Podcasts about seventies

What do you remember using/having the most in the Summer time in the 70s?

Which Disney characters did you like the most in the 70s? Here's our rundown on the most iconic in the 70s. Some were from the seventies but others we just enjoyed in the 70s. Anyone like Mickey Mouse? Donald Duck? Herbie the Love Bug?

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring visual artist, Howard Better.Howard attended Pratt Institute and California Institute of the Arts in the late Seventies and his art-making career has mostly involved moving images, First using 16mm film, then video and digital images. His movies have been made to be projected on unusual surfaces, such as the side of a cliff or into the corner of a room. Howard spent two decades doing freelance animation, mostly working on Sesame Street and other similar shows. He began teaching video and animationclasses in the early nineties, and has taught 3D computer animation to college students, but he professes his real love is stop-motion animation.  In recent years, he has been working primarily with special ed students.  Howard began working with collaged objects about 20 years ago and has ongoing installations in various locations around Uptown Manhattan.  He has shown his collage work several times up in Yonkers, Soapbox Gallery in Brooklyn, Le Petit Versailles in the East Village, and at the Tufano Gallery in Cobleskill, NY. He is currently working on an ongoing series of collages called WALLPAPER which are used to cover the walls of large spaces.  

Robert Thomas Christgau (/ˈkrɪstɡaʊ/ KRIST-gow; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics,[1][2] he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West.[2] He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University.[3] CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen."[4]Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmented prose style featuring layered clauses, caustic wit, one-liner jokes, political digressions, and allusions ranging from common knowledge to the esoteric.[5] His writing is often informed by leftist politics (particularly feminism[6] and secular humanism). He has generally favored song-oriented musical forms and qualities of wit and formal rigor, as well as musicianship from uncommon sources.[7]Originally published in his "Consumer Guide" columns during his tenure at The Village Voice from 1969 to 2006, the reviews were collected in book form across three decade-ending volumes–Christgau's Record Guide: Rock Albums of the Seventies (1981), Christgau's Record Guide: The '80s (1990), and Christgau's Consumer Guide: Albums of the '90s (2000).[3] Multiple collections of his essays have been published in book form,[3] and a website published in his name since 2001 has freely hosted most of his work.In 2006, the Voice dismissed Christgau after the paper's acquisition by New Times Media. He continued to write reviews in the "Consumer Guide" format for MSN Music, Cuepoint, and Noisey (Vice's music section) where they were published in his "Expert Witness" column[8] until July 2019.[9] In September of the same year, he launched a paid-subscription newsletter called And It Don't Stop, published on the email-newsletter platform Substack and featuring a monthly "Consumer Guide" column, among other writings.[10]PICTURE: By Joe Mabel - This image has been extracted from another file, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=79881980

As much as cartoons, we also loved our comic strips in the 70s!

What kind oif stuff do you regret not hanging on to from the 70s?

