Podcasts about Phantom Thread

We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. Stephen's seen it in both VistaVision and IMAX 70mm, and can offer a sense of the experience Mike and José missed seeing it in IMAX Digital, and so begins a wide-ranging conversation about the film's aesthetics, tone, politics, influences and more. Recorded on 5th October 2025.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

  Episode 103: Anemone

Movies 8:52Phantom ThreadSports 16:12D-Rye's September 2025 Elk Hunting TripMusic 40:02The Yips - Petey USAComics 50:52Soul PlumbersBoard Games 1:00:02Rococo: Deluxe EditionHow to Waste Your Carbonation 1:09:01C4 Performance Energy® x JOLLY RANCHER WatermelonGHOST® ENERGY x WELCH'S® | WELCH'S® "GRAPE"Video Games 1:16:20skate. (2025)Anime 1:28:28Fire Force S3Television 1:37:43Alien: EarthPodcasts 1:48:53A Life Well Wasted - Game OverThe Wastecap 2:04:31Arcane S2As mentioned in most of our shows, you can go over to the Draft Punks discord server and find the #how-to-waste-your-time channel to discuss this episode. You can also recommend content for us to consume for a future episode and you will probably get your post read on air!Draft Punks Discord Invite: https://discord.gg/XH55zS4pev

In this episode, we dive deep into Anemone (2025), Ronan Day-Lewis's striking directorial debut starring his father, Daniel Day-Lewis, in his first performance since Phantom Thread. We explore how this psychological drama dissects trauma through performance, aesthetic precision, and arthouse formalism—challenging audiences to engage emotionally and intellectually rather than passively consume. Host(s) Mike, Thomas

Editor - Andy Jurgensen One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow.  Shoot film.  Print film dailies.  Screen film dailies.  Create digital workprint.  Cut in Avid.  Conform negative.  But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 ratio, but he also resurrected the VistaVision format for the first time in sixty years.  Luckily, Andy loves a challenge too. One Battle After Another stars Leonardo DiCaprio as Bob, a washed-up revolutionary who lives in a state of stoned paranoia, surviving off-grid with his spirited and self-reliant daughter, Willa. When his evil nemesis, Colonel Lockjaw (Sean Penn), resurfaces and Willa goes missing, the former radical scrambles to find her as both father and daughter battle the consequences of their pasts. ANDY JURGENSEN Andy Jurgensen has worked with director Paul Thomas Anderson since their time together on Inherent Vice (2014).  At that time, Andy was first assistant editor to Leslie Jones ACE.  From there Andy served as associate editor to Dylan Tichenor ACE on Anderson's Phantom Thread (2017).  Andy finally got his big break as a lead editor for Anderson's Licorice Pizza (2021). In addition to his work with Paul Thomas Anderson, Andy has also served as an assistant editor on a number of films with director Jay Roach, including The Campaign (2012), Trumbo (2015) and Bombshell (2019). The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Andy's interview on Licorice Pizza See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

"No fear. Like Tom f---ing Cruise." One Battle After Another is Paul Thomas Anderson like you've never seen him before. Gripping you from the first second of its barnburner opening montage, Anderson synthesizes his typical mastery of emotional stakes with the very unexpected: action chops. We discuss his love for Terminator 2, another all-timer Leonardo DiCaprio performance, and the star turn of one Chase Infiniti. Even middle-of-the-road PTA is good enough for a spot in the best of the decade. Hell, make it two decades.

This story mainly focuses on a former revolutionary father (Oscar-Winner Leonardo DiCaprio) and his daugther (Chase Infiniti) in the midst of an ongoing revolution when suddenly both are on the run from a determined government agent (Oscar-Winner Sean Penn) who initially arrested their former revolutionary wife/mother (Teyana Taylor) sixteen years prior.  But of course this new highly acclaimed satirical political thriller/domestic drama from Multiple Oscar-nominee (but not yet winner) Paul Thomas Anderson (Boogie Nights, The Phantom Thread, Licorice Pizza, Magnolia) is about MUCH more than that....or is it?  Regardless this film almost defies genre and also co-stars Oscar-winner Benicio Del Toro, Regina Hall, Wood Harris, and Alaina Haim among several others.  Let's see if this lives up the hype....Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Fünf haben wir geschafft und fünft liegen noch vor uns – los geht´s mit dem zweiten Teil unserer Werkschau zu Paul Thomas Anderson! Dieses Mal im Programm: Scientology-Charakterstudie mit „The Master“, konfuses 70s-Vibe-Kino mit „Inherent Vice“, britisches Beziehungsdrama mit „Phantom Thread“, Coming-of-Age-Hochkaräter (?!) mit „Licorice Pizza“ und direkt aus den Kinosälen weltweit das neuste Werk „One Battle After Another“. Abschließend wird das Ganze nur noch getoppt durch unser PTA-Ranking. Viel Spaß beim Reinhören! Timecodes: 00:00:00 Einleitung 00:07:41 The Master 00:37:24 Inherent Vice 00:55:51 Phantom Thread 01:16:48 Licorice Pizza 01:40:34 One Battle After Another (spoilerfrei) 01:47:29 Spoiler-Part 02:26:13 PTA Ranking 02:30:04 Fazit & Ende

