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The 1996 Page/Plant tour of Japan has been extremely well regarded, and documented, for close to 30 years. Thanks to the fantastic audio and video captured, with the ok of the band, by Third Eye, we have a magnificent full stereo recording of February 12, 1996 in Tokyo. We hear a tender Tea for One (only ever played on this tour) with orchestra, a brilliant and bombastic Babe I'm Gonna Leave You, with a nice Stairway tease, and a supremely tight and cool af Whole Lotta Love, which contains the original, the Knebworth version, and new sections exclusive to the Page/Plant partnership. It's awesome. The whole show.
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The 1998 Walking Into Everywhere Tour is a goldmine for great music. The rhythm section of Michael Lee, and Charlie Jones, had really jelled with Jimmy Page, and were a formidable force live. This show is the penultimate show of the tour, December 1, 1998 in Ghent, Belgium. I play Tangerine, Babe I'm Gonna Leave You (great work from everyone on this one), and the final encores of Ramble On and Rock and Roll. Enjoy one of the last performances of the fabled Page/Plant reunion. We shan't see their like again.
Vamos con un nuevo mixtape, uno que ha resultado muy complicado de hacer por la sencilla razón que debería durar muchísimas horas por la cantidad apabullante de clásicos del año en cuestión. Hablamos de 1969. Esto que escucharemos es la punta del iceberg de un año que en lo musical fue la gloria, el oro y el éxtasis. Presenta Ricardo Portman. Escucharemos Space Oddity (Bowie), Babe I’m Gonna Leave You y Heartbreaker (Led Zeppelin), Come Together y Something (The Beatles), Pinball Wizard (The Who), Proud Mary (Creedence Clearwater Revival), With a Little Help from My Friends (Joe Cocker), Helplessly Hoping (Crosby, Stills & Nash), Down by The River (Neil Young), Presence of the Lord (Blind Faith), I Wanna be Your Dog (The Stooges), What Goes On (The Velvet Underground), Evil Ways (Santana), Epitaph (King Crimson), The Soft Parade (The Doors) y You Can’t Always Get What You Want (The Rolling Stones) Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)
Send Steve a Text MessageHey everyone, Steve Stine here from GuitarZoom, and welcome to the Steve Stine Guitar Podcast! In today's episode, we're diving deep into the fascinating world of descending bass lines. I'll walk you through how to create dynamic and intriguing musical passages by using descending bass lines with different chords. We'll explore various chord transitions and how they can open up a world of creative possibilities in your playing.But that's not all—I'll also share my personal tips on how you can find inspiration by experimenting with new guitar tones and effects settings, even from affordable plugins. You'll hear how I use these tones to fuel my songwriting process and why it's important to break out of your usual setup to spark new ideas.We'll get hands-on with some examples, including the classic sounds of Led Zeppelin's "Babe I'm Gonna Leave You," and I'll show you step-by-step how to maintain consistency in your chord structures while exploring new bass transitions. Whether you're adjusting to different fingerings or keeping the creative flow without worrying too much about technicalities, this episode is packed with actionable insights.So grab your guitar, sit back, and let's get creative! And remember, if you're listening to this podcast, you can always check out the accompanying video on GuitarZoom's YouTube page for a more interactive experience. Keep practicing and stay inspired. Links: Steve's Channel → https://www.youtube.com/user/stinemus... GuitarZoom Channel → https://www.youtube.com/user/guitarz0... Songs Channel → https://www.youtube.com/user/GuitarSo... . Check out Steve's Guitar Membership and Courses: https://bit.ly/3rbZ3He
Sintonía: "I´m Gonna Leave You" - The Crawdaddys"I´m A Lover Not A Fighter" - "You Can´t Judge A Book By Looking At The Cover" - "Down The Road Apiece" - "Let´s Make It" - "Rainin´ In My Heart" - "I´m Movin´ On" - "Mystic Eyes" - "Oh Baby Doll" - "Bald Headed Woman" - "Come See Me" - "Got You In My Soul" - "Times Are Getting Tougher Than Tough" - "Down In The Bottom" - "Crawdaddy Express" - "I Wanna Put A Tiger In Your Tank" - "There She Goes Again" - "Why Don´t You Smile Now" - "Lolette" - "I Can Never Tell" - "I´m Gonna Leave You" - "I´m Dissatisfied"Todas las músicas extraídas de la reedición del primer álbum de la banda estadounidense, titulado "Crawdaddy Express" (Voxx Records, 1979/Reedición (que en CD incluye Singles y EPs) Voxx Records, 1994)Todas las músicas interpretadas por The CrawdaddysEscuchar audio
Sintonía: "Ridin´ The Blends" - Top Topham"It´s Hard But It´s Fair" - Bobby Parker; "Someone To Love Me" - T.S. McPhee; "Black Magic Woman" - Fleetwood Mac; "Too Long" - Gordon Smith; "Hideaway" - Chicken Shack; "Tears In The Wind" - Chicken Shack; "Boom Boom" - Bacon Fat; "Rockin´ Pneumonia & The Boogie Woogie Flu" - Jelly Bread; "Come Back" - Little Mack Simmons; "Crazy About You Baby" - Christine Perfect; "I´m Gonna Leave You" - Martha Velez; "I´m Gonna Wind Up" - Duster Bennet; "Bernard Jenkins" - John Mayall; "Mojo Boogie" - J.B. Lenoir; "Hot Rock" - Stone´s Masonry; "Blues Feeling" - Bacon Fat; "Albatros" - Fleetwood MacTodas las músicas extraídas del libro-estuche o "box set" (3xCD) "The Blue Horizon Story 1965-1970" (Columbia/CBS/Sony, 1997) Escuchar audio
Playlist puntata nr. 2 01 - Led Zeppelin - Babe I'm Gonna Leave You 02 - Neil Young - Driftin' Back 03 - Frank Zappa - Crew Slut 04 - Air - All I Need 05 - Daniele Silvestri - L'Autostrada 06 - Sexteto Nacional - Siboney 07 - Morcheeba - The Sea 08 - Royksopp - Dead to the World 09 - Vozes de Raiz - Aguas Sagradas 10 - Peter, Paul and Mary - It's Raining 11 - High Llamas - Toriafan 12 - Brian Wilson - Surf's Up 13 - John Lennon - Free as a Bird 14 - Rachael Lavelle - Let me Unlock Your Full Potential 15 - The National - Somebody Desperate 16 - Ghost of a Saber Tooth Tiger - Moth to a Flame 17 - The Who - The Song is Over
Avec Gotye, Nickelback, Bob Dylan, Joan Baez, et Led Zeppelin. En 2011, Gotye, de son vrai nom Wally De Backer, sort son 3e album, "Making Mirrors", sur lequel on retrouve cet énorme tube "Somebody That I Used To Know" qui s'adresse à son ex, produit et écrit dans la grange de ses parents sur la péninsule de Mornington, au sud-est de Melbourne, en Australie. Dix ans plus tôt, en 2001, le groupe canadien Nickelback cartonnait avec "How You Remind Me", le chanteur, Chad Kroeger, a déclaré sur avec MTV qu'il y parle de son ancienne petite amie Jodi. Sur l'album "The Freewheelin'" de Bob Dylan, sorti en 1963, il propose "Don't Think Twice, It's All Right", un titre sur l'acceptation et le détachement après une rupture qui s'inspire de sa relation avec Suze Rotolo. Et en matière de rupture, rien de tel que cette reprise d'un classique du folk, interprété auparavant par Joan Baez, "Babe I'm Gonna Leave You" dans sa version envoûtante sur le premier album de Led Zeppelin en 1969. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Plongez dans l'univers fascinant de Led Zeppelin, l'un des groupes légendaires du rock, à travers cet épisode captivant de "La Partition". Retour sur la genèse de ce quatuor iconique, né des cendres des Yardbirds et porté par la virtuosité de son guitariste, Jimmy Page. En seulement 36 heures d'enregistrement, le groupe a réussi à créer son tout premier album, véritable laboratoire sonore mêlant blues, folk, hard rock et touches psychédéliques. Découvrez comment ces quatre musiciens, dont le batteur John Bonham, ami d'enfance de Page, ont su repousser les frontières du rock pour façonner un son unique et intemporel. De l'épique "Babe I'm Gonna Leave You" aux autres pépites de ce disque fondateur, laissez-vous emporter par l'énergie brute et les envolées instrumentales de ce quatuor devenu l'un des fers de lance du rock mondial.