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

Welcome back to this week's exciting episode of Diving in Deep! Sara sits down with the talented grandchildren of country music legends Conway Twitty and Loretta Lynn, Tre Twitty and Tayla Lynn! In this heartfelt conversation, they share their journey as a tribute band honoring their grandparents, revealing incredible behind-the-scenes stories, and personal anecdotes that highlight the legacy of Conway and Loretta. From their childhood memories to the challenges of touring, this episode is packed with laughter, nostalgia, and a deep appreciation for family and music.Discover how Tre and Tayla blend their own musical influences with the iconic sounds of their grandparents, hear about their new album, and even some of their hot takes on pop culture.Don't miss this chance to connect with the next generation of country music stars! If you enjoy the episode, please like, subscribe, and share your thoughts in the comments below.Listen to Unbroke: (https://ffm.to/seunbroke).About Tayla Lynn & Tre Twitty:There's a moment right at the very beginning of any Twitty & Lynn show that affords country music fans the chance to look back in time. Just after the band has played the signature intro to “Louisiana Woman, Mississippi Man,” Tre Twitty and Tayla Lynn shoot each other a glance that summons the electrifying chemistry of their grandparents: Tre is the grandson of Conway Twitty, Tayla is the granddaughter of Loretta Lynn.Audiences can't believe their eyes. From that moment, for the next 90 minutes, they're in the presence of living country music history. “Fans have told Tayla and me that when they see us onstage singing, talking, and just looking at each other, they think, ‘Wow, there must be something genetic in those two families,'” Tre says. “It validates the experience of the concert for them. We're telling our grandparents' story through our story.”But Twitty & Lynn — and their internationally popular show “A Salute to Conway & Loretta” — aren't impersonators. Tre doesn't groom Seventies sideburns and perm his hair; Tayla doesn't mimic her grandmother's mannerisms. Rather, they are onstage celebrating country music, the lost art of duet singing, and the two beloved icons they refer to as “Poppy” and “Memaw.”LET'S BE SOCIAL:Follow Tayla Lynn & Tre Twitty:Instagram - (@twittyandlynn)Facebook - (@Twitty and Lynn)Instagram - (@taylalynnfinger)Facebook - (@Tayla Lynn)X - (@taylalynnheller)TikTok - (@taylalynnofficial)Instagram - (@tretwitty)Facebook - (@Tre Twitty)Follow Diving in Deep Podcast:Instagram –(@divingindeeppod)TikTok – (@divingindeeppod)X – (@divingindeeppod)Facebook – (@divingindeeppod)Follow Sara Evans:Instagram – (@saraevansmusic)TikTok – (@saraevansmusic)Twitter – (@saraevansmusic)Facebook – (@saraevansmusic)Produced and Edited by: The Cast Collective (Nashville, TN)YouTube – (‪@TheCastCollective‬)Instagram – (@TheCastCollective)Twitter – (@TheCastCollective)Directed by: Erin DuganEdited By: Sean Dugan, Corey Williams, & Michaela Dolphhttps://www.thecastcollective.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We thought we would try another sports themed episode because the last one did so well!

Members of The Church of Jesus Christ of Latter-day Saints sustained 16 new General Authority Seventies during the Saturday morning session of the Church’s 195th Annual General Conference on Saturday, April 5, 2025. President Dallin H. Oaks, first counselor in the First Presidency, presented the new General Authority Seventies for a sustaining vote, along with the sustaining of the Church’s other general authorities and general officers. This episode of the Church News podcast is dedicated to the new leaders sharing their testimonies of the gospel of Jesus Christ. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Hosts Jon Ryan Jensen, editor of the Church News, and Church News reporter Mary Richards share unique views of the stories, events, and people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by KellieAnn Halvorsen.

OK, we talked about doing this episode for a long time. Honestly, not sure how well it is going to go over,,,,, but here it is!

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari.They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport. Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery.There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery.Plus, find out who the only driver in Ferrari history was to call Enzo by his first name!Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/theraceBuy some Colossally merch! Visit The Race ShopFollow The Race on Instagram, Twitter and FacebookCheck out our latest videos on YouTubeDownload our app on iOS or AndroidA Race Media ProductionProducer: Jonny ReynoldsWith special thanks to Tim Silvey for studio support Hosted on Acast. See acast.com/privacy for more information.

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari. They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport.  Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery. There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery. Plus, find out who the only driver in Ferrari history was to call Enzo by his first name! Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/therace Buy some Colossally merch! Visit The Race Shop Follow The Race on Instagram, Twitter and Facebook Check out our latest videos on YouTube Download our app on iOS or Android A Race Media Production Producer: Jonny Reynolds With special thanks to Tim Silvey for studio support Learn more about your ad choices. Visit megaphone.fm/adchoices

Unboxing 70s swag and 70s trivia!

For Steve Howe's birthday, Dan and Steven talk about some of their favorite Steve Howe stuff from the '70s. (And he's in his seventies!) Feel free to comment some of your favorites!

Dads are important to everybody, we visit about our own Dads. Our friends Dads and some famous Dads of the 70s!

