse's Christine McVie realness in Daisy Jones and the Six, Balenciaga's LA show and Erewhon collaboration, Kim Kardashian's hard pivot to acting, and more essential pop culture news.Today's episode is sponsored by Dipsea.  Dipsea is offering an extended 30 day free trial when you got to Dipsea Stories.com/OUTFIT. As well as, Green Chef. Get 60% plus free shipping on your Green Chef order, when you go to GreenChef.com/60Outfit.Want to hear our thoughts about Julia Fox's memoir Down the Drain? Or Gen-X classic Reality Bites? Or Sofia Coppola's new book? Become a Patron! Patreon.com/EveryOutfitWant your call to be featured on a future hotline episode?  Call 323-486-6773

*Please note we get into heavy spoilers for Saltburn and May December in this episode. Spoiler Talk begins at 24:00 and ends at 43:46* On today's episode, Lauren is under the weather and Chelsea plots her revenge against cyclists on Mulholland Drive. We also discuss Cynthia Nixon's divisive appearance on The View, George Santos' Cameo debut, Taylor Swift's Time profile and Phantom Thread-inspired bop, Madeline Brockway's viral wedding, the delicious bathwater in Saltburn, Julianne Moore's beauty routine in May December, Netflix's latest cult docuseries Escaping Twin Flames, Suki Waterhouse's Christine McVie realness in Daisy Jones and the Six, Balenciaga's LA show and Erewhon collaboration, Kim Kardashian's hard pivot to acting, and more essential pop culture news. Today's episode is sponsored by Dipsea. Dipsea is offering an extended 30 day free trial when you got to Dipsea Stories.com/OUTFIT.  As well as, Green Chef. Get 60% plus free shipping on your Green Chef order, when you go to GreenChef.com/60Outfit. Want to hear our thoughts about Julia Fox's memoir Down the Drain? Or Gen-X classic Reality Bites? Or Sofia Coppola's new book? Become a Patron! Patreon.com/EveryOutfit Want your call to be featured on a future hotline episode? Call 323-486-6773

Lesley Manville made her debut on the West End stage as a teenager in 1972, and since then has taken on a wide range of roles on stage and screen, including an Oscar-nominated performance in the film Phantom Thread. She was born in Brighton and first enjoyed performing as a singer, winning competitions with her sister. When she was 15, she commuted daily to the Italia Conti stage school in London. Her first professional role was in a West End musical, and in 1974 she joined the cast of the ITV soap opera Emmerdale Farm. After two years she decided to leave, even though the work was well paid, and return to the stage. At the Royal Court in London she appeared in some of the most critically acclaimed new plays of the 1980s including Caryl Churchill's Top Girls, and Andrea Dunbar's Rita, Sue and Bob Too. She has also enjoyed a long collaboration with the film director Mike Leigh, memorably playing the alcoholic Mary in Another Year. Her recent TV roles include starring as Cathy in the popular BBC Two sitcom Mum, for which she won a Royal Television Society Award in 2019. She has also played Princess Margaret in The Crown, including a scene in which Margaret shares her favourite records on a BBC radio progamme. She was appointed a CBE in 2021. DISC ONE: Over The Rainbow - Eva Cassidy DISC TWO: My Brother Jake - Free DISC THREE: O Soave Fanciulla, composed by Giacomo Puccini, performed by Jose Carreras, Richard Stilwell and Teresa Stratas and Metropolitan Opera Chorus, conducted by James Levine DISC FOUR: Sugar on the Floor - Etta James DISC FIVE: You Don't Have To Say You Love Me - Dusty Springfield DISC SIX: Not While I'm Around - Barbra Streisand DISC SEVEN: Make You Feel My Love - Adele DISC EIGHT: Phantom Thread III - Jonny Greenwood BOOK CHOICE: A Botanical Encyclopedia LUXURY ITEM: A bed with linen, duvet and pillows CASTAWAY'S FAVOURITE: Over The Rainbow - Eva Cassidy Presenter Lauren Laverne Producer Sarah Taylor

Enjoy this episode from our archive on Phantom Thread (2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

The holiday season is here and the boys are feeling festive. Anthony and Gregg talk Thanksgiving, the best way for professors to get laughs and play America's favorite game: Phantom Thread or Die Hard? Athletic Greens AthleticGreens.com/JRVP Freshly  Freshly.com/JRVP Ziprecruiter  Ziprecruiter.com/JRVP Black Buffalo  BlackBuffalo.com Code JRVP Dave Download the Dave app or go to Dave.com