Podcasts about seventies

Steve Hawk is a longtime surf and outdoor journalist, former editor of Surfer magazine, Sierra, and Stanford Business magazines. His first novel, Nearshore, is out today. Described as a churning mix of literary suspense and coastal noir, where the clash between land and sea unearths Silicon Valley's darkest secret, the book is both a window into NorCal's insular surf culture as well as the plausible threat of a terrorist attack on San Francisco. Hawk will be doing a bunch of book events in the coming months where you can go see him in person, including Bookshop Santa Cruz on August 19th. In this podcast, we explore Hawk's writing process, his jump from non-fiction to fiction, and how a health scare taught him the new meaning of a deadline. If you dig this podcast, will you please leave a short review on Apple Podcasts? It takes less than 60 seconds and makes a difference when I drop to my knees and beg hard-to-get guests on the show. I read them all. You can watch this podcast on my YouTube channel and join my newsletter on Substack. It's glorious. My first book, ONE LAST QUESTION BEFORE YOU GO, is available to order today. Get full access to Kyle Thiermann at thiermann.substack.com/subscribe

Steve Hawk is a longtime surf and outdoor journalist, former editor of Surfer magazine, Sierra, and Stanford Business magazines. His first novel, Nearshore, is out today. Described as a churning mix of literary suspense and coastal noir, where the clash between land and sea unearths Silicon Valley's darkest secret, the book is both a window into NorCal's insular surf culture as well as the plausible threat of a terrorist attack on San Francisco. Hawk will be doing a bunch of book events in the coming months where you can go see him in person, including Bookshop Santa Cruz on August 19th. In this podcast, we explore Hawk's writing process, his jump from non-fiction to fiction, and how a health scare taught him the new meaning of a deadline. If you dig this podcast, will you please leave a short review on Apple Podcasts? It takes less than 60 seconds and makes a difference when I drop to my knees and beg hard-to-get guests on the show. I read them all. You can watch this podcast on my YouTube channel and join my newsletter on Substack. It's glorious. My first book, ONE LAST QUESTION BEFORE YOU GO, is available to order today. Get full access to Kyle Thiermann at thiermann.substack.com/subscribe

Professor Liz Morris is a glaciologist whose work in some of the earth's most inhospitable environments has broadened humanity's understanding of climate change and polar science. Her accolades include the prestigious Polar Medal and an OBE for services to Polar Science.Liz was born in London in 1946 and family legend has it that she fell in love with snow and ice the following year during what was known as the Big Freeze - one of the most severe and punishing winters in British history. She studied physics at Bristol University and applied for a role at the British Antarctic Survey in the early Seventies. At that time the institute did not have any female scientists working in the field and her application was rejected.Liz bided her time and eventually did get to work at the BAS, becoming head of the Ice and Climate Division in 1986. The following year she became the first British woman to undertake tent-based research in Antarctica, arriving just as the ozone hole discovery was breaking. Liz completed her last field trip in 2014. In 2020 the Antarctic Place-Names Committee named a glacier in her honour. Liz divides her time between the Cotswolds and Scotland. Presenter: Lauren Laverne Producer: Paula McGinley

Episode 400 of RevolutionZ assesses Classical Marxism are a conceptual framework for guiding political activism. A revolutionary theory can feel powerful precisely because it is big, elegant, and confident. The problem is, big and elegant or not, what does the theory help with or hinder when you try to use it on Monday morning. This episode takes a hard look at classical Marxism as a practical guide for organizers, and lays out why its standard “core toolbox” often misses, inadequately understands, or even denies many things that actually drive people: racism, sexism, authority, fear, dignity, identity, the everyday pressures that shape consciousness and behavior, and even the dynamics of class relations and class struggle. The episode walks through nine specific weaknesses that many Sixties New Leftists felt as the Seventies unfoded, from abstractions that work better on decades than on daily movement decisions, to thin accounts of organizational dynamics, bureaucracy, violence, and severe discipline. We  dig into how classical dialectics over-focuses on one dominant contradiction and trains attention away from smaller-scale relations and the stubborn persistence of stability. If you've ever watched a movement mechanically repeat worn out arguments, rhetorically polarize, and turn theory into a loyalty test, we seek the conceptual foundations that make or at the least permit that to happen. The episode then turns to human nature and psychology and argues that you can't build effective revolutionary strategy without a usable theory of consciousness formation, motivation, and subjectivity. Claims that “material interest automatically produces revolutionary consciousness” is a dangerous over-simplified shortcut that misses why that often doesn't happen much less why sometimes the reverse occurs so that, for example, workers become reactionary or blind to attacks on their own interests. We discuss as well modern reactionary politics, confirmation bias, and the question that won't go away: What kind of updated left political theory can be both complex enough to be true and clear and concise enough to be usable by real people in real world time conflicted and crisis-moved situations? Please, if you disagree with what this episode--and the past few--present, please leave a critical comment, or write a rebuttal, or at least send me an email. Am I mired in a flawed past, or is advocacy of Marxism Leninism mired in a flawed past? For that matter, what would you put in a modern organizing toolbox that classical Marxist's leave out of theirs? Would your inclusions prevent or propel familiar Leninist and Bolshevik tendencies? Support the show

Originally released October 2013: BJ and Fistful of Dave are back to share with you 30 carefully selected songs by some of the lesser-known purveyors of seventies rock at its heaviest. THE MOVE - BRONTOSAURUS HAYSTACKS BALBOA - THE CHILDREN OF HEAVEN SIR LORD BALTIMORE - PUMPED UP BANG - LIONS, CHRISTIANS DUST - LOVE ME HARD TOAD - STAY JERUSALEM - PRIMITIVE MAN CAPTAIN BEYOND - FROZEN OVER BARNSTORM - TURN TO STONE SILVERHEAD - ACE SUPREME HIGHWAY ROBBERY - FIFTEEN TIGER B. SMITH - TIGER ROCK THREE MAN ARMY - WHAT'S YOUR NAME PENTAGRAM - FOREVER MY QUEEN GRANICUS - BAD TALK TEAR GAS - I'M GLAD SENSATIONAL ALEX HAREY BAND - VAMBO BUDGIE - HAMMER AND TONGS KING CRIMSON - RED GOOD RATS - FIREBALL EXPRESS HAWKWIND - MOTORHEAD PINK FAIRIES - CITY KIDS ARMAGEDDON - PATHS AND PLANES AND FUTURE GAINS CAIN - QUEEN OF THE NIGHT STARZ - OVER AND OVER MOXY - THROUGH THE STORM TRUTH AND JANEY - THE LIGHT TASTE - TEENAGE ANTHEM PAT TRAVERS - HAMMERHEAD ROSE TATTOO - ROCK N' ROLL OUTLAW Learn more about your ad choices. Visit megaphone.fm/adchoices

