2017 film by Paul Thomas Anderson
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"I want you flat on your back."70mm presents DANIEL MAY LEWIS with Paul Thomas Anderson's PHANTOM THREAD. We also get into THE BATMAN PART 2 news, the relaunch of our merch store, Proto watching PREDATOR BADLANDS and ALVIN, Danny watching PATHS OF GLORY, and slime watching WIDOWS BAY and BLOODSPORT. Anyone want mushrooms?Chapters:(00:00:00) Introductions (00:06:22) What we watched(00:18:11) PHANTOM THREAD(01:12:10) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER, The Letterboxd Show, Austin Danger Pod, Escape Hatch, Will Run For..., Lost Light, The Movie Mixtape, and Twin Vipers.(Gone but not forgotten; Cinenauts + FILM HAGS.) ★ Support this podcast on Patreon ★
Christiana and Mike dig deep into the themes of Inglorious Basterds and then choose love with Phantom Thread. Watch on YouTube!
Opinions are divided amongst your illustrious hosts this week! Join Sarah & MJ as they discuss Martin Scorsese's The Age of Innocence. They discuss the film's not-so-subtle symbolism, the acting performances, and find some similarities with another pod favorite movie (and Daniel Day-Lewis starring), Phantom Thread.
Ryan and Dylan return to the movies of Paul Thomas Anderson to discuss Hard Eight, The Master, and Phantom Thread.
Katarina Zhu stars in her own directorial debut, Bunnylovr, which made a splash at Sundance and is now showing in theaters. In it, she grapples with themes of sex, love, and disjointed relationship -- but she doesn't go as dark as Lars von Trier in Nymphomaniac Vol. I -- a movie whose lead, Young Joe, made a teenage Katarina feel seen in ways she hadn't before. And you better believe Jordan was all-ears to learn why. After this conversation, Jordan has one quick thing about some action picks for the big and small screen this weekend. Watch the trailer for BUNNYLOVR Listen next:Emma Seligman on 'Jennifer's Body'Chloe Okuno on 'Black Swan'Jade Halley Bartlett on 'Who's Afraid of Virginia Woolf?' Watch the trailer for BUNNYLOVR Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
We've got mail! Jonathan and Honey answer your questions about cinema, films, family and everything in between. This week, the No. 1 fan of the podcast gets in touch to spill the tea on Jonathan's wardrobe choices, the pair revisit Jonathan's bowler hat dance and Honey takes us to the Phantom Thread hotel in Whitby.Let us know what you think! You can get involved by following us on Instagram and sending us a DM on @reeltalkrossThanks for listening. Listen and subscribe to Reel Talk wherever you get your podcasts.
University of Chicago Assistant Professor in the Department of Cinema and Media Studies, AE Stevenson and Rutgers University–New Brunswick, Assistant Professor of Journalism and Media Studies Brooklyne Gipson join us to talk about digital Black feminism online. We start our discussion with America's relations with the platform TikTok, and how it is a large social media site for Black creators. We then explore how to define community and culture, especially for Black people online, in a world resistant to progress. Building from this, AE and Brooklyne discuss how certain communicative practices in the Black community focus on storytelling as a vehicle for critical thought rather than a lack of media literacy education. This leads to the larger topic of online discourse around the films Sinners and One Battle After Another. We end with dissecting how the recognition of, or lack thereof, Black culture affects people's views of these films. Although they both feature Black actors, they interact with culture very differently. Ultimately, we push for an awareness of the multilayered discussions of media seen as progressive or discursive. They should think about what cultures and communities are being featured and how. Here are some of the references from this episode, for those who want to dig a little deeper: Academic/Educational readings and resources: Race After Technology: Abolitionist Tools for the New Jim Code Algorithms of Oppression Dark Matters: On the Surveillance of Blackness Renegades: Digital Dance Cultures from Dubsmash to TikTok Digital Pleasure and Danger: A Roundtable Discussion Niggas on the Internet: Scenes of a Black Social Life (Dissertation) Sites of Chaos: Scenes of a Black Social Life (book in progress) he Black Mirror World: Racialized Disinformation and Misogynoir Online (book in progress) The Comet (1920) [short story, article] The Souls of Black Folk Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans People & Places: Ruha Benjamin Ryan Coogler Teyana Taylor Safiya Noble Simone Browne Jasmine Crockett Centinela Drive-In Steve Jobs Charli D'Amelio Leonardo Chiariglione Toni Cade Bambara W. E. B. Du Bois Denzel Washington Lupita Nyong'o Michael B. Jordan Nia DaCosta Sonja Norwood (wickdconfections) Leonardo DiCaprio Timothée Chalamet Sam Raimi Kevin Samuels Andrew Tate Candace Owens Charlie Kirk Erika Kirk Nicki Minaj Steve Bannon Paul Thomas Anderson Maya Rudolph Minnie Riperton Media: Michael B. Jordan Wins Best Actor | 98th Oscars Speech (2026) Sinners (2025) One Battle After Another (2026) Twister (1996) #OscarsSoWhite and The Legacy of Halle Berry by Be Kind Rewind Scream franchise Scream (1996) Scream 7 (2026) Scary Movie franchise Scary Movie (2026 film) Black Panther (2018) Black Panther: Wakanda Forever (2022) Bugonia (2025) Magnolia (1999) Punch-Drunk Love (2002) Inherent Vice (2014) Phantom Thread (2017) Licorise Pizza (2021) Moonlight (2016) James Bond series Live and Let Die (1973) Oregon Trail (game) Lex Marie artwork A Thousand and One (2023) From Dusk Till Dawn (1996) The Jazz Singer (1980) TikTok finalizes deal to form new U.S. unit with major American investors Is the new US TikTok safer? Candace Owens takes on Erika Kirk in 'The Bride of Charlie' Erika Kirk Accidentally Mixes Up 'Grift' Instead of 'Grit' in Awkward Moment at Turning Point USA Event Vine TikTok YouTube Wickdconfections Black American recipe series Exalted (book) ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––