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he's trained his gaze on present-day America. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Anderson's latest: the sprawling, surprisingly political blockbuster “One Battle After Another.” They contextualize the new work within his œuvre—and debate what his portrayal of militant left-wing activists and the white-supremacist right has to say about the state of the nation. “I think our present reality has far outstripped most depictions of it,” Schwartz says. “Slipping it into this kind of caper—is that delivering us to somewhere that gets people to think or to look or to feel?”Read, watch, and listen with the critics:“One Battle After Another” (2025)“Vineland,” by Thomas Pynchon“Inherent Vice” (2014)“Boogie Nights” (1997)“The Master” (2012)“Punch-Drunk Love” (2002)“There Will Be Blood” (2007)“Phantom Thread” (2017)“ ‘Eddington' and the American Berserk” (The New Yorker)Gil Scott-Heron's “The Revolution Will Not be Televised”New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

On Today's Show Vince will Rate and Review: The Master (2012), Inherent Vice (2014), Phantom Thread (2017), One Battle After Another (2025) TimeCodes: The Master:  8:18 Inherent Vice:  30:10 Phantom Thread:  45:10 One Battle After Another:  1:09:22   Want to check out all our Movie Scores and so much more? Stop by our Website!  - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page!  - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters!  - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear!  - Shop the Store!

Today on Art of the Cut we speak with three members of the post team for Paul Thomas Anderson's latest film, One Battle After Another. Joining us are editor Andy Jurgensen, associate editor, Jay Trautman, and film assistant editor, Andrew Blustain. The film was shot in two different film formats including VistaVision and the film was finished in a variety of formats, leading to a complicated and fascinating post process.Andy Jurgensen has been on Art of the Cut before for another Paul Thomas Anderson film, Licorice Pizza, for which he was nominated for a BAFTA and an ACE Eddie. Andy was also an assistant editor on Phantom Thread, Bombshell, Trumbo, and Inherent Vice.Jay Trautman was a Visual Effects Assistant Editor on Dune 2, an assistant editor on Oppenheimer, first assistant editor on Licorice Pizza, and was an assistant editor on The Book of Bobba Fett, Grey's Anatomy, and House of Cards.Andrew Blustain was an assistant editor on Tenet, visual effects assistant editor on Dunkirk, an assistant editor on Oppenheimer, and second assistant editor (film) on Once Upon a Time in Hollywood.Today's discussion covers the technical details of the film's VistaVision film production, the importance of creating dynamics, and the calibration of tone necessary to pull of the film's transitions from dramatic to comic.You can read along with this interview and see some cool excluisve photos, plus trailers, movie clips and featurettes by visiting the Boris FX website and blog atborisfx.com/blog/aotc

"Anemone" is a psychological drama film directed by Ronan Day-Lewis in his feature directorial debut, from a screenplay he co-wrote with his father, three-time Academy Award winner Daniel Day-Lewis, who also stars in the lead role. It features the latter's return to acting for the first time since "Phantom Thread" in 2017, alongside Sean Bean and Samantha Morton. The film had its world premiere at the 2025 New York Film Festival and received positive reviews for the performances, dark atmosphere, striking cinematography, and haunting music by Bobby Krlic. Day-Lewis (the son, not the father) was kind enough to spend time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on October 3rd by Focus Features, and then expand a week later on October 10th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Max and Evan discuss the filmography of Paul Thomas Anderson. Before they go from Hard Eight to One Battle After Another, they talk about the latest in film and television. Jimmy Kimmel is back on air, a new Spaceballs 2 photo emerges, and The Social Network is getting a sequel.  Hard Eight (1996) Boogie Nights (1997) Magnolia (1999)  Punch-Drunk Love (2002) There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) Licorice Pizza (2021) One Battle After Another (2025)  Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd.  Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778  Additional comments? Email us: itsthepictures@gmail.com

À l'occasion de la sortie du film UNE BATAILLE APRÈS L'AUTRE, on revient sur toute la carrière du cinéaste Paul Thomas Anderson. Réalisateur américain adulé par la critique, connu notamment pour ses films ambitieux comme THERE WILL BE BLOOD et MAGNOLIA, PTA (comme on le surnomme) s'est démarqué par sa maitrise et son caractère téméraire, qui lui ont permis de s'imposer comme un auteur aujourd'hui incontournable. Une émission animée par Thibaud Ducret, avec Alexandre Caporal et Florian Poupelin. TIME-CODES (00:02:56) Notre rapport à PTA ? (00:12:00) C'est qui PTA ? FILMS (00:19:43) HARD EIGHT (00:34:00) BOOGIE NIGHTS (53:40) MAGNOLIA (01:21:36) PUNCH DRUNK LOVE (01:38:48) THERE WILL BE BLOOD (02:11:50) THE MASTER (02:43:07) INHERENT VICE (02:59:55) PHANTOM THREAD (03:17:07) LICORICE PIZZA (03:35:33) UNE BATAILLE APRES L'AUTRE

Kelsi and Trey take a complicated deep dive into Paul Thomas Anderson's One Battle After Another (2025), the bold new epic starring Leonardo DiCaprio, Benicio Del Toro, Teyana Taylor, Regina Hall, and Sean Penn. Is it a modern masterpiece or an important piece of big budget art considering our political moment? A bit of both! Sign up for free on our Patreon (link below) to unlock our full Phantom Thread deep dive and other exclusive movie episodes.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

