The Heart of Markness Led Zeppelin Podcast

This podcast has introduced me to some wonderful and amazing people. One of them provided this recording of Robert Plant and Saving Grace with Suzi Dian, in Malmo, Sweden on May 9, 2025. I play a strong acoustic Four Sticks, a lovely Down to the Sea (off Fate of Nations), and a haunting Gillian Welch song, Orphan Girl. It's nice to hear Robert out and about and enjoying himself.

This is a very enjoyable recording of Bad Company playing the Boston Garden on August 6, 1977. They were on tour supporting their album Burning Sky and KRW_Co did an excellent job digitizing the 1st gen reels. I play Burning Sky, Ready For Love, and a powerful Deal with the Preacher. Paul Rodgers sings like room temp butter spread on toast. Glorious. Enjoy.

Radiohead played an outdoor festival in Switzerland on July 2, 2016, which was broadcast on tv and radio. This recording is a matrix of three different sources of this show, giving us a complete, intro to outro, concert. I play Nude, Lucky, No Surprises, and Exit Music (From a Film). Each one of those songs is brilliant and I think you'll be very happy hearing them.

You can imagine my delight when I saw that Led Zeppelin Boots had created an updated edition of the 1975 soundboard compilation that'd been around for a bit. Choosing tracks from the extant soundboard tapes, Boots crafted a very enjoyable listener. You can think of it as a sampler. You get a taste of each show represented. I play Sick Again from 3/21 Seattle, Levee from 1/18 Bloomington, and Kashmir from 2/28 Baton Rouge.

North Bridge has released a new remix/remaster of Led Zeppelin at Madison Square Garden on June 7, 1977. This is the first night of their multi night residency in NYC. Jonesy's bass is very well represented, with a fat tone missing from many 1977 boots. I play Achilles Last Stand (Jonesy's bass dude...) and an epic, eternal No Quarter with the Nutrocker included. It's nuts. Then Bonzo and Jimmy go primal on the festivities, and we have another 1977 No Quarter in the books. Good stuff. I like the instrument separation North Bridge attains through his remixing the stems extracted from the raw recording.

This is posted one day after the 52 anniversary of this wonderful show. Led Zeppelin playing to 58,000 people outside, in broad daylight, at Kezar Stadium on June 2, 1973. This show is famous for the photo of Robert Plant holding a dove in his hand. I play a very nice 31 minuted Dazed and Confused followed by the show closer, The Ocean. It's a really nice show overshadowed by the shows directly before and after.

This is a very cool look at Jimmy Page's music mere months before the formation of Led Zeppelin. May 29, 1968 at the Concord Colosseum had The Yardbirds playing a very cool bluesy/psychedelic set to a very lucky audience. Given that Clapton, Beck, and Page all gestated within the Yardbirds, it's safe to say the Yardbirds were a guitar band. Unfortunately, they were marketed as a pop combo, so as the 60's evolved into the wilder, more improvisational psychedelic areas, the disconnect between their record company and the band became unsustainable. The band folded shortly after this gig, leaving Jimmy with the Yardbirds name. I play Mr. You're a Better Man Than I, Heartful of Soul, and a wild and improvisational I'm A Man. I find it interesting that I'm a Man is the song in which the band stretches out and jams, rather than Dazed and Confused, which was also in the setlist. This a very cool snapshot of a very cool time in music, as well as the future of Led Zeppelin.

I can't believe the Earl's Court shows are 50 years old! Jesus. For this episode I am featuring an audience compilation of the best of all five nights. I play In My Time of Dying from the May 25th, Tangerine from the 18th (great harmonies from all 4 gents), and Heartbreaker & Communication Breakdown, both from the 25th.

This is an amazing send off for Robert Plant's higher range. December 8, 1972 at the Hard Rock in Manchester, UK is a great performance of a great band reaching their peak. The recording is clear and nice, and the instruments are all well balanced and represented. I play Since I've Been Loving You, and a raucous 27 minute Whole Lotta Love, with jams and medleys aplenty. It's great. It's 1972 Led Zeppelin. You should get the whole recording.

I was delighted to come across this wonderful recording through Led Zeppelin Boots' amazing YouTube channel. April 14, 1970 had Led Zeppelin playing Ottawa, Alberta in a brilliant, exciting, explosive kaboom of awesomeness. The tape itself in fragmentary and incomplete, but what's here is gold. I play Dazed and Confused, Heartbreaker, and an incredible White Summer/Black Mountainside. This show was a delight!