A Short Stay in Hell – https://en.wikipedia.org/wiki/A_Short_Stay_in_Hell Gospel Teaching: Strengthening gospel teaching through teacher council meetings – https://newsroom.churchofjesuschrist.org/article/strengthening-gospel-teaching-through-teacher-council-meetings Sunday Class Changes to Connect Home-Centered Gospel Learning with Church Meetings – https://newsroom.churchofjesuschrist.org/article/sunday-class-changes-to-connect-home-centered-gospel-learning-with-church-meetings Grand Marshall President Camille Johnson – https://newsroom.churchofjesuschrist.org/article/president-camille-johnson-2026-pioneer-day-parade Utah stakes witness miracles while building Days of '47 parade floats – https://www.deseret.com/faith/2026/07/23/utah-stakes-witness-miracles-while-building-days-of-47-parade-floats/ Most sung Pioneer Day Songs – https://hymnstats.joeystanley.com/posts/pioneer_day/ New Provo MTC mural honors the first single sister missionaries – https://www.ldsliving.com/new-provo-mtc-mural-honors-the-first-single-sister-missionaries/s/13348 New hymns emphasize simple Christ-centered truths – https://newsroom.churchofjesuschrist.org/article/new-hymns-emphasize-simple-christ-centered-truths Volunteers Transform Lives Through Weekly EnglishConnect Classes in England – https://newsroom.churchofjesuschrist.org/article/volunteers-transform-lives-through-weekly-englishconnect-classes-in-englandhttps://newsroom.churchofjesuschrist.org/article/volunteers-transform-lives-through-weekly-englishconnect-classes-in-england Pull together as families, says Church President Dallin H. Oaks at biennial family reunion – https://newsroom.churchofjesuschrist.org/article/pull-together-as-families-says-church-president-dallin-h-oaks-at-biennial-family-reunion Judge rejects Chubbuck LDS church leader's plea deal that congregation member called “a slap in the face” – https://www.idahostatejournal.com/news/local/judge-rejects-chubbuck-lds-church-leaders-plea-deal-that-congregation-member-called-a-slap-in/article_c6b493ee-e9d1-4374-94f6-dc73e658932e.html LDS leaders hear something else as construction irks rural Las Vegas neighbors – https://www.8newsnow.com/news/local-news/lds-leaders-hear-something-else-as-construction-irks-rural-las-vegas-neighbors/ Three things people—even members—get wrong about Latter-day Saints – https://www.sltrib.com/religion/2026/07/16/three-things-people-even-members/ Rare prosecution: BYU student's boyfriend prosecuted for abuse that preceded her suicide – https://www.sltrib.com/news/2026/07/18/rare-prosecution-byu-students/ How are global Latter-day Saints doing on mental health? – https://mormonmetrics.com/p/how-are-global-lds-doing-on-mental?utm_source=post-email-title&publication_id=2746392&post_id=201511827&utm_campaign=email-post-title&isFreemail=true&r=69jb7h&triedRedirect=true&utm_medium=email Confronting “toxic positivity” in the LDS church – https://exponentii.org/blog/confronting-toxic-positivity-in-the-lds-church/ World Cup celebrates faith – https://www.deseret.com/sports/2026/07/18/world-cup-celebrates-faith/ Reading recession: impacts on faith and spirituality – https://www.deseret.com/faith/2026/07/18/reading-recession-impacts-on-faith/ Yesteryear shows how shallow U.S. religion has become – https://www.sltrib.com/religion/2026/07/19/yesteryear-shows-how-shallow-us/ Influencers are being paid to spread the Mormon church's gospel – https://www.bloomberg.com/news/articles/2026-07-20/influencers-are-being-paid-to-spread-the-mormon-church-s-gospel 45 years ago today (Jul 23, 1981) – First Presidency and Quorum of the Twelve announcement – https://www.todayinmormonhistory.com/2026/07/45-years-ago-today-jul-23-1981-thursday.html 75 years ago today (Jul 20, 1951) – Seventies called to fill missionary need during Korean War – https://www.todayinmormonhistory.com/2026/07/75-years-ago-today-jul-20-1951.html 55 years ago today (Jul 17, 1971) – Relief Society dues discontinued and assets turned over to Church – https://www.todayinmormonhistory.com/2026/07/55-years-ago-today-jul-17-1971.html

Originally released October 2013: What exactly does "heavy" mean? Who were the earliest, heaviest bands and how did their particular brand of rock and roll evolve over the course of the seventies, culminating in a new genre called "heavy metal" that exploded in the late seventies and into the eighties? On the next two episodes of the podcast BJ and his guests Martin Popoff (Part 1 only) and Fistful of Dave will attempt to answer these questions while sharing with you some of the very heaviest music of the seventies. DEEP PURPLE - BLOODSUCKER BLACK SABBATH - HOLE IN THE SKY JUDAS PRIEST - TYRANT RAINBOW - TAROT WOMAN GILLAN - ROLLER THIN LIZZY - EMERALD AC/DC - KICKED IN THE TEETH RIOT - WARRIOR BLODWYN PIG - SEE MY WAY STRAY - ALL IN YOUR MIND LUCIFER'S FRIEND - RIDE THE SKY URIAH HEEP - LOOK AT YOURSELF MONTROSE - ROCK THE NATION BLUE CHEER - FEATHERS FROM YOUR TREE SWEET - SET ME FREE SCORPIONS - CATCH YOUR TRAIN NAZARETH - MISS MISERY LEAF HOUND - STRAY NITZINGER - LET THE LIVING GROW BUFFALO - WHAT'S GOING ON THIRD WORLD WAR - ASCENSION DAY GUN - RACE WITH THE DEVIL RUSH - BASTILLE DAY UFO - DOCTOR DOCTOR Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, Sarah's looking back at the decade of flared jeans and glitter balls and asking why Andy Burnham wants to take us back to the 1970s. And talking of Burnham, Peter wonders if the new PM should now call a general election? And the pair pore over our mailbag to chat about the merits of corporal punishment (or lack of) with Peter recalling school days that sometimes featured a thrashing. The interminable rise of the e-bike and politicians that either could do without ever meeting again.On our reading, listening and watch list this week: •Fahrenheit 451 – Ray Bradbury•Coming Up For Air – George Orwell•Goodbye, Mr. Chips - James Hilton•Coriolanus – William Shakespeare•The Whitsun Weddings – Philip LarkinPlease do get in touch, email: Alas@dailymail.co.uk you can leave a comment on Spotify or even send us a voice note on Whatsapp – on 07796 657512, start your message with the word ‘alas'.Presenters: Sarah Vine & Peter HitchensProducer: Philip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously PopularTo get in touch email alas@mailonline.co.uk, you can leave a comment on Spotify or even send us a voice note on WhatsApp - on 07796 657512 start your message with the word 'alas'Presenters: Sarah Vine & Peter HitchensProducer: Phillip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously Popular Hosted on Acast. See acast.com/privacy for more information.

Todd Kurnat is everywhere. In this episode, meet and get to know Todd. These days, he's also known as Ink Letterman for his art and DJ Circuit 73 for his musical stylings. We begin in Michigan. Both sets of Todd's grandparents grew up in Greenville, Michigan, about an hour outside Grand Rapids. His parents met in high school in that small town. They eventually moved to Grand Rapids, the big city in that part of the world. His dad worked at a transportation company and his mom was a nurse at St. Mary's Hospital. It was the early Seventies—around 1972 or so. Todd was born in 1973. His mom had done some college, and his dad had joined the US military to teach about weapons-grade rockets. He was never deployed to Vietnam. Todd says that engineering DNA in his dad runs through him, although Todd uses it for less destructive ends. Sometime after Todd came around, the family moved to Johnston Street, still in the inner-city part of Grand Rapids. The neighborhood had access to downtown. Todd spent a lot of time riding his BMX bike around the area with friends. Eventually, bikes gave way to skateboards, which he took all over his city. But we'll get to that. His earliest memories on Johnston Street involve playing in the front yard—baseball and football with kids from the hood. In the backyard, they had a basketball hoop. Eventually, Todd was joined by two younger sisters and a younger brother. He remembers spending a lot of time with his sisters before his brother was born when Todd was 13. Another of Todd 's earliest memories involve listening to music. His dad had an 8-track player that Todd used a lot. Those tapes made him so happy that he'd run around the house doing laps. The radio was also on a lot in Todd's house. Todd went to Catholic school until his early high school years. One day, his mom showed up at his private school, got him out, and said, "we're leaving." Both his parents worked to support themselves and their (at the time) three kids. But changes had to happen, and so they put their oldest kid in public high school. It proved to be a life-changing move for Todd. Right away, he made new friends, a few of which have proved to be life-long buddies. The common thread for them was music and movies. Bikes and skateboards, too. Speaking of bikes … Around age 12, Todd had a newspaper route. Because he already had a bike when the BMX craze really took off, around the mid-Eighties, he followed that. He and his friends eventually started riding their bikes on street ramps. They also built and rode on dirt tracks. BMX gave way to skateboarding when Todd was 13 or 14. For a minute, he did both, but then someone stole his bike. Like me, skate videos got him hooked—videos from Powell Peralta featuring pro skaters like San Francisco's own Tommy Guerrero. And it wasn't just the skating in the videos that impressed Todd—he also dug the music enough to record it from VHS to cassette tape. Toward the end of his high school days, Todd taught himself to play guitar. He bought a four-track Tascam recorder and started experimenting with it. He did stuff on his own, but also joined with some friends to form a band called Landis. They played for most of the rest of the Nineties. Relevant to who Todd would become years later, a lot of the existence of Landis involved him screwing around with different configurations and recording locations. Think: experimental, but not necessarily falling into the so-called experimental genre. After high school, Todd moved to Denver and kept playing music. He and two roommates called their Colorado group The Suspect. They played a couple shows. Todd and I go on a sidebar on playing live vs. recording vs. writing songs. Live was always my favorite, and Todd agrees. Moving to Denver was all about escaping Grand Rapids, seeing a little bit of the world, and going to art school. He studied illustration and graphic design. He'd been drawing and doodling about as far back as he could remember. In high school, at the public school his mom put him in, there was a counselor who had steered Todd in the direction of graphic design, and he's grateful for that. Turns out he has spent the better part of the last 30 years doing graphic design. We end Part 1 with Todd looking back on how much technology has advanced since he got started in the digital art world. Check back this Thursday to hear all about Todd's move to San Francisco and what he's been up to since he got here. It's a lot, and it'll all be in Part 2 of this episode. We recorded this podcast in Golden Gate Park in June 2026. Photography by Dan Hernandez

