Podcasts about wkcr

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Student journalists have been in the spotlight in recent years. In 2024, amidst massive on-campus protests, people turned to student outlets like Columbia University’s WKCR for the most up to date reporting. But practicing journalism as a student comes with risks. Those risks have become even more clear in recent weeks. Tufts University graduate student Rümeysa Öztürk was detained in March after the Trump administration revoked her visa. U.S. District Judge William Sessions ordered her release on May 9th, saying the only evidence given for her detention was an op-ed she had written for her school paper. This hour, we’re talking about the role student journalists play in covering campuses and the communities around them. We discuss the risks student journalists face and they way their role is sometimes overlooked. GUESTS: Gary Green: Executive Director of The Student Press Law Center, an organization that supports first amendment rights for student journalists Anika Arora Seth: Editor in Chief of the Yale Daily News from spring 2023 to spring 2024 Maria Shaikh: Managing Editor at The Retrograde, an independent student newspaper at the University of Texas at Dallas Macy Hanzlik-Barend: News & Arts director at WKCR, Columbia University’s independent student-run radio station See omnystudio.com/listener for privacy information.

SEASON 3 EPISODE 125: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: What do you like least? Suspending Habeas Corpus? Breaking the law by threatening to arrest members of Congress for obeying the law? Or Trump accepting a half billion dollar impeachable illegal bribe from the government of Qatar that the Attorney General has ruled ISN’T illegal and by the way the Attorney General used to be a lobbyist FOR the government of Qatar? They’re all nation-destroying events but bluntly there is no way back from a suspension of Habeas Corpus. It’s a one-man dictatorship then – because if you think SUSPENDING Habeas Corpus ‘just for undocumented immigrants’ is somehow acceptable on its face, remember two things. One is: that there would be NO HEARINGS and NO LEGAL RECOURSE for ANYONE seized in this way so that all they would have to do is CLAIM that YOU are an undocumented immigrant to rationalize disappearing you, and you would not have a hearing at which you could prove you were a citizen, and you would not have a lawyer to appeal the decision not to GIVE you a hearing. And Stephen Miller didn't even say 'we'd only suspend it for undocumented immigrants.' Of course threatening to arrest members of Congress for exerting their legal right of oversight to the Concentration Camp ICE just opened in Newark by accusing them of assaulting agents (you know: The Congresswoman hit my fist with her face!) is bad and it mainlines back to the idea that they could just arrest them and under suspended Habeas Corpus just disappear them. As Congressman Michael 'I'm Too Dumb To Realize I'm Calling For My Own Arrest' McCaul now says of the Jersey Democrats "you cannot be complicit with gang violence against our law enforcement. And I think perhaps that’s what it comes down to.” ALSO: Trump's new Qatari plane is an illegal, impeachable offense but since the AG already registered as a Qatari agent, just hit the shrug emoji. They've accused The Secretary of Scotch with plagiarism at Princeton. They fired the Librarian of Congress and Karoline Lie-vitt is so stupid she thinks kids check books out of the Library of Congress. Trump now wants Jeanine Pirro as interim U.S. Attorney in DC, which allows us to flash back to the time she lost a page of her speech announcing she was running for Senate and just stood there until they found it for her. And of course, there's a new Pope. Father Bob. Father Bob the White Sox fan. Meaning our Nancy Faust, who went back to the White Sox games yesterday to reprise her role as the greatest stadium organist of all time, is right when she says "Who knew? All those years I literally had a papal audience!" B-Block (46:27) THE WORST PERSONS IN THE WORLD: This time they're all people I know and used to respect who have failed the world. Gavin Newsom has again proposed appeasing Trump. Bob Iger has again carried an immeasurable amount of propaganda water for Trump. And Claire Shipman, whom I adored, has stood by as Columbia University (you know, the place with the Journalism School) suspended four of its own student reporters for...reporting. C-Block (1:02:00) OUR PAL SMILES again needs your help.See omnystudio.com/listener for privacy information.

Collection Curios: Deadline Mystery 8-10-47 ABC, Dreadful John at Midnight "The Boarded Window" early 1960's WKCR, Bela Lugosi excerpt.

