Podcasts about Eddie Harris

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Lawless Twenties xx-xx-xx (12) The Flood of Bootleg Gold - 'Dutch' Eddie Harris

Went back to the "Jazz 45s" box and pulled a few things out that I hadn't played in awhile. Spring is here and it felt right. A short set of selections, new and old - enjoy! Tracklist: Sam Hankins, Eric Kloss, Nautilus, Quincy Jones, Charles Mingus, Takumi Moriya, Phi-Psonics, Unknown artist, Eddie Harris, Jukka Eskola Trio, Mary Lou Williams

Bienvenido Bastarnauta a una nueva edición en la que jugamos con música y momentos para perder el estilo con gusto, ganarlo con caché, o perderlo de plano sin calzón… Nos deleitamos con un mambo clasiquisimo que te remontará a lugares de etiqueta y baile fino, cumbias sonideros para dejarse perder el estilo junto con yo mama de fat boy slim para perderlo completa y totalmente o ganarlo de igual manera con tocho, seguido de Justice con un clásico que nunca puede caer mal a nadie; no sin antes despedirnos con una pieza de Eddie Harris que combina el jazz y el funk con un toque latino sabroson. Así que peínate las patillas, desabróchate el cinturón, saca la panza y suéltate la greña para disfrutar un rato más en compañía de los Bastardos con Suerte.

Tonight's Jazz Feature spotlights a great tenor saxophonist from Chicago: Eddie Harris. Harris celebrated on Oct 20, a Birthday Anniversary. Harris was born on Oct 20, 1934 and died of heart failure at 62 on Nov. 5, 1996. Harris was a pioneer of electronic attachments to his horn and was also a master of various styles of music: eg. funk, R & B, soul and of course Jazz. Harris was also a fine pianist. This album called "The In Sound" was his first for Atlantic Records. The band consists of Cedar Walton on piano, Ron Carter on bass and Billy Higgins on drums and on several tracks a fine trumpeter from Washington D.C.:Ray Codrington. The album consists of mostly standard tunes plus two fine Harris originals: "Cryin' Blues" and the first recording of a classic "Freedom Jazz Dance". This album is a fine tribute to the immence talent that was Eddie Harris. Enjoy "The In Sound".

Pete's back, bringing you new music from Sam Redmore, Kelly Finnigan, Koko Jean & The Tonics, plus both sides of the brand new 45 from New Zealand's Jamie & The Numbers on his own label. There are birthday celebrations for Simon Bartholomew & N'Dea Davenport (The Brand New Heavies), for Eddie Harris and for Sugar Pie De Santo.For more info and tracklisting, visit: https://thefaceradio.com/superfly-funk-and-soul-show/Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Fridays from 10 AM - 12 PM EST / 3 - 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:14 - Bleu Lune - par : Nathalie Piolé -

This episode of The Other Side of the Bell, featuring trumpeter, Sal Cracchiolo, is brought to you by Bob Reeves Brass. Tickets for the Youth Trumpet Scholars Trumpet Trilogy can be purchased here. About Sal Cracchiolo: Salvator William Cracchiolo II was born in Long Beach, California as the son of two talented music teachers.  His father, Sal Cracchiolo I, owned a music studio where he taught piano and played professional accordion.  His mother, Edith, was his first trumpet teacher and started Sal on trumpet at the age of 12.  He played in concert, marching and jazz band in high school.  By his Junior and Senior year of High School, he was attending Cerritos College playing in their jazz and concert bands. He started working as a professional musician at 15 in nightclubs with various R & B and Latin bands.   In 1975 he started a long musical friendship with Poncho Sanchez, which ultimately let to 18 albums.  Between working with Poncho, in the 1980s, he was a member of the Pasadena City College Big Band under the direction of saxophonist, Gary Foster.  While in this band, Sal played with such jazz greats as Warren Marsh, Lee Konitz, and Peter Erskine. In the late-80s, Poncho traveled internationally.  Since then, with Poncho and other acts, Sal has traveled to 45 countries globally.  With Poncho, he has played and recorded with Dizzy Gillespie, Freddie Hubbard, Cal Tjader, Chick Corea, Stanley Turentine, Tito Puente, Mongo Santamaria, Clare Fischer, Gary Foster, Arturo Sandoval, Eddie Harris, Joey DeFrancesco, Dianne Reeves, Justo Almario, Andy Martin, Celia Cruz and Pete Escovedo.  He performed for and with these artists at the Monterey, Playboy, Concord, and Nice Jazz Festivals plus many others throughout the U.S., Europe, Canada, Mexico, South America, Thailand and Japan. He has also done worldwide tours with such artists as Tom Jones, Vicki Carr, Harry Connick and Brian Setzer. He was with the Clayton/ Hamilton Jazz Orchestra and has played with them since 2003. The CHJO has been rated as the #1 Big Band in the USA by Downbeat Magazine from 2007 to 2010.  He also performing with his own sextet featuring his wife, Melanie Jackson, on vocals  In 2001 “Fly” was nominated for a Latin Grammy. He has performed on the latest albums of Michael Buble, Gladys Knight, Joss Stone, Jamiroquoi, and Dr. Dre and on various sountracks for HBO. In 2001,  their CD, “Fly”, was nominated for a Latin Grammy.  In 2002 they performed at the Du Maurier Vancouver International Jazz Festival.  In 2003 they will be performing for the warm-up for the Playboy Jazz Festival. In 2004 through 2006  Sal and Melanie's sextet was sponsored by the California Arts Council.

This edition of One Room Paradise gets into some psychedelic soul jazz from Eddie Harris and Yusef Lateef, fuzzed-out Latin grooves from Irakere, moog/sitar madness from Ananda Shankar, and even a visit from the great Ann-Margret. Don't skip this one!Tune into new broadcasts of One Room Paradise, the 2nd & 4th Sunday from 7 - 8 PM - EST / 12 - 1 AM GMT. (Monday)For more info visit: https://thefaceradio.com/category/one-room-paradise////Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Welcome to today's Guided Listening Session with Jeff Antoniuk. This podcast was originally released on February 18th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!Today, in Episode #1, we have some John Scofield from his great album Hand Jive. The band is SO grooving on this tune, but what does that mean? What is going on, and how might WE do that? And what about Eddie Harris's solo . . . ? Let's dig in. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • JazzWire Free Trial - All of the new Guided Listening videos are accompanied with 3 week long lessons on JazzWire. Please write us, JandJonJazz@gmail.com if you're interested in checking out JazzWire behind the paywall! Amazing practice ideas, every week, for free. What's not to love!?

