Podcasts about seventies

Not triggers on a gun, but some stuff that immediatly makes you think of the 70s!

In the third episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares take you on an immersive journey through the hot nights and wild streets of Lower Manhattan during the Seventies. For this episode, Jesse Rifkin, a New York-based music historian and the owner and sole operator of Walk on the Wild Side Tours NYC, designed a specialized tour for Soundscapes NYC that explores key venues in the history of disco. Clubs like Paradise Garage, Nicky Siano's Gallery, and repurposed residential spaces like David Mancuso's Loft were all critical incubators of the sound and culture we call disco today. This is dense cultural geography, hardly more than one square mile, within and around a neighborhood known today as “Soho”. But in the Seventies it was sometimes known as “Hell's Hundred Acres” do to the propensity of building collapses and fires among the old hotels and loft builds that constellated the area. Soundscapes NYC welcomes back Jesse Rifkin, who appeared on Season One on the queer history of punk culture (S1.E4. Sounds of the City Collapsing). Rifkin is the author of This Must Be the Place: Music, Community, and Vanished Spaces in New York City (Hanover Square Press, 2023), and his work has been celebrated in the New York Times, Conde Nast Traveller, among others. His Substack (Walk on the Wild Side NYC) is a trove of incisive music criticism and revealing interviews with dynamic artists from the Seventies to today. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the third episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares take you on an immersive journey through the hot nights and wild streets of Lower Manhattan during the Seventies. For this episode, Jesse Rifkin, a New York-based music historian and the owner and sole operator of Walk on the Wild Side Tours NYC, designed a specialized tour for Soundscapes NYC that explores key venues in the history of disco. Clubs like Paradise Garage, Nicky Siano's Gallery, and repurposed residential spaces like David Mancuso's Loft were all critical incubators of the sound and culture we call disco today. This is dense cultural geography, hardly more than one square mile, within and around a neighborhood known today as “Soho”. But in the Seventies it was sometimes known as “Hell's Hundred Acres” do to the propensity of building collapses and fires among the old hotels and loft builds that constellated the area. Soundscapes NYC welcomes back Jesse Rifkin, who appeared on Season One on the queer history of punk culture (S1.E4. Sounds of the City Collapsing). Rifkin is the author of This Must Be the Place: Music, Community, and Vanished Spaces in New York City (Hanover Square Press, 2023), and his work has been celebrated in the New York Times, Conde Nast Traveller, among others. His Substack (Walk on the Wild Side NYC) is a trove of incisive music criticism and revealing interviews with dynamic artists from the Seventies to today. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

 The House of Representatives … October 10th, 1998, … A Republican Congressman from Florida rises and makes remarks about a bill he's introducing:   In the closing days of World War II, the U.S.S. Indianapolis had its hull pierced by three Japanese torpedoes. Twelve minutes later the cruiser went down. On board were almost 1,200 crew members and only 300 survived, the others dying of shark attacks and exposure. For half a century, the 316 remaining surviving crew members of the worst disaster in Naval history tried in vain to defend the honor of their captain, Charles McVay. This year a new secret weapon was employed in their quest, and that weapon was a 13-year-old boy named Hunter Scott    Who was that? That was former representative Joe Scarborough. His mention of the U.S.S. Indianapolis might sound familiar –The story of its sinking by a sub was shared in that speech by Congressman Scarborough – and in a stirring soliloquy from a salty seasoned shark hunter in Steven Spielberg's seminal Seventies summer spectacular, Jaws. But the mention of Hunter Scott might be new to you. Who's Hunter Scott? Why did Joe Scarborough call him "a secret weapon"? And how did they take on the U.S. Navy together to change history – and win? Find out in this week's episode of C-SPAN's podcast "The Weekly" – as we mark the 50th anniversary of the blockbuster movie "Jaws" … Learn more about your ad choices. Visit megaphone.fm/adchoices

Its been 50 years for everyone and 8 years for us!

Poor old Johnnie Ray.Actually, I wonder what the heart wrenching vocal superstar of the fifties made of his starring role in the biggest selling single of 1982, thirty years after his own chart topping run? Did anyone ever ask how he felt watching the footage of his younger self in the video for Come On Eileen intertwined with Kevin's dungaree festooned Emerald Express on a London street corner. Perhaps, as he was famous for doing, he cried. I hope Mr Rowland at least sent him a thank you note.So, welcome back to 1982!Were you there in those now gone days of pop perfection? Did you dance in the ra-ra skirt to Duran Duran at the school disco? Did you shed a tear as The Jam called it a day on the new Channel Four pop weekly The Tube, even though Paul knew well(er) what the next chapter held for his newly formed council. Or perhaps the Smash Hits of over forty years ago exist for you in playlists and radio schedules discovered since. Either way, the NOW Yearbook (and Extra volume) welcomes you with a neon smile to bring together over 140 hits, memories, misses and otherwise that sum up a stellar twelve months of pop. And as 1981's steely electronic winter defrosted, a new pop was emerging. Duran, Spandau, Culture, Club, Wham!, Haircut 100 and a dazzling cast of many more were turning the colour back up on their (three channel) TV sets. Whilst the technology that gloriously gave us the new romantic sounds of 1981 was still driving the decade forward, suddenly we were taking ourselves, well, a bit less seriously. Pop was fun again as seen in the ever evolving, cheerleading extravaganza that was Top of The Pops. The charts were indeed alive to the possibilities of much more. Trevor Horn's hit production machine was digitising our delights with the sounds of ABC, Dollar and even the Appalachian hip-hop of Malcolm McLaren's Buffalo Gals. Seventies survivors such as Hot Chocolate, Roxy Music, ABBA, Marvin Gaye and others were upping their game and embracing - gasp - synthesisers! And you know what, it was sounding and looking (thanks to glossy videos) AMAZING.And across the pond in the US of A? Well, we were importing them our own brand of fabulous pop and they were sending us ROCK in the form of Steve Miller, Survivor and J Geils - but even that was, well, shiny and new. What was indeed going on?To quote Smash Hits (snip!) editor David Hepworth, there were, he said, “no patterns” to pop in 1982. Join chief editor of electrictyclub.co.uk Chi Ming Lai and author of 1984: The Year Pop Went Queer Ian Wade as we dive back into a fascinating twelve months of pop as chronicled in the NOW Yearbook 1982. Amongst many other things, discover which star(s) were upsetting the Musician's Union, find out more about the language of Smash Hits and how we need it more than ever, why old was the new New, learn about the NEXT BIG genre that you need in your life (Elegant Futurism!), why Germany was giving us EVERYTHING, and discover what Haysi Fantaysee were really up to on TOTP (if you dare!).The 1982 Yearbook - Hi Fidelity indeed! Hosted on Acast. See acast.com/privacy for more information.

What was your go to candy bar in the 70s?