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

It's impossible to distinguish between Randy Weston's musical innovations and his conception of the world he was born into.  To say that the roots of jazz are in West Africa is hardly a groundbreaking statement nowadays, but it was a mostly unfamiliar notion when he started to say it in the 1950's.  It's easy to hear it now, especially when you listen to Weston's 6+ decade discography.  It's in his percussive compositions and it's in the story of his life, making music with players from throughout the African diaspora.  To this day, musicians are walking through the doors he opened, more than 6 years after his death at age 92.    Pianist Vijay Iyer chose Randy Weston for this Monday's Deep Focus with host Mitch Goldman.  What inspired him to make that choice?  Was it Weston's distinctive touch on the piano?  The warmth and humanity that he exudes?  Or maybe just pure admiration for one who always charted his own path?      To find out, tune in this Monday (3/24) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Randy Weston - Collection of the Smithsonian National Museum of African American History and Culture, Gift of David D. Spitzer.   #WKCR #DeepFocus #VijayIyer #RandyWeston #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

This Monday's (2/17) Deep Focus is on trumpeter Don Cherry, a wonderful and deeply missed friend of WKCR.  Back in the Eighties, Don was a frequent guest on Mitch Goldman's show.  Don would guest DJ, talk to the audience, bring guests... It was an ongoing Eighties NYC Don Cherry party.  And if there was a blank cassette handy, Mitch would make a recording.  The tapes got tossed in a box and ended up deep in storage.    In January of 2024, Mitch and his guest, the bandleader, trumpeter, cultural historian, and raconteur Steven Bernstein, blew the dust off of a few of the tapes and took their audience on a time travel journey beyond the imagination of Asimov or Butler.  Cherry as a radio host was knowing, passionate, deeply curious, and remarkably generous. He was generous to his guests with his attention and generous to his audience (which is to say, us) by considering them to be part of the conversation.  It's very much the way he played music.    This Monday (2/17) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: by Mitch Goldman 2024.  All rights reserved.   #WKCR #DeepFocus #StevenBernstein #DonCherry #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

This Monday's (2/17) Deep Focus is on trumpeter Don Cherry, a wonderful and deeply missed friend of WKCR.  Back in the Eighties, Don was a frequent guest on Mitch Goldman's show.  Don would guest DJ, talk to the audience, bring guests... It was an ongoing Eighties NYC Don Cherry party.  And if there was a blank cassette handy, Mitch would make a recording.  The tapes got tossed in a box and ended up deep in storage.    In January of 2024, Mitch and his guest, the bandleader, trumpeter, cultural historian, and raconteur Steven Bernstein blew the dust off of a few of the tapes and took their audience on a time travel journey beyond the imagination of Asimov or Butler.  Cherry as a radio host was knowing, passionate, deeply curious, and remarkably generous. He was generous to his guests with his attention and generous to his audience (which is to say, us) by considering them to be part of the conversation.  It's very much the way he played music.    This Monday (2/17) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: by Mitch Goldman 2024.  All rights reserved.   #WKCR #DeepFocus #StevenBernstein #DonCherry #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

This Monday's (2/17) Deep Focus is on trumpeter Don Cherry, a wonderful and deeply missed friend of WKCR.  Back in the Eighties, Don was a frequent guest on Mitch Goldman's show.  Don would guest DJ, talk to the audience, bring guests... It was an ongoing Eighties NYC Don Cherry party.  And if there was a blank cassette handy, Mitch would make a recording.  The tapes got tossed in a box and ended up deep in storage.    In January of 2024, Mitch and his guest, the bandleader, slide trumpeter, cultural historian, and raconteur Steven Bernstein blew the dust off of a few of the tapes and took their audience on a time travel journey beyond the imagination of Asimov or Butler.  Cherry as a radio host was knowing, passionate, deeply curious, and remarkably generous. He was generous to his guests with his attention and generous to his audience (which is to say, us) by considering them to be part of the conversation.  It's very much the way he played music.    This Monday (2/17) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: by Mitch Goldman 2024.  All rights reserved.   #WKCR #DeepFocus #StevenBernstein #DonCherry #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