This week on The Reel Debaters, we put the spotlight on one of modern cinema's most fearless filmmakers: Paul Thomas Anderson. From the wild nights of Boogie Nights to the quiet tension of Phantom Thread, PTA has built a career on characters who burn, ache, and sometimes explode.Is he one of the last true auteurs working today?How does he slip so seamlessly between genres without losing his voice?Would he ever embrace streaming, or is the theater his only home?And with his upcoming film One Battle After Another, what past PTA films feel like battles in their own right?Also in This Episode:

Kelsi and Trey's Mailbag 2025 episode is here: we talk pod origin lore, real vs. fake IMAX, and the movies that defined the year - Black Bag, 28 Years Later, Sinners, Weapons, and more. We get into the biggest disappointments (Mickey 17, Highest 2 Lowest), the actors everywhere in 2025 (Pedro Pascal, Chalamet, Butler), plus our scariest horror moments and best theater experiences. Next up: PTA's One Battle After Another, and for a limited time free listeners can hear our 3-hour Phantom Thread deep dive on Patreon.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

On episode 308 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the competitive International Feature Film contenders and provide a preview of some of the major titles coming to the 63rd New York Film Festival. With more than 70 countries having submitted films for the International Feature Film Oscar so far, now was a good time to look at the frontrunners like Sentimental Value, It Was Just an Accident and The Secret Agent, the NEON dominance of them and how many can really make the final five. We also look outside of those Cannes winners for titles that could pique the voters' interest as uniquely named films have done in the past. Next up is the preview of the 63rd New York Film Festival, which begins this Friday with the opening film, Luca Guadagnino's After the Hunt. After taking a critical drubbing at its Venice bow, we examine if it can rebound here in the states. Two world premieres will be a part of the festival including Anemone, the feature debut from Ronan Day-Lewis starring his three-time Oscar-winning father Daniel Day-Lewis, back on screen for the first time since 2017's Phantom Thread. At the time of recording both Sophia and I had just seen the film but were under embargo (until September 28). The Venice Golden Lion winner Father Mother Sister Brother from Jim Jarmusch is the Centerpiece film and then Bradley Cooper's third directorial effort, the stand-up comedian story Is This Thing On? will close the festival. Could this be Cooper's attempt to rein it in and silence some of the critics of Maestro? This podcast runs 1h07m. We will be back next week with xxxxx Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

RIGHT OUT OF THEATER REVIEW!! One Battle After Another Movie Review - Paul Thomas Anderson returns with his biggest, boldest film yet — a mix of action, satire, thriller, and dark comedy inspired by Thomas Pynchon's Vineland. Leonardo DiCaprio (Once Upon A Time In Hollywood, Django Unchained, Inception) stars as Bob Ferguson, a former revolutionary forced to reunite with his old comrades when his daughter is kidnapped. Sean Penn (Mystic River, Milk, Dead Man Walking) plays Colonel Lockjaw, the menacing antagonist who resurfaces after 16 years. Benicio del Toro (Sicario, Traffic, Guardians of the Galaxy) is Sensei Sergio, Bob's unpredictable ally, while Regina Hall (Girls Trip, Scary Movie, The Best Man) and Teyana Taylor (Coming 2 America, A Thousand and One, White Men Can't Jump) round out the revolutionary crew. Rising star Chase Infiniti takes on Willa Ferguson, the daughter whose disappearance sparks the story. The supporting cast includes Alana Haim (Licorice Pizza, Women Talking, Haim music fame), Wood Harris (Remember the Titans, Creed, The Wire), Tony Goldwyn (Ghost, Scandal, Tarzan), and more. With a score by Jonny Greenwood (There Will Be Blood, Phantom Thread, The Power of the Dog) and Warner Bros. releasing it in IMAX, VistaVision, and 70mm, this is an epic cinematic experience critics are already calling “cinema at its purest.” Themes include generational conflict, extremism, father-daughter bonds, and the messy fallout of idealism. Packed with big action sequences, wild tonal shifts, and emotional performances, this might be Anderson's most personal film yet. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

What Is This Episode - Top of Show . BOOGIE MIKES P.8: PHANTOM THREAD REVIEW . Nonspoiler Review: PTA Goes Goth - 2:40 Review Scores/Awards Goods - 5:15 Script Thoughts - 9:29 Performances/Production Values - 15:16 PTA's Best? - 24:05 . SPOILER WARNING - 26:27 . Spoiler Review: Happiness is Punishment - 27:20 Alma's Hand, Cyril's House - 30:57 Mama - 39:55 That Girl is Poison - 42:10 . FINAL GRADES - 47:58 . . What's Next From MMO/Leave Us 5 Stars! - 48:49

This week, it's our penultimate PTA film as we chat about the wonderful and surprisingly funny Phantom Thread. We discuss PTA's quirky sense of humor, the absolute tour-de-force performances, and the rich, complicated characters that have become a PTA staple. Then, we revisit Alien: Earth and chat about episode 4 of the series. Support us on Patreon: https://www.patreon.com/doofmedia Follow us on Twitter: @doofmedia See all of our podcasts and more at doofmedia.com! Show Notes: 1:51 - Phantom Thread 50:59 - Alien: Earth (Ep 4)