We continue our discussion with author and Robert Anton Wilson biographer Gabriel Kennedy, this time focusing specifically on the Long Seventies period of Wilson's life. 

On his mom's side, Woody LaBounty's San Francisco roots go back to 1850. In Part 1, get to know Woody, who, today, is the president and CEO of SF Heritage. But he's so, so much more than that. He begins by tracing his lineage back to the early days of the Gold Rush. His maternal great-great-great-grandfather arrived here mid-Nineteenth Century. Woody even knows what ship he was on and the exact day that it arrived in the recently christened city of San Francisco. On Woody's dad's side, the roots are about 100 years younger than that. His father grew up in Fort Worth, Texas (like I did). His dad's mom was single and fell on hard times in Texas. She came to San Francisco, where she had a step-brother. Woody's parents met at the Donut Bowl at 10th Avenue and Geary Boulevard (where Boudin Bakery is today). Donut Bowl was a combination donut shop/hot dog joint. At the time the two met, his dad worked as a cook there and his mom was in high school. His mom and her friends went to nearby Washington High and would hang out at the donut shop after school. The next year or so, his parents had their first kid—Woody. They came from different sides of the track, as it were. Woody's mom's family wasn't crazy about her dating his working-class dad, who didn't finish high school. But once his mom became pregnant with Woody, everything changed. The couple had two more sons after Woody. One of his brothers played for the 49ers in the Nineties and lives in Oregon today. His other brother works with underserved high school kids in New Jersey, helping them get into college. Woody shares some impressions of his first 10 years or so of life by describing The City in the mid-Seventies. Yes, kids played in the streets and rode Muni to Candlestick Park and The Tenderloin to go bowling. It was also the era of Patty Hearst and the SLA, Jonestown, and the Moscone/Milk murders. But for 10-year-old Woody, it was home. It felt safe, like a village. Because I'm a dork, I ask Woody to share his memories of when Star Wars came out. Obliging me, he goes on a sidebar about how the cinematic phenomenon came into his world in San Francisco. He did, in fact, see Star Wars in its first run at the Coronet. He attended Sacred Heart on Cathedral Hill when it was an all-boys high school. He grew up Catholic, although you didn't have to be to go to one of SF's three Catholic boys' high schools. Woody describes, in broad terms, the types of families that sent their boys to the three schools. Sacred Heart was generally for kids of working-class folks. After school, if they didn't take Muni back home to the Richmond District, Woody and his friends might head over to Fisherman's Wharf to play early era video games. Or, most likely, they'd head over to any number of high schools to talk to girls. Because parental supervision was lacking, let's say, Woody and his buddies also frequently went to several 18+ and 21+ spots. The I-Beam in the Haight, The Triangle in the Marina, The Pierce Street Annex, Enrico's in North Beach, Mabuhay Gardens. There, he saw bands like The Tubes and The Dead Kennedy's, although punk wasn't really his thing. Woody was more into jazz, RnB, and late-disco. We chat a little about café culture in San Francisco, something that didn't really exist until the Eighties. To this day, Woody still spends his Friday mornings at Simple Pleasures Cafe. And we end Part 1 with Woody's brief time at UC Berkeley (one year) and the real reason he even bothered to try college. Check back next week for Part 2 with Woody LaBounty. And this Thursday, look for a bonus episode all about We Players and their upcoming production of Macbeth at Fort Point. We recorded this episode in Mountain Lake Park in March 2025. Photography by Jeff Hunt

Keith West in conversation with David Eastaugh https://hozacrecords.com/bands/brats/ Before there was KISS, before there were The Ramones and Blondie, there was The Brats. The Brats and The New York Dolls were at the forefront of the NYC music scene of the Seventies. Brat, Rick Rivets, actually quit The Dolls to form The Brats. The Brats would become the biggest draw in NYC from 1972 to 1981 and every band hoped to open for them for the exposure. Just ask any one of the members of KISS or The Ramones (“Beat on The Brat!”) or any other NYC band for that matter, The Brats were a big influence on them and the whole NYC music scene of the Seventies. Their story begins one night while hanging out with Alice Cooper downstairs at Max's, Keith West and the boys were giving the waitress a hard time. Alice leaned over and said “You guys are a bunch of Brats” and they took him literally. Early on, The Brats rehearsed in a loft on Bleecker Street, where they would stage their infamous loft parties, often with an then unsigned band, KISS, as their opening act. They headlined all over the New York City area with other up and coming bands like Blondie, The Ramones, Television, Talking Heads and The Heartbreakers

Holy crap we sure did watch a lot of tv in the 70s and most of it was from the 50s and 60s!