Sintonía: "Sticks & Stones (Part 1)" - Gene Ludwig"Memphis Soul Stew" - King Curtis; "Listen Here" - Eddie Harris; "Burnin´ Coal" - Les McCann; "Compared to What" - Les McCann & Eddie Harris; "Wild Man On The Loose" - Mose Allison; "The Foolkiller" - Mose Allison; "Love-In" y "Sombrero Sam" - The Charles Lloyd Quartet; "Right Now" - Mel Torme; "You´re The Boss" - Lavern Baker & Jimmy Ricks; "Jam Up Twist" - Tommy Ridgley; "Watermelon Man Ska" - Byron Lee & The Ska Kings; "Jet Set" - Dave Pike; "One Note Samba (Part 2)" - The Modern Jazz Quartet with Laurindo Almeida; "When A Man Loves A Woman" - Eddie Harris; "Tres Lobos" - Mark III Trio Todas las músicas extraídas de la recopilación (2xLP/1xCD) "Yet Mo´ Mod Jazz", 4º volumen de la serie (del sello inglés Kent) "Mod Jazz" (Kent Dance, 2000)No te pierdas el repaso exhaustivo que le dimos al 5º y último volumen de la serie, "The Return of Mod Jazz", emitido el 25/06/2024Escuchar audio

Today’s Show Notes! Wonderful World: Explore the many wonders of Edinburgh, with Rick Steves! Click HERE! Sounds Good: Watch one of the most famous live jazz performances ever, as Les McCann & Eddie Harris meet for the first time and make a classic recording of “Compared To What”, HERE.

Новый септет с интересным названием Something Else! - Что-то другое! возглавляет знаменитый альт-саксофонист Vincent Herring. И этот коллектив уже получил название супер-группа. В нее входят известные музыканты: трубач Jeremy Pelt, тенор-саксофонист Wayne Escoffery, гитарист Paul Bollenback, пианист David Kikoski, басист Essiet Essiet и барабанщик Otis Brown III. Когда я увидел этот состав на обложке, которая исполнена в моем вкусе, то сразу поднял этот альбом в очереди на простушку и оказалось не зря. Слушаю его с удовольствием и наслаждаюсь простотой и точностью исполнения знакомых мелодий, которые завораживают новым душевным исполнением.  Очень правилно назвали альбом простым и точным названием Soul Jazz. Он вышел 7 июня на лейбле Smoke Sessions Records и включает в себя джазовые стандарты таких мастеров, как Horace Silver, Herbie Hancock, Roy Hargrove, Donald Byrd, Stanley Turrentine, Eddie Harris, Pee Wee Ellis и John Coltrane. Когда в конце 1950-х – начале 1960-х годов зародился соул-джаз, он открыл путь для потрясающих фанковых грувов современного соула и R&B, которые проникли в мускулистый бибоп того времени. Для поколения, выросшего в ту эпоху, соул-джаз стал саундтреком всей жизни, не говоря уже о том, что играть его было просто кайфом. Этот проект представляет музыку, которую мы любим и которая просто великолепна, - говорит лидер. Все в группе выросли на соул-джазе, где чувство имело первостепенное значение. Музыка того времени была соул и R&B – это то, что мои родители слушали на стереосистеме дома, в машине и на концертах. Это те чувства, которые мы все хорошо знаем, понимаем и желаем играть. Без компромиссов этот альбом должен быть в моей коллекции, как хорошее напоминание, что существует такой стиль, как #souljazz СЛУШАТЬ АЛЬБОМ - https://album.link/i/1740827070 HAROLD MABERN - https://t.me/discor/6273 THE HEAVY HITTERS - https://t.me/discor/6690 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

On this episode, Marc talks with Mike Smith, author of “In With The In Crowd: Popular Jazz in 1960s Black America,” published in May of 2024. Smith argues that most studies of 60s jazz focus on the avant-garde centered around John Coltrane, Ornette Coleman, Albert Ayler, and more, and he sets out to balance that with a history of the more popular jazz artists from that decade, such as Eddie Harris, Nancy Wilson, and Ramsey Lewis, showing how their music also influenced the form and culture of jazz.As Mike writes, “There was an infrastructure that allowed jazz to thrive in the sixties because jazz, for many, was a moneymaker. It wasn't just the music of protest; it wasn't just the music that spoke to feelings of rage, anger, and resentment. Jazz could be all of those things, but it was also so much more.”We hope you enjoy Marc's conversation with Mike Smith!

In our final look into the basketball & jazz interconnectedness, we focus on several jazz, or funk-jazz soundtracks for movies dedicated to the game, on jazz musicians with a basketball career, like Cab Calloway and Wayman Tisdale, a composition inspired by the elegant and creative crossover dribble known as the Shammgod, and more! The playlist also features The Leonhart Brass Band [Michael Leonhart pictured]; The Rongetz Foundation; Billy Preston, Syreeta; Ben Sidran, Mavis Staples, Pop Staples; Donald Byrd, The Blackbyrds; Bill Frisell; Eddie Harris; Jeff Beal and Robert Glasper. Detailed playlist at https://spinitron.com/RFB/pl/19064879/Mondo-Jazz (up to "Basketball") Happy listening!