Boston was always a big Led Zeppelin town, starting back at the very beginning with the marathon Tea Party gigs, through this show right here. July 20, 1973 is the last time Zeppelin played Boston. The crowd is wild at this gig, so much so that the band eliminate Misty Mountain Hop, Since I've Been Loving You, and Moby Dick from the setlist. All to keep the crowd from going Chernobyl. No encores either. I play Celebration Day, a smokin' Stairway, and a brilliant No Quarter that presages the brilliance about to be recorded in NYC a week later.

This is nice stereo FM master recording of Aerosmith in Detroit on April 7, 1974, broadcast on WABX back in the day. The band is rapidly ascending to the top of Rock Mountain with Get Your Wings, the album they're supporting here. I play Mama Kin, Dream On, and Same Old Song & Dance. It's good ol' dirty rock and roll a la The Faces or The New Barbarians. Good stuff.

Eight days after the shambolic Live Aid reunion Jimmy Page joined Robert Plant onstage at the Brendan Byrne Arena, in East Rutherford, NJ. The contrast between the two gigs couldn't be greater. Robert's voice is virtually perfect and Jimmy's guitar (and Jimmy himself) are in tune. I play an aching beautiful Young Boy Blues from his then current Honeydrippers EP, and then I play the two encores Jimmy played with the band; the first being a standard blues number (I don't know if it has a name), and then a fiery run through of Treat Her Right, which calls back to when they jammed the same tune two years earlier. This is a great performance and a shining testimony to the viability of a Page/Plant collaboration even back then, when they sniped at each other in the press.

This show, February 27, 1996, is the third to the last for Page/Plant's No Quarter tour, and it is smokin'! The band hasn't lost a step since their legendary Japanese shows of a few days prior. This is an excellent audience recording which maintains the high bar set in Japan, quality-wise. I play a ridiculously hot In The Evening, and the two encores which took the roof off the place. Black Dog and Rock and Roll. The latter two are sung with Robert Plant going alllllll out; hitting notes one doesn't expect. The band are in a great mood and the audience is locked in all the way. A great show with top of their game performances.

This recording was liberated by the Dogs of Doom back in the day, and boy oh boy is it cool! Cream playing Dallas State Fair Music Hall just 7 months before they called it a day. The recording is rough. The bass is super loud and overloaded. The vocals are buried behind the music, but that because that's how they sounded, basically. PA systems hadn't yet been developed to keep up with cranked Marshall stacks. That would be a year later. I play a blistering Sunshine of Your Love, and and even more blistering I'm so Glad. Jack Bruce's sick bass chording during Sunshine foreshadows the evil Dio era Black Sabbath sound by more than a decade. All three of these musicians are absolute virtuosos and amazing with every measure played.

This is a very nice stereo recording (AUD patched w/ SBD) remastered by Winston, of Led Zeppelin playing New Orleans on May 15, 1973. This is a fun performance which is one of the best of their May shows. I play the final trifecta of the night; Heartbreaker, Whole Lotta Love (with medleys aplenty), and Communication Breakdown. All performances are great and you will enjoy them. You will enjoy them.

Led Zeppelin always seemed to bump it up a notch when touring the West Coast/PNW, and this is no exception. March 19, 1975 in Vancouver, BC is one of the better shows from this tour. I have covered this show before, but it's been almost 5 years since then, so.... fair game. I play Sick Again, Kashmir, & In My Time of Dying; all of which new songs for this tour.

On July 1, 1980 Santana played Frankfurt, Germany at the same venue in which Led Zeppelin played the night before. Jimmy Page hung around and attended the show, and even joined the band for a couple of tunes. What is noteworthy is how good the jams are. 1980 Jimmy can be very hit or miss. This is a hit. A hit out of the park. First of all Santana is an incredible band as is the recording (Master Soundboard) which was remastered by Dario Romero. They did a great job. I play a raucous and extremely tight Shake Your Moneymaker where Jimmy easily matches Carlos lick for lick. It's great. I then play Evil Ways which says it has Jimmy on it but I'm not too sure. Still a great performance from a great band.

June 17, 1980 is the first date in Led Zeppelin's Tour Over Europe, and on that date we find the band in Dortmund. They come out of the gate with something to prove, and they deliver. The show opens with an intense and dangerous Train Kept A Rollin' followed without a breath by Nobody's Fault But Mine, which now is truncated as the intro guitar is eliminated going right into the song. I like it. The Rain Song is perfection as it usually is with Bonzo bringing fury and bombast, which will diminish tragically as the tour progresses.