Décoration, design, création, savoir-faire, ces mots vous parlent ? Alors vous êtes au bon endroit !Bienvenue dans LE CLUB, l'émission comme à la radio avec différentes chroniques : idées déco, design et transition écologique.Dans cet épisode :Marie Farman, journaliste spécialisée en design, dédie sa chronique à l'idée de voyager autrement en poussant la porte de maisons extraordinaires...Billie Blanket, journaliste, autrice et coach déco, nous parle du style seventies toujours si tendance mais sous un angle plus rustiqueViolaine Belle-Croix, rédactrice en chef de Marie Claire Enfanst, co-fondatrice de l'agence Belle-Muse et citoyenne engagée avec Média Wite sur Instagram, nous donnera des conseils pour passer un été sans téléphone…Un mix&match comme on les aime pour une discussion dans la joie et la bonne humeur ! Bienvenue au CLUB :)Merci bcp à Tikamoon, fidèle partenaire de cette émission.Et au Grand Hôtel Cayré pour leur accueil si sympa dans leur bar si cosySi ce podcast vous plait n'hésitez pas 

[While Tim runs up and down the East Coast this week to take in some World Cup knockout matches in person, please enjoy this ARCHIVE RE-RELEASE of our tribute to pro sports' most innovative decade - with award-winning sports history chronicler Michael MacCambridge - from 2023.] + + + After an absence of over six years and more than 300+ episodes, sportswriter extraordinaire Michael MacCambridge ("Lamar Hunt: A Life in Sports"; "America's Game: The Epic Story of How Pro Football Captured a Nation"; "Chuck Noll: His Life's Work") makes his triumphant return to the podcast - this time to celebrate the release of his brand new, instant sports history classic, "The Big Time: How the 1970s Transformed Sports in America." It's just about everything you'd expect from the author of what is arguably the most definitive look yet at the decade that undeniably shaped the modern trajectory of sports in America - including (of course) a bevy of challenger leagues, defunct teams, one-of-a-kind events that only the Seventies could produce! + + + SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable The "Good Seats" Store: http://tee.pub/lic/RdiDZzQeHSY BUY THE BOOK:  "The Big Time: How the 1970s Transformed Sports in America": https://amzn.to/4f93VHv SPONSOR THANKS:  Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2 FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

In our latest Session, Juliet talks to William Raban about his five decades in film, and especially his engagement with London, from his time in the London Film-Makers' Co-operative in the early 1970s to his most recent work in 2020. They discussed William's origins in the Structural and Materialist movement of the Seventies, and his use of different film formats from 8mm to digital; how he made his feature-length Thames Film (1986), narrated by John Hurt and shown on Channel 4; his A13 (1994) and Island Race (1996), made partly in response to the election of a British National Party councillor on the Isle of Dogs in east London; how authors such as Charles Dickens and T. S. Eliot have come into his work; and the difficulty of making films in the wake of the atrocities in Gaza and elsewhere. A full list of references, with links is available to Patreon subscribers – go to https://www.patreon.com/c/suite212 to subscribe to Suite (212) for as little as £3.50 a month.

Episode 392 of RevolutionZ  uncovers and visits a half-century-old file on my computer to address a surprisingly urgent question: are we building new revolutionary ideas, or just renting space in inherited ones. I recently rediscovered the text of my 1974 book What Is To Be Undone? written when the arguments between Marxism-Leninism, Maoism, anarchism, and other currents were not academic history but living fuel for organizing. Reading my own early investigations as the Sixties slipped into the Seventies feels like opening a time capsule and realizing the contents still impact what people believe is possible. On the same day, a friend pointed me toward Gabriel Rockhill's Who Paid The Piper Of Western Marxism? and the storms around his claim that contemporary revolutionary theory drifted into a “respectable” left alignment with capitalism and imperialism. I share a long excerpt from Rockhill laying out his case: a purge of dialectical and historical materialism, class analysis pushed aside by culturalism, and a call to rebuild a disciplined, organized left that can actually win. We agree on the need to rejuvenate anti-capitalist, anti-imperialist struggle, but we very seriously diverge on whether the path forward is a return to classical Marxism-Leninism and democratic centralism or a break from their limits. From there, I grapple with a personal and political test: was my younger and then on-going self part of the problem Rockhill describes, or was I trying to learn from past failures to strengthen future movements. Along the way I revisit blurbs from Noam Chomsky, Howard Zinn, and Herb Gintis, reflect on the dangers of sectarian dismissal, and end with Bob Dylan's “My Back Pages” as a reminder that clarity sometimes comes from letting go of certainty. This episode begins another sequence of episodes whose number of entries depends on what seems the case. Me then and now: a deluded, deceived, sell out CIA symp rejector of Marxism Leninism, or me then and now a sincere whipper snapper  trying to overcome past ideological problems on the way to a better society? Is our ideological problem anti anti imperialism, as Rockhill asserts, or is it that  in going forward from the Sixties we actually retained too much from dead men's minds? This episode is a scene setting opening shot on the way to aggressively and hopefully definitively determining which way we need to orient our thinking Back to classical Marxism Leninism, or forward to a participatory self managing future.Support the show

Painter George, aka George Harry Crampton-Glassanos, is fine if you wanna call him just "George." In this episode, meet and get to know George. Both of his parents came to San Francisco early in their lives. His mom hails from the East Coast and her family were all working-class folks. His grandpa was a business agent for a machinist's union in Massachusetts. That grandfather shaped George's later involvement in organized labor. (Today, he's a member of the ILWU). George never knew this grandparent who had an outsize impression on him. He died shortly after George was born. But in Massachusetts, in addition to his union involvement, he owned a store that sold records on one half and hats on the other. His dad moved to San Francisco from the Midwest to attend school at the Art Institute (RIP). He got into that school and often slept overnight on a ledge on campus. Both of George's parents were punk rockers in SF in the late-Seventies. Amazing. His dad even lived with the guitarist from The Avengers (Penelope Houston's punk band). Though they would meet later, both spent time at the famed Mabuhay Gardens back in the day. George's dad was a painter as well, and that turned out to have a huge influence on George. His parents met when his mom got a job with his dad's construction working crew. This was around the mid-Eighties. George came along in 1989. After that, his parents had two more boys, making George the oldest of three. His earliest memories are from around the mid-Nineties in The Mission. George spent time when he was a kid running around The Mission and pre-gentrification Dogpatch with his dad. They lived on 18th between San Carlos and Lexington (or, zooming out a bit, between Mission and Valencia). That's two blocks from where I lived from 2003 to 2017, incidentally. But George's family got evicted from that apartment on 18th. The building sold and the new owners evicted tenants one by one, including families like George's. Both of his brothers were born in that apartment. His dad had made modifications there, handyman that he was. And George was old enough to remember all the awesome neighbors they had. I ask George about his favorite restaurants when he was a kid. "I fuckin' ate burritos every night of the week," he answers. He'd hit up nearby La Cumbre or El Buen Sabor around 300 times a year. Whiz Burger also figured big in George's childhood diet. There was a diner across 16th from The Roxie called Aunt Mary's (George shows me a coin purse from the place while we're recording) that he loved as well. Art was always encouraged at home. George's dad would bring home boxes of fax paper for him to draw on with ballpoint pens. He'd draw and draw and draw, often of things he saw. He remembers staring out the window of their place on 18th and watching cars go by, and he'd draw those. But it wasn't until high school at School of the Arts that George really started cranking it out. At SOTA, teachers encouraged George to draw whatever the hell he wanted to. He remembers drawing a skeleton pushing a paleta cart. When George tells me he attended SOTA 2004–2008, I mention that a number of past guests of this show went there around that time. "[The school] churned out a lot of us," he says. Joe Talbot, who co-wrote, produced, and directed The Last Black Man in San Francisco, went to SOTA in that era. George goes on a sidebar to share a story of getting caught smoking pot by a SOTA vice principal. I ask him to rattle off the SF schools he went to, and George obliges. Waldorf in The Mission for Kindergarten, then a Waldorf school in Pac Heights through eighth grade. They wanted him to attend their high school, but he chose SOTA instead. The Waldorf schools also encouraged art, which George appreciated. The social dynamics could be strange, though. You'd have kids like him who got into that school thanks to financial aid being classmates with kids who lived in mansions. After eighth grade, he needed a change. After he graduated from School of the Arts, George took some classes at City College. He'd been working summers painting houses for his dad, and eventually, college tailed off so he could work more. It also gave George more time for his artistic painting. This was about 20 years ago, and since then, he's been painting murals, hanging out with graffiti painters, doing work on Clarion Alley, and working with Precita Eyes to paint various houses and walls in The Mission. I ask whether George's art has evolved over the years. After thinking it over, he talks about the influence of cars and his mom and dad's comic book collections. He loved his mom's underground comics collections, and talks about going down to 23rd Street with them to Scott's Comics and Cards and SF Comic Book Co. next door. George points to artists like Spain Rodriguez, R. Crumb, and the Hernandez Brothers as having shaped his art from a young age. He'd go to Avalon on Mission for iron-on old English letters to have put on hats. The cholo influence of his neighborhood was seeping in, and George ran with it. The gumball machines on Mission with their foil stickers also played a part. He'd take those stickers home, many with images of cars on them, and draw from them. And of course the cars cruising Mission Street caught his artistic eye. George also touches on some of the violence he witnessed in The Mission in the Nineties, when he was a kid. George and his friends got around on skateboards, beater bikes, and Muni. He's quick to point out how, back in the day, you could take the 26-Valencia if you wanted to avoid potential trouble on the 14-Mission. I ask whether George got into any trouble himself. He says mostly harmless stuff like shoplifting. That was before his aforementioned time at School of the Arts. George has mixed feelings about the art scene, and I get it. He's had his art in shows, but prefers bookstores or community-oriented spaces vs. white-walled galleries. He doesn't feel like the audience that goes to those spaces is his. When he talks about painting at home after a long day at work, I ask George to talk about that work. He's currently part of a crew painting the new container cranes in the Port of Oakland. The ILWU is assembling the cranes and George and others use marine enamels to make the cranes look good. We end the podcast with how you can find George and his art. "You can find me on 24th Street," he says. No website. He's on Instagram at @paintergeorge415. We recorded this podcast at George's home in South San Francisco in April 2026. Photography by Nate Oliveira