In this episode of the "Sounds on Vinyl" podcast, hosts Phil Bowyer and Mike Svensson delve into the iconic debut album of Led Zeppelin, released in 1969. They begin by discussing the band's fearless approach to blending multiple genres, including rock, blues, and folk, highlighting the album's daring and innovative nature for its time. They examine each track in detail, praising the musicianship of each band member, especially John Bonham's exceptional drumming and Jimmy Page's guitar mastery.Songs like "Good Times Bad Times," "Dazed and Confused," and "Babe I'm Gonna Leave You" are lauded for their groundbreaking elements, showcasing Led Zeppelin's unique ability to transform blues into something entirely new. However, they express mixed feelings about tracks like "Your Time is Gonna Come" and "Black Mountain Side," noting their experimental nature.The podcast also touches on the significance of the album's longer tracks, an uncommon feature in the late 60s, and how Led Zeppelin's boldness in song length and style paid off. They discuss the album's covers, particularly Willie Dixon's "I Can't Quit You Baby," as examples of Led Zeppelin's talent in reinterpreting and elevating blues music.Towards the end, Phil and Mike reveal that the next episode will be their final show, promising it to be an epic conclusion featuring one of the greatest heavy metal bands. They hint at a future project, indicating the end of "Sounds on Vinyl" in its current format but the beginning of something new and exciting in the world of music.Credits:Hosts:Mike Svensson Phil Bowyer Intro & Outro:Voice Over: Kate Bowyer Music: Dead Anarchy ---Thank you for listening! We love you! Keep Rockin'!Copyright BoozeHound Entertainment & BoozeHound Music. All Rights Reserved. Music courtesy Shot Glass Records, a BoozeHound Company. Some links may be affiliate links. We may get a small commission if you sign up or purchase using our link. This is just one way you can help support the show.
20. Freddy King / Have You Ever Loved a Woman 21. Polly O'Kerry and the Rythmn Method / Too Much Like I Care 22. George Jones / He Stopped Loving Her Today 23. Dave Alvin / Why Did She Stay with Him 24. Toronzo Cannon / Get Together or Get Apart 25. Beth Hart / No Quarter, Babe I'm Gonna Leave You 26. Ana Popovic / Strong Taste27. Hector Anchondo / Candy Shop 28. Josh Hoyer / Green Light 30. Tower of Power / You're Still a Young Man 31. Blue House and the Rent to Own Horns / She Bogaloos32. Gov't Mule / Simple Man 33. JJ Cale / They Call Me the Breeze 34. Trace Adkins / I Know a Little35. Dwight Yoakum / T is for Texas Upcoming Shows & Events of InterestJuly 25 Tedeshi Trucks Band @ Pinewood Bowl (Lincoln)25 Madonna, Ball Arena, Denver27 Bobby Watson, Jazz on the Green, Turner Park, Midtown28 Diana Krall @ Holland28 Fargo Blues Fest Day #1 w/ Tommy Castro, Sugaray Rayford, Hector Anchondo28 Maha Music Festival29 Boz Scaggs & Keb Mo / Orpheum 29 Fargo Blues Fest Day #2 w/ GA 20, Blood Brothers (Mike Zito & Albert Castiglia) 29 Diana Krall @ Hoyt Sherman, Des Moines30 Keb Mo @ Hoyt Sherman, Des Moines
We're back this week to dive deep into the discography of one of the greatest rock bands of all time, Led Zeppelin. Specifically, we'll be exploring their albums released between 1969 and 1973, picking our favorite and least favorite songs from each. Led Zeppelin, the iconic rock band formed in 1968, released their self-titled debut album in 1969. The album featured a diverse range of rock and blues-influenced tracks, showcasing the band's talent and establishing their unique sound. The album opens with the energetic "Good Times Bad Times" and includes other standout tracks like "Babe I'm Gonna Leave You," "Dazed And Confused," and "Communication Breakdown." Led Zeppelin's debut album set the stage for their future success and solidified their status as one of the greatest rock bands of all time. Led Zeppelin II - 1969 Following the success of their debut, Led Zeppelin released their second album, Led Zeppelin II, later in 1969. The album featured a heavier sound and showcased the band's growth as songwriters and performers. It includes the iconic track "Whole Lotta Love," along with other notable songs such as "What Is and What Should Never Be," "Heartbreaker," and "Ramble On." Led Zeppelin II further established the band's dominance in the rock music scene and demonstrated their ability to create powerful and memorable rock anthems. Led Zeppelin III - 1970 In 1970, Led Zeppelin released their third studio album, Led Zeppelin III. This album showcased a more acoustic and folk-influenced sound compared to their previous releases. It includes tracks like "Immigrant Song," "Since I've Been Loving You," and "Gallows Pole," which blend the band's signature rock sound with elements of folk and blues. Led Zeppelin III displayed the band's versatility and willingness to experiment with different musical styles, earning critical acclaim and further expanding their fan base. Led Zeppelin IV - 1971 Led Zeppelin's fourth album, commonly known as Led Zeppelin IV or untitled, was released in 1971 and became one of the band's most iconic and commercially successful albums. It features the legendary track "Stairway to Heaven," a monumental rock epic that has become one of the most celebrated songs in rock history. The album also includes other hits such as "Black Dog," "Rock and Roll," and "When the Levee Breaks." Led Zeppelin IV solidified the band's status as rock legends and remains a classic album revered by fans and musicians alike. Houses of the Holy - 1972 In 1972, Led Zeppelin released their fifth studio album, Houses of the Holy. The album continued to push the boundaries of their sound, incorporating elements of funk, reggae, and even orchestral arrangements. Tracks like "The Song Remains the Same," "The Rain Song," and "No Quarter" showcased the band's musical maturity and their ability to create dynamic and atmospheric compositions. Houses of the Holy further cemented Led Zeppelin's reputation as one of the most innovative and influential rock bands of their time. What are YOUR choices for the Best & Worst of Led Zeppelin from 1969-1973? Tell us in the comments and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back this week to dive deep into the discography of one of the greatest rock bands of all time, Led Zeppelin. Specifically, we'll be exploring their albums released between 1969 and 1973, picking our favorite and least favorite songs from each. Led Zeppelin, the iconic rock band formed in 1968, released their self-titled debut album in 1969. The album featured a diverse range of rock and blues-influenced tracks, showcasing the band's talent and establishing their unique sound. The album opens with the energetic "Good Times Bad Times" and includes other standout tracks like "Babe I'm Gonna Leave You," "Dazed And Confused," and "Communication Breakdown." Led Zeppelin's debut album set the stage for their future success and solidified their status as one of the greatest rock bands of all time. Led Zeppelin II - 1969 Following the success of their debut, Led Zeppelin released their second album, Led Zeppelin II, later in 1969. The album featured a heavier sound and showcased the band's growth as songwriters and performers. It includes the iconic track "Whole Lotta Love," along with other notable songs such as "What Is and What Should Never Be," "Heartbreaker," and "Ramble On." Led Zeppelin II further established the band's dominance in the rock music scene and demonstrated their ability to create powerful and memorable rock anthems. Led Zeppelin III - 1970 In 1970, Led Zeppelin released their third studio album, Led Zeppelin III. This album showcased a more acoustic and folk-influenced sound compared to their previous releases. It includes tracks like "Immigrant Song," "Since I've Been Loving You," and "Gallows Pole," which blend the band's signature rock sound with elements of folk and blues. Led Zeppelin III displayed the band's versatility and willingness to experiment with different musical styles, earning critical acclaim and further expanding their fan base. Led Zeppelin IV - 1971 Led Zeppelin's fourth album, commonly known as Led Zeppelin IV or untitled, was released in 1971 and became one of the band's most iconic and commercially successful albums. It features the legendary track "Stairway to Heaven," a monumental rock epic that has become one of the most celebrated songs in rock history. The album also includes other hits such as "Black Dog," "Rock and Roll," and "When the Levee Breaks." Led Zeppelin IV solidified the band's status as rock legends and remains a classic album revered by fans and musicians alike. Houses of the Holy - 1972 In 1972, Led Zeppelin released their fifth studio album, Houses of the Holy. The album continued to push the boundaries of their sound, incorporating elements of funk, reggae, and even orchestral arrangements. Tracks like "The Song Remains the Same," "The Rain Song," and "No Quarter" showcased the band's musical maturity and their ability to create dynamic and atmospheric compositions. Houses of the Holy further cemented Led Zeppelin's reputation as one of the most innovative and influential rock bands of their time. What are YOUR choices for the Best & Worst of Led Zeppelin from 1969-1973? Tell us in the comments and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
We're here, folks. It's the end of the season that got Kaitlyn hooked on One Tree Hill and the end of the season that both of your hosts call their favorite season of the entire series. But our journey through this amazing teen drama is just beginning because S3E22, The Show Must Go On, leaves us with so many cliffhangers as Nathan (James Lafferty) and Haley (Bethany Joy Lenz) head to the altar! Will things ever be the same between Brooke (Sophia Bush), Peyton (Hilarie Burton Morgan) and Lucas (Chad Michael Murray)? Who wrote “murderer” on Dan's (Paul Johansson) wall? Will Karen (Moira Kelly), who is now pregnant with Keith's child, ever learn the truth about Dan? Who is pregnant? Will Rachel (Danneel Ackles) and Cooper (Michael Trucco) survive from their limo dropping into the water? Will Nathan? Will Deb (Barbara Alyn Woods) ever stop being so freaking iconic?? Just kidding. We know Deb will always be iconic. So we can rest easy knowing that she will continue being fabulous after confessing to attempted murder. The episode title's connection to its namesake, Queen's “The Show Must Go On,” including how it chronicles Freddie Mercury's efforts to continue performing as he was dying. Plus, the title may have been a subtle message to send network executives. Give Sophia Bush an Emmy, already! The full-circle moment from the third season premiere (Please forgive Jeremy for only mentioning Ellie and Keith as the only deaths in season 3, and completely forgetting about Jimmy!) Myspace memories. Gen Z, for those who don't know, Myspace was a website like Twitter and Facebook, but fun. Our evolving feelings on Brucas, including a shocking confession from Jeremy and a connection to Taylor Swift's “Out of the Woods” from Kaitlyn. Brooke's (some deserved, some not) pettiness toward Peyton. Does Brooke really love Lucas? Deb's iconic version of “Tell Cersei. I want her to know it was me.” Why did Karen tell Dan she was pregnant? The use of The Snow Patrol song, “Chasing Cars,” and how music supervisor Lindsay Wolfington secured it for this episode before the song's actual release. How safe we feel with Naley right now (also how in the heck did they afford this wedding!?) How Gavin DeGraw's “More Than Anyone” was selected by viewers to be Nathan and Haley's first dance song. The fallout from Cooper and Rachel. The iconic CODA featuring the Led Zeppelin song, “Babe I'm Gonna Leave You,” and a brief history of the band's reluctance to license its songs out for TV and film We may not be returning until September for season four but we couldn't wait that long to watch S4E1, "The Same Deep Water As You"! On Sunday, June 4 at 2pm EST, we will be hosting a live watch of the episode in our Discord server for our patrons at the $2 level and above! Click here for more information on how to join us and other listeners as we chat about all of the cliffhanger resolutions and so much more! Be sure to leave us a review on Apple Podcasts! That's the easiest way to support us and to help One Tree Hill fans, new and old, find us! We're Kaitlyn Ilinitch (@MissIReads) and Jeremy Rodriguez (@RodriguezJeremy) and you can find Always and Forever on Twitter, Instagram and Facebook @alwaysothpod or email us at alwaysothpod@gmail.com. Check out our One Tree Hill season 3 Spotify playlist here: https://spoti.fi/3aRKgx2. Always and Forever is now on Patreon! Join our community to gain access to our private Discord server, early episode releases, and bonus content. Visit patreon.com/alwaysothpod for more information.
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This week, we take a look back at the incredible albums of 1978. In a year when Uncle Gregg was just playing with his squeezebox and Brett was gettin' down to Sesame Street Fever, our Third Lad Jim Basnight was right in the thick of the Seattle music scene. 1978 was the year Basnight's power pop combo The Moberlys formed, straddling the line between melodic Beatlesque songcraft and tightly wound, hormonally charged garage rock. From those nascent days (which have been compiled on the recent Early Years compilation) to his latest solo album, 2019's aptly titled Not Changing, Jim Basnight has been delighting pop music fans for well over 40 years. In this insightful, fun-filled episode, we talk about early musical influences, opening for Ramones, The Police and Greg Kihn, the New York punk scene, Seattle grunge, drunken nights, hard rock, bubblegum and blues roots, and a whole lot more. Plus, we play both sides of the latest single off of Early Years, "Live In The Sun" and "Bebe I'm Gonna Leave You." It's the show that caused Jim to exclaim, "I didn't realize what kind of complete nerds you guys are!" It's just what you needed! #musicpodcast #musicpodcasts #podnation #1stwave #classicalternative #70smusic #1978music #1978albums #punkrock #newwave #powerpop #classicrock
Counting Down the Greatest Cover Songs of All-Time!!#95-91Intro song: Doin' Time by Lana Del ReyOutro song: Doin' Time by Sublime95. Common PeopleOriginal: Common People by PulpAlternate: Common People by Vitamin String QuartetCover: Common People by William Shatner94. Just the Two of UsOriginal: Just the Two of Us by Grover Washington, Jr. & Bill WithersAlternate: Just the Two of Us by Toshinobu KubotaCover: Just the Two of Us by Will Smith93. You've Got a FriendOriginal: You've Got a Friend by Carole KingAlternate: You Learn / You've Got a Friend by Glee CastCover: You've Got a Friend by James Taylor92. Babe I'm Gonna Leave YouOriginal: Babe I'm Gonna Leave You by Anne BredonAlternate: Babe, I'm Gonna Leave You by Joan BaezCover: Babe I'm Gonna Leave You by Led Zeppelin91. Waterfalls"Original": Waterfalls by Paul McCartneyOriginal" Waterfalls by TLCAlternate: Waterfalls by Bette MidlerCover: Waterfalls by Death Cab for CutieVote on your favorite cover version from today's episode
Played in its entirety includes Highway to Hell, Bad Influence, It's All Your Fault, Ave Mary A, Please Don't Leave Me, U + Ur Hand, I Don't Believe, Crystall Ball, One Foot Wrong, Babe I'm Gonna Leave You, Bohemian Rhapsody, Funhouse and Push You Away.
We finish up 2/13/96 Tokyo w/ Page/Plant on a high note. Kashmir, Babe I'm Gonna Leave You, and WIAWSNB are played. Kashmir and Babe are insanely good. Great show. Great tour. Great recording.
The The ”Sweet Bird Of Truth” The The ”Armageddon Days (are here again)” Beth Hart ”Whole Lotta Love” Beth Hart ”No Quarter / Babe I’m Gonna Leave You” (Medley) John Smith ”One Day at a Time” John Smith ”Star-Crossed Lovers” (feat. Lisa Hannigan) The Wave Pictures ”This Heart Of Mine” The Wave Pictures ”I’d Rather Be Doing Anything” The Wave Pictures “Never Let Me Down” The Wave Pictures “Blink The Sun” Ian Noe ”Pine Grove (Madhouse)” Red Hot Chili Peppers “One Way Traffic” Escuchar audio
En este episodio nuestro equipo conversa sobre "Songs For The Deaf" de Queens Of The Stone Age, revisando sus canciones, la formación de la banda que grabó el disco, el aporte de cada músico al desarrollo de este, y muchos temas más.
High energy blues number - check. Harsh beat-boxing rhythmic tone - check. Mumbled lyrics and anti-poetic phrasing - check. David, Sam and Martin find all the required elements, but discuss whether it all comes together in this week's song. Note: we mention Mark Rylance this episode; between recording and release, his brother Jonathan was killed - sympathies from all of us for this loss. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Baby Gonna Leave Me, Real Gone (remastered), Tom Waits (2004/2017) Babe I'm Gonna Leave You, In Concert, Joan Baez (1962) Baby Gonna Leave Me, Real Gone (original), Tom Waits (2004) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.
Another dip into Jan 26 1969 and the upgraded source. A legendary show proves itself. We hear Communication Breakdown, Babe I'm Gonna Leave You, and How Many More Times (w/ some Yardbirds tunes). Amazing.
Small Bear returns with an emotive bass heavy tool for Hotseat Recordings fourth release. The Dublin based producer draws on garage and dubstep influences, showcasing a dark and murky but none the less alleviate as the track progresses. Hotseat Recordings are back with their 4th release. Going back to the roots of the label's first release with a stellar lineup of Irish talent which all offer unique but cohesive sounds across the four tracks. Small Bear, Jimbo Jones, and Maurice Anthony Moran (aka Tran Neptunia Orbit) have all previously featured on previous releases. This time round High Fidelity, Small Bear, Jimbo Jones and Maurice Anthony Moran contribute tracks. Gonna Leave U is a track I have been working on for over 2 years. Made during the early stages of lockdown, I had been listening to a lot of dubstep and post-dubstep, and for it I wanted to channel the energy of the likes of Pariah's and Pangaea's earlier tunes. Small Bear picks up the tempo with a percussive 2-step garage style beat, with a drone-y bassline and some dark organ stabs. The first half of the track builds in tension before the beat drops out momentarily. After this, in the second half, Small Bear flexes his production prowess sampling the song ‘Babe I'm Gonna Leave You', which is a powerful vocal driven performance by Joan Baez. The beat returns explosively with her vocals soaring over it, taking us to the outro of the track. This is is bass heavy goodness, from a really exciting Irish producer. Small Bear ------------------------- SC: https://soundcloud.com/small-bear2 IG: https://www.instagram.com/smallbear__/ FB: https://www.facebook.com/smallbearx Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/
Beth Hart “A Tribute To Led Zeppelin”: ”Whole Lotta Love” ”Kashmir” ”Stairway To Heaven” ”The Crunge” ”Dancing Days / When The Levee Breaks” (Medley) ”Black Dog” ”No Quarter / Babe I’m Gonna Leave You” (Medley) ”Good Times Bad Times” ”The Rain Song” Escuchar audio
This is a more complete and upgraded tape of Nov 2 1969, liberated by Dogs of Doom. We have a complete Dazed, as well as the two encores (Eddie Cochran songs), an incredible Babe I'm Gonna Leave You, as well as Communication Breakdown.
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1.Dazed & Confused / Jake Holmes2.Led Zeppelin / The Lemon Son3.Robert Johnson /Traveling Riverside Blues 4.Robert Johnson / Terraplane Blues 5.Led Zeppelin / Trampled Underfoot6.Memphis Minnie & Kansas city Bob / When the Levee Breaks(#4) 7.Josh White / Jesus Gonna Make Up My Dying Bed (Physical Graffiti) 8.Joan Baez / Babe, I'm Gonna Leave You (#1) 9.Sleepy John Estes / The Girl I Love She Got Long Black Wavy Hair10.Joan Osborne & Holmes Brothers / Nobody's Fault But Mine (Blind WIllie Johnson) 11.Led Zeppelin / How Many More Times12.Howlin' Wolf / How Many More Years13.Free / The Hunter [Paul Rogers leaves Free to Bad Company, to The Firm w/ Jimmy Page]14.Led Zeppelin / Hats Off to Roy Harper15.Bukka White / Shake'em On Down16.Blind Boy Fuller / I Want Some of Your Pie 17.Led Zeppelin / Custard Pie18.Sheryl Crow / Dy'er Mak'er19.Ray Davies (Kinks) / Thanksgiving Day 20.Little Stevie Van Zandt / St Valentine's Day 21.Tower of Power (feat Tom Jones) / Thank-you 22. ZZ Top / I Thank You
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Un mardi comme on les aime avec YCKM !!! Aujourd'hui des News à 8 mains pour changer, Maxime est impertinent, Mathieu ramène sa salière, Pierre fait respecter l'ordre tandit que Sandrine essaye de remonter le niveau. Aujourd'hui c'est au tour des derniers Dool et Wolves in the Throne Room d'être passés au crible. Excellente écoute sur Metalorgie !!!! Menu:
Cette semaine on va donner dans le sacré avec une sélection de formations actuelles qui font honneur à la grande tradition du rock'n'roll ! Alors, posez-vous tranquillement et laissez le sacro-saint saccage prendre les choses en main/ Playlist : Daliborovo Grange / Mehana, Deathchant / Rails, Green Lung / Leaders of the Blind, King Gizzard & The Lizard Wizard / Self-Immolate, Miscellen / Chemical Bonds, Spell / Sibyl Vane, Ugly Custard / Babe I'm Gonna Leave You, Moon Coven / Further, Amigo The Devil / Murder at the Bingo Hall, Cardiel / Sheriff Hernandez, Comacozer / Mydriasis. Photo : Green Lung par Gary Cooper ( www.coopsgigphotography.co.uk ) , le 03/09/2021 à l'Opium d'Edinburgh. Emission enregistrée le 23/10/2021. Bonne écoute !
#178-176Intro/Outro: Battery Kinzie by Fleet Foxes178. Billy Breathes by Phish (Free & Character Zero & Waste & Prince Caspian)177. Led Zeppelin I by Led Zeppelin (Babe I'm Gonna Leave You & Dazed and Confused & Communication Breakdown)176. White Ladder by David Gray (Please Forgive Me & Babylon & This Year's Love)Billy Breathes album artLed Zeppelin I album artWhite Ladder album artVote on Today's Album ArtHave you voted on Week 4 Round 1 winners yet? If so, no further action needed. If not:Week 4 Round 1 Winners (episodes 316-320)Vote on Week 4 Round 2 Album Art
We've got the one and only Chris Cranick in the building! We discuss what makes for a good evolution of an artist. And we give it our best at breaking down our top 3 albums. Check out Chris' latest solo release, A Light Within The Dark. Also be sure to check out his bands latest release; Overdrive Orchestra's, Alive and Well. Sidenote and spolier alert, we talk Led Zeppelin! KJ apologizes to all the LZ fans for confusing the song titles "Babe I'm Gonna Leave You" and "Since I've Been Loving You". Feel free to email us with comments, suggestions, or questions at mimusicpodcast@gmail.com.
Hoy te invitamos a visitar un estudio muy famoso en las décadas de los 70s y ‘80s, por el que pasaron los principales artistas del momento, desde The Who a Elton John, pasando por Clapton, Rod Stewart, Hendrix, los Stones y, cuándo no, The Beatles. Son los IBC Recording Studios.El nombre completo era International Broadcasting Company, conocidos como los estudios IBC, que se hicieron famosos porque por esas consolas pasaron los artistas más importantes del rock.Por ejemplo, acá fue donde Deep Purple comenzaría a gestar una de las piedras fundamentales del Heavy: su álbum "In Rock" comenzó a ser registrado en los IBC en octubre de 1969 y continuaron en 1970: "Child In Time", "Cry Free", "Into The Fire", "Living Wreck" y "Speed King" se perpetuaron en este histórico lugar.Por acá pasó también Cream, que grabó "Badge", la canción compuesta por Eric Clapton y George Harrison. Grabaron Elton John, Jimi Hendrix, Jimmy Page... The Kinks registraron "You Really Got Me"; también Rod Stewart, The Rolling Stones... y The Who, que grabó dos de los momentos más destacados de su carrera: su ópera rock "Tommy" y "My generation".Antes te había mencionado que los Beatles habían pasado por los IBC Studios... En realidad, los Fab Four no grabaron acá ninguno de sus álbumes oficiales, sino el especial Around The Beatles, en abril de 1964, y que fue emitido por televisión al mes siguiente.Para este show interpretaron un medley con "Love Me Do/Please Please Me/From Me To You/She Loves You/I Want To Hold Your Hand", reversiones de algunos de sus clásicos (como "Can't Buy Me Love") y un cover de la canción "Shout" que no incluyeron en ninguno de sus discos y figura solamente en este especial, por lo que toma aún más valor para los amantes y coleccionistas de la banda.En realidad, la historia cuenta que este especial fue grabado en los Wembley Park Studios y ésto es parcialmente cierto. Ahí grabaron el programa, pero en realidad las canciones fueron registradas previamente en los IBC, para luego hacer playback en el programa de televisión.Hacia el final de los ‘70s, Chas Chandler (exitoso manager, productor y también bajista original de The Animals) compró la compañía y la rebautizó Portland Recording Studios. El edificio está ubicado en el 35 de Portland Place, en la zona de Marylebone y a pocas cuadras del Regent's Park. De hecho, la estación de subte más cercana es, justamente, Regent's Park, de la línea Bakerloo. Actualmente, parte del edificio es ocupado por el consulado de Colombia en Londres.Vamos a despedirnos con el primer corte difusión de "Tommy", ópera rock de la banda The Who. Compuesto por Pete Townshend y grabado en febrero de 1969, obviamente en los estudios IBC de Londres: "Pinball wizard".Tracklist"You Really Got Me", The Kinks"I want to be Loved", The Rolling Stones"Speed King", Deep Purple"Babe I'm Gonna Leave You", Led Zeppelin"My generation", The Who"Shout", The Beatles (versión del especial "Around The Beatles")"Sha La La La Lee", Small Faces"Pinball wizard", The Who See acast.com/privacy for privacy and opt-out information.
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# 4분 33초♪ Stars / Simply Red # 시간을 달리는 음악 feat. 김경진 음악평론가2. Led Zeppelin이 ‘훔친' 음악♪ Babe I'm Gonna Leave You (2:38) / Joan Baez (1962)♪ Babe I'm Gonna Leave You (6:42) / Led Zeppelin (1969) ♪ Dazed And Confused (3:46) / Jake Holmes (1967)♪ Dazed And Confused (6:28) / Led Zeppelin (1969) ♪ You Need Love (2:44) / Muddy Waters (1962)♪ Whole Lotta Love (5:34) / Led Zeppelin (1969) ♪ When The Levee Breaks (3:11) / Kansas Joe & Memphis Minnie (1929)♪ When The Levee Breaks (7:07) / Led Zeppelin (1971)ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.
As of this week, music producer and YouTube star Rick Beato has 2.34 million subscribers who watch his deep dives into musical theory, often using examples from pop music. His videos are meant to be educational and analytical, but they are from time to time demonetized for copyright infringement. Most recently, Beato had a dispute with music publisher Warner Chappell Music, over a live streamed video called “Why Today's Music Is So BORING. The Regression of Musical Innovation,” in which he played a chord progression on his guitar of Led Zeppelin's “Babe I'm Gonna Leave You” as an example of a complex chord progression. According to a follow-up YouTube video, Beato said that Warner Chappell Music made a copyright infringement claim, he appealed citing fair use and was rejected. Then this morning, Beato got word that the claim was released. We hold up a legal lens to the situation. What are the rules when it comes to copyright infringement and fair use in the world of music and educational YouTube videos? Guests: Kelly Shapiro, founder and managing partner at the Law Offices of Kelly D. Shapiro, based in Santa Monica, Los Angeles Don Franzen, adjunct professor of business and music law at UCLA and visiting professor at Berklee School of Music; music and entertainment attorney based in Beverly Hills; he tweets @donfranzen
In this episode, we're joined by Jon Loree of Tantric & Triple Addiction to discuss the mighty Led Zeppelin! Vote now for YOUR favorite playlists, hear the results of past episodes & listen to ALL of the playlists at: http://www.playlistwarspodcast.com SONGS DISCUSSED INCLUDE Achilles Last Stand, All My Love, Babe I'm Gonna Leave You, Black Dog, Dazed & Confused, D'yer Mak'er, Fool In The Rain, Good Times Bad Times, Heartbreaker, I Can't Quit You Baby, Immigrant Song, Kashmir, Moby Dick, No Quarter, Over The Hills & Far Away, Ramble On, Rock n' Roll, Since I've Been Loving You, Stairway To Heaven, When The Levee Breaks & Whole Lotta Love. CONNECT WITH PLAYLIST WARS Facebook: https://www.facebook.com/playlistwars Twitter: http://twitter.com/playlistwars Instagram: https://www.instagram.com/playlistwarspodcast YouTube: https://www.youtube.com/channel/UCcW7NibxehYRf8_UZ88Qtbg FOR MORE ON TANTRIC Facebook: http://facebook.com/Tantric Instagram: http://instagram.com/officialtantric FOR MORE ON TRIPLE ADDICTION Website: http://tripleaddiction.com Facebook: http://facebook.com/TripleAddiction YouTube: http://youtube.com/channel/UCvrvBW5U3fyztBhTlxgZQYg? FOR MORE ON JON'S DRUM STUDIO Website: http://jonsdrumstudio.com Facebook: http://facebook.com/jon.loree.1 Instagram: http://instagram.com/jonsdrumstudio FOR MORE ON HITTING CIRCLES Website: http://hittingcircles.org --- Support this podcast: https://anchor.fm/playlistwars/support
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My guest in this episode is Andy Smith. In between some great song choices we talk about, amongst other things : · Growing up in Grimsby "The Garden City" · Surviving Trinity College Cambridge as a working-class boy - (being good at Maths helps)· The delights of flangers! · How The Smiths generated a love for poetry· Taking part in the downfall of the Soviet Union · Being mistaken for a member of Razorlight · The magical communal experience that is a gig. His song choices are: · 1969 - Led Zeppelin - Babe I'm Gonna Leave You · 1976 - David Bowie - Station to Station · 1984- The Smith's - Still Ill · 1994 - Oasis -Whatever · 2006 - Razorlight - America · 2011 - Frank Turner - Glory Hallelujah· 2020 - Banners - Got It In You If your Podcast supports "Chapters" then so does Music Talks. Its a great way to consume an episode in decade sized chunks. Since 1992, with the exception of a Dot Com Sojourn for a year , Andy has worked for Accenture & Avanade and during that time he has always lived in Europe. Initially in Sophia Antipoles and for over 20 years home has been Frankfurt in Germany with his wife Astrid and their two teenage children
This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 11th March 2021 Artist - Track - Album - Year The 14 Jazz Orchestra Wood Dance Cartoon Bebop 2020 Diego Rivera Indigenous Indigenous 2021 Idit Shner Samba in Two Live at the Jazz Station 2021 Doug Webb Coruba Apples and Oranges 2020 Tom Tallitsch Mablestates Message 2021 Joe Chambers Circles Samba de Maracatu 2021 Greg Murphy Enkare Nairobi Cool Water 2021 Charlie Porter Hindsight Hindsight 2021 Mike Scott Rondo Collecting Things 2021 Smithsonian Jazz Masterworks Orchestra Meditation #1 (from "Mass") Bernstein Reimagined 2020 Tivon Pennicott with Strings Bad Apple Spirit Garden 2020 Mauricio Morales The Forest Luna 2021 Tivon Pennicott with Strings Rain Dance Spirit Garden 2020 Yoko Miwa Babe, I'm Gonna Leave You Songs of Joy 2021 Shai Maestro Human Human 2021 Roberto Magris & Eric Hochberg Quiet Dawn Shuffling Ivories 2021 Jakob Bro/Arve Henriksen/Jorge Rossy Housework Uma Elmo 2021 Hafez Modirzadeh Facet 28 Nora Facets 2021 Hafez Modirzadeh Facet 29 Night Facets 2021 The post The Creative Source (#CreativeSource) – 11th March 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
Vamos con un nuevo mixtape, uno que ha resultado muy complicado de hacer por la sencilla razón que debería durar muchísimas horas por la cantidad apabullante de clásicos. Se trata de 1969. Esto que escucharemos es la punta del iceberg de un año que en lo musical fue la gloria, el oro y el éxtasis. Sonarán Space Oddity (Bowie), Babe I’m Gonna Leave You y Heartbreaker (Led Zeppelin), Come Together y Something (The Beatles), Pinball Wizard (The Who), Proud Mary (Creedence Clearwater Revival), With a Little Help from My Friends (Joe Cocker), Helplessly Hoping (Crosby, Stills & Nash), Down by The River (Neil Young), Presence of the Lord (Blind Faith), I Wanna be Your Dog (The Stooges), What Goes On (The Velvet Underground), Evil Ways (Santana), Epitaph (King Crimson), Volunteers (Jefferson Airplane), The Soft Parade (The Doors) y You Can’t Always Get What You Want (The Rolling Stones)
Rock Talk With Mitch Lafon... And Alan Niven present legendary vocalist Dennis DeYoung. In this special episode originally recorded for a Led Zeppelin show, but now being shared on my platform - Dennis DeYoung talks about his encounters with the band and members. Of course, we discuss his fantastic new album '26 East, Vol. 1' And he addresses the similarities between the Styx song 'Suite Madame Blue' and Led Zeppelin's 'Babe I'm Gonna Leave You' During the interview Dennis says the new album was a concept record and the concept was: "Don't suck" Listen here: https://ffm.to/rocktalkwithmitchlafon Twitter: @mitchlafon Instagram: @mitch_lafon Subscribe to Rock Talk With Mitch Lafon for exclusive content and interviews on iHeart radio, Spotify, Apple Podcasts, Deezer & more. Help support the show. Please consider a donation: https://www.paypal.me/MitchLafon See omnystudio.com/listener for privacy information.
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Our fifty-ninth episode, which aired on September 8, 2019. The Delta Bombers – 15 to Life Gatemouth Moore – I Ain’t Mad At You Pretty Baby Jesse James & All the Boys – Billy’s Tune The Royal Hounds – Pizza Party Tommy Cassel – Run Along Little Girl Carl Mann – Ain’t Got No Home Kent Westbury – My Baby Don’t Rock Me Rockabilly Rockets – King of Fools Louis Jordan – Salt Pork West Virginia Luke Wills’ Rhythm Busters – Four or Five Times Sun Cats – Slip Slip Slippin’ In Norman Witcher – Somebody’s Been Rocking My Boat Roy Hogshed – Cocaine Blues Peppermint Harris – I Got Loaded The Hillbilly Moon Explosion – Desperation Dave Hughs – I Ain’t Got No Gal Tiny Grimes & Billie Holiday – Blue Turning Grey Over You Louie & The Wolf Gang – What the S***urf! Lucky Daltons – Rockabilly Boogie Walt Benton & The Diplomats – I’m Gonna Leave You
I talk about the 1998 Page/Plant tour, and how Jimmy Page was ON FIRE and playing like a man possessed. I focus on the Bizarre Festival in Koln, Germany on August 23, 1998, and play three songs from this gig (professionally recorded and broadcast), Babe I'm Gonna Leave You, Heart In Your Hand, and How Many More Times. Good stuff. My new mic cable has yet to arrive, so my vocals are recorded using my laptop mic. Apologies.
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Detallamos la vida de Ozzy Osbourne y en esta primera parte hablamos del período que va desde su infancia hasta su salida de Black Sabbath el viernes 27 de abril de 1979. Estas son las canciones que escucharas: 1. Earth - Thomas James 2. Led Zeppelin – Babe I’m Gonna Leave You 3. Black Sabbath – The Wizard 4. Black Sabbath – Wicked World 5. Black Sabbath – Evil Woman 6. Black Sabbath – Black Sabbath 7. Black Sabbath – War Pigs 8. Black Sabbath – Supernaut 9. Black Sabbath – Sweet Leaf 10. Black Sabbath – Sabbra Cadabbra 11. Black Sabbath – Spiral Architect 12. Black Sabbath – Supertzar 13. Black Sabbath – It’s Alright El libro Soy Ozzy lo puedes adquirir en Amazon a través de este enlace: https://amzn.to/2BLPqpl
Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You (n/a) 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon (n/a) 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms (n/a) 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus (n/a) 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc (n/a) Check out the full archives on the website.
Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc
La Mélodie du Bonheur, c'est un podcast hebdomadaire consacré à la musique. Chaque semaine, un album passe dans notre viseur, dans un cycle trois actus, un hors-actu. L'album de la semaine : Cette semaine, Flavien, Léo, Wazoo et Woozz vous parlent d'Elysia Crampton, album d'Elysia Crampton sorti le 27 avril 2018. Les recommandations : • Flavien : Watson & Holmes, jeu de société de Jésús Torres Castro, illustré par Arnaud Demaegd, Neriac et Pascal Quidault et édité par Space Cowboys• Léo : Oil of Every Pearl's Un-Insides, album de SOPHIE• Wazoo : The Binding of Isaac: Rebirth, jeu vidéo développé par Edmund McMillen• Woozz : la discographie conséquente de Muslimgauze Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : E + E - Shenandoah ; Elysia Crampton - Oscollo ; Elysia Crampton - Orion Song• Quizz : Peter Gabriel - Humdrum ; Aaliyah - We Need a Resolution (feat. Timbaland) ; Led Zeppelin - Babe I'm Gonna Leave You ; Cluster & Eno - Schöne Hände ; Fever Ray - When I Grow Up ; Michel Polnareff - L'amour avec toi ; Murmuüre - Amethyst ; Tim Buckley - Song Slowly Song ; Adolescents - L.A. Girl ; Fleet Foxes - Tiger Mountain Peasant Song ; Dead Can Dance - A Passage in Time ; The B-52's - Rock Lobster ; Audioslave - I Am the Highway ; Black Sabbath - N.I.B. ; Bon Iver - Holocene• Morceau de fin : Rabit & Chino Amobi - Cruel Angel Thesis• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud
En nuestro primer programa vamos visitando grandes canciones de Hard Rock, Metal, Progresivo, Thrash Metal, Psychedelic Rock, Rock Clásico y algo de Pop. 1 - Emerson, Lake & Palmer "Karn Evil #9, 1st Impression, Part 2" 2 - Death Angel "Voratious Souls" 3 - Heaven and Earth "Feel the Spirit" 4 - Pink "Babe, I'm Gonna Leave You" (en vivo) 5 - Saxon "747 Strangers in the Night" (re-recording) 6 - Deep Purple "Rat Bat Blue" 7 - Talisman "Colour my XTC" 8 - Simple Minds "Alive and Kicking" (unplugged) 9 - Boston "More Than A Feeling" (en vivo) 10 - Sweet "Sweet F.A." 11 - Pink Floyd "Confortably Numb" (ensayo en vivo) Esto es Rock solo para tus oidos....
Señorlobo y Lubacov sorprenden con la segunda entrega de “Discos Legendarios” (aunque no se sabe si la ya mítica serie siempre se ha llamado así), en la que Javier Diez Ena, también conocido como Trop, explica lo instrumental que ha sido el disco “Irresistible Bliss” de Soul Coughing en su carrera como contrabajista (entre muchos otros grupos, Trop toca o ha tocado en Dead Capo y Ginferno). Además hay nuevos sonidos de Onom Agemo, Black Angels, Mark Ronson y Nardo Says.PLAYLIST:1. Onom Agemo & The Disco Jumpers – Trudy The Monster.2. Alogte Oho Jonas And His Sounds Of Joy – Zota Yinne.3. Mark Ronson Feat. Mystikal – Feel Right.4. Gari Romalis – We Funk.5. Soul Coughing – Super Bon Bon.6. Soul Coughing – Lazybones.7. Soul Coughing – Collapse.8. Paul Zinnard – Beaches In The North.9. Black Angels – Waterloo Waltz.10. Catfish And The Bottlemen – Kathleen.11. Buscabulla – Caer.12. Sean Rowe – The Drive.13. Nardo Says – She Like.14. Melanie De Biasio – I’m Gonna Leave You.
WTTS/KPRI’s Laura Duncan and her husband of 24 years, Sean, talk about life at home. In episode 82, Laura shares Miley Cyrus singing her cover version of Led Zeppelin’s 1969 hit ‘Babe I’m Gonna Leave You’. Plus she talks about her recent AAA Music Director of the Year Award and Kanye West. Also, Sean reflects on his 30th class reunion and new music from Scars on 45 is offered as free download. LISTEN/SUBSCRIBE to The LSD Show on iTunes. Follow Laura and Sean on Twitter: @WTTSLAURA, @SeanDuncan66. For more, visit www.lauramerica.com
Quique Gomez and Luca Giordano (Travellin' Man); Michael Powers (You Got To Go Down); Reverend Gary Davis (Twelve Sticks); Big Jack Johnson with Kim Wilson (Dust My Broom); Omar Dykes (Back Door Man); Frank Blackfield (I’m Gonna Leave You); David Graybeard (Sweet Roll); Sheba The Mississippi Queen (Butter On My Rolls); Shaun Murphy (Somewhere Between Right And Wrong); Dan McKinnon (Killing Time); Carolina Chocolate Drops (Another Man Done Gone); Leyla McCalla (Love Again Blues); Albert King (I Can't Hear Nothing But The Blues); Freddie King (It's Too Bad Things Are Going So Tough); Blind Blake (Early Morning Blues); Otis Spann (Blues Don't Love Nobody).
The Best Radio You Have Never Heard Podcast - Music For People Who Are Serious About Music
NEW FOR AUGUST 1, 2013 Dialing the right number for outstanding music. Pick up the receiver, I'll make you a believer . . . Busy Signaling - The Best Radio You Have Never Heard Vol - 214 1. No One Like You / If You Ask Me (I Won't Say No) - Pete Shelley Buy From iTunes* 2. A Ton Of Love - Editors Buy From iTunes 3. Staring At The Sun - California Transit Authority Buy From iTunes 4. Early Morning Blues - The Allman Brothers Band Buy From iTunes 5. Help Me (live) - Joni Mitchell Buy From iTunes* 6. Chelsea Monday (early) - Marillion Buy From iTunes 7. Unnamed - Rodrigo y Gabriela 8. Babe, I'm Gonna Leave You (live) - Robert Plant and the Sensational Shape Shifters Buy From iTunes* 9. Low Spark Of High Heeled Boys (live) - Steve Winwood Buy From iTunes* 10. You Can Call Me Al (live) - Paul Simon w/ David Byrne Buy From iTunes* 11. Awaken (live) - Yes Buy From iTunes* The Best Radio You Have Never Heard. Not your typical radio wrong number . . . Accept No Substitute. Click to leave comments on the Facebook page.
Playlist: Christine Ohlman & Rebel Montez- Jungle Twist, Paco & Co.- Lotto, Coco Montoya- The One That Really Loves You, Roxy Perry- Blues Comes To Call, Popa Chubby- Sweet Goddess Of Love And Beer, Ryan Hartt & The Blue Hearts-One More Night, Lustre Kings-Lookin’ For My Baby, Oli Brown- Evil Soul, The Grimm Generation- Someday I’m Gonna Leave You,Detroit Rebellion- Fork in the Road, Roxy Perry- Easy For You, Bad Rooster- Low Down Dirty Dog, Mojomatics- Soy Baby. Show Notes: Congrats to Preston Bonesteel of East Hartford this week’s winner in our Feed Our Friends contest. Preston wins a $50 gift card From Black-Eyed Sally’s in Hartford. All you have to do is friend our Facebook page to win. Jimi Hendrix would have been 70 this week so we found some classic pics of him from Time Magazine Here is the link:http://lightbox.time.com/2012/11/27/happy-70th-birthday-jimi-hendrix-photos-of-an-incendiary-talent/?iid=tl-article-mostpop2#9 Led Zeppelin reunion never happened because Robert Plant “was too Busy”: http://www.rollingstone.com/music/news/jimmy-page-led-zeppelin-reunion-tour-never-happened-because-robert-plant-was-busy-20121121? What lengths will Deadheads go to preserve music? Find out here: http://www.newyorker.com/reporting/2012/11/26/121126fa_fact_paumgarten What did the Rolling Stones play on the first night of their 50th Anniversary Tour? Check it out here: http://www.setlist.fm/setlist/the-rolling-stones/2012/o2-arena-london-england-63dace27.html With no interview this week we found a current story and told the Legend of Robert Johnson find it all in these links: http://www.robertjohnsonbluesfoundation.org/news/rare-robert-johnson-i-believe-ill-dust-my-broom-vocalion-record http://www.robertjohnsonbluesfoundation.org/biography http://www.robertjohnsonbluesfoundation.org/node/238 http://www.shmoop.com/blues-history/statistics.html If you missed any of these performers last week here’s where you can see them next: Roxy Perry: Friday Nov 30- Sat Dec 1 at The Blu Parrot in Westport Ct. Coco Montoya: Fri Nov 30 in Buffalo New York at the Tralf and Sat Dec1 in Gravenhurst Ontario Christine Ohlman & Rebel Montez: Sat Dec 1 in NYC at Rodeo Bar Rundown: This Week at Black-Eyed Sally’s Tues Nov 27 Mike Palin’s Other Orchestra Wed Nov 28 Blues Open Mic hosted by Tim MacDonald Thurs Nov 29 The Grimm Generation Detroit Rebellion Fri Nov 30 Eddie Shaw & the Wolf Gang Sat Dec 1 Bad Rooster Mon Dec 3 Monday Night Jazz featured performer Steve Porter Band w/ Jazzmeia Horn I hope to see you at Sally’s this weekend but if not please continue to support live music wherever you are. See you next week! Download to iTunes: Brian T. Lee and the Black-Eyed and Blues Music Hour http://twitter.com/intent/tweet?text=Show%2075%20%7C%20Black%20Eyed%20and%20Blues%20Music%20%20-%20http%3A%2F%2Fonthehorn.com%2F2012%2F11%2F08%2Fshow-75-blachttp://www.facebook.com/share.php?u=http%3A%2F%2Fonthehorn.com%2F2012%2F11%2F08%2Fshow-75-black-eyed-and-blues-music%2F&t=Show%2075%20%7C%20Black%20Eyed%20and%20Blues%20Music%20k-eyed-and-blues-music%2F%20
Jack Russel of Great White joins us this week to discuss a career that has spanned the highs, lows, and everything in-between. Last week was a busy week in the press for Russell between dodging drunk boaters and having to clarify remarks about former manager Alan Niven. He takes a few minutes to discuss these stories, as well as where the current legal case with the rest of the band stands, with us before we launch into career-talk. And what a career it's been. From their early days in 1978 as Dante Fox, Jack tells us how the name Great White came about and how it relates to albino guitar players. We get Jack's recollections of the Sunset Strip in the days before it exploded which included flyer wars with Nikki Sixx and Motley Crue as well as his thoughts on how the internet has pretty much squashed the chances of a regional thing on that level happening again. We discuss the reversal of touring to sell albums shifting to recording an album as an excuse to tour and Jack's thoughts on what downloading has done to deplete potential income and the presence of record stores. Chris asks Jack to explain why the first two Great White albums sound so distinctly different from everything that followed and we find out why all of those keyboards appeared on the Shot in the Dark album. You'll hear Jacks memories of touring with Whitesnake in the U.K. for Great White's first european tour as well as a story about the members of Judas Priest playing volleyball in Biloxi, MS while on the Defenders of the Faith tour. Russell tells us how he had to fight to get Save Your Love included on the Once Bitten album after the producer and record company went cold on the song; a gamble that paid off for Russell and the band as the song received widespread radio airplay. Following the breakthrough success of the Once Bitten & Twice Shy albums, the tide started shifting in popular music with "party" rock bands beginning to multiply to the general public's disgust causing the overnight change of pace with grunge music taking over the airwaves. Jack gives us his memories of this period of time and how it hit the hard rock scene like a freight train and did much damage to the prospects of success for their then-new album Psycho City. He also tells us about Great White's experience opening for KISS during 1992's Revenge tour and getting a front row seat to the media machinations of one Gene Simmons. After venturing into solo territory, Russell and guitarist Mark Kendall began performing again as Jack Russell's Great White with Kendall leaving the band again. With new guitarist Ty Longley, the band played The Station nightclub in Warwick, Rhode Island where pyrotechnics caused a fire that killed one hundred people including Longley. Jack Russell tells why he's decided to no longer comment on the incident. We wrap up the conversation with some talk about the band's amazing cover of Led Zeppelin's Babe I'm Gonna Leave You and why they decided to record an entire album of Zeppelin covers songs as well as the upcoming America Rocks 2012 tour that Jack and co. are undertaking this summer along with Faster Pussycat, Bulletboys, Pretty Boy Floyd, and Lillian Axe. Jack also makes it a point to thank his legion of very supportive fans that helped to bring him back from a horrific physical state to rocking stages all over the world again. Special thanks to Dave Hardin and Valerie Ince for helping arrange this interview. Check out Jack Russell's website for tour dates, news, and messages from Jack himself.
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