On our previous Deep Focus, host Mitch Goldman and his guest, saxophonist Eric Person explored the work of the David Murray Octet of the 1980s.  Here was an ensemble that punched far above its weight, with swinging horn parts like a Thirties big band as well eyeball-to-eyeball improvisation like a small ensemble.  They had the storytelling of a traditional group with the expansive harmonies and extended techniques that were being freshly discovered at the time.  It was a laboratory for the music's possible futures, and they grooved like hell.     Could there have been another band at the time that fit this description?  As Eric Person's one-time employer, Ronald Shannon Jackson might have said, "Where there's one there's two."  This week Mitch and Eric explore the equally inventive bands of Arthur Blythe.  His eighties quintet didn't sound like any other band before or since.  It was as if he had exploded a standard hard bop ensemble and rebuilt it with a new kit of parts.     And do you know who that band's original guitarist was?  And have you ever heard live recordings of that band with him in it?  We don't think you have!  Tune in and you will.     This Monday (2/3) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #EricPerson #ArthurBlythe #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

On our previous Deep Focus, host Mitch Goldman and his guest, saxophonist Eric Person explored the work of the David Murray Octet of the 1980s.  Here was an ensemble that punched far above its weight, with swinging horn parts like a Thirties big band as well eyeball-to-eyeball improvisation like a small ensemble.  They had the storytelling of a traditional group with the expansive harmonies and extended techniques that were being freshly discovered at the time.  It was a laboratory for the music's possible futures, and they grooved like hell.     Could there have been another band at the time that fit this description?  As Eric Person's one-time employer, Ronald Shannon Jackson might have said, "Where there's one there's two."  This week Mitch and Eric explore the equally inventive bands of Arthur Blythe.  His eighties quintet didn't sound like any other band before or since.  It was as if he had exploded a standard hard bop ensemble and rebuilt it with a new kit of parts.     And do you know who that band's original guitarist was?  And have you ever heard live recordings of that band with him in it?  We don't think you have!  Tune in and you will.     This Monday (2/3) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #EricPerson #ArthurBlythe #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

On our previous Deep Focus, host Mitch Goldman and his guest, saxophonist Eric Person explored the work of the David Murray Octet of the 1980s.  Here was an ensemble that punched far above its weight, with swinging horn parts like a Thirties big band, as well eyeball-to-eyeball improvisation like a small ensemble.  They had the storytelling of a traditional group with the expansive harmonies and extended techniques that were being freshly discovered at the time.  It was a laboratory for the music's possible futures, and they grooved like hell.     Could there have been another band at the time that fit this description?  As Eric Person's one-time employer, Ronald Shannon Jackson might have said, "Where there's one there's two."  This week Mitch and Eric explore the equally inventive bands of Arthur Blythe.  His eighties quintet didn't sound like any other band before or since.  It was as if he had exploded a standard hard bop ensemble and rebuilt it with a new kit of parts.     And do you know who that band's original guitarist was?  And have you ever heard live recordings of that band with him in it?  We don't think you have!  Tune in and you will.     This Monday (2/3) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #EricPerson #ArthurBlythe #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Here is another episode from the Deep Focus "Prodigal Children" series.    Mitch Goldman first went on the air at WKCR in 1985 and started Deep Focus in 2008.  Since his primary focus during the broadcast is hosting and engineering the show, making these recordings has often had to take a back seat. Add in the fact that WKCR is, in Phil Schaap's words, "The home of technical difficulties," and you might understand that the historical record of the show is somewhat incomplete.    In this podcast, we try to provide as complete an archive of the broadcast program as possible.  If we find that a part is missing, we put that information in the notes and keep right on going.   On rare occasion, a missing piece will find its way home.  When it does, we put it up on the podcast.  This is one of those episodes.  One CD recording of the last part of this show has turned up so here it is.  We hope you enjoy it.  If you do, please tell someone about Deep Focus.   We will be back next week with a brand new episode of the show.   Photo credit: no publishing information available.   #WKCR #DeepFocus #EricPerson #HerbieHancock #Mwandishi #BeaverHarris #360DegreeMusicExperience #FrancisHaynes #ArthurRhames #DonPullen

In the early 1980s, when saxophonist Eric Person was coming up, one big question that was being addressed was how to combine the free-swinging improv of the Loft scene with the beauty and power of a large ensemble.  Many fascinating strategies would arrive (Henry Threadgill, Butch Morris, we're looking at you!).  One of the first and most thrilling came from saxophonist David Murray.  Murray was the emerging heavyweight champ of the tenor sax and he packed his Octet with Big Thinkers, Heavy Honkers, and Late-Night Prowlers.  "Men," in the words of Stanley Crouch, "of great magnitude."   And the David Murray Octet always played standing up.     This Monday (1/6) on Deep Focus, Mitch Goldman invites Eric Person into the WKCR archives for an exploration of this explosive and still underappreciated ensemble, from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/EricPerson #DavidMurray #DavidMurrayOctet #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