Writer/director James DeMonaco discusses his top ten films that evoke the surreal, hallucinatory feel of dreams/nightmares, while not actually depicting dream/or nightmares with Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode A History Of Violence (2005) The Home (2025) 52 Pick-Up (1986) The Purge (2013) The Purge: Anarchy (2014) The Purge: Election Year (2016) Staten Island (2009) This Is The Night (2021) Glengarry Glen Ross (1992) 3 Women (1977) Apocalypse Now (1979) Apocalypse Now Redux (2001) Jack (1996) The Godfather (1972) The Godfather Part II (1974) The Godfather Part III (1990) Dementia 13 (1963) Star Wars (1977) THX 1138 (1972) Blood Simple (1984) Megalopolis (2024) Mandy (2018) Beyond The Black Rainbow (2010) Nightmare Alley (2021) Blue Velvet (1986) Mulholland Drive (2001) The Accused (1988) The Swimmer (1968) Dune (1984) Dune (2021) Jodorowsky's Dune (2014) Crash (2005) *Ghost Dog: Way of the Samurai (2000) Paterson (2016) Fellini's Roma (1972) Amarcord (1973) La Strada (1954) Nights of Cabiria (1957) 8 ½ (1963) Dirty Harry (1971) Gremlins (1984) Irreversible (2002) Antichrist (2009) Play It As It Lays (1972) Nashville (1975) Boom! (1968) Mr. Blandings Builds His Dream House (1948) Punch Drunk Love (2002) The Long Goodbye (1973) Phantom Thread (2017) One Battle After Another (2025) Happy Gilmore (1995) Happy Gilmore 2 (2025) March of the Wooden Soldiers a.k.a. Babes in Toyland (1934) Beetlejuice (1988) Monkey Trouble (1994) Prizzi's Honor (1985) Vertigo (1958) Invaders From Mars (1953) The Woman in the Window (1944)  Inception (2010) Eternal Sunshine of the Spotless Mind (2004) Dreamscape (1984) What Dreams May Come (1998) The Truman Show (1998) Minority Report (2002) Other Notable Items Our ⁠Patreon⁠! Our pals at ⁠Movies Unlimited⁠ ⁠The Hollywood Food Coalition⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Prus is a design leader living in the heart of the Midwest, focuses on the ways words (and their systems and styles) shape design, and impact UI design elements, accessibility, and more. She returns to the show to talk about Challengers, directed by Luca Guadagnino and written by Justin Kuritzkes, starring Zendaya, Mike Faist, and Josh O'Connor. Is Challengers the horniest tennis movies ever? What about the sweaty, rainy scenes? And how does it compare to 9 1/2 Weeks or Basic Instinct?-A teacher-journalist turned content designer and UX writer, Erin Prus is no stranger to career pivots. She's been consulting for two seemingly disparate clients in the health tech and horticulture spaces, two things she cares deeply about. Also, she's scheduled to wrap up a forthcoming memoir later this year. When she's not working, Erin loves being outside, spending time with her French Bulldog Rumi, doing Pilates, and watching movies with her son.-Challengers (2024)https://www.imdb.com/title/tt16426418/https://www.cincinnati.com/story/entertainment/movies/2024/04/29/yes-applebees-in-challengers-is-accurate-zendaya-cincinnati-open/73499584007/https://www.vulture.com/article/why-challengers-had-that-applebees-scene.html-Other movies discussed, alphabetical listCall Me By Your Name (2017)Matchpoint (2005)Phantom Thread (2017)Queer (2024)The Royal Tenenbaums (2001)The Social Network (2010)The Squid and the Whale (2005)Wimbeldon (2004)Y tu mamá también (2001)

Madeleine Sims-Fewer & Dusty Mancinelli are a Toronto-based filmmaking duo who premiered their second feature HONEY BUNCH, an unconventional thriller set in a 70s medical clinic, at the Berlinale earlier this year. They're an exciting, genre-defying voice in contemporary cinema and it was great to get them on the podcast. We spoke about what it's like working as a duo, making the anti-revenge film VIOLATION, accessibility in film, and much more. Show Notes:Madeleine & Dusty's website Slap Happy (2017)Woman in Stall (2018)Chubby (2019)Violation (2020)Honey Bunch (2025)Her Friend Adam (2016)Great dm interview with Alexandra Heller-Nicholas Describe VideoHeavenly Creatures (1994)Don't Look Now (1973)Eternal Sunshine of a Spotless Mind (2004)Possession (1981)Phantom Thread (2017)Babygirl (2024)Brussels International Film FestivalFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

In this new episode of Time on Screen, Zach Kazan welcomes Worn & Wound contributor Brett Braley to talk about Paul Thomas Anderson's Phantom Thread. Why Phantom Thread? Well, for a number of reasons. First, PTA has a new film out later this year and it has Zach and other members of the Worn & Wound team thinking about his filmography. Second, there's a clear link in our minds between the craft depicted in this film and the world of watchmaking. Third, Brett and Zach previously discussed Tár, a movie with more than a few links to Phantom Thread. Lastly, it's just a great film, with great performances, and some of the best scenes of a couple eating breakfast that you'll ever find in a movie. To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast on all major platforms including Apple Podcasts, Stitcher, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.