Daniel and I were down in OC cleaning out the house all week and what a cornucopia of items we found! We discuss what should be kept versus what tossed, understanding who people are through their stuff, the need for not one but two anoscopes and so much more. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

Rock legend Peter Wolf has written an extraordinary memoir entitled "Waiting On The Moon" that's full of mindblowing stories that go far beyond his brilliant music career, to unforgettable stories about his marriage in The Seventies to the Oscar-winning actress Faye Dunaway, and his fascinating experiences with everyone from Marilyn Monroe to Muddy Waters, The Rolling Stones to Alfred Hitchcock. Phil and David invited noted J Geils Band fan and famed TV writer Mike Scully (The Simpsons, Parks & Recreation, Everybody Loves Raymond) to join this soulful conversation. Order Peter's book here.  All this, plus, hear a preview of next week's episode with the one & only Smokey Robinson along with Brad Paisley. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. 

Somw of us had a lot of chores, others didn't have any. Did you have chores as a kid in the 70s?

Sugar Babies, listener feedback, 70s trivia and CB radio talk. See who won the t-shirt.

Listen in as we visit about some of the great Gene Hackman movies from the 70s!

Believe it or not Gretchen is actually in the studio LIVE with us!

What's your most loved and least favorite song on Jellyfish's Spilt Milk?!  Jim picked the 1993 favorite by the band that Dan says unites us the most. Between the four of us, we saw the band close to 30 times in just three years but it was Adam that started a website about the band, helped write their boxed set liner notes and....it's complicated. As a result of a whole lotta fun stories, the ranking doesn't start until the 32 minute mark. So close your eyes and get comfortable because we got Roger Joseph Manning Jr, Tim Smith, Eric Dover, Jason Falkner and superfan Pablo Melons to chime in with their most and least loved songs on the album. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite lactose intolerant dairy bar.Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER:  Accordion, All Is Forgiven, Beach Boys, the Beatles, Bellybutton, Jay Bennett, Bourgeois Tagg, Brighter Day, Jon Brion, Bye Bye Bye, chalk line dollar sign, Charisma, curtain opens, demo-itus, dick jokes, Disney, Eric Dover, Dukes of Stratosphear, Jason Falkner, fanboy, Fanclub, Four Freshmen, Albhy Galuten, The Ghost At Number One, the Glutton of Sympathy, Mike Halloran, harmonies, He's My Best Friend, Mary Hopkins, Hush, Jellyfish, Joining A Fanclub, Joining A Fanpage, Bruce Kaphan, Los Angeles Union Session Musicians, liner notes, the Lovetarians, Roger Joseph Manning Jr, mayonnaise, Pablo Melons, New Mistake, Harry Nillson, Partridge Family, Pleasanton, polka, pop, power pop, Jack Joseph Puig, Queen, rock, Russian Hill, Sebrina Paste and Plato, the Seventies, Tim Smith, Spilt Milk, Steely Dan, strike the tent, Andy Sturmer, Supertramp, Too Much, Too Late, Too Little, tuba, tuppence, Wings, T Bone Wolk, Lyle Workman, XTC, 1993.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