In the early 1980s, when saxophonist Eric Person was coming up, one big question that was being addressed was how to combine the free-swinging improv of the Loft scene with the beauty and power of a large ensemble.  Many fascinating strategies would arrive (Henry Threadgill, Butch Morris, we're looking at you!).  One of the first and most thrilling came from saxophonist David Murray.  Murray was the emerging heavyweight champ of the tenor sax and he packed his Octet with Big Thinkers, Heavy Honkers, and Late-Night Prowlers.  "Men," in the words of Stanley Crouch, "of great magnitude."   And the David Murray Octet always played standing up.     This Monday (1/6) on Deep Focus, Mitch Goldman invites Eric Person into the WKCR archives for an exploration of this explosive and still underappreciated ensemble, from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/EricPerson #DavidMurray #DavidMurrayOctet #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

In the early 1980s, when saxophonist Eric Person was coming up, one big question that was being addressed was how to combine the free-swinging improv of the Loft scene with the beauty and power of a large ensemble.  Many fascinating strategies would arrive (Henry Threadgill, Butch Morris, we're looking at you!).  One of the first and most thrilling came from saxophonist David Murray.  Murray was the emerging heavyweight champ of the tenor sax and he packed his Octet with Big Thinkers, Heavy Honkers, and Late-Night Prowlers.  "Men," in the words of Stanley Crouch, "of great magnitude."   And the David Murray Octet always played standing up.     This Monday (1/6) on Deep Focus, Mitch Goldman invites Eric Person into the WKCR archives for an exploration of this explosive and still underappreciated ensemble, from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/EricPerson #DavidMurray #DavidMurrayOctet #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Arturo O'Farrill: "Without Carla (Bley)'s influence, I wouldn't be where I am today; there would be no Afro-Latin Jazz Orchestra, no Belongó, no Arturo O'Farrill. She is in everything that I do..."  Don't you want to hear what happens when WKCR's Mitch Goldman welcomes Arturo into the WKCR archives for a Deep Focus on Carla Bley?  We know we do!   Game on this Monday (12/23) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Photo by Petra Gall 1981, CC0 courtesy of Schwules Museum.   #WKCR #DeepFocus #/ArturoOFarrill #CarlaBley #EscalatorOverTheHill #JazzRadio #JazzPodcast #JazzInterview

On this week's show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film's audacious use of first-person point-of-view in filmmaker RaMell Ross' adaptation of Colson Whitehead's Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University's WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film's audacious use of first-person point-of-view in filmmaker RaMell Ross' adaptation of Colson Whitehead's Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University's WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film's audacious use of first-person point-of-view in filmmaker RaMell Ross' adaptation of Colson Whitehead's Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University's WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film's audacious use of first-person point-of-view in filmmaker RaMell Ross' adaptation of Colson Whitehead's Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University's WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film's audacious use of first-person point-of-view in filmmaker RaMell Ross' adaptation of Colson Whitehead's Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University's WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arturo O'Farrill: "Without Carla (Bley)'s influence, I wouldn't be where I am today; there would be no Afro-Latin Jazz Orchestra, no Belongó, no Arturo O'Farrill. She is in everything that I do..."  Don't you want to hear what happens when WKCR's Mitch Goldman welcomes Arturo into the WKCR archives for a Deep Focus on Carla Bley?  We know we do!   Game on this Monday (12/23) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Photo by Petra Gall 1981, CC0 courtesy of Schwules Museum.   #WKCR #DeepFocus #/ArturoOFarrill #CarlaBley #EscalatorOverTheHill #JazzRadio #JazzPodcast #JazzInterview

Arturo O'Farrill: "Without Carla (Bley)'s influence, I wouldn't be where I am today; there would be no Afro-Latin Jazz Orchestra, no Belongó, no Arturo O'Farrill. She is in everything that I do..."  Don't you want to hear what happens when WKCR's Mitch Goldman welcomes Arturo into the WKCR archives for a Deep Focus on Carla Bley?  We know we do!   Game on this Monday (12/23) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Photo by Petra Gall 1981, CC0 courtesy of Schwules Museum.   #WKCR #DeepFocus #ArturoOFarrill #CarlaBley #EscalatorOverTheHill #JazzRadio #JazzPodcast #JazzInterview