Josh and Vulture critic Roxana Hadadi review BLACK BAG, with Josh calling it Steven Soderbergh's best in over a decade. Roxana sticks around for Round 1 of Filmspotting Madness - Best of the 21st Century (So Far), only to be confronted with choices like PHANTOM THREAD or WALL-E. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:03:42) Review: “Black Bag” (00:03:43-00:36:51) Filmspotting Family (00:36:52-00:42:29) Next Week / Notes (00:42:30-00:49:54) Filmspotting Madness: Round 1 (00:49:55-01:15:33) Credits / New Releases (01:15:34-01:21:24) Notes/Links: -Filmspotting Madness https://www.filmspotting.net/madness -2025 Ebert Interruptus https://www.colorado.edu/cwa/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

"Reynolds has made my dreams come true." For Episode 347, Thomas and Brandon continue the show's Romantic Drama series. Listen as they discuss what personal experience inspired the film, how Daniel Day-Lewis became involved, and how Paul Thomas Anderson and his crew created the visual style for the film.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Happiness and Philip Seymour Hoffman (00:00:10) Recap of the Romance Drama Genre (00:04:03) Intro to Phantom Thread (00:09:14) How Phantom Thread Made It To Production (00:16:55) Favorite Scenes (00:30:28) On Set Life (01:13:00) Aftermath: Release and Legacy (01:17:35) What Worked and What Didn't (01:23:34) Film Facts (01:26:45) Awards (01:29:02) Final Questions on the Movie (01:34:08) Wrapping Up the Episode (01:38:23) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Mark's work for director Paul Thomas Anderson includes: Boogie Nights, Magnolia, Punch Drunk Love, There Will Be Blood, The Master, and Phantom Thread, for which he won an Academy Award. Mark had also won an Oscar for his work on the The Artist.  Mark's more recent work includes: Joker, The Fabelmans, Maestro, and the upcoming The Lost Bus for Paul Greengrass.

SEASON 2 - EPISODE 118 - Mark Bridges - Costume Designer In his podcast debut, costume designer Mark Bridges (THE FABELMANS, JOKER, PHANTOM THREAD) speaks with us on this episode of the Team Deakins Podcast. Mark was once a costume assistant on BARTON FINK and HUDSUCKER PROXY alongside Mary Zophres (Season 1, Episode 80), and he shares how he made the jump to being a costume designer in his own right after meeting director Paul Thomas Anderson to work on his debut feature, HARD EIGHT. Throughout the episode, we discuss Mark's approach to his work, and he shares how he builds out a character's closet through diligent research and frequent testing. We also discuss how Mark communicates with the hair and makeup department, and he describes the types of conversations he has with the actors embodying a film's characters. Later, Mark discusses how he designs costumes in black-and-white, and he reflects on the extra legwork done to get ahead of any potential problems while shooting on location. And, while sharing advice at the end of the episode, Mark cautions young designers against making it about the money. - This episode is sponsored by Aputure

We were incredibly saddened by the loss of 1st Assistant Director and producer, Adam Somner. You can hear his fantastic energy, enthusiasm and entertaining storytelling as a guest on The Cinematography Podcast. Here we have re-posted his 2021 episode in memorial and tribute to his blockbuster career. He will be greatly missed. The job of the assistant director is to work in concert with the director and the DP to get everything done on a movie set. As a 1st AD, Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group, persuading people to do things on the schedule and timeline needed to complete the job. Adam's father, Basil Somner, worked for MGM Studios in England, and through him, Adam got a job as a runner/production assistant at age 17. He began working on movies in the late '80's, like Indiana Jones and the Last Crusade, Superman IV, and Who Framed Roger Rabbit? He worked under many assistant directors, observed how they took charge on set, and decided he was really interested in becoming an AD. Adam has worked on eight Ridley Scott films to date, as well as several of the late Tony Scott's films. He was first hired on a Ridley Scott film as a third assistant director on 1492: Conquest of Paradise and White Squall, then moved up to second assistant director on Gladiator, (with DP John Mathieson) where he learned how to manage a huge crew of extras and background action from the 1st AD, Terry Needham. On Black Hawk Down, Adam was promoted to first assistant director for the second unit. Black Hawk Down was shooting in Morocco, and the second unit was responsible for most of the helicopter sequences, with lots of moving parts and extras, involving real Black Hawk helicopters and real U.S. military soldiers. After Black Hawk Down, Adam got the call to begin working with Steven Spielberg on War of the Worlds, where he quickly learned to read Spielberg's mind and keep an eye on the details. He's worked with Spielberg on ten films now, including Munich, Lincoln, and Ready Player One. A 1st AD is responsible for coordinating most of the background action. Adam's ability to work on big sets with lots of action, extras and special effects led director Paul Thomas Anderson to hire him for There Will Be Blood, and Anderson has since become a personal friend. Adam finds Anderson's on-set approach to be very thoughtful and measured. Unlike the action-heavy films Adam has worked on, he knew it was important to keep the crew and background actors quiet and subdued on Anderson's films with heavy dialog, such as The Master and Phantom Thread. For The Wolf of Wall Street, Adam was thrilled to work with director Martin Scorsese. Scorsese and cinematographer Rodrigo Prieto had Adam sit in during their preproduction shotlisting process, so they were all thoroughly prepared. Scorsese loves shooting scenes with complex background action, and Adam delivered. He carefully rehearsed all the extras in different stages of panic as the brokers watched the stock market crash. For the famous in-flight orgy scene, Adam wasn't totally sure how he wanted to deal with not just one sex scene, which is hard enough, but several at once. So he decided to hire a choreographer to help rehearse and plan all the action, making sure each background player knew exactly what they were doing and taking care that everyone was comfortable with their role in front of the camera. Adam was excited to work with Alejandro González Iñárritu on some of Birdman, and as the 1st AD on one of the may units shooting The Revenant, where Iñárritu and the DP Emmanuel Lubezki “Chivo” wanted everything shot and rehearsed during magic hour. Rehearsals were incredibly important on both Birdman and The Revenant...