A concert attendee filed suit against a band's lead singer based on the singer's alleged "onslaught" of blows to the attendee's face, head, and body over a dispute. However, the singer's claimed that the confrontation only became violent when the attendee threw the first punch.  Notable Timestamps [ 00:25 ] - The singer tendered the suit to his insurer, who agreed to defend under a reservation of rights, but is there a duty to defend? [ 01:25 ] - Seventies, eighties, nineties? The crew chats concerts. [ 02:30 ] - This scenario is based on New York Marine and General Ins. Co. v. Ness, 2021 WL 510624 (E.D. Cal. 1/12/21), linked below. [ 03:30 ] - "Four Corners" means looking only at the Complaint, and "Eight Corners" means looking at the insurance policy as well. Both phrases refer to ignoring outside evidence and focusing on the claims made for the purposes of determining the Duty to Defend. [ 04:30 ] - The court determined that the insured's claims raised a factual issue about the insured's intent. The exclusion for Expected or Intended Injury would not apply in cases of self-defense. [ 05:45 ] - The court found that when there are extrinsic facts from the insured, it is incorrect to assume that only the attendee's allegations matter, so they found a duty to defend. [ 06:15 ] - Courts might sometimes punish "creative pleading", but nevertheless often Complaints will include allegations of negligence, which in this case would have prevented a coverage dispute. [ 08:30 ] - States treat "extrinsic evidence rules" differently. Texas courts allow evidence that solely addresses coverage and does not contradict the facts in the Complaint. This scenario would fail the second prong. [ 09:45 ] - Florida would not permit an insurer to allege extrinsic evidence to dispute the duty to defend, whereas Hawaii or New York might. Some caselaw suggests that if an exclusion clearly applies, extrinsic evidence may be allowed. [ 12:20 ] - Expediency drives many of these rules, as well as insurers' decisions between Declaratory Judgment and denial. [ 13:20 ] - One South Carolina case required an insurer to look at extrinsic evidence. [ 14:30 ] - Can an insurer use an endorsement to permit the introduction of extrinsic evidence in disputes about the duty to defend? A Washington court has yet to answer this question in Developers Surety and Indemnity Co. v. Alis Homes, LLC, 2018 WL 1792182 (W.D. Wash. 4/16/18), reviewed at PLRB, Com. Liab. Ins. L. Rev. 5511 (2018). https://www.plrb.org/legacy-documents?DN=66854 [ 15:40 ] - A California case held that extrinsic evidence could establish a duty to defend-- that's this scenario, linked below. [ 17:35 ] - Michele provides a recap of the scenario and the points above. Your PLRB Resources On the admissibility of extrinsic evidence regarding an insurer's duty to defend, Commercial General Liability Policy Annotation Key GL37 - https://www.plrb.org/legacy-documents?DN=43173 Expected or intended injury exclusion, see Commercial General Liability Policy Annotation Key GL71 - https://www.plrb.org/legacy-documents?DN=43211 Law Review California Federal District Case - https://www.plrb.org/documents/new-york-marine-and-general-ins-co-v-ness/ Employees of member companies also have access to a searchable legal database, hundreds of hours of video trainings, building code materials, weather data, and even the ability to have your coverage questions answered by our team of attorneys (https://www.plrb.org/ask-plrb/) at no additional charge to you or your company. Subscribe to this Podcast Your Podcast App - Please subscribe and rate us on your favorite podcast app YouTube - Please like and subscribe at @plrb LinkedIN - Please follow at “Property and Liability Resource Bureau” Send us your Scenario! Please reach out to us with your scenario! This could be your “adjuster story” sharing a situation from your claims experience, or a burning question you would like the team to answer. In any case, please omit any personal information as we will anonymize your story before we share. Just reach out to scenario@plrb.org. Legal Information The views and opinions expressed in this resource are those of the individual speaker and not necessarily those of the Property & Liability Resource Bureau (PLRB), its membership, or any organization with which the presenter is employed or affiliated. The information, ideas, and opinions are presented as information only and not as legal advice or offers of representation. Individual policy language and state laws vary, and listeners should rely on guidance from their companies and counsel as appropriate. Music: “Piece of Future” by Keyframe_Audio. Pixabay. Pixabay License. Font: Metropolis by Chris Simpson. SIL OFL 1.1. Icons: FontAwesome (SIL OFL 1.1) and Noun Project (royalty-free licenses purchased via subscription). Sound Effects: Pixabay (Pixabay License) and Freesound.org (CC0).