Scot and Jeff discuss the second part of XTC's career (1984-2000) with Andrew Gretes. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com. Andrew's Music Pick: XTC, Pt. 2 Awaken you dreamers! A month after we took you through the first part of XTC's career – an Argonaut-like journey across the world of postpunk and pop during the end of the Seventies and the start of the Eighties – we return to pick up the story where we left off in 1984: with a psychologically landlocked band (songwriters Andy Partridge and Colin Moulding as well as guitarist Dave Gregory), now forever off the road and consigned to a studio, forced to make the most of their remaining careers without fears of an audience to either drag them down or lift them up. And aside from the Beatles, it is little exaggeration to say that no studio-bound act ever made quite as much out of such a fate as XTC – though they didn't make much money, naturally. Instead they made great art, with a series of increasingly ambitious pop albums (including 1986's Skylarking, which you might even have heard of) that reflected the expanding musical palates and melodic ambitions of Partridge and Moulding.  The first episode of this two-part series proudly featured some of the weirdest, most clashingly irregular sounds of the Seventies. This second features some of the most awe-striking beauty you've probably never heard. From their mainstream career (which rarely if ever sold) to their moonlight lark as the Dukes of Stratosphear (which sold gangbusters until people realized they were buying XTC music) Partridge, Moulding and Gregory never quit stuffing every single song they recorded with meaning and melody, and the results are an overwhelming trove of musical riches to discover – one you might only be vaguely aware even exists Political Beats has been building up to its XTC episodes ever since the day the podcast was founded. The second part of their story is every bit as impressive – and different – as the first. Settle in and listen to us sing a happy-sad ballad about the greatest band in popular music to never quite make it. Oh my, oh my, don't it make you wanna cry? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dale and Tim chat about things from the 70's that are no longer around, like streaking, home haircuts, and shag carpeting to name a few. Listen, remember, and laugh.

Ed. note: We recorded this episode outside on a windy day near The Bay. Apologies for the wind gusts you'll hear throughout. Jenny Chan found Storied: San Francisco thanks to Toshio from Sad Francisco. Jenny and I kick off her episode talking about Toshio, in fact. Jenny was born in Hong Kong. Growing up, her dad's mom babysat her a lot. Young Jenny really loved anime and would turn it on at grandma's house. When she did this, her Chinese grandmother would get upset, and Jenny didn't know why. She thought maybe her grandma was senile. Later in Jenny's life, when her grandmother passed away and she helped clean and organize her home in China, she discovered items her grandma kept that pointed to a life spent under Japanese occupation before and during World War II. We mentioned anime, but when Jenny was a kid, she just loved Japanese culture all around. She indulged in manga whenever she could save up enough money. As with the anime, her grandma didn't take kindly to these Japanese things in her home. When she was 10, Jenny's parents split up. She and her older brother then joined their mom and moved to the US. When Jenny remarks that she's not sure how her mom did it, we go on a sidebar. Jenny shares that her mom grew up during the time of the US war in Vietnam, so she's a survivor. I add that, simply, women are amazing. In US schools, Jenny learned about the Holocaust. She also learned about Pearl Harbor, but like most school-age kids in this country, it was in the context of what got the US into WWII. Japanese colonialism and dominance in east Asia never really came up. Her family came straight from Hong Kong to San Francisco in 2000. Members of her mom's family had already been here, dating back to the Seventies and Eighties. Jenny and her mom and brother lived in the Tenderloin when they arrived. She saw the dirty streets in that hood and wondered why they traded Hong Kong skyscraper living for this. Her mom told her that for many reasons, including not having to buy school uniforms, life in SF was more affordable. Jenny's run of schools in The City—Lafayette, Presidio, Washington High. I ask her if she experienced culture shock moving halfway around the world. She says yes and points to knowing only people from Hong Kong when she lived there. Here, she quickly learned that there are folks from all over China and differences abound. She says also that Chinese people she met in San Francisco or The Bay were stuck in whatever era they moved here during, and that was sometimes startling. We go on a sidebar here after Jenny asks me about my own move here from Texas in 2000. Jenny spent a lot of time in the school library, including during lunches. She dedicated herself to learning from an early age. She recognized the hardships her family was going through and saw education as a way to climb out of that. She used her 45-minute Muni commutes from the Tenderloin to school in the Richmond to read and do homework. Her mom worked in restaurants here in The City. Jenny would go with her mom to places like the bank to do the translation. Jenny was learning about life in the US in real time and for practical reasons. At my prompting, Jenny and I rap about all the awesome food in the Little Saigon area of the Tenderloin. I share the story of coming home from my trip to Vietnam and eating at Turtle Tower right away because I missed the food of that incredible country. Jenny lived in the Tenderloin through all her public school days in San Francisco. When her paternal grandmother passed away, she went back to China to clean out her home, as we've mentioned. And that's when Jenny and other members of her family started finding items—military yen, rice-rationing coupons—that pointed to life spent under occupation. Back home, Jenny had found a decent job after college, but was feeling stuck. The revelation of her grandmother's lived experience was a light bulb. It was around this time that Jenny realized a massive hole in her US education. Why didn't she learn about the Japanese occupation of Hong Kong, for example? Most of the emphasis was on the war in Europe, with Pearl Harbor and later the nuclear bombing of Hiroshima and Nagasaki being the main subjects of the history of war in the Asian theater. In her own words, Jenny went "into a deep rabbit hole" to learn those untold stories. Her first stop was the library, where she discovered books like The Rape of Nanking by Iris Chang and The Rising Sun by John Toland. The more she learned, the more she sought existing nonprofits she could join forces with to amplify the stories of the Japanese occupation of China. To her dismay, there weren't any. It was around 2012 or 2013, and Jenny figured that she already knew how to live without much income. And so, she decided to start her own company—a nonprofit dedicated to getting those stories out to the world. Pacific Atrocities Education was born. Check back Thursday for Part 2 with Jenny Chan. We recorded this episode at Fort Mason in April 2026. Photography by Jeff Hunt

The hosts open the show discussing Jill's recent interview with the head of Infiniti USA regarding--among other things--the possible comeback of the humble sedan. This conversation dovetails nicely with Tom's news regarding the likely comeback of a Buick midsize sedan--and a possible Camaro, as well. Jill shared impressions of a would-be annual Land Rover event dubbed Defender Trophy Competition. The event would mirror the legendary Camel Trophy competitions of the Seventies and Eighties. Still in the first segment, Jill reviews the Range Rover SE premium large crossover. Listen in for her take on this off-road-ready luxury hauler. In the second segment, the hosts chat with Caterham's Simon Sproule about the carmaker's tiny sports cars. Listen in for details regarding the history of Caterham, as well as U.S. availability of these storied automobiles. In the last segment, Jill is subjected to Tom's "Which Sold Better?" quiz, including a special Talking Heads bonus question. After the quiz, Tom talks about Elon Musk, and how apparently distracted he is from from developing his core automotive products.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Eyres are currently involved in planning a 50th Anniversary Reunion for the 600 missionaries they led and served back in the Seventies in London England, and in this episode they talk about this phenomenon of young 18 and 19 year olds who leave home to serve and give (and preach) in some part of the world for 18 months or 2 years, and about how it matures and prepares them for life.