This show has been around forever in lower quality but this is transferred from the reel master. Heinz Esser is the taper of this awesome Free concert, and he also taped Led Zeppelin and Deep Purple (and more). He caught a great performance by Paul Rodgers and Co. for sure. Paul Kossof is a master of tone and technique at only 19 years old. Andy Fraser's thicc bass and Simon Kirke's tight drumming create a powerful engine, with Paul Rodgers at the controls. I play The Hunter (Zep fans will recognize this song) and Fire and Water which are both incredible.

The very last time the Firm played publicly was May 28, 1986 in good ol' Seattle. Everyone in the band knew it was the end of the project, and they all play their hearts out. Paul Rodgers outdoes himself with delivery and passion. Jimmy is very upbeat and talkative. This show is really good. You know how I am at best lukewarm on the Firm, overall, but the Mean Business tour sounds streets ahead of the 1985 tour. You're going to enjoy the energy, the music, and the balls of this show. I play an incendiary Spirit of Love, a furious Midnight Moonlight, and a very heavy and dark bluesy I Just Wanna Make Love to You. Even if you're not a big Firm fan this one is the exception. Enjoy.

The 1996 Page/Plant tour of Japan has been extremely well regarded, and documented, for close to 30 years. Thanks to the fantastic audio and video captured, with the ok of the band, by Third Eye, we have a magnificent full stereo recording of February 12, 1996 in Tokyo. We hear a tender Tea for One (only ever played on this tour) with orchestra, a brilliant and bombastic Babe I'm Gonna Leave You, with a nice Stairway tease, and a supremely tight and cool af Whole Lotta Love, which contains the original, the Knebworth version, and new sections exclusive to the Page/Plant partnership. It's awesome. The whole show.

I once again revisit one of the finest Zep concerts, at least of the post 1973 era. July 24, 1979 at the Falkoner Theater in Copenhagen is absolutely brilliant concert by the biggest band in the world, playing a 1200 seat venue, as a warmup to their 200,000+ Knebworth shows the next month. I play Trampled Underfoot, In The Evening (2nd time played), and a raucous Whole Lotta Love with a new arrangement for a new era. All this in anticipation of the newly discovered live film from this show, to be released with synced sound by LedZepFilm, on 2/18/25 on his youtube channel. So cool.

Only the first two songs of this show are publicly extant, and I always have love for the runt of the litter, so here we go! Led Zeppelin played Wallingford, Connecticut on August 17, 1969 and we are able to hear Train Kept A Rollin' and I Can't Quit You Baby, at least. Thank god for tapers!

There's a good reason I'm coming back to this show, after almost 5 years. Watchtower has released a version of this show in fantastic quality, without the noise reduction that muffled prior releases. It's also one of the best shows from one of the best years of one of the best bands around. So there's that. This is band's first night of their first Japanese tour and they're out to impress the people of Tokyo. I play a superlative Since I've Been Loving You, which you should listen to right now. I also play an exceptional Stairway to Heaven with an amazing solo, and I finish with the small acoustic set of Bron-y-Aur Stomp, That's the Way, and Going to California. The sound is fantastic as is the performance.

On August 19, 1971 Led Zeppelin began their North American tour in Vancouver, BC and we have the pleasure of hearing peak Zep, thanks to an intrepid taper. Last time I touched upon this show we featured the first few songs; this time we're back for more. I play a scorching Black Dog (sung like the record), a powerful (better than the European ones, imo) Gallows Pole (on the doubleneck 12 string), and a raucous and frenzied cover of Eddie Cochran's Weekend. Each performance is pure fire, as is the rest of the show. Truly awesome.

May 11, 1986 is the date The Firm played the Cleveland Colosseum for concert which was broadcast on the Westwood One Radio Network, back in the day. Thus the quality is professionally mixed stereo. The fantastic sound quality brings out the virtuosity of the band. Tony Franklin and Chris Slade are a beautifully solid rhythm section, fluid enough to let Jimmy weave in and around the beat like a dervish. I play fantastic performances (I mean it) of Prelude/Money Can't Buy, You've Lost That Lovin' Feeling, and Live In Peace. This is a really fun and enjoyable concert and I hope you liked it as much as I did. I covered this show awhile back, but after listening I decided it needed a redux.

"It's not the side effects from the cocaine. I'm thinking that it must be love" David Bowie struggled a bit in the late 80's/90's, in a comparative sense, after the stratospheric success of Let's Dance with the MTV generation. In the tour he is partnered with King Crimson/Zappa alum Adrian Belew, with whom Bowie had recorded Pretty Pink Rose (a minor hit and an awesome song). On July 23, 1990 the band played Hartford, CT. This is the show we're listening to in this bonus episode. I play Ashes to Ashes, Pretty Pink Rose, & Station to Station. It's a very high energy gig and Belew's signature sound really suits the material.

Led Zeppelin played Kyoto, Japan on October 10, 1972 on their second (and last) tour of the country. This is a merge of two excellent sources, put together and speed corrected by Dario Romero. The sound is very good as is the performance. You'll like it. Where else are you gonna hear The Rain Song played with a wah wah? The band are now the biggest band in the world and were set on making sure everyone knew it. They play songs from the as yet unreleased Houses of the Holy album. I love hearing audiences hear Zep songs for the first, and this doesn't disappoint. I play The Song Remains the Same (called The Campaign at this point), The Rain Song, and an Over the Hills and Far Away in which Robert sings the original higher melody for one of, if not the last time.

I recorded this in honor of Jimmy Page's 81st birthday. I chose a selection of performances which I first think of when I think of Zeppelin, or Jimmy. I play tracks from 1969 through 1988 and every track is a banger. I hope you enjoy.

1995 was a great year for Zep fans. Jimmy Page and Robert Plant had finally reunited, and were touring with a huge ensemble including (not one, but) two orchestras, and the guitarist for the Cure.... and a hurdy gurdy. It worked out splendidly. This is October 26, 1995 at Madison Square Garden, where Jimmy and Robert played a smashing gig. I play No Quarter (Unledded version), In the Evening/Carouselambra (unreal how good it is), and an incendiary Kashmir, with real strings and not synth or mellotron. It's good stuff, people.

December 20, 1972 at the Brighton Dome in good old Brighton, UK. This is digital transfer of the original master cassette, courtesy of KRW_Co. Being a master recording all the clarity which the recorder could capture is preserved. I play Misty Mountain Hop and a 30 minute, everything but the kitchen sink, rendition of Whole Lotta Love. So many medleys!

The 1998 Walking Into Everywhere Tour is a goldmine for great music. The rhythm section of Michael Lee, and Charlie Jones, had really jelled with Jimmy Page, and were a formidable force live. This show is the penultimate show of the tour, December 1, 1998 in Ghent, Belgium. I play Tangerine, Babe I'm Gonna Leave You (great work from everyone on this one), and the final encores of Ramble On and Rock and Roll. Enjoy one of the last performances of the fabled Page/Plant reunion. We shan't see their like again.

This is one of Robert Plant's greatest shows. He's full blast and the rest of the band is right there with him. August 7, 1971 in Montreux, Switzerland right before heading the US for another amazing tour. You can't get better than 1971 Led Zeppelin, and it's so cool to hear them play Zep IV songs to an audience that had never heard them yet. I play what is possibly the first live performance of Celebration Day, an incredible Black Dog in which Robert may very well surpass his album vocals, and one of my favorite encore numbers of theirs, Eddie Cochran's Weekend.

I've been going through a bit of a Brussels period, with 1980 and now 1972 back to back. Led Zeppelin usually played well in Brussels, and this show is no exception. May 28, 1972 has the band in fine form as I play Immigrant Song/Heartbreaker and the entire acoustic set of Going to California, That's the Way, and Bron-y-Aur Stomp. Acoustic Zeppelin is always a treat and this is no different. This show captures a transition period as they become, and then embrace being, the biggest band in the world. I covered Dazed and Whole Lotta Love years and years ago, this is another view with different songs.

I was led to this show by a thread on Royal Orleans (a Zep fan site) in which someone wrote a brilliant essay about 1980 and how it deserves another look, as it's not all dysfunction, addiction, and flat performances. I've gotten to the point where I'd say at least half the 1980 Tour over Europe is pretty damn good, even great. June 20, 1980 the band played Brussels and they completely knocked it out of the park. It's interesting to hear Jimmy's newer 'vocabulary' in his playing. Trampled Underfoot is crazy good, Since I've Been Loving You (not often a high point on this tour) is brilliant, with some nice syncopation and interplay between Jonesy, Jimmy, and Bonzo. It's mature and intelligent and cogent. I am absolutely gobsmacked at how my 1980 bias kept me from hearing the beauty in these early 1980 shows. After SIBLY I play a rock solid version of Whole Lotta Love which brings the old and the new together in a flurry of improvisation. Lots of Jimmy/Robert back and forth. It's good. You'll like it.

We listen to a transfer of Joe Maloney's master mono reel of Led Zeppelin at the legendary Boston Garden, on Sept. 9, 1970. No surprise this is an incredible show with Robert in full power, and Jimmy, Bonzo, and Jonesy just perfectly locked in. I play Immigrant Song>Heartbreaker in all one chunk, and the mini acoustic set of That's the Way and a beautiful performance of the instrumental Bron-Y-Aur (5 years before it appeared on Physical Graffiti) also present in one chunk, to improve flow.

The 1973 UK tour is not to be slept on. Robert's voice is rough as he, as he always has in winter, the flu. So they cancelled and rescheduled to preserve the treasure that is Robert Plant's voice, right? Nope. He pushed himself as always and did his poor larynx no favors. This show is January 14, 1973 at the Empire in Liverpool. The show is a banger as Jimmy is ingenious, Bonzo is frenetic, and Jonesy just is. He stands rooted in the Tao while all around him is chaos. All hail Jonesy. I play Dancing Days, a ridiculous Dazed that has notes of Achilles Last Stand as well as some brilliant funk, and a rollicking Ocean, The.

This week we listen to a compilation put together by Led Zeppelin Boots, of Copenhagen and Odense (May 4 and 5 respectively). These are shows in which Led Zeppelin truly were exception. In addition to being on top of their game, with a ridiculously powerful Robert Plant at the fore, they played Gallows Pole and Four Sticks! These songs have only been played a small handful of times, and you're going to hear these amazing rarities, along with a stellar Whole Lotta Love. It's a great time to be a Zep fan.

This is an incredible tape of Led Zeppelin rehearsing at Headley Grange in preparation of their upcoming Physical Graffiti double album. From November 1973 through May 1974 the band convened at Headley Grange, the site of many a legendary recording session (Zep IV, Houses, etc) to work on their new album. The sessions were fruitful and the band was totally dialed in and focused. I play two incredible songs which haven't appeared on any album, but are incredibly badass. Along with the two almost jams, I play an early (and in my opinion superior) iteration of what would become In The Light, called Take Me Home. All of these songs are performed live in the rehearsal space of Headley Grange, with no overdubs or studio magic, and it is unreal.

I couldn't keep this one just to myself. It's too good. Sept. 21 1998 at the Cox Arena is San Diego is a truly magical night. Everyone is playing at 11 and they achieve that elusive synergy wherein the total equals more than the sum of their parts. In How Many More Times, I've never heard the rhythm section sound better or more locked in. Jimmy is 10/10 judged on a Zeppelin scale. He's precise, inventive, and just a demon with the bow solo, the medleys, and just overall on top of it. Better than the Bizarre Festival in my opinion. There's a brief Achilles reference played by Jimmy, a bit of Trampled Underfoot, some of the Isley Bros. It's Your Thing, all played with insane TIGHTNESS. I play Most High, a tight a modern Whole Lotta Love, and the best How Many More Times I've heard since the early 70's. I must say that Robert is an 11/10 hear both in range and in engagement. If you watch the video of this show (Dario Romero's YouTube channel) you will a borderline ecstatic Robert bouncing throughout the show. Just unreal.

I find this to be my favorite of the 5 nights at Earls Court. Jimmy is playing with passion and dexterity. One of his best 1975 shows, imo. I'm playing source mix making an excellent, complete recording. These excellent audience tapes allow us to hear Tangerine with the four part harmony, unlike on the videos which only had Robert's voice. That alone makes this show pretty dang okey dokey, but I've included a white hot Over The Hills And Far Way (Jimmy is spectacular), and one of the best No Quarters I've heard in a bit. Again, Jimmy is rolling 20's throughout and sticking every landing, solo-wise. His inspiration and his dexterity were both at their best. Three songs. One great podcast. It's a good thing.

On November 28, 1983 Jimmy Page walked onstage in Dallas, Texas for his first American appearance in more than 7 years. He was newly free of the chains that heroin addiction had weighing him down, and he was working on getting back to fighting fettle. Paul Rodgers is joining him for this tour, as Steve Winwood was in the studio and couldn't reprise his Royal Albert Hall performances. We have the gestation of The Firm as Jimmy and Paul debut Midnight Moonlight, for the first live performance ever.

This is one of the canonical 'best of' shows for Led Zeppelin. April 26, 1969 at the Winterland in San Francisco is a high water mark for a band with very... high water. Robert Plant is beyond belief and the rest of the band meets that level, just run with it. I have covered this show in the long long ago, but I have not repeated any songs, so we have fresh tunes to enjoy. I play Communication Breakdown (the show opener), a How Many More Times that can't get any better, and a psychedelic cacophony which is As Long As I Have You. This is among the best of the telecaster days. You'll like it.

This is a fun one! April 2, 1980 at My Father's Place in Roslyn, NY from an FM broadcast on WLIR. The sound and the perfomances are stellar. Nice, short, story songs sung impeccably... kinda in a Kinks vein. If you're like me you'll be reminded of a whole bunch of great songs that had slid over the horizon over the years, overshadowed by the fame of "Tempted". You'll enjoy this one.

Bonzo is the star of this show. Led Zeppelin in St. Paul, Minnesota July, 9, 1973 is a top tier NA 1973 show. Jimmy and Jonesy are on fire, but John Bonham is head and shoulders above them this night. He plays stuff I've not heard before, adding complexity to Heartbreaker and ingenuity to No Quarter and, and bombastic fire to Whole Lotta Love. The band playing at full tilt reminds one of a cheetah running at top speed in pursuit of prey. Absolute beauty and grace. I must confess, I have covered this show before (Ep. 206) but this recording is a brand new remaster by Dario Romero, and it's totally worth the repeat performance. The only repeated song is No Quarter, and it's totally worth the additional listen.

This is a good one. Robert Plant is in amazing voice with lots of oomph. Richie Hayward (from Little Feat) is killing it on drums, Robbie Blunt is a bloody virtuoso with his emotive playing. This is December 13, 1983 at the Hammersmith Odeon, on his Principle of Moments tour. Jimmy Page had four days prior finished up with the ARMS Tour, and was aflame with renewed enthusiasm for his musical future. The energy and fun the pair are having is evident. Jimmy is playing his typical 1983/84 b-bender solo but with some crunch instead of chorus. It's an amazing moment in time. These guys did not typically get along in the 1980's. I play an incendiary Burning Down One Side, and emotive and evocative Big Log, and the showstopper, Treat Her Right with Jimmy Page. What a night.

For this episode we hear the thunderous John Paul Jones on tour for his Zooma album, at The Fubar in Fort Lauderdale, Florida on March, 10, 2000. This is a very well recorded show for around 200 people. The sound and vibe are incredible. Jonesy is very chatty and interactive with the audience. I play Grind (from Zooma), Crackback (from the Scream for Help soundtrack), and B. Fingers (again from Zooma). Great musician and a great show.

Today we hear some music from Led Zeppelin playing San Diego, 5/28/73, on a soundboard recording remastered by DADGAD. This show has some towering highs and tumbling low points. I play two of the highlights. First is a smokin' Since I've Been Loving You with gorgeous, smooth cooooool jazz piano from Mr. Jones, and Jimmy delivers in spades. Then I play glorious Whole Lotta Love with a trillion medleys, played with abandon and joy, like it's 1971. Some magic here for real.

This is a good one! For this episode I have chosen Jimmy Page & Robert Plant on the last night of their huge Unledded US tour. May 27, 1995 at The Gorge Amphitheater in George, Washington. This is a great venue known for it's beauty, not unlike Red Rocks in Colorado. Page/Plant end their tour on a high note with tight performances in a 3rd Eye recording of insanely great quality (Millard level). I play an epic Shake My Tree sung with conviction by Robert, a Dancing Days for the ages, and Calling to You. All of these performances are out of this world and will make you glad you heard them.

Jan. 18, 1973 - Led Zeppelin play Bradford UK on their tour of smaller UK venues, before launching on their epic European tour, which gave us all those great shows. This show is on par with those high water marks like Vienna or Essen. I play a raucous and frenetic Whole Lotta Love with joyous medleys aplenty. The rhythm machine is in high gear here. I also play an unorthodox encore performance of the Immigrant Song.