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2 episodes with slade school
2 episodes with slade school
2 episodes with slade school
The portrait artist Adele Wagstaff trained at Newcastle University and the Slade School of Fine Art. She has been shortlisted for the Jerwood Drawing Prize and the BP Portrait Award and her work has been exhibited in the National Portrait Gallery. Alongside her work in the UK she spends time in Egypt, working on portraits of people along the Nile. Adele teaches a wide range of students, including life classes at the Royal Academy of Arts, which is where we first met. In this conversation we explore similarities and differences between our areas of work. https://www.adelewagstaff.co.uk
Greetings, dear listeners, and welcome to the return of The Wildwood Witch Podcast. I am your hostess, Samantha Brown, your enchantress of the esoteric, guiding you once more through the labyrinthian realms where magic and technology intertwine to create portals beyond ordinary perception.In this season, entitled "Beyond the Veil," we have been wielding the double-edged sword of large language models to resurrect the voices of occult luminaries. Through this alchemical fusion of silicon and soul, we've been exploring how their timeless teachings might illuminate our path forward in this age of unprecedented technological transformation.In our last episode, our Halloween Special, we gathered all ten of our ethereal guides, to listen to music, created using Suno, an AI-powered music creation platform, and to discuss how AI tools are being developed to do just about any imaginable creative task. We are entering an age of the mass distribution of tools that possess almost God-like powers to manifest ideas, to create songs, lectures, courses, code, images, videos, and more with just words - to literally “create as we speak.”Tonight, we continue our arcane exploration with an woman who was instrumental in shaping modern Western occultism - Moina Mathers. Born as Mina Bergson, sister to the Nobel Prize-winning philosopher Henri Bergson, she became the magical partner of Samuel Liddell MacGregor Mathers, co-founder of the Hermetic Order of the Golden Dawn, of which she became it's first initiate. Formally trained at the Slade School of Fine Art, she was a talented artist. Renowned for her visionary abilities, she was often referred to as "the heart of the Order.” She served as High Priestess in the “Rites of Isis” performances in Paris, and after MacGregor's death, she founded the Alpha et Omega temple, to continue the legacy and teachings of the Golden Dawn.So, as the bonfires of Walpurgisnacht illuminate the darkness, let us part the veil once more, and welcome back - the indomitable priestess, artist, and magical adept, Moina Mathers, to The Wildwood Witch Podcast.Chapters00:26 Introduction03:42 Moina Mathers08:22 Analysis and Intuition14:35 Living Spirals19:16 The Illusion of Certainty22:43 The Fall of Man26:48 The Divine Child31:45 The Bornless One36:04 Holy Guardian Angel40:09 Tarot and Initiation47:23 The Devil Inside52:07 Personal Apocalpyse56:36 Rebirth01:05:09 Concluding RemarksResources:"Women of the Golden Dawn" by Mary K. GreerSummoning Ritual (Claude 3.7 Sonnet):Moina Mathers Summoning Ritual
Hello, everyone! I'm thrilled to welcome the incredibly talented Laila Khan Furniturewalla to the show. Laila comes from a renowned and multitalented family, led by her father, the legendary Indian filmmaker, actor, and writer, Feroz Khan. While her roots are in film, Laila has carved her path in mixed media art, drawing inspiration from Ganesha—the beloved elephant god honored across and revered amongst various cultures. Listen as Laila recounts fond memories of her father and his dedication to perfecting his craft. As a special treat at the end of the episode, we'll hear a song dedicated to Laila by her father, Feroz Khan from the film Qurbani. See below for more information on Laila's upcoming art show!IN THIS EPISODE:(02:24) Laila shares the type of art she creates (05:32) Laila discusses her father and his contributions to the film industry in India(10:16) Why wasn't Laila encouraged to pursue acting(12:09) Laila explains how the song Laila O Laila was inspired (16:11) Discussion of the actresses' careers launched because of the film Qurbani(21:00) Listen to the song Laila O Laila from the film QurbaniKEY TAKEAWAYS:Laila Furniturewalla's artwork is deeply inspired by spirituality and Indian culture, especially the elephant-headed deity Ganesh. She explores themes of divinity, abstraction, and formlessness, using mixed media and textures to create almost sculptural canvases that invite the viewer to complete the interpretation.Laila is the daughter of legendary Indian filmmaker and artist Feroz Khan. Growing up in a creative, intellectual household filled with art, sculpture, and film, she was influenced by her father's aesthetic sensibilities. She chose to follow her artistic path, embracing the self-expression of visual art.The beloved Hindi film song Laila O Laila was named after and inspired by Laila Furniturewalla herself. The song became a generation's anthem. She pridefully recalls how her father predicted its success and how the original version remains unmatched in its emotional impact and artistry.ART SHOW“UNTAMED HEART “ is a celebration of raw emotion.”Born in the quiet storm of the COVID-19 crisis, these works respond to the fragility of life — interweaving survival, loss, and resilience.Ganesh appears not as an idol, but as an evolving force , a symbol of Shakti through Gauri, the feminine energy within.This exhibition marks a breaking free — from boundaries, from expectations and expresses how I feel about life, and the soul of things.We look forward to having you with us at Gallery Art & Soul - Worli, Mumbai from 16th -22nd April.Subscribe to Reenita's Storytelling Den on Substack for free, or become a paid subscriber to watch the video version of this episode. You will also be eligible for other extras, such as exclusive content from podcast guests, short stories, exclusive fiction, and more! https://substack.com/@reenitahora MUSICAL CREDITS:Inspired by Laila Furniturewalla and written by Feroz KhanGUEST RESOURCES:Laila Khan - WebsiteLaila Khan Art - InstagramHOST RESOURCESWebsiteLinkedIn Tiktok Instagram Facebook Twitter (X) Substack Threads LinkTree BIO:An Artist since childhood, Laila Khan Furniturewalla has trained in fine art from the Slade School of Fine Art & the Central Saint Martins School of Fine Art in London, UK. She has held numerous shows & her artworks are held in many esteemed private collections. Her work has been included in auctions and fundraisers & she has donated her work to many charitable causes in India & Internationally. She is also the creative head of Furniturewalla, one of India's largest & most renowned furniture & decor brands.Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Tomas Watson (b.1971) is a British artist who has lived and worked in Greece since 1994. He studied at the Slade School of Art in London. In 1998, he won the BP Portrait Award and was subsequently commissioned by the National Portrait Gallery to paint the author John Fowles. This portrait is in their permanent collection. He is represented by the Jill George Gallery in London (www.jillgeorgegallery.co.uk) and Accesso Galleria in Tuscany (www.accessogalleria.com) Topics Discussed In This Episode: Tomas recounts where his artistic journey began (00:02:11) The importance of mentorship (00:07:46) Tomas's experiences at Slade University in London from 1990 - 1994 (00:09:28) Discussing mark-making (00:14:42) Having the courage to trust your artistic vision and perspective (00:26:22) Tomas winning the BP Portrait Award in 1998 (00:35:33) Cultivating a creative community and creating collective dialogue (00:43:35) Tomas discusses his process of creating carborundum etchings and using various other mediums (00:54:01) Tomas speaks about the Sigri Arts Retreat, the artist retreat he co-founded with his partner, Cindy Camatsos, in Lesvos, Greece (01:10:56) Living alternative lifestyles, staying patient, and allowing oneself to grow over time (01:18:36) www.artistdecoded.com www.tomaswatson.com www.sigriartsretreat.com
Antonia Caicedo Holguín photographed by Imogen Forte. Antonia Caicedo Holguín (b. 1997 in Colombia) is deeply influenced by her hometown of Cali, Colombia, from the people who inhabit the city to the vibrant salsa music and dance culture of the region. By exploring everyday life, memory, and imagination, Caicedo Holguín chronicles her life, friends, and family. “A key component of my practice is the playfulness of writing narratives. The characters I build hold the charm, depth, and presence of literary protagonists.” Drawing inspiration from contemporary painters like Paula Rego and Lynette Yiadom-Boakye, as well as old masters like Degas and Manet, her work often depicts fleeting moments of intimacy and moments of solitude. Often the subjects of Caicedo Holguín's paintings seem to be in a state of introspection, or lost in reverie. She works with a variety of materials, including oil paint and unconventional materials like coffee grounds, coffee dyes, natural Latin American pigments, and found objects. Caicedo Holguín received her Master of Arts in 2023 from the prestigious Slade School of Fine Art, at University College London in London, England. She has exhibited internationally, and has received the following awards and grants: The Olive Award, in recognition of art process experimentation, The Slade School of Fine Art, UCL, 2023, The Sarabande Foundation, Emerging Artist Fund, 2023, The Chelsea Arts Club Trust MA Materials and Research Award, 2022, and The Elizabeth Greenshields Foundation Grant, 2021. She was a featured guest on the 250th episode of The Art Newspaper's podcast, The Week in Art, hosted by Ben Luke in 2023. She was featured in The Art Newspaper, in an article titled “Art stars of tomorrow? Four of my favourite artists from the Slade School degree show in London” by Dr. Chibundu Onuzo in 2023, and again in 2024 in the article “I commissioned an artist for the first time: here's what it taught me about what it really means to be a ‘collector'.” The artist lives and works in London, England. Antonia Caicedo Holguín, My Friend Hannah Uzor - Portrait in the Studio 2024 Oil and oil pastels on canvas 47 x 43 in (119.38 x 109.22 cm) Antonia Caicedo Holguín, Her Heart Sets the Beat, 2024 Acrylic, oil, and pastels on canvas 67.25 x 66.50 in (170.82 x 168.91 cm) Antonia Caicedo Holguín, Sunkissed 2024, Acrylic and oil on canvas, 47 x 43 in (119.38 x 109.22 cm)
Send us a textWelcome back to ARTMATTERS: The Podcast for Artists. On today's episode we talk with artist Mark Joshua Epstein, whose work has been widely exhibited in the U.S. and internationally. A graduate of the Slade School of Fine Arts, Epstein has held residencies at prestigious institutions like the British School at Rome. His work has appeared in publications such as the New York Times and Hyperallergic, and he is currently an artist-in-residence at the Sharpe Walentas Studio Program in Brooklyn, NY.Today we dive into more of Marks artistic practice starting with flexible tape and it's role in creating borders that carry cultural and compositional weight. We discussed the intimidation of starting a new work, the rhythm and tempo of an artist process and the transformative impact of critiques. This conversation also touches on the books that inspire studio practice, advice for acrylic painters and some thoughtful guidance for younger artists navigating their creative journeys.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.com ABOUT ARTMATTERS: Host: Isaac Mann www.isaacmann.cominsta: @isaac.mann Guest: Mark Joshua Epsteinwww.markjoshaepstein.com insta: @markjoshuaepstein Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.