In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Farrar, Straus, and Giroux, 2011), and Lou Reed: King of New York (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City's fiscal crisis. Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR's “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Farrar, Straus, and Giroux, 2011), and Lou Reed: King of New York (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City's fiscal crisis. Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR's “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Abe Saffron rose from wartime wheeler-dealing to become the king of Sydney's underworld, a man whose appetite for sex, money and scandal was unmatched by any other Aussie gangster in the swinging Sixties. Saffron paid everybody off, brought Sinatra to Sydney, and hosted Sinatra. He was, in the words of one reporter, “Mr Sin”. But as Saffron's empire of vice grew, so did the list of those desperate to bring him down — including his own henchmen. And as the Seventies dawned, Saffron would be embroiled in two fatal scandals that stained his reputation forever: one a tragic fairground fire, the other a kidnapping and murder that shocked the nation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to an exploration of one of the most distinctive branches of Mormonism: the Strangite Church. We will discuss Strangite women's role in priesthood. While many are familiar with the larger Latter-day Saint movements, the Strangites offer a fascinating glimpse into different interpretations and practices rooted in early Restorationism. Based primarily in Burlington, Wisconsin, the Strangite Church has a rich history, unique theological perspectives, and surprising elements that set it apart. https://youtu.be/61quRH-_glI Resilient Community/Promised Refuge According to the revelations of James J. Strang, Voree was prophesied to be a refuge for the people, where "the Gentiles would treat you with kindness". Remarkably, the Strangites in Voree have never experienced the persecution that other Mormon settlements faced in places like Palmyra, Kirtland, Independence, or Nauvoo. This consistent respect and kind treatment from the wider community is seen by Strangites as a powerful sign that James A. Strang's revelations were true. Furthermore, families living there have prospered, owning homes and achieving financial stability, which they believe is a testament to the blessings promised for obedience to God. The congregation has seen periods of challenge and renewal. A spiritual movement led others to move to Voree, and gradually the church began to build up again. While the primary congregation is in Burlington, members also reside in various states, including Texas, Colorado, New Mexico, Florida, Michigan, and Minnesota, often attending services via Zoom. Women in the Aaronic Priesthood Perhaps one of the most surprising and progressive aspects of the Strangite Church is its stance on women and the priesthood. Unlike many other Restorationist faiths, the Strangite Church ordains women to the Aaronic priesthood, specifically to the office of teacher. They believe that Emma Smith herself was the first teacher. These women teachers play an active and vital role in church services. They are permitted to lead meetings, often doing so in pairs, each taking half of the Sabbath service. While women hold the office of teacher, they are not ordained as deaconesses; deacons are exclusively boys. Priesthood ordination in the Strangite Church is not tied to age or seen as a "rite of passage.” Instead, individuals are called when a priesthood member receives inspiration that a particular person is ready and begins to excel. The Strangite priesthood structure includes: Melchizedek Priesthood: Elders and High Priests. Aaronic Priesthood: Priests, Teachers (including women), and Deacons. There are no Seventies currently, and they believe a prophet is needed to structure other offices. The leadership of the church has continued through a series of appointments. Lorenzo Hickey ordained Wingfield Watson as the head of the church and a high priest, who then served until his passing around 1920. Following Watson, subsequent presiding high priests have been appointed by their predecessors. Currently, David Flanders serves as the presiding high priest, a role of duty and responsibility to manage affairs, but not one that grants him higher authority than other high priests. Saturday Worship and the Nature of Christ A distinct practice of the Strangite Church is their worship on Saturday, the Sabbath day. This is based on their belief that God sanctified the seventh day during creation. They contend that the Catholic Church changed the Sabbath to Sunday to honor the sun god and appease pagans, aiming to unite Christians and pagans into a single universal church. Their theological views also extend to the nature of Christ. The Strangite Church believes that Jesus was 100% mortal, and that Joseph was his biological father. This belief is critical to their understanding of Christ's lineage, as Joseph was of the tribe of Judah, which connects Jesus directly to the covenant line of Abraham and King David through the ma...

The amazing Paul McCartney is going back out on the road, so we thought we would visit him in the 70s!

INSPIRATION MARIAGE SEVENTIES Quand j'ai reçu le premier mail de Pierre-Jean, j'ai tout de suite senti qu'il aurait de belles choses à nous raconter dans le podcast sur son mariage aux inspirations seventies années 70s ! On a longuement échangé pour préparer l'enregistrement, et j'ai littéralement poncé la galerie photos du mariage 70s ! Attention, on entre dans un univers qui n'a rien à voir avec un style bohème ou dolce vita … Dans cet épisode, il n'y aura pas de rose ni de paillettes, pas de monochrome ni de thème minéral … non, avec Alice & Pierre-Jean, on part sur une ambiance design assez pointue, un style contemporain aux inspirations seventies, dans un mélange audacieux de vert et de tons orangers, avec des touches de chrome, de foil argenté, et des miroirs placés de façon stratégique. TOUT a été pensé dans les moindres détails. Et les mariés ont pris leur temps - plus de 2 ans de préparatifs de mariage - pour chiner les pièces maîtresses de leur scénographie aux inspirations seventies.Et pour les faire-parts, c'est toute une histoire qu'Alice va nous raconter en détails …J'espère que tu es prête pour un nouveau récit de mariage ultra complet, et bourré de conseils pratiques ! Allez, c'est parti ! Je t'invite à suivre notre conversation avec Alice & Pierre-Jean … Bonne écoute !*******Bienvenue DANS LA CONFIDENCE ! le podcast mariage qui aide les futures mariées tout au long de leurs préparatifs !Je suis Laurène, jeune mariée du 15 Juillet 2021, j'ai profité de l'année de report de mon mariage pour lancer ce podcast dédié aux futures mariées. Chaque Mercredi matin, je te donne RDV pour un nouvel épisode inédit ! Je reçois des jeunes mariées qui nous racontent tous leurs préparatifs jusqu'au déroulé de leur jour J. Et j'interviewe des professionnels du mariage pour décrypter au mieux les coulisses de leurs métiers et te faire découvrir des prestataires passionnés.Ce podcast mariage, c'est le meilleur moyen de faire le plein de conseils pratiques, de bons plans et de recommandations de prestataires ! Bref, tout ce dont on a besoin quand on prépare un mariage !*******Pour me contacter par mail : danslaconfidence.podcast@gmail.comRetrouvez toutes les infos de cet épisode sur le compte instagram du podcast  !Montage de cet épisode : Alice KRIEF Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Issue 62 of the monthly magazine podcast for the discerning film nerd with a Spotlight episode. Here we take a closer look at John Boorman, but not at his best and most beloved films. No, we wanted to examine why, at the height of his 70s fame, he used his clout and creative freedom to make the two most disastrous films of his career. James is joined by regular Double Reel co host Alan Bayles to pick over the wreckage and see if there's anything worth defending.   Check out our YouTube show celebrating physical media, Maximum Disc - https://www.youtube.com/@DoubleReelFilm/playlists 

 When  I read the first chapter of Turning Toward Eden, I laughed so hard and enjoyed it so much that I immediately flipped back to the beginning and read it again. Listen in to see why. note: links may be affiliate links that provide me with a small commission at no extra expense to you.  Cate Touryan has written a brilliant book that takes place in the early seventies on California's central coast. Amid family drama and the threat of local "commies," Eden is trying to figure out who she is and what life is all about. The whole thing feels like my childhood. I lived in the area, spent lots of time there, and man do I love it. There aren't enough books that take place in the late sixties and early seventies, but Cate has written a brilliant one to add to every reader's shelves.  I'm not quite done, but I am loving the read. Turning Toward Eden by Cate Touryan  “Chasing the truth, huh? Sure, you're not running from it?” Hollis might be her only friend, a lanky boy Mama calls her “beau,” but Eden Lewis has no time for his hogwash. She's got a mystery to crack. For most fourteen-year-olds, California summers in the early 1970s mean sun and surf, despite the Cold War chill. Not for Eden. Her AWOL father has sent her life into a tailspin, landing her in a shabby beach town, stuck caring for her severely disabled brother. Caught in her parents' own cold war, Eden ditches Dex at every chance—pier fishing with Hollis, playing poker with the grizzled card sharks, and caterwaulin' in the church choir, laying plain to the Almighty that singing terms ain't the same as speaking terms, what with the hand he's dealt her. Then Raven arrives mid-ninth grade—an elusive Soviet girl rumored to rain black-winged curses over the fearful town. When a rash of petty crimes escalates to bloodshed on the beach, suspicion falls on the “commie”—and then Eden. Desperate to prove herself innocent, and Raven guilty, she embarks on a reckless game of chase. But for the truth to set her free, she must risk Dex's life. Will she go all in, no matter the cost? An evocative story laced with mystery, Turning Toward Eden weaves nostalgia with grit, sorrow with humor, and despair with faith, offering hope to anyone who has sought to belong in a world that rarely plays fair. "This is storytelling at its most atmospheric—brimming with quirky, well-drawn characters, razor-sharp prose, and the kind of setting you can almost smell. The writing is lyrical, grounded, and often laugh-out-loud funny—even in the midst of deeply poignant moments. With a cast of endearing misfits and a tone reminiscent of Southern Gothic charm, this story lures you in from the very first line and doesn't let go. Cate Touryan has a truly original voice, a rare gift for language, and a special ability to render a world so vivid you feel baptized in it." — Zena Dell Lowe, Screenwriter, Story Coach, and Founder of The Storyteller's Mission Audiobook Coming Soon! The audiobook edition of Turning Toward Eden is in production and on its way to Audible, iTunes, and beyond. Stay tuned for a richly narrated experience, perfect for readers who love stories on the go. Learn more about Cate on her WEBSITE and follow her on GoodReads. Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Amazon and more!

Encore! In Honor of James Gunn's newly released Superman (2025), we're revisiting the FIRST episode of Cinema Sounds & Secrets! Westside Story (1962) and Superman (1978) Our first film was a groundbreaking musical based on a smash Broadway show, and the other a movie from a very different planet – so what do they have in common?  Both films are the best of their genre – the film musical and comic book superhero and both films brim with star power. To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website!

Welcome to Beach Boys Week! In the aftermath of Brian Wilson's passing last month, Nick Scalera and Mike Wagner lead a discussion of the iconic and legendary California band. In the final episode of the series, the guys take you through the period following Smile, which encompasses many attempts to get Brian back to his creative best. There is some good music, some average music and unfortunately, some pretty terrible music.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Listen in as we go live on Facebook. Lots of loyal listeners chime in with comments and questions. Play along as Todd asks 70s trivia!