PropsAndPraise everybody as we bring you another extended brew edition Of A Cup Of J.O.E. with selections ranging from Les McCann & Eddie Harris to Jagged Edge.Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!Sending a speedy recovery weeGFor more info and tracklisting, visit: https://thefaceradio.com/a-cup-of-j-o-e/Tune into new broadcasts of A Cup of J.O.E, LIVE ,Wednesdays from 9 AM - NOON EST / 2 - 5 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

A special episode soaked in summer sun, featuring funky gems from 1970s Venezuela and Panama, soulful tropical vibes from contemporary Brazil, Latin grooves from Eddie Harris, cosmic jazz from the great Marshall Allen, and more! Step inside the One Room Paradise and dig the warm sounds.Tune into new broadcasts of One Room Paradise, the 2nd & 4th Sunday from 7 - 8 PM - EST / 12 - 1 AM GMT. (Monday)For more info visit: https://thefaceradio.com/category/one-room-paradise////Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Fruitful Radio Show with Nick Carling ... new music comes from Mudd, Ibaaku, Soundway, Another Taste plus some seasoned flavours from Boz Scaggs, Eddie Harris, Linval Thompson, Madness, The Associates, Talking Heads, Jill Scott, Detroit Swindle, Roxy Music, Haircut 100 and a whole lot more. thanks for listening. For more info and tracklisting, visit: https://thefaceradio.com/fruitful-radio/Tune into new broadcasts of Fruitful Radio, LIVE, every 2nd Friday from 5 - 7 AM EST / 10 AM - Noon GMT, in association with 1BTN Brighton.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

When Ron Carter's name comes up, one of the first things people write or say is – he's played bass and cello on over 2500 albums. That's impressive and awe-inspiring. Totally agree. When I hear the name Ron Carter I think of the bassist who played in Miles Davis' second band, alongside Herbie Hancock, Tony Williams & George Coleman. “The List” of bands and recordings would include Wayne Shorter, Blue Note recordings with Freddie Hubbard, Lee Morgan, McCoy Tyner, Horace Silver, and 100's of others. I talked to Ron about his recordings in popular music.  Roberta Flack, Eddie Harris, Aretha, Billy Joel, Bette Midler, Erykah Badu, A tribe called Quest, Phoebe Snow, The Rascals, Gil Scott-Heron, Carlos Santana. Ron has taught music for many years at esteemed colleges and schools, his current documentary is Finding the Right Notes, also the name of his bio book. Ron Carter turns 87 years old today – Saturday, May 4 !!  we wish him WELL. Enjoy the conversation – I sure did.

Emily, Ky, Eddie Harris, sleepy demon, and secret Teddy are back to bitch about foisting saving the world onto kids, Bush V Gore, and the hash-slinging half slasher(?). Would you fuck the Flying Dutchman? The team is investigating. --- Send in a voice message: https://podcasters.spotify.com/pod/show/wineweedweird/message

But is it about Ferngully? Or is it about Golden Corral-induced suburban childhood flashbacks, tamagotchi trauma, and of course, the center of Emily and Ky's universe and the only thing they'll evangelize: the Bronx Zoo? Listen, we contain legions. Join special guest Eddie Harris to hear about zoo star Leonard, a mysterious sleepy demon, something squishing, and a short king. It's a two-parter! Maybe next week we'll cover the plot of the movie! --- Send in a voice message: https://podcasters.spotify.com/pod/show/wineweedweird/message

Pleased to've met Brooke Kakfa as we sat down for Episode No. 111.Brooke is a daughter, a sibling, a friend to many, a lifelong musician, and a member of many bands. Find either her personal or her professional page on Facebook, give her a follow on Instagram, and be sure to check out her primary outfit's Web page, which -- if you happen to be reading this on the day it drops -- includes a Dames of the Dead show tonight at Mike Kelly's Westsider, here in Kansas City, from 7:00-10:00 p.m., CDT.Not to worry, though, if you catch this late; the Dames have a number of gigs listed through early June, the most recently announced being a spot at the one and only Boulevardia on Friday, 6/14, so hats off to them for that.Brooke and I talked a little bit about growing up, family life, education, working in the hospitality industry, and the juggling of roles in the numerous musical outfits in which she either leads or participates.We also talked about a few of her favorite albums (or in some cases, tunes from them) over the years. Those were these:Paul Desmond and Gerry Mulligan's Two of a Mind (1962)The Electrifying Eddie Harris (1968), Eddie HarrisLes McCann and Eddie Harris' Swiss Movement (1969)Europe '72 (1972), Grateful DeadDoc Watson, The Essential Doc Watson (1973)Mingus (1979), Joni MitchellMingus Big Band's Nostalgia in Times Square (1993)Under the Table and Dreaming (1994), Dave Matthews BandMichael Brecker's Two Blocks from the Edge (1998)Wake Up to Find Out: Live at Nassau Coliseum, Uniondale, NY, 3/29/90, (2014), Grateful DeadSo, please check out all things Brooke Kafka online, and make sure to catch one of her live gigs. She is successfully managing a very full plate, and her projects are worth a peek. Thanks, Brooke, for your generous time and energy. The podcast has been made richer by way of your appearance.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Daft Punk track called, "Something About Us," which can be found on their 2001 release, Discovery (c/o Warner Music France/ADA France, 2001, Daft Life Ltd.).

Lawless Twenties xx-xx-xx (12) The Flood of Bootleg Gold - 'Dutch' Eddie Harris

This episode begins with the original version of a great jazz standard, Freedom Jazz Dance by Eddie Harris. From there, we have recordings by two alto sax players that cut their chops at University of Hartford's fine Jackie McLean Institute for jazz; Mike DiRubbo and Sarah Hanahan. The podcast concludes with music from Chick Corea who passed on three years ago this month. Playlist Artist ~ Name ~ Album Eddie Harris ~ Freedom Jazz Dance ~ The In Sound Swiss Jazz Ambassadors ~ Ugetsu ~ Swiss Jazz Ambassadors feat. Sarah Hanahan Peter Martin ~ Groove Echo Chamber ~ Peter Martin & Generation S Mike DiRubbo ~ JK in NYC ~ Inner Light Joel Ross ~ equinox ~ nublues Chick Corea ~ Matrix ~ Now He Sings, Now He Sobs Chick Corea ~ Friends ~ Friends

Rufus Reid is an extremely important but under-recognized figure in modern jazz. He's always been someone who's had one foot in the mainstream and one in the avant-garde — he did a lot of work with soul jazz and jazz-funk saxophonist Eddie Harris in the early 1970s, before joining Dexter Gordon's band when Gordon made his famous US comeback after years in Europe. He was also part of Andrew Hill's band in the late '80s, and has done a ton of straightahead records. But he was also a member of Jack DeJohnette's Special Edition in the early '80s, and he was one of the four bassists on Henry Threadgill's X-75 album, and he played on Muhal Richard Abrams' Things To Come From Those Now Gone, and he played with Anthony Braxton on the two Seven Standards 1985 albums with Hank Jones on piano and Victor Lewis on drums. He was also a member of the World Bass Violin Ensemble, which was a group of six bassists that made an album for Black Saint in 1984. Reid has also done a lot of work as a leader. He's made a string of albums in collaboration with drummer Akira Tana and various other musicians; he's done bass duo albums with Michael Moore; and he's led the Out Front trio with pianist Steve Allee and drummer Duduka Da Fonseca. In 2014, he released Quiet Pride: the Elizabeth Catlett Project, an album that featured a total of 19 instrumentalists and a singer all paying tribute to a sculptor whose work focused on the Black female experience in America. Reid is also an educator and the author of The Evolving Bassist, a book originally published in 1974 that's still a standard text for bassists. In this interview, we talk about Reid's work with Eddie Harris, with Dexter Gordon, with Henry Threadgill, and with his own ensembles. We talk about a six-CD set he made with Frank Kimbrough a few years ago, recording all of Thelonious Monk's compositions. We talk about his approach to the instrument, his influences, and about his new album, which is a duo collaboration with pianist Sullivan Fortner. This was a really enjoyable and informative conversation, and I think you'll come away from it with a new or perhaps a renewed appreciation for someone who's been a major figure in jazz for 50 years and isn't stopping yet.

On this week's show, we...spin new singles from Waxahatchee, Madi Diaz & Superchunk catch up on 2023 albums we slept on from Soft Science & Lana Del Rey nerd out over Canadian arena rock bangers of the 80s & soul-jazz protest classics from the late 60s All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Here is music for your soul including Gary Clark Jr., Los Lobos, Tommy Castro, Terry Hanck, Les McCann & Eddie Harris, Roy Buchannan, The Allman Brothers and more. Thank you for tuning in. Just click on the picture/link and enjoy. See you next Thursday on KMRE 88.3 FM, webstreaming at kmre.org 7-9 PM.  

Mike Garry is a son, a brother, a dad, a businessman, a podcaster, a friend to many, and he's my guest for The Wayne Gretzky Episode, a.k.a., #99.Mike and I connected via a pair of mutuals, and sitting down to chat with him about his journey was a pleasure and a treat.We talked about The Kansas City Chiefs Football Club, microdosing, life, family, and his adventures with the Let Freedom Trip podcast.And of course we talked about music, which included a few of Mike's favorite records:Harvest (1972), Neil YoungPearl Jam's Vs (1993)The Bends (1995), RadioheadWilco's Yankee Hotel Foxtrot (2002)As part of the Neil Young portion of our conversation, I need to add a few notes:1) Tim Drummond plays bass on that record.2) Harvest has features by James Taylor, Linda Ronstadt, David Crosby, Stephen Stills, Graham Nash, and The London Symphony Orchestra!3) The Neil Young/Lynyrd Skynyrd thing is nicely summed up here.So, that's that. Please check out our chat and Mike's podcast. Next up: triple digits!copyright disclaimer: I do not own the rights to the audio samples contained in this episode. They are snippets from a tune called, "Why Don't You Quit" by Eddie Harris off his 1970 release, Come On Down! (c/o Atlantic Recording Corp. manufactured by Warner Strategic Marketing).

These good folk delve into the heavy, light, brilliant and contrite aspects of our human condition... I think you will find this tapestry of voices poignant, warm, funny, and uplifting.  Our music this go round is provided by these wonderful artists: Thelonious Monk, the Velvet Underground, Eddie Harris & Les McCann, Land of Talk, Branford Marsalis and Terence Blanchard. Painting by Walter J. Pugliese. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors... Happy New Year.

January 2, 2024Leslie "Les" McCann, an exceptional jazz pianist, composer and vocalist who discovered a young Roberta Flack, and whose own works have been sampled by countless hip-hop artists, died last Friday (Dec. 29) at the age of 88.Born into a musical family, Sept. 23, 1935 in Lexington, Kentucky, McCann would become one of jazz music's "most gifted and influential artists," reads a statement from Kevin Gore, president of Global Catalog, Recorded Music for Warner Music Group.A self-taught pianist, McCann was an innovator in the soul jazz style, fusing jazz with funk, soul and world rhythms. He mastered all instruments before him, and enjoyed an unusual breakthrough, by winning a Navy talent contest, opening the door to an appearance on The Ed Sullivan Show.An early hit came with "The Shampoo," the 1963 instrumental cut with his trio for Pacific Jazz Records.McCann would enjoy a fruitful relationship with Atlantic Records, releasing a dozen albums on the label from the late-‘60s through to the mid-‘70s.During that run, Atlantic released Swiss Movement, featuring McCann, frequent collaborator, saxophonist and labelmate Eddie Harris, and trumpeter Benny Bailey. The album earned a Grammy nomination for best jazz performance – small group or soloist with small group, and included the protest song, "Compared to What," which McCann and Co. performed at the Montreux Jazz Festival in 1969.Another career highlight would come in 1971, when McCann appeared with a starry cast of artists, including Wilson Pickett, The Staple Singers, Santana and Ike & Tina Turner, for an historic 14-hour concert in Accra, Ghana. The event was captured for the concert film Soul To Soul.His ears might have been just as impressive as his hands. It was McCann who discovered and recommended Roberta Flack to Atlantic Records.A stroke in the 1990s slowed McCann's output. So he channeled his energies into painting and photography, and he recovered for a string of music releases, including Pump It Up from 2002.Gore remembers McCann as a great of jazz, the creator of "timeless" works. "While we deeply mourn his passing," Gore continues, "his music will live on in the hearts of millions of music fans across the globe."https://www.msn.com/en-us/music/news/les-mccann-grammy-nominated-jazz-pianist-and-vocalist-dies-at-88/ar-AA1mlFuf

January 2, 2024Leslie "Les" McCann, an exceptional jazz pianist, composer and vocalist who discovered a young Roberta Flack, and whose own works have been sampled by countless hip-hop artists, died last Friday (Dec. 29) at the age of 88.Born into a musical family, Sept. 23, 1935 in Lexington, Kentucky, McCann would become one of jazz music's "most gifted and influential artists," reads a statement from Kevin Gore, president of Global Catalog, Recorded Music for Warner Music Group.A self-taught pianist, McCann was an innovator in the soul jazz style, fusing jazz with funk, soul and world rhythms. He mastered all instruments before him, and enjoyed an unusual breakthrough, by winning a Navy talent contest, opening the door to an appearance on The Ed Sullivan Show.An early hit came with "The Shampoo," the 1963 instrumental cut with his trio for Pacific Jazz Records.McCann would enjoy a fruitful relationship with Atlantic Records, releasing a dozen albums on the label from the late-‘60s through to the mid-‘70s.During that run, Atlantic released Swiss Movement, featuring McCann, frequent collaborator, saxophonist and labelmate Eddie Harris, and trumpeter Benny Bailey. The album earned a Grammy nomination for best jazz performance – small group or soloist with small group, and included the protest song, "Compared to What," which McCann and Co. performed at the Montreux Jazz Festival in 1969.Another career highlight would come in 1971, when McCann appeared with a starry cast of artists, including Wilson Pickett, The Staple Singers, Santana and Ike & Tina Turner, for an historic 14-hour concert in Accra, Ghana. The event was captured for the concert film Soul To Soul.His ears might have been just as impressive as his hands. It was McCann who discovered and recommended Roberta Flack to Atlantic Records.A stroke in the 1990s slowed McCann's output. So he channeled his energies into painting and photography, and he recovered for a string of music releases, including Pump It Up from 2002.Gore remembers McCann as a great of jazz, the creator of "timeless" works. "While we deeply mourn his passing," Gore continues, "his music will live on in the hearts of millions of music fans across the globe."https://www.msn.com/en-us/music/news/les-mccann-grammy-nominated-jazz-pianist-and-vocalist-dies-at-88/ar-AA1mlFuf

Re - Broadcast https://en.wikipedia.org/wiki/Operation_Dark_Winter    

Another eclectic trip through the One Room Paradise with new sounds from Thee Sinseers and Rio 18, boogaloo from Johnny Colon, cosmic jazz from Eddie Harris, Zamrock from The Peace, and much more. Come get lost in the stacksTune into new broadcasts of One Room Paradise, the 2nd & 4th Sunday from 7 - 8 PM - EST / 12 - 1 AM GMT. (Monday)For more info visit: https://thefaceradio.com/on-target////Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Being able to get where you want to go with your VA business takes getting out of your comfort zone. Sometimes it takes a lot of that. We feel scared because we have never been where we want to go - and we don't realllly know if we can get there. We think we can, we hope we can, we try to plan to get there. But we don't really know - and that alone can make us freeze in our tracks. So we don't do the things that we know we need to do to get there. I know I give you a lot of advice about how to grow your business - and a lot of that is mindset work, that you have to push yourself - and we don't like to do that. But as Eddie says in our quote - although you think you are comfortable where you are … you're not. That's why you are looking for ways to do things differently. Like listening to this podcast, or taking trainings, or doing endless research online about how to be better, and do better. What you need to get comfortable with is taking steps that don't feel so easy. The best way to do that is to do it with support, of course. Getting someone to help you through the hard stuff is THE best advice I can give you. I have to say that the first step is always the hardest. After that things do get easier. I promise. But it can be hard to take that first step. I work with VAs all the time who have that trouble, and we work together through it. How? Confidence First things first, we need to make sure that you are confident in the services you are providing for your clients. We talk about what you know how to do, and how it helps your clients. There's a neat thing that happens when I talk to VAs either on a coaching call, in a group session, or even just a consult. I ask them what services they offer and very often they will try to recite an elevator pitch which is clunky and awkward. And then we continue the conversation, and I keep asking them questions. The more you talk to someone, the more comfortable you get. We are all nervous, especially in business conversations - as we all try to sound smart and say the right things. But what we really need to do is just be ourselves. As I continue asking questions about how the VAs help their clients, inevitably they settle in and get comfortable and then their voice changes. The confidence begins to come through as they easily describe how they help their clients. When we stop trying to sell, and just talk, that's when the confidence shift happens. And make no mistake, your clients will hear it just like I hear it. So the first thing you should do is remind yourself that you really do know what you are doing - and just be yourself when you are talking to others about your services (and their business). Challenge yourself to describe clearly how you help your clients, and when you can do that … you will grow your VA business. Mindset Fear is a powerful thing. It can stop us from doing so much. It's a good thing when it tells you not to jump out of an airplane maybe, but when we are talking about helping clients, it can limit us too much. And I know it's not just as simple as saying ‘do it anyway'. I hate that expression - feel the fear and do it anyway. That's not good advice. What I teach VAs to do is identify what the fear is and say ‘what is the worst that can happen'. If it's about reaching out to clients or attending a networking event, they say the worst is that they don't get the client. So you don't have the client right now, that's why you don't want to reach out or attend that event. But if that's the worst that can happen, then you're already there, aren't you? Now if the worst thing that can happen is that you say the wrong thing and you might feel embarrassed, then that's something else all together. Then we work through that. Mindset shifts aren't easy either - at least not all the time. But when we make them and see something from a different angle, it can be very helpful. For instance, if I tell you to do market research for your business, like I often do for my coaching clients - and that paralyzes you, then we want to get to the bottom of why you find it hard to do. A lot of VAs just get stuck on it because they feel like they have to sell themselves and that feels gross. I'm not going to get into the specifics of market research, but I can tell you that there is no selling going on in any of the market research calls that I ask VAs to do when I am working with them. You are not allowed to sell on them, as a matter of fact! For those that are really stuck, I ask them to approach the exercise as though they are doing it for a client. Why? Because we often jump right into anything a client asks of us. Think about it. If I asked you to do some market research for me, to talk to 10 people and ask them these specific questions, and collect their answers, and make sure you booked those calls to take place this week … you would say sure! and go ahead and do it. But it's when we are doing it for US that is the issue. So mindset is at work. And that's what we have to get around. So pretend it's not for you. Pretend it's for me. And go and do it. That's how you challenge yourself to do something that makes you feel stuck … and it's also how you grow your VA business. Getting Support I tell you all the time that whatever you don't know how to do, or whatever you don't do well, get support it. Sometimes that means training, and sometimes it means someone. In this case, when we are holding ourselves back from success, it usually means a person who can help you move through the hard part. We aren't meant to do everything on our own. And if you are stuck in your comfort zone (although we know that you aren't really comfortable right now), then it could be time to get someone to help you get moving. That can be one person - a coach, an accountability partner, a colleague, or it can be a group of people - a mastermind group, a business networking group, or a group of colleagues. Whatever you need is what you should get. One on one stuff can be great because it's direct. I have an accountability partner that I reach out to all the time because she knows me and my business and she is available at a moment's notice. Group stuff can be great because you get a lot of opinions and advice, which can be really good when you really aren't sure which way to turn. But the key is that you ask someone for help. So many of us working along fail to do that, and we suffer a lot longer than we need to because we are either trying to figure it out all by ourselves, or we are just sitting there doing nothing about it. Challenge yourself to find support for the things that you are struggling with … and you will grow your VA business. Lots of people also ask me about getting motivated to do what you need to do every day. I talk a lot about daily actions, but if things aren't going the way we want them to then motivation is really hard to come by. We can find ourselves just sitting waiting till it comes and getting farther and farther from our goals. What I suggest instead is processes. Have a process that you can follow to get the hard things done. Just like when you can do something for your clients (and you literally just jump into action if something is for them), setting a process in place and doing the things without emotion involved, can be what you need to help you get moving. One step at at time. Challenge yourself to create those processes. What are the steps you need to take to get what you want? Grow your VA business. And the last thing we need to do is celebrate us! When something good happens, we need to be aware that we are moving forward. Even something small, like posting a comment in a group if you haven't done that before - or introducing yourself at an event. These things are worth celebrating - every time. Your mindset will change when you start focusing on what you can do, and what is going right. Remember that getting out of your comfort zone is a gradual process. It's about consistently challenging yourself and being open to new experiences. Over time, these daily routines will help you develop the resilience and confidence needed to thrive in unfamiliar territory and achieve personal and professional growth. Let's circle back to the quote for today's episode: The sooner you step away from your comfort zone you'll realize that it really wasn't all that comfortable. - Eddie Harris, Jr. Gosh, I just love this quote. I really want you to reflect on this one. If you think you are comfortable where you are, and that the place you want to go is harder, you are, quite simply, wrong. And only when you get there will you realize that you were not happy being right here. You ARE not happy. That should be the biggest motivation of all. But we need to realize it first. You know you want to move out of where you are right now. So let's help you do that. Let's help you grow your VA business by challenging yourself to do the hard things .. .at your own pace. You can do it! I'm here to help. ‌ It's the only reason I'm here at all, as you know. To help you become a ridiculously good VA. I have helped hundreds of VAs who are stuck get moving. I'd love to do the same for you. We can work together privately, or in The Virtual Circle, my monthly mastermind group, or in my Plan to Profit group coaching program, or you can enroll in some of my self study trainings. I have lots of options to move your forward. Check them out in the show notes for this episode. Thanks for tuning in this week! I'll see you next time! ‌ Let's work together privately to get you to your really big goal. It's the fastest way to get results and we can start right away. Learn more about private coaching here. The Virtual Circle (TVC) is a monthly mastermind group for Virtual Assistants just like you. We get together 3 times a month for group Zoom sessions to talk about what you are struggling with, working on, or celebrating. It's a close knit community of your VA colleagues that provides the best kind of support for your VA business. Learn more about TVC here. My self study program Getting Started as a VA can help you get your VA business started easily and quickly too. You can sign up right away and be on your way to getting clients by the end of the program, with all the right foundations in place. Check out the program here. Reach out to me if you need to talk about where you are stuck and what the right option might be to get you moving. It's literally all I'm here to do is help you get to where you want to go. Book a complimentary Cut to the Chase call with me here.