Burnt Sugar The Arkestra Chamber is renowned for "never playing anything the same way once." Drawing inspiration from Duke Ellington, Sun Ra, Parliament Funkadelic, and The Art Ensemble of Chicago, in the words of founder Greg Tate, "Our player-ranks  include known Irish fiddlers, AACM refugees, Afro-punk rejects, unrepentant beboppers, feminist rappers, jitterbugging doowoppers, frankly loud funk-a-teers and rodeo stars of the digital divide.” Under the baton of Butch Morris's conduction concept, this polyglot throng becomes the universal translation device of AI's disembodied dreams.   We hear what you're thinking: "The concept is great but what happens when the rubber hits the road?  Can they really do it on stage?"  Let's answer that question on Mitch Goldman's Deep Focus.  And who better to listen to the music with than BSAC's own samchillianist Leon Gruenbaum?      It's all happening this Monday (11/25) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Ginny Suss   #WKCR #DeepFocus #LeonGruenbaum #BurntSugar #BurntSugarTheArketraChamber #BSAC #JazzRadio #JazzPodcast #JazzInterview

Burnt Sugar The Arkestra Chamber is renowned for "never playing anything the same way once." Drawing inspiration from Duke Ellington, Sun Ra, Parliament Funkadelic, and The Art Ensemble of Chicago, in the words of founder Greg Tate, "Our player-ranks  include known Irish fiddlers, AACM refugees, Afro-punk rejects, unrepentant beboppers, feminist rappers, jitterbugging doowoppers, frankly loud funk-a-teers and rodeo stars of the digital divide.” Under the baton of Butch Morris's conduction concept, this polyglot throng becomes the universal translation device of AI's disembodied dreams.   We hear what you're thinking: "The concept is great but what happens when the rubber hits the road?  Can they really do it on stage?"  Let's answer that question on Mitch Goldman's Deep Focus.  And who better to listen to the music with than BSAC's own samchillianist Leon Gruenbaum?      It's all happening this Monday (11/25) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Ginny Suss   #WKCR #DeepFocus #LeonGruenbaum #BurntSugar #BurntSugarTheArketraChamber #BSAC #JazzRadio #JazzPodcast #JazzInterview

Burnt Sugar The Arkestra Chamber is renowned for "never playing anything the same way once." Drawing inspiration from Duke Ellington, Sun Ra, Parliament Funkadelic, and The Art Ensemble of Chicago, in the words of founder Greg Tate, "Our player-ranks  include known Irish fiddlers, AACM refugees, Afro-punk rejects, unrepentant beboppers, feminist rappers, jitterbugging doowoppers, frankly loud funk-a-teers and rodeo stars of the digital divide.” Under the baton of Butch Morris's conduction concept, this polyglot throng becomes the universal translation device of AI's disembodied dreams.   We hear what you're thinking: "The concept is great but what happens when the rubber hits the road?  Can they really do it on stage?"  Let's answer that question on Mitch Goldman's Deep Focus.  And who better to listen to the music with than BSAC's own samchillianist Leon Gruenbaum?      It's all happening this Monday (11/25) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Ginny Suss   #WKCR #DeepFocus #LeonGruenbaum #BurntSugar #BurntSugarTheArketraChamber #BSAC #JazzRadio #JazzPodcast #JazzInterview

The previous time Graham Haynes was the guest on Deep Focus, it was to celebrate his father Roy Haynes's stunning contributions to Charlie Parker's performances at Birdland.   That alone would have been enough to earn Roy a place in the history books.  Now, how about Roy with another wildly different innovator making Jazz history at another musical landmark?  So who was the drummer with Thelonious Monk at the Five Spot?  We'll give you one guess!    Graham Haynes on Deep Focus with Mitch Goldman tonight from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.     See you on the radio -   #WKCR #DeepFocus #GrahamHaynes #RoyHaynes #TheloniousMonk #TheFiveSpot #JazzInterview #JazzPodcast

The previous time Graham Haynes was the guest on Deep Focus, it was to celebrate his father Roy Haynes's stunning contributions to Charlie Parker's performances at Birdland.   That alone would have been enough to earn Roy a place in the history books.  Now, how about Roy with another wildly different innovator making Jazz history at another musical landmark?  So who was the drummer with Thelonious Monk at the Five Spot?  We'll give you one guess!    Graham Haynes on Deep Focus with Mitch Goldman tonight from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.       See you on the radio -   #WKCR #DeepFocus #GrahamHaynes #RoyHaynes #TheloniousMonk #TheFiveSpot #JazzInterview #JazzPodcast