Scot and Jeff discuss the first part of XTC's career (1977-1983) with Andrew Gretes.   Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com. Andrew's Music Pick: XTC There may be no language in our lungs to tell the world just how we feel about this band, but here we give you a three-hour explanation -- with many clips to illustrate where words fail -- why XTC is arguably the great lost group of the rock era. In the early Seventies, in a rural English nowheresville named Swindon, songwriters Andy Partridge and Colin Moulding got together with local drum-thwacker Terry Chambers to form a local trio with decidedly quirky, non-chart sensibilities. Later they were joined by keyboardist Barry Andrews and began to slowly build a national profile in the (by then) post-punk scene. And only slightly later than that, they decided they were interested in developing those chart sensibilities after all -- but without dropping even one bit of their quirk.  But the story of this band is best told by their music -- and it's practically criminal that it isn't universally celebrated this world over. A decades-long career filled with nothing but one sparklingly intelligent post-punk and pop gem after another, XTC was always out of step with their times, always resolutely unassimilable to the true mainstream, always just a bit too self-consciously thoughtful.  And eventually they made their grudging peace with it, resigned to always be that “great” group that might have scored a hit or two, might have bubbled around the Top 20 every few years or so during the 1980s, but whose impact was heard in the countless subsequent groups they influenced. The story of XTC is a musical tale that will inspire anyone who cares about true songcraft, one filled with immense optimism and joy as well as some of the bitterest sociological observations to be put into British song.  Political Beats has been building up to its XTC episodes (this is the first of two) ever since the day the podcast was founded. The second part of their story is every bit as impressive -- and different -- as the first. All hail the amazing crash-boom-band. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The untold Marvel story behind Arnold Schwarzenegger's 1982 Conan The Barbarian movie! We'll explore the tragic life of Robert E Howard, the creation of the Sword & Sorcery genre, and how Conan The Cimmerian came to be! We'll take you behind-the-page on how Marvel Comics got hold of Conan and how he became one of the BIGGEST comic book success stories of the Seventies, and one of Marvel's most popular characters! Plus, we'll go behind-the-scenes on the making of the 1982 movie, to examine all the influence Marvel Comics had on the film, and find out what it takes to bring The Hyborian Age to life! Then we'll pull apart the original Conan movie scene-by-scene to bring you all our reactions and opinions! This deep-dive also has some of the BEST Marvel Connections we've ever found in a movie! And it's jam-packed with tons of trivia and history about Conan in the Marvel Universe, from the monsters to the magic, the fall of Atlantis, the Crimmerian god Crom, and how exactly Mary Jane Watson is involved! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

The untold Marvel story behind Arnold Schwarzenegger's 1982 Conan The Barbarian movie! We'll explore the tragic life of Robert E Howard, the creation of the Sword & Sorcery genre, and how Conan The Cimmerian came to be! We'll take you behind-the-page on how Marvel Comics got hold of Conan and how he became one of the BIGGEST comic book success stories of the Seventies, and one of Marvel's most popular characters! Plus, we'll go behind-the-scenes on the making of the 1982 movie, to examine all the influence Marvel Comics had on the film, and find out what it takes to bring The Hyborian Age to life! Then we'll pull apart the original Conan movie scene-by-scene to bring you all our reactions and opinions! This deep-dive also has some of the BEST Marvel Connections we've ever found in a movie! And it's jam-packed with tons of trivia and history about Conan in the Marvel Universe, from the monsters to the magic, the fall of Atlantis, the Crimmerian god Crom, and how exactly Mary Jane Watson is involved! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Ah, 1990...the year of acid washed jeans, Beverly Hills 90210, MC Hammer, Vanilla Ice, and Teenage Mutant Ninja Turtles. Oh, and lots of Bea Arthur. Of course, none of which we really talk about on this episode. Instead, we're focusing on the best (mostly) alternative albums to come out of that fantastic year. Returning to Third Lad-dom is power pop great Jim Basnight, a fixture on the scene since the late '70s. What has Jim been up to in the past two and a half years since his last appearance? Well, good thing you asked, because the answer is "plenty." For starters, his bands The Meice and The Moberlys were honored with tracks on the definitive Cherry Red box sets Looking For The Magic: American Power Pop in the Seventies and I Wanna Be a Teen Again: North American Power Pop of the '80s. He also released a steady stream of singles throughout 2025 that culminated in the full length album release of Under The Rock in December. As a blues devotee and expert, he's finished writing an exhaustive history of Sonny Boy Williamson, which will hopefully see a silver screen adaptation one day. All that, and he's still found the time to partake in his favorite pasttime - hanging out with O3L. Relive the fun, memories and music of this pivotal year. Plus, play along with the brand new O3L game "Ninety...or Nonsense?!?" It's the most fun you can have without telling someone to "eat my shorts, man!" Buy Jim's music at ⁠https://powerpopaholicproductions.bandcamp.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Osmonds were a phenomenon of the early to mid-Seventies. They had tremendous success with their own pop records. But they had broader musical ambitions and conceived a song cycle expounding on their faith in the Mormon Church, but in a accessible way for their young audience. "The Plan" was their concept album that offered a positive message to those would listen to their views. This is the complete album. In memory of Alan and Wayne Osmond.Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Listen to previous shows at the main webpage at:https://www.buzzsprut.com/1329053Other Items of Interest:Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII 

Eight General Authority Seventies and a new Primary general presidency were sustained at the 196th Annual General Conference of The Church of Jesus Christ of Latter-day Saints on Saturday, April 4, 2026. On this episode of the Church News podcast, hosted by Church News editor Ryan Jensen, these new Church leaders share their testimonies of Jesus Christ, His restored Church and the blessings that come from obedience to His word. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Hosts Jon Ryan Jensen, editor of the Church News, and Church News reporter Mary Richards share unique views of the stories, events, and people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by Rex Warner.

The Challengers of the Unknown are on a rescue mission to save Henry Kissinger from the Bermuda Triangle! Can it get any more Seventies? Join David and Peter as they cover this exciting story from Super-Team Family #8   Email us at theearth2podcast@gmail.com Facebook www.facebook.com/theearth2podcast Instagram www.instagram.com/theearth2podcast Twitter www.twitter.com/podcast_earth2 Leave us a Voicemail at www.speakpipe.com/theearth2podcast Find our Linktree at https://linktr.ee/theearth2podcast   #DCComics #DCMultiverse #ChallengersoftheUnknown #HenryKissinger #BermudaTriangle #SuperTeamFamily

The story of Soleil Ho starts with their grandparents. In this episode, meet and get to know the food writer and COYOTE Media Collective member who's been on my radar since they replaced longtime Chronicle food writer and mysterious human Michael Bauer. In Part 1, we dive into Soleil's family story. It begins two generations back, when their grandparents came to the US from Vietnam in the Seventies. They were refugees from the US war in their homeland. On Soleil's mom side, the grandparents brought Soleil's mom and seven other children from Vũng Tàu to Freeport, Illinois. They had first ended up in a refugee camp in Arkansas. It wasn't easy finding a new home for such a large family, but an older refugee from Nazi Germany who lived in Freeport took them in. Soleil's mom was around 10 years old when she got to Freeport. Soleil's dad's family comes from Central Vietnam. After the Viet Cong took over, they put his dad (Soleil's paternal grandfather) in a re-education camp, where he remained for around 10 years. After that, he was released and was able to flee his homeland for the US to join his family (also a large one). They also ended up in Illinois, where Soleil's parents eventually met. The story of how their parents met goes something like this: The Illinois Vietnamese scene was relatively small, and folks mostly knew one another. By Soleil's description, their maternal grandfather was "the guy," meaning he threw parties and made connections. So their parents' families just hung together, sometimes at big parties like at Lunar New Year, and there was always a lot of food. It was a shotgun wedding, with Soleil present in fetal form. They have a younger sister and their parents are now divorced. Soleil was born in 1987 in Illinois. Their mom had moved to Chicago to go to school there. Their earliest memories take place in Chicago, in fact. With two young parents working a lot to support their family, Soleil and their sister spent a lot of time with their maternal grandparents. They remember learning to make sandwiches in their grandparents' kitchen. Another early memory that I find fascinating and a little funny is of Michael Jordan individually wrapped hot dogs. It was Chicagoland in the Nineties, so it makes perfect sense that Bulls merch was everywhere. And that extended to food, remarkably. There's one memory from preschool involving contraband Gummy Bears. Fun stuff. As Soleil got a little older, they developed a love of vampires. In art classes, when asked to draw hand turkeys or Santas, Soleil would do so, but they would add fangs and bloody teeth. Fast-forwarding a bit, Soleil says that around the time they went off to college, they realized that the family had moved around 20 times. They moved to New York City when Soleil was eight. Their mom worked in fashion and lived on the east side of Manhattan. From there, they moved to Brooklyn. When I express awe at living in NYC in the Nineties, Soleil is quick to point out that this was Giuliani's New York. Policies of that administration transformed much of the city, especially Manhattan. We'll just leave it at that. It was around this time that Soleil started to develop a "taste in food," as they say. Their mom was now a single mom, working a lot, and like many families, they had the drawer full of take-out menus. Through this, Soleil learned about various Chinese cuisines, Indian food, and dishes from many other cultures, all represented right there in the kitchen. After Brooklyn came a short stint in Long Island before returning to Brooklyn, where Soleil went to high school. They compare that school to Lowell here, where you have to test to get in and "all the smart kids" go. With a quick, feeble calculation in my head, I ask whether Soleil starting high school around 9/11. They confirm and share their story of that day—suffice to say that they saw the whole thing happen in real time. I ask whether they're scarred from 9/11. Soleil says that, yes they are, but mostly existentially. Then they pivot to talking about how it brought about an end to illusion about the world, which is a net good thing. But seeing 9/11 in the greater context of conflict around the world really opened their eyes. (Our second guest that day, Honey, seen in the first photo with Soleil above, took issue with a canine passer-by, which I've left in the recording because duh.) September 11 led to Soleil's becoming an activist anti-war person, starting in 2003 with Iraq. Rather than being scarred by 9/11, it allowed them to put their own life into context. As a Vietnamese person with a French first name, they started questioning things like: Why was it so easy for the US to go to war after 9/11, first in Afghanistan and later in Iraq? When it came time for college, Soleil says that they wanted to "get as far the fuck away from New York as" they could, which for them meant Iowa and Grinnell College. They chose the school to be closer to their grandparents, who still lived in nearby Illinois, and because Grinnell essentially billed itself as a place for folks to figure it out, so to speak. By the time Soleil graduated college four years later, the sub-prime crash had happened and the subsequent recession had begun. They worked on a farm, which was hard but helped them better understand food systems. And then they moved to Minneapolis and began working in a restaurant, where we wrap up Part 1. Check back Thursday for Part 2 and the rest of Soleil Ho's story, including how they helped found COYOTE Media Collective. We recorded this episode at Strawberry Creek Park in Berkeley in March 2026. Photography by Jeff Hunt