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode, we present a crossover of Guerrilla History and the Adnan Husain Show.  Here, Dr. Gerald Horne joins Adnan and Henry to discuss his recent book, Armed Struggle?: Panthers and Communists, black Nationalists and Liberals in Southern California, Through the Sixties and Seventies. As ever, Professor Horne connects the histories of organizing and resistance against racial capitalism to the contemporary situation, including the LA uprisings against ICE raids and developments against neocolonialism and imperialism in West Asia. A wide-ranging conversation with the inimitable Dr. Horne ranged across the histories of class politics, struggles against racism, and geopolitics to consider the prospects for resistance locally and internationally in contemporary movements for justice. Gerald Horne is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston.  His research interests are unbelievably varied, encompassing biographies of W.E.B. Du Bois and Paul Robeson, to The Haitian Revolution, to Hollywood in the '30s-'50s, to Jazz and Justice.  Be sure to check out his bibliography, you're certain to find something that interests you! Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory  We also have a (free!) newsletter you can sign up for, and please note that Guerrilla History now is uploading on YouTube as well, so do us a favor, subscribe to the show and share some links from there so we can get helped out in the algorithms!! *As mentioned, you will be able to find Tsars and Commissars: From Rus to Modern Russia soon on YouTube.

Nothing takes you back to the good ole Summer time like music!

From Blazing Saddles to the Pink Panther the funniest movies ever made were from the 70s

Don't blame women. Men are failing spectacularly and it's totally their own fault. In What Is Wrong with Men, cultural critic Jessica Crispin borrows from Michael Douglas movies to dissect how masculinity devolved from Seventies style vulnerability into today's aggressive displays of insecurity. While billionaires like Musk compulsively impregnate women and Zuckerberg learns jujitsu to feel "manly," basement-dwelling incels worship sex traffickers like Andrew Tate. The old patriarchy died in the 1980s, Crispin argues, but men refuse to adapt, expecting the world to revolve around them instead of building female-style support systems. It's the Michael Douglas Trap. From Gordon Gekko's greed to crypto-gambling bros, modern masculinity has degenerated into a grotesque performance of insecurity—and it's getting worse. 1. Modern masculinity is trapped between dead patriarchy and refusal to adapt Crispin argues that traditional patriarchal structures collapsed in the 1980s, but men still expect the world to revolve around them instead of building new support systems like women did. KEY QUOTE: "The world is supposed to adapt to men. Men are not supposed to adopt to the world."2. Billionaire masculinity reveals desperate insecurity despite ultimate success Even the world's richest men obsessively seek validation through physical transformation and procreation, proving that external markers of success no longer provide masculine identity. KEY QUOTE: "Nothing is ever enough anymore. And so that's why you see Elon Musk will never stop having children, never stop fathering children. Jeff Bezos will never have enough money to be satisfied."3. The 1980s created a fantasy of male rejection to mask female-initiated abandonment As women initiated two-thirds of divorces, Hollywood created the "midlife crisis" narrative where men chose to leave, protecting male ego from the reality of being unwanted. KEY QUOTE: "There was this sort of fantasy that was being created at the time of the male midlife crisis, where a kind of, you can't fire me, I quit. Fantasy was being generated."4. Today's male influencers have inverted basic human connection into pathology The evolution from 1970s male vulnerability to Andrew Tate's misogyny represents a complete rejection of emotional intimacy and romantic love. KEY QUOTE: "Andrew Tate does not fall in love, you know, he sexually violates, he's charged with sex trafficking... You can't hold a woman's hand, that's gay. You can have sex with women, that is gay."5. The crisis requires material solutions, not emotional band-aids Rather than teaching boys to cry, society needs to address the gambling-based economy and lack of meaningful work that creates destructive masculine behaviors. KEY QUOTE: "You're not gonna be able to fight against that just by learning how to cry... This is about making sure people have steady employment, making sure that people have study income, making sure the people have health care and community."Nothing explains everything. Not even Michael Douglas movies. But just as women like setting traps, men love stumbling into them. I'm not convinced by Crispin's reading of Hollywood movies. Men have always been making fools of themselves on screen - from Jimmy Stewart in Vertigo to the equally pathetic Douglas in Wall Street. Everything is supposed to be in crisis in America these days: from democracy to capitalism to masculinity. But if crisis means that men (or women) aren't quite sure how to behave around the other sex, then they've been in crisis forever. So I'm unconvinced. No doubt because I'm in crisis. What would Michael Douglas do/think?Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Ed Center and I begin this podcast with a toast. I'm proud to call Ed my friend. I met him a couple years at The Social Study, where we recorded this episode and where my wife, Erin Lim, bartends. From the first time I spoke with Ed, I knew I liked him. His energy and humor and intellect and heart are all boundless. I'm hella drawn to people like Ed. His story begins in Cebu in the Philippines, with his maternal grandmother. Her family was poor and her parents died in the Spanish Flu of the 1910s. That loss plunged the surviving family members into what Ed describes as destitute poverty. Following that tragedy, her older brother signed up to work for the Dole company in Hawaii. Ed's grandmother was 13 at this time, but still, it was decided that she would accompany her brother to the islands to help care for him while he worked the pineapple fields and earned a wage. Ed points out that the Dole Food Company (as it was known at the time) intended these migrant workers to honor their contracts and then go back to their home countries. To that end, the company only hired young men. But Ed's family paid a stranger on their boat $20 to marry his grandmother so that she could join her brother in Hawaii. Ed goes on a sidebar here about the tendency in his family to exaggerate their own history. “Don't let the truth get in the way of a good story,” or so the family saying goes. He returns to the story of his maternal grandmother to share the tale of her younger sister being so distraught about the departure, she hugged her so hard that her flip-flop broke. It was her only pair of shoes. In the Filipino community on Oahu at the time, there was an outsize number of men in relation to women. When Ed's grandfather first set eyes on his grandma, he began to court her. A year later, they asked her older brother if they could get married, and he said no, that she was too young (14 at the time). But they got married anyway, with the understanding that they would wait two more years to live together. They moved in and Ed's grandmother had a new baby, including his mom, every other year for the next 20 years. Like her brother, his grandmother's new husband worked in the pineapple fields for Dole, doing incredibly hard labor. His grandma washed clothes for bachelor workers. The two saved their money and bought plantation property from Dole. The property was affordable enough that they were able to build multiple shacks for the kids to eventually live in. At this point, Ed launches into what he calls “the shadow story” of his family. He learned that shadow story when he was a kid and his mom and aunties were cooking in the kitchen. He'd sit just outside the room pretending to read a book, eavesdropping. There, he learned things like which family members were smoking pot or getting into trouble. But there are more serious elements, which prompts Ed to issue a trigger warning to readers and listeners. His grandmother didn't quite agree to go to Hawaii. When she told her brother no to the idea, he beat her. He did this repeatedly until she acquiesced. But it was in one of these violent melees that his grandmother's flip-flop broke. All this to say that Ed's grandmother didn't have much agency in her life decisions. The last two of her 10 children almost killed her. After number 10, the doctor gave Ed's grandfather an involuntary vasectomy. Ed shares the story of how, on plantation payday, the women and children would hide in the fields with the men guarding them. It was a way to try to protect them from workers in the next village getting drunk and coming in to cause trouble. He summarizes the family history to this point by pointing out the incredible amount of resilience his ancestors carried. Also strength and love. But also, violence. All of those qualities manifested in their and their children's parenting practices. Ed's mom raised her kids in this way. The severity of the abuse waned over generations, but it was there nonetheless. Ed says he was ultimately responsible for his mother's emotions. For many of these reasons, in his adult life, Ed founded The Village Well Parenting. We'll get more into that in Part 2. We back up for Ed to tell the story of how his mom and dad met each other. His dad was in the Army during the war in Vietnam. On a voyage to Asia, his boat took a detour and ended up in Hawaii, where he remained for the next five years. His parents got together and had Ed and his younger brother. They grew up among a much larger Filipino extended family, but Ed didn't really know his dad's Caucasian family, who lived on the East Coast. He's gotten to know them more in his adult life. Ed grew up on Oahu in the Seventies and Eighties. His family was between working class and middle class, and there was always stress about money. But in hindsight, they lived well. We share versions of a similar story—that of parents telling kids that Christmas would be lean, that they didn't have a lot of money (probably true), but that never ended up actually being the case. Both of our recollections was mountains of gifts on December 25. Growing up, Ed was always feminine. He was also athletic. It was a time before Ellen, before Will and Grace, when “athletic” also meant “not gay.” Ed says he wanted to be “not gay,” but he couldn't help who he was. That led to his getting bullied. Moving to the mainland for college meant escape—from his own torment and from that of his peers back on the island. Ed went to UC Davis. He had played competitive soccer in middle school and high school, and because his teams were good, they came to the mainland a couple times. But Davis was a whole other world by the time he arrived to go to college. It was the early Nineties. He took what we call a gap year before coming to California. For him, that meant working. In one of his jobs, he served tables at CPK in Hawaii, where Carol Burnett was one of his regulars. We end Part 1 with Ed's story of his time at UC Davis and not yet accepting his queerness. This Thursday on the podcast, I talk with Megan Rohrer about their new book on the Transgender District in San Francisco. And check back next week for Part 2 with Ed Center. We recorded this podcast at The Social Study in June 2025. Photography by Jeff Hunt

Dustin Krcatovich returns to the podcast for our long-overdue Brewer & Shipley episode. Best known for their novelty hit "One Toke Over the Line," the duo were one of the hardest-working acts on the folk rock circuit of the late Sixties and early Seventies. We listen to the album which followed their breakout success.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

We lost another great one, Brian Wilson of the Beach Boys.