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman #MilesDavis

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman 

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

Let's present an award: who would you say has been the most prolific artist on NYC's forward-looking music scene and who has contributed the most to its community?  Deep Focus host Mitch Goldman's nominee: bassist William Parker.  This Monday, Mitch and trumpeter Lewis "Flip" Barnes will put William Parker's music in Deep Focus.  Will there be live, unreleased recordings from the WKCR archives?  What do you think!     (And a bonus question: what are we going to call the award that the winner gets?)   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: William Parker by Tore Sætre, Wikimedia Creative Commons Attribution ShareAlike 4.0   #WKCR #JazzAlternatives #DeepFocus #LewisFlipBarnes #WilliamParker  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio  

Let's present an award: who would you say has been the most prolific artist on NYC's forward-looking music scene and who has contributed the most to its community?  Deep Focus host Mitch Goldman's nominee: bassist William Parker.  This Monday, Mitch and trumpeter Lewis "Flip" Barnes will put William Parker's music in Deep Focus.  Will there be live, unreleased recordings from the WKCR archives?  What do you think!     (And a bonus question: what are we going to call the award that the winner gets?)   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   William Parker - CC0 @ Schwules Museum Berlin, photo by Petra Gall   #WKCR #JazzAlternatives #DeepFocus #LewisFlipBarnes #WilliamParker  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio  

Let's present an award: who would you say has been the most prolific artist on NYC's forward-looking music scene and who has contributed the most to its community?  Deep Focus host Mitch Goldman's nominee: bassist William Parker.  This Monday, Mitch and trumpeter Lewis "Flip" Barnes will put William Parker's music in Deep Focus.  Will there be live, unreleased recordings from the WKCR archives?  What do you think!     (And a bonus question: what are we going to call the award that the winner gets?)   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: William Parker by Tore Sætre, Wikimedia Creative Commons Attribution ShareAlike 4.0   #WKCR #JazzAlternatives #DeepFocus #LewisFlipBarnes #WilliamParker  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio  

Tonight (8/19) bassist/composer Melvin Gibbs joins host Mitch Goldman for a Deep Focus on Sun Ra with unheard rarities from the WKCR archives.  Here's a serious question, Melvin: what's the Sun Ra/Brooklyn connection?  This I have to hear.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Sun Ra - Impulse!, ABC/Dunhill Records - Photographer uncredited most likely Francis Ing who is credited on Astro Black ., Public domain, via Wikimedia Commons.   #WKCR #JazzAlternatives #DeepFocus #MelvinGibbs #SunRa  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #SpaceIsThePlace #SunRaArkestra

Tonight (8/19) bassist/composer Melvin Gibbs joins host Mitch Goldman for a Deep Focus on Sun Ra with unheard rarities from the WKCR archives.  Here's a serious question, Melvin: what's the Sun Ra/Brooklyn connection?  This I have to hear.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Sun Ra - Impulse!, ABC/Dunhill Records - Photographer uncredited most likely Francis Ing who is credited on Astro Black ., Public domain, via Wikimedia Commons.   #WKCR #JazzAlternatives #DeepFocus #MelvinGibbs #SunRa  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #SpaceIsThePlace #SunRaArkestra

Tonight (8/19) bassist/composer Melvin Gibbs joins host Mitch Goldman for a Deep Focus on Sun Ra with unheard rarities from the WKCR archives.  Here's a serious question, Melvin: what's the Sun Ra/Brooklyn connection?  This I have to hear.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Sun Ra - Impulse!, ABC/Dunhill Records - Photographer uncredited most likely Francis Ing who is credited on Astro Black ., Public domain, via Wikimedia Commons.   #WKCR #JazzAlternatives #DeepFocus #MelvinGibbs #SunRa  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #SpaceIsThePlace #SunRaArkestra

I love it when I go to a gig and I see that Micah Gaugh is going to be playing. It means it is certain that something unexpected is going to happen. And Micah surprised me with his selection of a subject for Deep Focus: Ronald Shannon Jackson. I was 19 years old and already a die hard music fan but I had no idea what music could do until I heard Shannon's band, The Decoding Society. Now you're going to hear what I heard then. Caution: severe tire damage! Monday April 2 from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.