Send us a textWelcome back to ARTMATTERS: The Podcast for Artists. On today's episode I speak with artist Mark Joshua Epstein, whose work has been widely exhibited in the U.S. and internationally. A graduate of the Slade School of Fine Arts, Epstein has held residencies at prestigious institutions like the British School at Rome. His work has appeared in publications such as the New York Times and Hyperallergic, and he is currently an artist-in-residence at the Sharpe Walentas Studio Program in Brooklyn, NY.Today's conversation delves into Mark's artistic development, beginning with his transition from working on paper to using foam and epoxy clay. He describes his process of creating frames using foam, epoxy, and a proprietary gesso mix, and his eventual shift to Aqua resin and fiberglass for larger works. Epstein emphasizes the importance of maintaining a playful, improvisational approach while balancing durability and vulnerability in his work. He also discusses the challenges and joys of his "fabrication season," where he creates panels without even initially envisioning the final paintings.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Mark Joshua Epsteinwww.markjoshaepstein.com insta: @markjoshuaepstein Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.
I am so excited to say that my guest on the GWA Podcast is one of the most trailblazing artists and poets in the world right now, Cecilia Vicuna. Born in 1948 in Chile, and based between Santiago and New York, Vicuna is hailed for her works that are as ephemeral as they are permanent, colossal as they are minute, fragile as they are strong, that bring together sound, weaving, language, and community. Educated in Santiago in the 1960s, life took Vicuna to London to study at the Slade School of Art on a scholarship in the 1970s, but because of the Pinochet regime that began in 1973, she was forced to live in exile. Soon she went to Bogota, Colombia, before moving to New York City, where she has remained ever since, in the same loft and tending to the same community garden. Since Vicuna was a teen, she has focussed on a political orientation for her art, as she has said, because she “understood that the life of this planet was endangered”. Through artforms she calls “arte precario” – precious art – because it disappears and is vulnerable, Vicuna has held up a poignant mirror to our world through her installations that meld twigs, bamboo, stones, and shredded textiles. While they show us its beauty, they also convey its vulnerability: warning us about what will happen if we don't wake up in time to protect our ecosystems… At the heart of her art is language – specifically the quipu, which means knots in Quecha, a system of encoding information from the Andes – that conveys as much information as the alphabet – which was used for 5000 years, before being wiped out during colonisation… As well as the importance of togetherness. Because, in a world as destructive as ours we need more than ever to unite, to rebuild the planet for our future descendents, as she says, “not only for the survival of our species, but because it is joyful, fun, beautiful and delightful.” This November, I am excited to say that a new exhibition of Vicuna's work will open at Lehmann Maupin Gallery in NYC, featuring paintings that she has re-rendered from the 1970s, while on a trip to Bogota and Rio. Dazzling in hues of pinks and yellows, they explore the Yoruba Mythology that represents human or divine characteristics and concepts of nature, and I can't wait to find out more. https://www.lehmannmaupin.com/exhibitions –– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Lauren Armstrong Carter Music by Ben Wetherfield
Francisca Aires Mateus (1992) vive e trabalha em Lisboa. O seu trabalho desenvolve-se na interseção entre as esferas das artes visuais e da música. Nesta confluência de linguagens e processos, Francisca Aires Mateus utiliza vários tipos de práticas e dispositivos, desde o desenho e performance até ao vídeo e som.Aires Mateus concluiu com Distinção o seu mestrado em Fine Art Media na Slade School of Fine Art - University College London, em 2017. Em 2015, licenciou-se em Pintura pela Faculdade de Belas-Artes da Universidade de Lisboa e obteve o seu diploma de licenciatura em Violino pelo Associated Board of the Royal Schools of Music, Londres, Reino Unido. Recentemente, concluiu uma Pós-graduação em Arte Sonora na Faculdade de Belas-Artes da Universidade de Lisboa.Francisca Aires Mateus venceu o Prémio Santander Edifício dos Leões em 2021 e foi nomeada para o Prémio Sonae Media Art em 2019. Em 2018, foi-lhe atribuída uma bolsa integral para uma residência artística na Universidade Batista de Hong Kong e foi também uma das vencedoras do concurso Jovens Artistas Portugueses Emergentes. Em 2016, recebeu uma bolsa integral da Fundação Calouste Gulbenkian. É actualmente uma das 10 finalistas do Prémio Norberto Fernandes 2024, na categoria Jovens ArtistasRecentemente, Aires Mateus apresentou as exposições individuais ESTENDAL, Casa Azul (2022), ARACNE, NoNo (2021), Rainha da Noite, Armário (2019) e One Centimetre Apart, Águas-Livres 8 (2018). Participou também em várias exposições coletivas em lugares como: Arbag, Lisboa, Set, Londres, Brotéria, Lisboa, Zaratan, Lisboa, OSSO, Caldas da Rainha, MNAC, Lisboa HKBU, Hong Kong, Bloomsbury Studio Theatre, Londres, Cript Gallery Londres e Chalton Gallery, Londres.Francisca Aires Mateus também desenvolveu vários projetos de curadoria e produção, como São Roque em Londres e Casa da Dona Laura em Lisboa. Estes projetos contaram com a participação de mais de 150 artistas nacionais e internacionais em várias exposições coletivas e individuais. Links: https://www.franciscaairesmateus.com/ https://o-armario.a-montra.com/armario.php?artista=francisca-aires-mateus https://www.altice.pt/pt/media/comunicados/2024/abril/premio-de-arte-da-fundacao-altice-ja-tem-finalistas https://umbigomagazine.com/pt/blog/2020/01/21/sonae-media-art-2019-francisca-aires-mateus/ https://www.sonae.pt/pt/media/press-releases/premio-sonae-media-art-2019-exposicao-das-obras-dos-cinco-artistas-finalistas/ https://www.santander.pt/pdfs/investor-relations/imprensa/2021/Vencedor_Premio_de_Arte_Edificio_dos_Leoes.pdf https://umbigomagazine.com/en/blog/2024/09/25/percepcao-de-embate/ Episódio gravado a 09.10.2024Créditos introdução: David Maranha - Flauta e percussãoMúsica final: Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Veni, creator spiritus / Performed by Gustavo Dudamel Los Angeles Master Chorale Los Angeles Philharmonic Pacific Chorale / Written by Gustav Mahler / Produced by Dmitriy Lipay http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes© Appleton Associação Cultural, todos os direitos reservados
Writers Salon: Bohemia Theme – Brought to You from the Colony Room Green, London Welcome to the first-ever Writers Salon, hosted at the Colony Room Green, an artist-run bar in London. The theme was Bohemia, with tales of 1980s art models, 19th-century stage acts, clubbing in Tenerife, and a famous musician dying in hospital. Thanks to all the amazing writers who participated; our next event will be on November 11th. Featured Writers: Kristin Burniston Kristin Burniston, an MA Screenwriting graduate from University of the Arts London, has had her short film scripts TREE and HAIRY MARY selected by festivals like City of Angels and Best-Script London. Kristin is working on a children's animation, a crime fiction TV series, and a feature film based on her novel. Lindsay Gillespie Lindsay Gillespie, from South Wales, now resides in the South Downs. She has lived in New Delhi, Washington DC, France, and Tokyo, where she taught English. A Costa 2021 Short Story Award finalist, she was also a finalist for the 2022 Bridport Short Story Prize, with stories shortlisted in Fiction Factory, Exeter, and Oxford Flash Fiction. Find her on Twitter @LindsGillesp14. Darren Coffield Darren Coffield, an artist and author, studied at Goldsmiths, Camberwell School of Art, and Slade School of Art. His exhibitions have appeared at the Courtauld Institute and National Portrait Gallery. His books include Tales from the Colony Room and Queens of Bohemia, which celebrates the brilliant women of Soho. He shared readings from Queens of Bohemia. Goran Baba Ali Goran Baba Ali, a writer and journalist, has published in Kurdish, Dutch, and English. His debut English-language novel The Glass Wall draws from his experience as an ex-refugee from Iraqi Kurdistan. He is the founder of Afsana Press. Miki Lentin Miki Lentin completed an MA in Creative Writing at Birkbeck and was a finalist for the 2020 Irish Novel Fair with Winter Sun. His short stories have been published in Litro and Story Radio. He released his short story collection Inner Core in 2022, and his debut novel Winter Sun was published by Afsana Press. Martin Nathan Martin Nathan's short fiction and poetry have appeared in various journals. His novel A Place of Safety is published by Salt Publishing. His dramatic writing has been shortlisted for the Nick Darke Award and the Woodward International Prize. Tabitha Potts Tabitha Potts is a short story writer and novelist, recognised with an Honourable Mention in the Alpine Fellowship Writing Prize. Her debut novel will be published by Rowan Prose Publishing in 2026. Simon Roberts Simon Roberts, based in West London, writes short stories and flash fiction. His story Dirty Chicken & Rice was a 2024 Plaza Prizes finalist, and his adaptation of The Slaves of Solitude was produced by Questors Theatre in 2024. He was longlisted for the 2022 Fish Short Story Prize. Photos courtesy of Miki Lentin. Some sexual swearwords are used in these readings so the episode has been marked as Explicit.