In this special bonus episode of The Shabby Detective, Mike White sits down with author Glenn Stewart to discuss his insightful and wildly entertaining book Columbo Explains the '70s: A TV Cop's Pop Culture Journey. Stewart's book explores the cultural and historical shifts of the 1970s—from Watergate to disco, second-wave feminism to fast food—with the trench-coated sleuth as our shrewd, inquisitive guide.Mike and Glenn dive into the origins of the project, the writing process behind channeling Columbo's voice, and how Stewart cultural criticism and TV history into a distinctive, illuminating take on the decade. Whether you're a fan of the show or just obsessed with '70s Americana, this episode is for you.

The "Golden Age of Auto Racing" began after World War II and lasted until the early Seventies. It's a period that is frequently romanticized. But that thin veneer was shattered at the 24 Hours of Le Mans on the afternoon of June 11, 1955, when a catastrophic collision caused the deaths of Mercedes-Benz driver Pierre Levegh and at least 83 spectators. Here's the story of that terrible day and its aftermath.This episode was originally released in 2022 and is now updated and remastered.SUPPORT THE POD:https://www.buymeacoffee.com/hpheritageSUBSCRIBE to Horsepower Heritage on YouTube:https://www.youtube.com/@horsepowerheritageFIND US ON THE WEB:https://www.horsepowerheritage.comINSTAGRAM: @horsepowerheritageHORSEPOWER HERITAGE is created, produced and hosted by Maurice Merrick.Get in touch with Maurice:https://horsepowerheritage.com/contactSupport the showHELP us grow the audience! SHARE the Podcast with your friends!

Curtis and Todd are back from vacation and Graham gets to sit in on the Facebook Live episode. Check it out as our top listeners chime in and play trivia.

Everything from The Creature from thr Black Lagoon to The Groovie Goolies! In the 70s monsters were everywhere!

We assess three recent Hollywood productions with vintage aesthetics for Long Seventies authenticity. 