This episode contains two separate, unrelated stories from the Patreon archive.In 2013, a user on 4chan posted audio from an alleged radio hijacking that was purported to have taken place in the mid-1990s. Since then, theories have sprung up that the station affected, New York's WKCR, was hijacked in 1995, while others speculate that the audio itself is fabricated.In 1995, the body of 38-year-old Kathy Struckhoff was found alongside a road in New Port Richey, Florida. She was believed to have last been seen speaking to a suspicious man at a nearby bar, and investigators speculated that the man had been her killer. Episode researched, written, hosted, and produced by Micheal WhelanLearn more about this podcast at http://unresolved.meIf you would like to support this podcast and others, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or ProducerThis episode is sponsored by Factor, who are offering listeners of Unresolved 50% off their first box as well as an additional 20% on their next month. To take advantage of this offer, head to factormeals.com/unresolved50 and make sure to use promo code unresolved50 at checkout.Become a supporter of this podcast: https://www.spreaker.com/podcast/unresolved--3266604/support.

I love it when I go to a gig and I see that Micah Gaugh is going to be playing. It means it is certain that something unexpected is going to happen. And Micah surprised me with his selection of a subject for Deep Focus: Ronald Shannon Jackson. I was 19 years old and already a die-hard music fan but I had no idea what music could do until I heard Shannon's band, The Decoding Society. Now you're going to hear what I heard then. Caution: severe tire damage! Monday April 2 from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.

A glorious ode to sound system culture. For her RA Podcast, Brooklyn-based DJ Ayanna Heaven celebrates vibrations echoing down the ages, connecting seven decades of trailblazers and trendsetters. It's a soundtrack we've timed with an eye to that golden late summer run of Notting Hill Carnival, Brooklyn's West Indian Day Parade and several crucial dates in the Jamaican calendar. Since 2020, the Brooklyn-based DJ, ethnomusicologist, dancehall advocate and promoter has held down two shows on the city's most popular stations: the monthly "Sounds of Heaven" on The Lot and biweekly "Across 110th Street" on WKCR. That's roughly 72 hours of radio every month. Light work for Heaven, though, whose sound traverses the limitlessly fertile ground of reggae, dancehall, funk, soul and beyond. From Sly & Robbie, Aswad and Vybz Kartel through contemporary heaters and reskins of platinum-plated standards like "No Games" and "Sun Is Shining," RA.950 is a story of a thriving culture, grounded in the past yet with intentions set firmly on the future. @ayanna-heaven Read more at https://ra.co/podcast/950

I love it when I go to a gig and I see that Micah Gaugh is going to be playing. It means it is certain that something unexpected is going to happen. And Micah surprised me with his selection of a subject for Deep Focus: Ronald Shannon Jackson. I was 19 years old and already a die hard music fan but I had no idea what music could do until I heard Shannon's band, The Decoding Society. Now you're going to hear what I heard then. Caution: severe tire damage! Monday April 2 from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.   #WKCR #DeepFocus #MicahGaugh #RonaldShannonJackson #ShannonJackson #MitchGoldman #JazzPodcast #JazzRadio #JazzInterview 

People love to talk about Miles Davis reinventing himself and reinventing the music.  They talk about the First Great Quintet in the fifties, the Second Great Quintet in the sixties, the Lost Quintet of 1969, maybe of the electric bands that followed (although often not).  What do they almost never talk about? In 1981, Miles hadn't performed in public, hadn't released a new album, and had barely touched his horn in 5 years (consider that for a moment!).     How does a legend go from a standing start to a full-on touring and recording schedule overnight?    How does he address the way the music has changed (partly from his influence)?   Who is he going to have in his band? What music are they going to play?     So many questions!   Bassist/impresario Matt Garrison saw this band when they first played in Rome.  Deep Focus host Mitch Goldman saw the same band at their first appearance in New York City.  Both were enthralled by what they saw and heard.  On Deep Focus this Monday night (7/8), you will listen to that Rome concert with them.  Mitch has "so many questions!" for Matt about this experience.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Miles Davis 1981 by David D. Spitzer - courtesy of the Smithsonian Institution, used with the principles of fair use under Section 108 of the U.S. Copyright Act -  NMAAHC-2012_164_127_001   #WKCR #JazzAlternatives #DeepFocus #MattGarrison #MilesDavis  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

People love to talk about Miles Davis reinventing himself and reinventing the music.  They talk about the First Great Quintet in the fifties, the Second Great Quintet in the sixties, the Lost Quintet of 1969, maybe of the electric bands that followed (although often not).  What do they almost never talk about? In 1981, Miles hadn't performed in public, hadn't released a new album, and had barely touched his horn in 5 years (consider that for a moment!).     How does a legend go from a standing start to a full-on touring and recording schedule overnight?    How does he address the way the music has changed (partly from his influence)?   Who is he going to have in his band? What music are they going to play?     So many questions!   Bassist/impresario Matt Garrison saw this band when they first played in Rome.  Deep Focus host Mitch Goldman saw the same band at their first appearance in New York City.  Both were enthralled by what they saw and heard.  On Deep Focus this Monday night (7/8), you will listen to that Rome concert with them.  Mitch has "so many questions!" for Matt about this experience.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Miles Davis 1981 by David D. Spitzer - courtesy of the Smithsonian Institution, used with the principles of fair use under Section 108 of the U.S. Copyright Act -  NMAAHC-2012_164_127_001   #WKCR #JazzAlternatives #DeepFocus #MattGarrison #MilesDavis  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

People love to talk about Miles Davis reinventing himself and reinventing the music.  They talk about the First Great Quintet in the fifties, the Second Great Quintet in the sixties, the Lost Quintet of 1969, maybe of the electric bands that followed (although often not).  What do they almost never talk about? In 1981, Miles hadn't performed in public, hadn't released a new album, and had barely touched his horn in 5 years (consider that for a moment!).     How does a legend go from a standing start to a full-on touring and recording schedule overnight?    How does he address the way the music has changed (partly from his influence)?   Who is he going to have in his band? What music are they going to play?     So many questions!   Bassist/impresario Matt Garrison saw this band when they first played in Rome.  Deep Focus host Mitch Goldman saw the same band at their first appearance in New York City.  Both were enthralled by what they saw and heard.  On Deep Focus this Monday night (7/8), you will listen to that Rome concert with them.  Mitch has "so many questions!" for Matt about this experience.   It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Miles Davis 1981 by David D. Spitzer - courtesy of the Smithsonian Institution, used with the principles of fair use under Section 108 of the U.S. Copyright Act -  NMAAHC-2012_164_127_001   #WKCR #JazzAlternatives #DeepFocus #MattGarrison #MilesDavis  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

Listen to any song by Art Blakey and the Jazz Messengers.  There will be no question in your mind about who is driving the bus or who is riding on the bus or where this bus is going.  Who's driving the bus? Art Blakey is driving!  Who's riding the bus? Everybody!  Where's this bus going? Straight ahead!   Seventeen years of Deep Focus and no one has ever called for Art Blakey's music?  I don't know how that is possible but it ends Monday night (6/24).  Saxophonist/Jazz scholar Eric Person joins host Mitch Goldman to focus on the music this one-of-a-kind drummer/bandleader.  They will play recordings from the WKCR archives that even hardcore Blakey fans have never heard.     It's on WKCR 89.9FM, WKCR-HD or wkcr.org Monday from 6pm to 9pm NYC time.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Either way, it's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: © Herman Leonard Photography LLC, National Portrait Gallery, Smithsonian Institution.   #WKCR #JazzAlternatives #DeepFocus #EricPerson #ArtBlakey #JazzMessengers  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!Dreadful John at Midnight is a horror/suspense radio show though it is not a traditional old-time radio show. Instead of using a script and actors, the host simply reads short stories by authors like Edgar Allen Poe and Ambrose Bierce. The show broadcast from 1963 to 1967 on WKCR. At the end of each show, the host attributed the shows production to King's Crown Radio.00:00:00.000 = INTRO00:01:55.012 = Born Of Man And Woman00:11:20.546 = Ghost Hunt00:27:02.173 = Moonlight Sonata00:35:43.448 = Occurrence at Owl Creek Bridge00:58:54.718 = Oil of Dog01:09:33.209 = The Boarded Window01:21:39.388 = The Cone01:42:08.694 = The Hornet01:53:49.273 = The Masque of the Red Death02:09:06.006 = The Pit And The Pendulum02:39:30.719 = The Tell Tale Heart02:54:52.998 = Torture By Hope03:10:25.670 = Was It A DreamSOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/dreadfuljohnatmidnight-marathon-001