Pakistan's history since independence is…complicated. Partition wrecked the economy, leaving all the economic infrastructure in India. Democracy was weak, as the military launched multiple coups to overthrow the civilian government. The country was split into an unsustainable two halves–with one declaring independence as Bangladesh by the Seventies. Professor Tahir Kamran covers Pakistan's history–starting in pre-history and traveling all the way to the present day–in his book Chequered Past, Uncertain Future: The History of Pakistan (Reaktion, 2024) Tahir Kamran is Head of the Department of the Liberal Arts at Beaconhouse National University, Lahore, Director of the Khaldunia Centre for Historical Research and the editor of the Pakistan Journal of Historical Studies. His books include Colonial Lahore: A History of the City and Beyond (Oxford University Press: 2017). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chequered Past, Uncertain Future. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pakistan's history since independence is…complicated. Partition wrecked the economy, leaving all the economic infrastructure in India. Democracy was weak, as the military launched multiple coups to overthrow the civilian government. The country was split into an unsustainable two halves–with one declaring independence as Bangladesh by the Seventies. Professor Tahir Kamran covers Pakistan's history–starting in pre-history and traveling all the way to the present day–in his book Chequered Past, Uncertain Future: The History of Pakistan (Reaktion, 2024) Tahir Kamran is Head of the Department of the Liberal Arts at Beaconhouse National University, Lahore, Director of the Khaldunia Centre for Historical Research and the editor of the Pakistan Journal of Historical Studies. His books include Colonial Lahore: A History of the City and Beyond (Oxford University Press: 2017). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chequered Past, Uncertain Future. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Pakistan's history since independence is…complicated. Partition wrecked the economy, leaving all the economic infrastructure in India. Democracy was weak, as the military launched multiple coups to overthrow the civilian government. The country was split into an unsustainable two halves–with one declaring independence as Bangladesh by the Seventies. Professor Tahir Kamran covers Pakistan's history–starting in pre-history and traveling all the way to the present day–in his book Chequered Past, Uncertain Future: The History of Pakistan (Reaktion, 2024) Tahir Kamran is Head of the Department of the Liberal Arts at Beaconhouse National University, Lahore, Director of the Khaldunia Centre for Historical Research and the editor of the Pakistan Journal of Historical Studies. His books include Colonial Lahore: A History of the City and Beyond (Oxford University Press: 2017). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chequered Past, Uncertain Future. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Pakistan's history since independence is…complicated. Partition wrecked the economy, leaving all the economic infrastructure in India. Democracy was weak, as the military launched multiple coups to overthrow the civilian government. The country was split into an unsustainable two halves–with one declaring independence as Bangladesh by the Seventies. Professor Tahir Kamran covers Pakistan's history–starting in pre-history and traveling all the way to the present day–in his book Chequered Past, Uncertain Future: The History of Pakistan (Reaktion, 2024) Tahir Kamran is Head of the Department of the Liberal Arts at Beaconhouse National University, Lahore, Director of the Khaldunia Centre for Historical Research and the editor of the Pakistan Journal of Historical Studies. His books include Colonial Lahore: A History of the City and Beyond (Oxford University Press: 2017). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chequered Past, Uncertain Future. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Saturdar Night Live specials have been playing recently, so we thought we would take a look and listen to some of the musical guests from the 70s!