Quinta entrega de este coleccionable dedicado a las compilaciones “The Mod jazz Series” (Ace Records). Estos recopilatorios compilaron diferentes sonidos del jazz, o cercanos al jazz, favoritos entre los mods británicos de los años 50 y 60. Playlist; (sintonía) FREDDIE McCOY “Collard greens” RAY CHARLES “Get on the right track baby” GENE LUDWIG “Sticks and stones (part 1)” BILLIE POOLE and JUNIOR MANCE TRIO “Them blues” RAY BRYANT COMBO “Sack o Woe” ESTHER PHILLIPS “Fever” LAVERN BAKER and JIMMY RICKS “You’re the boss” MODERN JAZZ QUARTET with LAURINDO ALMEIDA “One note samba” BYRON LEE and THE SKA KINGS “Watermelon man” HERBIE MANN “It's a funky thing-right on (part 1)” TOMMY RIDGLEY “Jam up twist” GENE McDANIELS “Sweet lover no more” JOE SWIFTS INTERNATIONALS “Bell bottoms” KENNY RICE and LEO’S FIVE “Hold it” TIMMY THOMAS “Have some boogaloo” MARK III TRIO “Tres lobos” HANK JACOBS “East side” MOSE ALLISON “The foolkiller” EDDIE HARRIS “When a man loves a woman” Escuchar audio

PropsAndPraise everybody as we bring you another edition Of A Cup Of J.O.E. with selections ranging from Eddie Harris to The Winstons.Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!Tune into new broadcasts of A Cup of J.O.E., LIVE, Wednesdays from 9 AM - Noon EST / 2 - 5 PM GMT.For more info visit: https://thefaceradio.com/a-cup-of-j-o-e///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Re- https://en.wikipedia.org/wiki/Operation_Dark_Winter

6/19/23 Re Broadcast https://en.wikipedia.org/wiki/Operation_Dark_Winter

Rufus Reid With an incredible resume as a sideman, bandleader, and educator, bassist Rufus Reid represents one of the most significant links to the great jazz tradition. His remarkable accomplishments have not gone unnoticed, and Reid has worked and recorded with legends like Eddie Harris, Dexter Gordon, Andrew Hill, The Thad Jones/Mel Lewis Quartet, Kenny Barron, Stan Getz, J.J. Johnson, Jack DeJohnette, and many others.  In fact, he has recorded on over 500 albums. His reputation as an educator is equal to that of his musical achievements.  His book⁠ ⁠The Evolving Bassist⁠⁠ (Myriad Limited, 1974) remains the industry standard for double bass methodology.  Reid and Dr. Martin Krivin created the Jazz Studies and Performance Bachelor of Music Program at William Paterson University.  This program offered the first professional academically accredited Bachelor of Music in Jazz Studies in the NY, NJ, and CT tri-state areas. On November 19, 2022, Mr. Reid was honored as part of the Giants of Jazz Series at the South Orange Performing Arts Center in New Jersey. Before the celebration, I was asked to interview the bassist for New Jersey Jazz Magazine, and here is that interview. For more on Rufus Reid ⁠https://rufusreid.com/⁠ For Jay's article on Rufus Reid ⁠(https://www.newjerseystage.com/articles/getarticle2.php?titlelink=giants-of-jazz-bassist-rufus-reid-to-be-honored-at-annual-sopac-concert) 