We must never begin a day with conflict, and today we began with a beautiful discussion. This time it's 2017's PHANTOM THREAD, joined by our wonderful friend Brie! We get into luxury estates in the Cotswolds, PTA goes to London, smoking the camera, Dr. Steve Brule, Daniel Day Lewis' final film (for now), the amazing Vicky Krieps, modern PTA, Reynolds Woodcock's relatability, and a ton more. It's a great episode, we had a lot of fun. Rate and review us too, it helps us out! PHANTOM THREAD | Camera Tests https://www.youtube.com/watch?v=GHRl0urd5qE Follow Brie: https://bsky.app/profile/brieplay.com Follow Altmania, support the show: linktr.ee/altmania patreon.com/altmania

The great Mikki Hernandez joins Alex and Nick to break down Paul Thomas Anderson's “Phantom Thread.” They discuss their favorite PTA films, Daniel Day-Lewis co-writing the movie, Lesley Manville, Vicky Krieps, Oscar-winning costumes, breakfast, relationships, marriage, fragile male egos, DDL's retirement (?), and much more.Watch Mikki and Nick in Alex's film, “I Am Alive.”Purchase Mikki's book, “Cake Mix: Learning to Love All Your Ingredients” on Amazon, or Barnes & Noble.

The spooky thriller House of Spoils on Amazon Prime is about an ambitious chef, Ana (Ariana DeBose) who follows her dream to open a restaurant on a remote estate in the woods. She quickly realizes it's haunted by the vengeful spirit of the previous owner. As Ana battles stress, self-doubt, a skeptical investor, and kitchen chaos, the ghost's sinister presence threatens to sabotage her every step. When cinematographer Eric Lin met with directors Bridget Savage Cole and Danielle Krudy (Blow The Man Down), they presented him with several inspirational references by surrealist painter Leonor Fini and Dutch painter Adriaen van Utrecht. Both artists captured the unsettling feeling of eerie decay while being surrounded by the natural world. Nature, rot and its influence on bodies became the movie's core aesthetic. Films like Black Swan (psychological horror), The Shining (single, oppressive location) and Phantom Thread (artistic obsession) also served as inspiration. Eric embraced the use of zoom lenses in the film. “Zooms are super psychological and we tried to find ways that we would sneak them in, because it has this very unsettling feel,” he says. Because Ana is a chef, food also played a major role in the film. “I was interested in trying to find a way to represent the colors that had a feeling of decay- almost a mushroom, moldy look,” Eric explains. “Because what comes from that decay is life, right? It's like creativity is born through all this death and decay. And so I wanted the colors of the film to represent that feeling.” He created a LUT where the vibrant colors stood out while the browns and greens stayed dull and earthy. The kitchen was really being used to cook the dishes, and a food stylist helped to plate all the ingredients. Second unit would then shoot the dishes as they were presented to the table. House of Spoils was shot on location at an estate in Budapest. The crew built a fully functional kitchen set, allowing for meticulously planned lighting. The garden outside the kitchen was also created by the production design team and the greens department. The natural fog blanketing the estate's garden provided the perfect eerie atmosphere, eliminating the need for fog machines. Eric's passion for cinematography wasn't always his career path. After studying at UC Berkeley, he switched gears to study film in grad school at NYU. He managed to land a job as an assistant editor, but cinematography was his true passion. Eric shot music videos and independent films as much as he could on the side. While shooting music videos and independent films, his dedication paid off. The short film Missing went to the Cannes Film Festival. Eric's cinematography is also in several Sundance Film Festival projects, such as The Sound of Silence, Hearts Beat Loud, and I'll Be Your Mirror (originally titled Blood). House of Spoils is currently streaming on Amazon Prime Video. Find Eric Lin: www.eric-lin.com Instagram: @holdtheframe Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

 Daniel Day-Lewis is coming out of retirement, seven years after his last movie, for a film directed by his son Ronan Day-Lewis. The project was announced Tuesday by Focus Features and Plan B, who are partnering on “Anemone.” The film, Ronan Day-Lewis' directorial debut, will star his father along with Sean Bean and Samantha Morton. The two Day-Lewises co-wrote the film. Earlier Tuesday, Daniel Day-Lewis and Bean were spotted driving a motorbike through Manchester, England, stoking intrigue about his impending return to acting. After making Paul Thomas Anderson's 2017 film “Phantom Thread,” the 67-year-old said he was quitting acting. Given Day-Lewis's decades-long filmography, and 3 Academy Awards to his name, we thought it'd be good to look back at his legacy to help contextualize how significant his contributions have been.    With files from the Associated Press  