We discuss the Oscar ceremony, the winners, and then discuss Hamnet, Wicked: For Good, Weapons, Elio, and Zootopia 2. Next time: The Phantom Thread and Inglorious Basterds
Émission technique, science du cadre et maitrise des éléments. On était maquillé comme des stars de ciné, accoudé au juke-box. On rêvait qu'on posait juste pour un bout d'essai à la Century Fox. On semblait bien dans notre peau, nos yeux couleur menthe pastille à l'eau, cherchant du regard un spot, le dieu projecteur. Enfin bref, il est 19h...Emission itou dispo sur spoti, appeul, etc et on da tube :Au programme cette semaine :* Penser la photographie du film, ouvrage collectif dirigé par Bérénice Bonhomme, Simon Daniellou et Priska Morrissey, édité au PUR.Occasion pour revenir, en compagnie de Simon et Priska sur le métier de chef opérateur / directeur de la photographie, ses origines ainsi que les implications et évolutions technologiques et esthétiques.______PUBLIC SERVICE ANNOUNCEMENT :Le Film du Dimanche Soir, dimanche 19 avril, venez admirer Sikander ! L'Homme qui voulut être roi !______Coups de cœur:THOMAS: Ceux de la zone (Frank Borzage)THIBAUT: Mad Men (Matthew Weiner)DOC ERWAN: Le Vagabond de Tokyo (Seijun Suzuki)SIMON D. (L'Ancien): revoir Phantom Thread (PTA) + On the run (Alfred Cheung)PRISKA: Coup au cœur, la disparition de Lili HinstinPLAYLISTPrégénérique / JLG et Bruno Nuytten sur le tournage de DétectiveExtrait / Mocky (Strip Tease - Les parapluies de Cherbourg)Depeche Mode / Photographic
Cet épisode vous propose la captation de mon intervention aux 3 Luxembourg, dans le cadre du ciné club What the club, des Cinémas Indépendants Parisiens.Vous allez y découvrir l'histoire des costumes de Phantom Thread, et la carrière d'un grand créateur de costumes, Mark Bridges.A la fin de cette épisode, vous connaîtrez les liens entre Jason Bourne, The Crown et Phantom Thread.Bonne écoute !Retrouvez Profession : costumière sur Instagram Un podcast signé Céleste Touboul Durante Logo : agence SilenzioHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
It's Oscar weekend so we are giving predictions (fingers crossed for Phantom Thread!) but you'll have to wait an hour to hear them. Other topics include Timothy Chalamet, Daniel Roseberry, and Mexico City. Yes, no intro/outro this week cuz I'm in the city.◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ WEBSITE ◦YOUTUBE ◦ INSTAGRAM ➩ SUPPORT:✨VIA VENMO!✨ ➩ REID ◦ JEREMY ◦ JACK◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠
Mita was feeling Bonita and wanted "...options for films that give you an inside look into the world of fashion." Chat GPT knew what was up and picked Paul Thomas Anderson's "Phantom Thread" for the next movies review. Nadeem and Mita give their final Oscar predictions.
Set in 1950s London, a renowned dressmaker is at the center of British fashion. His lavish and fastidious life is then disrupted by a young, strong-willed woman. Once tightly controlled and planned, he soon finds his carefully tailored life beginning to unravel at the seams. Michael and Eric stitch together Phantom Thread (2017), directed by Paul Thomas Anderson. Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news!! Linktree | Instagram | Facebook | YouTube | Merch
In this episode News it or Lose it on Afternoons with Zweli, we're diving into the world of pop culture. The 78th British Academy Film Awards took place at London's Royal Festival Hall, and Paul Thomas Anderson's dark comedy "Phantom Thread" emerged as the night's biggest winner, taking home six awards, including Best Film. We're also discussing the surprise win of Jesse Buckley for Best Supporting Actress, which makes the Supporting Actress Oscar race significant. Plus, we're looking at the Critics' Choice award going to Amy Madigan and the Golden Globes awarding Tiana Taylor with Best Supporting Actress. Spend weekday afternoons with Zweli. He keeps you in the loop with everything from music and movies to sport and pop culture. Hear what the Word on the Street is, test your skills with the high-pressure 6 Out of 6, and get ready to be entertained. Thank you for listening to an Afternoons with Zweli podcast Listen live on Primedia+ weekdays from 12:00 to 15:00 (SA Time) toAfternoons with Zweli broadcast on 947 https://www.primediaplus.com/station/947 For more from the show go to https://buff.ly/FeeL6wYor find all the catch-up podcasts here https://buff.ly/pRBikjo Subscribe to the 947 Weekly Newsletter herehttps://buff.ly/hf9IuR9 Follow us on social media 947 on Facebook: https://www.facebook.com/947Joburg/ 947 on TikTok: https://www.tiktok.com/@947joburg 947 on Instagram: https://www.instagram.com/947joburg 947 on X https://x.com/947 947 on YouTube: https://www.youtube.com/@947JoburgSee omnystudio.com/listener for privacy information.