Matt Zimbel is a percussionist with the band Manteca, and also an award-winning writer, producer, documentary filmmaker, artistic director, broadcast executive and radio and tv host. In this fascinating episode he shares his insights gained from a wealth of experience across the music industry. We speak near the beginning about his father the photographer George Zimbel, who died this past January 2023, after we recorded the episode. We talk about the beautiful documentary film, “Zimbelism” that Matt made with director Jean-Francois Gratton. Matt offered that the trailer for Zimbelism, which features the music of Manteca, could be used in this episode. He has also generously let me weave in a pre-release of a fantastic new percussion piece with Art Avalos which will appear on Manteca's upcoming Offspring Project. The video version of this episode, with the transcript is here: https://www.leahroseman.com/episodes/mattzimbel Matt Zimbel website: http://mattzimbel.com/    Manteca: https://manteca-music.com/   Busking in Deadwood video: https://www.youtube.com/watch?v=yBtrn8Mob5s Manteca albums on Bandcamp: https://mantecamusic.bandcamp.com/music  Buy me a coffee? https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (02:30) early influences: Osibisa, jazz on CBC radio (05:38) dropping out of school at 14, percussion studies Jim Farety, Dido Morris, John Ruddell, Armando's Orchestra, forming Manteca (08:30) intro Hit Record percussion piece with Art Avalos pre-release for Manteca's The Offspring Project (09:20) Hit Record (10:31) learning percussion, playing diferent styles, recording disco (12:30) early influences: Eddie Harris (13:11) creating the film Zimbelism (14:38) clip from trailer for Zimbelism (16:03) making of Zimbelism, Elaine Sernovitz and George Zimbel (21:03) adoption of Jodi from Korea, racism (23:27) immgration to Canada to a farm on PEI (26:00) Matt's family's reaction to him dropping out of school, living the freelance life as an artist (27:59) orchestra life (29:22) Manteca, Colleen Allen and memorizing music, Will Jarvis (31:21) Road Stories with Manteca (34:06) Manteca's The Offspring Project (44:46) Leonard Cohen, Miles Davis (48:42) Canada Day show, PanAm Games (58:41) publicity, finding new audiences, Canadian culture (01:07:28) Doug Wilde creative process Manteca (01:09:17) clip from Miss Météo from album Augmented Indiference, (01:12:23) story about Miss Météo (01:15:33) problem with streaming music, Busking in Deadwood video (01:18:09) dealing with the pandemic through creativity, livestream with Lyne Tremblay, Matt's sons (01:21:45) the importance of good food (01:23:01) Rick Tait (01:24:59) crowdfunding and challenges for performers (01:28:44) lessons learned from his parents (01:32:05) Matt's perspectives on a varied career --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

obituary courtesy of the International Society of Bassists: The ISB is sad to learn of the passing yesterday of bassist, composer, educator and recording artist Kelly Sill. He was 70 years old. Kelly was a beloved mainstay of the Chicago jazz scene for more than 35 years. Born in Fargo, North Dakota, he grew up in the Chicago area. After receiving his bachelor's degree from the University of Illinois at Urbana-Champaign, he returned to Chicago to perform and record with jazz artists such as Art Blakey, Joe Henderson, Art Farmer, Clark Terry, Cedar Walton, Herb Ellis, Woody Shaw, Hank Jones, Freddie Hubbard, Kenny Burrell, Barney Kessel, Chris Potter, Ernie Watts, Bob Mintzer, Mel Torme, Anita O'Day, Jackie McLean, Joey DeFrancesco, Donald Byrd, Eddie Harris, Scott Hamilton, Victor Lewis, Clifford Jordan and Bucky Pizzarelli. He performed at the Chicago Jazz Festival, the Elkhart Jazz Festival, the Red Sea Jazz Festival, Thessaloniki Concert Hall in Greece and Symphony Center in Chicago. Kelly's discography includes more than fifty recordings as a sideman and leader.   Kelly served on the faculties of Northeastern Illinois University, Lake Forest College, DePaul University and Northern Illinois University. He also taught at the Interlochen Arts Camp, Jamey Aebersold Summer Jazz Workshop, Janice Borla Vocal Jazz Camp, University of Wisconsin/Stevens Point Jazz Camp, Clark Terry Great Plains Jazz Camp and the University of Illinois (Urbana-Champaign) Summer Music Program.   Saxophonist Gregory Dudzienski recalls his friend: "Kelly was one of the warmest, most welcoming, supportive, and funniest people I've ever had the fortune to spend time with. He had that way of interacting with you, that way of giving you his full attention and self that made it feel like you were the most important person in the world to him. That way of interacting carried into his playing as well."   Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Dorico - Unlock Dorico for iPad – For Life! Want to enjoy all of Dorico for iPad's subscription-only features – including support for unlimited players, freehand annotations in Read mode with Apple Pencil, support for third-party Audio Unit plug-ins, and much more – but don't want to pay a monthly or annual fee? Dorico for iPad now provides a lifetime unlock option, so you can access all current and future subscription-only features for a single, one-off in-app purchase. Visit the App Store today and unlock Dorico for iPad for life!   theme music by Eric Hochberg

Les McCann and Joe Alterman started as mentor and protege, but have become close friends over the last decade. When Joe first met Les, all he wanted to do was play like him. But Les taught Joe to do just the opposite: to embrace his own experiences and create a unique sound. Instead of trying to be a #2 Les McCann – be a #1 Joe Alterman. You may recognize Les McCann from his album with Eddie Harris, Swiss Movement, which features tunes like “Cold Duck Time” and “Compared to What.” It's a great recording, but he's also got some hidden gems, like the album Invitation to Openness. It's a completely different aesthetic. 15 band members improvising on an idea, with no “shoulds” or “have-tos.” It's incredible - and Les McCann dives into his early experiences that shaped the music. Tune in to hear more about Les and Joe's friendship, music, and lessons learned. Plus, they talk about a song they co-wrote that's featured on Joe's latest album. Tune in for 10 minutes! Resources: Learn more about Joe Alterman on his website. Keep listening to Joe's album, The Upside of Down, and Les's album, Invitation to openness. Stay tuned to Bite-Size Jazz in by following us on Facebook, Instagram, TikTok, or Twitter. And if you'd like to support Bite-Size Jazz and our mission to spread great stories about amazing music, you can buy me a coffee :) Thanks for listening!

September is a rather auspicious month musically, as you will hear through a playlist of songs inspired by September... or by things associated with the month of September... or featuring musicians born in September. The playlist features James Brown; Freda Payne; Itai Kriss; Earth, Wind & Fire; Chris Pattishall; Don Grolnick; Les McCann, Eddie Harris; Ingebrigt Håker Flaten; Fiona Apple; and Dave Douglas. Detailed playlist at https://spinitron.com/RFB/pl/16393563/Mondo-Jazz (up to "Sapphire Sky Blue"). Happy listening!

Tonight on Jazz After Dark: Anita O Day with Roy Eldridge and Gene Krupa, and then with Stan Kenton. We'll hear Joe Holiday, Peggy Lee , Nat "King" Cole and His Trio, Milt Jackson & Ray Charles, Art Blakey & The Jazz Messengers, Ella Fitzgerald & Paul Weston and His Orchestra, Charles Mingus, Buddy DeFranco Quartet, Earl "Fatha" Hines, Eddie Harris, and Shirley Horn.

Broadcast 10/13/15 PART 2....JOIN ROBERT X AND BRO EDDIE HARRIS......WE ARE STILL UNDER ATTACK, BUT WE'RE STILL FIGHTIN BACK...........WE UNDERSTAND THE OCCULT FORCES AT WORK EVIDENCED IN THE LGBT TAKEOVER OF GOVT..........THE RECENT FORAY OF ALLEGED DIGNITARIES FROM THE POPE TO PUTIN IS PART OF AN INSIDIOUS MOVE TO USHER IN A NEW CONTROL MECHANISM UNDER THE BANNER OF "SUSTAINABLE DEVELOPMENT"...........WE HAVE BEEN FOCUSED ON THIS TERM SINCE THE MID 80S AS THE AGENDA THAT ENCORPORATES ALL THE OTHER PARTS OF WORLD GOVT...........NOW THEY'VE ADDED 2030 AS THE DATE OF FINALITY, WITH THE U.N. SERVING AS THE ENTRE TO DELIVER THE EVIL..............THERE IS MORE TO THIS AS PUTIN MOVES ON SYRIA AND CAMERON'S SEX WITH A PIG OVERSHADOW BOHNNER STEPPING DOWN AS SPEAKER.............CERN CONTINUES IN THE BACKGROUND AS LGBT BUMRUSHES EDUCATIONAL INSTITUTIONS IN THE FOREGROUND...........THE WAVE OF CHANGE DICTATED BY THE COSMOS IS AT THE POINT OF EXPLOSION....... .WE MUST THANK ALL OF YOU FOR YOUR PARTICIPATION AND YOUR CONCERN FOR MY HEALTH.......THESE ARE TIMES FOREIGN TO ME IN TERMS OF MY HEALTH AND REQUIRE A DIFFERENT PROTOCOL........THE MEDICATION IS ABSOLUTELY MURDEROUS AND HAS CAUSED PROBLEMS NOT FORESEEN BY ME...........I WILL ANSWER ALL OF YOUR EMAILS THIS WEEK AND SEND GIFTS AS I TRANSITION AWAY FROM BIG PHARMA.

John Dwyer is the driving force of Osees, a band who celebrates music on vinyl and other collectable formats. Today John shares about his music collection, his focus on vinyl and music exploration, his label Castleface Records and much more. Topics include: Adjustments of John's routine made due to Covid Current projects he's been working on How John manages multiple projects John getting into heavier music Getting into early noise music in Providence RI What does the next record sound like? John likes collecting things – discusses record collecting Discussing what we do with record collection when we die What's the most out of place record in John's collection? John keeps purchasing copies of “I Need Some Money” by Eddie Harris and John Sermon and Stu Martin “Live at Woodstock Town Hall” John taking chords from Miles Davis “Tribute to Jack Johnson” Do you care about 1st or collectable pressings? How do you take care of your records? How John dials in his turntable What role does vinyl play in The Osees? Taking records and product on the road What's the wackiest thing you've put on the merch table? What are your feelings on Osees records going for large amounts? Discussing The Flying Lizards Efforts to archive his work – what is the end game? Involvement in Castleface Records Current vinyl pressing delay issues The future of vinyl creation & 3D printers Hi-fi audio and the weakest link Wood-gluing records – other gimmicks for products Signing up for updates on Osees and Castleface The genesis of the name “Castleface Records” Interview wrap up Extended version of this interview located here: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Son festival de jazz a certainement contribué à modifier le visage et surtout l'image de Montreux, une évolution qui s'inscrit dans une histoire de la ville aux racines plus anciennes. Le Montreux Jazz a apporté à cette ville un souffle nouveau, grâce à son fondateur Claude Nobs et à la vitalité de la musique de jazz. Rencontre avec Evelyne Lüthi-Graf historienne, grande connaisseuse de la Riviera, archiviste de la Ville de Montreux et responsable des Archives Hôtelières Suisses. Dimanche 20 mars dès 20h40 sur RTS Deux, vous pourrez voir "La folle histoire du Montreux Jazz Festival", un film d'Oliver Murray (France, 2021). Résumé: Cette minisérie documentaire en trois parties explore la vie de Claude Nobs et les fabuleuses archives qu'il a constituées au Montreux Jazz Festival. Histoire Vivante fait reluire ce soir les pépites musicales les plus époustouflantes de notre patrimoine. Dans le premier épisode, on pourra entendre: Aretha Franklin, Eddie Harris & Les McCann, Ella Fitzgerald, Nina Simone, Led Zeppelin, Santana, Roberta Flack et Deep Purple. Photo (tirée du film): Aretha Franklin et Claude Nobs à Montreux, en 1972.

Tonight on Jazz After Dark, jazz from 1940 to 1992: Artie Shaw, The Delta Rhythm Boys, Joe Guy And Thelonius Monk, Nat King Cole, Milt Jackson with Ray Charles, Clark Terry, Cannonball Adderley with Bill Evans, Toots Thielemans, Ella Fitzgerald, Gabor Szabo, Eddie Harris, and Stan Getz with Kenny Barron.