This week, SepTIMEber concludes with another charming British time travel rom-com that segues into fam-dram territory before it reaches the finish line. It's 2013's About Time, written and directed by Richard Curtis, and starring Domhnall Gleason, Rachel McAdams, Bill Nighy, Tom Hollander, Margot Robbie, Lydia Wilson, Vanessa Kirby and an uncredited Richard E. Grant. It's once again the final Friday of the month, as even this theme month can not stop the inexorable march of time, and Hayley's got the keys to the vault this time around, as she's chosen to nominate a cozy comfort film that's come to mean a great deal to her over the last decade. It's a cute movie with a sharp premise that plays a bit like if Edge of Tomorrow was a romantic comedy -- at least as far as it's interested in being a romantic comedy, anyway. We debate, as always. If you'd like to watch the movie before listening along to our conversation, About Time is not currently available to stream in Canada at the time of publication, but is rentable on YouTube, Cineplex and Amazon. And you can nab it for $5 on DVD at your local Sunrise Records. Other works discussed on this episode include Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, Star Trek VI: The Undiscovered Country, Star Trek: Insurrection, Star Trek: Lower Decks, Star Trek: Strange New Worlds, Star Trek: Discovery, Star Trek (2009), Spider-Man: Far From Home, San Andreas, Lost, Super 8, Star Wars: The Rise of Skywalker, Star Wars: The Force Awakens, Arrested Development, Pirates of the Caribbean: Dead Man's Chest, Early Edition, Phantom Thread, Saltburn and Love, Actually..., among others. We'll be back next week to kick off a new theme month as we put SepTIMEber in the past and move on to four weeks of frights, as Spooktober begins with a meeting of the minds from George A. Romero and Stephen King: 1982's Creepshow, which is currently streaming north of the border on Hollywood Suite. The rest of the Spooktober schedule includes 1408, The Birds, and our October canon consideration The Thing! It's gonna be a great month, so come on back, and until then, we'll see you at the movies!!

This week: Phantom Thread (2018) dir. Christopher McQuarrie Alan's Game: Cruise Runs For Critics Guest: Braden Griffiths Movie chat begins at 5 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and becoming a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

Our newest contributor Paul rejoins the podcast as Max and Brian revisit their series pairing off the films of Quentin Tarantino and Paul Thomas Anderson. We've skipped ahead a bit to land on their 70mm roadshow pictures, each auteur using their clout to shoot on film, on location. In doing so they crafted two of their most personal movies, with wildly varied results. Give us a listen as we continue to pit these two geniuses against each other!Say Hi!

Our deep dive of Wes Anderson and P.T. Anderson continues: this time we discuss the 2017 film The Phantom Thread which tells the story of a toxic relationship fostered by a tyrannical dressmaker. Michael and Abe discuss Paul Thomas Anderson's distinctive style, themes, and characters. Features: Michael Swaim: https://twitter.com/SWAIM_CORP Abe Epperson: https://twitter.com/AbeTheMighty Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

This week: Phantom Thread (2017) dir. Paul Thomas Anderson Alan's Game: Method or Madness Guest: Carly Maga Movie chat begins at 11 minutes. In our new series we count down the 50 best films of the 2010s as voted on by a group of film fanatics. The person who ranked the film the highest on their list will appear as our guest to talk about why their film deserves to be on the LIST! E-mail us at thehammockdistricton3rd@gmail.com, follow us on Instagram @BadNeighborsPod. If you like what you hear please consider leaving us a review on iTunes, and becoming a patreon member here: www.patreon.com/boathausstudios Patreon members will gain exclusive access to our bonus episodes!

Daniel Day Lewis' seminal final performance came in Paul Thomas Anderson's Phantom Thread from 2017. The film subverts expectations in the best possible way, appearing to be a 1950s period drama about a fashion designer and morphing into a bizarre love story that explores the darker sides of both masculinity and femineity. Phantom Thread is incredibly dense, nuances, and brimming with beautiful costumes and incredible performances. The movie demands multiple viewings and delves into themes of class distinction, the frivolity of high fashion, psychological needs, and more.

Do you hate starting your day with a confrontation? Then you should listen to our new episode instead! That's right, we're back and covering Paul Thomas Anderson's 2017 offering PHANTOM THREAD. Starring Daniel Day Lewis, Vicky Krieps and Lesley Manville. We talk all things fashion, breakfast and routine. And if you listen closely, perhaps you'll catch the plenty of tangents we stitched lovingly into the fabric of this episode. We strongly recommend listening alone or with headphones as not to disturb your loved ones at breakfast. Support Amusing Ourselves to Death by contributing to their tip jar: https://tips.pinecast.com/jar/amusing-ourselves-to-death Find out more at https://amusing-ourselves-to-death.pinecast.co

Boomer, Brandon, and Alli discuss Fritz Lang's German expressionist sci-fi landmark Metropolis (1927) https://swampflix.com/ 00:00 Welcome 01:07 Idiocracy (2006) 07:40 Days of Heaven (1978) 13:42 The Parallax View (1974) 20:01 Blue Sunshine (1977) 25:54 Phantom Thread (2017) 29:02 M (1931) 33:30 Gasoline Rainbow (2024) 38:42 Furiosa (2024) 43:26 Hundreds of Beavers (2024) 47:56 Blue Velvet (1986) 51:55 It's Such a Beautiful Day (2012) 57:30 Le Samouraï (1967) 59:02 Evil Does Not Exist (2024) 1:02:22 Metropolis (1927)

Paul Thomas Anderson's 2017 beautifully twisted London romance, PHANTOM THREAD, is our feature presentation this week! We'll talk the film's surprising twist, if it's a great dark comedy or not, what inspired the film, how Reynolds Woodcock likes his asparagus, and much more! We also pick our TOP 7 PAUL THOMAS ANDERSON MOVIES in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

“Variety” TV critic Alison Herman had just moved to Los Angeles in the year of our lord 2017, and she joins us to recall, with fondness, the cockeyed comedy of “Phantom Thread,” the deft commentary of “Get Out,” and the totally not-divisive pleasures of “Star Wars: The Last Jedi.” Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

This week we are reuniting with old flames while we discuss “all things”! We're talking how this episode clearly came about because Gillian Anderson wanted to direct a Moby music video, how scared we were by Daniel's massive man hands, how this is Gillian's first directing gig because she's not tall enough to reach the cameras, we make fun of Scully's disgusting lunch, and track the continuing story of Scully's old man predilection. We yell at Scully to go hang out at Stonehenge with her boyfriend, track Scully's multiple Phantom Thread situationships, point out Mulder's blonde woman energy, and celebrate because the Boo Crew is at least heavily implied to have had relations, which more importantly means Amanda was right. We wonder whether Scully has slept with all her teachers, we get sad because Gillian has been inducted into the boring voiceover cult, and we're just asking where we can get that “Stonehenge Rocks” hat, because it is amazing.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

EMAILS: Red Lobster gift cardVOICEMAILS: Another Argylle theory. Exhausted by Wonka. Becky's follow-up to her birthing experience. Shook that Ali's never had summer sausage. Burger King Whopper sacrifice campaign. Ghost touching back of neck. Dog stealing a pink dinosaur toy. Phantom Thread coincidence. Lots of support messages for Becky. -Webcrawlerspod@gmail.com626-634-2069Twitter / Instagram / Patreon / Merch Support this show http://supporter.acast.com/webcrawlers. Hosted on Acast. See acast.com/privacy for more information.

Kelsi and Trey recorded a 3 hour exploration of Paul Thomas Anderson's masterpiece 'Phantom Thread' starring Daniel Day-Lewis and Vicky Krieps. They discuss how the film is revered as a meditation on the cost of romance, a deconstruction of the tortured great man myth, and how Anderson subverts our genre expectations with suggestions of a post-war through line with subtle themes of anti-semitism, homophobia, and class constraints. Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

*Please note we get into heavy spoilers for Saltburn and May December in this episode. Spoiler Talk begins at 24:00 and ends at 43:46*On today's episode, Lauren is under the weather and Chelsea plots her revenge against cyclists on Mulholland Drive. We also discuss Cynthia Nixon's divisive appearance on The View, George Santos' Cameo debut, Taylor Swift's Time profile and Phantom Thread-inspired bop, Madeline Brockway's viral wedding, the delicious bathwater in Saltburn, Julianne Moore's beauty routine in May December, Netflix's latest cult docuseries Escaping Twin Flames, Suki Waterhouse's Christine McVie realness in Daisy Jones and the Six, Balenciaga's LA show and Erewhon collaboration, Kim Kardashian's hard pivot to acting, and more essential pop culture news.Today's episode is sponsored by Dipsea.  Dipsea is offering an extended 30 day free trial when you got to Dipsea Stories.com/OUTFIT. As well as, Green Chef. Get 60% plus free shipping on your Green Chef order, when you go to GreenChef.com/60Outfit.Want to hear our thoughts about Julia Fox's memoir Down the Drain? Or Gen-X classic Reality Bites? Or Sofia Coppola's new book? Become a Patron! Patreon.com/EveryOutfitWant your call to be featured on a future hotline episode?  Call 323-486-6773

*Please note we get into heavy spoilers for Saltburn and May December in this episode. Spoiler Talk begins at 24:00 and ends at 43:46* On today's episode, Lauren is under the weather and Chelsea plots her revenge against cyclists on Mulholland Drive. We also discuss Cynthia Nixon's divisive appearance on The View, George Santos' Cameo debut, Taylor Swift's Time profile and Phantom Thread-inspired bop, Madeline Brockway's viral wedding, the delicious bathwater in Saltburn, Julianne Moore's beauty routine in May December, Netflix's latest cult docuseries Escaping Twin Flames, Suki Waterhouse's Christine McVie realness in Daisy Jones and the Six, Balenciaga's LA show and Erewhon collaboration, Kim Kardashian's hard pivot to acting, and more essential pop culture news. Today's episode is sponsored by Dipsea. Dipsea is offering an extended 30 day free trial when you got to Dipsea Stories.com/OUTFIT.  As well as, Green Chef. Get 60% plus free shipping on your Green Chef order, when you go to GreenChef.com/60Outfit. Want to hear our thoughts about Julia Fox's memoir Down the Drain? Or Gen-X classic Reality Bites? Or Sofia Coppola's new book? Become a Patron! Patreon.com/EveryOutfit Want your call to be featured on a future hotline episode? Call 323-486-6773