We meet artist Shaqúelle Whyte to explore his current solo exhibition at Pippy Houldsworth Gallery in London.Whyte imagines fictional environments in his paintings, creating an enigmatic atmosphere that contributes to his psychoanalytic approach. The painted medium is paramount for the artist whose broad, loosely rendered brushstrokes are mirrored in his expansive compositions, in which time and space expand and contract across the canvas. Although non-linear, narrative plays a central role in Whyte's work, which sees him carry certain motifs over from one painting to the next. These recurring details contribute to the sense of theatre that pervades his work; Whyte directs his subjects as though they are actors and his canvas a stage. Despite excluding himself from the work representationally, the stories he crafts reflect his everyday life and innermost thoughts. The figures in Whyte's paintings act as conduits for his subconscious. Giving form to thought through paint, he generates a sense of introspection through his characters' often averted or guarded faces. At once enigmatic and familiar, Whyte's paintings evoke the surreal and shape the ephemeral, ultimately leaving his world open to the viewer's own interpretation.Shaqúelle Whyte (b. 2000, Wolverhampton) lives and works in London. He received a BA in Fine Art from the Slade School of Fine Art and an MA at the Royal College of Art. He is currently exhibiting his first solo show with Pippy Houldsworth Gallery, Yute, you're gonna be fine. Recent group shows include Present Tense, Hauser & Wirth, Somerset (2024); Buffer, Guts Gallery, London (2022); Seasons in the City, curated by Artuner, Palazzo Capris, Turin (2022); Showstopper, Saatchi Gallery, London (2022); and WHAT NOW?, PM/AM Gallery, London (2022). Whyte has taken part in residencies at The Fores Project, London (2022); AM/PM, London (2022); and the Denise Israel Scholarship, Rome (2021), amongst others.Follow @Shaq.Whyte and @PippyHouldsworthGalleryVisit the final weekend of Shaqúelle Whyte's solo exhibition. Last chance! His show runs until this Saturday 25th May: https://www.houldsworth.co.uk/exhibitions/147-shaquelle-whyte-yute-youre-gonna-be-fine/press_release_text/ Hosted on Acast. See acast.com/privacy for more information.
Sara Berman describes her paintings as ‘a dialogue between painting and textiles' and joins Juliet on the podcast to breakdown her works and the 'uncomfortable nooks of the female bodily experience' found in her self portraits.Originally from London, Sara Berman studied at St. Martins School of Art & Design and later took a Masters of Fine Art at Slade School of Art. Her work can be found in notable international collections, and she has exhibited extensively in solo and group exhibition, currently represented by Vielmetter in Los Angeles.Sara describes her paintings as ‘a dialogue between painting and textiles.'With a background both in fashion and art, Sara brilliantly creates a game of materiality in her large scale compositions in oil on canvas.The conversation is very much based around the female experience and touches on every aspect of how Sara personally operates in the world and how this is represented in her work. Her experiences are reflected through the character of the Trickster Whore and the use of the Harlequin as a starting point for all her paintings.You can follow Sara Berman on Instagram and on her website
"With a fierce exclamation and a French gesture..." I'm very curious about both the exclamation and the gesture. This classic detective story was narrated by Ben Brinicombe, this week's guest narrator. Here are some links to Ben's work, including his podcast https://www.buzzsprout.com/757040 Gilbert Keith Chesterton, born in West London in 1874, emerged as a versatile and prolific figure in English literature. The son of a prosperous estate agent, Chesterton received his education at St Paul's School and later at the Slade School of Art. Initially venturing into the world of art criticism, he transitioned to become a manuscript reader for a publishing house, marking the inception of his literary career. Chesterton's notable conversion to Roman Catholicism occurred in 1922, influencing his later works significantly. A prolific writer, he authored essays, short stories, poems, drama, and history, with "The Man Who Was Thursday" (1908) standing out as one of his most renowned novels. His enduring legacy extends beyond his literary contributions to include his role as the first President of the Detection Club, where members pledged to uphold 'fair play' in their mystery fiction. Father Brown, G.K. Chesterton's fictional detective, presents a departure from the conventional detective archetype. Unassuming and self-effacing, Father Brown surprises with his shrewd and worldly nature, confounding expectations. His unique crime-solving methodology involves a deep understanding of human nature, wherein he morally identifies with the criminal to unravel their motivations. In stories like "The Secret of Father Brown" (1927), Chesterton reveals Father Brown's distinctive approach, where the detective confesses to understanding the mind of the murderer by placing himself in their shoes. This empathetic perspective, hidden beneath a light and whimsical surface, sets Father Brown apart as a character with profound moral insight in the realm of mystery fiction. "The Invisible Man" is a compelling story by G.K. Chesterton that first captivated readers when it appeared in Cassell's Magazine in February 1911. Set in Camden Town, North London, the narrative revolves around Laura Hope, a café manager haunted by the looming presence of a former suitor, James Welkin. The protagonist, John Turnbull Angus, becomes entangled in the mystery when he encounters Isidore Smythe, another suitor with a peculiar message warning of his death. The plot unfolds with a series of threatening letters, mysterious occurrences, and a bloodstain in Smythe's flat. Father Brown, along with the private investigator Flambeau, investigates the case, leading to a surprising revelation. Chesterton's storytelling prowess shines through in "The Invisible Man," showcasing his preference for the term 'mystery story' over 'detective story,' emphasizing the puzzle's significance. The story, later compiled in The Innocence of Father Brown, exemplifies Chesterton's ability to blend intricate mysteries with moral and psychological depth. Learn more about your ad choices. Visit megaphone.fm/adchoices
The abstract painter Mali Morris is fascinated by colour and light, and has been exploring their possibilities in her work for more than 50 years. She was born in Wales and studied at the University of Newcastle, where the Pop Art pioneer Richard Hamilton was one of her teachers. He brought her and fellow students news of New York which she says “seemed as far away to me as the moon”. Mali herself taught at a number of art schools including Chelsea, the Slade School and the Royal College of Art. She was elected a Royal Academician in 2010, and last year, flags made from her work hung above Bond Street, not far from the Academy, in a riot of joyous colour. She currently has a major exhibition at the Ikon Gallery in Birmingham. Her musical choices include Bach, Beethoven, Vivaldi and some blues singing and whistling by Professor Longhair.
In this episode associate Professor Kate Bright walks Roberta Livingston through the Slade School's admission process. For more information and to access the transcript: www.ucl.ac.uk/culture-online/case-studies/2023/nov/podcast-slade-admissions-special Date of episode recording: 2023-10-11 Duration: 00:05:41 Language of episode: English Presenter: Roberta Livingston Guests: Kate Bright Producer: Roberta Livingston, Emma Bryant
I am so excited to say that my guest on the GWA Podcast is one of the most pioneering artists alive today, Rachel Whiteread. Working across sculpture and drawing, in mediums ranging from concrete to resin, and in scales that go from miniscule to colossal – from casting domestic hot water bottles to entire immersive libraries – Whiteread is hailed for her poetic, stoic works that draw so intimately on our human experiences. Discussing how her work gives, in her words “authority to forgotten things” Whiteread's sculptures of the past three decades have not only made me rethink sculpture as a form and medium, but they have provided incredible commentary on the changes that have occurred – from the rapidly gentrifying London, the state of political change in 1990s and 2000s Britain, as well as imparting on us a reflection of impermanence and loss. As someone born in the 90s, I grew up with Whiteread's work. Her sculptures were some of the first I ever saw and knew of as a kid and no matter what age we are, one can't help but be utterly stunned and fascinated by them. Famous for casting familiar objects and settings, from houses to the underneath of a chair, baths to doors, Whiteread takes elements we use in our everyday life, transforms them into ghostly replicas, and ultimately makes us rethink their purpose, practical use, and the memory that these objects once held. Raised in London to an artist mother and geography teacher father, who encouraged her to scavenge found objects and “look up” wherever she went, Whiteread studied at Brighton Polytechnic and sculpture, with the late and great Phyllida Barlow, at the Slade School of Fine Art in the 1980s. Her first solo exhibition in 1988, included her first series of cast objects, and in the early 1990s she made headlines with her sculpture House, a monumental, to-scale concrete cast of the inside of a three-storey townhouse. She has since taken over the Tate Modern's Turbine Hall, London's Fourth Plinth, created an extraordinary Holocaust Memorial in Vienna that resembles the shelves of a library with the pages turned outwards, has had major exhibitions and retrospectives all over the world and is still continuing to push forth all boundaries of sculpture in the most exciting and impactful ways. THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield https://www.thegreatwomenartists.com/