Nato Green started hanging out at San Francisco comedy clubs when he was in eighth grade. Nato's parents met when they both still lived in the suburbs of Chicago. They got married in 1968 and moved to San Francisco soon after that. Nato says that they “were in the counter-culture, but bad at it.” What he means by that is they didn't take their subversive lifestyles all the way like many of their peers did. But they were definitely left-leaning folks. They settled in Noe Valley, which was quite a different neighborhood back then. It was much more working-class than it is today. Think: blue-collar Irish- and Italian-American families. They had their first kid, Nato, and five years later, their second, his younger brother. When Nato was in middle school, his parents split up. He went with his dad to live at 22nd Street and Dolores, and then up to Bernal Hill. He split time between there and his mom's house in Noe Valley. Nato is quick to point out that Bernal Heights was also very different back then. There were even unpaved roads on the hill when he was a kid in the Seventies. Today, Nato uses history and some pop-culture references to date his own memories here in San Francisco. He remembers things like the Mosone/Milk murders and ensuing “White Night” riots, to name just one. The Forty-Niners' string of Super Bowl wins in the Eighties are another. Nato admits that he wasn't the best big brother. He lists off some of the SF schools he attended—Rooftop Elementary, MLK Middle School, and Lick-Wilmerding High School, where he went on a scholarship. His dad worked to the SFUSD for 35 years and worked on desegregation, among other things. He also taught in SF public schools. Nato says he was a “sensitive, depressed kid.” He read a lot, especially comic books. He graduated from high school in 1993, when the local music scene was overtaken by thrash/funk. Bands of that genre were plenty. Nato went to those shows, where he was able to, anyway. He wasn't yet 21. The first indie comic book store in The City was on 23rd Street in the Mission—The SF Comic Company, and two doors down was Scott's Comics and Cards. Nato became a Scott's regular. Others who hung out there a lot became his buddies. The SF band Limbomaniacs lived next to Scott's. Nato goes on a sidebar here about how bands in the thrash/funk scene never really blew up, mostly owing to what a uniquely live experience the music was. In 1990, when the Niners won the Super Bowl in a blowout, the Limbomanics played with guitar amps at the windows of their Victorian on 23rd Street, facing out. As Nato tells it, skater kids poured out of that house, and other neighborhood kids flocked to the scene. A mosh pit soon emerged, of course, on the asphalt. Nato goes on another quick sidebar here about all the different neighborhoods and scenes interacting on a regular basis. At least when he grew up, they did. Nato's main modes of transportation in San Francisco were his feet and Muni. The main bus lines were the 24, the 49, and the 67. His high school was on Ocean Avenue, but he mostly hung out in the Mission. One of his good friends lived in Lower Haight and had a car, so Nato would sometimes take Muni over there. That buddy with a car would also swing by and pick up Nato and his friends. They'd often go to the west side of town and hang out in coffeeshops. Nato rattles off several of those shops, also letting us what occupies those spaces today—Farley's (still there), Higher Grounds in Glen Park (still there), Higher Grounds in The Mission (closed), Café Macondo (Gestalt today), Blue Danube (still there), and the Horse Shoe (empty today). There's another sidebar about Jello Biafra. Nato says, “Don't meet your heroes.” As mentioned up top, he started hanging out at comedy clubs in The City when he was in eighth grade. There was a show on KQED called Comedy Tonight that featured local comics. Originally, the show was shot at Wolfgang's (now Cobb's), but it later moved to Great American Music Hall. Alex Bennet was on Live 105 in the morning and Comedy in the Park was drawing 50,000 people to the Polo Fields. There were five seven-nights-a-week clubs in SF, and at least five more around the Bay. People made a living as regional headliners. Around this time, Nato's eighth grade science teacher's roommate was the doorman at Cobb's. Word got around to that guy that a kid was into comedy, and so he started taking him to that club. He saw comedians such as Greg Proops, Dana Gould, Paula Poundstone, Mark Pitta, Johnny Steele, Will Durst, Greg Behrendt, and Margaret Cho. He watched these folks, some of them anyway, become headliners. Check back next week for Part 2 and the conclusion of our episode on Nato Green. We recorded this episode at Nato's home on Bernal Hill in January 2025. Photography by Nate Oliveira

They're back for another fun Facebook live with their listeners. This week there's Super Bowl talk, Road Runner and lots of 70s trivia.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Eli Lake. Lake is a columnist with the Free Press and also a contributing editor at Commentary. Find him online at the Free Press or @EliLake on Twitter/X.Eli's Music Pick: Stevie WonderIt's time to sing some songs in the key of life as we tackle the amazing and iconic second half of Stevie Wonder's career. From his emergence as Motown's first truly singular independent artist in in 1972, with Music of My Mind, Wonder blazed a path through the musical Seventies crossing over successfully into ever musical genre, to the point where Paul Simon infamously thanked him -- when accepting a “Best Album” Grammy in 1976 -- for not putting out an album in 1975. Stevie owned the American 1970s commercially and artistically in a way that few other of his era did -- David Bowie is a strange but apposite analogue for his effect on British culture of that era -- and even if he tailed off into pleasant innocuousness from the Eighties onward, his musical legacy is deathless. So once again, there's no need for a lengthy introduction to this (refreshingly brisk!) episode: Everybody knows who Stevie Wonder is, and unless you were born or moved here only five years ago, you will spend nearly half of this episode dancing out of your shoes. Isn't it lovely?

Guys like Fred Sanford,George Jefferson and JJ kid "Dynomite" we all loved these 70s Black sitcoms!

We interview music journalist and writer John Stevenson about two of the Long 70s most interesting musical genres -- Barbadian Spouge and Afrobeat. 

From Slade, to Gary Glitter to The Rubettes we take a dive into some of the lesser known "Glam Rock" bands of the 70s.

From throat ripping vampires to Marvel Studios in the Seventies, Kurt and Sam find plenty to recommend in their collections' comic book movies. Plus recent trips to the theater & more! Say hi on Instagram!

Ok, maybe not such a big secret. Tonight we visit some recipes that were started or became very popular in the 70s.

We interview Gabriel Kennedy, author of the deeply researched and definitive #RAW biography "Chapel Perilous: The Life & Thought Crimes of Robert Anton Wilson."  Gabriel Kennedy's Website Buy the book on Lulu Buy the book on Amazon Gabriel Kennedy AKA Prop Anon's Substack

From giant Blue Whales and Blue Oxes to Giant Golden men here are some of the roadside attractions that we and you guys remember!

Ray Daugherty is the Primary Developer of the Prime For Life Curriculum, a program for people engaged in high-risk behavior with alcohol or drugs. Developed in the Seventies, and updated regularly, Prime For Life is an approved curriculum for court-ordered intervention for individuals with DUI/DWI charges. The program takes a nonjudgemental and research-based approach to help people identify low or high risk patterns of behavior with intoxicants. Go to www.primeforlife.org to learn more about this nonprofit and their work with addiciton.  The charity of focus this month is White Bird Clinic in Eugene Oregon, providing psychological crisis services and medical, dental, and mental health support to those in need. Support their work at www.whitebirdclinic.org   

We are back! Tonight we thought we would go over the past year, whats been "happnin", some celebrities we lost and just send the year 2024 off with bang. Maybe a whimper,,,,

The old Grinch TV special was was my (Todd) favorite. But we all know Curtis would say say Charlie Brown,,,, what does he know. Merry Christmas Everyone!

Historian Gerald Horne returns to the show to discuss his new book, Armed Struggle?: Panthers & Communists; Black Nationalists and Liberals in Southern California through the Sixties and Seventies. "Rotten History" follows the interview. Help keep This Is Hell! completely listener supported and access weekly bonus episodes by subscribing to our Patreon: https://www.patreon.com/thisishell

We all loved Christmas in the 70s, but some of the things we did traditionanly might just need to stay in the past!

(This is a bonus April Fools' episode of Disgraceland that is satire and not true crime.) John Denver was a one of the biggest stars of the Seventies. His easy listening mainstream folk and his squeaky clean, environmentally friendly image made him a favorite in homes all across America. But was John Denver hiding a dark secret? One born of a mysterious military upbringing? A secret he would do anything to protect? A secret he took to his early grave, but that may soon see the light of day depending on numerous Freedom of Information Act court challenges?  To see the full list of contributors, see the show notes at www.disgracelandpod.com. This episode was originally published on April 1, 2020. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Check out Kikoff: https://getkikoff.com/DISGRACELAND Learn more about your ad choices. Visit megaphone.fm/adchoices