It's 1978 and in The New Fantastic Four cartoon Johnny Storm has been replaced by an RDD2 knockoff - was the Human Torch too dangerous for TV? Were children really at risk of setting themselves on fire? We'll take you behind-the-scenes on the DISASTROUS making of this infamous Seventies cartoon and everything that went wrong, including TWO legal battles over the right to Marvel's characters! We'll also take you behind-the-page on the Fantastic Four in the Seventies to look at the seismic split between Jack Kirby and Stan Lee, the split between Sue Storm and Reed Richards, and how the FF came to reflect the rise of feminism and divorce rates in America! Then we'll deep-dive 3 episodes of the series to bring you all our reactions and thoughts, all the history and trivia, and all the Marvel Connections hiding in the IMDB pages of the cast! Plus we'll spend time with the Impossible Man, the strange death of Galactus, the darkest Human Torch story ever told, the last comic book Stan Lee and Jack Kirby ever did "together", and the worst Magneto ever committed to page or screen! Episodes In The Deep Dive Include; Ep. 2 - The Menace of Magneto Ep. 9 - The Frightful Four Ep. 11 - The Impossible Man For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

It's 1978 and in The New Fantastic Four cartoon Johnny Storm has been replaced by an RDD2 knockoff - was the Human Torch too dangerous for TV? Were children really at risk of setting themselves on fire? We'll take you behind-the-scenes on the DISASTROUS making of this infamous Seventies cartoon and everything that went wrong, including TWO legal battles over the right to Marvel's characters! We'll also take you behind-the-page on the Fantastic Four in the Seventies to look at the seismic split between Jack Kirby and Stan Lee, the split between Sue Storm and Reed Richards, and how the FF came to reflect the rise of feminism and divorce rates in America! Then we'll deep-dive 3 episodes of the series to bring you all our reactions and thoughts, all the history and trivia, and all the Marvel Connections hiding in the IMDB pages of the cast! Plus we'll spend time with the Impossible Man, the strange death of Galactus, the darkest Human Torch story ever told, the last comic book Stan Lee and Jack Kirby ever did "together", and the worst Magneto ever committed to page or screen! Episodes In The Deep Dive Include; Ep. 2 - The Menace of Magneto Ep. 9 - The Frightful Four Ep. 11 - The Impossible Man For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

John Carpenter's Someone's Watching Me! (1978) is one of the most overlooked thrillers in his filmography, and this week on Cutting Deep into Horror, Henrique Couto and Rachael Redolfi dig into the tense, creepy made-for-TV shocker Carpenter made right before Halloween.The film stars Lauren Hutton, David Birney, and Adrienne Barbeau, and turns anonymous phone calls, apartment paranoia, and stalker dread into a slow-burn nightmare that still lands. The movie was produced by Warner Bros. Television and aired on NBC on November 29, 1978. In this episode, Henrique and Rachael get into why the movie works so well as a pre-Halloween Carpenter thriller, how it builds suspense out of invasive attention and helplessness, and why its made-for-TV roots actually sharpen the tension instead of softening it. They talk about Lauren Hutton's strong lead performance, Adrienne Barbeau's memorable supporting turn, the movie's stalking setup, its uneasy humor, and the way it taps into fears about privacy, vulnerability, and not being believed. They also explore why this one deserves a much bigger reputation among fans of 1970s horror, psychological thrillers, and John Carpenter deep cuts.Inside this episode:why Someone's Watching Me! feels like a missing link between Carpenter's early work and Halloweenhow the film turns phone harassment, surveillance, and apartment living into effective horrorwhy Lauren Hutton makes such a compelling leadthe importance of Adrienne Barbeau's Sophie and the film's unusually progressive character dynamics for 1978why the movie's TV-thriller format gives it a different but very effective rhythmhow Carpenter creates tension without needing nonstop violence or spectacleFilm details:Year: 1978Director: John CarpenterStarring: Lauren Hutton, David Birney, Adrienne BarbeauRuntime: 97 minutes  Where to watch (U.S., this week):Hoopla and available to rent or buy on Amazon Video, Apple TV, and Fandango at Home.

A member of one of the biggest rock bands in Canadian history, drummer/vocalist/songwriter Gil Moore has been a part of Triumph since its inception in the Seventies. Now, with the reunited band ready to take off on its 50th Anniversary Tour, Gil sat down with Rock At Night to talk about the history of the band, how this tour is a REAL Triumph tour (and not what you might have heard online), and how important the fans are to the band. Check it out! [...]

A member of one of the biggest rock bands in Canadian history, drummer/vocalist/songwriter Gil Moore has been a part of Triumph since its inception in the Seventies. Now, with the reunited band ready to take off on its 50th Anniversary Tour, Gil sat down with Rock At Night to talk about the history of the band, how this tour is a REAL Triumph tour (and not what you might have heard online), and how important the fans are to the band. Check it out! [...]

To celebrate the 85th Anniversary of Captain America, we're exploring Cap's 1979 TV movie, and Marvel's 70s Cinematic Universe! We'll dig into the deal between Marvel Comics, Universal Television, and CBS that brought us TV movies and TV shows starring The Amazing Spider-Man, The Incredible Hulk, Dr Strange, and Captain America! We'll get into how the deal began and how it all fell apart, how the Captain America TV movie was made, why Reb Brown was cast as Steve Rogers, and how the film nearly ended the career of the director before it had ever begun! We'll also pay special attention to the Captain America comic books of the 1970's, how they took influence from the shifting sands of America's social and political climate, and how the Seventies transformed Captain America into a true rebel! Then we'll deep-dive the movie itself, pull it apart scene-by-scene and dig into everything this movie got right (the bike) and everything it got wrong! Plus we've packed the episode with tons of unexplored Marvel history and trivia about the Super Soldier Serum, the SECOND origin of Captain America, the Super Soldiers who also got powers in the war, how Marvel tied their Golden Age characters into their Silver Age characters, and tons more! Plus we've got all the Marvel Connections of every actor in this movie, no matter how tenuous or strenuous they may be! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

To celebrate the 85th Anniversary of Captain America, we're exploring Cap's 1979 TV movie, and Marvel's 70s Cinematic Universe! We'll dig into the deal between Marvel Comics, Universal Television, and CBS that brought us TV movies and TV shows starring The Amazing Spider-Man, The Incredible Hulk, Dr Strange, and Captain America! We'll get into how the deal began and how it all fell apart, how the Captain America TV movie was made, why Reb Brown was cast as Steve Rogers, and how the film nearly ended the career of the director before it had ever begun! We'll also pay special attention to the Captain America comic books of the 1970's, how they took influence from the shifting sands of America's social and political climate, and how the Seventies transformed Captain America into a true rebel! Then we'll deep-dive the movie itself, pull it apart scene-by-scene and dig into everything this movie got right (the bike) and everything it got wrong! Plus we've packed the episode with tons of unexplored Marvel history and trivia about the Super Soldier Serum, the SECOND origin of Captain America, the Super Soldiers who also got powers in the war, how Marvel tied their Golden Age characters into their Silver Age characters, and tons more! Plus we've got all the Marvel Connections of every actor in this movie, no matter how tenuous or strenuous they may be! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