Hello and welcome to another episode of the Perception Podcast with me your host Caroline Partridge. In today's episode, I talk to visual and performance artist Kamila Kessler about how she affected the monumental change that shifted her life from a career in hospitality consultancy to her true identity as an artist. Kamila talks openly and emotionally about how looking beyond her fears and committing to following the guiding voice of intuition has been key to her success, and we examine the impact on our closest relationships when we go for what we love. Please join me as we look a life through a different lens. KEY TAKEAWAYS Awakening happens when we open up to exploring our passions and talents. Surrounding yourself with people ahead of you on your path accelerates growth. Saying “I am an artist” out loud helps you become it. Following your intuition rather than logic leads you where you're meant to be. Don't let age or time dictate what you can achieve. Stepping outside your comfort zone is necessary for growth. Let go of the logical mind and what others think you should do. Don't compare your talents or progress to others. Allow your interests to organically merge into your own artistic language. Say yes to opportunities aligned with your passions. BEST MOMENTS "I kept thinking about the gold on the other side and I think that's what drives me because there's always the gold." "If we don't accept and have faith and belief and see our talents for what they are, we will be just proving to other people or ourselves that we have it." "I follow my intuition. I follow the voice inside me. I follow my soul in a way." "I am an artist. I'm an artist. There's so many forms, you know." "It was scary. It was bloody scary, but it's, but it's, but the, but the reward is worth the risk." ABOUT THE GUEST Born in Poland,1985, Kamila Kessler has lived and worked in the UK since 2007. She holds a Master's Degree in International Hospitality Management from Oxford, UK. She worked as a marketing head for London-based hotels and international marketing agencies. Kamila left her first career to become an artist in 2018 under stage name Kamila CK. Since then, she visited Japan multiple times, studied at Slade School of Fine Arts and completed the Professional Course in Circus Arts with AirCraft Circus in London. She had the great fortune of studying 'Shodo' (the art of Japanese Zen caligraphy) under Japanese teacher, Rie Takeda. This way of painting became a cornerstone in her artworks, combined with five years of movement-based performance practices including trapeze, aerial hoop, and silks. Since 2019, her performance and visual works have been exhibited and staged in London as well as abroad (France residencies 2021 and 2022, Florence Contemporary Gallery, Italy 2021). Her works are held in private collections in the UK, US, Canada, France and Poland. In 2023, she opened her concept of an overnight stay with art at No. 2 Boutique Art Townhouse, Lincoln, UK. Kamila lives in Lincoln and continuous to work in London and internationally. ABOUT THE HOST Bio Caroline Partridge is a unique and creative individual. She is an actress, puppeteer, educator, and artist with funny bones. She loves a story and is an expert at conveying wit and wisdom with warmth, understanding, and empathy. CONTACT METHOD FACEBOOK - https://www.facebook.com/caropartridge LinkedIn - https://www.linkedin.com/in/caroline-partridge-03131520 Instagram - https://www.instagram.com/partridge_caroline
Sara Berman (b. 1975, UK) received a BA in Fashion Design from Central Saint Martins in 1999 after which she founded and ran her eponymous fashion brand for 15 years. In 2016 Sara Berman graduated from the Slade School of Fine Art with a MFA in Painting. Berman's background in fashion influenced her visual arts practice through the use of various textures, layers, mathematical geometry, pattern and materiality. In her work Berman examines how people see and define themselves through the relationships with their clothes, belongings and the spaces they occupy. The character in Sara Berman's work is inspired by the trope of the female Harlequin in her ascribed role of the Trickster Whore. Through this character Berman explores space and the role of the feminine within it. Solo Exhibitions include (Upcoming) Kristin Hjellegjerde Gallery, Berlin (2024); (Upcoming) No Visible Means of Support, Kristin Hjellegjerde Gallery, Palm Beach, Florida, USA (2023); The Armory Show NYC, Kristin Hjellegjerde Gallery, New York (2022); Taking Space, Kristin Hjellegjerde Gallery, London (2021); Double Ententre, Anat Ebgi, LA (2018); Between Community and commerce, Site specific installation ZAZ10TS Time Square, NYC (2018); Matter Out Of Place, 93 Baker St. London, Frieze (2018) and Big Cactus Little Cactus, Galerie Huit, Hong Kong (2017) Sara Berman Kiss Me. I Dare You, 2023 Oil on linen 100 x 100 cm 39 3/8 x 39 3/8 in. Image courtesy of the artist Sara Berman / Kristin Hjellegjerde Gallery. Sara Berman Cowgirls, 2022 Oil on linen 200 x 200 cm 78 3/4 x 78 3/4 in. Image courtesy of the artist Sara Berman / Kristin Hjellegjerde Gallery. Sara Berman What Part Of NO Don't You Understand, 2023 Oil on Linen 200 x 200 cm 78 3/4 x 78 3/4 in. Image courtesy of the artist Sara Berman / Kristin Hjellegjerde Gallery.
We meet leading artist Rana Begum to discuss her new public art flag display on London's Piccadilly in collaboration with the Royal Academy of Arts and Art of London. We also explore her incredible current solo exhibition at The Box in Plymouth titled 'Dappled Light'.The vibrant designs entitled No.1273 Flag are currently adorning the London skies until 20th August 2023, so make sure you visit if you're in London this month! Each flag showcases intricate geometric patterns, celebrating the multicultural fabric of the city. Rana Begum, a distinguished Royal Academician elected in December of 2019, has skilfully infused the flags with meticulously tiled mosaic patterns, symbolising unity and the diverse community of London. With her mastery of minimalist abstraction, she captures the vibrant essence of the city's world-class culture and entertainment scene, particularly in the iconic West End. Her artwork spills out onto the streets of the West End, bringing vivid colours and vibrancy along London's iconic Piccadilly.Part of Art of London's Summer Season, these striking designs give us a glimpse of what's in store for the city's streets. Rana Begum's designs, responding to the "Art of Entertainment" theme, reflect the liveliness and excitement of dance, music, and theatre. Her clever blend of colour and geometry captures the fluidity of movement, resulting in a rhythm that connects with passers-by.The work of London-based artist Rana Begum distils spatial and visual experience into ordered form. Through her refined language of Minimalist abstraction, Begum blurs the boundaries between sculpture, painting and architecture. Her visual language draws from the urban landscape as well as geometric patterns from traditional Islamic art and architecture. Light is fundamental to her process. Begum's works absorb and reflect varied densities of light to produce an experience for the viewer that is both temporal and sensorial. In 1999, Begum graduated with a BA in Fine Art from Chelsea College of Art and Design and, in 2002, gained an MFA in Painting from Slade School of Fine Art. Rana Begum lives and works in London.Follow @RanaBegumStudio @TheArtofLdn and view image of Rana's new flags at: https://artoflondon.co.uk/events/art-of-london-unveils-new-flags-by-rana-begum-on-piccadillyand visit @TheBoxPlymouth for her current solo exhibition. @RoyalAcademyArts Summer Exhibition 2023 is open until 20thAugust, for more information visit: https://www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Thanks for listening and happy Summer!!! Hosted on Acast. See acast.com/privacy for more information.
Students from Salisbury Sixth Form College explore a diverse range of subjects in this conversation with Charlotte Verity. These include the exactitude of oil painting, the importance of observation, and issues inherent in her work such as memory and the passing of time.‘Charlotte Verity's practice is ultimately concerned with mapping the ephemerality of her immediate surroundings. The way nature fluctuates, the seasons, the weather, the light – the life cycle of the plant life around us. As Verity works from her garden and studio, her subjects, taken from the natural world, are painted slowly over weeks and months. Vanishing moments are captured permanently. Each painting or print holds a narrative about the passage of time, an appreciation for the small marvels that can be found in nature. The curve of a stem, the colour of a flower, the formation of its petals, the matrix of branches and mass of leaves, all these delicate ecosystems of life that are moving through cycles that are both colossal and invisible.Charlotte Verity (b. 1954), until recently worked and lived in London, and since 2022, in Somerset. After studying at the Slade School of Fine Art she was awarded the Slade Prize and Boise Travelling Scholarship. Her work resides in major private and public collections that include Arts Council England; Derby Museum and Art Gallery; the British Museum; Government Art Collection; Deutsche Bank; Garden Museum, London; Museum of Contemporary Art, San Diego; Sir John Soane's Museum, London; Tate, and University College London. She has exhibited widely, most recently two solo exhibitions, Echoing Green at Karsten Schubert in London, and The Season's Ebb at the New Art Centre in Salisbury.' (Source, New Art Centre website https://www.sculpture.uk.com/charlotte-verity)Find out more about Charlotte Verity here: https://www.charlotteverity.co.ukThe Roche Court Educational Trust works with over 6,000 children, young people and specialist groups annually, at both the Sculpture Park and elsewhere. We encourage an exploration of modern and contemporary art through our specialist looking, thinking & speaking approach.As an independent charity, we rely on donations to deliver our program. For further details of how to support our work, please visit our website here. Follow us on Instagram https://www.instagram.com/_ilovesculpture/ Thanks to: Dan Coggins and Zach James for co-producing this episode. Thanks also to the New Art Centre, Karsten Schubert Gallery and especially, Charlotte Verity, for generously giving her time. This podcast has been generously funded by RSA Catalyst Award and The Arts Society Wessex.Image credit; Charlotte VerityPonder (Plumbago), 2020Oil on canvas90.3 x 150.5 x 3.1 cm2ft 11 ½ x 4ft 11 ¼ x 1 ¼ in.
Drei Stühle für drei Musiker. Ist doch eine naheliegende Idee. Ob die fruchtet, erfährt der Hörer in dieser Folge.Das Bild: The Chairs, 101,5 x 101,5 cm, Öl auf Leinwand, 2019, Preis auf Anfrage Der Künstler:GIDEON RUBIN wurde 1973 in Tel Aviv, Israel, geboren und lebt in London. Er erhielt seinen MFA an der Slade School of Fine Art, University College, London. Zu seinen jüngsten Einzelausstellungen in Museen zählen das Freud Museum, London, das Pharos Centre for Contemporary Art, Nikosia, Zypern, das Chengdu MoCA, China, das San Jose Institute of Contemporary Art, Kalifornien, und das Herzliya Museum of Contemporary Art, Israel. Hosted on Acast. See acast.com/privacy for more information.
Episode No. 593 remembers artist Phyllida Barlow. Barlow died this week. She was 78. Barlow came from an illustrious British family, one thick with Huxleys and Wedgwoods, a royal physician, and one particularly famous Darwin. Instead of joining a parade of ancestors within the British establishment, she devoted her life and career to questioning, upturning, and reinventing. Her chosen profession was teaching, at University College London's Slade School of Fine Art, and sculpting, a medium which she seemed to reject and change in equal measure. She represented Britain in the Venice Biennale, and had had solo shows in at museums in Nuremberg, West Palm Beach, Des Moines, Munich, and Zurich, and in London at the Tate and the Royal Academy. Her first US shows were in Dallas, in 2003 and 2005. This week's episode features Barlow's two visits to The MAN Podcast: in 2013 on the occasion of the Carnegie International (in which Barlow was the breakout star); and in 2015 when Barlow installed a spectacular solo exhibition at the Nasher Sculpture Center in Dallas.
Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Flora Bradwell, who has artwork in our current group exhibition 'Try a little...Tenderness' which opened on 4th February in our Margate-based Gallery. A compulsion towards the carnivalesque and a vibrant trashy aesthetic are key to Flora Bradwell's playful practice. Encompassing painting, sculpture, video and performance Flora's work revels in the generously grotesque. Compositions of frescoes, cult manifestoes and nursery rhymes are squeezed through a fantastical filter to create dimly recognisable imagined worlds. Camp and theatrics are employed to demonstrate the ridiculousness of patriarchal systems and gossip fuels visual flights of fancy as the props of daily life are put on a pedestal.Bradwell completed her BA in Painting at City & Guilds of London Art School in 2009 and her MFA at The Slade School of Fine Art in 2021. While at the Slade Bradwell received the The Felix Slade Award, The Jeanne Szego Prize and Sarabande Emerging Artist Bursary.Bradwell is a recipient of the Gilbert Bayes Award 2023 and artist in Residence at Van Gogh Huis in April 2023. Bradwell's work has been exhibited, screened and performed internationally including at the Whitechapel Gallery, Nunnery Gallery, Saatchi Gallery, The Royal Academy of Arts in London, at Future DMND, LA, Zaratan, Lisbon and at the European Media Arts Festival, Osnabruck. Bradwell has completed residencies at Elephant Lab, London(2022), Cyprus College of Art, Paphos, SIM, Reykjavik (2021) and Colart, London (2019). Bradwell also curates art events, exhibitions and happenings across the UK and is Co-Director of Bad Art.Tender moments, tender flesh, tender touch, tender thoughts, tender heart, tender mind; try a little tenderness. A tender moment is encapsulated in an act of thoughtfulness; a cup of tea at the end of the day, a gift of flowers, a display of love. Tenderness is to give up one's time, attention, precious moments devoted to another. Tenderness is also pain, a moment of fragility, of weakness. It evokes skin which expands, shrinks, multiplies, and shivers to the touch. Skin which is a dying organism, for surely that is what we all are. A tender morsel of meat, deliciously melts in the mouth. Exploring these themes in contrasting ways ‘Try a little Tenderness' brings together the works of Ingrid Berthon-Moine, Flora Bradwell and Damien Flood whose practice is unified in the attempt to capture these fleeting moments. Read the full press release here:https://www.liminal-gallery.com/try-a-little-tendernessContact us: info@liminal-gallery.comFollow us on Instagram: @liminal_galleryWith original music by Lorenzo Bonari. Hosted on Acast. See acast.com/privacy for more information.
New Talk Art! We head to London's Pippy Houldsworth Gallery to meet leading artist Nengi Omuku (b.1987, Nigeria)!!!Grappling with ideas around gender, cultural heritage and race, Nengi Omuku's practice explores the complexities of identity, focusing on interior psychological spaces and how they manifest within the physical world. Rendered in oil paint on strips of sanyan – a traditional Nigerian fabric used for draped clothing – Omuku creates ethereal scenes of figures in constant flux, interacting with one another and the landscape around them. Inspired by both archival and current images taken from the Nigerian press and media, she creates worlds in which the distinction between bodies and nature is often blurred, reflecting on the intricacies around navigating place and belonging. The spectral figures in her works have their faces deliberately obscured; silent observers whose gaze penetrates out towards the viewer. Reflecting the fluctuation in her paintings between the figurative and abstract, they too resist singularity and instead look to embrace the collective experience, echoing the choruses in Greek theatre. Omuku's interrogations of the ambiguous spaces in between is equally explored in her use of materials. Weaving together strips of sanyan, she often combines vintage textiles from different fabrics, creating an amalgamation of materials to which she then reverses and applies oil paint to the back. The dichotomy between the intricately woven and carefully designed materials combined with the fluidity of the oil paint, speaks to living between cultures whilst at the same time feeling deeply connected to her country of birth.Nengi Omuku (b.1987, Nigeria) has completed both her BA and MA at the Slade School of Fine Art, University College London. Omuku's work is inspired by the politics of the body and the complexities that surround identity and difference. With every journey, she considers how human beings position themselves in space in relation to other beings. Foremost on her mind are the ways in which the body needs to adapt in order to belong. It is constantly selecting and gathering its identity, mentally, physically, and emotionally. Follow @NengiOmuku and @PippyHouldsworthGalleryLearn more at Pippy Houldsworth Gallery: https://www.houldsworth.co.uk/artists/168-nengi-omuku/works/ Hosted on Acast. See acast.com/privacy for more information.
Liminal Gallery Podcast host, Louise Fitzjohn, speaks with artist Lindsey Jean McLean, who has a solo exhibition 'Oversized Swords, Chains and Gloves' in our Margate-based Gallery. Lindsey Jean McLean studied her BA in painting at Glasgow School of Art (2009-2013), she is a Drawing Year graduate from The Royal Drawing School (2013-2014) and a recent post-graduate in painting from The Slade School of Fine Art (2019-2021). Selected exhibitions include Solo Show at Galerie Wolfsen (2022, Aaborg, Denmark), Power of Femininity at Kutlesa Gallery (2022, Goldau, Switzerland) Veiled Bodies at Liliya Gallery (2021, London, UK) and London Grads Now at The Saatchi Gallery (2021, London, UK).Fleshy naked bodies juxtaposed against cool malleable textures, ask to what end will the pursuit of pleasure take; with the sting of passion or the emptiness of a glove? ‘Oversized Swords, Chains and Gloves' features a new body of work and is a window into the recurring themes that provoke and inform Lindsey Jean McLean's practice.Common to each work is a preoccupation with how intimate relationships — those with others and yourself — shape the perception of our interior and physical landscapes. It is a world of humble ferocity, filled as much with desperation and romance, as it is with tenderness, melancholy and solitude. Together these paintings provide a glimpse into the vicissitudes of self acceptance, falling in love, its ecstasy and absence.McLeans canvases are woven with stories that evoke the rawness of the world we live in now - interrogating the fragility of the human condition and the carceral structures that inhibit our world, tirelessly searching for new and alternative ways of loving and self exploration. Read the full press release here:https://www.liminal-gallery.com/oversized-swords-chains-and-glovesOr visit the viewing room here:https://www.liminal-gallery.com/lindsey-jean-mclean-oversized-swords-chains-and-glovesContact us: info@liminal-gallery.comFollow us on Instagram: @liminal_galleryWith original music by Lorenzo Bonari. Hosted on Acast. See acast.com/privacy for more information.
Ep.131 features Clotilde Jiménez, (b. Honolulu, Hawaii, 1990). He is a visual artist based in Mexico City. Jiménez received his BFA from the Cleveland Institute of Art, Cleveland, OH (2013) in Printmaking, and an MFA from the Slade School of Fine Art, London, UK (2018) in Painting. Jiménez references intricate aspects of his life using strategically cut and arranged layers of multimedia collage that activate a dynamistic viewing of the visual narratives presented. “Most of my work is autobiographical, so collage allows me to tell several stories at the same time”, Jiménez states. Through a kaleidoscope lens, composite portraits within montaged vignettes, offer a dream-like gaze into the artist's inner thoughts. Emotions triggered from vivid dreams and memories take form, as the artist sketches daily. From this cathartic exercise, a singular visual language has emerged, resulting in thought provoking cannon of motifs: tropical fruits, pink painted fingernails, lingerie, and boxing gear. Close readings of Jiménez's work change initial evocations of whimsical frolic, and carefree simplicity, to varying interpretations that are dependent on the viewer's point of view, regarding gender performance, sexuality, social justice, and racial equality. Nonetheless, Jiménez utilizes quotidian, relatable childhood experiences that present the question, “What is so queer about queerness?” His work is featured in noted collections including; The Ford Foundation, Orlando Museum of Art, Hessel Museum of Art, and the Beth Rubin DeWoody collection. Photo credit: Vanessa Carbajal de Nova Artist website https://www.clotildejimenez.art/ Mariane Ibrahim Gallery https://marianeibrahim.com/artists/34-clotilde-jimenez/biography/ Galerie Magazine https://galeriemagazine.com/artist-clotilde-jimenezs-poignant-collages-explore-themes-reflection-spirituality/ Elephant Dine Art: Why are Dinner Plates Suddenly on the Menu for Galleries? - ELEPHANT Elephant https://elephant.art/clotilde-jimenezs-collages-explore-the-rigid-definitions-of-blackness-17072020/ Hypebeast https://hypebeast.com/tags/clotilde-jimenez Artforum https://www.artforum.com/print/reviews/202008/clotilde-jimenez-83999 Brooklyn Rail https://brooklynrail.org/2020/09/artseen/Clotilde-Jimnez-The-Contest Harpers Bazaar https://www.harpersbazaararabia.com/culture/art/why-we-love-visual-artist-clotilde-jimenezs-brand-new-works
Daniel Moreira e Rita Castro Neves vivem e trabalham entre o Porto e a Beira Alta. Daniel Moreira é licenciado em Arquitectura, iniciando em 2000 um percurso multidisciplinar entre a arquitectura e as artes plásticas. Rita Castro Neves, após terminar o Curso Avançado de Fotografia do Ar.Co em Lisboa e o Master in Fine Art da Slade School of Fine Art de Londres, inicia uma atividade artística regular, de docência e de curadoria.Com percursos artísticos separados, começaram a trabalhar em colaboração com Laking, que realizaram em 2015 a convite do espaço artístico finlandês Oksasenkatu 11, iniciando um projeto longo a propósito da representação da paisagem, em que refletem com o desenho, a fotografia e o vídeo, de forma instalada, sobre colaboração artística, diferentes técnicas e culturas artísticas, território, escala e percurso. Desde então realizam diversas exposições individuais e coletivas, bem como residências artísticas. Em 2020 terminam o projeto de recuperação da Escola de Macieira, uma antiga escola primária do Plano dos Centenários na Serra de São Macário, na Beira Alta, para aí iniciarem um projeto de reflexão sobre cultura serrana, a natureza e o rural, e logo pela ecologia, a biopolítica e a preservação ambiental.Links:http://ritacastroneves.com/en/http://danielmoreiraartist.blogspot.com/https://escolademacieira.com/about/https://umbigomagazine.com/pt/blog/2022/11/29/faca-na-pedra-na-appleton/https://ateliefidalga.com.br/galerias/Daniel-Moreira-e-Rita-Castro-Neves-pthttps://www.publico.pt/2021/06/26/p3/reportagem/antiga-escola-primaria-serra-sao-macario-fez-residencia-artistas-artistas-1967857https://www.cafecandelabro.com/playlist-29-daniel-moreira-rita-castro-neves/Episódio gravado a 03.11.2022 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral Financiamento:República Portuguesa - Cultura / DGArtes Apoio:Câmara Municipal de Lisboa
Stefanie studied fine art at the Städelschule in Frankfurt/Main, with Per Kirkeby, and was also a master student there. In London she studied at the Slade School of Fine Art with Bruce McLean. Her work is inspired by her travels and love of story telling.Support the show
Today I talked to Karen Odden about her new book Under a Veiled Moon (Crooked Lane Books, 2022). When the Princess Alice pleasure boat collides with a huge iron-hulled cargo ship on the Thames River, it's split in half, and only 130 of the 650 passengers and crew members survive. It's 1878, and clues point to sabotage by the Irish Republican Brotherhood, which has already used violence in hopes of restoring Home Rule. Inspector Michael Corravan, who was born in Ireland, orphaned, and raised in London by an Irish family, knows that the British will never allow Home Rule in Ireland if the IRB is to blame for the disaster. Meanwhile, violence is rising in his old neighborhood, and Colin Doyle, the youngest of his adopted family, has joined one of the violent Irish gangs. He refuses Corravan's offer of help, which puts the entire family in danger. With support from colleagues, his good friends Mr. Gordon Stiles and Mrs. Belinda Gale, Inspector Corravan presses on to uncover the truth. KAREN ODDEN received her Ph.D. in English literature from New York University, writing her dissertation on Victorian railway disasters and the origins of PTSD. She has taught at UW-Milwaukee, written essays for numerous books and journals, and edited for the journal Victorian Literature and Culture (Cambridge UP). She freely admits she might be more at home in Victorian London than today, especially when she tries to do anything complicated on her iPhone. All of her mysteries are set in 1870s London. Her first novel, A LADY IN THE SMOKE, about a young woman in a 1874 railway crash, was a USA Today bestseller. In A DANGEROUS DUET, Nell Hallam, an ambitious young pianist stumbles on a notorious crime ring while playing in a Soho music hall. In A TRACE OF DECEIT, Annabel Rowe, a young painter at the Slade School of Art, must delve below the glitter of the art and auction world to uncover the truth about her brother's murder. A member of Mystery Writers of America and Sisters in Crime, Karen was awarded a 2021 Grant from Arizona Commission on the Arts. Under a Veiled Moon is the second novel in her Inspector Corravan series, following Down a Dark River. An avid desert hiker, Karen lives in Scottsdale, Arizona with her family and her rescue beagle muse, Rosy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I talked to Karen Odden about her new book Under a Veiled Moon (Crooked Lane Books, 2022). When the Princess Alice pleasure boat collides with a huge iron-hulled cargo ship on the Thames River, it's split in half, and only 130 of the 650 passengers and crew members survive. It's 1878, and clues point to sabotage by the Irish Republican Brotherhood, which has already used violence in hopes of restoring Home Rule. Inspector Michael Corravan, who was born in Ireland, orphaned, and raised in London by an Irish family, knows that the British will never allow Home Rule in Ireland if the IRB is to blame for the disaster. Meanwhile, violence is rising in his old neighborhood, and Colin Doyle, the youngest of his adopted family, has joined one of the violent Irish gangs. He refuses Corravan's offer of help, which puts the entire family in danger. With support from colleagues, his good friends Mr. Gordon Stiles and Mrs. Belinda Gale, Inspector Corravan presses on to uncover the truth. KAREN ODDEN received her Ph.D. in English literature from New York University, writing her dissertation on Victorian railway disasters and the origins of PTSD. She has taught at UW-Milwaukee, written essays for numerous books and journals, and edited for the journal Victorian Literature and Culture (Cambridge UP). She freely admits she might be more at home in Victorian London than today, especially when she tries to do anything complicated on her iPhone. All of her mysteries are set in 1870s London. Her first novel, A LADY IN THE SMOKE, about a young woman in a 1874 railway crash, was a USA Today bestseller. In A DANGEROUS DUET, Nell Hallam, an ambitious young pianist stumbles on a notorious crime ring while playing in a Soho music hall. In A TRACE OF DECEIT, Annabel Rowe, a young painter at the Slade School of Art, must delve below the glitter of the art and auction world to uncover the truth about her brother's murder. A member of Mystery Writers of America and Sisters in Crime, Karen was awarded a 2021 Grant from Arizona Commission on the Arts. Under a Veiled Moon is the second novel in her Inspector Corravan series, following Down a Dark River. An avid desert hiker, Karen lives in Scottsdale, Arizona with her family and her rescue beagle muse, Rosy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Today I talked to Karen Odden about her new book Under a Veiled Moon (Crooked Lane Books, 2022). When the Princess Alice pleasure boat collides with a huge iron-hulled cargo ship on the Thames River, it's split in half, and only 130 of the 650 passengers and crew members survive. It's 1878, and clues point to sabotage by the Irish Republican Brotherhood, which has already used violence in hopes of restoring Home Rule. Inspector Michael Corravan, who was born in Ireland, orphaned, and raised in London by an Irish family, knows that the British will never allow Home Rule in Ireland if the IRB is to blame for the disaster. Meanwhile, violence is rising in his old neighborhood, and Colin Doyle, the youngest of his adopted family, has joined one of the violent Irish gangs. He refuses Corravan's offer of help, which puts the entire family in danger. With support from colleagues, his good friends Mr. Gordon Stiles and Mrs. Belinda Gale, Inspector Corravan presses on to uncover the truth. KAREN ODDEN received her Ph.D. in English literature from New York University, writing her dissertation on Victorian railway disasters and the origins of PTSD. She has taught at UW-Milwaukee, written essays for numerous books and journals, and edited for the journal Victorian Literature and Culture (Cambridge UP). She freely admits she might be more at home in Victorian London than today, especially when she tries to do anything complicated on her iPhone. All of her mysteries are set in 1870s London. Her first novel, A LADY IN THE SMOKE, about a young woman in a 1874 railway crash, was a USA Today bestseller. In A DANGEROUS DUET, Nell Hallam, an ambitious young pianist stumbles on a notorious crime ring while playing in a Soho music hall. In A TRACE OF DECEIT, Annabel Rowe, a young painter at the Slade School of Art, must delve below the glitter of the art and auction world to uncover the truth about her brother's murder. A member of Mystery Writers of America and Sisters in Crime, Karen was awarded a 2021 Grant from Arizona Commission on the Arts. Under a Veiled Moon is the second novel in her Inspector Corravan series, following Down a Dark River. An avid desert hiker, Karen lives in Scottsdale, Arizona with her family and her rescue beagle muse, Rosy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction
Kristy M Chan (b.1997, Hong Kong) lives and works between London and Hong Kong. She received her BFA from Slade School of Fine Art in 2019 and her MA from Sotheby's Institute of Art in 2020. Recent solo exhibitions include Binge, The Artist Room in collaboration with Simon Lee Gallery, London (2022), Strong Cookie, Prior Art Space, Berlin (2022) and Totally Not, The Artist Room, London, (2021–2). Selected recent group exhibitions include New Romantics, Lee Eugean Gallery, Seoul (2022); The Sky Above the Roof, Tabula Rasa, Beijing (2022); Femme-Ate, Soho Revue, London (2021); Space Shuffler, HART HAUS, Hong Kong (2021); Big Soft Illusion, Alte Handelsschule, Leipzig (2020); and Haam4 Seoi2 Goeng1, Hong Kong Visual Art Centre, Hong Kong (2019). Residencies include Del Arco Residency, Berlin (2022); PILOTENKUECHE, Leipzig (2020) and AiR Frosterus, Finland (2019). In Autumn 2022, Chan will receive a residency at The Cabin, Los Angeles. Chan's work resides in prominent institutional collections such as Yan Lan Art Foundation, Beijing; and X Museum, Beijing. Links to work (2 most recent group shows): New Romantics, Seoul (Image Courtesy of Philips and The Artist Room): https://www.phillips.com/store/new-romantics The Sky Above the Roof, Beijing (Image Courtesy of Tabula Rasa Gallery): https://drive.google.com/drive/folders/1XNaDf749jGAtWxI1hPYglehy0vheknEc?usp=sharing Recent interview: https://ocula.com/advisory/perspectives/in-the-studio-with-kristy-m-chan/ music ‘Baby, I Miss The Internet' (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020) PRS/MCPS/PPL
Episode Summary:In this episode we are interviewing Scottish artist Katie Paterson, on the occasion of the biggest iteration to date of Future Library project in Oslo, and one of her most political works to date, Requiem, which opened in Edinburgh in April. Katie explains: “I've always made artworks that deal with nature and time and climate, but this is the first that isn't afraid to be political and confrontational... It is both celebratory and mythical, and yet it is also the saddest work I've ever made, mourning life lost and expressing a dystopian vision.” Making a quiet and gestural artwork, Katie refers to herself as a whispering activist, calling for awareness of distance with nature. Requiem tells the birth and life of our planet in a single object – an object that uses dust gathered from material dating from pre-solar times to those of the present. Katie's visionary project Future Library is one of the best examples of how artist can contribute to global crisis. “A forest has been planted in Norway, which will supply paper for a special anthology of books to be printed in 100 years time. Between now and then, one writer every year will contribute a text, with the writings held in trust, unread and unpublished, until the year 2114. The manuscripts will be held in a specially designed room in the new public library, Oslo.”“The crisis is not imminent; the crisis is here” George MonbiotThe Speaker:Katie Paterson was born in Glasgow in 1981. She studied at Edinburgh College of Art and the Slade School of Art, London, and is widely regarded as one of the leading artists of her generation working at the nexus of art and science. Recent and upcoming projects include solo exhibitions at the Scottish Gallery of Modern Art, Edinburgh; Turner Contemporary, Margate; NYLO, Reykjavik, and in June 2022 at Galleri F15 in Moss, Norway. Also in June, her 100-year artwork Future Library will celebrate the contributions of the last 3 writers to be commissioned and the opening of the Future Library room in the new Deichman Library in Oslo. A major new outdoor commission Mirage, for Apple's headquarters at Cupertino in California, will be unveiled later this year. Katie Paterson has been represented by Ingleby since 2010.Follow Katie's journey on InstagramHosts: Farah Piriye, ZEITGEIST19 FoundationSign up for ZEITGEIST19's newsletter at https://www.zeitgeist19.comFor sponsorship enquiries, comments, ideas and collaborations, email us at info@zeitgeist19.com Follow us on Instagram and TwitterHelp us to continue our mission and to develop our podcast: Donate
In this episode we are delighted to be joined by English artist and judge of the Waverton Art Prize 2022, Stuart Pearson Wright. We discuss how Stuart's early life and time at The Slade School of Fine Art influenced both his work and work ethic and we try to establish the difference between creative and commercial value.The Waverton Art Prize was launched to support emerging artists and to showcase the very best in contemporary art. Shortlisted work will form an exhibition at Alice's Oyster Bar and Gallery in London and can be purchased online. To view the Waverton Art Prize Exhibition online visit www.boisdaleart.co.uk For further information please visit www.waverton.co.uk or www.stuartpearsonwright.com LinkedIn: Doug Barnett – https://www.linkedin.com/in/douglas-barnett-a475b820/ This podcast is issued by Waverton Investment Management Limited, 16 Babmaes Street, London, SW1Y 6AH. Registered in England No. 2042285. Authorised and Regulated by the Financial Conduct Authority. The information provided in this podcast is for information purposes only and Waverton Investment Management Limited does not accept liability for any loss or damage which may arise directly or indirectly out of use or reliance by the client, or anyone else, on the information contained in this recording. This podcast should be used as a guide only is based on our current views of markets and is subject to change.The information provided does not constitute investment advice and it should not be relied on as such. It should not be considered a solicitation to buy or an offer to sell a security. It does not take into account any investor's particular investment objectives, strategies, tax status or investment horizon.Where Waverton's advice is given it is restricted to discretionary investment management services. We do not provide advice on the use of tax or financial planning products (even if the service which we are managing is held within such a product) or non-discretionary investment.All materials have been obtained from sources believed to be reliable, but its accuracy is not guaranteed. There is no representation or warranty as to the current accuracy of, nor liability for, decisions based on such information. Hosted on Acast. See acast.com/privacy for more information.
As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a new series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Listen to author and critic Erica Wagner in conversation with Ingrid Persaud, writer of “Love After Love”, her first novel published by Faber in 2020. Together, they discuss how winning her first literary prize, the "Commonwealth Short Story Prize", reinforced her vocation as a writer. They also evoke Ingrid Persaud's choice to write her first book in her native language, Trinidadian English.Ingrid Persaud, Love after Love, © Ingrid Persaud, 2020. Published by Faber & Faber Ltd. Cover © Faber & Faber.© Costa Book Awards.© Commonwealth Short Story Prize.© BBC National Short Story Award.© LSE.© Central Saint Martins.© Granta Publications.© Guardian News & Media Limited.© National Geographic.Five Dials is a digital literary magazine published by Hamish Hamilton, an imprint of Penguin Books, edited by Craig Taylor.Michael Anthony, The Year in San Fernando, Hoddor, © Hodder Education, 2021.Excerpt from "Love after Love" from SEA GRAPES by Derek Walcott. Copyright © 1976 by Derek Walcott. Used by permission of Farrar, Straus and Giroux. All Rights Reserved.© The Slade School of Fine Art.V. S. Naipaul, A House for Mr Biswas, © Picador, 2003.© RCW Literary Agency.© The New York Times Company. All rights reserved. Used under license.Gabriel Bump, Everywhere You Don't Belong, © Workman, 2021.© TCS New York City Marathon.
In episode 87 of The Great Women Artists Podcast, Katy Hessel interviews the very brilliant young painter, ANTONIA SHOWERING!!! *BOOK NEWS!* I have written a book! Order The Story of Art without Men here: https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9781529151145 Acclaimed for her richly layered paintings of family, friends, lovers and more that occupy spaces between reality and surreality, memory and imagination, Antonia Showering paints her subjects full of conviction and full of emotion. Layered with narratives of, in her words, ‘stacked recollections', her paintings can appear at once haunting and ethereal, ghoulish yet protective, and although they are personal to her, they can speak for us all. Infused with both an acidic and muted colour palette, with thick impasto and washy strokes, Antonia's paintings deal with universal subjects on a personal level. Speaking about the canvas, she has said: “I see the canvas as a physical space where feelings of belonging or displacement, love or loneliness, intergenerational memory, superstitions and regrets can be turned into something visual and shared with the viewer.” Born in London, and raised in Somerset, to an English father and Swiss-Chinese mother, Antonia's upbringing, family and heritage play central roles in her work. Having completed her foundation year at Chelsea, her BA at City and Guilds, and then her MFA at the Slade School of Art, Antonia, in just a few years, has become one of the most exciting young painters of her generation. Featured in exhibitions at Stephen Friedman Gallery and TJ Boulting, New Contemporaries and of course The Great Women Artists Residency at Palazzo Monti, Antonia recently had her first solo exhibition at Timothy Taylor which was met with acclaim. ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/
This week, Maureen Taylor, The Photo Detective, is joined by Tom Butler, an artist whose work may be controversial to some listeners. Tom uses unidentified cabinet cards to create art, often altering the original image to enhance them, which begs the question if he is destroying the image, or creating something even better than before.Related Episodes:Bonus Episode: Stitching on Pictures with Stitchography by EmmaEpisode 153: Ellis Island Immigrant Photo IdentifiedLinks:Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:For the last twelve years artist, Tom Butler has been appropriating anonymous Victorian cabinet cards with incorporated personal symbols such as hair, masks, flowers, and geometric abstractions, painted on the surface with gouache. In the process, he attempts to reveal the imagined personalities of the sitters while in the knowledge that he is cloaking them with parts of himself. He also makes self-portraits and uses cabinet cards and found photographs to create collages, sculptures, and rubbings to express both a love of the medium and a critique of photography as a whole.Butler was born in London, England and now lives in Portland ME, USA. He studied at Winchester School of Art, University of Southampton, Chelsea College of Art, UAL, and the Slade School of Fine Art, UCL. He exhibits internationally and his work can be found in collections such as The British Museum and Soho House.About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada. She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (where she researched and presented a complete family tree for host Meredith Vieira). She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der Spiegel, American Spirit, and The New York Times. Maureen was recently a spokesperson and photograph expert for MyHeritage.com, an internationally known family history website, and also writes guidebooks, scholarly articles, and online columns for such media as Smithsonian.com. Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts.Support the show
Niamh Roberts Fool's Spring, 2022 Audio reading, 4 mins 45 sec Part of the Northern Ireland Mental Health Arts Festival 2022. Niamh Roberts is an artist and poet originally from our city and a recent graduate of the Slade School of Art in London. This new installation is centred around a new piece of writing entitled Fool's Spring and consists of a bicycle rack, yellow light and poem installed in CCA's Project Space and the poem is available to download in this podcast. The title of the long form poem comes from the nick name of a fake season, naming the week of warmth that comes after winter and before ‘second winter'. It is, for the artist, a false start, a brief and urgent movement between periods of stagnancy. Niamh is interested in repeating fleeting human interventions in their environment, whether seeing a person absent-mindedly moving something from one place to another, noticing a sticker stuck on the side of a wall, or screen-shotting the bike ebay ad when noticing a butterfly on the frame. Niamh writes referencing the tone of the New Narrative movement way of writing poetry, creating auto-fiction texts that sound like they could be talking about their life, but the content comes from a wide range of sources. Adopting the idea that all sources are as valid as the other, Niamh practices a way of making in which no hierarchy exists. Fool's Spring is on view in the CCA Project Space for the duration of the Northern Ireland Mental Health Festival from Monday 9–Sunday 15 May 2022. About the artist Niamh Roberts (b.1994) is originally from Derry~Londonderry. They moved to London to study at The Slade School of Fine Art, graduating in 2018. A Pisces, a poet and an artist - they went on to read in public and exhibit sculptures, now scattered across various defunked and hard to find web-links. Their current exhibitions include, catch Fast Glass, a group photography exhibition at Set New Cross, 15–16 April, Carpeted Stares, a group show in AMP Gallery 15–19 June and 07803178250/07531313883, a two person show with Lowri Heckler at Set New Cross 2–9 August. Read more about the work at: CCADLD.org/public-programmes/fools-spring And visit the artist's instagram at: @niamhroberts20 This project was supported by: CCA Derry~Londonderry Arts Council England Arts Council of Northern Ireland Derry City & Strabane District Council Northern Ireland Mental Health Festival
EPISODE 29 of 'All About Art': Artist Interview with Lindsey Jean McLean In this episode, I sat down with rising star in the world of painting, Lindsey Jean McLean. Lindsey studied at the Glasgow School of Art, the Royal Drawing School, and then at the renowned Slade School of Fine Art. Her works question the historical representation of femininity and women in painting and she does this while depicting figures that exist in a space between portraiture and imagination, a combination of these. She uses recurring motifs such as feather boas, fans and veils that represent transformative objects which often obscure the viewers or the subject's gaze in her works. In her words, she subverts the historically patriarchal medium of oil paint to dismantle and create a new space to view femininity. We chat about her artistic practice while she gives advice on how to work as an artist full-time as well as important things to do as an artist to collaborate and further your career. Thank you, Lindsey, for coming on the podcast and sharing your insights! You can see more of Lindsey's works on her Instagram: https://www.instagram.com/lindseyjeanmclean/ as well as her website: http://www.lindseymclean.co.uk/ You can support All About Art on Patreon here: https://www.patreon.com/allaboutart ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com
In conversation with painter Jessie Stevenson ahead of her Slade School of Art Grad show Hosted on Acast. See acast.com/privacy for more information.
Kevin Berlin is a unique fixture in our class. In this episode, he tells us about his signature top hat, his work as an artist and his creative response to COVID. Kevin Berlin is an international artist best known for painting, sculpture, and performance. Berlin currently lives in Southampton, New York and Florence, Italy. Berlin, a Yale University Alumnus, studied at the Slade School of Fine Art and has appeared in The New York Times Magazine, Shanghai Daily, The Miami Herald, USA Today, MTV, Tokyo Television, BBC Radio and over 40 television stations. Berlin's works are found in collections including Kim Basinger, Luciano Pavarotti, Bill and Hillary Clinton, President George W. Bush, Quincy Jones, Buzz Aldrin, Barton G., HRH Princesse Antonella de Orleans-Bourbon, and Pieter & Marieke Sanders. For more about Kevin, visit: https://www.kevinberlin.com/ Also, please enjoy one of Kevin's recent videos: https://youtu.be/BwhKV80vP4s
Diplômé des Beaux Arts de Paris, Raphaël Tiberghien s'est également formé à la Slade School of fine art de Londres. Le travail de l'artiste explore les lisières entre le langage et les formes plastiques, en utilisant notamment la sculpture, l'édition et l'installation sonore. Il cherche à inscrire ses interventions dans une mobilité entre les disciplines afin de dégager de nouvelles cohérences. En 2016 il cofonde l'atelier Le Houloc avec 16 autres artistes à Aubervilliers, et il enseigne actuellement le volume dans la classe préparatoire aux écoles d'art de la ville d'Évry. Raphaël revient pour nous dans cet épisode sur son parcours, son travail, et ses recherches qui lui ouvrent aujourd'hui, un champs d'étude et de création illimité. art cast • Un podcast co-réalisé par Marine Coloos, Anna Kulikova et Mélodie Shahrvari. Le design sonore est signé Guillaume Cabaret. Pour en savoir plus sur Raphaël Tiberghien : https://www.raphaeltiberghien.com/ Un artiste à nous faire découvrir ou un avis à nous partager ? Contactez-nous sur podcast@artcast.fr Pour plus d'informations, suivez-nous sur les réseaux : Instagram | Linkedin | TikTok | Facebook | Twitter À bientôt sur • art cast •
Musician Lias Saoudi discusses with Ivan six things which should be better known. Lias Kaci Saoudi is a writer, artist and musician, and the front man of genre-bending iconoclasts Fat White Family. Born to a British mother and Algerian father, he grew up in the Republic of Ireland, Scotland and Northern Ireland, before moving to London and gaining a Fine Art degree from Slade School of Art. During the first UK lockdown, Lias began contributing a series of unflinching autobiographical pieces entitled Life Beyond the Neutral Zone to the online cultural hub, The Social Gathering. He is published in The New Frontier: Reflections From the Irish Border (New Island Books, 2021) - an anthology of new writing from some of Ireland's greatest contemporary authors marking the centenary of partition. He is also the debut guest editor of Ambit Pop, a new annual issue of the venerable quarterly arts magazine. His first book, Ten Thousand Apologies: Fat White Family and the Miracle of Failure, co-written with Adelle Stripe (Black Teeth and a Brilliant Smile, Bloomsbury, 2019), is described by Miranda Sawyer in The Observer as “the story of a band that's always on the brink: of stardom, of madness, of brilliance, of disgrace”. You can buy it at https://www.whiterabbitbooks.co.uk/titles/adelle-stripe-2/ten-thousand-apologies/9781474617864/ It's me, Eddie by Eddie Limonov https://literaryreview.co.uk/its-me-eddie Limits to medicine by Ivan Illich https://joannamoncrieff.com/2016/04/18/limits-to-medicine-re-visiting-ivan-illich/ Macho Music by Peter Gordon https://www.youtube.com/watch?v=XbeJKaAKLos The Grass Arena by John Healy https://www.theguardian.com/books/2008/aug/05/biography A feast of snakes by Harry Crews https://en.wikipedia.org/wiki/A_Feast_of_Snakes Ratfucker by Armand Schaubroek https://trouserpress.com/reviews/armand-schaubroeck-steals/ This podcast is powered by ZenCast.fm
In my introduction to the catalogue of her current exhibition (to 9 April 2022) at JD Malat Gallery Mayfair, I wrote: 'Georgia Dymock is an emerging English artist whose paintings are conceived and born from a combination of digital technology and traditional painterly techniques...... Georgia says that she likes to constantly come close to and then distance herself from the making process by travelling both physically and mentally between the virtual and physical worlds. This process has become an integral part of the majority of human lives since the start of the pandemic. Georgia's paintings are a visual metaphor of what has been happening and continues to happen in the hybrid world of our everyday lives where we distance one another in virtual worlds, sometimes even lose and then movingly rediscover one another in the physical world. Georgia Dymock's prophetic paintings help us to find wisdom, understanding and offer a healing mediation of our internal binary oppositions in this world turned upside down.' intro and outro music ‘Baby, I Miss The Internet' (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020) PRS/MCPS/PPL
Ndidi Emefiele is one of the most renowned post-war and contemporary artists in Nigeria. She produces rich figurative compositions based on cultural, gendered, and personal references. Her dynamic brush strokes and color juxtaposition convey the complexity of modern experience and feminine identity. Her work has been exhibited in prominent galleries around the world from Lagos to London and New York to name a few. Ms. Ndidi holds a Bachelor of Arts in painting from Delta State University and a Masters in Fine Art from the Slade School of Fine Art, University College London.
A lecture by Liz Rideal (UCL, The Slade School of Fine Art). This lecture focuses on artwork made in Rome and elsewhere, touching on ideas about approaches to different architectural structures and ways of revealing their secrets through exposure to performance and projected film.
Welcome to the second episode of the Shaw Me Your Way Podcast! DISCLAIMER: Today's episode was recorded pre-Covid19. Today's guest is Nour El Saleh, an incredibly talented Artist who has recently graduated from UCL's prestigious Slade School of Fine Art. Nour's work has garnered media attention from her first exhibition which was in October of 2019 at VO curations titled “Exquisite Farces” all the way to her international solo exhibitions in Mexico and soon in Los Angeles. We discuss her creative process and how she became an artist, how media attention can misconstrue someone's art to how an artist navigates first solo exhibitions and experiencing imposter syndrome in the midst of all the success. Nour shares her very real advice to aspiring Artists out there and truly inspires with her humble nature. I hope you enjoy this episode! Follow Nour: @nour.el.saleh https://www.instagram.com/nour.el.saleh/?hl=en Check out Nour's website: https://www.noursart.com/ Follow the podcast: @shawmeyourway_podcast https://www.instagram.com/shawmeyourway_podcast/?hl=en Leave a review on Apple Podcasts if you loved this episode!
After studying Christopher Isherwood for more than twenty years, Katherine Bucknell receives a package from Don Bachardy—stuffed with unpublished love letters. She ushers us back half a century into the private world of The Animals, Chris and Don, as they live, work, and travel, seldom apart, for seven years. When Don leaves their Santa Monica home to study at the Slade School of Fine Art in London, the separation is excruciating. Hosted on Acast. See acast.com/privacy for more information.
New Generation Thinker Christopher Harding meets novelist Yoko Tawada, filmmaker Momoko Ando, Elmer Luke editor of a new series of chapbooks and Japanologist Alex Kerr.Alex Kerr is the author of Lost Japan and Dogs and Demons. Yoko Tawada's books include Memoirs of a Polar Bear which has just been translated into English. The Keshiki Series edited by Elmer Luke includes writing by Yoko Tawada, Aoko Matsuda, Keiichiro Hirano, Misumi Kubo, Masatsugo Ono and Natsuki Ekezawa. Momoko Ando graduated from the Slade School of Fine Art in London and studied film at New York University. Her films are Kakera: A Piece Of Our Life (2009) and 0.5mm (2014). They are all in England to take part in the Japan Now Festival at the British Library organised by Modern Culture. Producer: Fiona McLean
Icelandic writer Sjón talks to Matthew Sweet about fiction, poetry and making music with Björk. Curator Sacha Llewellyn explores the art of Winifred Knights, Katie Roiphe looks at writers dying and in the first of our commissioned columns from 2016 New Generation Thinkers - Sarah Jackson from Nottingham Trent University explores touch and frostbite. Moonstone: The Boy Who Never Was by Sjón was named Best Icelandic Novel of 2015. The English translation which is out now is from Victoria Cribb. Winifred Knights (1899-1947) is the first major retrospective of the award-winning Slade School artist which will display all her completed paintings for the first time since their creation, including the apocalyptic masterpiece The Deluge, 1920. It runs at the Dulwich Picture Gallery from June 8th to September 18th 2016. Katie Roiphe's new book The Violet Hour considers the deaths of six literary figures Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, Maurice Sendak and James Salter. Sarah Jackson from Nottingham Trent University is one of the 2016 New Generation Thinkers and a poet whose collection Pelt was nominated for the Guardian First Book Award. New Generation Thinkers is a scheme run by BBC Radio 3 in partnership with the Arts and Humanities Research Council to find academics who can turn their research into radio programmes. Find out more from our website and hear them introducing their research in the programme which broadcast on May 31st - available as an arts and ideas podcast. Producer: Fiona McLean.
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