Lesson Two, and Two and a half.A 7-part series by Member389. Listen to the Podcast at Explicit Stories. This summer job wasn't turning out the way I'd thought. So far I'd mowed the lawn, done the dishes, (thankfully there's a dishwasher) hauled trash, done laundry, dusted and vacuumed. When Summer asked if I wanted to help her out for a few weeks I sort of expected there would be fringe benefits to go with, or instead of, getting paid. Instead it was actual work. She wasn't shy, about her body or mine, she often would wrap her arm around my waist to help with her balance. She occasionally stroked my ass through my jeans. I didn't hesitate to return the favor but I always ended up with only a smile in return. I figured after that first day when I took the job I might get some more personal time with her. The other night I helped her to run a bath, and she shooed me out of the bathroom. One night we watched a late movie I slept over, and ended up on the couch. Something didn't seem right about all of this. Nearly a week had gone by, and it was as if that first day hadn't even happened, and I was too shy to say anything. I hitched the grocery bag I was carrying a little higher, tonight, I'd say something tonight.I walked up to the kitchen stoop and pulled open the screen door and I heard a gasping cry. I dropped the bags on the table and darted into the living room, she wasn't there. Another cry, and I looked to the right and saw the bedroom door was open. I walked quietly towards the door, and Summer was laying back on the bed naked except for her bandaged ankle. She was sliding a pink vibrator up and down between her thighs. She tilted it slightly and slid it into her, her other hand pulling on her nipple. I was instantly hard watching her pleasure herself. She let go of the nipple and slid her hand down and began flicking her clit, rubbing it fast. She arched her back crying out "Yes!" She pulled the vibrator out slipping her fingers in as she came. She continued rubbing her clit slowly and stroked her fingers in and out for a few before falling flat to the sheets like a deflated balloon. Her breathing was fast and shallow."How long have you been watching?" She asked, not looking up. She looked absolutely radiant, her skin flushed pink through her tan. Her hair was a tangled mess of sun streaked gold, she looked fantastic."Just a couple minutes." I said quietly looking down at the floor. I heard the old brass headboard creak and I peeked up. She had raised her head and was looking at me."What's the matter?" She asked gently. I shrugged and walked out to the kitchen, and started putting away the groceries."I picked up some local shrimp for lunch. I'll put them on ice in the fridge." I said loudly from the kitchen. I turned and Summer was leaning against the doorway to the kitchen watching me with her arms crossed in front of her, buck naked. She gave me a shrewd glance."Please tell me what's bothering you."I looked at her for a moment, then turned away and put a couple other items in the fridge."Nothing." I said, unconvincingly."It's just..." I started. I looked over at her and said."Never mind." I walked out to the yard looking around to see if I should mow the lawn again already or not. I heard the screen door bang shut behind me. I felt her hand on my shoulder as she stepped up beside me."I love it here. The salty sea air, the big sky, everything seems so much simpler." She said softly. I instinctively wrapped my arm around her waist, her skin was warm and damp."Why?" I asked softly."Why what, Pete?" She asked with surprising sincerity. "Why haven't we had sex since Monday? Is that what you want to know? Are you asking me if you were a one afternoon-stand? What Pete? Ask me." She urged.Her words inflamed me and my frustration flared. "Yes!" I turned to face her, her arm sliding down from my shoulder. "Was I just a one shot deal? Screw me, then have me cook and clean for you?" I immediately sensed I'd gone too far and full well expected a slap. I'd deserve it if she did. I opened my eyes wide.She stood there looking at me, her eyes smoldering. She coolly pointed out. "Which one of us is the one standing here naked?" I stood there a moment longer, every muscle in my body taut like a drawn bow. I snapped and took hold of her and kissing her hard as our lips parted, tongues lashing out at each other like sparring fencers. Her arms wrapped around my waist pulling us together."Damn, I thought I you'd never come around." She said between kisses. I leaned back and gave her a queer look."What?" I asked, completely confused. She grinned ear to ear."Lesson number 2, confidence is sexy. Hell it took me walking around naked to get your damned attention. What the hell is wrong with you?" She bopped me on the forehead. I shrugged, feeling completely confused. I had no idea what she was talking about."This exercise, which you nearly failed miserably I might add, was to see if you would take the lead. I personally tend to be a bit passive. Therefore, as the guy, you need to learn to take the lead, just like dancing." She held my hand up and snugged her hand around my back and gave a little sway."The other night when you fell asleep on the couch I laid awake waiting for you for nearly an hour. I finally took matters into my own hands, maybe I should have made more noise.""I knew girls were crazy. I honestly was hoping to get more insight from you, not more confused." I said smiling. "You were waiting for me?""You haven't seen crazy yet, give me a week." She winked.I groaned, then kissed her again, holding her against me, my hands stroking down her back to her ass massaging it as I pulled her to me. Holding her was like holding a flame, seductive, hypnotizing and hot, and I didn't care if I got burned."Tell me you've had the good sense to pick up some protection." Summer mumbled between kisses. Without breaking our kiss I reached back for my wallet and held it up."Please tell me you bought more than one." She growled. I felt her hands come between us resting on the waist of my jeans unbuttoning them and grabbing for the zipper. She pushed my jeans and boxers down far enough for me to escape captivity. She let out an appreciative hum as she ran her hand up and down my hardened length. She broke our kiss long enough to grab the hem of my polo shirt and drag it up pulling it over my head. She leaned down and took one of my nipples into her mouth. I gasped out loud at how the sensation shot through me. It felt as if my cock was getting even harder and I didn't think that was possible."Holy shit! Does it feel this way when I do this to you?" I gasped.She hummed an agreement as she switched to the other side, then stepped back and looked at me smiling.I stood dumb-founded for a moment. I quickly realized she was waiting for me to do something. She placed her hands on her hips and gave them a slight tilt. "I'm all yours, all you need do is tell me how you'd like me, or better yet, show me." She winked. I kicked off my shoes and pushed my pants the rest of the way off and looked at her for a moment. The sun kissed her body so exquisitely, her pink nipples hard and pointing straight at me. Her hair was blowing in the breeze surrounding angelic face like a golden halo. I stepped forward, wrapped her up in my arms again and kissed her deeply. I ran my hand up between us taking her breast in my hand cupping it twirling the nipple in my fingers. I work my mouth down her jaw, kissing her neck and I feel her shudder and gasp. I moved down the center of her chest trailing kisses to the other nipple and teased it with my tongue before taking into my mouth suckling it gently. A moan escaped her lips. Her hand was pulling me towards her, fingers running through my hair. I wanted her so badly but I didn't want this to end. I pulled away looking up at her face, her mouth hung open her eyes half closed."Your ankle has to be killing you right now." I said, noting she'd been standing for a while now. I walked over and brought one of the Adirondack chairs over and set it behind her and she smiled. I laid my clothes on it to keep her from burning her ass on the sun heated wood. She just looked at me without sitting. "Sit down." I told her, and she tilted her head in assent and sat. I knelt down in front of her and kissed her nipple again and began trailing kisses down her stomach. She took the cue and leaned back on the chair. I flicked her little belly button ring aside and licked her belly button. She let out a whoop and jumped, chuckling."Ticklish?" I chuckled. She grasped a handful of my hair and gave me a little push further down, but I was going at my own pace and I made my way down nuzzling her little blond stripe. I kissed my way around her pouting lips, my tongue darting out giving little licks. She tasted sweet, the scent of her was driving me mad, I couldn't take it any longer and slipped my tongue into her as I massaged her clit.She arched her back and moaned. "Yes!" I lapped up to her clit taking it in my lips and giving it due attention. Her cries got louder and I stepped up the assault on her. Her leg came up over my shoulder and she pulled me hard into her with her heel. I let up a bit, I didn't want this to end too soon, it seemed that I wasn't the only one enjoying it. I slipped my middle finger into her, and felt her grip it tightly. Her hips started rocking forward. I was pretty sure I could finish her off quickly if I had a mind to, but I didn't. I continued bathing her clit, varying the pressure on it. She let out a few short gasps. "Please?!" She begged. I knew then I had to finish her and slipped another finger in to join the first and intensified my tongue lashing. Her hips lifted off the chair as she climaxed. She held on to me, still moaning, finally collapsing back into the chair panting."You sir, are a natural." She gasped. I returned her smile and licked my fingers."Am I mistaken, or is there a very hard cock in my immediate future?" I grinned even wider and nodded. "How would you like me?""Over hard." I said smiling. Her eyes lit up like a fire had been kindled."Well then, dig that little party hat out and show me how easy it is to put on."I chuckled and dove for my wallet lying on the grass a few feet away. I dug out the foil wrapper and crawled back. I tore open the packet holding the ring carefully and reaching down, putting in place and unrolled it carefully."Very good." She said her eyes flashing. She stood up and knelt down on the grass facing the chair. "Over like this? I'm sure you'll supply the 'hard' part." She added with a wink."Yes." I said, my breath shallow. I had to have her and scooted up behind her and lined up pushing the head in. I took her hips and pushed forward in a single motion burying myself in her.We both gasped loudly. In moments she started moving her hips back and forth and I pulled out and began taking slow strokes at first, but I knew I wasn't going to last. She leaned back pushing hard against me and I responded in kind driving forward, the sound of our bodies coming together pushed me into a frenzy. Her gasps were coming in short cries of, "Yes!" She began shaking in my hands, her moans coming from deep in her throat as she arched back into me and climaxed again pushing me over the edge. I drove her forward nearly knocking her and the chair over as I stiffened arching my back. I froze in place for what seemed an eternity, and not long enough both at the same time as I came deep in her.She leaned back against my chest, the heat of her skin against me was incredible, she reached behind us grasping my ass pulling our hips tight together. "I love how you feel inside me." She whispered. I leaned down and began kissing her shoulder, working my way up to her neck and nibbled on her ear."I love how you feel too." I said, my voice a little weak.She breathed a deep contented sigh. "What now?" A small smirk spread across her lips."I don't know about you but I worked up an appetite." I said. "Those shrimp sound good about now.""All this and you cook too. You're not going to be single long." She chuckled and reached up behind her and stroked my cheek. "I think we may need to move for that though." She said lightly, reminding me that I still had her pinned against the chair. I leaned back, pulling free of her. I stood stepping back, I gathered up my clothing. Summer put her good foot down and stood, steadying herself on the arms of the chair. "Let's go clean up and have lunch." She smiled slipping an arm around my waist and we went into the house.I started a pan for the shrimp, a little olive oil, some garlic and some red pepper flakes tossed on top of fresh spinach. My killer homemade vinaigrette to top and she would be mine. Well she already seemed to be. I stopped and stared out the little window above the sink out over the water. That thought caught me by surprise. What exactly was going on here? An hour ago I was pissed off for being shunned, now I was making her lunch with a silly, satisfied grin on my face.Summer hobbled into the kitchen wearing a pale blue tank top and panties with little pink hearts on them."Don't you own pants?" I asked smiling."Sure, would you rather I be fully dressed, or comfortable?" She asked."Oh I don't mind your outfit, as long as you don't mind your lunch burnt to a crisp." I laughed."What are you making?" She replied chuckling."I'm going to woo you with my culinary skills. My own special shrimp and spinach salad with homemade vinaigrette." I said."Wow, sounds awesome. You're a man of many talents. I think you're a little late in the wooing department though." She said smiling.My chest tightened at that. Nobody ever thought of me as a man before. Everybody has always treated me as a kid until now. The shock of it must have been evident in my expression."What?" She asked, her eyes widening. I didn't answer her, I just leaned forward and kissed her softly, she responded in turn."Nothing." I said, my grin returning."Need a hand?" I handed her two lemons with directions to squeeze the hell out of them then juice them for me into a bowl. I diced up the shallot, and garlic tossing them into the big bowl, salt and pepper followed. In went a huge dollop of spicy mustard, I looked at how much juice Summer had squeezed out of the lemons and eyeballed it pouring it into the bowl, straining out the seeds. I dug a whisk out of the drawer and started whisking in olive oil."Most vinaigrette recipes ask for vinegar, obviously. I like mine with lemon juice, especially with seafood." I said. I stopped whisking dribbling a little onto my finger to try it. "That's the ticket." I said offering a taste to Summer who agreed with a little sound. I set the big bowl aside and had her start splitting the cherry tomatoes. The shrimp were rinsed and patted dry on a towel, and I threw some garlic into the pan starting it with some of the olive oil. I salted and peppered the shrimp and in they went tossing them around to coat them all with the hot oil. They were ready in a couple minutes and the kitchen smelled terrific. I stacked the plates with spinach and started building the salads with the tomatoes, red onions, shrimp and as a topper sliced almonds."If this tastes like it looks, you're staying on as cook after this heals." She said lifting her foot behind her."Prepare to have your mind blown." I said handing her a plate and a fork. I had brought a small baguette with me which I'd sliced up and we ate."A girl could get used to this." She smiled popping a shrimp into her mouth. Cooking for a girl is a sure way into her panties."I laughed. "Even if she wasn't wearing any?""Well she's wearing some now." Her eyes flashed."But for how long?" I said playing along."You have your driver's license don't you?" She asked, changing the subject."Yea, I just don't have a car of my own yet." I said, wondering why she asked."Do you know of anybody that would loan you one, like your folks?""Yea I'm sure I can get one. Why, do you want to do it in the backseat?" I wiggled my eyebrows at her."Hell yea, but I'd also like to get a ride to go get my Jeep. It's been down at the clinic for a week now. They told me it would be safe but I'm getting a little stir crazy stuck here in the house." She replied.I looked out the window. "I can ride down and bring it back, it's only about four or five miles." I said."Ride?" She asked."I have a bike, I can put it in the back and haul it back if you don't mind.""Not at all." She smiled.I did the dishes and cleaned up after lunch, and Summer kicked back on the sofa folding a load of laundry I'd done earlier. I took a look at the grass, yea the lawn could wait a couple more days. "What else needs to be done?" I asked from the kitchen. I got no answer. I walked into the living room and she was bobbing her head as I walked around the edge of the couch I noticed she'd put in earbuds and was listening to her mp3 player. She was lip syncing some unknown song. She looked up at me and grinned, pulling one of the buds loose."I couldn't live without my music." She threw a towel at me to fold."Listening to anything good?" She mentioned a band I'd never heard of, and moved the folded stuff from beside her and patted the seat beside her. I sat and she handed me the ear bud."Check it out, you might like it." I put it in my ear and listened for a song or two, folding another towel. A hard rock song started and she turned it up a bit and started singing along. She got to the chorus and really joined in full blast. The lyrics were pretty explicit. I was thinking you wouldn't hear music like that on the radio around here. There was a pause, then a soft intro began. The ballad was soft and low, and Summer stopped and closed her eyes, her lips barely moving with the lyrics. When I noticed I stopped and listened intently to the lyrics, it was about intense, heart-felt, you are my world, kind of love. The kind of love that lasts longer than a lifetime. When it ended she reached down and stopped the playback. She looked straight out the window for a moment and turned to me, a shy sweet smile on her lips."Do you believe in love Pete?" She asked me. I stared at her in wide-eyed amazement for a minute, and began slowly nodding."I do now." I said, my voice barely above a whisper. I wanted to kiss her so badly, but something in her eyes made me hesitate. There was sadness there, and they welled up as if she were doing her best to hold back tears. A wash of emotion swept over me like a storm driven wave, and I leaned forward lifted her chin and kissed her softly. Our lips brushed, our tongues sought out one another, delicately probing. Something wet touched my cheek making me break the kiss long before I wanted to. I pulled back and a tear streamed down Summer's cheek. I reached for one of the towels and daubed it. I took a deep breath and was about to ask why she was crying when a curt little head shake waved off the question."Please don't ask, not yet anyway." She said, her voice thick with emotion. "I'm sorry." She said wiping the remaining tear with the heel of her hand."You don't have anything to be sorry about." I replied softly.She inhaled deeply and let it out slowly. She turned to me with a smile on her mouth but sadness in her eyes."I saw there's a free concert in the park tonight. Want to go? A rock blues cover band is playing. Sounds like they might be good."I knew they were good, my friends brother was in the band, and I'd heard them before. I smiled and nodded. "Sounds like fun, and they are good, I've heard them before.""I should ride down and get the Jeep. There's no way you're walking that far." I said sternly."Yes dear." Summer rolled her eyes at me. She giggled, and got up hobbling off to the bedroom and came back with a set of keys handing them to me."It's black, and I'm guessing the only one with West Virginia plates. It's at the walk-in clinic on Route 12."I nodded. "I know exactly where you mean. I'll go get it. You relax, take a nap if you want. I should be back in an hour or so." I smiled. I kissed her again, the underlying want in our embrace was nearly too much. She placed her hand on my chest, with the barest hint of pressure. She was right, if I kept it up we weren't going anywhere. I reluctantly stepped back, picked up the folded towels and put them away. I walked back out and she had laid down on the couch with her foot up on a pillow. I smiled that she'd taken my suggestion."Can I get you anything before I go?" I said softly leaning over the arm of the couch. She just smiled and gave her head a little shake. She reached up pulling me down closer for a quick upside-down kiss. I headed for the kitchen door, pausing as I closed it quietly, looking back into the house. I turned and started walking home.I walked, lost in thought. This week had been a week of firsts for me. I grinned at the thought of the first day when I lost my virginity to an amazing woman. The aggravation of the following days of not knowing exactly what was happening. If I had just opened my eyes I would have noticed she was waiting for me. Then today when she all but pushed me into making love to her again. I wondered why, well why me anyway. I knew so little about her. What was going on here. We'd known each other about a week, what was that question about believing in love. I could easily fall in love with her, I had to admit. Was I doing just that? So many questions came to mind as I walked up my driveway, I grabbed my bike out of the garage and hopped on. I made my way down to the coast road and started pedaling in earnest up the first rise. The traffic drifted past me as I sought answers to my questions. I pedaled harder nearly coasting up the next rise. Why was I over analyzing this? I was living out a fantasy any red-blooded male would die for. A beautiful, sexy woman wanted to have sex with me, repeatedly. Isn't that enough for me? I laughed out loud at that thought because I realized, it isn't.I rolled down the long slope of the hill seeing the clinic up ahead. I pulled into the parking lot and rode around looking for the Jeep and found it near the side of the building. I checked the plate and got off my bike, took out the keys and opened up the driver's side door. The heat billowed out of it from being parked in the sun so long. The smell of a roasted sweet smelling air freshener poured out and nearly gagged me. I walked to the back and looked at how I was going to get my bike in there and noticed there was a folding bike rack on the spare tire mount. I figured it out in a few minutes and had my bike on it and strapped it into place. I got in and got myself familiar with everything. Started it up and turned up the air conditioning. Once I felt comfortable with everything I pulled on my seat belt and headed out of the parking lot. I got back to town and figured I'd go drop off my bike first. I pulled up in front of the house, and killed the engine. I hopped out and took my bike off the back, then ran inside for some clothes to wear tonight since I was kind of sweaty from the ride. I picked through some stuff and grabbed a bag and tossed it in. I was glad mom wasn't home, I didn't want to have to explain what I was doing, and who owned the Jeep out front. She knew I was working for a tourist that needed help, and unless Paula at the store said anything, Mom had no idea who it was. I made my way back to the house."Thank you for getting my Jeep.""It's no problem. I haven't had much practice with a stick.""Ouch! Do I still have a clutch?" She teased.I just rolled my eyes in imitation of her."The concert is in a few hours and I want to take a bath, you could probably use one too." She scrunched up her nose at me sniffing and making a face."It's your fault I got all sweaty earlier." I said smiling and gave her a quick peck. I got up and went into the bathroom and started the water running."Actually you smell pretty good, like good clean sweat. Let's wash it off."I turned to face her. She looked at me for a moment and raised her arms in silent admonition to undress her. I took the hem of her tank top and lifted it up baring her chest. She never broke my gaze as I knelt and slid her panties over her taut thighs. I took her ankle and she rested her hand on my shoulder for balance as I unwound the bandage and set it up on the counter. She didn't wait for me to get undressed, she reached for my tee and lifted it and I raised my arms in time for her to sweep it off. I kicked off my shoes as she undid the button of my jeans pushing them down. She leaned her head towards the bath and motioned me to get in first. She got in sitting gently between my upraised knees and leaned back against me. She sighed and just closed her eyes and relaxed for a minute. I kissed her on the temple softly and a little smile spread across her lips."We don't need to go to the concert, you know." I whispered in her ear giving it a little nibble."I know, but anticipation will make it better. Trust me. Call it lesson two and a half." She chuckled. She turned and picked up the little scrubby puff sitting in the corner and the bottle of body wash and handed them to me and sat back. I lathered up and began soaping down her chest, working my way down one arm, then the other. I worked down her stomach, making sure not to tangle her little belly button ring in the puff. Her thighs glistened as she raised first one to be washed, then the other. For a moment she liberated the puff and did her calves and feet, being better able to reach them. While there, she did mine as well, working her way back up my thighs. She turned and knelt facing me, lathering up the puff once more. She began washing my chest, and down my stomach eventually making her way down to my now hard cock. She washed it well but didn't linger as she worked her way back up to my arms. She washed my face gently. Her hand rested gently on the back of my neck and drew me to her as she ran the soapy puff over my shoulders and down my back. I wrapped my arms around her hips and pulled her to me. I kissed her navel flicking her little heart dangle. She immediately jumped, and I smiled."Hey I warned you." She said. Before I could respond the soaked puff smacked me on the head, soap suds ran down my face. Summer laughed. "Don't open your eyes." She said, massaging it through my short hair. I heard the water turn on again and she fiddled with the knobs and turned on the hand held sprayer. After a moment I felt her holding it over my head rinsing me off. I stood letting her finish the job, and took the sprayer and began rinsing her off as well. I watched the suds give up their hold on her curves, and I could imagine their sadness from letting her go as they pooled at her feet. She reached down and rinsed the suds down the drain and turned off the water. I stepped out and helped her so she needn't put undue weight on her ankle. I dried Summer off before getting around to me. She headed into the bedroom as I rummaged through the clothes I'd brought. I put on my good jeans and pulled on a polo shirt. Summer passed me in jeans and a little black bra, a shirt slung over her arm. She eyed me up and down as she sauntered past. I followed her into the bath to see what she was up to. She shooed me out claiming she needed to 'put on her face'. Despite my protests that her face was beautiful as is. I got the boot anyway.She came out a few minutes later wearing her long sleeve top with the buttons undone, nearly showing her bra. A little silver pendant hung down her chest of a little sea turtle. I looked at her face and it glowed. Her hair brushed but slightly curly. Her eyes somehow seemed larger and deeper color, and her lips pinker and more inviting. I didn't realize I had been holding my breath until I exhaled sharply.Her smile disappeared. "What?" She looked at me."Nothing!" I said quickly. "It's just that you're so... you're beautiful."She softened at the compliment, the glow returning to her face. "Thank you. You're too sweet." She gave me a quick kiss. "I have a cooler, let's pack something for dinner." We headed into the kitchen and put together a little picnic in the cooler of cheese, veggies and the rest of the baguette from lunch."Damn, I need to make some more tea. Oh well we can swing by the market before they close and see what they have." She said.We gathered up our little cooler and she grabbed a sweatshirt for when it cooled off later, and we headed out. I helped her up into the Jeep and went around and got in the driver's seat."Does it feel odd being chauffeured around?" I asked smiling."No it's kind of nice actually." She smiled back and gave my thigh a squeeze. We stopped in at the store and she hobbled down the aisles and picked up some grapes, and she found a bottle of sparkling cider."If you want they have wine and beer too. I'm driving so you're safe." I smiled."I'm not much of a drinker, this will be fine, and we can share it." She smiled slyly back at me. I took the grapes behind the counter and gave them a good rinse and set them on some paper towels to drain."Do you always walk around like you own the place?" Summer asked."Don't knock it. If it weren't for that, I would never have been so lucky to deliver your groceries last Monday." I wiggled my eyebrows at her making her giggle. "Hey Paula, do you have any cups I can snag for our champagne?""What?" Paula said, shocked."It's just cider!" Summer added quickly holding up the bottle."You know where that stuff is Pete, take what you need." Paula waved me off."Ooh!" I heard behind me as I gathered up the grapes and bagged them up. I looked over my shoulder to see Summer going over a small display of locally made chocolates. She picked up a small back of chocolates to add to the pile.We got up to the counter and Paula was keying everything in."Did you want to settle your bill while you're here Miss Lynne?" Paula asked."Sure it's Friday, no better time." She smiled. "Let's put this on it too." She waved at the pile on the counter. She handed over her card, signed the pad and got her receipt, stuffing it into her wallet. "Oh we don't need a bag, we're going to toss it into the cooler.""Where are you kids off to?" Paula asked innocently. I knew Paula and she was digging for dirt. Luckily I cut in before Summer did."I'm taking Mrs. Lynne down to the concert in the park. She still can't drive her standard with her foot." I said doing my best to sound as innocent as I could. We made our way out and put the rest of the food in the cooler."I'm guessing she's a bit of a gossip?" Summer whispered. "Gotta love small towns. It's the same back home.""Yea well she has an ear for dirt, and she's centrally located to redistribute anything she thinks is juicy enough to share. Let's just put it this way, if she thought I was doing anything besides your lawn you wouldn't live it down with the locals."We both had a good laugh at that as I pulled the Jeep around and headed into town. The street down to the park was going slow, traffic was moving though and people were walking down the sidewalks with blankets and coolers. I pulled up right at the entrance and got a nasty look from a cop."I'm just dropping off the handicapped!" I yelled out the window. Summer gave me an offended look and gave me a punch on the shoulder. "Play it up a bit, maybe I'll get to park closer." I said under my voice. "Go towards the center if you can, maybe about twenty or thirty yards from the stage for the best sound. I'll bring the cooler.""Okay, grab the blanket from behind the back seat while you're at it." She added, and hopped down onto her good foot and hobbled off dramatically. Sure enough, the officer called out and told me to park at the end lot where the police and ambulance were. I made my way back with the cooler and blanket.As I made my way to where I hoped to find Summer I bumped into a few people I knew, swapping quick hello's as I moved through the gathering crowd. I noted at least two admiring stares and noticed they were aimed right where I was headed. I wasn't sure if that made me happy or not. Yes I was here with the lovely lady, and just the thought of that made me grin."What are you smiling at?" She asked seeing me. I shrugged setting down the cooler and spreading out the blanket, and Summer scooted onto it. Recorded Fifties music was playing softly over the sound system from the stage.I leaned in close and said in her ear. "I just noticed that you're drawing attention and I'm wondering how many guys are wishing they were me right now." Her cheeks went pink as she looked up and around looking to see who looking at her."Don't get many women-folk in these parts, do you?" She asked softly. I laughed."Beautiful women don't usually go out on their own. This town is known for eligible bachelors swooping down on unsuspecting fair maidens and making off with them." I said softly, playing along. "Don't worry, I'll protect you." She giggled."Good, I'd hate to be made off with by some 'other' handsome guy, oh the horror!" She said rolling her eyes at me. She leaned in and gave me a peck on the cheek. "Thank you." She smiled. I blushed furiously realizing we were in public and that kiss was a blatant admission that she was without a doubt, with me.The lights facing the crowd began to flash slowly signaling that the show would start in a moment. They went down and the lights on the stage came up slowly in blue. The Fifties music got a little louder and there were couples dancing on the stage.All of a sudden a spot came on in the center of the stage and two guys stood there. John, my buddy Jeff's older brother was one of them. The other guy must have been one of his music school buddies."I can't play like this?" He said holding up a red rag wrapped around his hand. "You did this, now you gotta play for me."John stared at him for a moment and reached for the guitar on the stand and walked to the front of the stage. "This is an oldie, well where I come from it is." He turned to the band. "Watch me for the changes and try to keep up." He started playing Chuck Berry's, Johnny B. Good. He really got into it, dancing around the stage, ending with a huge jump and dropped to his knees with the final note.John stood, to loud applause, and introduced himself and the band, and said they'd be taking a walk down a musical memory lane with us tonight, and he hoped we enjoyed the show. The show was choreographed like a play, as actors appeared on stage to join in the songs and period costumes of the Fifties and Sixties. Everything they played was some sort of blues rock, everything from Ray Charles and Ben E. King, to Marvin Gaye. He stopped to tell us that despite the invasion of British music, American music was still a very powerful influence, and the Sixties weren't only about the Beatles and the Stones."That brings us to the mid-Sixties. We're going to take a quick break, and we'll be right back, don't go anywhere. We're watching you." He pointed at people in the crowd, then laughed. The crowd joined him. "This concert is sponsored by the local Chamber of Commerce, but I'd also like to direct you down to our tent over here where we're selling CD's and gear, because we artists need beer and pizza like the rest of the world.""Wow they're good!" Summer said cracking the cooler open and digging out some snacks. "Here, open that would you please?" The plastic cork popped sounding like a champagne bottle. Causing a few people to turn and smile and one to clap. I poured the cider into the cups and we nibbled on the snacks in the cooler. She popped a cherry tomato in my mouth then took one herself."You build a heck of a picnic." I said, causing her to laugh."I slaved over a hot stove all day."The lights on the crowd began to flash again, announcing the end of the intermission. A lone guitar started in on something bluesy.The lights came back up and there were summer of love trappings on stage. The backup singers were dressed in bell bottoms and headbands and long flowing sleeves. John took center stage again and the spot came up on him."Now you may have construed that my earlier remarks about the Sixties not being about the British invasion as a criticism. It wasn't in the least. A lot of bands came out of Britain then, and most of them were excellent to say the least. A good many of these performers sited their love of American jazz and blues as their influence. One such performer was a gentleman named Van Morrison." Quite a few people gave in to a round of applause. "I'd like your help in convincing one of our audience members to give us a hand with the next couple songs. You see my little brother Jeff works the sound board." He pointed down at the front to where Jeff waved. "A good buddy of his from school is one of the best sax players I've ever heard, which is saying a lot when you consider my fellow musicians.""Pete! I know you're out there, Jeff spotted you with a lovely young lady earlier. Maybe we can convince you to break away from her for a few songs."Summer turned to me her eyes wide. "Does he mean you." I was still staring at the stage."Folks let's hear some support to get him up here and get on with the show!" He yelled.Applause erupted through the crowd. I looked at Summer who was clapping furiously and reached over and gave me a push. I stood up and made my way to the sound board through the crowd, people encouraged me as I walked by.I got up to Jeff and said, "Thanks buddy, I owe you one." I'm sure the sarcastic edges wasn't lost on him."I figure if this doesn't impress her panties off, nothing will." He replied.If he only knew, I thought to myself. I stepped up to the edge of the stage and climbed the steps. John was center stage clapping over his guitar. I walked up and shook his hand. I whispered something into his ear, then walked back to where the horns were and picked up a sax, and a mouthpiece. I wet the reed down and mounted it up as the bass player started the riff for Tupelo Honey. The audience started clapping."Pete made a request of me, which is only fair since I dragged him away from his lovely lady friend, so we're dedicating this to her. Summer this is for you." He pointed out to the crowd. The song began and I joined in like I'd been playing every day since school got out. I walked up beside John and played the sax solo like a pro. When we were done serenading Summer we moved on to Days Like This, and segued right into Moondance, my favorite by far. I found myself singing alongside John when I didn't have a solo. The flute player a tall, pretty girl was really getting into it. John improvised the lyric to 'Underneath the cover of June, Rockport skies'. The flutist and I stepped forward next to John and took a bow as the song ended, as he yelled our names into the mic. I was feeling pretty awesome at that point taking off the sax and placing it back on the stand and shaking the hand of its owner thanking him for the use. I made for the steps and waved once more as John started in on the turn of the decade and started on Clapton's Bell Bottom Blues next.I found Summer sitting next to Jeff at the sound board with the biggest grin she could muster without hurting herself."Thanks for the seat." She said to Jeff and stood up and wrapped her arms around my neck giving me a long hard kiss. As we broke our lip lock I saw Jeff give me a thumbs up sign without even looking over at me. I just smiled and turned Summer back to our blanket."Oh my God! That was awesome. Why didn't you tell me you were a musician?" She said as people around us thanked me. I just shrugged."I don't know, I've been playing for six or seven years. I've always loved jazz and blues. It's like a hobby to me." I said. "My grandfather and his brother were trombone players in the Maine state band."John went on to laud bands from the Seventies and picked out Steely Dan as the set went a smoky blue color as they played on. Summer curled into me leaning on my chest as we listened. I was about ready to explode with happiness. They moved on and a girl stepped forward from the backup singers with a microphone and John introduced her and mentioned the influences of the west coast moving up to the Seventies bringing us groups like Heart and they started playing Barracuda. They played a few others ending up with a Billy Joel mash up as their last song. They did Rockport State of Mind to the music of New York State of Mind. People were standing up applauding. I had to admit, John and the band did a hell of a job. They got such a long ovation that they played a two song encore, to another long round of applause."That was awesome!" Summer shouted over the applause. "I wish they did things like this back home!""Welcome to Maine." I said smiling.We packed up the cooler with the remains of our picnic and Summer folded the blanket tossing it over her arm. As we made our way back to the Jeep. I looked over to see her grinning ear to ear again."What?" I asked."I feel like a groupie who's going home with one of the band." She said, causing both of us to laugh.To be continued in part 3, by Member389 for Literotica

What do you remember using/having the most in the Summer time in the 70s?

Which Disney characters did you like the most in the 70s? Here's our rundown on the most iconic in the 70s. Some were from the seventies but others we just enjoyed in the 70s. Anyone like Mickey Mouse? Donald Duck? Herbie the Love Bug?

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring visual artist, Howard Better.Howard attended Pratt Institute and California Institute of the Arts in the late Seventies and his art-making career has mostly involved moving images, First using 16mm film, then video and digital images. His movies have been made to be projected on unusual surfaces, such as the side of a cliff or into the corner of a room. Howard spent two decades doing freelance animation, mostly working on Sesame Street and other similar shows. He began teaching video and animationclasses in the early nineties, and has taught 3D computer animation to college students, but he professes his real love is stop-motion animation.  In recent years, he has been working primarily with special ed students.  Howard began working with collaged objects about 20 years ago and has ongoing installations in various locations around Uptown Manhattan.  He has shown his collage work several times up in Yonkers, Soapbox Gallery in Brooklyn, Le Petit Versailles in the East Village, and at the Tufano Gallery in Cobleskill, NY. He is currently working on an ongoing series of collages called WALLPAPER which are used to cover the walls of large spaces.  

As much as cartoons, we also loved our comic strips in the 70s!

What kind oif stuff do you regret not hanging on to from the 70s?

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Welcome back to this week's exciting episode of Diving in Deep! Sara sits down with the talented grandchildren of country music legends Conway Twitty and Loretta Lynn, Tre Twitty and Tayla Lynn! In this heartfelt conversation, they share their journey as a tribute band honoring their grandparents, revealing incredible behind-the-scenes stories, and personal anecdotes that highlight the legacy of Conway and Loretta. From their childhood memories to the challenges of touring, this episode is packed with laughter, nostalgia, and a deep appreciation for family and music.Discover how Tre and Tayla blend their own musical influences with the iconic sounds of their grandparents, hear about their new album, and even some of their hot takes on pop culture.Don't miss this chance to connect with the next generation of country music stars! If you enjoy the episode, please like, subscribe, and share your thoughts in the comments below.Listen to Unbroke: (https://ffm.to/seunbroke).About Tayla Lynn & Tre Twitty:There's a moment right at the very beginning of any Twitty & Lynn show that affords country music fans the chance to look back in time. Just after the band has played the signature intro to “Louisiana Woman, Mississippi Man,” Tre Twitty and Tayla Lynn shoot each other a glance that summons the electrifying chemistry of their grandparents: Tre is the grandson of Conway Twitty, Tayla is the granddaughter of Loretta Lynn.Audiences can't believe their eyes. From that moment, for the next 90 minutes, they're in the presence of living country music history. “Fans have told Tayla and me that when they see us onstage singing, talking, and just looking at each other, they think, ‘Wow, there must be something genetic in those two families,'” Tre says. “It validates the experience of the concert for them. We're telling our grandparents' story through our story.”But Twitty & Lynn — and their internationally popular show “A Salute to Conway & Loretta” — aren't impersonators. Tre doesn't groom Seventies sideburns and perm his hair; Tayla doesn't mimic her grandmother's mannerisms. Rather, they are onstage celebrating country music, the lost art of duet singing, and the two beloved icons they refer to as “Poppy” and “Memaw.”LET'S BE SOCIAL:Follow Tayla Lynn & Tre Twitty:Instagram - (@twittyandlynn)Facebook - (@Twitty and Lynn)Instagram - (@taylalynnfinger)Facebook - (@Tayla Lynn)X - (@taylalynnheller)TikTok - (@taylalynnofficial)Instagram - (@tretwitty)Facebook - (@Tre Twitty)Follow Diving in Deep Podcast:Instagram –(@divingindeeppod)TikTok – (@divingindeeppod)X – (@divingindeeppod)Facebook – (@divingindeeppod)Follow Sara Evans:Instagram – (@saraevansmusic)TikTok – (@saraevansmusic)Twitter – (@saraevansmusic)Facebook – (@saraevansmusic)Produced and Edited by: The Cast Collective (Nashville, TN)YouTube – (‪@TheCastCollective‬)Instagram – (@TheCastCollective)Twitter – (@TheCastCollective)Directed by: Erin DuganEdited By: Sean Dugan, Corey Williams, & Michaela Dolphhttps://www.thecastcollective.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We thought we would try another sports themed episode because the last one did so well!

Members of The Church of Jesus Christ of Latter-day Saints sustained 16 new General Authority Seventies during the Saturday morning session of the Church’s 195th Annual General Conference on Saturday, April 5, 2025. President Dallin H. Oaks, first counselor in the First Presidency, presented the new General Authority Seventies for a sustaining vote, along with the sustaining of the Church’s other general authorities and general officers. This episode of the Church News podcast is dedicated to the new leaders sharing their testimonies of the gospel of Jesus Christ. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Hosts Jon Ryan Jensen, editor of the Church News, and Church News reporter Mary Richards share unique views of the stories, events, and people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by KellieAnn Halvorsen.

OK, we talked about doing this episode for a long time. Honestly, not sure how well it is going to go over,,,,, but here it is!

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari. They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport.  Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery. There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery. Plus, find out who the only driver in Ferrari history was to call Enzo by his first name! Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/therace Buy some Colossally merch! Visit The Race Shop Follow The Race on Instagram, Twitter and Facebook Check out our latest videos on YouTube Download our app on iOS or Android A Race Media Production Producer: Jonny Reynolds With special thanks to Tim Silvey for studio support Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari.They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport. Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery.There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery.Plus, find out who the only driver in Ferrari history was to call Enzo by his first name!Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/theraceBuy some Colossally merch! Visit The Race ShopFollow The Race on Instagram, Twitter and FacebookCheck out our latest videos on YouTubeDownload our app on iOS or AndroidA Race Media ProductionProducer: Jonny ReynoldsWith special thanks to Tim Silvey for studio support Hosted on Acast. See acast.com/privacy for more information.

Daniel and I were down in OC cleaning out the house all week and what a cornucopia of items we found! We discuss what should be kept versus what tossed, understanding who people are through their stuff, the need for not one but two anoscopes and so much more. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

Rock legend Peter Wolf has written an extraordinary memoir entitled "Waiting On The Moon" that's full of mindblowing stories that go far beyond his brilliant music career, to unforgettable stories about his marriage in The Seventies to the Oscar-winning actress Faye Dunaway, and his fascinating experiences with everyone from Marilyn Monroe to Muddy Waters, The Rolling Stones to Alfred Hitchcock. Phil and David invited noted J Geils Band fan and famed TV writer Mike Scully (The Simpsons, Parks & Recreation, Everybody Loves Raymond) to join this soulful conversation. Order Peter's book here.  All this, plus, hear a preview of next week's episode with the one & only Smokey Robinson along with Brad Paisley. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.