For this episode of My Martin Amis, we're plugging into the London recording studio of the New Statesman magazine.From the intro: "Founded by economists and social reformers Sidney and Beatrice Webb and the Irish playwright George Bernard Shaw in 1913, the New Statesman has enjoyed a long history of finding and fostering journalistic and literary talent. In the early Seventies, the paper went through a succession of editors, during which time its circulation hit a low ebb. Among its staff then were two bright talents who became close friends through their employer. They sported flared trousers, yellowed fingertips and hair of thickness and length relatively similar to my guests. Their names were Christopher Hitchens and Martin Amis. Half a century later, minus the flares and barely disguised homoerotic tension (although who knows what we'll learn on this episode), a new duo stalks the newsroom."Jack's guests on this episode are George Monaghan, the New Statesman's junior commissioning editor, and Nick Harris, its ideas editor. At 27, they are both in the prime of their youth, yet have chosen to speak about what Amis taught them in Experience on the eternally fertile subjects of love, life, and literature.FOLLOW US ON X: @mymartinamisYOUTUBE: @mymartinamispod Hosted on Acast. See acast.com/privacy for more information.

What does an author do when her debut novel becomes an instant bestseller?  Cynthia D'Aprix Sweeney went right back to work on her next one, and her next-also instant hits. In this episode, Cynthia discusses growing up in the seventies, her hometown, and her parents' book collection influenced her latest novel, Lake Effect. People Magazine calls Lake Effect: “Astute and immersive with a surprising twist.”Cynthia D'Aprix Sweeney is the author of the instant New York Times bestselling novels The Nest (named a best book of the year by People, the Washington Post, and NPR) and Good Company (a Read with Jenna selection). She has been a guest on Today, Late Night with Seth Meyers, and NPR's All Things Considered. Her work has been translated into more than 28 languages, and The Nest is in development as a limited series with AMC Studios. Sweeney holds an MFA from the Bennington Writing Seminars. She and her husband live in New York City.  Her latest novel is LAKE EFFECT. Learn more at daprixsweeney.com Thanks to NetGalley for early preview copies. Ragdale Writing ResidenciesIntro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Send a textIn this episode I'm talking about the story behind my ultimate 70s tribute song, ‘These Were the Seventies.' What started as little memory notes and fun 70s references while I was writing my book slowly turned into a full song. This tune is packed with the sights, sounds, and goofy little details people from that era will remember instantly. In this episode, I'll share how the song came together, explain some of the lyrics, and play a little of it so you can hear where it's headed.Support the show

1:44:22 – Frank in New Jersey, plus the Other Side. Topics include: Waiting for the snow to melt, Florida, the cats, gave up on Best Guess Live, TextSavvy, California Fantasy Lies, hippo dream, sun trash synchronicity, The Firesign Theatre, Dope Humor of the Seventies, Duke of Madness Motors, Clown Cars & Pocket Machines, thought experiments, time travel, […]

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-214-swords-in-your-seventies-with-deborah-fisher  To support the show, come join the Patrons at  https://www.patreon.com/theswordguy Deborah Fisher is a member and instructor with the Whidbey Swordplay Association, a historical martial arts club on Whidbey Island, a ferry ride north of Seattle, Washington. She specializes in rapier and small sword. Knighted as Dame Virago, she is a former assistant director and instructor for the Seattle Knights, the Pacific Northwest's premier sword fighting and jousting theatrical troupe. And as Captain Highjack, she is the former leader of a very scurvy and entertaining band of pirates known as the Pirates of Puget Sound. We talk about how and why Deborah got into swords at the age of 50, and what her current training looks like in her 70s. We discuss how some physical and mental abilities change as you age, but how one's peak is still an attainable future goal. Deborah is a professional writer, specializing in instructional materials for teachers, health-care practitioners, and community youth advocates. She has written six books on positive youth development and served as a national trainer for the Minneapolis-based Search Institute. She is also a co-author of Stamp of the Century, a nonfiction book about the history of flight and a famous airmail postage stamp called the Inverted Jenny. Two of Guy's blog posts mentioned in this episode are 100 Days No Booze Results: What Really Changed (and What Didn't) and You're probably holding your sword wrong. Here's why. Find out more about the Whidbey Swordplay Association at: https://whidbeyswordplayassociation.com/

Matthew Bannister onNeil Sedaka the prolific songwriter who had Sixties hits with Oh Carol and Happy Birthday Sweet Sixteen and made a Seventies comeback with Solitaire and Love Will Keep Us Together. Graham Gouldman pays tribute. Drusilla Beyfus, the journalist best known for her books on etiquette. Her daughter Alexandra Shulman shares her memories.Professor Dame Carole Jordan, the leading astronomer who was an authority on the coronae of the sun and cool stars.And Ayatollah Ali Khamenei, the Supreme Leader of Iran for over thirty years who was killed in an air strike.Interviewee: Nazila Fathi Interviewee: Lisa Verrico Interviewee: Graham Gouldman Interviewee: Professor Mike Lockwood Interviewee: Alexandra ShulmanProducer: Gareth Nelson-Davies Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: Revolution In Iran, BBC News, 11/02/1979; The death of Ayatolla Khomeni, BBC News, 04/06/1989; Iran street protests, BBC News, 1999 and 2009; Protests in Iran, BBC News, 29/06/2023; BBC News report, 01/03/2026; Neil Sedaka: King of Song, BBC Four, 28/10/2018; The Sky at Night: Exploring the ultraviolet sky, BBC 1, 07/05/1989; Drusilla Beyfus, recorded by Susan Irvine, 08/08/2018; Drusilla Beyfus interview, Castle in the Country, BBC Two, 18/03/2005; Drusilla Beyfus interview, Eight for Eight fifteen, BBC Radio 4, 12/06/1988;

1:44:22 – Frank in New Jersey, plus the Other Side. Topics include: Waiting for the snow to melt, Florida, the cats, gave up on Best Guess Live, TextSavvy, California Fantasy Lies, hippo dream, sun trash synchronicity, The Firesign Theatre, Dope Humor of the Seventies, Duke of Madness Motors, Clown Cars & Pocket Machines, thought experiments, time travel, […]