In this episode of Editors on Editing, Glenn is joined by Andy Jurgensen. Andy's collaboration with Director Paul Thomas Anderson started on Inherent Vice as an assistant editor and continued with Phantom Thread as an associate editor. This led to his feature editing debut on Licorice Pizza, for which he was nominated for Critics Choice Award, a BAFTA and an Eddie. Now, for his editing work on One Battle After Another he has been nominated for a Critic's Choice Award, a BAFTA and Eddie, and an Oscar.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to Warner Bros. Pictures for helping to make this podcast happen. Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!
Hey Reservos! This week we are discussing Paul Thomas Anderson's Phantom Thread! Listen as we breakdown this wonderfully subversive, unique take on a classic romantic drama. One of power, control, and of course, love. Enjoy!
This month we're talking about the films of PTA! One Battle After Another, Boogie Nights, Phantom Thread, will anyone mention Magnolia?VIDEO: https://youtu.be/37ImAjeb23EJoin the conversation and the Discord at http://www.patreon.com/reactionshots
The Cinematography Podcast Episode 342: Michael Bauman Cinematographer Michael Bauman recently earned an Academy Award nomination for Best Cinematography for his work on One Battle After Another. Before becoming a cinematographer, Bauman spent years as a gaffer, working under legends like Robert Elswit, Janusz Kaminski, and the late Harris Savides. This mentorship gave him a masterclass in diverse visual languages and on-set problem-solving. After serving as a gaffer for director Paul Thomas Anderson on several projects, Bauman stepped into the DP role for the features Phantom Thread and Licorice Pizza. The decision to shoot One Battle After Another in VistaVision was Anderson's idea. Known for his commitment to celluloid, Anderson prefers old-school techniques: watching dailies on developed negative and editing with physical film. VistaVision offered a larger negative and higher resolution than standard 35mm without the massive footprint of IMAX. The challenge, however, was mobility. Historically used for stationary visual effects shots, the VistaVision camera is notoriously bulky. Anderson wanted the opposite: a dynamic, handheld, and Steadicam-heavy aesthetic. "The language of this entire movie is camera movement," says Bauman. "How do you take this format—with a viewing system that comes off the top at 45 degrees—and turn it into something that can capture the story the way he wants?" Putting an experienced team together was key for the endeavor. They had to be capable of troubleshooting in remote locations far from the safety of LA or New York hubs. Their goal wasn't perfection, but character. "In the digital world we soak in now, it's all about a pristine image," Bauman notes. "Blacks are super rich, whites are super crisp. We wanted to take this 'Kobe beef' format and turn it into a McDonald's hamburger—in the best way possible." The visual identity was further refined by referencing 1970s cinema, specifically The French Connection. Bauman studied the texture and color palettes of that era to emulate its "loose and rough" style. True to form, Anderson pushed to avoid modern LED lighting, preferring tungsten sources whenever space allowed. As a former gaffer, Bauman was happy to accommodate. Perhaps the greatest hurdle was the improvisational nature of the production. Anderson enjoys letting the actors improvise or even reshoot later. He doesn't use storyboards or do pre-vis, so even complex scenes had to be worked out in pre-production or on the day. “Every day was just like, you had to get comfortable with the uncomfortable,” comments Bauman. “I knew we were doing stuff in a good spot when I was really questioning all of it. We had to embrace all these happy accidents. It's free jazz all day long. It's exciting now, but at the time I was stressed as hell!” This spontaneity extended to the film's climax. The spectacular car chase wasn't fully scripted until the location manager discovered a road with rolling hills on the Arizona border. After a week of testing the VistaVision rigs on pursuit vehicles, the crew spent seven days capturing the sequence. Although it was in the wide-open desert, the characters chased each other over the undulating terrain, which allowed enough suspense to build before the spectacular conclusion. See One Battle After Another in theaters and streaming on HBO Max Find Michael Bauman: Instagram @baumanlights Check out Michael's lighting companies, LiteGear and Lux Lighting. Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
In this inaugural episode of "The Screening Room," a new weekly feature in Hollywoodland, Zeth dives deep into Paul Thomas Anderson's 2017 film ‘Phantom Thread,' a movie about hidden messages, muses, ghosts, the five senses, and poison. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.
In this inaugural episode of "The Screening Room," a new weekly feature in Hollywoodland, Zeth dives deep into Paul Thomas Anderson's 2017 film ‘Phantom Thread,' a movie about hidden messages, muses, ghosts, the five senses, and poison. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Happy Holidays. It's Christmas Eve and Santa has made Jeremy sick and kept Reid from sleeping. Reid saw Oscar contenders including Sentimental Value and Hamnet but remember how amazing Phantom Thread is? Other topics include the fennel cake results and cookie stuff.◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ WEBSITE ◦YOUTUBE ◦ INSTAGRAM ➩ SUPPORT:✨VIA VENMO!✨ or PATREON➩ REID ◦ JEREMY ◦ JACK◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ withdanceandstuff@gmail.com
Ex-NYTimes columnist and bestselling cookbook writer Alison Roman (SOMETHING FROM NOTHING) talks with Rico about the tropes of fictional film chefs, and how the dreamy Cannes-winner THE TASTE OF THINGS quietly roasts them over a spit.Just in time for holiday eat-a-thons, the award-winning MUBI Podcast is back and celebrating its tenth season with a four-course serving of stories about food on film. Titled "A Feast For The Eyes," the season digs into the ways filmmakers use food to provoke hunger, thought, nausea, political action...and sometimes all the above.Joining host Rico Gagliano is a sampler platter of luminaries from the film and culinary world, including directors Brad Bird (RATATOUILLE), Mira Nair (MONSOON WEDDING), and David Gelb (JIRO DREAMS OF SUSHI), former New York Times food writer Alison Roman, and more. Gluttons for great cinema stories can start chowing down on episodes weekly, starting Thanksgiving Day.Let's Eat! Food and Film collection is now streaming on MUBI globally.PHANTOM THREAD is now streaming on MUBI in the UK, Ireland, Germany, Italy, France, Netherlands, Latin America, India and Turkey. THE TASTE OF THINGS is now streaming on MUBI in AustraliaTo stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.
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In light of One Battle After Another, Mark, Lawrence, Sarahlyn, and Al walk through the range of his films from his 1996 crime film Hard Eight through his much lauded Magnolia, Boogie Nights, Punch-Drunk Love, and There Will Be Blood and his more controversial recent ones like Licorice Pizza, The Master, The Phantom Thread, and Inherent Vice. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop for only the tiniest per-month financial pledge, or you can sign up directly with Apple Podcasts for a subscription for ad-free and bonus material for three of Mark's podcasts together on the Mark Lintertainment Podcasts Channel. Sponsors: Go to surfshark.com/pmp or use code pmp at checkout to get 4 extra monthsof Surfshark VPN. If you like our show, check out the Moviestruck podcast.
In this episode of Did You Ever See?, Phillip and Michael dive into the new horror film WEAPONS! They discuss what works, what doesn't, and why it's already stirring up conversation. Along the way, they detour into the wild world of Bruce Willis, including his gloriously unhinged album The Return of Bruno, and revisit Paul Thomas Anderson's haunting masterpiece The Phantom Thread.They wrap things up with a fresh round of Mike & Phil Recommendations, sharing what you should be watching, listening to, or obsessing over next.Tune in, laugh with us, and maybe discover your new favorite thing.Support the show
We recorded an episode about our favorite Paul Thomas Anderson films before the theatrical release of his new film, "One Battle After Another," but are only now releasing it post its online release as a "pre-game" discussion to our episode on OBAA.We track his auteurist trajectory — from the bombastic and tightly constructed "Magnolia" to a more loose-limbed work like "Licorice Pizza" — and discuss why the shift towards a seemingly freer form appeals to us more than the early days of his (incredibly) impressive but demonstratively flashy filmmaking.Listen to the full, spoiler-filled episode to hear Sanjeet, Cris, Dhruv, and the Cinematic Liberties Podcast Guys -- Arjun & Ashwin -- discuss their favorite PTA films and (correctly) speculate OBAA's box office fate!You can (and should!) follow -CINEMATIC LIBERTIES PODCASTDo hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.QID LINKTREE: https://linktr.ee/queenisdead.TIME CODESOBAA Speculation: [00:00 - 03:06]Introduction: [03:06 - 05:49]"Magnolia" (& Early PTA): [05:49 - 30:36]"Punch-Drunk Love" (The Breaking Point): [30:36 - 48:21]"There Will Be Blood": [48:21 - 01:04:52]"The Master": [01:04:52 - 01:17:27]The Thomas Pynchon Connection: [01:17:27 - 01:21:44]"Phantom Thread": [01:21:44 - 01:41:47]"Licorice Pizza" (& Late PTA): [01:41:47 - 02:07:08]Outro & OBAA Speculation (again!): [02:07:08 - 02:13:35]You can also follow us on Letterboxd at -SANJEET: https://letterboxd.com/sanjeet_singh/.CRIS: https://letterboxd.com/crislim/.ARJUN: https://letterboxd.com/arjun_skumar1/.ASHWIN: https://letterboxd.com/ashwindev/.DHRUV: https://letterboxd.com/aterminalcinema/.
Switching things up a bit, Josh and Andrew go to the French countryside with Alain Guiraudie's Misericordia. Featuring an opening French lesson/cameo by Josh's husband, our hosts get into the intricacies of this dark comedy-thriller, including its observation on relationships, rural France, and “one of the biggest jumpscares of the year”. They have fun talking about a film where everyone in this small town is, to put it lightly, “a little bit gay.” Then, they have One More Thing, recommending the new Netflix true crime hit The Perfect Neighbor and Joseph Losey's 1963 psychodrama The Servant (or “Parasite meets Phantom Thread meets Homoeroticism” according to Jake Cole's Letterboxd).Next week, say “and here's to you” for guest Drew Wendt of Do You Like Apples? as he gets Josh and Andrew to talk about the movie that made him interested in film criticism, the 60s classic The Graduate! Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.
In episode 19 of (Pop) Cultural Marxism, Isi and Ajay are joined by fellow BISR faculty Joseph Earl Thomas to discuss Ghost of Yotei, Sucker Punch Productions' much-anticipated sequel to Ghost of Tsushima. To kick off the episode, Isi and Ajay chat about recent cultural news and highlights, from the Japanese government calling on OpenAI to refrain from using anime and manga as training data, to the #SwiftiesAgainstAI campaign, to Paul Thomas Anderson's One Battle After Another (2025). Turning to Ghost of Yotei, Isi, Ajay, and Joseph consider where the game succeeds (its strong start, visual beauty, sharp soundtrack, and the satisfying chunkiness and texture of its combat scenes) and where it doesn't (its loadout system, simplistic puzzles, dearth of opportunities for stealth mode, and social and political quandaries its narrative and design raise). They explore the films and television shows that influenced Yotei—from Lady Snowblood and Samurai Champloo to the films of Takashi Miike, Akira Kurosawa, and Sergio Leone) and ask whether and where the game successfully incorporates cinematic techniques and conventions into its storyline. Along the way, they discuss the game's dicey depiction of the Ainu and the colonization of Hokkaido, consider whether the pleasure of open-world gaming has diminished or transformed in the years between Yotei and Tsushima, and interrogate the shape of the game's revenge plot. (Pop) Cultural Marxism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky. Show notes On Japan and OpenAI: https://www.ign.com/articles/japanese-government-calls-on-sora-2-maker-openai-to-refrain-from-copyright-infringement-says-characters-from-manga-and-anime-are-irreplaceable-treasures-that-japan-boasts-to-the-world One Battle After Another, directed by Paul Thomas Anderson (2025) Other Paul Thomas Anderson films mentioned: Phantom Thread (2017), Inherent Vice (2014), The Master (2012), There Will Be Blood (2007) Ghost of Yotei (Sucker Punch Productions, 2025) Ghost of Tsushima (Sucker Punch Productions, 2020) Way of the Samurai (Acquire, 2002) Tenchu (Acquire/K2/FromSoftware, 1998-2009) Samurai Champloo (2004) Forspoken (Luminous Productions, 2023) South of Midnight (Compulsion Games, 2025) Infamous (Sucker Punch Productions, 2009-2014) Blue Eye Samurai (2023) The Legend of Zelda: Ocarina of Time (Nintendo, 1998) Metal Gear Solid 3: Snake Eater (2004) Parul Sehgal, "The Case Against the Trauma Plot" (2021): https://www.newyorker.com/magazine/2022/01/03/the-case-against-the-trauma-plot Kuroneko, directed by Kaneto Shindo (1968) Lady Snowblood, directed by Toshiya Fujita (1973) Lady Snowblood: Love Song of Vengeance, directed by Toshiya Fujita (1974) The Samurai Trilogy, directed by Hiroshi Inagaki (1954-1956)
We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. Stephen's seen it in both VistaVision and IMAX 70mm, and can offer a sense of the experience Mike and José missed seeing it in IMAX Digital, and so begins a wide-ranging conversation about the film's aesthetics, tone, politics, influences and more. Recorded on 5th October 2025.
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish
Movies 8:52Phantom ThreadSports 16:12D-Rye's September 2025 Elk Hunting TripMusic 40:02The Yips - Petey USAComics 50:52Soul PlumbersBoard Games 1:00:02Rococo: Deluxe EditionHow to Waste Your Carbonation 1:09:01C4 Performance Energy® x JOLLY RANCHER WatermelonGHOST® ENERGY x WELCH'S® | WELCH'S® "GRAPE"Video Games 1:16:20skate. (2025)Anime 1:28:28Fire Force S3Television 1:37:43Alien: EarthPodcasts 1:48:53A Life Well Wasted - Game OverThe Wastecap 2:04:31Arcane S2As mentioned in most of our shows, you can go over to the Draft Punks discord server and find the #how-to-waste-your-time channel to discuss this episode. You can also recommend content for us to consume for a future episode and you will probably get your post read on air!Draft Punks Discord Invite: https://discord.gg/XH55zS4pev
In this episode, we dive deep into Anemone (2025), Ronan Day-Lewis's striking directorial debut starring his father, Daniel Day-Lewis, in his first performance since Phantom Thread. We explore how this psychological drama dissects trauma through performance, aesthetic precision, and arthouse formalism—challenging audiences to engage emotionally and intellectually rather than passively consume. Host(s) Mike, Thomas
Editor - Andy Jurgensen One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow. Shoot film. Print film dailies. Screen film dailies. Create digital workprint. Cut in Avid. Conform negative. But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 ratio, but he also resurrected the VistaVision format for the first time in sixty years. Luckily, Andy loves a challenge too. One Battle After Another stars Leonardo DiCaprio as Bob, a washed-up revolutionary who lives in a state of stoned paranoia, surviving off-grid with his spirited and self-reliant daughter, Willa. When his evil nemesis, Colonel Lockjaw (Sean Penn), resurfaces and Willa goes missing, the former radical scrambles to find her as both father and daughter battle the consequences of their pasts. ANDY JURGENSEN Andy Jurgensen has worked with director Paul Thomas Anderson since their time together on Inherent Vice (2014). At that time, Andy was first assistant editor to Leslie Jones ACE. From there Andy served as associate editor to Dylan Tichenor ACE on Anderson's Phantom Thread (2017). Andy finally got his big break as a lead editor for Anderson's Licorice Pizza (2021). In addition to his work with Paul Thomas Anderson, Andy has also served as an assistant editor on a number of films with director Jay Roach, including The Campaign (2012), Trumbo (2015) and Bombshell (2019). The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Andy's interview on Licorice Pizza See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
"No fear. Like Tom f---ing Cruise." One Battle After Another is Paul Thomas Anderson like you've never seen him before. Gripping you from the first second of its barnburner opening montage, Anderson synthesizes his typical mastery of emotional stakes with the very unexpected: action chops. We discuss his love for Terminator 2, another all-timer Leonardo DiCaprio performance, and the star turn of one Chase Infiniti. Even middle-of-the-road PTA is good enough for a spot in the best of the decade. Hell, make it two decades.
This story mainly focuses on a former revolutionary father (Oscar-Winner Leonardo DiCaprio) and his daugther (Chase Infiniti) in the midst of an ongoing revolution when suddenly both are on the run from a determined government agent (Oscar-Winner Sean Penn) who initially arrested their former revolutionary wife/mother (Teyana Taylor) sixteen years prior. But of course this new highly acclaimed satirical political thriller/domestic drama from Multiple Oscar-nominee (but not yet winner) Paul Thomas Anderson (Boogie Nights, The Phantom Thread, Licorice Pizza, Magnolia) is about MUCH more than that....or is it? Regardless this film almost defies genre and also co-stars Oscar-winner Benicio Del Toro, Regina Hall, Wood Harris, and Alaina Haim among several others. Let's see if this lives up the hype....Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he's trained his gaze on present-day America. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Anderson's latest: the sprawling, surprisingly political blockbuster “One Battle After Another.” They contextualize the new work within his œuvre—and debate what his portrayal of militant left-wing activists and the white-supremacist right has to say about the state of the nation. “I think our present reality has far outstripped most depictions of it,” Schwartz says. “Slipping it into this kind of caper—is that delivering us to somewhere that gets people to think or to look or to feel?”Read, watch, and listen with the critics:“One Battle After Another” (2025)“Vineland,” by Thomas Pynchon“Inherent Vice” (2014)“Boogie Nights” (1997)“The Master” (2012)“Punch-Drunk Love” (2002)“There Will Be Blood” (2007)“Phantom Thread” (2017)“ ‘Eddington' and the American Berserk” (The New Yorker)Gil Scott-Heron's “The Revolution Will Not be Televised”New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices
On Today's Show Vince will Rate and Review: The Master (2012), Inherent Vice (2014), Phantom Thread (2017), One Battle After Another (2025) TimeCodes: The Master: 8:18 Inherent Vice: 30:10 Phantom Thread: 45:10 One Battle After Another: 1:09:22 Want to check out all our Movie Scores and so much more? Stop by our Website! - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page! - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters! - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear! - Shop the Store!
Today on Art of the Cut we speak with three members of the post team for Paul Thomas Anderson's latest film, One Battle After Another. Joining us are editor Andy Jurgensen, associate editor, Jay Trautman, and film assistant editor, Andrew Blustain. The film was shot in two different film formats including VistaVision and the film was finished in a variety of formats, leading to a complicated and fascinating post process.Andy Jurgensen has been on Art of the Cut before for another Paul Thomas Anderson film, Licorice Pizza, for which he was nominated for a BAFTA and an ACE Eddie. Andy was also an assistant editor on Phantom Thread, Bombshell, Trumbo, and Inherent Vice.Jay Trautman was a Visual Effects Assistant Editor on Dune 2, an assistant editor on Oppenheimer, first assistant editor on Licorice Pizza, and was an assistant editor on The Book of Bobba Fett, Grey's Anatomy, and House of Cards.Andrew Blustain was an assistant editor on Tenet, visual effects assistant editor on Dunkirk, an assistant editor on Oppenheimer, and second assistant editor (film) on Once Upon a Time in Hollywood.Today's discussion covers the technical details of the film's VistaVision film production, the importance of creating dynamics, and the calibration of tone necessary to pull of the film's transitions from dramatic to comic.You can read along with this interview and see some cool excluisve photos, plus trailers, movie clips and featurettes by visiting the Boris FX website and blog atborisfx.com/blog/aotc
"Anemone" is a psychological drama film directed by Ronan Day-Lewis in his feature directorial debut, from a screenplay he co-wrote with his father, three-time Academy Award winner Daniel Day-Lewis, who also stars in the lead role. It features the latter's return to acting for the first time since "Phantom Thread" in 2017, alongside Sean Bean and Samantha Morton. The film had its world premiere at the 2025 New York Film Festival and received positive reviews for the performances, dark atmosphere, striking cinematography, and haunting music by Bobby Krlic. Day-Lewis (the son, not the father) was kind enough to spend time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on October 3rd by Focus Features, and then expand a week later on October 10th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Max and Evan discuss the filmography of Paul Thomas Anderson. Before they go from Hard Eight to One Battle After Another, they talk about the latest in film and television. Jimmy Kimmel is back on air, a new Spaceballs 2 photo emerges, and The Social Network is getting a sequel. Hard Eight (1996) Boogie Nights (1997) Magnolia (1999) Punch-Drunk Love (2002) There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) Licorice Pizza (2021) One Battle After Another (2025) Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd. Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd. Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778 Additional comments? Email us: itsthepictures@gmail.com
Kelsi and Trey take a complicated deep dive into Paul Thomas Anderson's One Battle After Another (2025), the bold new epic starring Leonardo DiCaprio, Benicio Del Toro, Teyana Taylor, Regina Hall, and Sean Penn. Is it a modern masterpiece or an important piece of big budget art considering our political moment? A bit of both! Sign up for free on our Patreon (link below) to unlock our full Phantom Thread deep dive and other exclusive movie episodes.The Extra Credits YouTube ChannelBecome a member of The Extra Credits+ on Patreon hereLetterboxd: The Extra CreditsTikTok: The Extra CreditsReddit: r/TheExtraCreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
Kelsi and Trey's Mailbag 2025 episode is here: we talk pod origin lore, real vs. fake IMAX, and the movies that defined the year - Black Bag, 28 Years Later, Sinners, Weapons, and more. We get into the biggest disappointments (Mickey 17, Highest 2 Lowest), the actors everywhere in 2025 (Pedro Pascal, Chalamet, Butler), plus our scariest horror moments and best theater experiences. Next up: PTA's One Battle After Another, and for a limited time free listeners can hear our 3-hour Phantom Thread deep dive on Patreon.The Extra Credits YouTube ChannelBecome a member of The Extra Credits+ on Patreon hereLetterboxd: The Extra CreditsTikTok: The Extra CreditsReddit: r/TheExtraCreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
On episode 308 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the competitive International Feature Film contenders and provide a preview of some of the major titles coming to the 63rd New York Film Festival. With more than 70 countries having submitted films for the International Feature Film Oscar so far, now was a good time to look at the frontrunners like Sentimental Value, It Was Just an Accident and The Secret Agent, the NEON dominance of them and how many can really make the final five. We also look outside of those Cannes winners for titles that could pique the voters' interest as uniquely named films have done in the past. Next up is the preview of the 63rd New York Film Festival, which begins this Friday with the opening film, Luca Guadagnino's After the Hunt. After taking a critical drubbing at its Venice bow, we examine if it can rebound here in the states. Two world premieres will be a part of the festival including Anemone, the feature debut from Ronan Day-Lewis starring his three-time Oscar-winning father Daniel Day-Lewis, back on screen for the first time since 2017's Phantom Thread. At the time of recording both Sophia and I had just seen the film but were under embargo (until September 28). The Venice Golden Lion winner Father Mother Sister Brother from Jim Jarmusch is the Centerpiece film and then Bradley Cooper's third directorial effort, the stand-up comedian story Is This Thing On? will close the festival. Could this be Cooper's attempt to rein it in and silence some of the critics of Maestro? This podcast runs 1h07m. We will be back next week with xxxxx Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
RIGHT OUT OF THEATER REVIEW!! One Battle After Another Movie Review - Paul Thomas Anderson returns with his biggest, boldest film yet — a mix of action, satire, thriller, and dark comedy inspired by Thomas Pynchon's Vineland. Leonardo DiCaprio (Once Upon A Time In Hollywood, Django Unchained, Inception) stars as Bob Ferguson, a former revolutionary forced to reunite with his old comrades when his daughter is kidnapped. Sean Penn (Mystic River, Milk, Dead Man Walking) plays Colonel Lockjaw, the menacing antagonist who resurfaces after 16 years. Benicio del Toro (Sicario, Traffic, Guardians of the Galaxy) is Sensei Sergio, Bob's unpredictable ally, while Regina Hall (Girls Trip, Scary Movie, The Best Man) and Teyana Taylor (Coming 2 America, A Thousand and One, White Men Can't Jump) round out the revolutionary crew. Rising star Chase Infiniti takes on Willa Ferguson, the daughter whose disappearance sparks the story. The supporting cast includes Alana Haim (Licorice Pizza, Women Talking, Haim music fame), Wood Harris (Remember the Titans, Creed, The Wire), Tony Goldwyn (Ghost, Scandal, Tarzan), and more. With a score by Jonny Greenwood (There Will Be Blood, Phantom Thread, The Power of the Dog) and Warner Bros. releasing it in IMAX, VistaVision, and 70mm, this is an epic cinematic experience critics are already calling “cinema at its purest.” Themes include generational conflict, extremism, father-daughter bonds, and the messy fallout of idealism. Packed with big action sequences, wild tonal shifts, and emotional performances, this might be Anderson's most personal film yet. Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
What Is This Episode - Top of Show . BOOGIE MIKES P.8: PHANTOM THREAD REVIEW . Nonspoiler Review: PTA Goes Goth - 2:40 Review Scores/Awards Goods - 5:15 Script Thoughts - 9:29 Performances/Production Values - 15:16 PTA's Best? - 24:05 . SPOILER WARNING - 26:27 . Spoiler Review: Happiness is Punishment - 27:20 Alma's Hand, Cyril's House - 30:57 Mama - 39:55 That Girl is Poison - 42:10 . FINAL GRADES - 47:58 . . What's Next From MMO/Leave Us 5 Stars! - 48:49
This week, it's our penultimate PTA film as we chat about the wonderful and surprisingly funny Phantom Thread. We discuss PTA's quirky sense of humor, the absolute tour-de-force performances, and the rich, complicated characters that have become a PTA staple. Then, we revisit Alien: Earth and chat about episode 4 of the series. Support us on Patreon: https://www.patreon.com/doofmedia Follow us on Twitter: @doofmedia See all of our podcasts and more at doofmedia.com! Show Notes: 1:51 - Phantom Thread 50:59 - Alien: Earth (Ep 4)
Writer/director James DeMonaco discusses his top ten films that evoke the surreal, hallucinatory feel of dreams/nightmares, while not actually depicting dream/or nightmares with Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode A History Of Violence (2005) The Home (2025) 52 Pick-Up (1986) The Purge (2013) The Purge: Anarchy (2014) The Purge: Election Year (2016) Staten Island (2009) This Is The Night (2021) Glengarry Glen Ross (1992) 3 Women (1977) Apocalypse Now (1979) Apocalypse Now Redux (2001) Jack (1996) The Godfather (1972) The Godfather Part II (1974) The Godfather Part III (1990) Dementia 13 (1963) Star Wars (1977) THX 1138 (1972) Blood Simple (1984) Megalopolis (2024) Mandy (2018) Beyond The Black Rainbow (2010) Nightmare Alley (2021) Blue Velvet (1986) Mulholland Drive (2001) The Accused (1988) The Swimmer (1968) Dune (1984) Dune (2021) Jodorowsky's Dune (2014) Crash (2005) *Ghost Dog: Way of the Samurai (2000) Paterson (2016) Fellini's Roma (1972) Amarcord (1973) La Strada (1954) Nights of Cabiria (1957) 8 ½ (1963) Dirty Harry (1971) Gremlins (1984) Irreversible (2002) Antichrist (2009) Play It As It Lays (1972) Nashville (1975) Boom! (1968) Mr. Blandings Builds His Dream House (1948) Punch Drunk Love (2002) The Long Goodbye (1973) Phantom Thread (2017) One Battle After Another (2025) Happy Gilmore (1995) Happy Gilmore 2 (2025) March of the Wooden Soldiers a.k.a. Babes in Toyland (1934) Beetlejuice (1988) Monkey Trouble (1994) Prizzi's Honor (1985) Vertigo (1958) Invaders From Mars (1953) The Woman in the Window (1944) Inception (2010) Eternal Sunshine of the Spotless Mind (2004) Dreamscape (1984) What Dreams May Come (1998) The Truman Show (1998) Minority Report (2002) Other Notable Items Our Patreon! Our pals at Movies Unlimited The Hollywood Food Coalition Learn more about your ad choices. Visit megaphone.fm/adchoices
In this new episode of Time on Screen, Zach Kazan welcomes Worn & Wound contributor Brett Braley to talk about Paul Thomas Anderson's Phantom Thread. Why Phantom Thread? Well, for a number of reasons. First, PTA has a new film out later this year and it has Zach and other members of the Worn & Wound team thinking about his filmography. Second, there's a clear link in our minds between the craft depicted in this film and the world of watchmaking. Third, Brett and Zach previously discussed Tár, a movie with more than a few links to Phantom Thread. Lastly, it's just a great film, with great performances, and some of the best scenes of a couple eating breakfast that you'll ever find in a movie. To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast on all major platforms including Apple Podcasts, Stitcher, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.
Josh and Vulture critic Roxana Hadadi review BLACK BAG, with Josh calling it Steven Soderbergh's best in over a decade. Roxana sticks around for Round 1 of Filmspotting Madness - Best of the 21st Century (So Far), only to be confronted with choices like PHANTOM THREAD or WALL-E. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:03:42) Review: “Black Bag” (00:03:43-00:36:51) Filmspotting Family (00:36:52-00:42:29) Next Week / Notes (00:42:30-00:49:54) Filmspotting Madness: Round 1 (00:49:55-01:15:33) Credits / New Releases (01:15:34-01:21:24) Notes/Links: -Filmspotting Madness https://www.filmspotting.net/madness -2025 Ebert Interruptus https://www.colorado.edu/cwa/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices