Podcasts about Brussels

fWotD Episode 3426: Early Netherlandish painting Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 21 September 2026, is Early Netherlandish painting.Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As a result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic.The major Netherlandish painters include Campin, van Eyck, Rogier van der Weyden, Dieric Bouts, Petrus Christus, Hans Memling, Hugo van der Goes and Hieronymus Bosch. These artists made significant advances in natural representation and illusionism, and their work typically features complex iconography. Their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare. Landscape is often richly described but relegated as a background detail before the early 16th century. The painted works are generally in oils on panel, either as single panels or more complex portable or fixed altarpieces in the form of diptychs, triptychs or polyptychs. The period is also noted for its sculpture, tapestries, illuminated manuscripts, stained glass and carved retables.The first generations of artists were active during the height of Burgundian influence in Europe, when the Low Countries became the political and economic centre of Northern Europe, noted for its crafts and luxury goods. Assisted by the workshop system, panels and a variety of crafts were sold to foreign princes or merchants through private engagement or market stalls. A majority of the works were destroyed during waves of iconoclasm in the 16th and 17th centuries; today only a few thousand examples survive.Early northern art in general was not well regarded from the early 17th to the mid-19th century, and the painters and their works were not well documented until the mid-19th century. Art historians spent almost another century determining attributions, studying iconography, and establishing bare outlines of even the major artists' lives; attribution of some of the most significant works is still debated. Scholarship of Early Netherlandish painting was one of the main activities of 19th- and 20th-century art history, and a major focus of two of the most important art historians of the 20th century: Max J. Friedländer (From Van Eyck to Breugel and Early Netherlandish Painting) and Erwin Panofsky (Early Netherlandish Painting only covering artists up to Hieronymus Bosch who died in 1516).This recording reflects the Wikipedia text as of 00:41 UTC on Monday, 21 September 2026.For the full current version of the article, see Early Netherlandish painting on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.

We look at three solutions connected to the “three Rs” – reduce, reuse and recycle. The city of Brussels in Belgium is in the process of moving all 40 municipal nurseries over to reusable nappies – and have managed to do it without their staff kicking up a stink! Also energy companies around the world have found ways to encourage customers to reduce their consumption by making it fun, and lastly we meet Makafui Awuku in Ghana - a man on a mission to turn used plastic into school desks.

Chosen by Gareth, Double Impact arrived in 1991 at exactly the point where Jean-Claude Van Damme was becoming one of the defining action stars of the VHS era. Directed by Sheldon Lettich and co-written by Lettich and Van Damme, the film had an estimated budget of around $15 million and was shot across Hong Kong and Southern California. Van Damme also co-produced the movie while taking on its dual leading roles, supported by Geoffrey Lewis, Alonna Shaw, Alan Scarfe, Bolo Yeung and Cory Everson. Creating two Van Dammes in the same scene required optical split-screen techniques, carefully controlled camera work and body doubles rather than the digital effects that would make the job considerably easier today.Released in the US on 9 August 1991, Double Impact received mixed reviews but pulled in around $30 million domestically, roughly doubling its production budget. Contemporary critics were divided between those happy to accept the film as a full-strength JCVD action vehicle and those less impressed by its storytelling. Either way, its combination of martial arts, gunplay, Hong Kong locations and the wonderfully shameless selling point of “two Van Dammes for the price of one” helped make it a memorable fixture of early-'90s action cinema and home-video shelves.TRAILER GUY PLOT SYNOPSISTwenty-five years after a violent conspiracy tears a family apart, two identical brothers are about to discover each other. Chad has California smiles, martial arts moves and enough pastel clothing to frighten an entire decade. Alex has Hong Kong, black leather, cigars and the general demeanour of a man who considers conversation an unnecessary delay before punching somebody.Now their shared past is catching up with them, and the men responsible would very much prefer the Wagner brothers stayed separated.FUN FACTSDouble Impact was inspired by Alexandre Dumas' The Corsican Brothers, the story of twin brothers separated early in life, and the project originally carried the Corsican Brothers name.Van Damme specifically wanted to play two contrasting characters because he believed the dual role would give audiences a chance to see more of his acting range rather than simply another variation on his action-star persona.Of the two Wagner brothers, Van Damme said his real personality was much closer to the more easy-going Chad than the harder-edged Alex.Van Damme personally wanted Bolo Yeung in the movie after the two became friends while making Bloodsport. Their reunion gave JCVD fans another chance to see the pair sharing the screen.Van Damme turned down Kickboxer 2: The Road Back in order to make Double Impact instead.The film featured Van Damme's first onscreen love scene, adding another string to the Muscles from Brussels' increasingly ambitious acting bow.The end credits include special thanks to Frank Dux's Samurai Connection — another link back to the colourful real-world figure whose claims helped inspire Bloodsport.Cory Everson, who plays the intimidating Kara, wasn't merely built for the part: she was a six-time Ms. Olympia bodybuilding champion.SUPPORT THE SHOWIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.And if you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Deep in Belgium's Ardennes lies a world of fascinating fairy folklore. Discover the Valley of the Fairies and its connection to Marcel - Chouffe's famous Gnome.

Euronext Sustainability Week runs Sept. 14-18 under the title 'Building resilience in a changing world.' All Things Sustainable is the official podcast and in bonus episodes throughout this week, we're talking to CEOs of Euronext-listed companies to understand what that looks like in practice.  In today's episode, we talk with EnergyVision Founder and CEO Maarten Michielssens. EnergyVision is a Belgian renewable energy company listed on Euronext's Brussels exchange, and Maarten outlines the company's goal to make it easier for customers to transition to renewable energy. He describes a business model — producing renewable energy from solar, wind and hydropower and combining it with battery storage, affordable energy contracts and charging networks for electric vehicles — that he says helps keep electricity prices predictable for customers.  "More than 75% of the energy that we sell comes from our own assets. These assets don't respond to market prices, so we can keep our price stable," he says.  This stability has become increasingly relevant in the face of global conflicts like the Russia-Ukraine war and conflict in the Middle East. For most customers, Maarten says the decision to transition away from fossil fuels comes down to cost.   "The combination of renewable energy — which is the cheapest energy — and this obsession for customer satisfaction means that we scale fast, that we are profitable," he says.    Listen to bonus Euronext Sustainability Week episodes:  Why resilience is the buzzword as Euronext Sustainability Week kicks off | S&P Global  S&P Global Sustainable1 is a member of the Euronext Sustainable Network,  Copyright ©2026 by S&P Global  DISCLAIMER  By accessing this Podcast, I acknowledge that S&P GLOBAL makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions, and recommendations presented in this Podcast are for general information only and any reliance on the information provided in this Podcast is done at your own risk.   Any unauthorized use, facilitation or encouragement of a third party's unauthorized use (including without limitation copy, distribution, transmission or modification, use as part of generative artificial intelligence or for training any artificial intelligence models) of this Podcast or any related information is not permitted without S&P Global's prior consent subject to appropriate licensing and shall be deemed an infringement, violation, breach or contravention of the rights of S&P Global or any applicable third-party (including any copyright, trademark, patent, rights of privacy or publicity or any other proprietary rights).   This Podcast should not be considered professional advice. Unless specifically stated otherwise, S&P GLOBAL does not endorse, approve, recommend, or certify any information, product, process, service, or organization presented or mentioned in this Podcast, and information from this Podcast should not be referenced in any way to imply such approval or endorsement. The third party materials or content of any third party site referenced in this Podcast do not necessarily reflect the opinions, standards or policies of S&P GLOBAL. S&P GLOBAL assumes no responsibility or liability for the accuracy or completeness of the content contained in third party materials or on third party sites referenced in this Podcast or the compliance with applicable laws of such materials and/or links referenced herein. Moreover, S&P GLOBAL makes no warranty that this Podcast, or the server that makes it available, is free of viruses, worms, or other elements or codes that manifest contaminating or destructive properties.  S&P GLOBAL EXPRESSLY DISCLAIMS ANY AND ALL LIABILITY OR RESPONSIBILITY FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR OTHER DAMAGES ARISING OUT OF ANY INDIVIDUAL'S USE OF, REFERENCE TO, RELIANCE ON, OR INABILITY TO USE, THIS PODCAST OR THE INFORMATION PRESENTED IN THIS PODCAST.

European Commission president, Ursula von der Leyen, says the EU must urgently reimagine its partnerships. William Denselow spoke to Ingrid Hipkiss from Brussels.

This episode continues our theme for September, that of The Black Madonna as a symbol of resilience. The Black Dear Lady of Brussels and the church where she resides offer both hope and inspiration as well as a painful mirror of the dangers we are facing during our polarized time where powerful groups seek to oppress the marginalized in order to distract from responsibilities.To make a one time donation of any amount to support the podcast, please donate tohttps://www.paypal.com/paypalme/BlackMadonnaHeartBecome a Patron for the channel at https://www.patreon.com/TheBlackMadonnaSpeaksTo purchase Black Madonna Speaks extra content, please visithttps://www.patreon.com/theblackmadonnaspeaks/shopTo see all of Stephanie Georgieff's offerings on Teachablehttps://livingpharmacy.teachable.com/l/productsTo receive a 30% discount on The Virgin of Guadalupe, Mysterious Messenger of Destiny course on Teachable, please use the code GUADALUPE2031 at checkoutlivingpharmacy.teachable.com/l/pdp/the-virgin-of-guadalupe-mysterious-messenger-of-destiny#BlackMadonna #Brussels #Holocaust

CAPTION 1916 YEMEN FIGHTING.CONTENTS-JBS-9-14-2026Houthis Expand Reach Across Strategic WaterwaysBridget Toomey discusses how Houthi rebels rapidly expanded control across Yemen's western coast, seizing the strategic port of Mocha and Perim Island in the Bab el-Mandeb choke point. Yemeni armed forces conducted counter-operations in a designated killbox around Mocha while displaying strikes on Houthi positions. Meanwhile, Saudi Arabiaclosed its critical oil pipeline following drone attacks attributed to Iran-backed Iraqi militias operating in coordination with the Houthis. The Trump administration continues offering intelligence support to Saudi Arabia while maintaining its policy of avoiding direct airstrikes under an existing mutual non-engagement agreement. (1)Israeli Strikes Target Reconstituting Hamas LeadershipSamuel Ben-Ur analyzes recent Israel Defense Forces eliminations of key Hamas figures in Gaza, notably Khan Yuniscommander Muhammad Abdul Salam al-Yuzuri. Al-Yuzuri was actively attempting to rebuild the Qassam Brigadesand plan attacks prior to his elimination. Hamas maintains military dominance across thirty percent of the yellow line and remains heavily integrated within civilian population centers. Meanwhile, progress on the Board of Peace disarmament plan remains stalled until after Israeli elections due to political sensitivity surrounding territorial concessions. Ben-Ur notes that voluntary Hamas disarmament is improbable, highlighting alternative stabilization initiatives like pilot zones. (2)Historical Roots Shape Modern Yemeni ConflictGregory Copley details the deep historical context of Yemen, tracing its lineage from the ancient Sabaean kingdom through the Mutawakkilite Kingdom. He explains how Saudi hostility toward Northern Yemen stems partly from historical Hashemite claims to Mecca and Medina. Copley emphasizes that Northern Yemeni forces are tough professional fighters rather than simple rebel groups, driven to fight for survival against Saudi strikes. He suggests that Washington and London should engage in separate diplomatic negotiations, leveraging Oman's Sultan as a discreet mediator during upcoming visits to negotiate an accommodation and establish regional peace. (3)Latin American Leaders Engage European ForumErnesto Araújo and Alejandro Peña Esclusa discuss their participation in Slovenia's Bled Strategic Forum, highlighting growing Eastern European engagement with Latin America. Araújo draws parallels between Eastern Europe's 1989 liberation and Latin America's current struggle against narco-socialism. Regarding Venezuela, Peña Esclusa emphasizes that citizens reject interim president Delcy Rodríguez despite opposition leader María Corina Machado's primary victory. Turning to Brazil's upcoming election, Araújo outlines a major judicial scandal tying Supreme Court Justice Alexandre de Moraes to a fraudulent banker, severely impacting President Lula da Silva's reelection campaign against Flavio Bolsonaro. (4)Israeli Forces Detonate Strategic Hezbollah UndergroundDavid Daoud examines an Israeli detonation of Hezbollah's subterranean nerve center at Aita al-Shaab, which caused a 4.1 magnitude seismic event. The complex was originally designed for Hezbollah's planned invasion of the Galilee, a doctrine later mirrored by Hamas on October 7th. Daoud reports that Israeli forces are turning South Lebanon into a buffer zone to eliminate threats. However, he criticizes the Lebanese Armed Forces for failing to demonstrate real will to disarm Hezbollah, noting that 86% of reported LAF weapon seizures consisted merely of militarily insignificant bullets. (5)Canada Explores Strategic European Union AllianceConrad Black evaluates Canadian Prime Minister Mark Carney's proposal for a unique associate alliance with the European Union. Black notes Canadians would support freer trade and cultural exchanges, though full political submission to Brussels directives would be rejected. He highlights French President Emmanuel Macron's upcoming meeting with Carney in St. Pierre and Miquelon as a significant recognition of Canadian distinctiveness. Furthermore, Black criticizes U.S. President Donald Trump's tariff threats and trade deficit claims, pointing out that Canada sells oil at discounted rates and maintains balanced cross-border auto manufacturing integration. (6)Economic Analysis Exposes Costs Of TariffsVeronique de Rugy analyzes the economic consequences of trade wars, specifically examining cross-border tariffs between the United States and Canada. She refutes mercantilist arguments, demonstrating that domestic consumers shoulder tariff costs through higher prices and product scarcity rather than foreign producers paying the fees. De Rugy explains that protectionist tariffs harm domestic manufacturing by raising input costs on imported components. She notes that even domestic producers unexposed to foreign competition raise prices when shielded, and highlights how tariffs on Canadian lumber directly elevate American housing costs. (7)Russian Strikes Target Ukrainian Railway NetworksJohn Hardie assesses a Russian drone strike targeting a Ukrainian train near the Polish border where international VIPs and former European officials had recently passed. While French officials viewed the strike as intentional intimidation, Hardie notes precise Russian motives remain speculative. Additionally, Hardie analyzes reports surrounding President Trump's statements regarding an energy target ceasefire between Ukraine and Russia. He defends Ukraine's strategy of striking Russian oil refineries, explaining that disrupting refined diesel production effectively squeezes Moscow's military budget and creates domestic public pressure. (8)United States Secures Historic Venezuelan PetroleumSamuel Ben-Ur provides updates on Venezuela's political transition and energy sector, detailing a massive 25-year oil agreement executed with interim president Delcy Rodríguez. The deal involves North American companies redeveloping 17 oil fields containing 65 billion barrels of proved reserves, redirecting petroleum exports exclusively to the United States away from China and Russia. Ben-Ur notes that major firms like Chevron will lead a hundred-billion-dollar infrastructure revitalization effort. However, he emphasizes that no firm election date has been established, leaving the political timetable for returning to democratic governance uncertain. (9)BRICS Summit Highlights Internal Geopolitical FracturesMelik Kaylan, co-host Gordon Chang: Kaylan and Chang analyze the BRICS summit in India, characterizing the bloc as an incoherent coalition marked by deep internal rivalries, particularly between China and India. Kaylan explains that while member nations grandstand against Western policies in the Middle East, they lack real unified operational strength. Turning to Turkey, Kaylan argues President Erdoğan pursues neo-Ottoman expansionism across Syria, North Africa, and the Horn of Africa to distract from severe domestic economic weakness. Chang adds that Erdoğan reversed his prior support for Uyghurs to secure Chinese financial backing. (10)

CAPTION   1943 CHURCHILL IN QUEBECCanada Explores Strategic European Union AllianceConrad Black evaluates Canadian Prime Minister Mark Carney's proposal for a unique associate alliance with the European Union. Black notes Canadians would support freer trade and cultural exchanges, though full political submission to Brussels directives would be rejected. He highlights French President Emmanuel Macron's upcoming meeting with Carney in St. Pierre and Miquelon as a significant recognition of Canadian distinctiveness. Furthermore, Black criticizes U.S. President Donald Trump's tariff threats and trade deficit claims, pointing out that Canada sells oil at discounted rates and maintains balanced cross-border auto manufacturing integration. (6)

Are you enjoying this? Are you not? Tell us what to do more of, and what you'd like to hear less of. The Reykjavík Grapevine's Iceland Roundup brings you the top news with a healthy dash of local views. In this episode, Grapevine publisher Jón Trausti Sigurðarson is joined by Heimildin editor Aðalsteinn Kjartansson, and Grapevine friend and contributor Sindri Eldon to roundup the stories making headlines in recent weeks. On the docket this week is;[00:36:13] Trump Floated Making Iceland 51st State In Call With Then-PM Of Iceland In 2024On November 26, four days before Iceland's 2024 parliamentary elections, then-Prime Minister Bjarni Benediktsson was greeted by a phone call when he entered his home. It was President-elect Donald Trump. This unusual phone call came with an unusual suggestion: how did Bjarni feel about making Iceland the 51st state?[00:31:06] Iceland Not Interested In Abandoning the International Criminal CourtThe Ministry for Foreign Affairs says it is out of the question that Iceland withdraw from the Rome Statute, and that the Icelandic government wholeheartedly supports the International Criminal Court. The US government is now pressuring NATO countries and others to withdraw from the court.The European newspaper Politico reported on the 10th of September that Matthew Whitaker, the US government's envoy, had asked the ambassadors of NATO member states for assistance in undermining the international war crimes court at a closed meeting with them at the alliance's headquarters in Brussels in July.Whitaker wanted the countries to withdraw from the Rome Statute, the court's founding treaty. He warned the ambassadors that the US government would be watching closely to see who supported it in this effort.[00:21:35] The USA And EU Countries Threaten Sanctions On Iceland Over WhalingAuthorities in the United States have threatened to impose tariffs on Icelandic imports over whaling, according to visir.is sources. Threats have also come from European Union countries. The Minister of Industries intends to propose that the hunts be banned in a bill to be introduced after the new year, and says both the nation's trade interests and animal welfare are at stake in the matter.[00:12:10] A Boat Sinks For the Third TimeA boat named Glacier (Jökull) sank on Saturday night in Hafnarfjörður harbour, for the third time since 2020. Now, is there a metaphor in there somewhere?[00:04:13] The Icelandic Police Issues AI Slop Stickers To KidsEvery year the police conduct community outreach, this year's effort has met with mixed opinions, as this year the police issued AI-generated stickers to schoolchildren, featuring two police officers and a bear in a police uniform. Local musical legend (and advertising agency owner) Bragi Valdimar Skúlason criticised the police for the sticker, pointing out an obvious AI blunder (Police or Lögreglan misspelled on the sticker), and questioned the police's decision to opt for AI instead of hiring human graphic designers and proofreaders. ------------------------------------------------------------------------------------------SHOW SUPPORTSupport The Reykjavík Grapevine's reporting by becoming a subscriber at https://www.grapevine.is/subscribe - We are also a printed magazine. You can subscribe to that too.You can also support The Reykjavík Grapevine by shopping in our online store: https://shop.grapevine.is------------------------------------------------------------------------------------------WHO ARE WE?The Reykjavík Grapevine is an alternative monthly magazine published in Iceland since 2003. We bringing you the news and views on Icelandic culture and society, sprinkled with music coverage, travel content, restaurant reviews and more. More on https://www.grapevine.is------------------------------------------------------------------------------------------

In Brussels, opinion polls coming out of France have not escaped attention. Two polls see far right leader Marine Le Pen beating all her likely rivals in the French presidential election, which is set to take place in April and May of next year. 

"European strategic autonomy" is a buzz phrase in Brussels and in EU capitals these days. What does it mean for space policy? That was one of the central points that we raised with the Prime Minister of Luxembourg, Luc Frieden, during his visit to Paris for the International Space Summit hosted by the French government on September 9 and 10. Major American aerospace companies were noticeably absent from the summit while the feud between Brussels and the Trump administration continues.

https://www.wanderlustea.com/In this episode, Ryan talks with Lorela Lohan, founder of WanderlusTea, a Brussels-based consultancy for specialty tea businesses in Europe. Lorela has spent five years advising small and mid-sized tea brands on market research, margins, and positioning, has tasted over a hundred matchas in cafes from Amsterdam to Lisbon, and has published more than ninety interviews with tea founders on her site. Topics range from why matcha outran loose leaf tea in Europe, to what consumers actually think about origin and Chinese matcha, to why most new matcha brands look the same and what a new one could do differently.

I joined economist Daniel Lacalle to discuss Europe's migrant crisis and its coming economic and political crisis.We dig into the migrant invasion of Ceuta, whether Europe can preserve open internal borders while losing control of its external ones, and the vicious cycle linking the welfare state, collapsing birth rates, mass immigration, and still more government.We also examine why Europe has fallen so far behind America in productivity, technology, and living standards; what to fix first if Brussels handed him Milei's chainsaw; and whether Javier Milei's dramatic turnaround in Argentina offers Europe a path back -- or a warning Europe will ignore until it goes over the cliff.I hope you enjoy!Visit our Sponsor: Monetary MetalsEarn 5% to 12% interest on your physical gold and silver, paid in physical gold and silver.Visit our Sponsor: Abundant MinesMine Bitcoin, Keep the Profits, Reduce your Taxes. We handle Everything.Visit our Sponsor: The Bitcoin WayStep-by-step help with Bitcoin self-custody, upgraded cybersecurity, and Plan B residency.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit our Sponsor: Monetary MetalsEarn 5% to 12% interest on your physical gold and silver, paid in physical gold and silver.Visit our Sponsor: Abundant MinesMine Bitcoin, Keep the Profits, Reduce your Taxes. We handle Everything.Visit our Sponsor: The Bitcoin WayStep-by-step help with Bitcoin self-custody, upgraded cybersecurity, and Plan B residency.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Become a Supporter and the Applied show lands in your feed every week, plus Discourse, where two of this week's arguments are already running.Doping in South African schoolboy rugby, the end of the track season, and racing in 44 degree heat at the Vuelta. In the news this week:(00:02:07) The track and field season is winding down, and the Diamond League final felt a little flat. The Ultimate Championships are next, and in a season where they follow the Diamond League, we wonder what purpose the Diamond League final actually serves?(00:10:05) Is the 800m a sprint or an endurance event? Some discussion popped up on Instagram, so we revist the 800m event, get into energy system contribution, why the 1983 world record has survived, and explore why every improvement has come in the first lap, all as part of making the case for the 800m as a sprint-endurance hybrid(00:22:49) Jakob Ingebrigtsen calls the Brussels field cowards and losers after Cole Hocker's training partner is put in as a pacemaker. Should a final have pacemakers at all?(00:31:08) Rumesh Pathirage wins the javelin, and we wonder why the event has the widest geographic spread in athletics(00:36:12) Doping in South African schoolboy rugby, and the perverse incentives that make it so hard to fix. A survey found one in ten schoolboys admitting steroid use, and two thirds said it was to look good rather than to perform. Almost half don't see it as cheating. We discuss the incentives that create toxic culture in many youth sports, with a specific focus on a recent piece on SA schoolboy rugby(00:54:12) Triathlete Joe Skipper gets 18 months for three whereabouts failures. We say that being disorganised is no defence(00:57:41) 44 degrees at the Vuelta, Matthew Brennan calling out the UCI, and whether shortening a stage or moving the race in the calendar helps(01:05:52) Carlos Alcaraz says he'll take longer breaks, tennis has a load management problem, and the one-handed backhand dies after a 149 year run(01:19:08) And finally, why can elite powerlifters squat more than they deadlift? Gareth wants your answer on Discourse Hosted on Acast. See acast.com/privacy for more information.

Chris Chavez and Preet Majithia are back to break down all the highlights from the Diamond League final in Brussels last weekend. Discussed in this episode:– Men's 1500m: Cam Myers wins in 3:30 as the first Australian to win a Diamond League distance title. The race has been somewhat overshadowed by everything that followed it. Myers was boxed in behind Jakob and Phanuel Koech with 100 meters to go, found a gap when Koech drifted to lane two, and had the fastest final 100 of the field (12.8). – The controversy: In the mixed zone, Jakob Ingebrigtsen called the field — including himself — losers. He was specifically critical of Cole for bringing in a faster pacer (Christian Jackson) with a promise of 3:27 pace, and then nobody getting on it.– What happened next: Jakob later posted a partial apology and called his field of cowards comment wrong, but stood by his criticism of Cole and his team. This entire controversy is exactly why there should be no pacemakers at the Diamond League final.– Josh Kerr's response: He waited a day, then posted himself running a 48.41 400m on Instagram with no context. His 3:42 world record and 1:44 800m shape from earlier this year makes him the clear favorite in Budapest.– Collen Kebinatshipi: Ran 43.40 to win the men's 400m for his third Diamond League record of the season. Six Diamond Leagues, six wins, and five sub-44s for the most ever in a single season.– Emmanuel Wanyonyi won the men's 800m for his fourth consecutive Diamond League title and ninth career sub-1:42.– Women's steeple: Faith Cherotich ran 8:51 for her third Diamond League title. Doris Lemngole ran 8:52 for her third PB in four races and no. 6 all-time, beating Peruth Chemutai and Winfred Yavi.– 110m hurdles: Ja'Kobe Tharp won in 13.03. Cordell Tinch went down hard after clipping a hurdle. He posted afterward confirming no injury and cleared for Budapest.– Men's 100m: Oblique Seville won in 9.90. He's the World Ultimates favorite now that Noah Lyles has ended his season due to his injury from USAs.– Women's 800m: Audrey Werro wins in 1:54.75, Femke Bol second in 1:54.81. Werro's undefeated season survives by six hundredths. Werro went out in 25.9, slightly paid for it in the close (29.8), but still held off Femke's improving kick. – Women's 1500m: Klaudia Kazmierska ran 3:54.05 for the world lead and her first Diamond League title. She took the lead at 200 to go and closed in 29.5. A year ago her PB was 3:59.– Men's 5K: Berhanu Balew wins in 12:45 for a two second personal best. Graham Blanks placed fifth in a PB of 12:47. Nico Young took sixth in a season's best 12:48.+ More results from Brussels.____________SUPPORT OUR SPONSORSOLIPOP: OLIPOP's Citrus Rush packs apple, lemon, lime, and orange juices with 60mg of green tea caffeine for a bold, refreshing blast of flavor ready to fuel your next adventure. If you haven't had tried Olipop yet, grab a can and see what the hype is all about!⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head to DrinkOlipop.com and use code CITIUS25 at checkout to get 25% off your orders.⁠⁠⁠⁠⁠⁠ALTRA: The new Vanish Carbon 3 was built for race day. A patent-pending split-toe carbon plate delivers the rigidity you need for speed while letting the big toe engage in a more powerful way. Underneath it, a supercritical two-piece full PEBA foam — Altra's lightest and most responsive ever. And Altra's Racing FootShape leaves room for your toes to splay and generate power. Don't just run. Vanish. ⁠⁠⁠Head to ⁠⁠AltraRunning.com⁠⁠ and use code CITIUS10 for 10% off your first purchase.SUUNTO: The Suunto Run 2 is their new flagship watch built specifically for road running and the marathon. You get around 10 days of battery with daily use and 24 hours in performance mode with dual frequency GPS. The watch also tracks your sleep, HRV, and training balance, so you know when to push and when to back off in your workouts. If you're in the market for a new watch, check out the Suunto Run 2.

The funeral of war criminal Ratko Mladić shocked European officials and cast doubt over Serbia's bid for EU membership. Tens of thousands of mourners gathered to honor the "Butcher of Bosnia," as the former Serb commander was buried with military honors. EU President Ursula von der Leyen called images from the funeral "shocking," and EU Enlargement Chief Marta Kos canceled a planned visit to Serbia in protest. Kos joins the show from Brussels.  Also on today's show: Julian Borger, Senior International Correspondent, The Guardian; Utah Governor Spencer Cox    Learn more about your ad choices. Visit podcastchoices.com/adchoices

462: Diamond League Final | Burnley 15k | QK Running review This episode is brought you by Precision Fuel & Hydration, a proud supporter of the Inside Running Podcast, it keeps us fuelled on our long runs and races. Brad gets into the routine with lactate measurement. Julian backs up the Sydney Marathon with a week of sickness and the Burnley 15K. Brady takes the measured approach post-Sydney Marathon.  IRP Partner Offer: Saily have teamed up with Inside Running Podcast to offer an exclusive 15% discount on Saily data plans! It's an eSIM service app that lets you choose from a huge range of affordable data plans in over 190 countries and 8 regions Visit: https://saily.com/insiderunning This week's running news is presented by Precision Fuel & Hydration, they make it simple with a free online planner, visit precisionhydration.com and get your numbers.   Cam Myers won the Diamond League Final in Brussels in 3:30.14 to outlast Phanuel Koech, Ethan Strand and the rest of a top eight to finish within one second. Jess Hull finished third in the 1500m in 3:54.73 behind Klaudia Kazimierska of Poland and Dorcas Ewoi, while Abbey Caldwell ran 3:57.19. Audrey Werro once again held off Femke Bol with a victory of 1:54.75 in the 800m as Sara Billings ran 1:59.99. Rose Davies ran a season best 14:37.47 in the 5000m with Frewanyi Hailu winning in 14:35.20 while Georgia Griffith also ran a season best of 14:38.69 and Linden Hall ran a personal best of 14:40.62 Diamond League Results   Adam Spencer set a new National Road Mile Record, running 3:53.83 for second in Düsseldorf with Jude Thomas third in 3:54.12 and Jack Anstey fifth in 3:55.56. Maudie Skyring placed fourth in the 5k in 15:40 with Olga Firsova seventh for 16:27. World Athletics Results   Donve Viljoen won the Burnley 15K in 51:47 ahead of Stella Radford and Saskia Lloyd. Sandringham won the Premier Division ahead of South Melbourne and Box Hill. Seth O'Donnell won in 44:23 ahead of Liam Cashin and Ben Beischer. Melbourne Uni were the winning Men's Premier Division ahead of Sandringham and Box Hill. AthsVic Results Hub    The boys review the latest tights and singlet from QK Running, particularly the utility in their Elastic Monster tights range. Whispers hears confirmation that an elite will be doing the Sydney-Melbourne double, Brady's on the Loose over useless graphics then Moose asks whether it's Kook or Core to cheer on your competitors and tuck your shirt in.   This episode's Listener Q's/Training Talk segment is proudly brought to you by Precision Fuel & Hydration. Can you race yourself into fitness?  Visit precisionhydration.com for more info on hydration and fuelling products and research, and use the discount code given in the episode.  Patreon Link: https://www.patreon.com/insiderunningpodcast Opening and Closing Music is Undercover of my Skin by Benny Walker. www.bennywalkermusic.com Join the conversation at: https://www.facebook.com/insiderunningpodcast/ or follow us on Instagram: @insiderunningpodcast

Delaney Debinski is the Founder and Creative Director of Delavie Creative, a new media creative consultancy in Brussels. From writing at Warner Bros Discovery to directing content with over 3 billion views on YouTube channels like Average Rob, MrBeast, Hilton Hotels, and more, she founded Delavie Creative around the philosophy in its name: de la vie, meaning "of life." Today she develops and directs long form content, and teaches sustainable storytelling to the professionals building this industry.Delaney's work starts with one question: why. She believes careers in new media last when they're rooted in real connection, so she helps creator entrepreneurs define their why and build deep roots accordingly. Through the Delavie Creative Residency, her seven-week cohort for creatives, she coaches people through the shift from the hustle to a sustainable, scalable creative career. Her mission is to help this industry build businesses that breathe life into people's identity rather than claiming it.

The 2026 International Corporate Counsel College returns October 15–16 in Brussels, Belgium, bringing together in-house counsel from around the world for timely programming, meaningful connection, and practical discussion.In this episode, IADC Speaks Host Christopher Parkerson (Campbell Conroy & O'Neil, P.C.) and program Director Cecilia Lahaye (Crowell & Moring LLP) preview this year's College and its theme, Bridge Over Troubled Waters: How to Navigate Your Company in a World in Flux. They discuss the challenges facing today's in-house counsel—from AI and economic uncertainty to tariffs, geopolitical risk, and more —and highlight what makes this “by in-house counsel, for in-house counsel” event a favorite IADC gathering. Learn all about the program, the speakers, and a very special guest speaker and register at www.iadclaw.org.

We head to Berlin as Germany’s far-right AFD party eyes a path to power. Then: a global foresight strategist on how businesses can navigate volatility. Plus: 2027 travel trends emerge, with long-haul trips and cooler climes prevailing.See omnystudio.com/listener for privacy information.

Ever looked at the wallpaper and suddenly thought: hang on, who chose THAT? Language can be a bit like wallpaper: it surrounds us so completely that we stop noticing it. In episode 33, we get out the metaphorical "scraper". We revisit Covid metaphors, watch misleading headlines get crossed out and rewritten, hear what it's like to live somewhere between academia and activism (jogging bottoms included), and ask that most important of academic questions: so what? From reflecting to reframing to acting, this is an episode about noticing the linguistic wallpaper around us... and perhaps doing a little redecorating.   From our blog https://wordsandactionspodcast.wordpress.com/   Early on, Veronika introduces the water metaphor: language is to its users what water is to fish – we are surrounded by it to an extent that we don't notice it anymore. The metaphor is explained further in this position paper:  Darics, E., Staschen, O., Drury, M., Chojnicka, J., Mazzoli, M., Olthof, J., Serafis, D., & Wildfeuer, J. (2025). Critical language awareness as a future imperative: seeing the 'water'. Frontiers in Communication, 10, 1623193.  As a first example of language activism, Veronika talks about the #ReframeCovid project that started life in the spring of 2020. The team behind the it wrote about it in this article: Olza, I., Koller, V., Ibarretxe-Antuñano, I., Pérez-Sobrino, P., & Semino, E. (2021). The# ReframeCovid initiative: From Twitter to society via metaphor. Metaphor and the Social World, 11(1), 98-120.  Our first interview guest, Zoë Papaikonomou. In her academic persona, our second interviewee, Kelly Vossen, has, among other topics, written about criticisms of the media coverage of the Covid pandemic – that global crisis was a prime case for critical language awareness: Lits, B., Patriarche, G., Tant, C., Vossen, K., & Wiard, V. (2021). Négocier des «choix de société» dans l'espace public: Les critiques publiques sur la couverture médiatique de la crise de la COVID-19. In Journées d'étude Du confinement au monde d'après. Quelles réponses des sciences humaines?. Brussels.Our third guest, Joanna Chojnicka, gives some insights into how to develop an online course on critical language awareness. The free three-week online course "Critical Language Awareness in Action: Change the World One Story at a Time" is available on FutureLearn.  And finally, remember that Words & Actions is on both Bluesky and Facebook.   

China's 18-year-old javelin sensation Yan Ziyi has won her first Diamond League Final title in Brussels, completing a perfect season with five victories in five appearances.

Sheldon starts eating Brussels sprouts to extend his lifespan. The diet gives him severe gas. He first mistakes the pain for appendicitis and tells Leonard he thinks his appendix is about to burst—then farts loudly and concludes it was the sprouts. Later, after he falls down the stairs while trying to jog with Penny, she helps him up and he farts in her face. His follow-up line is: “If it makes you feel any better, Thursday is no longer cruciferous vegetable night.” The device, developed at the University of Maryland by Brantley Hall and colleagues, is the first wearable built specifically to measure human flatus.

WarRoom Battleground EP 1083: With FR. JOSEPH FESSIO, Founder Ignatius Press; And PROF. FRANK FUREDI, Former Director MCC Brussels

Max sits down with Otto Svendsen, associate fellow with the CSIS Europe, Russia, and Eurasia program, to discuss the week's biggest transatlantic stories: Iceland's vote on reopening EU accession talks, the fallout from Pentagon policy chief Elbridge Colby's visit to NATO headquarters (including a reported loyalty questionnaire for allies), and European reactions to CIA Director John Ratcliffe's surprise trip to Moscow. Plus, a conversation with Henry Foy, Brussels Bureau Chief at the Financial Times, to map out the EU's packed fall agenda. Mentioned: Europe Express | Newsletter by Mujtaba Rahman, Financial Times Feedback? Suggestions? Ideas to help us improve? Email us at erep@csis.org. If you love The Eurofile, let us know by subscribing and leaving a review wherever you get your podcasts. Check out our sister podcast, Russian Roulette.

Jelly Roll went after Trump on Jimmy Kimmel Live and the backlash is exploding. What he said next is the real story, and it's why millions of country music fans say they're done with him for good.Then a former progressive activist comes forward with a warning that should scare everybody: the political violence in America isn't over, and she explains exactly why it's about to get worse. She reveals what happened to her inside the movement before she got out, and what she says about the Charlie Kirk rhetoric will stop you cold.Angie Nixon says she's not a socialist. So why did she join the Democratic Socialists of America, and what do the clips the DSA doesn't want you to see actually show? We play them side by side and you can decide for yourself.Meanwhile, the Los Angeles mayor race just hit rock bottom. Karen Bass and Nithya Raman tore into each other in a debate so brutal it left one question hanging over the entire city: what happens to LA if the wrong person wins?We also expose the fake polls scandal, a voter manipulation tactic so effective you've probably already fallen for it without knowing. There's a name for what they're doing, and once you hear it you'll spot it everywhere.Finally, the Spain migration crisis explodes. Thousands storm the streets of Ceuta near the Morocco Spain border, and how the locals answered has all of Europe holding its breath. Ireland went first, Spain is next, and nobody in Brussels wants to guess which country is after that.

The Brussels Diamond League final is coming up, World Ultimate Championships in Budapest is in nine days, and the season is headed toward its conclusion. Preet went from Zurich to Bellinzona for the last qualifying weekend, interviewed Coach Laurent Mewly (Femke Broeders-Bol's coach), and is heading to Brussels tomorrow.Discussed in this episode:– Nadia Battocletti runs 3:57 at Bellinzona — Italian 1500m national record. Her range of personal bests across the 1500m, 5K, and 10K is comparable to Hellen Obiri.– Gracie Morris — moves from Puma to Mike Smith's Swoosh TC group: Preet spoke to her in Bellinzona. She explained that the Puma group has become increasingly marathon-oriented (with Dorcas Ewoi as the one 1500m athlete staying). Morris didn't want to wait for that transition, so she moved to Mike Smith and started doing double threshold.– Sabastian Sawe withdraws from the Berlin Marathon due to a stress fracture in his right tibia: This eliminates any remaining fall marathon options. Valencia, where Yomif Kejelcha will attempt to go sub-2 again, is off the table. This is Sawe's second injury in 2026 (he was dealing with something coming into London but recovered in time).– Sydney Marathon results — second year as an Abbott World Major: Adisu Gobena wins the men's race in 2:04:42, breaking the course record. He's 21 years old, debuted at 19 in Dubai, and previously beat Conner Mantz at the Houston Half. Peres Jepchirchir wins the women's race in 2:18:31 by nearly four minutes.– Athlos NYC — canceled: Statement from Alexis Ohanian cited athlete feedback. Laurent Meuwly posted a pointed response on Twitter: athletes who prioritized their welfare by declining lost the chance to compete at the London date too (because participation was tied to both), and that the realization came very late.+ Brussels Diamond League Final preview.____________SUPPORT OUR SPONSORSOLIPOP: OLIPOP's Citrus Rush packs apple, lemon, lime, and orange juices with 60mg of green tea caffeine for a bold, refreshing blast of flavor ready to fuel your next adventure. If you haven't had tried Olipop yet, grab a can and see what the hype is all about!⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head to DrinkOlipop.com and use code CITIUS25 at checkout to get 25% off your orders.⁠⁠⁠⁠⁠ALTRA: The new Vanish Carbon 3 was built for race day. A patent-pending split-toe carbon plate delivers the rigidity you need for speed while letting the big toe engage in a more powerful way. Underneath it, a supercritical two-piece full PEBA foam — Altra's lightest and most responsive ever. And Altra's Racing FootShape leaves room for your toes to splay and generate power. Don't just run. Vanish. ⁠⁠Head to ⁠⁠AltraRunning.com⁠⁠ and use code CITIUS10 for 10% off your first purchase.

In this episode of the Women Emerging Podcast, Julia Middleton sits down with Lara following the first Women Emerging City Expedition in Brussels to explore what impact did the expedition leave on her. Lara reflects on how the expedition changed her understanding of leading. Having previously assumed that leadership required a title, a certain age or responsibility for a team, she began to recognise it as the work of anchoring people, connecting ideas and restoring direction when priorities become unclear. Together, Julia and Lara explore why leading in Brussels requires flexibility and local understanding, why cities must build from their strengths as well as address their problems, and how empathy needs boundaries if it is to remain a sustainable source of leadership. They also consider whether women build bridges in cities through something quieter and more everyday: weaving people together through conversations, introductions and informal spaces of connection. This is a conversation about leading without a title, stepping beyond familiar bubbles and recognising the often-invisible work that holds communities—and cities—together. About the Guest: Lara Loi is a graduate of Cultural Diplomacy, with a background in Conflict & Development and Political Sciences, and is deeply interested in the intersection of culture, dialogue, and leadership. She is an Explorer with the expedition for women leading in Brussels.

In this episode of the AviaDev Insight Africa Connectivity Podcast, Jon Howell is joined by Sean Mendis and Behramjee for a fast-moving roundup of the biggest aviation stories across Africa and beyond. If you want a sharp, informed take on African aviation strategy, network planning, and the commercial realities behind the headlines, this episode is packed with insight. Subscribe for monthly AviaDev connectivity updates and analysis. Chapters:  00:00 Intro and episode overview 03:18 Airlink flypast in Cape Town   16:09 Airlink's new domestic route, Qatar codeshare, and E2 route updates  28:19 Kenya Airways results and leadership changes 38:34 South African Airways leadership churn and strategy 44:15 FlySafair launches third daily Johannesburg–Harare 53:53 FlySafair acquisition and competition concerns 01:00:18 Malawi Airlines adds more Johannesburg frequencies  01:02:08 Canada–Nigeria bilateral signed and the Air Canada opportunity on Toronto-Lagos 01:17:11 Air Peace's West Coast growth and Lagos–São Paulo on the radar 01:19:59 ValueJet's Boeing 737 additons and potential network expansion  01:24:15 Africa World Airlines relaunches Abidjan  01:26:53 Ethiopian Airlines winter network changes  01:35:22 Mesfin Tasew leadership extension and fleet strategy  01:37:51 Tewolde GebreMariam joins Air India 01:40:33 Air Congo opens Paris via Brussels 01:42:24 RwandAir considers Manchester  01:44:36 Etihad increases Zanzibar to double daily 01:49:17 Zambia Airways new CEO 01:51:23 ProFlight Zambia adds Jetstream 41s 01:52:26 Jambojet launches Nairobi–Entebbe 01:55:17 Uganda Airlines announces Accra and Kigali 02:0212 Air Sierra Leone Gatwick relaunches 02:04:23 TAG Angola adds Dakar–Praia and Latam codeshare 02:1303 Wrap-up and closing remarks #AviaDev #AfricanAviation #AirlineNews #AviationNews #Connectivity #Airlink #KenyaAirways #EthiopianAirlines #SouthAfricanAirways #Safair #AirPeace #RwandaAir #UgandaAirlines

Emmet Kennedy visits Ballydoyle as Aidan O'Brien opens the doors to one of the most famous training establishments in world racing and talks through his potential team for Irish Champions Festival at Leopardstown and the Curragh. With seven Group 1 races across the two-day meeting, O'Brien makes clear just how important the weekend is to Ballydoyle: “Everything leads to this.”

We are back after our August break! In this episode of the Talk Eastern Europe Deep Dive, Alexandra Karppi speaks with James Ker-Lindsay, professor and specialist on conflict, security and diplomacy, with particular expertise on the Western Balkans. They discuss the increasingly complicated geopolitical landscape across the Balkans and wider Eastern Europe.The conversation covers the stalled political processes in Kosovo and Bosnia and Herzegovina, Montenegro's progress towards EU membership, and the growing divergence between Washington and Brussels over how to approach the region. They also examine the Trump administration's hanging engagement with the Balkans and why US business interests appear to be playing a larger role in its regional policy.Alexandra and James also look at Russia's war against Ukraine, Moscow's influence in the region and the possibility of increasingly aggressive hybrid operations against NATO members, particularly the Baltic states and Poland. Finally, they explore Turkey's increasingly independent foreign policy, its relationship with Russia and the United States, and why Ankara – alongside Belgrade and Baku – has become an increasingly important player in the emerging geopolitical order.Talk Eastern Europe is the podcast from New Eastern Europemagazine - your trusted source for in-depth analysis and expert perspectives on Central and Eastern Europe, Russia, and the post-Soviet space.ABOUT THIS PODCASTWe publish twice weekly!Every Tuesday: Expert Interviews featuring deep dives with leading analysts, journalists, and scholarsEvery Friday: Weekly News Roundup with essential updates and commentary on the latest developmentsAvailable on Spotify, Apple Podcasts, YouTube and all majorplatforms.Read the New Eastern Europe Magazine Bimonthly publication with exclusive long-form analysis.https://neweasterneurope.eu/become-a-member-of-new-eastern-europe/Support us on PatreonJoin our community for bonus content, early access,behind-the-scenes insights, and access to our exclusive WhatsApp group where we discuss the news in real-time. https://www.patreon.com/talkeasterneuropeSubscribe to the Brief Eastern Europe NewsletterWeekly briefing sent out every Monday with news updates,expert commentary, and our editorial picks - free to your inbox: https://briefeasterneurope.eu/subscribeFOLLOW USInstagram: https://www.instagram.com/neweasterneuropemag/Facebook: https://www.facebook.com/NewEasternEurope/LinkedIn: https://www.linkedin.com/company/new-eastern-europe/

Australian Rock legend Angry Anderson has been hospitalised after suffering a cardiac arrest in Brussels.Rose Tattoo released a statement some three weeks after their frontman, legally Gary Anderson, 79, was hospitalised, forcing the band to cancel the European leg of what was to be their final tour.Anderson is currently receiving treatment and care in ICU, though his condition is unknown.Rose Tattoo were scheduled to return to Australia this month to perform several farewell gigs across Melbourne, Sydney, Perth, Adelaide and Brisbane.Angry Anderson rose to fame as a rock star in the late 1970s and 1980s, moving from the Australian-pub scene to mainstream success.Rose Tattoo's debut album and hit single Bad Boy for Love received widespread national recognition. Their next album, Assault and Battery, topped the UK heavy metal charts, catapulting them to international stardom.Outside his music career, Anderson received a Member of the Order of Australia in 1993 for his work in youth advocacy.As we all pray that Angry recovers, I thought you may like to revisit our chat here.

What is a coffee cupping? What is the difference between green, washed and fermented coffee? Why does the same coffee taste different in Ethiopia and in Italy?  Today I am going to take you back to World Of Coffee in Brussels, one of the most important events around specialty coffee in Europe, which took place last June. I went there to meet with some coffee farmers and roasters from the Slow Food Coffee Coalition, but also to understand more about the world of specialty coffee. For those of you who don't know it, the Slow Food Coffee Coalition is an international, open, and collaborative network that brings together everyone involved in the coffee supply chain. Of course promoting good, clean and fair coffee.  So, grab your coffee cup and follow me to the event!  Host & Production: Valentina Gritti  Guests: Fitsum Bekere, Cesar Marino, Christian Reyes, Elio Leite, Sandro Bonacchi, Fernando Patiño, Iordanis Chrysafidis and Carlo Cortinovis Music: Leonardo Prieto Find out more about the Slow Food Coffee Coalition here: https://www.slowfood.com/thematic-network/coffee-coalition/  A project by Slow Food Youth Network (SFYN)

Scott and Joris go over the past week in Belgian football, including Gent's success in Europe and against Club Brugge, the first Brussels derby of the season and the European draws for the 5 qualified teams!

A.M. Edition for Aug. 31. The U.S. strikes Iranian targets near the Strait of Hormuz, sending oil prices higher on concerns of a flareup in fighting. Plus, as the leaders of Russia and China converge against the West on supporting Iran, WSJ's Thomas Grove explains how their fortunes are diverging, with Beijing holding Russia's economy hostage. And a look at how President Trump's China tariffs have propelled Vietnam's economy, as manufacturers shift production. Luke Vargas hosts. Sign up for the WSJ's free What's News newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Full Text of Readings Tuesday of the Twenty-second Week in Ordinary Time Lectionary: 432 The Saint of the day is Saint Giles Saint Giles' Story Despite the fact that much about Saint Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain, and the Holy Land. In England, many ancient churches and hospitals were dedicated to Saint Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease, and for strength at the hour of death. Also among the 14 were Saints Christopher, Barbara, and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the “Holy Helpers” was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled. The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. Reflection Saint Giles may not have been a martyr but, as the word martyr means, he was a true witness to the faith. This is attested to by the faith of the People of God in the Middle Ages. He became one of the “holy helpers” and can still function in that role for us today.Saint of the Day, Copyright Franciscan Media

Halloween season is almost here, and Monthly Spooky is kicking off the countdown with haunted houses, Bigfoot, UFOs, cryptids, unexplained mysteries—and bat people living on the Moon.In the August 2026 edition of Monthly Spooky, Henrique Couto and Michelle are getting ready for Halloween with another strange trip through paranormal news, ghost stories, cryptid sightings, UFO and UAP reports, weird history, unexplained phenomena and creepy mysteries before diving into one of the most wonderfully bizarre media sensations of the nineteenth century: The Great Moon Hoax of 1835.Beginning in August 1835, newspaper readers were treated to astonishing reports supposedly describing life discovered on the Moon—including extraordinary landscapes, animals, beavers and winged bat people. Henrique and Michelle dig into how the Great Moon Hoax spread, why people believed it, and how an outrageous piece of fiction became an early example of a sensational story going viral. But first, there is plenty of fresh spooky news to get everyone into the Halloween spirit.Inside this episode:A new haunted renovation series sends designers into a reportedly haunted Ohio mansion, where they have to live and work inside the property while confronting its supernatural reputation.The possible “Croc Ness Monster” causes a stir after what appears to be a crocodile is photographed near an Italian lake.Officials in Brussels receive and examine unusual UFO and UAP reports, including material submitted by amateur astronomers.A reported Bigfoot sighting in Connecticut gets the attention of cryptid investigators.Scientists find a mysterious molecular signature associated with both Pluto and Titan.A mysterious large cat sparks discussion near Dundee, Scotland.An extremely strange planetary system raises questions about a possible enormous exomoon.Seattle embraces Hot Jimothy Summer as an exceptionally round raccoon becomes an internet celebrity.Sailor Matt Rutherford attempts the dangerous feat of navigating the Arctic Ocean alone.Henrique shares a spoiler-free look at the dinosaur horror adventure The End of Oak Street.And Michelle brings a perfectly timed Halloween haunted-house mystery involving two college students, a strange room and an archive extension that the library later claims it knows nothing about.Then it is off to the Moon for the main event: The Great Moon Hoax of 1835, complete with lunar wildlife, bizarre civilization and the unforgettable image of humanoid bat creatures soaring across the lunar landscape.Whether you're already building your Halloween podcast playlist, looking for scary stories for spooky season, or just love ghosts, paranormal mysteries, Bigfoot, UFOs, cryptids, folklore, weird history and unexplained encounters, this month's Monthly Spooky is your early ticket into Halloween.Follow Monthly Spooky on Apple Podcasts, Spotify, iHeartRadio or your favorite podcast app so you don't miss the next round of spooky news, strange history, paranormal stories and creepy discoveries as the countdown to Halloween continues.

In this episode of The Sound of Economics, host Rebecca Christie speaks with Bruegel's Heather Grabbe and Stefanie Walter about Iceland's referendum on restarting European Union accession talks, Switzerland's upcoming votes on EU relations and what Europe has to offer for countries inside and outside the club. Why did Icelandic voters reject the proposal to reopen talks? Why does Switzerland have such a complicated relationship with its neighbouring countries, even as it remains part of the Schengen passport-free travel zone? Economic and security concerns are more intertwined than ever with Europe's relationships with the United Kingdom, Ukraine and North Africa, especially given changes at NATO. Democracy is the cornerstone of Europe's alliances and also comes with a host of complications – how can the European institutions position Brussels best?Relevant research: Grabbe, H. (2026) ‘Jilted by Iceland – but Wider Europe is forming through new cooperation structures around the EU', First Glance, Bruegel Grabbe, H. and S. Lehne (2016) 'Can the EU survive populism?', Carnegie Endowment Malet, G. and S. Walter (2024) 'The reverberations of British Brexit politics abroad', European Union Politics, 25(1), 63-85. Malet, G. and S. Walter (2023) 'Have your cake and eat it, too? Switzerland and the feasibility of differentiated integration after Brexit', West European Politics Marini, M. and S. Walter (2024) 'Learning from precedent: how the British Brexit experience shapes nationalist rhetoric outside the UK', Journal of European Public Policy De Vries C., S. Hobolt and S. Walter (2021) 'Politicizing International Cooperation: The Mass Public, Political Entrepreneurs, and Political Opportunity Structures', International Organization Walter, S. (2021) 'Quo vadis, Swiss-European Union relations?', Blog Post, Bruegel

On this week's Defense & Aerospace Report Business Roundtable, sponsored by Bell, Dr. “Rocket” Ron Epstein of Bank of America Securities and Richard Aboulafia of the AeroDynamic advisory consultancy join host Vago Muradian to discuss Wall Street's down close in wake of Federal Reserve Chair Kevin Warsh's Jackson Hole address that the US central bank would continue to fight inflation; Washington's new Iran sanctions and trade war with Canada that appears likely to drive Ottawa to opt for Saab's Gripen over more F-35 Lighting II fighters; Saab's new A3-001 stealthy collaborative combat aircraft; US Air Force's $131 billion indefinite delivery-indefinite quantity contract to Boeing for production and support of existing and future US and international versions of the F-15 Eagle fighter; the US government's deal with Qatar for four KC-46 Pegasus tanker aircraft as well as electronic gear for $4.5 billion; Pentagon policy chief Bridge Colby's visit to Brussels; Britain's chancellor of the exchequer, John Healey, builds a budget that will have to please the three Bs — his boss, the British public and bond markets; the US Navy's AIM-424 Malice long-range air-to-air missile by Raytheon; and Qantas' plan to retire its 10 A380 superjumbo jets in 2028, five years earlier than planned.

Zurich went OFF.

Saudi Arabia's sovereign wealth fund has replaced the chief executive at one of the country's flagship real estate mega-projects, and global issuance of zero-interest convertible bonds is on track for a record year. Plus, the EU's closest economic partners are worried about Brussels' increasingly protectionist policies, and Britain's Prime Minister Andy Burnham sought to calm corporate nerves in an interview with the FT. Mentioned in this podcast:Saudi Arabia shakes up flagship real estate projectZero-interest convertible bonds set for record yearEU industrial push strains ties with Switzerland and NorwayAndy Burnham pledges to ‘take pressure off' business ahead of October BudgetListen to Political Fix on Apple Podcasts, Pocket Casts or Spotify.Want to get in touch? Email us at podcasts@ft.comNote: The FT does not use generative AI to voice its podcasts The FT News Briefing is produced by Victoria Craig, Sonja Hutson, and Saffeya Ahmed. Our show is mixed by Sam Giovinco and Kelly Garry. Additional help from Gavin Kallmann, Michael Lello, Peter Barber and David da Silva. Our executive producer is Topher Forhecz. Flo Phillips is the FT's global head of audio. The show's theme music is by Metaphor Music.Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Sunderland's Europa League fixtures have been drawn, with the Lads handed some mouthwatering trips to Milan, Brussels, Poznan and the Algarve. Could it have gone much better? Graham and Dave discuss our feelings on the draw, why it matters and what we are most looking forward to in Europe this season. Enjoyed the episode? Tough, we want you to unsubscribe immediately - or just follow us at @WTFSunlunPod, if you have to (You can subscribe via your favourite podcast app, if you really have to.) #SAFC #EPL #UEL #EuropaLeague

How can the Fast Drafting method help you finally finish your novel? And how do you make progress when you only have 30 minutes a day to write? Jessica Brody shares her tips for finishing first drafts after 20 years as an author. In the intro, Clive Barker's Kickstarter, The Amazon Tax [Seth Godin]; Trad publisher announces “human-originated, AI-facilitated” book, The Everything Code [PanMacmillan; AI policy; CHAPTR]; Holy relics, churches, and memento mori in Bruges and Brussels. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. You can pre-order with bonus extras at JessicaBrody.com/preorder You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why a small advance can set you up for long-term success Why 97% of first drafts are never finished How to finish a novel writing 30 minutes a day Why drafting and revising are two different jobs How a pre-writing ritual primes your brain for flow Writing a meta murder mystery after 20 years of teaching plot You can find Jessica at JessicaBrody.com and WritingMastery.com. Transcript of the interview with Jessica Brody Jo: Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. So welcome to the show, Jessica. Jessica: Hi, thank you so much for having me. I'm so honoured to be here. My writing community speaks so highly of this podcast, so I'm excited. Jo: Oh, well, thank you, and you were requested, so this is going to be a good one. First up— Tell us a bit more about you and how you got into writing and publishing. Jessica: Well, I started writing when I was seven. I like to put in air quotes, I wrote my first, quote, “novel” when I was seven. It was about three pages long. I got the bug very early. I didn't realise it was an actual career choice that you could take seriously until way later in life, after I'd already graduated college with a degree in economics and I was working as a financial analyst, and I was just writing on the side for fun. Then, as luck would have it, I got laid off from my job, and I ended up trying to take writing a little bit more seriously in that time. That's when I found the Save the Cat method, which absolutely changed everything for me. Before that, I had loads of rejection letters, and I eventually sold my first novel to St. Martin's Press, and I've been writing and publishing ever since. That was 20 years ago now. Jo: 20 years, wow. It's so interesting. So you were in economics, you were a financial analyst, and you got into writing. Did you have any pushback from either your own brain that was like, “I cannot make money this way,” or your family? Or how did you make that leap? Because we just hear that it's not a career, financially, really. Jessica: I know, and I think I went into it very blindly, using television as my resource of this is how much money I can make writing. Like Sex and the City, she was selling books for lots of money. So I was like, oh, I just have to sell one book, and then I'll be set. That was not the case. My first advance was so much lower than I expected, and what happened, though, was kind of interesting. I sold my first book, way lower advance than I was hoping for. I wasn't making any money anywhere else, so I was taking on all these odd jobs that I could do in my own time. I was doing transcription work, and I was working at a school half the time. I mean, I just had so many really weird jobs. I think what happened was, because I didn't have another financial net to help me, it just pushed me really hard. So once I sold one book, I was like, well, I need to sell another one and another one, and I ended up in this 20-year cycle, which I've slowed down thankfully, since, but of writing so obsessively, I should say. I just kept selling books and selling books. My advances got higher and higher, and eventually I was able to support myself with my writing, but it was not instant at all. Jo: Actually, that's a really good note there, because we often hear so much of these debuts that get paid a ton of money, and then they disappear, and they almost spiral down. Whereas what you've done is spiral up. Which is almost a better way to do it perhaps, with your reputation with traditional publishing. Jessica: It's funny, I tell this story a lot to writers who are looking to get published, that the big advance is not necessarily the end-all be-all. Because I have heard that story before, someone gets a very big advance, and then it doesn't earn out, and they can't sell another book because the publisher's lost money. I had the opposite experience. My advance was so low, and my publisher got worldwide rights. They bought worldwide rights. So they started selling foreign rights of my first book really early on, and I earned out before the book even came out, with just a few foreign sales. That ended up setting me up for success, because I was making money for the publisher from day one, and I was able to sell more books, and so I sort of worked my way up. I really do credit a lot of that to how long I've been able to stay in this game. Jo: No, it's a good way of thinking about it, because people forget the publisher isn't a charity. The publisher has to make money from your book. So it's nice that you make money, but they have to make money, or they're not going to bother, right? Jessica: Yes, exactly. Jo: So let's come back to Save the Cat, because you mentioned that the original method really changed how you write, and then of course you did Save the Cat! Writes a Novel. So I've got that. I imagine a lot of people listening have got that. Tell us a bit about why that methodology made such a difference to you, and why you think it's so useful. Jessica: Well, you'll sense a theme here. I went into this business, like I said, without knowing a lot, and I went into it the way I think a lot of writers do, which is, I had an idea, I sat down, and I tried to write it. I had no guidance, no map, no structure, and I just wrote. I actually finished something, which is surprising, but then I started to get all these rejection letters that basically said similar things, which was, “You're a good writer, you have a good voice, but there's no story here.” I just didn't understand that feedback, because I had finished something. I could print it out and stack it on my desk. Wasn't that a story? Apparently it was not. Then a screenwriter friend of mine that I was talking to about how I was getting all of these rejection letters with the same note said, “You should read this book that recently came out. It's called Save the Cat, and it's for screenwriters, but I think it could work for novels because it just seems to be all about structure and storytelling.” So I read the book cover to cover so quickly, because if anyone's read the original, it's just so readable, and everything started clicking in my mind. I realised, wow, I really don't know how to tell a story. I could plot out everything I had done wrong, and I went back to my book and I started rewriting it from page one with this new structure in mind. When I finished that, I ended up getting an agent for that book, and the agent sold that book. I've been using the method ever since. It just made so much sense to my brain. What I tell writers is, “Use the method that makes sense to your brain.” All storytelling structure methods are basically telling the same story, just with different words, sliced and diced a little bit differently, but structure is structure, and a story is a story. It has to have a beginning, middle, and end. It has to have conflict, it has to have a middle twist, and things like that. So this one worked for my brain, and I started to teach it to other novelists, because at the time there was still just the screenwriting guide. So I started to teach how I was using it to other novelists, and that turned into the book, Save the Cat! Writes a Novel. Then I wrote a young adult version of it as well. And I still use it to this day. It's just something that's always made sense to me. Jo: So were you hired by the estate? Blake Snyder died, right? So were you hired to write that, or is that something you arranged? Jessica: It was kind of something that was arranged. I think Blake Snyder Enterprises is the name of the company. Blake Snyder died in 2009, sadly. When I started using the method, I was blogging about it on my blog, and I would share some of my beat sheets of the novels I was writing. The people who had taken over his estate reached out to me and said, “Hey, can you blog for us? Because we don't have a lot of novel content on our blog. We just do screenplay stuff.” And I said, “Of course.” I had a fangirl moment. Oh my gosh, they've reached out to me and this is so exciting. So I started blogging for them, and then that turned into the workshops that I started doing with them. Then we partnered up on the book. I think it was one of those things that felt inevitable, like we were just working toward it. I was living in LA at the time. They're based in LA. And I remember having breakfast with them, and we all just looked at each other and said, “So we need to write a book, right? There has to be a book.” So we ended up sharing the copyright, and, as you see from the title, it says based on the books by Blake Snyder. It's very much his method. Then I brought some of my novel flair and some of my own little tips and tricks that I had picked up over the years and applied it to his method. Jo: I love that. We are going to come to your other book for writers in a minute, but just on that intellectual property sharing, writing in other markets, you also write for Disney Publishing. This is so fascinating to me. Now, there are lots of people who do write for other properties. So how did that come about writing for other properties, and how does that fit into your portfolio of the things that you do? Jessica: Yes, writing for other properties is really fun. It's probably not for everyone. You have to know what you're getting into before you pursue it, because it's very much not your IP. You're writing under someone else's brand, you're in their canon, and there are certain rules you have to follow. So you have guidelines. I found it to be really fun and kind of a break from some of my own stuff, because I didn't have to come up with everything. I didn't have to invent all the new worlds and all the new characters. A lot of them were just given to me, and I could play within the boundaries of that sandbox, and I really found that inspiring. So what happened actually is I was on a writing retreat with a bunch of other writers, and there was a writer at the retreat who already wrote for Disney Press and was supposed to write this new series for them, based on their Descendants series. She said to me, “I really can't do it, but I'd love to recommend someone else to them.” I think we had been talking about how big of a fan I was of Disney or something, and she said, “Do you want me to recommend you?” And I said, “Yes, absolutely.” Another big fangirl moment. So the editor of that series reached out to my agent. They talked to me. They got writing samples from me through my agent, and then before I knew it, I was hired to write, I think the first contract was maybe for two or three of the books, and then we renewed for a few more. It was just really fun. Then I formed a relationship with that editor. We ended up working on another series for younger kids, based on the Disney Princess LEGO series, which was much younger and new for me. It had illustrations. That was a whole new challenge, but I found it really fun. As I said, it was a nice break from writing my own things, because I could write them fairly quickly. They did have very fast turnarounds at the publisher too, but I could use my skills for structure and storytelling and apply it to a world that already existed, and it was a nice pairing. Jo: I love this. So much of what you've done seems to have come from relationships or just putting yourself out there in the world. Jessica: Yes, good observation. I hadn't thought of that. Jo: Whereas I think a lot of people think that it's all about cold pitching. It's not so much, from what you're saying. Jessica: Yes, and I did another IP project with Simon & Schuster called Boys of Summer, which was a young adult novel. That one specifically came from my agent. So a lot of times publishers will reach out to agents and say, “Here's what we're doing. Do you have authors who would fit?” And my agent will often reach out to me and say, “Here's the pitch I got from a publisher. Are you interested in submitting yourself for this?” That's what happened with Boys of Summer. They actually sent out an outline to a bunch of writers who were interested, and I had to write sample chapters to the outline, or I think it was the first couple of chapters or something. I was very gratefully selected to write it. That came about from having an agent, and a lot of times having an agent is a way into IP work. And then those connections can help too. Jo: Fascinating. Right. Well, let's get into your book Page One to Done, which as I said, one of my listeners actually requested to have you on the show to talk about this book, because she said it was absolutely fantastic and helped her finish her book. So why finishing? What is the problem? Why write a book on actually finishing? What are some of the common issues that people have? Jessica: Well, thank you to that listener. I really appreciate it, and here I am because of you. Connections once again. So Page One to Done came out of my own struggle with finishing, and not just finishing, but finishing efficiently and maintaining joy throughout the process of writing a novel. As I said, I was writing very fast and furiously, and my deadlines were piling up, and I started to feel like writing a novel stopped being fun. It started to become a very frustrating process, and I realised that was a lot about how I was approaching the first draft, which, as most writers know, the first draft is very hard. When I started to look further into it, I found this statistic online that's widely accepted in the writing community, which is that 97% of first drafts are not finished. Which is, wow, mind-blowing, but also not that hard to believe once you think about the challenges of writing a first draft. Taking an idea from a seed, developing it into a full plot with character development and arcs and subplots and side characters and themes and all the things that you think a story should have, getting that all onto the page and actually reaching the end. It's very, very difficult, and I never lie about how difficult it is. So I was struggling to finish things quickly, to enjoy the process, and I noticed that other writers were too. I felt like, well, I have this plotting guide that I love, this structure guide, Save the Cat! Shouldn't this be easier once I have an outline? And it wasn't. And that, I think, is because we forget that there's another part of the process. It's not just about developing a compelling character. It's not just about having a well-paced plot. You have to be able to get ideas out of your head and onto the page in a way that doesn't make you want to quit. I think one of the problems with the first draft is most of us write something down, it does not match what's in our head, and we start to get more and more frustrated. The process becomes overwhelming. We're holding too much of the story in our head. We're going back to page one to revise with every new idea we have, so it starts to slow down. The farther we get into the book, the longer that back to page one process takes, and things start to spiral out of control. I think that's essentially what happens to this 97% of first drafts. The writer quits because it's not good enough. It doesn't match what's in their mind, and there's too much to hold, and it starts to become overwhelming. So this is what was happening to me. Even though I was finishing things, the process was still very overwhelming, and I started to experiment with different things. Different mindset shifts that I could make, different ways I could change my writing routine to really enhance the process, to get into flow faster, to stay in flow for longer, things like that. It took me about five years, and I developed this collection of mindset shifts and strategies and routines that I could not only apply to myself, but I turned it into a system that was repeatable, and I started teaching it in my Writing Mastery Academy. I called it the Fast Drafting method, and it's all about letting go of this idea that our first draft has to be perfect or even that good, and just focusing on getting ideas down as quickly as possible, even if that creates a big mess. It's this freeing process of doing that in a way that we don't get in our own way. So I started teaching it to other writers. People were finishing things who had never finished things before. Writers who had taken two years to write a first draft were writing first drafts in weeks. The biggest comment I was getting was, “This is so freeing. This is so liberating. This is so fun.” And it gave people the motivation that they needed to actually sit down and revise the book. Before, either they never finished, so they never got to the revision process, or they were so overwhelmed and bogged down by the two years it took for them to write one draft, they didn't have the energy to revise and get it to the next level. So anyway, all of this is to say it was working for me, it was working for other writers. I turned it into a book called Page One to Done, and it's my three-phase process, mindset, preparation, and drafting, which I equate to running a marathon. You wouldn't run a marathon without proper training and proper nutrition and the right mindset, just like you wouldn't write a novel without the right mindset, the right preparation, and the right skills you need to get to the end. Jo: That's fantastic. You mentioned training there and some of the routine changes. So I hear new writers say, “Oh, I can't write unless I maybe have two hours or three hours to write down stuff, and I never have three hours at a time, so I never have time to write.” I hear that a lot. So what would you say to those people? What is a routine and a mindset shift that might help those people? Jessica: That's great, and I hear that all the time too. I interviewed a handful of authors for this book who had gone through the fast drafting method with me, and I would say the majority of them wrote for 30 minutes to one hour a day and were able to finish their books in a matter of weeks to maybe two months. That's because what I teach in the book is not about the amount of time you have. It's about how you use that time. When you really structure your day and your writing time with intentionality, you do whatever you can to block out distractions, get into flow, stay in flow. I'll give you one amazing tip that basically solves all of these things in a second. But when you really bring intentionality to those 30 minutes, you can write more in 30 minutes than you can in three hours without bringing these kinds of intentional choices. So that's one of the things I teach. You don't need more time. You actually just need to approach the time you have with the right mindsets and the right intentions. So one of the biggest shifts I tell people is just don't write and revise at the same time. For one, it pulls your brain in two different directions and creates the requirement of context switching, because essentially drafting and revising are two different jobs. Drafting is getting ideas out of your head and onto the page. Revising is polishing those ideas. They require very different headspaces and very different skills. So when we try to do both of them at once, we're pulled in two different directions. We're essentially trying to polish something we haven't even figured out yet, so we're polishing in the dark, if you will. It causes our brain to snap back and forth so many times. The term context switching is very big in the zeitgeist today, and that's because it's eating up our brain capacity. So if you spend 30 minutes just getting ideas down without judging them as they're coming out, without trying to revise them as they're coming out, you will get a lot of words down. A lot of that has to do with just what do you expect out of those 30 minutes? If you expect to write a chapter of absolutely brilliant polished prose, you're probably not going to do it, and you're going to feel like you wasted three hours. Then the next time you have three hours, you're like, “Well, no, I'm not going to do that. It's too frustrating, and I don't have three hours to begin with.” But if you sit down with the idea of, “I'm going to get all my ideas down. I'm going to just enjoy this process and live in my story for these 30 minutes,” you will be amazed at how much will come out onto the page. And you can absolutely finish a book that way. So intentionality is how you set up your workspace. Making sure that your phone is on do not disturb, making sure there are no pop-ups on your screen, making sure there are not even windows open behind your document. Every time your mind thinks about something else, you have to bring it back, and that eats brain power. So it's things like that. I have a whole chapter on how to set up a writing routine. One of the biggest tips I give people is to do what I call a pre-writing ritual. This is based in neuroscience, and there are all of these studies that back this up, that our brain does something where it associates an activity with another activity. So let's say right before we sit down to write, every time we do that, we do 10 jumping jacks, just as an example. But we only do 10 jumping jacks before we write. We don't do 10 jumping jacks before we sit down to do our taxes or answer emails. It's just before we write. Your brain starts to create this associative link with jumping jacks and writing. These are ways that we can prime our brain to get into the writing mode, and after doing that a handful of times, you do your jumping jacks, and your brain is literally already in your story before you sit down. It starts to soften that resistance that happens when we think, “Oh, I have to go write now,” or, “I've got to go write a certain amount of words,” or, “I have to work with my story.” It softens that, where it just becomes, “Oh, this is what I'm doing now.” Setting up these pre-writing rituals, which could include jumping jacks, could include something else, a lot of examples we can explore if you want, creates that associative link and allows us to get into the writing zone even faster. So by the time we sit down, we're already primed to go. We're not wasting a lot of that time going, “Oh, should I do it now? Should I do it later? I've got to open my document. Oh, my coffee's a little low.” All the things that we do to delay writing. They start to fall away. Jo: Yes, I mean, I always tell people, you and I turned up on time. We arranged this. We respect each other. We turn up, and we're doing this within a time slot. So I always say to people, “Look, make a calendar entry for your writing,” and do you respect your writing enough to turn up on time and do the work? We had a few minutes of saying hi or whatever, and then we got on with our work, which was this interview. So if you've arranged to start writing for that half an hour, then it is work still, right? You need to turn up and honour that. Jessica: Yes, and actually I have the same tip in the book. I say put it on your calendar, block it off. For the reasons you said, it creates in your brain the idea that this is a serious thing. It's not just a, “Oh, I'll get to it when I get to it,” like folding the laundry. It's like, no, this is what I've decided to do, I'm serious about it, I respect it. Just like any other appointment that you would respect, like lunch with a friend or an important business meeting, you show up for it. You don't go, “I think I'll show up to that business meeting in a few hours when I feel like it.” Also it keeps the routine consistent, because one of the tips I give is to always write at the same time every day if you can, because again, that associative link created in your brain, that habitual routine. So if you put it in your calendar for the days that you're going to write, you won't schedule over it by accident, which is just another logistical thing. I say something similar to what you just said, Joanna, in the book, which is basically, if you booked a massage for an hour, you would stay for the hour, right? Because you paid for this massage. Jo: Hell yes. Jessica: It's important to you. You're not going to get up in the middle and start texting your friends. You want your massage. If you treat your writing like any other thing that's important to you and show up for it consistently, it will show up for you, too. Jo: Yes, and I think the other misconception is that, okay, so that person has made it, and they're at the desk. I listen to rain and thunderstorms in my headphones. That's kind of, I guess, my routine. But that doesn't mean that I can just stream something wonderful. You talked about separating the writing and the editing, but sometimes it really is pretty basic, right? Morgan walked into the room. That will often be my thing, and then I'll be like, “Okay, well, why?” And what was the room like? Or was it even a room? So sometimes you just have to start writing something rather than wait for a perfect sentence. Jessica: Oh, yes, absolutely. Waiting for the perfect sentence, you'll be waiting for a long time. I say waiting for inspiration, you'll be waiting for a long time. My joke is, if I waited to write only when I felt inspired, I'd finish a book about every 20 years, if that. I think that's very important, and I teach a lot of tips and tricks in the book on how to get past that resistance, because of course, we don't want to just sit down and write something that we don't like. We don't want to just write down, “Oh, she stared at her computer for 10 minutes.” But sometimes we have to write that down to get to the next sentence or the next plot point or whatever barrier is in our mind. So one tip I'll tell people is put things you don't like in brackets, the square brackets. It's a really simple tip, and it's one of the tips I share in the book. Just put it in brackets and move on. What the brackets do, at least for people who use it, is it's like scaffolding. It's a reminder to your brain, this isn't permanent. This isn't going to stay. I'm going to come back to this later and fix it once I figure out what the story is and what she's actually doing in the room at this moment. For now, it's there. It's on the page. I can move past it. For me at least, the brackets are just this really nice reminder of the scaffolding. Nope, nope, nope, not perfect, not permanent, moving on. Then you can come back later and flesh it all out. I share a lot of anecdotes from my 20 years of writing novels, and one that I particularly like is I was working on a novel, and I had this scene that was just so awful, where all of my characters were sitting in a room. I had no idea what room it was or what it looked like, and they were talking about their feelings. It was just so awful and boring, but I had to get through this scene because I had to establish certain things that came later. I was complaining and complaining about this scene. I was on a writing retreat at the time, and my writer friends were like, “Let's just do a writing sprint, and we'll all write really fast, and we'll all get through our bad scenes, and we'll move on.” So I did that. I moved past the boring scene. It was still boring all the way to the end, but here's the thing, I couldn't figure out what happened in that scene until I'd figured out the whole story. So I wrote the bad version, and then in the next draft I came back and I was like, “Oh, this scene should take place on this bridge that I wrote in the finale that I didn't even know I needed, and it's this very symbolic bridge, and they can be standing on the bridge, and then they should be talking about this because that's going to pay off in the third act,” and I hadn't even thought of that yet. So all the things were coming together, but I could never have come up with that at the time. If I had just sat there and tried and tried, I probably would have gotten stuck at that scene and quit. So I had to just write the bad version, move past it, and come back later. Jo: Yes, and I think maybe because you're famous for structure, people think that maybe you wouldn't have to do that, because you already came up with that in the plotting. It sounds like you're also putting in those elements and foreshadowing and deepening things in the edit. So that's quite comforting for me as a discovery writer, because I end up doing so much more of that kind of thing in the edits. Jessica: Well, something I like to say is that we're all discovery writers, just different degrees. Because the writing process, no matter how much you plot in advance, is always going to be a discovery process. There are always going to be things you didn't think of. There's always going to be a way to tie things together that you never could have thought of before you started writing. So much of the story evolves and gets processed on the page and in your mind as it's coming out onto the page, and it's delusional to think you can think of all that before you start engaging with the characters. You can come close. I've known writers who have come very close, but almost all writers will discover something that they didn't know in the outline. I would argue that that's actually the fun part of writing. It's not the days when writing goes exactly to plan. They're nice, but they're not necessarily the fun parts. The fun parts are when you sit down to write the scene you thought was going to be the scene, and suddenly this new detail appears, and you go, “Oh my gosh, this totally unlocks everything, and I never even thought of it.” It could be in a text message. It could be on a billboard. It could be something the character just blurts out that you weren't expecting, and suddenly your whole story comes together in that moment, or maybe just the scene comes together. It's those moments, I think, that we write for. So even just expecting the book to come out exactly as you plotted is one of those mindset shifts. If you shift it and think, “This is really fun. I get to discover new things about my story that I wasn't expecting,” that, again, just makes the process a little more fun. So instead of, “Oh, this isn't what I thought it was going to be,” or, “This isn't what I outlined,” which is focusing on what's wrong with the book, it becomes, “Oh, wow, this is teaching me something I never expected about my story, and that's pretty cool.” Jo: Yes, I think that moment, Carl Jung called it, I guess, synchronicity, the moment when these things come together and it feels just incredible, that's the moment we all look for. It does seem to happen on every book. Everything clicks into place, and I look forward to that moment with every book. I did want to ask you about a novel that you have coming out soon as we record this, called How to Write a Murder. Now, this is a new genre for you, and it's quite meta because it's about writers as well. So talk about writing a brand new genre now at this point in your career. What are the challenges of trying to reach a new audience? Why do this book now? Jessica: Wow, great question. I love challenging myself to do something new. I wrote contemporary for many years and then thought, “I'm going to try a sci-fi.” Or, “I'm going to try middle grade now.” I think I go where the story wants, where I'm inspired to go when it comes to story ideas. However, with mystery, it's been one of those things that's always been on the back of my mind, like a wish list, a bucket list. I want to write a murder mystery. I just never had the right idea. Or I never had the time, or I never had the space. Then I finished my last novel contract, and I took a break, because I had been writing on deadlines for years. I took a very, very much needed break from deadlines. For the first time in I think 15 years, I did not have a book deadline. I just asked myself, “Jessica, what do you want to write?” As opposed to, what's the next book that's due? And the answer was very clear. I want to write that murder mystery. I toyed with a few ideas, and then I started to think about, okay, so I wrote this book on plot that a lot of people know and use. What if someone used that book to plot a literal murder? What would that look like? This meta explosion came to mind, which is that I wanted to write a murder mystery that's structured like a plotting guide for murder mysteries. The characters in the book are all writers who are familiar with this plotting guide, and the events of the story are unfolding like the plot of a murder mystery according to this book. You have no idea which one of them is actually using the book to plot the murder, because they all know the book. So one of the taglines is, “One dead body, seven mystery writers, and they all know how to get away with murder.” It was sort of my culmination of everything I'd done in my career. All the plotting workshops I'd taught, all the revision courses I'd taught, and of course this plotting structure method I'd been teaching for years, and I put it into this book. It's a fictional version of Save the Cat! It's called The Bestseller Formula. The premise of this book is that someone is using a murder mystery plotting guide to plot a literal murder. So the reader is learning how to write a murder as they're reading about the murder on the page. Jo: I love it. I know lots of people are going to want that. It does bring the business side of things into more difficulty, because of course you have readers, like you mentioned middle grade, you've got YA books, and obviously, I guess, the writers that you teach will be interested. How is this going to work for your book marketing and your business? Because it also sounds like this might be a standalone. Jessica: It is a standalone as of now. I have some sequel ideas, but we're not pursuing them yet. It is a different market for me, for sure, and that's become a challenge as I'm marketing, because I'm not in the thriller mystery space yet. I haven't written a novel for adults since the very, very beginning of my career. I've been mostly writing for teens and middle grade. The good news is most of my teen readers are now adults, because it's been so long since I wrote for teens. So there's that. I think the book will appeal to mystery readers just because it's a fun mystery, and there's a fun meta element to it. I think it's going to appeal to writers as well. So I'm very much leaning on that, at least for the launch. I hope my writer community will get behind this book, because it's very much an ode to storytelling. It's an ode to writers. I dedicated it to writers. As a writer, you will understand this book on a level that a reader never will. You will get so many of the little inside jokes that a reader might just skim past. So I did very much write it for writers, with the hope that readers will also enjoy it. I had the most fun writing it I've had, I think, of writing any book. Partly I think that was because I wasn't writing it under deadline. I was just writing it for me, but also just because it felt like the book I'd been destined to write for so long. Jo: Fantastic. So we're out of time. So where can people find you and your books and everything you do online? Jessica: How is that possible? I feel like we just started. JessicaBrody.com is the best place to find everything. If you're interested in my writing courses, you can check out WritingMastery.com as well. Jo: Well, thanks so much for your time, Jessica. That was brilliant. Jessica: Thank you, Joanna. I had so much fun.The post From Page One To Done: Fast Drafting Your Novel With Jessica Brody first appeared on The Creative Penn.

Why did Andy Burnham choose Kyiv, not Washington or Brussels, for his first foreign trip as Prime Minister? Is the tide at home turning against President Zelenskyy, and do fresh corruption scandals pose an existential threat to Ukraine's war effort? With the AfD on course to break through in state elections for the first time, is Germany's “firewall” against the far-right about to collapse? Join Alastair and Rory as they answer all these questions and more. __________ Enjoy Rory and Alastair's interview with the President of UEFA, Aleksander Čeferin, by searching ‘Leading' on Spotify, Apple, or YouTube. Go deeper into the world of The Rest Is Politics by signing up for our free newsletter HERE, featuring exclusive interviews, analysis and weekend reads from Alastair and Rory. Join The Rest Is Politics Plus. Start your free trial at therestispolitics.com to unlock exclusive bonus content – including Rory and Alastair's miniseries – plus ad-free listening, early access to episodes and live show tickets, exclusive newsletters, discounted book prices, and a private chatroom on Discord. The Rest Is Politics is powered by Fuse Energy. Stop overpaying for energy. Switch at fuseenergy.com/politics and get a free TRIP+ subscription.

The EU wants to nearly double its electrification rate to 46% by 2040, a transformation that would slash fossil fuel imports by hundreds of billions of euros annually. In this episode of Energy Evolution, host Eklavya Gupte examines the EU's Electrification Action Plan and assesses whether Europe can realistically achieve it. Coralie Laurencin, director of European gas, power and carbon policy at S&P Global Energy CERA, and Andreas Franke, editorial lead on European power markets at S&P Global Energy Platts, unpack the formidable challenges: stubbornly high electricity costs, taxation and subsidy structures, and massive grid investments needed to support surging demand. The conversation breaks down which sectors will electrify fastest and which face steeper obstacles, from Germany's industrial power subsidies to France's nuclear-backed power contracts. As geopolitical instability threatens global supply chains, electrification has emerged as the EU's answer to energy security, climate ambition, and industrial competitiveness, but only if Brussels can make electricity both abundant and affordable.  

Recorded at the SolarPower Summit in Brussels this conversation between Laurent Segalen and Jonathan Gifford examines why batteries have become one of the fastest growing and most strategically important technologies shaping the global energy transition. Jonathan Gifford is the co-founder of Climate Copy and a wonderful storyteller.  Laurent unpacks how rapid battery innovation is transforming electric mobility, renewable energy markets, charging infrastructure, and the future operation of electricity grids.  It has been only nine years since Hornsdale (Tesla – South Australia) 100MW-130MWh made of EV batteries cracked the code. Six months later in China the Jiangsu Zhenjiang first 100MW LFP battery was installed. In Europe and the US, the first large LFP batteries were installed in 2021-2022. Now, LFP has a 95% market share in BESS around the world. For EVs, it is 55% LFP – 45% NMC (80% in China).  By the end of 2026, we will reach 500GW globally and great forecasters like Jan Rosenow expect 1,000GW by 2030. We see longer duration and the advent of sodium batteries.  Laurent outlines why electrification is entering a new phase of acceleration. He highlights how falling battery costs, rapid improvements in electric vehicle technology, and the widening economic gap between electricity and fossil fuels are reshaping expectations across the transport sector. This shift is not limited to passenger cars; it increasingly extends to commercial fleets and heavy-duty trucking, where electric trucks are becoming more competitive thanks to lower operating costs, reduced maintenance needs, and improving charging infrastructure.  He also discusses the growing importance of stationary battery storage in enabling high-power EV charging, increasing grid flexibility, and supporting higher penetration of renewable energy.  Finally, he explained why Hydrogen will never work in long haul transportation. Simply too expensive.    

Europe is taking an increasingly tough line on trade with China, accusing Beijing of subsidising exports and flooding European markets with cheap goods. Businesses and governments warn that Chinese competition is putting European industries and jobs at risk, while China's growing dominance of supply chains is adding to concerns in Brussels. Ed Butler asks whether these accusations are fair, what Europe can do about them, and whether the two sides are heading for a new trade war.Producer/presenter: Ed ButlerYou can email the team: businessdaily@bbc.co.uk(Photo: A staff member prepares for the arrival of Chinese Vice Premier Ding Xuexiang and EU Executive Vice-President for Clean, Just and Competitive Transition, Teresa Ribera during China-EU Sixth High-Level Environment and Climate Dialogue, Beijing, 14 July 2025, Credit: Reuters)

This week on Sinica, I sit down with the writer Pallavi Aiyar — at her own dining table in Beijing, where in recent months I've been the lucky beneficiary of her and her husband Julio's legendary hospitality. Pallavi first arrived in Beijing in 2002 to teach at the Beijing Broadcasting Institute and went on to spend the better part of a decade as The Hindu's China correspondent — for much of that time, the only Chinese-speaking Indian foreign correspondent in the country. That period produced Smoke and Mirrors: An Experience of China, still one of the very few sustained attempts to look at China through Indian eyes. After 16 years away — years spent in Brussels, Jakarta, Tokyo, and Madrid — she's back in Beijing, and turning her gaze inward with her latest book, Travels in the Other Place: Pursuing the Self in Eight Acts. She writes the wonderful Substack The Global Jigsaw, which I recommend without reservation.Our conversation is built around her recent essay for Noema Magazine, “The Real Problem Underlying India-China Tensions,” which argues that the deepest problem in the relationship isn't the border or the trade imbalance but the distorting lenses through which each side reads the other: China reads India through the lens of colonial subordination, while India reads China through the lens of betrayal. We talk about the ugly etymology of an ethnic slur, the partial historical memories each country mistakes for the whole picture, her serialized interviews with the Chinese India-watcher Mao Keji, the aporia-inducing impossibility of explaining either country to outsiders — and how her answer to the question she first posed in 2008, “Would I rather be born Indian or Chinese?”, has changed, painfully, in the years since.4:35 – Beijing, 2002: an ad in That's Beijing, gandhi@hotmail.com, and becoming The Hindu's correspondent10:03 – “Beijing and I grew up together”: the aughts as a shared coming-of-age12:16 – The asymmetry of obsession: why India watches China, but not the reverse16:39 – The unacknowledged third vertex: Western discursive power in the India-China relationship18:08 – Back after 16 years: the Liangma River, blue skies, and the panopticon21:35 – Walks in the park and the “buddy system”: what access looks like now25:43 – Where did all the foreigners go?29:59 – The scene at CCG: candor, offense, and the register of truth33:10 – “Asan”: the etymology of a slur, Sikh policemen, opium fortunes, and China's colonial lens40:10 – 1962 and India's betrayal lens42:15 – Aporia: the foolhardy task of explaining India or China47:22 – Shame and indignation: explaining a place you love versus a place you merely know52:29 – The big question, 2008: born Indian or Chinese?55:44 – The 2026 answer: “It hurts”1:00:08 – Kaiser pushes back: cherry-picked comparisons, and can this essay's very existence complicate its conclusions?1:04:43 – Twin nations of the exam1:06:57 – Cognitive empathy: what it would take for ordinary Indians and Chinese to actually see each otherPaying It ForwardYaqi Li, a young Chinese international relations scholar recently returned to China after a year in Singapore — Pallavi admires the rare self-reflectiveness of his memoir-inflected IR writing on his Substack, New China Literacy, and notes that he makes an interesting case for AI-assisted writing as a way for second- and third-language English speakers to find their voice.RecommendationsPallavi: Flashlight by Susan Choi — a novel spanning Japan, the U.S., and North Korea, built around the North Korean abductions of Japanese citizens in the 1970s. Also This Is Where the Serpent Lives by Daniyal Mueenuddin — the first novel from her favorite Pakistani writer, a sprawling, Chekhovian portrait of feudalism and politics in modern Pakistan.Kaiser: Crossing to Safety by Wallace Stegner — beautiful at the sentence level, painted on a small canvas: two couples who meet as young academics at the University of Wisconsin–Madison, and their friendship across the decades. Emotionally rich despite the absence of grand drama.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A.M. Edition for Aug. 17. For the second time in three days, NATO warplanes on Sunday were forced to shoot down a drone in alliance airspace. WSJ Brussels bureau chief Daniel Michaels says that while electronic jamming could make the drone incursions an accident, some countries fear Russia is deliberately probing European air defenses. Plus, the Colorado River's water crisis worsens as Lake Powell joins Lake Mead at record lows. And we'll look at the race among job seekers to write AI experience into their résumés. Luke Vargas hosts. Sign up for the WSJ's free What's News newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.