The story of Sonia Mansfield has roots in The Bay. In this episode, we meet and get to know my friend Sonia. She and I worked together at the Fangs' Examiner back in the mid-2000s, and have been friends since. I loved her presence in the newsroom. I'd often listen to her make us all laugh from her A&E desk across the room. We've been through weddings, births, illness, divorces, and many, many beers together. These days, she hosts the What a Creep podcast, and I'm so glad you get to meet her now. We begin Part 1 with the story of Sonia's parents. Her dad is from Richmond, California, and her mom is from Concord. Her dad eventually moved to Concord, where he went to Mt. Diablo High and dated a girl who turned out to be Sonia's mom's best friend. After her dad got his heart broken by that friend, Sonia's mom jumped right in. They were high school sweethearts who got married right after graduation, and have been together ever since. The young couple had their first kid—Sonia—a couple years later, when they were 21. Another girl came around about three years later, followed by a boy five years after that. Sonia was born and grew up in Concord. She recalls the East Bay town before BART, with plenty of wide-open fields and other undeveloped spaces. She rollerskated a lot (hey, it was the Seventies, after all) at local roller rinks. The Concord Pavilion (now known as Toyota Pavilion at Concord—barf) was where big touring acts played, and Sonia went to her share of concerts there. Her childhood and early adulthood were, in her words, "so Gen X." She and her siblings and their neighborhood friends ran wild, like feral animals. Anyone from this generation, including me, can relate. Looking back as an adult with a kid now, Sonia figures her parents just wanted them out of the house. What's the worst that could happen? The only "surveillance" would be: If the family dog, a Dachshund named Oscar, was sitting outside a nearby house, you could bet that Sonia was inside. He got there by chasing his favorite person while she rode her bike. No leash. Why would you? It was so laissez-faire, in fact, that Sonia says she would walk into strangers' houses. "You're watching cartoons. I like cartoons." Cool. Her sister was always part of her crew, her and other kids from the neighborhood. They also had hella cousins. Sonia's mom is one of eight kids in her family. We go on a little sidebar about all the crazy, dangerous shit we all did as kids. In Texas, there was a certain kind of injury, where some part of your body scraped across cement or asphalt. We called it "getting skinned," and it hurt like hell. But it was just part of the game. The conversation turns to Sonia's earliest days loving TV and movies. She's loved them as long as she remembers, thanks to her dad. He used to love going to theaters to watch movies. Now, he prefers seeing them from the comfort of his own home, but it speaks to his love of the medium. And Sonia says she got that from her old man. Her mom also loves movies, and kept going to theaters longer than her husband. She took her eldest daughter with her almost always. The movies they saw were never age-appropriate, but she got in because she was with her mom. Young Sonia also loved TV Guide, and would read the magazine from front-to-back, word-for-word. She says that before the internet, before Google, her dad would call Sonia and ask her about movies. The TV was always on, something else I relate to (my parents, both in their mid-eighties, still do this). Sonia was an early MTV adopter. Probably because her parents were younger than most, they liked cool music and Sonia heard a lot of it. That whole "walk into neighbors' houses, everyone's my friend" ran head-first into seventh grade, when Sonia learned the hard way that it just can't be true. One day, on the bus she rode every day, one kid started teasing her and then got other kids on the bus to join in. And it happened again the next day. And the next. The torture lasted for months. And it wasn't just the bus—the dude kept up the torment in the classroom. She says that the bullying changed her chemically. She went from open and outgoing to shy and afraid. She started spending more and more time in the school library during lunch. She didn't share her shame with anyone—not friends, not her parents. She internalized it. Part of turning inward for Sonia meant watching more and more TV. She'd go see movies alone. But it's not like she had zero friends. Sonia found her weirdos, the nerds and theater kids, and kept her circle small. She got even more into writing during this time in her life. In middle school, she'd write "really shitty short stories." She asked her parents for and they bought her an electric typewriter. In high school, she took a creative writing class and joined the school paper staff, for whom she wrote movie reviews (duh). Siskel and Ebert were huge influences, and she regularly read the Contra Costa Times' A&E section. When her family would go off on camping/hunting trips and leave Sonia behind because she wasn't into that kinda thing, she'd take the $20 they left her and go rent movies at her local indie video store. She'd browse the aisles and read the backs of every tape. She credits this with why she has so much useless knowledge around movies in her brain all these years later. After she graduated from high school, Sonia got a job at the local movie theater. And at that job, she started making friends with other movie nerds. Because her coworkers were new in her life and not privy to the BS she put up with in middle and high school, she could start fresh with them. And she was getting attention … from boys. Some of the folks she met at that theater job and another that followed have remained lifelong friends, in fact. Sonia was really finding herself as a young adult. We wrap up Part 1 with her decision to stay close to home and go to community college, vs. moving away and going to a four-year school. Check back tomorrow for Part 2. We recorded this episode at Rosamunde in The Mission in January 2026. Photography by Jeff Hunt

It's the White Rocket Music Podcast! Connie and Andy Fix join Van once again to dig into the greatest music of the Sixties, Seventies, Eighties and beyond! This episode: Connie, Andy and Van choose their 5 Albums that are ALL KILLER, NO FILLER-- albums that may not be their favorites, but you never want to skip a single track! Thanks to all of our patrons for making shows like this possible! We have no advertisers and are entirely supported by our great listeners! Be a part of the White Rocket Entertainment family by becoming a patron of the shows: https://www.patreon.com/whiterocketreviews Brought to you by White Rocket Entertainment. http://www.plexico.net

TVC 723.1: Ed welcomes Glenn Stewart, an adjunct professor at Westfield State University (Westfield, Massachusetts) whose background in media includes twenty-five years in radio, both as an on-air personality and as a station programmer for many stations across the United States. Glenn's new book, Columbo Explains the Seventies: A TV Cop's Pop Culture Journey, asks the question, "If you sealed all forty-five episodes of the original Columbo (NBC, 1971-1978) in a time capsule and unearthed them one hundred years later, what would those episodes of Columbo tell us about the culture of the 1970s?" Columbo Explains the Seventies is available through Bonaventure Press and Amazon.com. Topics this segment include how the original Columbo is more a clash of styles versus a study in class conflict; how social capital is portrayed in Columbo; and the extent to which the series reflects the melting pot of Los Angeles in the 1970s.

TVC 723.2: Glenn Stewart, author of Columbo Explains the Seventies, discusses some of the differences between the original Columbo (NBC, 1971-1978) and the revival of Columbo in the 1990s (ABC, 1989-2003), and how one of his goals for the book is to get readers to revisit the NBC series. Columbo Explains the Seventies is available through Bonaventure Press and Amazon.com.

Disguised variously as a baseball umpire, NFL referee, pro golfer, and even Dallas Cowboys cheerleader, Barry Bremen earned his reputation as America's greatest pitch invader - a career that kicked off on 4th February, 1979. Dressed as a player for the Kansas City Kings, the 32 year-old insurance salesman crashed the court of an NBA All-Star basketball game - much to the delight of fellow players and spectators. Hey, it was the Seventies! In this episode, Arion, Rebecca and Olly ask why top sportsmen of the day were so keen to support him; reveal how the media encouraged his efforts to become a sporting celebrity; and explain why his behaviour pushed the broadcasters of the 1985 Emmys to cut quickly to a puzzled David Hasselhoff… Further Reading: • ‘From Ali Dia to Karl Power: the greatest impostors in sporting history' (The Guardian, 2016): https://www.theguardian.com/sport/shortcuts/2016/oct/18/from-ali-dia-barry-bremen-greatest-fakers-in-sporting-history • 'When Barry Bremen Tried to Infiltrate the Dallas Cowgirls, the Team Found It a Drag' (People, 1980): https://people.com/archive/when-barry-bremen-tried-to-infiltrate-the-dallas-cowgirls-the-team-found-it-a-drag-vol-13-no-2/ • ‘The Great Imposter Barry Bremen' (NBC, 1979): https://www.youtube.com/watch?v=pNjZni1yQ90 Love the show? Support us!  Join 

TVC 723.3: Glenn Stewart, author of Columbo Explains the Seventies, talks to Ed about Patrick McGoohan's peculiar relationship with Columbo as an actor, writer, and director. While McGoohan starred in two of the very best episodes of the original Columbo ("By Dawn's Early Light," "Identity Crisis") and one of the better episodes of the ABC series ("Agenda for Murder"), he also contributed to some of the problems that plagued Columbo in the 1990s (including, most notably, the episode "Murder with Too Many Notes"). Columbo Explains the Seventies is available through Bonaventure Press and Amazon.com.

This week, Blaine welcomes everyone and gives a quick overview of the episode (0:02). From there, Donovan gives the guys the scoop on what the hype is behind the HBO series 'Heated Rivalry' (1:33). After that, the weekend was abuzz because of Netflix's live event 'Skyscraper Live,' which Donovan could not watch (9:31). Continuing in non-spoilers, they introduce 'PONIES' on Peacock (15:09), why 'The Fall and Rise of Reggie Dinkins' is must-see (20:53), and how great it is to be back in Westeros with 'A Knight of the Seven Kingdoms' (28:17). In the spoiler section, the host discuss how 'PONIES' is mostly great, though there could be fixes (30:18). Then they finalize this week's episode with the joy of 'A Knight of the Seven Kingdoms' (43:31). For more, visit The Alabama Take website!To sign up for the site's newsletter rather than rely on social media, sign up here.To help both the podcast and The Alabama Take site itself, consider making a donation of any size with the link here.Companies mentioned in this episode:NBCPeacockHBONetflix

The 1970s was the decade that changed the television landscape forever dealing with issues of race, gender, sexuality to the war in Vietnam. No show broke the barriers of turning entertainment into social commentary more than "All in the Family." The late actor-director Rob Reiner played a critical role in the series as Mike "Meathead" Stivic, the liberal foil to main character working class conservative Archie Bunker. In our latest, we discuss Reiner and 70s television contributionto the era's political culture. We also look at television through the decades and its ongoing contribution to politics. ------------------------------

Ever since I heard the Argentine saxophonist Gato Barbieri back in the Seventies, I've been fascinated by musicians from South America who found their way to jazz.Lately there seems to be a strong showing of contemporary musicians from various Latin American countries who not only play jazz but also mix certain Latin American folk traditions into their sound.So, this week I spoke with six of them: vocalist Claudia Acuña from Chile, Argentine vocalists Sofia Rei and Roxana Amed, Mexican vocalist Magos Herrera, guitarist/vocalist Camila Meza and tenor saxophonist Melissa Aldana.Each has a story about identity, living the jazz dream and how they came to jazz.Hopefully you'll use this roadmap to start your own journey into jazz, if you haven't already.- FelixMusic heard in this episode:Claudia Acuña - “Prelude To A Kiss”Sofia Rei - “El Gavilán”Gato Barieri - “To Be Continued”Roxana Amed - “Corazón delator”Mangos Herrera - “Luz de Luna”Camila Meza - “Utopia”Melissa Aldana - “A Purpose”Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy