Podcasts about Them Crooked Vultures

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Boom Boom Pow by Black Eyed Peas (2009)Song 1: Pink Friday Girls by Nicki Minaj (2023)Song 2: Alien Blues by Vundabar (2015)Song 3: Hammond Song by The Roches (1979)Song 4: Am I Wrong by Keb' Mo' (1994)Song 5: See a Little Light by Bob Mould (1989)Song 6: I See You by The Pretty Things (1968)Song 7: It's Only Love by Bryan Adams (feat. Tina Turner) (1984)Song 8: Scumbag Blues by Them Crooked Vultures (2009)Song 9: Light in Your Eyes by The Subdudes (1989)Song 10: I Know You by Craig David (feat. Bastille) (2017)

In episode 65 of the podcast I speak with the incredibly talented Chilean-American multi intrumentalist and producer - Alain Johannes. Easily one of my favorite musicians, Alain and has had an amazing music career working with artists like Queens Of The Stone Age, Them Crooked Vultures, PJ Harvey, Arctic Monkeys, No Doubt and late greats Chris Cornell and Mark Lanegan.He also had an amazing debut into the 'band scene' along side numerous eventual Red Hot Chili Peppers members called "What Is This" and eventually went on to form and co-lead the amazing band 'Eleven' alongside his very talented wife Natasha Shneider until her unfortunate passing.We talk the Sound City players, Desert Sessions, engineering, production, songwriting, band life and so much more, check it out.For more on Alain, his story and his music, please visit - www.alainjohannes.comFor more on Travis Marc or the Musicians Mentor, please visit - www.musicians-mentor.comFor our partnership with the lovely folks over at Soundbrenner, please visit - https://www.soundbrenner.com/pages/affiliate-travis-marc

Part 2 of my conversation with guest Phil Stacey about our favorite concerts.  Show notes: Our top 10 concerts in no particular order Phil: Banged up and seeing his first Dead show in Foxborough in 1989 The show is popular with Dead fans Jay: Caught Mike Watt backed by the Foo Fighters in their first Boston appearance in '95 Phil: 12 days after that Dead show, saw the Who at the same venue A 3-hour show for the 20th anniversary of Tommy Jay: The one area appearance by Them Crooked Vultures in '09 Supergroup with Josh Homme, Dave Grohl, John Paul Jones Phil: McCartney at Sullivan Stadium in 1990 The tour book phenomenon Jay: Two shows in one night--The Amps followed by Mighty Mighty Bosstones Phil: U2 show on St. Patrick's Day '92 in Boston, Achtung Baby tour "Put it in H" Jay: Also a U2 show; September 1987 at the Boston Garden Phil: Dylan at Endicott College in October 1992 Tickets purchased at a local jewelry store Dylan almost didn't play because a heater wasn't working on stage Jay: Electric performance from Nick Cave's band Grinderman at House of Blues Phil: Pearl Jam at the Orpheum in April 1994 A few days after Cobain's death Jay: Front row at the Orpheum for Sugar, November 1994 Bob Mould's last tour with Sugar Phil: Neil Young at the Wang Center in 2018 with Jay Neil was solo, telling stories between songs Gotta see some of these older artists while they're around Jay: Pearl Jam in April '92 at tiny club Axis Just before PJ blew up Phil: Dead & Co. at Fenway in summer '23 $60 cheese pizza  Jay: Last month seeing Sloan in Toronto with my daughter Played their first album front to back Only concert I've ever seen in Toronto Phil: Phish playing third show in three nights at Mansfield Jay: Ty Segall at the late lamented Great Scott in 2014 So loud the floor was shaking Jay: No issues with seeing shows by myself Phil: Goose at MGM Fenway last year Played lots of covers, including the odd 36-minute jam Jay: First time seeing the Tragically Hip at the Paradise in April '91 About 25 people there, but the band killed it Saw the band many times after that Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

¡Es Viernes Eléctrico en Turbo 3! Y lo celebramos con una buena ración de temones de la mano de King Falcon, Electric Enemy, The Sherlocks, Inhaler, Foo Fighters, Nirvana, Pearl Jam, Jeff Buckley, Chris Cornell, PJ Harvey, The White Stripes, The Black Keys, Arctic Monkeys, Queens Of The Stone Age, Them Crooked Vultures y más.Playlist:KING FALCON - Ready Set GoELECTRIC ENEMY - Stop Falling In LoveTHE SHERLOCKS - BonesINHALER - When It BreaksNOTHING BUT THIEVES - Live Like AnimalsBRKN LOVE - 20/20 VisionQUEENS OF THE STONE AGE - Head Like A Haunted HouseARCTIC MONKEYS - This House is a CircusMILES KANE - InhalerJAKE BUGG - Waiting for the WorldCIRCA WAVES - Like You Did BeforeTHE STROKES - SomedayALBERT HAMMOND JR. - Far Away TruthsROYAL BLOOD - Ten Tonne SkeletonTHEM CROOKED VULTURES - New FangELEVEN - All My FriendsALAIN JOHANNES, DAVE GROHL & JOSH HOMME - A Trick with No SleeveFOO FIGHTERS - Learn to FlyPEARL JAM - JeremyNIRVANA - LithiumSOUNDGARDEN - Fell On Black DaysPJ HARVEY - This Is LoveEELS - My Beloved Mad Monster Party (Live on the BBC)BECK - SissyneckTHE HEAVY - How You Like Me NowKINGS OF LEON - Red Morning LightTHE WHITE STRIPES - Fell In Love With a GirlJACK WHITE - That's How I'm FeelingTHE BLACK KEYS - Beautiful People (Stay High) (feat. Beck)Escuchar audio

In this episode, Ray and Marc take you on a journey to David Grohl Alley, a unique landmark located in the heart of Warren, Ohio. The alley is home to an exhibit, featuring the world's largest pair of drumsticks and vibrant murals that celebrate Dave Grohl's iconic musical journey with Nirvana, Foo Fighters, Queens of the Stone Age, and Them Crooked Vultures. As a visitor, you can enjoy a drink while listening to a local musician paying tribute to this alternative rock legend. This stop marks the start of an exciting adventure to explore the musical landmarks that have played a pivotal role in shaping the history of rock and roll.

Alain Johannes es una figura clave del rock contemporáneo. Es fundador de la influyente banda Eleven y ha trabajado con bandas legendarias como Queens of the Stone Age o Them Crooked Vultures. Radio75 es una banda de rock alternativo que ha contado con la colaboración del icónico músico en la grabación y producción de su último disco “Screaming Out”. En esta edición de Los Conciertos de Radio 3 puedes ver la actuación exclusiva del artista chileno junto a la banda de Barcelona.Escuchar audio

durée : 00:55:01 - Very Good Trip - par : Michka Assayas - Dave Grohl, un seul homme mais c'est une planète musicale à lui tout seul. Connu d'abord comme le batteur de Nirvana, puis chanteur guitariste leader de Foo Fighters, Dave Grohl revient de temps à autres derrière les futs comme avec Queens Of The Stone Age ou Them Crooked Vultures.

Josh Homme was born in Joshua Tree and grew up in Palm Desert, California. He founded Queens of the Stone Age in 1996 and is the lead singer, primary songwriter and guitarist in the band. Josh is one of the music industry's most prolific collaborators. Alongside Queens, he formed the supergroup Them Crooked Vultures in 2009 with Dave Grohl (Foo Fighters) and John Paul Jones (Led Zeppelin), and has produced music for Arctic Monkeys, Iggy Pop, Lady Gaga and many more. Queens of the Stone Age released their latest album, In Times New Roman, in 2023. To mark the final episode of the series, Angela makes some extra-special dishes for Josh, while Nick mixes his favourite cocktail, a Corvette Summer. To start, Angela prepares bone marrow and a parsley salad, a recipe from chef Fergus Henderson's book Nose to tail eating: A Kind of British Cooking. For main, it's grilled mackerel, beetroot and red onion salad, and this meal is paired with a delicious La Perrière Pouilly-Fumé Loire by the experts at Waitrose. Josh Homme is about as rock and roll as it gets, and Nick and Ange probe him on his backstage habits and what he likes on his rider. Josh talks about his treasured 15-year friendship with the late Anthony Bourdain, and shares the hilarious comment Elton John made to him before taking to the stage for the final time in his career at Glastonbury 2023. All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer when we're back for series 6 in September. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:55:01 - Very Good Trip - par : Michka Assayas - Dave Grohl, un seul homme mais c'est une planète musicale à lui tout seul. Connu d'abord comme le batteur de Nirvana, puis chanteur guitariste leader de Foo Fighters, Dave Grohl revient de temps à autres derrière les futs comme avec Queens Of The Stone Age ou Them Crooked Vultures.

Alain Johannes habla sobre el disco 'Euphoria Mourning' de Chris Cornell, del cual fue guitarrista, coautor y coproductor. En este episodio Alain Johannes (Eleven, Chris Cornell, Queens Of The Stone Age, Them Crooked Vultures) comenta: El papel que desempeñaron él, Natasha Shneider y Chris Cornell en el proceso de grabación y composición de ‘Euphoria Mourning'. Cómo, gracias a Chris, Alain y Natasha pudieron montar el estudio casero en el que, sin haberlo planeado, acabaron grabando el disco. El proyecto que tenían los tres de formar una banda junto a Matt Cameron, y la sorpresa que se llevaron Alain y Natasha cuando se enteraron de que Chris se había unido a Audioslave. La gira de presentación de ‘Euphoria Mourning', su preparación y la recepción del disco. La influencia del flamenco y la música india en las guitarras de Alain Johannes. El genio musical de Natasha Shneider. Además Alain cuenta cómo, durante la escuela secundaria, se le ocurrió enseñarle a tocar el bajo a un amigo que hasta entonces solo tocaba la trompeta... Flea. Y por el camino nos encontramos con Temple Of The Dog, PJ Harvey, Mark Lanegan, Frank Zappa, Ministry, Saint Vincent, Daniel Lanois, Paco de Lucía, Peter O'Toole, los caracoles y un hombre araña en el minibar, entre otros. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! Contacto: discoprestado@proton.me La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica ¡Salud y buena música! Marc Aliana marcaliana.com

Dedicamos la primera hora de esta sesión de Turbo 3 a una selección de 15 discos internacionales de rock -combinado con otros estilos- que cumplen 15 años; álbumes publicados en 2009 a cargo de Arctic Monkeys, Them Crooked Vultures, Muse, The Dead Weather, Yeah Yeah Yeahs, Biffy Clyro, Paramore, Green Day, Florence + The Machine, Phoenix, Pearl Jam o Rival Sons, entre otros.Playlist:ARCTIC MONKEYS - Crying LightningTHEM CROOKED VULTURES - No One Loves Me and Neither Do ITHE DEAD WEATHER - Treat Me Like Your MotherMUSE - UprisingBIFFY CLYRO - The CaptainRIVAL SONS - Lucky GirlPEARL JAM - The FixerPARAMORE - IgnoranceGREEN DAY - Know Your EnemyWEEZER - (If You're WonderingIf I Want You To) I Want You ToFLORENCE + THE MACHINE - Dog Days Are OverPHOENIX - LisztomaniaBOMBAY BICYCLE CLUB - Evening / MorningFRANZ FERDINAND - Turn It OnYEAH YEAH YEAHS - Heads Will RollLEÓN BENAVENTE - En el festínMUCHO - El enemigo ahora vive en todos nosotrosZAHARA - Hoy la bestia cena en casa_juno - _La canción que no vas a hacer hoySHEGO - Steak tar tarBILLIE EILISH - LunchVINILOVERSUS - Animal temporalLOS MESONEROS - Su lado de la camaTHE FAMILY RAIN - GasolineTHE FAMILY RAIN - BinocularTHE LEMON TWIGS - How Can I Love Her More?DRUGDEALER - Pictures of You (feat. Kate Bollinger)MUNDO PRESTIGIO - Buen mood (feat. Kimberley Tell)CARLANGAS Y LOS CUBATAS - Mucho con pocoYARD ACT - The Overload Escuchar audio

Part 2 of my conversation with guest Phil Stacey about the music of 2009. Show notes: Jay's non-top 5s: Arctic Monkeys, Dinosaur Jr., Sonic Youth, Patterson Hood, Alice in Chains, Obits, Eels, Tragically Hip, Brendan Benson, Neko Case, Heaven and Hell Phil's #5: Yeah Yeah Yeahs make foray into dance rock Judas Priest makes good pump-up music Jay's #5: Trippy prog-metal from Mastodon Phil's #4: Neko Case is a force of nature Jay's #4: Art Brut with an entertaining collection of ripping artsy punk   Phil's #3: Slow-burning solo excursion from Patterson Hood Jay's #3: Anthemic punk/classic rock mix from Japandroids Phil's #2: Phish returns after a 5-year break Jay's #2: Jarvis Cocker with the kickass Albini-recorded solo ripper  Phil's and Jay's #1:  Monster supergroup debut from Them Crooked Vultures Jay saw TCV in Boston on their only tour Always cool to see someone from Zeppelin play live Favorite songs: "Angela" (Jay), "Elephants" (Phil) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Them Crooked Vultures is a band with John Paul Jones, Dave Grohl, and Josh Homme and they rock. Hard. This show is from April 17, 2010 in Las Vegas, and it rocks. Hard. I play Mind Eraser, No Chaser, New Fang, and Warsaw. These men are from Led Zeppelin(!), Foo Fighters, Nirvana, and Queens of the Stone Age. Legends all. It's a great one.

WISCONSIN MUSIC PODCAST WMP Linktree: https://linktr.ee/WI_Music_Podcast AMPLFYING WISCONSIN MUSIC Nuke Plant Chickens https://linktr.ee/nukeplantchickens EPISODE 140   Welcome to a stirring episode of the Wisconsin Music Podcast featuring the distinct sounds of Kenosha-based band, Nuke Plant Chickens. Born in the midst of the COVID-19 lockdown, these young music enthusiasts have grown into a seasoned band with a powerful synthesis of various music genres, offering a unique, homegrown energy with every performance. The diverse group shares their exceptional journey, discussing their music inspirations, from King Gizzard and his Lizard Wizards to Black Sabbath. They reveal their band philosophy, revolving around enjoyment rather than strict professionalism, and the exploration of a wide variety music genres. They delve into the challenges and triumphs of forging a path in the bustling music scenes of Chicago and Milwaukee. Get a peek into the band's DIY recording process: a journey centered on raw, authentic music creation and problem-solving equipment issues, song selection, and balancing gig schedules. Nukeplant Chickens not only discuss the release of their four finished singles, but also offer a glimpse into the stories imbedded in their music. They candidly share their experiences of attending influential performances and their appreciation of their supportive community. Above all, they light the beacon on their ambitious future plans. We invite fans, fellow musicians, or those simply curious about the eclectic music scene to immerse themselves in this compelling episode. Join us as we reveal all this and more about Nuke Plant Chickens, the band that's lighting up Wisconsin's music scene. ------------------------------------------ Transcript 1 00:00:00,000 --> 00:00:11,600 Music. 2 00:00:11,994 --> 00:00:14,654 Ladies and gentlemen, music enthusiasts and podcast listeners, 3 00:00:14,754 --> 00:00:18,314 welcome to A Sonic Journey Like No Other on the Wisconsin Music Podcast. 4 00:00:18,554 --> 00:00:22,194 I'm your host, Zach Fell, and we're here to amplify Wisconsin music. 5 00:00:22,294 --> 00:00:26,254 In this episode, we're diving into the eclectic and electrifying world of Nukeplant 6 00:00:26,254 --> 00:00:29,694 Chickens, a band hailing from the charming town of Kenosha, Wisconsin. 7 00:00:30,214 --> 00:00:34,574 Prizing a remarkable ensemble of talent, Nukeplant Chicken weaves a mesmerizing 8 00:00:34,574 --> 00:00:39,094 tapestry of sound, leaving no genre untouched. Get ready to immerse yourself 9 00:00:39,094 --> 00:00:42,834 in the music of Newt Plant Chickens, where every note is an adventure, 10 00:00:43,054 --> 00:00:44,214 every rhythm is a heartbeat. 11 00:00:44,394 --> 00:00:48,374 Join us in exploring the sonic landscapes crafted by this extraordinary band 12 00:00:48,374 --> 00:00:53,414 as we unravel their musical journey in this special podcast episode on the Wisconsin Music Podcast. 13 00:00:53,794 --> 00:00:56,554 Ladies and gentlemen, thank you so much for joining me here on the podcast. 14 00:00:57,214 --> 00:01:04,994 Thank you. So why don't we get a quick synopsis of each one of your music origins story. 15 00:01:05,014 --> 00:01:07,734 How did you get started? it i'm jeff i'm the 16 00:01:07,734 --> 00:01:11,014 singer and i i started 17 00:01:11,014 --> 00:01:13,794 taking piano lessons when i was seven and i'm 18 00:01:13,794 --> 00:01:17,534 23 now so that's 16 years ago and 19 00:01:17,534 --> 00:01:24,534 yeah i i can't remember why i started doing piano lessons but yeah okay i really 20 00:01:24,534 --> 00:01:33,094 liked guitar hero as a 12 year old so who are you oh my name is uh my name is 21 00:01:33,094 --> 00:01:35,054 ethan i'm I'm a guitar player sometimes. 22 00:01:35,494 --> 00:01:39,854 Awesome. Yeah, I really liked playing Guitar Hero, and that stuff is, 23 00:01:39,894 --> 00:01:44,414 like, the first stuff I learned, so that's a working story there. 24 00:01:45,214 --> 00:01:52,094 Cool. My name is Chloe. I started on bass in middle school, actually. 25 00:01:52,134 --> 00:01:53,914 My dad convinced me to play. 26 00:01:54,014 --> 00:01:57,594 He would show me Talking Heads footage, 27 00:01:57,754 --> 00:02:03,494 and Tina Weymouth basically played for Tango, to, which I'm happy about it, 28 00:02:03,534 --> 00:02:08,354 but I started on bass and then I started guitar after bass and that would have 29 00:02:08,354 --> 00:02:09,674 been also middle school. 30 00:02:10,234 --> 00:02:17,374 And then recently, you know, drums and all of that, but like I play guitar in this group. 31 00:02:19,574 --> 00:02:21,834 But yeah, I've just been playing forever since middle school. 32 00:02:21,874 --> 00:02:25,054 And my dad wanted me to. Cool. Very cool. 33 00:02:25,694 --> 00:02:31,034 Max, I play the drums. And for my fourth birthday, I got a drum set. 34 00:02:31,354 --> 00:02:33,314 I don't know why I didn't ask. 35 00:02:35,174 --> 00:02:37,754 But yeah, I've been playing ever since. I was happy about that. 36 00:02:37,754 --> 00:02:38,774 It's never stopped. Yeah. 37 00:02:40,594 --> 00:02:48,514 Camera. Sorry. Eight. Fourth or fifth grade. when I played trumpet for Mrs. 38 00:02:48,674 --> 00:02:52,394 Ripley in the KUSD school. 39 00:02:53,314 --> 00:02:56,654 Shout out to Mrs. Ripley. Yeah, shout out to Mrs. Ripley. Hi. 40 00:02:58,874 --> 00:03:03,794 You all basically started at a young age and grew through music and decided 41 00:03:03,794 --> 00:03:05,754 on the instruments you're playing in this group. 42 00:03:05,994 --> 00:03:10,654 So what is kind of like your philosophy as a group? 43 00:03:10,874 --> 00:03:17,054 What's your goals? And what makes you guys become this group of musicians and 44 00:03:17,054 --> 00:03:20,114 going out on stage and playing these types of songs that you play? 45 00:03:20,734 --> 00:03:22,834 Well, I'll say whatever sounds good. 46 00:03:24,414 --> 00:03:27,334 Whatever sounds good. Sounds good. Get it to sound better. I don't know. 47 00:03:27,814 --> 00:03:29,054 At least that's my philosophy. 48 00:03:29,814 --> 00:03:33,794 I think we all love being able to have fun. Yeah. Goof around, 49 00:03:33,954 --> 00:03:38,774 you know, whatever feels right, I guess. A lot of goofing around on stage. 50 00:03:39,554 --> 00:03:43,534 Yeah, it's a lot. We're not very professional. No, which is what's good about 51 00:03:43,534 --> 00:03:47,194 it. Which is why, I mean, that's why I did it. You know what I mean? If I'm being real. 52 00:03:48,174 --> 00:03:52,914 If we were going anywhere, Chloe would not be here. Absolutely not. 53 00:03:53,774 --> 00:03:58,834 So, yeah. Just enjoy it. You know, it's not taking things too serious. 54 00:03:59,754 --> 00:04:03,494 You know, that whole thing. Because it's not that serious. Make sure everyone is granted. 55 00:04:04,351 --> 00:04:07,551 Oh absolutely yeah yeah like these guys they're all my brothers and 56 00:04:07,551 --> 00:04:14,311 then so much as far as 57 00:04:14,311 --> 00:04:17,651 philosophies we actually have on the wall a list 58 00:04:17,651 --> 00:04:20,591 though that i wrote a few years ago called the 59 00:04:20,591 --> 00:04:23,331 jam commandments and the the number one rule the 60 00:04:23,331 --> 00:04:26,491 most important rule of the jam commandments no assholes 61 00:04:26,491 --> 00:04:30,091 so that's maybe the philosophy gotcha excellent 62 00:04:30,091 --> 00:04:33,151 so what kind of groups out there would you 63 00:04:33,151 --> 00:04:36,631 say inspire what you guys do well i 64 00:04:36,631 --> 00:04:39,971 mean the biggest one i'd say the one collective is 65 00:04:39,971 --> 00:04:43,291 king gizzard yeah and the lizard wizard okay and 66 00:04:43,291 --> 00:04:47,751 why is it why is that have you 67 00:04:47,751 --> 00:04:52,011 heard them brother come on yeah but 68 00:04:52,011 --> 00:04:55,991 there's listeners out there that haven't so probably helps them kind of grab 69 00:04:55,991 --> 00:05:00,051 an idea of what you're you're about they've done it all and they'll continue 70 00:05:00,051 --> 00:05:06,051 to do more and that's what keeps me i'm not limited to one genre the variety 71 00:05:06,051 --> 00:05:10,711 yeah yeah and it doesn't matter how many albums they release they'll all be good. 72 00:05:11,831 --> 00:05:14,491 Okay cool well it's good that you know to 73 00:05:14,491 --> 00:05:18,511 have that kind of inspiration in your life to be able to have something that 74 00:05:18,511 --> 00:05:24,271 you can kind of follow and go these are the kind of people that we like to you 75 00:05:24,271 --> 00:05:28,711 know follow in their footsteps basically right and always like individual people 76 00:05:28,711 --> 00:05:34,151 we all have different things which is why it's hard to find collective yeah like I, 77 00:05:35,071 --> 00:05:41,291 don't I'm not into like King Giz like all of these guys are I will say I'm not a nerd but, 78 00:05:42,251 --> 00:05:47,771 yeah I'm not you know I have a much more I mean not that King Giz we're all 79 00:05:47,771 --> 00:05:51,231 into OC's yeah we do like OC's OC's are great. 80 00:05:53,731 --> 00:05:58,851 Ween to ween to the stone age Okay. 81 00:05:58,991 --> 00:06:01,131 Well, it's like Black Sabbath, but that's like in a different way. 82 00:06:01,251 --> 00:06:03,671 Pink Floyd, we all really like. 83 00:06:03,691 --> 00:06:08,011 Dice Fits, even though that's in a different realm. They're like my favorite band of all time. 84 00:06:08,571 --> 00:06:13,031 Dice Fits. Everyone looks like Chippewa. Them Crooked Vultures, too. Yeah. 85 00:06:13,951 --> 00:06:20,791 Awesome. So it's an eclectic collection of individuals plus what you all are 86 00:06:20,791 --> 00:06:25,231 together enjoying at the same time, which is what creates the difference of 87 00:06:25,231 --> 00:06:27,671 what you are from other type of bands out there. 88 00:06:29,540 --> 00:06:35,640 So what made you guys decide to have horn players in your shows as well we knew them. 89 00:06:37,120 --> 00:06:40,040 They were they were our friends maddie was the first 90 00:06:40,040 --> 00:06:42,880 and she was just a she was a a friend of 91 00:06:42,880 --> 00:06:45,920 mine from a long time ago i met her through a band 92 00:06:45,920 --> 00:06:48,660 that i used to be in and uh she just 93 00:06:48,660 --> 00:06:54,800 kind of stuck around and jammed with us and yeah yeah yeah and when she when 94 00:06:54,800 --> 00:07:02,500 she was out of town we had a couple more shows so we asked Finn to play in Kirstead 95 00:07:02,500 --> 00:07:06,760 who's basically family with us. Like literally. 96 00:07:07,180 --> 00:07:13,620 Yeah. So when you guys do a live show are they with you all the time or just for special shows? 97 00:07:14,140 --> 00:07:19,460 Whenever they can. Whenever they can. Okay, cool. How long have you guys been together as a group? 98 00:07:19,800 --> 00:07:24,960 As the five piece with everybody in here right now since February February, 99 00:07:25,000 --> 00:07:29,700 March, it would have been after the live stream. 100 00:07:30,360 --> 00:07:34,840 There's like other stuff that goes way back. Yeah. Like I'm the last to join and I. 101 00:07:36,020 --> 00:07:39,360 Okay. So why don't you give the listeners like a little bit of the history of 102 00:07:39,360 --> 00:07:41,960 how this group grew and became what it is today? 103 00:07:42,700 --> 00:07:46,280 Our show. Our very first. We got to go back to the jam. Yeah. 104 00:07:47,060 --> 00:07:50,860 First of jam. Yeah. Oh, yeah. The COVID jams. 105 00:07:51,880 --> 00:07:54,600 That's where it started was COVID. Okay. it 106 00:07:54,600 --> 00:07:57,920 was a pandemic and we were all bored and the 107 00:07:57,920 --> 00:08:00,900 old band that i was in i got kicked out 108 00:08:00,900 --> 00:08:08,840 of because i'm a i'm a bad guy and i needed a new band and well we we also can't 109 00:08:08,840 --> 00:08:15,180 forget that max ethan and cameron yeah we're in a band together a metal band 110 00:08:15,180 --> 00:08:19,160 starting in 2020 yeah 2021 21, 111 00:08:19,160 --> 00:08:21,300 24, 2020. Okay. 112 00:08:22,840 --> 00:08:27,900 Well, me, Cam, and Jeff are all blood related. So that's how far in the back of that goes. 113 00:08:29,340 --> 00:08:34,780 And the first glimpse of the new plant chickens, I guess you could say, 114 00:08:34,820 --> 00:08:38,900 was my and Max's first band. It was called Floodplain. 115 00:08:39,480 --> 00:08:45,880 And we started playing together in November of 2019 or something like that. Wow. 116 00:08:47,454 --> 00:08:54,954 Yeah, COVID hit, and we got bored and started jamming with a bunch of other people. So I don't know. 117 00:08:55,394 --> 00:08:58,854 We kind of just grabbed anyone we could and brought them in the basement. 118 00:08:59,854 --> 00:09:04,754 Just played for hours. I mean, I think we... How big was the biggest one? 119 00:09:04,954 --> 00:09:08,674 The biggest jam that we were... I don't know if you were at the biggest jam. 120 00:09:09,154 --> 00:09:12,374 I think I was. It was the one. It was David, Logan. 121 00:09:12,994 --> 00:09:16,154 That one was pretty big, but we had another one out. we 122 00:09:16,154 --> 00:09:18,894 had these jams of like the most was probably 123 00:09:18,894 --> 00:09:26,234 like 13 or 14 people in the room and like at like many many guitars sometimes 124 00:09:26,234 --> 00:09:32,134 two drum kits yeah and i think one time we had two basses hooked up and everybody 125 00:09:32,134 --> 00:09:37,134 else was like either playing wind instruments or like rapping or vocals yeah. 126 00:09:37,794 --> 00:09:40,794 And we would just i mean we would go from like 7 127 00:09:40,794 --> 00:09:44,414 p.m to mid yeah let's play and then 128 00:09:44,414 --> 00:09:47,234 this was we the people in the band are just 129 00:09:47,234 --> 00:09:50,634 the people that remained from those jams gotcha 130 00:09:50,634 --> 00:09:53,514 wanted to keep playing because everybody else kind of has a life or 131 00:09:53,514 --> 00:09:56,714 moved on right right okay so this 132 00:09:56,714 --> 00:10:00,634 is what kind of glued you guys together was this jam and you guys met each other 133 00:10:00,634 --> 00:10:04,654 i mean you said three of you are blood related but then you guys kind of became 134 00:10:04,654 --> 00:10:09,554 friends and kind of created this this group that you are so where did the name 135 00:10:09,554 --> 00:10:15,654 come from it's a simple story that i could draw out a lot but But basically, I worked at a beach, 136 00:10:15,834 --> 00:10:18,034 the Illinois State Beach in Zion, 137 00:10:18,254 --> 00:10:20,494 which is just down the road from Kenosha. 138 00:10:20,794 --> 00:10:28,634 And my boss was a very nice man, very funny guy, but he was not the most educated man. 139 00:10:29,014 --> 00:10:35,714 Okay. And at the beach, there were some sandhill cranes that were, 140 00:10:35,854 --> 00:10:37,674 you know, they hung around the water. 141 00:10:37,794 --> 00:10:41,714 And he didn't know they were sandhill cranes, though, because he didn't know 142 00:10:41,714 --> 00:10:43,894 anything about birds. And. 143 00:10:44,799 --> 00:10:48,219 Right next to the beach as well, weird detail, but it's true. 144 00:10:48,299 --> 00:10:52,799 Right next to the beach is a defunct nuclear power plant. 145 00:10:53,139 --> 00:10:56,979 Anyways, all these elements coming together. On my first day of work at the 146 00:10:56,979 --> 00:11:00,579 beach, my boss pointed to some sandhill cranes, 147 00:11:01,499 --> 00:11:07,559 and he said, guests and visitors ask me all the time what those birds are called, 148 00:11:07,759 --> 00:11:09,379 but I don't know what they're called. 149 00:11:09,619 --> 00:11:14,579 So I tell them that they are chickens who wandered too close to the nuke plant. 150 00:11:16,239 --> 00:11:20,959 And the light bulb light bulb just went off there you go there you go awesome, 151 00:11:22,179 --> 00:11:24,959 producers and beat makers of milwaukee it is time for the 152 00:11:24,959 --> 00:11:28,459 2024 big beat mke beat battle tournament taking 153 00:11:28,459 --> 00:11:31,659 place at the jackalope lounge at the wicked hop in milwaukee's third 154 00:11:31,659 --> 00:11:34,519 ward on thursday nights between april 25th and june 155 00:11:34,519 --> 00:11:37,359 13th producers are going to go head to head in 156 00:11:37,359 --> 00:11:40,319 three one minute rounds to determine who is going to move on 157 00:11:40,319 --> 00:11:43,359 to the next round of the tournament with some amazing prizes 158 00:11:43,359 --> 00:11:46,099 from some great sponsors don't forget that you 159 00:11:46,099 --> 00:11:49,219 can submit your beats today at breaking and entering.net through march 160 00:11:49,219 --> 00:11:53,379 31st so when 161 00:11:53,379 --> 00:11:56,439 you guys perform out live what's the reaction from 162 00:11:56,439 --> 00:11:59,219 from the audience most of 163 00:11:59,219 --> 00:12:07,119 it most of them are friends so far so it's people who who even if we played 164 00:12:07,119 --> 00:12:11,579 i hope i hope we play good but people who if even if we played bad they'd be 165 00:12:11,579 --> 00:12:17,999 they still oh it's a great job at least not me I haven't gotten a lot of, 166 00:12:18,679 --> 00:12:25,719 people coming up to me who just didn't know how to I saw some people at the 167 00:12:25,719 --> 00:12:29,699 last show some strangers who were people I didn't know who were filming. 168 00:12:31,419 --> 00:12:34,199 That feels nice like a stranger who doesn't 169 00:12:34,199 --> 00:12:36,979 know us wants to look back at us later 170 00:12:36,979 --> 00:12:39,999 people want us to play rooster every single 171 00:12:39,999 --> 00:12:42,859 time every single time drunk people 172 00:12:42,859 --> 00:12:45,739 want us to play rooster that's a good reaction i feel like 173 00:12:45,739 --> 00:12:49,119 we spark a lot of curiosity people don't 174 00:12:49,119 --> 00:12:51,899 really know what what's gonna go on oh 175 00:12:51,899 --> 00:12:58,999 yeah it's gonna happen what we're gonna do right so so are you guys like mostly 176 00:12:58,999 --> 00:13:04,099 covers or do you add some originals in there on top of it we're actually like 177 00:13:04,099 --> 00:13:10,299 all it's like all we do almost no covers i mean we we we played a three hour set. Yeah. To fill time. 178 00:13:11,119 --> 00:13:13,619 There's like 26 songs. Okay. 179 00:13:14,599 --> 00:13:17,679 So where do you guys usually perform? Where's like your home base? 180 00:13:17,739 --> 00:13:20,859 I mean, you say you're in Kenosha, but like, is there a certain place that you 181 00:13:20,859 --> 00:13:24,479 play that you would call home or is you guys kind of spread it all over? Yeah. 182 00:13:26,144 --> 00:13:29,084 Rustic road definitely and let's get the kenosha 183 00:13:29,084 --> 00:13:33,104 creative space okay two places definitely one's 184 00:13:33,104 --> 00:13:37,744 a bar one's just like a community center and they're on the same block and they're 185 00:13:37,744 --> 00:13:42,784 they're right next to each other yeah so downtown kenosha basically okay and 186 00:13:42,784 --> 00:13:47,344 you guys said so you're not really taking this super serious so what are kind 187 00:13:47,344 --> 00:13:52,204 of like some of your main goals with this this group over the next maybe three to four years. 188 00:13:53,424 --> 00:13:57,104 Records. Yeah, a couple of records, probably. I mean, I personally just want 189 00:13:57,104 --> 00:14:00,764 to be able to play out and more than just downtown. 190 00:14:00,884 --> 00:14:05,984 I mean, I'm like thinking to like different live stuff for like like our first 191 00:14:05,984 --> 00:14:08,844 show of the summer that we created in space. 192 00:14:09,084 --> 00:14:12,804 That was one of the best like like times I've ever fucking heard. 193 00:14:15,984 --> 00:14:18,764 Yeah, it was just so fun. fun and it because there 194 00:14:18,764 --> 00:14:22,184 was so many people our age yeah there yeah 195 00:14:22,184 --> 00:14:25,044 and people that like maybe 196 00:14:25,044 --> 00:14:27,824 like all of us collected we didn't know and it was just 197 00:14:27,824 --> 00:14:30,484 it was really fun and it was packed and it was 198 00:14:30,484 --> 00:14:34,824 just it was so great i just want to play more shows like that but get out of 199 00:14:34,824 --> 00:14:41,904 the city too yeah i would really eventually yeah of course but you know i it's 200 00:14:41,904 --> 00:14:45,764 just this is like to be able to play that kind of stuff in Kenosha would be 201 00:14:45,764 --> 00:14:49,264 really and I know that's asking a lot. That would be really fun. 202 00:14:50,624 --> 00:14:54,344 So Wisconsin being mainly a cover band, that's usually what you're going to 203 00:14:54,344 --> 00:14:57,184 see mostly in Wisconsin bars and everything like that. 204 00:14:57,264 --> 00:15:02,724 You guys being mostly original, do you find it hard to get gigs or is it pretty 205 00:15:02,724 --> 00:15:05,584 decent to find gigs for an all original band like yourselves? 206 00:15:06,104 --> 00:15:10,984 It's not hard to get gigs because we're not a cover band. 207 00:15:11,164 --> 00:15:16,044 It was pretty hard at first. it's hard getting your foot in the door with some. 208 00:15:16,044 --> 00:15:23,264 Of these because they're busy they don't have time sometimes it's just it's hard because, 209 00:15:24,424 --> 00:15:29,004 especially in venues in Chicago and like Milwaukee where they haven't heard 210 00:15:29,004 --> 00:15:35,704 you they won't take you into consideration unless you played gigs in the area 211 00:15:35,704 --> 00:15:40,024 before you kind of gotta be there yeah you gotta be active in the scene that's 212 00:15:40,024 --> 00:15:41,844 kind of what's hardest about it, 213 00:15:42,384 --> 00:15:45,124 how is it that to get in the scene if you 214 00:15:45,124 --> 00:15:48,364 can't get into the scene right yeah so do 215 00:15:48,364 --> 00:15:51,884 you find that like it's not hard anymore really to get gigs why is that is it 216 00:15:51,884 --> 00:15:56,344 because you have now played so many shows or what's what's kind of like the 217 00:15:56,344 --> 00:16:00,924 secret for you yeah you play shows make connections yeah and we always make 218 00:16:00,924 --> 00:16:05,464 friends also go and see these venues in person because that will help a lot 219 00:16:05,464 --> 00:16:07,904 People talk, our owners talk, 220 00:16:08,044 --> 00:16:12,624 they talk among each other, really that's a great, great. 221 00:16:13,715 --> 00:16:16,935 Way to sprint yeah absolutely networking and making 222 00:16:16,935 --> 00:16:19,915 sure that you're not like you said earlier bylaws not 223 00:16:19,915 --> 00:16:23,475 to be an asshole right yeah yeah yeah so 224 00:16:23,475 --> 00:16:26,435 be kind you know be helpful be 225 00:16:26,435 --> 00:16:29,315 you know be positive so the local scene 226 00:16:29,315 --> 00:16:32,395 for you guys it seems to be a positive experience is 227 00:16:32,395 --> 00:16:35,455 there anything in the local scene of your area that 228 00:16:35,455 --> 00:16:40,115 you would wish was stronger sometimes people 229 00:16:40,115 --> 00:16:42,875 get egos i wish it wasn't that 230 00:16:42,875 --> 00:16:49,435 strong but i wish like people would build more bills together you know there 231 00:16:49,435 --> 00:16:55,495 was there was a lot of gatekeeping in the scene before yeah that's kind of coming 232 00:16:55,495 --> 00:16:59,695 down a little bit yeah a lot of people i mean like i had said people taking 233 00:16:59,695 --> 00:17:01,915 it seriously and i mean i don't mean like. 234 00:17:03,195 --> 00:17:07,955 Having boundaries within groups and like oh and you know planning out and things 235 00:17:07,955 --> 00:17:11,355 like that because Cause that's whatever, but I mean, taking things too serious 236 00:17:11,355 --> 00:17:13,775 and like professionalism are like two different things in life. 237 00:17:13,935 --> 00:17:18,215 You know, like you can be a professional and not be like an asshole. Right. 238 00:17:18,435 --> 00:17:24,895 Exactly. Which is the problem that majority of people here have because whatever. 239 00:17:25,535 --> 00:17:26,835 Yeah. It's just. 240 00:17:30,180 --> 00:17:33,540 No, that's good. That's good. Now, earlier you kind of talked about hopefully 241 00:17:33,540 --> 00:17:35,500 making some recordings. 242 00:17:35,680 --> 00:17:39,200 Have you done any of that yet? Yeah, we got a record. 243 00:17:39,660 --> 00:17:44,180 Yeah, for finished singles out there. So take them through the journey of the 244 00:17:44,180 --> 00:17:47,280 start, the process, and getting those out there to them. 245 00:17:47,740 --> 00:17:51,000 Actually, this just came up in my year ago today from Snapchat. 246 00:17:51,000 --> 00:17:53,340 We started recording. Really? Yeah. 247 00:17:54,260 --> 00:17:57,440 Like the other day. What is it? The 21st? Yep. 248 00:17:57,880 --> 00:18:06,940 So the 19th. So two days ago. We started recording because I finally got Ableton on my computer. Okay. 249 00:18:07,300 --> 00:18:12,260 And we just, I mean, we picked what songs we had, I think. 250 00:18:12,840 --> 00:18:17,460 It wasn't what ones we had. It was just, you know, what we wondered, what we felt we could do. 251 00:18:17,960 --> 00:18:23,840 Oh, yeah. But I mean, the songs mostly come from me, and Ethan writes some of them. 252 00:18:24,380 --> 00:18:28,040 But I think of the four, they're mostly like old. 253 00:18:28,040 --> 00:18:30,860 I'd like wrote them a couple years ago when 254 00:18:30,860 --> 00:18:33,820 i was in the other band and then they never wanted to play them 255 00:18:33,820 --> 00:18:37,720 okay you know i don't 256 00:18:37,720 --> 00:18:41,900 know how we picked the four singles it's the one are they the ones that just 257 00:18:41,900 --> 00:18:47,920 got one yeah yeah okay so the the first four they got finished now you you had 258 00:18:47,920 --> 00:18:51,240 mentioned that you just got ableton about a year ago on your computer so So 259 00:18:51,240 --> 00:18:54,360 I'm understanding that this is a DIY project. 260 00:18:55,020 --> 00:18:59,400 Yeah. So kind of, was this like done in like a living room? 261 00:18:59,500 --> 00:19:02,860 Did you do it at separate places? Kind of like how did the whole thing come 262 00:19:02,860 --> 00:19:03,840 together for the recording? 263 00:19:04,000 --> 00:19:06,220 Where was it done? Just my basement. 264 00:19:06,440 --> 00:19:08,980 And it's just like where I'm as I let go. 265 00:19:09,440 --> 00:19:14,040 Okay. So what are some of the things that you've learned over time when you were recording? 266 00:19:16,220 --> 00:19:20,980 If you have to EQ too much, then you need to re-record it. Okay. 267 00:19:22,735 --> 00:19:27,395 Buy guitar plugins if you don't know how to mic and amp and don't be afraid 268 00:19:27,395 --> 00:19:35,295 to spend money on equipment good it's a good investment yeah i still i still 269 00:19:35,295 --> 00:19:37,055 have a lot of stuff on this thing, 270 00:19:37,595 --> 00:19:41,555 so for better recording yeah so the 271 00:19:41,555 --> 00:19:44,415 did you like put blankets up or anything around 272 00:19:44,415 --> 00:19:47,475 the room or is it like sound bouncing off 273 00:19:47,475 --> 00:19:50,155 cylinder blocks or whatever your walls are made out 274 00:19:50,155 --> 00:19:53,075 of it's mostly just it's about 275 00:19:53,075 --> 00:19:55,855 as raw and real as you can get it i mean 276 00:19:55,855 --> 00:19:58,915 we mic up each of the each of 277 00:19:58,915 --> 00:20:01,655 the drums but there's no like for for the 278 00:20:01,655 --> 00:20:07,415 most part there's no like sound cancellation okay there's a lot of that what 279 00:20:07,415 --> 00:20:10,775 a lot of that reverb gets filtered out through these mics anyway because they're 280 00:20:10,775 --> 00:20:17,195 i don't because they're condensers which is which is really nice yep cool and 281 00:20:17,195 --> 00:20:20,315 now you guys got four four songs finished, you released them. 282 00:20:20,355 --> 00:20:23,935 Let's talk a little bit about each one of those songs and maybe pick a few that 283 00:20:23,935 --> 00:20:25,795 you would like the listeners to hear on the podcast. 284 00:20:28,895 --> 00:20:33,375 I'd go for the first one. I'd go for Police State. The first one we released 285 00:20:33,375 --> 00:20:34,875 is called Police State Disco. 286 00:20:35,455 --> 00:20:37,895 Which is not fun. Not a disco. 287 00:20:39,455 --> 00:20:47,315 It's the only one that has Maddie fully on it. Like a solo, like a feature. 288 00:20:47,655 --> 00:20:50,715 The saxophone. And it's amazing. 289 00:20:51,095 --> 00:20:54,735 And is there a certain story behind the song? Or is it just... 290 00:20:55,435 --> 00:20:59,795 You want the listeners to make their own decision about what it's about? 291 00:21:00,495 --> 00:21:04,175 Yeah, yeah. I like that. Let them decide. 292 00:21:05,840 --> 00:25:32,240 Music. 293 00:25:32,702 --> 00:25:36,962 Would be another song that you would like them to hear on the podcast for there's 294 00:25:36,962 --> 00:25:40,262 one there's one there's one for each each people 295 00:25:40,262 --> 00:25:43,082 those who like upbeat stuff there's one called 296 00:25:43,082 --> 00:25:46,422 party wazo and those who like stoner metal 297 00:25:46,422 --> 00:25:49,282 there's one called way on three and the other people 298 00:25:49,282 --> 00:25:52,402 for the other people who like guns and roses ripoffs 299 00:25:52,402 --> 00:25:55,882 yeah there's one for you cool very 300 00:25:55,882 --> 00:25:58,862 cool so of those four do you 301 00:25:58,862 --> 00:26:01,862 want me to put all four on there or do you want me to put two or three on 302 00:26:01,862 --> 00:26:04,542 the podcast for them to hear that's up to me i 303 00:26:04,542 --> 00:26:10,562 mean up to you at least why not okay so after they hear this they want to hear 304 00:26:10,562 --> 00:26:13,562 it again and not listen to the podcast again they want to actually just listen 305 00:26:13,562 --> 00:26:17,342 to the songs in row obviously you guys are probably on most streaming sites 306 00:26:17,342 --> 00:26:23,282 do you guys also have a band camp site or are you not on that yet no we're not on so no we did not okay, 307 00:26:23,762 --> 00:26:29,262 i would say spotify and are you on whether it's reverb nation i think you guys 308 00:26:29,262 --> 00:26:33,202 are on as well where else can they go and hear your music online, 309 00:26:34,482 --> 00:26:39,182 anywhere you can we have some live recordings on YouTube. 310 00:26:40,862 --> 00:26:44,002 That's on your YouTube site okay cool we 311 00:26:44,002 --> 00:26:47,542 have to watch the first show we don't 312 00:26:47,542 --> 00:26:51,142 have ever we have the 313 00:26:51,142 --> 00:26:58,642 most not the most recent show but we have Octoberfest in Bloomingdale the only 314 00:26:58,642 --> 00:27:03,842 full show we have is one we played at a place called Moose Lodge in Kenosha 315 00:27:03,842 --> 00:27:10,082 it was an event called Blue Bands yeah that was a charity it was a charity event but yeah. 316 00:27:11,762 --> 00:27:15,782 Excellent as we're coming down to the end of this when 317 00:27:15,782 --> 00:27:18,482 do you think your next single is going 318 00:27:18,482 --> 00:27:22,542 to release or are you going to do like multi-song ep release yes 319 00:27:22,542 --> 00:27:25,522 so so the the 320 00:27:25,522 --> 00:27:29,302 goal is is because we've got a couple more shows coming 321 00:27:29,302 --> 00:27:36,622 up and the big plan is because it's such a pain in the ass to set up all this 322 00:27:36,622 --> 00:27:41,362 recording and then tear down for shows it's it's such a hassle so So our plan 323 00:27:41,362 --> 00:27:46,442 is to play the shows and then for the winter, 324 00:27:46,582 --> 00:27:51,542 because we don't have any booked then, to record during the winter so that we 325 00:27:51,542 --> 00:27:53,822 can get the same sound, same sonics, same everything. 326 00:27:53,982 --> 00:27:59,402 Kind of like a regular recording process for an album. Cool. Very cool. 327 00:27:59,862 --> 00:28:03,682 But we don't have one in the pipes? We do. We do. Which one is it? 328 00:28:03,782 --> 00:28:07,842 I have a one-tone drum. So that one's finished and ready to go, basically. 329 00:28:09,222 --> 00:28:15,062 Very soon, maybe. be so soon yeah so if you guys let me know when that might 330 00:28:15,062 --> 00:28:20,162 happen we could probably coordinate where this episode comes out around the 331 00:28:20,162 --> 00:28:25,262 same time that single comes out to kind of help you promote that so yeah just 332 00:28:25,262 --> 00:28:27,562 shoot me an email when you think that's going to happen and then, 333 00:28:28,142 --> 00:28:33,382 we'll we'll try to get this all together at the same time for the last question 334 00:28:33,382 --> 00:28:38,162 i have for you guys is there any gigs that you have been at that made a major 335 00:28:38,162 --> 00:28:40,162 impression on you either as As a performer. 336 00:28:40,702 --> 00:28:43,622 Or as an audience member. Watching someone perform. 337 00:28:44,082 --> 00:28:49,562 Are you talking like local scene shows. Or just like. Overall just experience doesn't matter. 338 00:28:50,582 --> 00:28:53,662 Well I. I'm a big fan of. 339 00:28:55,631 --> 00:29:02,331 I hate this word like punk rock shit and the funny thing I'm in this band something 340 00:29:02,331 --> 00:29:05,791 that kind of stick out like slits off but I you're a girl. 341 00:29:07,631 --> 00:29:16,111 We're so right I but I went to I've gone to so many shows like that and that's where I, 342 00:29:16,891 --> 00:29:19,871 just love that environment of like 343 00:29:19,871 --> 00:29:23,091 just people playing their little hearts out that's 344 00:29:23,091 --> 00:29:26,231 just so cute and I love it so much and I 345 00:29:26,231 --> 00:29:29,171 just like loud okay and like I went to 346 00:29:29,171 --> 00:29:31,931 a band I've gone to so many shows with 347 00:29:31,931 --> 00:29:35,071 my dad we've seen a band called the circle jerks okay 348 00:29:35,071 --> 00:29:38,171 one of my favorite bands of all time um I've 349 00:29:38,171 --> 00:29:41,051 seen them twice and the way that they play 350 00:29:41,051 --> 00:29:44,151 and their entire philosophy is 351 00:29:44,151 --> 00:29:47,131 like what I want to do it's just so much they 352 00:29:47,131 --> 00:29:50,411 just never grew up and they're like an 80s punk band 353 00:29:50,411 --> 00:29:53,531 right cool cool cool anybody else 354 00:29:53,531 --> 00:29:56,311 i mean me and you went to go see king diz 355 00:29:56,311 --> 00:29:59,811 over the summer yeah man man like 356 00:29:59,811 --> 00:30:06,171 it's just just go go go the whole time it's just their stage presence is just 357 00:30:06,171 --> 00:30:11,851 unmatched the sound quality was amazing i will say though i saw we saw them 358 00:30:11,851 --> 00:30:16,611 in june in chicago and that was great and And they've put out a lot of music. 359 00:30:17,311 --> 00:30:19,231 But I saw them in 2019. 360 00:30:19,951 --> 00:30:24,851 And I didn't have any fucking clue who they were. And I had never listened. 361 00:30:24,931 --> 00:30:27,511 Or I had listened to one album called Fishing for Fishies. 362 00:30:27,851 --> 00:30:34,051 But I barely knew who they were. I didn't know anything about them. And that was better. 363 00:30:35,131 --> 00:30:37,651 I like that. I like that one better. Because that was my first. 364 00:30:37,691 --> 00:30:39,411 You saw them on the Rat's Nest tour, right? 365 00:30:39,491 --> 00:30:43,171 I saw them a week after they released Infest the Rat's Nest. 366 00:30:43,391 --> 00:30:44,631 Though I had not heard it. 367 00:30:45,451 --> 00:30:49,091 It had just come out and they were, they were finally starting to play it. Cool. 368 00:30:50,151 --> 00:30:51,291 That's that's my view. 369 00:30:53,353 --> 00:30:56,933 I would say for a show that we played, for me and you at least, 370 00:30:57,013 --> 00:31:00,793 I would say that first creative show we did in a club playing. 371 00:31:00,953 --> 00:31:04,653 Oh, you're talking about Green Park. That made a big impact. 372 00:31:05,013 --> 00:31:11,713 My bad. That made a big impact on you too. Just the rush you get from playing that. 373 00:31:12,613 --> 00:31:16,753 I mean, I've seen I saw the OCs live. 374 00:31:17,193 --> 00:31:20,873 I've seen them twice now. And again, just like the go, go, go. 375 00:31:21,073 --> 00:31:24,093 Just balls to the walls for two hours and there's 376 00:31:24,093 --> 00:31:26,953 again stage presence lights sound quality 377 00:31:26,953 --> 00:31:30,153 and i'm a big polyphia fan 378 00:31:30,153 --> 00:31:33,813 and i just i went to go see them wednesday in 379 00:31:33,813 --> 00:31:40,333 milwaukee and then thursday in chicago but just the the amount of musicianship 380 00:31:40,333 --> 00:31:45,733 and the amount of talent in that band it really inspires me and the community 381 00:31:45,733 --> 00:31:51,133 too it just inspires me to be a better person what's the last thing that you 382 00:31:51,133 --> 00:31:53,233 you want the listeners to know about like your social media, 383 00:31:53,313 --> 00:31:57,313 where can they find you and things of that nature? Find us Instagram, Spotify. 384 00:31:58,113 --> 00:32:03,353 Those are the main two that we're on and give our songs a list. Yeah. 385 00:32:04,333 --> 00:32:08,193 That's all we can really ask. Awesome. Well, thank you guys so much for being 386 00:32:08,193 --> 00:32:09,393 on the Wisconsin music podcast. 387 00:32:09,553 --> 00:32:13,933 It was cool to hear about how you guys started, what you're working on and your 388 00:32:13,933 --> 00:32:15,893 future stuff. So thank you so much for being on the show. 389 00:32:16,393 --> 00:32:21,313 Thank you. Yeah. This was fun, man. Cool. We'll be right back. 390 00:32:21,200 --> 00:36:47,920 Music. 391 00:36:47,764 --> 00:36:50,784 Episode of the Wisconsin Music Podcast. Once again, I'm Zach Fell, 392 00:36:50,864 --> 00:36:54,544 your host and creator of the Wisconsin Music Podcast, where I love to amplify 393 00:36:54,544 --> 00:36:57,964 the great sounds coming out of the Wisconsin State. 394 00:36:58,024 --> 00:37:01,464 We have great talent here, great support, great listeners. 395 00:37:01,904 --> 00:37:07,384 Thanks to Fox City's Indie Radio for syndicating this on Thursdays and Sundays, 396 00:37:07,464 --> 00:37:08,984 along with their other great programmers. 397 00:37:09,024 --> 00:37:11,784 So make sure you check out the Fox City's Indie Radio. 398 00:37:12,004 --> 00:37:17,124 And thanks to this week's guest, Nuke Plant Chickens, for being on the show. 399 00:37:17,764 --> 00:37:21,844 Check out their music on streaming and on Reverb Nation. 400 00:37:22,204 --> 00:37:26,944 And check out their gig coming up this Friday at McAuliffe's in Racine, Wisconsin. 401 00:37:27,584 --> 00:37:32,404 If you'd like to be on the show, just go to wisconsinmusicpodcast.com, 402 00:37:32,484 --> 00:37:37,344 fill out the guest request form up at the top, ask for your email and your name, 403 00:37:37,424 --> 00:37:41,184 and then I'll send you an auto email asking you for more information. 404 00:37:41,604 --> 00:37:45,764 If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast. 405 00:37:46,304 --> 00:37:50,484 Donations help pay for the website and putting the podcast up on streaming services 406 00:37:50,484 --> 00:37:55,104 and also getting our name out there to all Wisconsinites and others that are 407 00:37:55,104 --> 00:37:57,504 interested in our great music here in Wisconsin. 408 00:37:58,044 --> 00:38:01,924 Donations are secured through PayPal and Stripe. All you have to do is go to 409 00:38:01,924 --> 00:38:04,804 the website and click on Donate to WMP. 410 00:38:05,544 --> 00:38:09,624 You can also head over to our Instagram and Facebook pages and like us there. 411 00:38:09,864 --> 00:38:15,084 Leave some comments. Also, go to the podcast review section of your podcast 412 00:38:15,084 --> 00:38:17,504 player and leave a five-star review. It would be great. 413 00:38:18,204 --> 00:38:21,924 You can also head over to YouTube and watch the interviews and leave comments 414 00:38:21,924 --> 00:38:25,124 there as well. Have a great week, everybody, and we'll see you next time.  

En este podcast traemos de vuelta, de nuevo, algunos de los discos que se publicaron en 2009 y que, por tanto, celebran quince años en este 2024. Sin duda, ese año se publicaron grandes trabajos. THE XX - IslandsGRIZZLY BEAR - Two WeeksMETRIC - Gimme SympathyTHE NOISETTES - Never Forget YouM. WARD - Never Had Nobody Like YouCOQUE MALLA - She's My BabyEDWARD SHARPE & THE MAGNETIC ZEROS - Come In PleasePORTUGAL THE MAN - Work All TheyTELEKINESIS - Coast Of CarolinaTHE HORRORS – Primary colours - Who Can SayTHEM CROOKED VULTURES - New FangFRANK TURNER - Try This At HomePEREZA - Lady MadridTHE PAINS OF BEING PURE AT HEART - Young Adult FrictionMAXÏMO PARK - Let's Get ClinicalEDITORS - PapillonWILCO - I'll FightEscuchar audio

La oss være enige om at mange tenker at hardrock ikke er en så kul sjanger. Det er selvsagt bare tull, for hvor hadde verden vært uten AC/DC? På en dårlig plass, det er helt sikkert. Men det finnes utrolig mye BRA hardrock som ikke er så kjent, og i denne episoden går vi i gjennom 5 hardrocklåter hver som er helt sjukt gode, men som hvermannsen nok ikke kjenner til. Og Lars gjør Frode litt flau også. Altså, denne spillelista! Du finner de nederst i beskrivelsen som vanlig. ADVARSEL! SPOILERE FØLGER:  Litt info: Nye episoder slippes annenhver søndag. Følg oss på Facebook og Instagram: ⁠@larsogfrode⁠ Besøk vår hjemmeside: ⁠larsogfrode.no⁠ Se episodene på YouTube-kanalen vår (kan være forsinkelser med oppdateringer): ⁠Lars og Frode på YouTube⁠ Støtt oss ved å kjøpe offisiell merch: ⁠Lars og Frode merch⁠ Spillelister: ⁠Spotify-liste med "Ukas Tips"⁠ ⁠Tidal-liste med "Ukas Tips"⁠ ⁠Spotify-liste fra denne episoden⁠ ⁠Tidal-liste fra denne episoden⁠ Artister i denne episoden: Backstreet Girls, Them Crooked Vultures, Rebolt, Mandalai Lamas, Mother Love Bone, Scream, Blood On Wheels, Thin Lizzy, Bonk, Rose Tattoo --- Send in a voice message: https://podcasters.spotify.com/pod/show/larsogfrode/message

Dua Lipa lo ha vuelto a hacer: la británica se desmarca de nuevo con un temón de groove infeccioso titulado 'Training Season', título que nos sirve la excusa perfecta para preparar una hora especial y perfecta para entrenar repleta de cañonazos de Justice, Daft Punk, Cassius, The Chemical Brothers, The Weeknd, Nothing But Thieves o Royal Blood. En la segunda hora de este Viernes Eléctrico escuchamos a The Blue Stones, Money & The Man, Demob Happy, Idles, The White Stripes, Arctic Monkeys y Them Crooked Vultures, entre otros.Playlist:DUA LIPA - Training SeasonROYAL BLOOD - Mad VisionsNOTHING BUT THIEVES - Oh No :: He Said What?THE WEEKND - SacrificeJUSTICE - One Night/All NightDAFT PUNK - High LifeCASSIUS - Cassius 1999SEBASTIAN - Beograd (Upsilone & Club Azur Remix)THE CHEMICAL BROTHERS - No ReasonBLOC PARTY - RatchetDIGITALISM - BattlecryKLAXONS - There Is No Other TimeMIAMI HORROR - I Look to You (feat. Kimbra)SHOOK - TonightBREAKBOT - Baby I'm Yours (feat. Irfane)JUNGLE - Keep MovingTHE BLUE STONES - Be My FireMONEY & THE MAN - Baby Come OverDEMOB HAPPY - Be Your ManKINGS OF LEON - Red Morning LightningTHE WHITE STRIPES - Fell In Love With a GirlJACK WHITE - Sixteen SaltinesTHE RACONTEURS - Bored and RazedTHE DEAD WEATHER - I Cut Like a BuffaloIDLES - DancerIDLES - Pop Pop PopLCD SOUNDSYSTEM - Daft Punk Is Playing At My HouseARCTIC MONKEYS - Crying LightningTHEM CROOKED VULTURES - New FangEscuchar audio

Wir sind zum 75. mal zusammengekommen um über 3 Alben zu sprechen! Christoph befindet sich im (wohlverdienten?) Urlaub, daher dachten wir uns, tauschen wir einfach 3 Buchstaben aus und holen uns einen Christian ins Boot! Christian Keutel vom "Ein Keuteltier Podcast" (https://open.spotify.com/show/4As5SoDc3PXL2XoTkhIeuD?si=86b1917751ba4591) hat uns beehrt und bespricht mit uns die 3 Alben von Take That, den Them Crooked Vultures" und Fiddlers Green! Es hat uns großen Spaß gemacht! Hört unbedingt mal in seinen Podcast rein!Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. Gern unterstützen wir dich bei deiner Podcast-Produktion.+++Werbung+++ Jetzt im neuen Jahr besser füttern mit biologisch artgerechtem Rohfutter von BARFER'S. Für Deinen Hund oder Deine Katze mit 10 % Rabatt mit dem Gutscheincode „PODCAST10“. https://www.barfers-wellfood.de/

GUEST OVERVIEW: Alain Johannes has worked with a "who's who" of rock icons. His band Eleven toured with Pearl Jam and Soundgarden. As a writer, producer and engineer, Alain has worked with Chris Cornell, Mark Lanegan, Jimmy Eat World, Queens of the Stone Age and Arctic Monkeys. He's toured with QOTSA, Them Crooked Vultures and PJ Harvey. His latest solo album Hum is out on Ipecac recordings. https://www.alainjohannes.com/  

Episódio originalmente publicado em 08/02/2015. No 180º episódio do Podcast mais Rock'n Roll da internet Rômulo Konzen, Cassiano Becker e Marcel Pfütz batem papo sobre a banda Them Crooked Vultures.   Trilha sonora do podcast (na ordem): *Them Crooked Vultures - New Fang *Them Crooked Vultures - Bandoliers *Them Crooked Vultures - Mind Eraser *Them Crooked Vultures - Reptiles *Them Crooked Vultures - No One Loves Me & Neither Do I *Them Crooked Vultures - Warsaw Or The First Breath You Take After You Give Up *Them Crooked Vultures – Elephants

This week we're discussing the latest album by Queens of the Stone Age, In Times New Roman… We've talked about Josh Homme on this show before (see our Kyuss and Them Crooked Vultures episodes), and much of how we feel about him hasn't changed in terms of how he makes records. This album isn't a huge jump in any direction, mostly just more of the same. But none of it is bad and if you're a die hard fan, this record will scratch that itch.Closing track: “Sicily”In Times New Roman… on Spotify:https://open.spotify.com/album/2ZTDmH94OLjeNaOvT7Ngwk?si=69924c481bfd4d9bPatreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexHistory Tom's stuff:New album on BandcampDebut album on Bandcamp, Spotify, AppleSubstackWebsite

The lads caught up with the one. The only. The 'Ginger Elvis' himself - Josh Homme.  The legendary genius of Queens of the Stone Age, Kyuss, Them Crooked Vultures and many more. This dude is one of the only true living O.G rockers that we have left and he was an absolute blast!.See omnystudio.com/listener for privacy information.

Ja Morant's "toy gun" defense, RIP Pat Robertson, Tom Mazawey dials in, A.I. Madness, a brand-new Bonerline, more Scientology antics, and Merch Director Mudslinging: Jim v. Maz. TMZ is awful without Harvey Levin. We still love Charlie Neff though. The Cavinder Twins remain overrated. Ja Morant now claims the gun he was flashing on IG Live was a "toy gun". RIP Pat Robertson. Sports: Jimmy Dunne says the Saudis he's dealing with the PGA and LIV merger have nothing to do with 9/11. Lionel Messi is coming to America to play soccer. Drew argues that George Best was better. BranDon has purchased a camper and is a rugged outdoorsman now. 66% of Americans are sick and tired of tipping. A.I. Madness: An 89-year-old in Oceanside was scammed by AI of her grandson. Ron DeSantis is being slammed for using AI images in a political ad. There is a 24/7 AI debate between Donald Trump and Joe Biden. Here is a brand-new Bonerline. Call or text 209-66-Boner! Sydney Sweeney remains a focus of debate. Tom Mazawey joins the show to discuss Ja Morant's excuses, the newest splash in the MLS, Dalvin Cook cut from the Vikings, recap the NBA Finals and more. Jim's Picks: The Temptations. Them Crooked Vultures. Black Pumas. Mark Consuelous got smoked in a wrestling match by Michigan's Mason Parris. Tucker Carlson's first Twitter episode has eclipsed 107M views. Episode two just dropped. Two of Danny Masterson's attorneys have been busted for leaking docs to Scientology. Johnny Depp is angry at Disney and won't reprise his role as Captain Jack Sparrow until they say sorry. He's also commented on his daughter's new controversial show, The Idol. Arnold Schwarzenegger's new doc is pretty good. Johnson & Johnson's COVID vaccine was bunk all along. We wrap with YOUR thoughts on Jim vs Maz for Merch Director. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… please consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon). Or don't.

The Knobs welcome the incredibly talented Alain Johannes to the show. Alain has just started an international tour starting with Lolapalooza in Chile where he called us from. Alain has played in and produced several seminal rock bands including Eleven, Queens Of The Stone Age, Them Crooked Vultures, The Arctic Monkeys, and Soundgarden, to name just a few—and of course his own many solo releases. It was truly a privilege to share this time with him. Hosted by Todd Novak and Tony Dudzik #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips  Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs

Eleven, Queens of the Stone Age, Them Crooked Vultures, en solitario y muchos más. Alfredo Lewin presenta un especial dedicado a las distintas caras del chileno-estadounidense.

As broadcast November 24, 2022 with plenty of biscuits and gravy for your fatty sporting feast!  Tonight we begin in hour 1 highlighting a new Thanksgiving playlist from Colemine Records in Ohio called Cookin' in a Colemine, which just posted on Spotify.  Lots of vintage soul vibes and instrumental jams to help you cook it up right here.  Whether it's for Thanksgiving over in The States or the big kickoff at the World Cup tonight between Korea and Uruguay, this will definitely keep you groovin' while you stir, sautee, fry, shake, and bake.  For our second hour weekly AMPED rock feature, Gwangju's maestro on the kit takes us through some favorite collab and side projects from big names in the rock world over the years, with The Smile, Better Oblivion Community Center, The Traveling Wilburys, and so many more to finish off the show right as Korea & Uruguay kick off!  #feelthegravityTracklist (st:rt)Part I (00:00)Ike Turner & The Kings of Rhythm – Gettin' NastyChuck Womack & The Sweet Souls – Ham Hocks & Beans, Pt. 1Delvon Lamarr Organ Trio – Raymond Brings The GreensThe Jive Turkeys feat Leroi Conroy – The ReggiePreston Love – Chili MacThe JB's – Pass The PeasThe Mighty Imperials – Thunder Chicken Part II (31:14)James Brown – Popcorn With A Feeling (inst)The Poets of Rhythm – Strokin' the GritsLeroy & The Drivers – The Sad ChickenThe Meters – Chicken StrutDurand Jones & The Indications – Tuck n RollGwen McCrae – 90% of Me Is YouScone Cash Players – NeckingMonophonics feat Fanny Franklin – All Together Part III (59:03)Crosses – SensationLS Dunes – It Takes TimeThe Smile – The OppositeThe Damned Things – Let Me Be (Your Girl)Them Crooked Vultures – New FangBetter Oblivion Community Center – Dylan Thomas Part IV (93:07)Lazybone – 우리의 힘을 (Go West)The Network – Threat Level MidnightMe First and the Gimme Gimmes – JoleneTraveling Wilburys – Inside OutThe Good, The Bad and The Queen – Nineteen SeventeenMad Season – River of Deceit 

Thomas Attar Bellier, Dina El Wedidi, Alsarah, Ali Güçlü Şimşek and Alain Johannes discuss collecting sound memories from birth, Egypt's rich tradition of melodies, the power of modal music, why folk music is fundamentally old-school pop, and adapting traditional instruments for modern listening. Thomas Attar Bellier is a French-American musician and producer from the Arab garage rock outfit Al-Qasar. They combine instruments like the oud and the darbuka with Fender amps and drum kits to create a sound that unites East and West. Prolific Egyptian singer Dina El Wedidi plays a mixture of folk, fusion and contemporary music. She's been mentored by Brazilian legend Gilberto Gil, and Time Magazine declared her “a future leader for the next generation”. Alsarah is a Sudanese-American singer-songwriter and ethnomusicologist. After fleeing from Sudan aged 8 she's gone on to create music that she calls "East African retro-pop” with Alsarah & the Nubatones. Musician and producer Ali Güçlü Şimşek has been one of the biggest names in Turkish rock over the last 20 years. His current band Lalalar are making waves in the Turkish psych scene with their fusion of retro basslines, dirty electro beats and old samples from Turkey's rich psych-rock heritage. Chilean-American musician Alain Johannes has toured with Dave Grohl's Them Crooked Vultures and formed the band Eleven. He's also worked extensively with the likes of PJ Harvey and the Arctic Monkeys. They'll be talking

To miał być absolutnie niezapomniany koncert, który przyćmi wszystkie inne występy na żywo w 2022 r. i właśnie taki był.  3 września na Wembley grono szczęśliwców przeżyło przygodę muzyczną pełną wzruszeń, uniesień, radości a czasem smutku. Był tam też Jakub, z którym Łukasz porozmawiał o tym, jak to jest być częścią jednego z najważniejszych muzycznych wydarzeń ostatnich lat. Koncertu poświęconego pamięci Taylora Hawkinsa z Foo Fighters.muzyka: Łukasz WojciechowskiZachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/LINKOWNIA:Taylor Hawkins (wikipedia)- https://tiny.pl/wt16p Setlista - https://tiny.pl/wt165 O koncercie (ultimate Classic Rock) - https://tiny.pl/ww5wn O koncercie (Loudersound) - https://tiny.pl/ww9hd Liam Gallagher otwiera koncert…bo musi zdażyć na kolejny

We hear the entire set from Them Crooked Vultures from Sept. 27, 2022 in Los Angeles, for the Taylor Hawkins Memorial show. A nice tight three song set with an Elton John song, a TCV song, and a QOTSA song. Good stuff from a great band.

Plata Þáttarins er plata Foo Fighters; Echoes, Silence, Patience & Grace. Vinur þáttarins er enn í sumarfríi en óskalagasíminn opnar kl. 20.00 - 5687123. Echoes, Silence, Patience & Grace er sjötta breiðskífa Foo Fighters - sem kvaddi og heiðraði trommarann Taylor Hawkins með tvennum tónleikum á dögunum. Fyrst voru tónleikar á Wembley stadium í London 3. september - þar sem ótrúlega margir frábærir listamenn komu fram, t.d. Paul McCartney og sonur Taylors, hinn 16 ára Oliver Shane sem er trommari eins og pabbinn. Og svo voru seinni tónleikarnir í Los Angeles núna á þriðjudaginn og þar komu t.d. fram Pink, Kris úr Nirvana, Them Crooked Vultures, Queen, Alanis Morrisette, Def Leppard, James Gang, Rush, Soundgarden, Mötley Crüe ofl. En platan Echoes, Silence, Patience & Grace, kom út 25. september góðærisárið mikla ? 2007. Músíklega er platan fjölbreytt. Þetta er rokk, en dýnamíkin er mikil. Sumt er lágstemmt á meðan allt er keyrt í botn stundum. Textalega fer Dave Grohl talsvert á dýptina á þessari plötu og hann var búinn að gera demó fyrir flest lögin þegar sveitin byrjaði að taka upp með upptökustjóranum Gil Norton. Grohl var þarna nýorðinn faðir í fyrsta sinn. Dóttirin Violet Maye fæddist 2006. Platan fékk yfirleitt góða dóma, en einhverjir höfðu þó orð á því að platan væri sundurlaus og ekki nógu heilsteypt. Platan fór á toppinn á vinsældalistunum í Bretlandi. Ástralíu, Nýja-Sjálandi og Austurríki. Hún hlaut 5 Grammy tilnefningar og var valin besta rokkplatan. Hún var líka valin plata ársins á bresku tónlistarverðlaununum 2008. Taylor Hawkins gekk til liðs við Foo Fighters árið 1997 skömmu eftir að platan The Colour & The Shape, önnnur plata F.F. kom út. Fyrsta platan sem hann spilaði á með sveitinni er There Is Nothing Left To Lose sem kom 1999. Hawkins lést á hótelherbergi í Bogotá í Kólumbíu 25. mars sl. Hann var 50 ára. Dánarorsök liggur ekki fyrir en hann hafði kvartað undan verkjum í brjósti og var að bíða eftir sjúkrabíl þegar hann lést. Það voru ýmis efni sem fundust í blóðinu, til dæmis ópíóðar og THC. Prins Póló - Átján og hundrað Led Zeppelin - Immigrant song (live) (Guðmundur skipstjóri) Motörhead - Ace of spades (Guðmundur skipstjóri) Kiss - C?mon and love me Volbeat - Becoming Van Halen - Ain?t talking about love Red Hot Chili Peppers - Eddie Foo Fighters - The pretender (plata þáttarins) Opeth - Soldier of fortune SÍMATÍMI Son of Fortune - Millum himmal og Helvíti Judas Priest - Breaking the law (Guðmundur skipstjóri) Amboy Dukes - Journey to the center of the mind (óskalag) Rush - S

Plata Þáttarins er plata Foo Fighters; Echoes, Silence, Patience & Grace. Vinur þáttarins er enn í sumarfríi en óskalagasíminn opnar kl. 20.00 - 5687123. Echoes, Silence, Patience & Grace er sjötta breiðskífa Foo Fighters - sem kvaddi og heiðraði trommarann Taylor Hawkins með tvennum tónleikum á dögunum. Fyrst voru tónleikar á Wembley stadium í London 3. september - þar sem ótrúlega margir frábærir listamenn komu fram, t.d. Paul McCartney og sonur Taylors, hinn 16 ára Oliver Shane sem er trommari eins og pabbinn. Og svo voru seinni tónleikarnir í Los Angeles núna á þriðjudaginn og þar komu t.d. fram Pink, Kris úr Nirvana, Them Crooked Vultures, Queen, Alanis Morrisette, Def Leppard, James Gang, Rush, Soundgarden, Mötley Crüe ofl. En platan Echoes, Silence, Patience & Grace, kom út 25. september góðærisárið mikla ? 2007. Músíklega er platan fjölbreytt. Þetta er rokk, en dýnamíkin er mikil. Sumt er lágstemmt á meðan allt er keyrt í botn stundum. Textalega fer Dave Grohl talsvert á dýptina á þessari plötu og hann var búinn að gera demó fyrir flest lögin þegar sveitin byrjaði að taka upp með upptökustjóranum Gil Norton. Grohl var þarna nýorðinn faðir í fyrsta sinn. Dóttirin Violet Maye fæddist 2006. Platan fékk yfirleitt góða dóma, en einhverjir höfðu þó orð á því að platan væri sundurlaus og ekki nógu heilsteypt. Platan fór á toppinn á vinsældalistunum í Bretlandi. Ástralíu, Nýja-Sjálandi og Austurríki. Hún hlaut 5 Grammy tilnefningar og var valin besta rokkplatan. Hún var líka valin plata ársins á bresku tónlistarverðlaununum 2008. Taylor Hawkins gekk til liðs við Foo Fighters árið 1997 skömmu eftir að platan The Colour & The Shape, önnnur plata F.F. kom út. Fyrsta platan sem hann spilaði á með sveitinni er There Is Nothing Left To Lose sem kom 1999. Hawkins lést á hótelherbergi í Bogotá í Kólumbíu 25. mars sl. Hann var 50 ára. Dánarorsök liggur ekki fyrir en hann hafði kvartað undan verkjum í brjósti og var að bíða eftir sjúkrabíl þegar hann lést. Það voru ýmis efni sem fundust í blóðinu, til dæmis ópíóðar og THC. Prins Póló - Átján og hundrað Led Zeppelin - Immigrant song (live) (Guðmundur skipstjóri) Motörhead - Ace of spades (Guðmundur skipstjóri) Kiss - C?mon and love me Volbeat - Becoming Van Halen - Ain?t talking about love Red Hot Chili Peppers - Eddie Foo Fighters - The pretender (plata þáttarins) Opeth - Soldier of fortune SÍMATÍMI Son of Fortune - Millum himmal og Helvíti Judas Priest - Breaking the law (Guðmundur skipstjóri) Amboy Dukes - Journey to the center of the mind (óskalag) Rush - S

Plata Þáttarins er plata Foo Fighters; Echoes, Silence, Patience & Grace. Vinur þáttarins er enn í sumarfríi en óskalagasíminn opnar kl. 20.00 - 5687123. Echoes, Silence, Patience & Grace er sjötta breiðskífa Foo Fighters - sem kvaddi og heiðraði trommarann Taylor Hawkins með tvennum tónleikum á dögunum. Fyrst voru tónleikar á Wembley stadium í London 3. september - þar sem ótrúlega margir frábærir listamenn komu fram, t.d. Paul McCartney og sonur Taylors, hinn 16 ára Oliver Shane sem er trommari eins og pabbinn. Og svo voru seinni tónleikarnir í Los Angeles núna á þriðjudaginn og þar komu t.d. fram Pink, Kris úr Nirvana, Them Crooked Vultures, Queen, Alanis Morrisette, Def Leppard, James Gang, Rush, Soundgarden, Mötley Crüe ofl. En platan Echoes, Silence, Patience & Grace, kom út 25. september góðærisárið mikla ? 2007. Músíklega er platan fjölbreytt. Þetta er rokk, en dýnamíkin er mikil. Sumt er lágstemmt á meðan allt er keyrt í botn stundum. Textalega fer Dave Grohl talsvert á dýptina á þessari plötu og hann var búinn að gera demó fyrir flest lögin þegar sveitin byrjaði að taka upp með upptökustjóranum Gil Norton. Grohl var þarna nýorðinn faðir í fyrsta sinn. Dóttirin Violet Maye fæddist 2006. Platan fékk yfirleitt góða dóma, en einhverjir höfðu þó orð á því að platan væri sundurlaus og ekki nógu heilsteypt. Platan fór á toppinn á vinsældalistunum í Bretlandi. Ástralíu, Nýja-Sjálandi og Austurríki. Hún hlaut 5 Grammy tilnefningar og var valin besta rokkplatan. Hún var líka valin plata ársins á bresku tónlistarverðlaununum 2008. Taylor Hawkins gekk til liðs við Foo Fighters árið 1997 skömmu eftir að platan The Colour & The Shape, önnnur plata F.F. kom út. Fyrsta platan sem hann spilaði á með sveitinni er There Is Nothing Left To Lose sem kom 1999. Hawkins lést á hótelherbergi í Bogotá í Kólumbíu 25. mars sl. Hann var 50 ára. Dánarorsök liggur ekki fyrir en hann hafði kvartað undan verkjum í brjósti og var að bíða eftir sjúkrabíl þegar hann lést. Það voru ýmis efni sem fundust í blóðinu, til dæmis ópíóðar og THC. Prins Póló - Átján og hundrað Led Zeppelin - Immigrant song (live) (Guðmundur skipstjóri) Motörhead - Ace of spades (Guðmundur skipstjóri) Kiss - C?mon and love me Volbeat - Becoming Van Halen - Ain?t talking about love Red Hot Chili Peppers - Eddie Foo Fighters - The pretender (plata þáttarins) Opeth - Soldier of fortune SÍMATÍMI Son of Fortune - Millum himmal og Helvíti Judas Priest - Breaking the law (Guðmundur skipstjóri) Amboy Dukes - Journey to the center of the mind (óskalag) Rush - S

De cara al fin de semana, te hemos preparado una sesión de guitarras, un poquito de rock'n'roll en este podcast con Shonka Dukureh, Elvis Presley, Jack White, The Kills, Lady Banana, The Hives, Aina, The Beatles... SHONKA DUKUREH - hound dog ELVIS PRESLEY – That’s All Right Mama JACK WHITE – Taking Me Back THE DEAD WEATHER - Die By The Drop THE KILLS - No Wow (The Tchad Blake Mix 2022) THE RACONTEURS – Steady As She Goes THEM CROOKED VULTURES – Fang EAGLES OF DEATH METALS – Complexity QUEENS OF THE STONE AGE – The Way We Used To Do ARCTIC MONKEYS – Crying Lightning LADY BANANA – Overflow ROYAL BLOOD – Trouble’s Coming TRIANGULO DE AMOR BIZARRO - Vixiantes do Espello FOO FIGHTERS – No Son Of Mine THE HIVES – Tick Tick Boom AINA – Two Questions CALA VENTO – Todo THE BEATLES -Why Don't We Do It In The Road Escuchar audio

Before QOTSA, Them Crooked Vultures, or Eagles of Death Metal, there were the godfathers of Desert Stoner Metal, KYUSS.  And before anyone gets upset, excited, or bolth, please note that this is undoubtedly our most progressive* episode yet. Because while we merely made mention of this “episode's band of the episode” on the previous episode, this time we're ACTUALLY talking about this episode's band of the episode. Listening to KYUSS is analogous to enjoying relaxers without “actually having” relaxers. It's just heavy, fuzzy, grooving, stoner metal fueled by the power of barren, desert landscapes and an endless sea of mystical “caterpillar cocoons” ** and other, larger cacti that also call the greater metropolitan, tri-county desert their home. Take the time to talk to “They” for any and all gift giving guidance, put on your “rock and roll pants”, and pick yourself up a “busted can of biscuits” for the weekend to help you nurse your “katzenjammer” at the extended stay and JOIN US as we go Inside The Metal*** with the desert stoner metal sonic sorcery of Palm Desert, California's gift to the stoner metal genre, KYUSS.   *Actually, it's not really “progressive” per se.  But since we started talking about KYUSS on the last episode and got entirely too derailed and twanglified in the midst of catching up and “Just Talkin' Shitah” and because we didn't want to have a 4-hour show (yet) *+*, we “bifurcated” it into two sections, so consider this episode Pt. II and last week's episode Pt. I. If that was too exhausting and off-putting, we apologize in advance for any suffering you endured.   **Peyote cactus   *** It's time to begin your preparation (psychologically and spiritually) for the imminent arrival of our “Lick It Up” Album Dive sometime in the next month or so. Let's just say it will be a journey of paradigm shifting, self-discovery as we lay down the foundations for our upcoming (as yet to be created) KISS-centric podcast, KISS Nerdery   *+* Check out the show notes for further insight. In fact, not only should you read the show notes for this episode specifically, but you should read the show notes for EVERY episode. To paraphrase Manfred Mann's Earth Band: “That's where the FUN(NY) is!” Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube: https://www.youtube.com/channel/UCN2NrnCuSrAaLcIzI2wpaiQ?sub_confirmation=1    Show Notes: (00:00):  #nolube #alotofblood #breakoutthetampons #tamponbloodASMR #prick #thisepisodesclinkyoftheepisode #WesternSunSouthTexasPricklyPearVodka via #SantaRosaBeach #anewstrainofweed #midtermstrain and #brandingproblems ***WELCOME BACK TO THE METAL NERDERY PODCAST WITH NOW MORE ANESTHESIA THAN EVER BEFORE!!!*** #thatsdifferent #thisepisodesbeeroftheepisode #SocialFoxBrewing #rubbingthebutton #NorcrossGA #SkinAlley is the road that leads to #WhoreMecca #weeklystay (and noticing #streetwalkers which somehow I never noticed before #coronavirus #novelcoronavirus #covid19 or #COVID) #bustedwhores and #glammetalhookers vs #grungehookers #bustedbiscuitbusiness #DrinkSocial (good solid #Pilsner #daydrinkingbeer) #fourpointfivepercentabv (***Production Note:  consider dialing back the #sours to our #JustTalkinShitah episodes***)   (04:56): “Getting way ahead of ourselves…” / #voicemails and #wellplayyourshitah #thevoicemailsegment GIVE US A CALL AT 980-666-8182 AND LEAVE US A VOICE MAIL!!! #MrPost #PissingPost (the #soundofgettingstoned) and a note regarding the #PanteraReunion and a #contraryopinion to a previously stated #unpopularopinion / #AaronLewis doesn't give a fuck! #ThatManIsABlessin #Murica / ***Can you open AND close a show with the SAME song? *** Stay tuned for our #upcomingepisodes / #ITurnedItUp #rockandrollpants #Foreigner and #LickItUp #bolth and #RussellsReflections (remember #JukeboxHero? #HotBlooded?) #HereComesTheHateMail #SiCabron #opensandcloseswiththesamesong / “Wet dream side project…” / Going back in time to the 80's, trying to remember how #onehitwonders structured their shows. / *MORE VOICEMAIL* #anothervoicemail #upcoming #albumdive and the #psilocybin #insidethemushrooms #episode #exceptthisonce and a #cantbeloudenough #shoutout #LongLiveMetalNerdery / #TheShroomChronicles ***THANK YOU ANDREW FOR BUYING OUR SHIT!!!*** “Shared” friends and #sharedinformation (“How do you handle it? Where does the line get drawn between #informative and gossipy?”)  #weedeateraccident    (16:51):  #toomuchtwanglification BUY OUR SHIT AT metalnerdery.com/merch #RussellsReflections and a #JimBreuer reference regarding the #magic of #liveentertainment and indulging your #innerchild / #MetalComic #OurComic / WE'LL PLAY YOUR SHIT-AH!!! #newjinglerequired #culturallyinappropriateappropriations #letsdobolth #lightandshade ***YOU CAN EMAIL US A LINK TO YOUR SHIT-ah AT metalnerdery@gmail.com or on the socials #Instagram and #Facebook*** #TotalViolation #NewZealandThrashMetal ***Super Old school!!!*** #demotapestyle like #oldschool #localmetal ***Check ‘em out on #BandCamp #titlay #ExciterMoment TOTAL VIOLATION (#futureepisodeidea regarding #TheAccused) / “EP's are not LP's” / And now some #juxtaposition with #CodaNova GANYMEDE (very #proggy) “I hear colors when I hear this…” #RushTheater #jeanwrees and #subjeanwrees #genres and #subgenres #AtlantaProgressiveMetal / “Bartenders are #AlcoholBaristas” ***LET US KNOW YOUR THOUGHTS REGARDING THESE TWO SAMPLES OF #SHITAH AT 980-666-8182!!!***   (29:11): #welied #justleaveitin “It's like our very first “prog” podcast episode” / The last episode is like Blue Balls, Pt. I; but this episode is called Blue Balls, Pt. II:  The #Penatrationing / The Docket:  #KYUSS (Welcome to the Desert and also #WelcomeToSkyValley!!!) ***Multiple points of #tangentionalality including #QueensOfTheStoneAge #ThemCrookedVultures #EaglesOfDeathMetal #Unida #etc / #samebutdifferent #friedspaghetti / Comparing the first Kyuss album to the rest of their catalog and a little #backstory #markthetime #yeahyeah #nono (#futureepisodeideas) #blackalbumreference #IYKYK #awakening / #thenextKISSpodcast ***A great #birthdaygiftidea and a note regarding #TheHottestBandInTheWorld #KISS *** (NOOOO, it's not KISS, we're talking about KYUSS!!!) ***Stay tuned for our upcoming #KISSEpisode*** (35:11):  1987 #Katzenjammer #hangover #SonsOfKyuss (total #vikingmetal goodness) / It's a very mystical name (the word you're looking for is #paradox, not #paradigm) / “The opener of the opener” “Wretch” (1991) HWY 74 (Beginning of What's About To Happen) #thefirstnewsong from #thefirstnewalbum #killeropener (NOTE:  there is a LOT of #tangentionalality with several other #stonermetal and #stonerrock bands out there!!!) #funfacts / SON OF A BITCH #perfectlyrics (***BREAKING:  WE GOT A VOICEMAIL RIGHT IN THE MIDDLE OF THIS SONG!!!***) / BLACK WIDOW #desertfuzzyness (Note the dual #IommiStyleSolos)   (41:56): “Blues For The Red Sun” (1992) (this is a quite bit different than the first album) #drugreference / GREEN MACHINE #usethoseheadphones #doomyandstonyASMR / “Hearing the personality and “sound” of a band, regardless of #albumproduction” #shitshot / THONG SONG #ihateslowsongs / MOLTEN UNIVERSE #cantbeloudenough (#MarcPottersonASMR) / #strangerinthetub #lefty #riffsfordays / And Now, it's time for… the #killercloser YEAH   (48:59): “Welcome To Sky Valley” (1994) #justgrabone ***go check out #instagram #WelcomeToSkyValley*** We're gonna start with #thekillercloser LICK DOO #itsnotunusual (Thank you for that #indulgence) / WHITEWATER (Get your #desertfungi ready for this album!!!) ***NOTE:  We initially thought it was GARDENIA but turns out it was actually WHITEWATER*** / “Can you hear the #QOTSA vibes?” #futureepisodeidea / ***If you're looking for #giftideas…talk to #they *** / 100* #vertical #bluepill / See also #QueensOfTheStoneAge and #Unida (***check out our recent #StonerMetalEpisode***)   (56:35): *How about a #KyussReunion * / “…And The Circus Leaves Town” (1995) (What's a #zizzle?) #killeropener #drumintro HURRICANE / And now, a “short distance” dedication… ONE INCH MAN (“definitely listen to Kyuss through #headphones”) / “You've gotta let it build up a little bit” /  EL RODEO #notontheboat and also #notonthealbum / #longbuildup #buildupbone (listen to all those sonic textures) / #onmicburpASMR / “Remember the joys of the #hiddentrack back in the #nineties?” #endrobocalls / TANGY ZIZZLE “Is that a new strain of peyote infused fajitas?”    (1:06:40): Time for some Tarantino style #twanglification with #TheNextVoiceMailSegment #Hail to #NorthCarolina #hillbillymetalhead / Feedback regarding the Kyuss and #futurealbumdives / “It's gonna fucking happen” / “It's got all the things in the stuff…and the stuff in the things.”  #justwait / “This episode brought to you by all bands beginning with the letter K” / The Heaven and Hell era of KISS (and a note regarding KISS Live!) OR #KISSInsideTheMetal / #KISSFanRankings / “A fun spectacle” / ***THANK YOU FOR JOINING US FOR THIS EPISODE OF KYUSS INSIDE THE METAL*** #InsideTheButtholeOfMetal #untilthenext #waitforit #hiddentracks #hehahuh #wordstoliveby  

David Eric Grohl was born in Warren, Ohio on January 14, 1969. Mom is teacher Virginia Jean Hanlon and dad was news writer James Harper Grohl. In addition to being an award-winning journalist, Dave's dad had also served as the special assistant to Republican Congressman and US Senator Robert Taft Jr.  When Dave was young, the Grohl family moved to Springfield, Virginia. When he was seven, his parents divorced, and he was raised primarily by his mom. At the age of 12, he began learning to play the guitar. He grew tired of lessons and instead taught himself, eventually playing in bands with friends. He said, "I was going in the direction of faster, louder, darker while my sister, Lisa, three years older, was getting seriously into new wave territory. We'd meet in the middle sometimes with Bowie and Siouxsie and the Banshees." At 13, Grohl and his sister spent the summer at their cousin Tracey's house in Illinois. Cousin Tracey introduced them to punk rock by taking the pair to shows by several different punk bands. His first concert was Naked Raygun at The Cubby Bear in Chicago in 1982. Grohl recalled, "From then on we were totally punk. We went home and bought Maximumrocknroll, (a punk subculture music zine that ran from 1982 to 2019) and tried to figure it all out." In Virginia, he attended Thomas Jefferson High School as a freshman and was shockingly elected class vice-president. He taught himself to play pieces of songs by punk bands like Circle Jerks and Bad Brains and, using his clout as vice president, would play them over the school intercom before his morning announcements. His mother decided he should transfer to Bishop Ireton High School in Alexandria because he was smoking too much weed and it was affecting his grades. He stayed there for two years, one of those repeating his first year.  After his second year, he transferred yet again to Annandale High School. While in high school, he played in several local bands, including a short stint as guitarist in a band called Freak Baby. It was during this period that he thought it was a good idea to switch to learning drums. When Freak Baby kicked out its bass player and reshuffled its lineup, Davel took on the role of drummer and history was made. Show's over, folks! The band then changed their name to “Mission Impossible.” Dave has said he did not take drumming lessons and instead learned by listening to Rush and punk rock bands. Obviously, insanely talented and possible robot and Rush drummer Neil Peart was an early influence: "When I got 2112 when I was eight years old, it fucking changed the direction of my life. I heard the drums. It made me want to become a drummer." During his beginning years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-rings symbol tattooed on his right shoulder. Mission Impossible changed their name once again to “Fast” before breaking up, after which Dave joined the hardcore punk band Dain Bramage in December 1985.  Dain Bramage ended in March 1987 when Dave up and quit without warning to join Scream, having produced the I Scream Not Coming Down LP. Many of Dave's early influences were at the 9:30 Club, a music venue in Washington, D.C. He said, "I went to the 9:30 Club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life." As a teenager in D.C.,Dave briefly thought about joining shock-rocker punk/metal band, GWAR, who were looking for a drummer around this time. At age 17, Dave auditioned with local Washington, D.C. favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to be considered for the position, Dave lied about his age, saying he was 34. I'm kidding but he did say he was older. To Dave's surprise, the band asked him to join and so he pulled a Jay-Z (last week's Icon) and dropped out of high school in his junior year. He has been quoted as saying, "I was 17 and extremely anxious to see the world, so I did it." Over the next four years, Grohl toured extensively with Scream, recording a couple of live albums (their show of May 4, 1990 in Alzey, Germany being released by Tobby Holzinger as Your Choice Live Series Vol.10) and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down". During a Toronto stop on their 1987 tour, Grohl played drums for Iggy Pop at a CD release party held at the El Mocambo, which became best known for the 1977 surprise show by The Rolling Stones, which became popular when then Prime Minister Pierre Trudeau's wife, Margaret Trudeau, showed up and partied with the Stones.. In 1990, Scream unexpectedly disbanded mid-tour when bassist Skeeter Thompson left the band. Nirvana (1990–1994) We obviously can't talk about Foo Fighters without discussing Nirvana. They'll definitely have their own episode so we won't get too into them today. While playing in Scream, Grohl became a fan of the Melvins and eventually befriended them. During a 1990 tour stop on the West Coast, Melvins guitarist Buzz Osborne took his friends Kurt Cobain and Krist Novoselic, of future Icons Nirvana, to go see Scream. Grohl called Osborne for advice after Scream disbanded and Osborne informed him that Nirvana was looking for a drummer. He gave Dave the phone numbers of Cobain and Novoselic, who then invited Grohl out to Seattle to audition. Grohl soon joined the band. Novoselic later said, "We knew in two minutes that he was the right drummer." Dave told the U.K. based magazine Q: "I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?' Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'." When Dave joined Nirvana, they had already recorded several demos for the follow-up to their debut album Bleach, produced and recorded by Butch Vig. Initially, the plan was to release the album on Sub Pop, but they received a ton of label interest based on their demos. Dave spent the initial months with Nirvana traveling to various labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the infamous Sound City Studios in Los Angeles to record Nevermind as seen in Dave's amazing documentary, Sound City, from 2013. The album Nevermind was released later that year and exceeded all expectations becoming a worldwide commercial success. At the same time, Dave was compiling and recording his own material, which he released on a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name for the project, Dave released the songs under his pseudonym "Late!" In the later years of Nirvana, Dave's songwriting increased. In his first months in Olympia, Washington, Kurt Cobain overheard him working on a song called "Color Pictures of a Marigold", and they wound up working on it together. Dave would later record the song for the Pocketwatch cassette. Dave stated in a 2014 episode of the documentary series, Foo Fighters: Sonic Highways, that Kurt kissed him when he first heard a demo of "Alone + Easy Target" that Dave had recently recorded. According to Dave, "I'd told him I was recording and he said, 'Oh, I wanna hear it, bring it by.' He was sitting in the bath-tub with a walkman on, listening to the song, and when the tape ended, he took the headphones off and kissed me and said, 'Oh, finally, now I don't have to be the only songwriter in the band!' I said, 'No, no, no, I think we're doing just fine with your songs.'" Nirvana would jam Dave's song on soundchecks during their 1991 European tour. Dave reluctantly held back his songs in the beginning. In a 1997 interview he said, "I was in awe of [Kurt Cobain's songs], and [I was] intimidated. I thought it was best that I kept my songs to myself." During the sessions for In Utero, Nirvana's third and final studio album, the band decided to re-record "Color Pictures of a Marigold" and released it as a B-side on the "Heart-Shaped Box" single, with a slight title change; "Marigold". Dave also wrote the main guitar riff for "Scentless Apprentice", another song on In Utero. In a 1993 MTV interview, Kurt had said that, at first, he thought the riff was "kind of boneheaded", but was happy with how the song developed. Part of this development process can be heard  in a demo on the Nirvana box set ``With the Lights Out”, released in 2004. Cobain had said that he was excited at the possibility of having Chris Novoselic and Dave contribute more to the band's songwriting. Before embarking on their 1994 European tour, Nirvana scheduled session time at the popular Robert Lang Studios in Seattle to knock out some demos. The recording session was only 3 days long and Cobain wasn't there for most of it, so Chris and Dave worked on demos of their own songs. They completed several of Dave's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day, Kurt finally arrived, and the band recorded a demo of a song later Titled "You Know You're Right". It was to be Nirvana's last studio recording.   After the death of Kurt Cobain in 1994, the band known as Nirvana broke up. Dave received numerous offers to work with various artists and there were rumors saying he might join Pearl Jam. Dave almost accepted a position as the drummer for Tom Petty and the Heartbreakers. He later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do."  Instead he booked time at Robert Lang Studios in October 1994 and began recording 15 of his own songs. Dave played every instrument and sang every vocal part on the record with the exception of one guitar part on "X-Static", which was played by Greg Dulli of the Afghan Whigs,.  He completed an album's worth of material in only five days and handed out cassette copies of the sessions to his friends for feedback.   Dave hoped to keep his anonymity and release the recordings in a limited run under the title "Foo Fighters", taken from the World War II term "foo fighter", used to refer to unidentified flying objects. "Around the time that I recorded the first FF tape, I was reading a lot of books on UFO's. Not only is it a fascinating subject, but there's a treasure trove of band names in those UFO books!" he said. "So, since I had recorded the first record by myself, playing all the instruments, but I wanted people to think that it was a group, I figured that FOO FIGHTERS might lead people to believe that it was more than just one guy. Silly, huh?" Continuing, Dave contends that a better band name could have been created. "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world."   The demo tape circulated the music industry, creating serious interest among record labels. This WAS the drummer from arguably the biggest rock band in the world, right?  Dave put together a  band to support the album. He talked to Nirvana bassist Krist Novoselic about joining, but they both decided against it; Dave said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on himself.   Having heard about Sunny Day Real Estate breaking up, Dave snagged the group's bass player, Nate Mendel, and their drummer, William Goldsmith. Dave then asked George Ruthenberg to join the band as their second guitarist. George, better known as Pat Smear, played as a touring guitarist for Nirvana after the release of In Utero. Pat was one of the founding members of the iconic punk band, The Germs, and Dave was a huge fan.   Dave then licensed the album to Capitol Records, releasing it on his new record label, Roswell Records. Get it? Roswell. UFO's?   The very first Foo Fighters show happened on February 19th, 1995. They played above a boat house in Seattle in front of friends and family. They made their official live, public debut on February 23rd, 1995 at a gig at the Jambalaya Club in Arcata California. They just happened to be in the area mixing their album when a local promoter asked the cover band, The Unseen, if Foo Fighters could open for them. They agreed.   Dave and his band of Foo Fighters then embarked on their first US tour in April of 1995 in support of The Stooges and Porno For Pyros bass player Mike Watt's solo tour. This tour featured an additional new band called “Hovercraft”, an instrumental outfit featuring Pearl Jam singer, Eddie Vedder. Dave refused to play large venues or even do interviews to promote their debut album. The first single, “This Is A Call”, was released in June of 1995 and the album, “Foo Fighters”, was released in July containing the follow up singles “I'll Stick Around”, “For All the Cows”, and “Big Me”.   Foo Fighters toured for almost an entire year and then jumped right back into the studio. This time it was Bear Creek Studio in Woodinville, Washington with English producer Gil Norton who produced the Pixies, Jimmie Eat World, Counting Crows and so many more.   Dave, of course, wrote the songs but the band had a hand in arrangements. Nearly finished, he took the rough mixes to LA to finish his vocal and guitar parts. As he was listening to the mixes, something just didn't sound right. It wasn't what he envisioned. The drums weren't perfect, not that they were bad. Dave was a drummer. He knew drums. He had a career based on playing the drums and could arguably be considered one of the greatest rock drummers of all time. So, he set up some drums, mic'd them up and re-recorded the drums for the album. All of them.   Dave wanted Goldsmith to remain as their live drummer, but he was rightfully butthurt. Goldsmith quit. He quit what would become one of the biggest rock bands ever. Recently, drummer William Goldsmith has said “It was a pain in the ass. Like, that's the only band that I wish I could just, like, remove that from.” He continued by saying: “It doesn't matter what happened because the Foo Fighters are like Disney. Everyone wants to love Mickey Mouse. Everyone loves Mickey Mouse, so it's a difficult thing, but sometimes Mickey Mouse is a little rough around the edges. It's a no win scenario, so I'd rather remove it. I think the best thing to do is have a one on one conversation with Mickey.” He has gone to say that he has no ill will towards Dave.   Shortly after this, Pat Smear decided to leave, as well, claiming he was exhausted and burnt out. Goldsmith and Smear were replaced by the late, great Taylor Hawkins and former Scream guitarist Franz Stahl, respectively, although Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose in 1999.    Drummer Taylor Hawkins had played as Alanis Morissette's drummer from June of 1995 until March of 1997 in support of her “Jagged Little Pill” and “Can't Not” tours.   I thought it would be cool to hear Taylor explain how he wound up being Foo Fighters drummer and Dave Grohl's best friend. This is all from interviews Taylor Hawkins and Dave Grohkl did with NME, Entertainment Weekly and Kerrang.   “I'd met Dave at this [US radio station] K-Rock Christmas show because Foo Fighters were on their way up and Alanis Morrissette was through the f***ing stratosphere at that point,”. “Me and Dave just looked like long lost brothers in a weird way.    “We had a similar vibe and I don't know why. I remember my friend playing with the Foo Fighters before I met Dave and watching them goof around backstage. He said to me, ‘That guy could be like your brother.' “And sure enough, when we met, we just thought, ‘We're brothers from another mother!' It was instantaneous – so much so that Alanis Morrisette just said ‘What are you going to do when Dave asks you to be the drummer in the Foo Fighters?'” “I was driving with my girlfriend at the time, and we were listening to KROQ,” “I heard William had departed and they were looking for a new drummer.”   Tylor immediately called Dave. “I said, ‘I heard you guys are looking for a drummer,' and he said, ‘Well, do you know any?' I thought Alanis wanted to go in a more laid-back direction, and it seemed like the right time to jump. Alanis didn't need me! I basically said to Dave, ‘I'll play drums for you,' and we jammed a couple of times.  “I remember I was at home watching Showgirls with my girlfriend, and Dave called to ask if I wanted to join.” Initially, Dave never thought Taylor would leave Morissette and Taylor's allegiance was always with Alanis; that's why he asked Taylor if he knew of any good drummers. When Hawkins agreed to join, all Dave cared about was that he was getting a friend, not a great drummer.  Dave told Entertainment Weekly, “I sent Taylor a tape of one of the new songs. It was ‘Monkey Wrench.' I went over to his little house in Topanga Canyon, he sat down and played for three seconds, and the first time he hit a snare drum, I knew it.”  Dave knew Taylor was the guy. “I swear to God, I was like, ‘That's all I need to f***ing hear. I love you as a person. You've just given me hearing damage for the rest of my life in three seconds. You have to be in the band.” Later, Grohl said Hawkins came into his life like an F5 tornado. “When he joined the band, his drumming was the least important factor – I just thought I want to travel the world with this guy, I want to jump on stage and drink beers with this person. That was my biggest concern,”. Morissette didn't take Hawkins leaving personally. They remained friends over the years. Taylor has said he would have been delivering pizzas if it wasn't for her. She was the first person who gave him a break in the music world. “She gave me a lot of space to do what I wanted. It was probably the biggest album of the year (referencing her debut album “Jagged Little Pill”), and there was a lot of pressure on her. She was having to learn to be this leader on the job, which isn't easy. But it was really one of the most fun times of my life.” The band announced Tylor would be its new drummer on March 18, 1997. His first appearance with the Foo Fighters was in the music video for the 1997 single "Monkey Wrench", although the song was recorded before he joined the band.   Foo Fighter's second album, “The Colour and the Shape” was released on May 20th, 1997 through Capitol and Roswell Records with the legendary singles, “Monkey Wrench”, “Everlong” and “My Hero” blasting through the airwaves. The album charted at number ten on the Billboard 200 and was nominated for a Grammy in 1998 for best rock album. It has sold more than 2 million copies.   The band then traveled to Dave's home state of Virginia in 1998 to record their third album, “There Is Nothing Left To Lose”. Dave and Pat Smear's replacement, Franz Stahl, just couldn't see eye to eye as songwriters. Dave said "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Franz was Dave's childhood friend and the decision to fire him from the band was a hard one.    Then, shortly after Franz's termination, bassist Nate Mendel called Dave and said he was quitting to rejoin Sunny Day Real Estate, but the next day changed his mind and decided not to leave.    Dave, Taylor and Nate spent the next several months recording their third album at Dave's home studio. “There Is Nothing Left To Lose” spawned mega hits like “Learn To Fly”, “Stacked Actors”, “Generator” and “Break Out”.    “Learn To Fly” was the band's first single to chart on the US Billboard Hot 100.   Right before the album was released, the president of Capitol Records (Foo Fighters record label), Gary Gersh was forced out and with the help of a “key man clause” in their contract, they were allowed to leave Capitol upon Gersh's release. They left Capitol to sign with RCA who then bought the rights to their previous albums from Capitol.   Upon completing the recording of their third album, the band started auditioning guitarists. Foo Fighters selected No Use For A Name and, what I didn't know, Me First and The Gimmie Gimmies guitarist, Chris Shiflett. He was only supposed to come into the fold as the band's touring guitarist, but was hired on full time before they recorded “One By One”, their fourth studio album.   Right around 2001, Dave and Taylor, being diehard fans of the band Queen, established a relationship with the future Icons and Outlaws episode subjects. Dave and Taylor had the distinct pleasure of inducting them into the Rock and Roll Hall of Fame that same year and joined them to perform the 1976 classic, Tie Your Mother Down, with Taylor playing drums alongside Roger Taylor. Queen's legendary guitarist Brian May even added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar", which was on the soundtrack to Mission: Impossible 2. In 2002, guitarist Brian May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining gig at Hyde Park in London, England.   At the end of 2001, the boys got together to record their fourth studio record, “One By One. They spent four months in a LA studio and something was off. The spark just wasn't there and the band were having issues, internally. So, Dave stepped away for a while and worked with Queens of the Stone Age, helping them complete their 2002 record, “Songs for the Deaf”. Touring commenced for Foo Fighters and Queens of the Stone Age, but the internal struggles were still there and just as they were about to call it quits, they hit the stage at Coachella. Dave and Taylor wanted to complete the album and the next day, they rocked the festival and agreed to do so.   Almost every part of the album was scrapped and re-recorded at Dave's studio in Virginia, in only ten days. Seven songs from the original recording of One By One eventually leaked, but the full album has never been released. That record has often been referred to as “Million Dollar Demos”.   The band finally released its fourth album, One by One, in 2002. This record had hit singles like “All My Life”, “Have It All”, “Low” and “Times Like These”. This was Chris Shiflett's first recorded appearance as part of the band and where Taylor played all of the drums. “One By One” topped the charts globally and sold a million units in the U.S., bringing home a Grammy for Best Rock Album in 2004.   Supporting One By One by touring for a year and half, Dave wasn't in a hurry to record another Foo Fighters album. He was more interested in doing an acoustic, solo record but it turned into a full band ordeal. They built a new studio in Northridge, Los Angeles, called Studio 606 West and began recording their 5th album, In Your Honor, a two disc set with full blown rock songs on one and the other with acoustic tracks. It was released in 2005 and had the hits, “DOA”, “Resolve” and one of my all time favorites, “Best of You”. The album also had guest performances by Led Zeppelin's John Paul Jones, Queen of the Stone Age's Josh Homme and Norah Jones. It also featured their new keyboardist, Rami Jaffee of the Wallflowers, who wouldn't become a full-time member until 2017.    “In Your Honor” was nominated for five Grammy Awards, hit the number one spot in five countries and number two in the U.S., selling more than a million copies.   Foo Fighters released their first live CD, “Skin and Bones” in November of 2006, with 15 songs recorded at a 3 night performance at the Pantages Theater in Los Angeles. The album featured a violinist, Pat Smear joining in and a three song encore with Dave playing “Best of You”, “Everlong”, and “Friend of a Friend”. The record debuted at number 21 on the Billboard 200, sold 49,000 copies in its first week and over 357,000 total.    Foo Fighters released its sixth album, Echoes, Silence, Patience & Grace, in 2007 and recruited producer Gil Norton, who worked on the band's “The Colour and the Shape”. This was primarily because Dave felt the songs were different from the band's previous input and "had the potential to be something great". So, he considered that instead of doing something like the last three albums, the band had to go out of "our own comfort zone" and "needed someone to push us out of there".   Preparing to record this album was extensive: first Dave started off developing demos with Taylor, but for the first time he tried to input vocals and lyrics early in the writing phase. After finalizing the song's composition with guitarist Chris and bassist Nate, Dave spent two weeks with Gil Norton discussing "arrangements, harmony and melody" and condensing the song ideas. They then spent four weeks rehearsing, and playing "a song a day, from noon to midnight". Taylor stated that "we basically played each of these songs 100 different times, trying every little thing every different way" and that it was the first time since The Colour and the Shape ``that Dave had to deal with someone in the room questioning all his ideas". Dave claimed the choices were for the "most powerful, dramatic songs" and that there was an effort to "make everything sound as natural as possible – just like on the albums we grew up listening to".    On this album's sound, Taylor Hawkins said: "We haven't been ready to write a record like this until now. I know that Dave wouldn't have been comfortable putting violins on a song before. But for whatever reasons, it just felt like the right time to explore those things now. The last record, obviously, was half heavy stuff, half acoustic songs. So it really was like two sides of the coin. It sounds obvious, but this time around we weren't afraid of incorporating everything into one song if it felt right." The first single, “The Pretender”, topped Billboard's modern rock chart for 19 weeks. Other singles from this album were “Long Road to Ruin”, “Let It Die” and “Cheer Up Boys”. It was nominated for five Grammys, winning Best Rock Album and Best Hard Rock Performance and won the Brit Award, (Britain's version of the American Recording Academy) for Best International Album.   Foo Fighters hit the road again in 2007 on a world tour and at the European MTV Music Awards, Pat Smear was confirmed as a returned member of the band.   June 7th, 2008 saw Foo Fighters headline the world renowned Wembley Stadium in London, England. Jimmy Page and John Paul Jones from Led Zeppelin joined them on stage and after rocking out the songs “Rock and Roll” and “Ramble On”, Dave excitedly shouted “Welcome to the greatest fucking day of my whole entire life!”   The attendance at this amazing sold out concert was 85,000.  In August 2010, the band began recording their seventh studio album with the return of producer Butch Vig. The album was recorded in Dave's garage using only analog equipment. The album won five Grammys and was nominated for six.    Planning the seventh album, Dave realized he was bored of the band's typical recording process. Even though the group own 606 Studios, he is still a punk rocker at heart, and found himself yearning for a grittier, wholly analogue approach to recording. One night in his hotel room in Melbourne, while on tour with Them Crooked Vultures (his side project with Josh Homme and John Paul Jones), he hatched a plan to return to recording basics for what was to become Wasting Light. Dave told Sound on Sound.com, "I thought, rather than just record the album in the most expensive studio with the most state‑of‑the‑art equipment, what if Butch and I were to get back together after 20 years and dust off the tape machines and put them in my garage? We've recorded an album somewhere where no‑one has ever recorded before. We've not gone to the studio where Zeppelin made In Through The Out Door, we've gone into my garage. The only person that's recorded in my garage before is me for shitty demos that I've done for the last two records.”   The first single from Wasting Light, "Rope", was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album were "Walk", "Arlandria", "These Days", and "Bridge Burning". Alongside Wasting Light's release, the band released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later.   The first batch of ‘Wasting Light' CDs include pieces of the album's analog tape master Look inside your CD copy of the band's Wasting Light album. If you were one of the first fans to pick one up, chances are it includes a piece of the original analog tape the album was recorded on. After announcing a break after touring in support of Wasting Light, Dave said in 2013 that they were starting to write new material for their 8th studio album, “Sonic Highways”, bringing back Butch Vig. They announced their return to the stage by posting a video of Erik Estrada, one of the main actors from the 70's motorcycle cop show, CHIPS, riding a motorcycle and delivering each member of the band an invitation to play in Mexico.    They announced that their eighth album would be released in November of 2014 and they would commemorate it and their 20th anniversary with an HBO TV series called “Sonic Highways”, directed by Dave, himself.    Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. Each track features contributions from one or more musicians with ties to that city's musical history.   The album debuted at number two on the Billboard 200, with sales of 190,000 copies in the United States. It has sold over 617,500 copies in the US and had amazing songs like “Something From Nothing”, “The Feast and the Famine”, and “Congregation” featuring country artist, Zac Brown Foo Fighters were the last musical performance on Late Show with David Letterman on May 20th, 2015, as he retired from his 33 year career as a late night show host.   On June 12th, 2015, Dave had the misfortune of falling off the stage in Gothenburg, Sweden and breaking his leg during the second song. The band kept playing while Dave was fixed up by the medical staff and then RETURNED TO THE STAGE to finish the last two hours of their set while sitting in a chair and a medic taking care of his leg. He was flown to London, England after the show and received six metal pins to stabilize the fracture in his leg.   There was speculation that Foo Fighters would drop out of their 20th anniversary, fourth of July bash, after canceling their remaining European dates following Dave's accident. Instead, The band performed for 48,000 people with Dave in a custom-built moving throne which he claimed to have designed himself while on painkillers. They renamed the following tour the “Broken Leg Tour”.   November 25th, 2015 Foo Fighters released a surprise EP named “Saint Cecilia”, available for digital download, and Dave announced an indefinite hiatus. This EP peaked at number 3 on Billboard's mainstream rock songs chart.   Krist Novoselic, who played with Grohl in Nirvana, described Saint Cecilia as Foo Fighters' "statement on how they are the biggest rock band in the world". Novoselic also said that "Saint Cecilia is more straight-ahead rock that is done really well", and went on to say that "I went to the Foo's last gig at the Moda Center in Portland and they rocked a packed house. I love the drummer Matt Sorum (Guns and Roses). However, he is so wrong in his statement about danger and the Foo's somehow lacking it. First off all, I know about danger in rock. I was the bassist in Flipper — and survived! Look at a band like Queen, who totally rocked. They were way more dandy than danger. Queen knows how to rock a stadium. So do the Foo Fighters and you'll hear big rock on Saint Cecilia". Rumors about Foo Fighters breaking up were everywhere so, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!"   Dave announced that the band would spend most of 2017 recording their ninth studio album, “Concrete and Gold”. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Menon backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain.   Concrete and Gold has sold over 262,000 units.   In October 2019, the band announced that they were recording their tenth studio album based on Dave's demos. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Dave  announced that the new album was complete but by May, it was delayed indefinitely because of a little unforeseen event called the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War".  On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks.] On February 25, 2022, the band released a comedy horror film, Studio 666, directed by BJ McDonnell. It stars the band members as themselves, alongside Will Forte, Whitney Cummings, Jeff Garlin, and Jenna Ortega. In the movie, the band attempts to record an album in a haunted mansion; Dave is possessed by a demonic spirit and the other members are killed off one by one.  It was filmed in the same mansion in which the band had recorded their most recent album, Medicine at Midnight. Studio 666 is currently available on Amazon Prime Video.    Dave has recently released an EP of songs from the film, Dream Widow, on March 25, 2022. On March 25, 2022, Foo Fighters drummer Taylor Hawkins died in his room at the Casa Medina hotel in Bogotá, Colombia. No cause of death was given. Taylor had suffered chest pain, and had ten substances in his system at the time of his death, including opioids, benzodiazepines, tricyclic antidepressants, and THC. Foo Fighters were scheduled to perform that night at the Estéreo Picnic Festival as part of their ongoing South American tour; the festival stage was turned into a candlelight vigil for Taylor. A few days later, the band canceled all remaining tour dates. According to Sony Music Japan, FOO FIGHTERS sold over 32,000,000 albums worldwide, including 9,065,000 in the United States and 5,260,000 in the United Kingdom. The best-selling album by FOO FIGHTERS is GREATEST HITS, which sold over 2,775,000 copies .

The 2A is going to need to land a few punches - let's help by asserting our individual rights and freedoms and standing up for Indiana (constitutional carry, mostly for the better).  Meanwhile, the LGB White House's creepy crawlies are trying to grab millions of gun-purchase records they're legally prohibited from touching, and you can't blame a hammer for hitting nails (because a good bullet is a good bullet, even if the user isn't). Also: Dead Guy Ale, Them Crooked Vultures, Garbage, Goatsnake, the Hyundai El Camino, and the Garage Hour's "Dig Two Holes in England and One Will Have a Corpse in It" rule redux.

The 2A is going to need to land a few punches - let's help by asserting our individual rights and freedoms and standing up for Indiana (constitutional carry, mostly for the better).  Meanwhile, the LGB White House's creepy crawlies are trying to grab millions of gun-purchase records they're legally prohibited from touching, and you can't blame a hammer for hitting nails (because a good bullet is a good bullet, even if the user isn't). Also: Dead Guy Ale, Them Crooked Vultures, Garbage, Goatsnake, the Hyundai El Camino, and the Garage Hour's "Dig Two Holes in England and One Will Have a Corpse in It" rule redux.

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE FEATURED SONG: REC – “I'm Gone” (from Parts and Labour) First off, we need to agree on what makes a supergroup. There are lists based on the conventional definition that it's a group made up of members from other groups. I'm gonna take that two steps further. STEP ONE (yes, I've now planted the NKOTB song in your head): The groups these people came from needed to have been famous on their own – i.e. successful & known, i.e. “super”. This can include solo careers. STEP TWO: The new group they form has to have had some measure of success & renown as well. In short, a supergroup is “a famous new group formed by members of famous old groups.” This stricter definition rules out a ton of groups otherwise called “super”. Some categories that no longer apply: · Groups whose members were in groups no one has heard of. Example: Can anyone name one other group members of Frankie Valli and the Four Seasons came from? · New groups almost no one has heard of or remembers. Example: We probably all know Filter, Nine Inch Nails & Stone Temple Pilots, but does anyone remember Army of Anyone? · Glorified side projects, – people mostly from one band, with some side dudes from other lesser known bands. Examples: GTR, A Perfect Circle, Zwan. · Established bands that had another famous person join in for a while. Examples: RHCP with Dave Navarro; Mars Volta with John Frusciante, Queen with Paul Rodgers. · Glorified solo projects – one famous musician forming a band with a bunch of non-famous people. Example: Wings. · Personal favorites – a new group of famous musicians you wish everyone else knew but never quite got there. Example: Tinted Windows. I'm not saying any of these deserve less praise or respect. They're just not really supergroups. Now that we've established the criteria, let's look at a much shorter list of actual supergroups: TO SEE FULL LIST AND FULL ESSAY, GO HERE: NEW HOME of MUSIC is not a GENRE One thing everyone assesses right out of the gate is whether the new group is better than the old ones. In a few cases – CSNY, Bad Company, Foo Fighters, Madvillain & Run the Jewels – the new groups ARE better. Their music can stand alone with or without their origin groups – one thing I think truly makes a supergroup super. But in almost every case above and any I've missed, the answer is no. Them Crooked Vultures is not better than any of the bands those people came from. Neither Broken Bells nor Hollywood Vampires. And certainly not Audioslave or Velvet Revolver. Were they good bands? Yes. Did they bring something new to the conversation? To some degree, yes. Did they eclipse their old bands? Hell no. It was awesome to hear Cornell & Weiland sing again, and with such esteemed company. And there were several songs from each I really liked (“Cochise”, “Show Me How to Live” & “The Last Fight”, “Fall to Pieces”, to name just a few). But I don't think there's a doubt in anyone's mind that the new bands never came close to the artistic achievements of Soundgarden & STP. It's awesome they existed – both for the artists & for us. But they will always be footnotes. Exceptions like CSNY or Bad Company prove the rule: that supergroups on the whole are usually not so super. I was in several bands before REC, including my own solo career. Members of REC have been in other bands as well. That said, none of us are famous – either before or now. So we would not make this list. Which is totally okay. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicisnotagenre/support

AC/DC : Touch Too Much La reprise, l'original The Temperance Movement : Houses Of The Holy Led Zeppelin : Houses Of The Holy Eels : The Magic (nouveauté) Them Crooked Vultures : Bandoliers Lynyrd Slynyrd : Freebird Circle Of Mud : Native Man (nouveauté) 38 Special : Caught Up In You Billy F Gibbons : Jingle Bell Blues (nouveauté) Oasis : Champagne Supernova Axel Bauer : C'est malin (nouveauté) The Doors : L.A. Woman La reprise l'original Red Fang : Hells Bells AC/DC : Hells Bells Kills Birds : Wallowing (nouveauté) David Gilmour : Shine On You Crazy Diamond (live Pompei) Marillion : Be Hard On Yourself (nouveauté) Stevie Nicks : Has Anyone Ever Written Everything For You Raphael Bringer : Waiting-4-U (nouveauté) Foals : Alabaster

Dan and Hayden profess their love for Rock legend Dave Grohl in the only way they know how: making a podcast about it. Exploring projects from the Foo Fighters, as well as a lesser-known DG project in Them Crooked Vultures, the boys explore how they came to know Mr. Grohl's work and how his influence ripples in music today. With brief interjections regarding Tony Hawk and cheeseburgers, you're in for a great time. Grab a drink and relax (unless you're driving, then don't drink and focus on what you're doing). Otherwise, enjoy!

Una alegría por una tristeza, nuestro Makinon ganó el Clásico Jóven y perdió la oportunidad ante León de colocarse dentro de los 4 primeros del torneo para evitar la repesca. Ahora, el próximo domingo apunta a un duelo complicado ante los universitarios en nuestra segunda casa: el Estadio Olímpico Universitario. ¿Será que el Campeón entre directo y evite la reclasificación? Y en esta ocasión, un resúmen grabado en vivo durante el partido del pasado miércoles ante los Esmeraldas, ¡no te lo puedes perder! En la música, canciones dedicadas a la paternidad con Them Crooked Vultures, Piero y lo nuevo de Jack White. ¿Qué esperas para ponerle play?

The Rule Breakers with Lexi Frances Podcast 18.05.2021 Holding a special tribute to commemorate Chris Cornell who passed away 4 years ago. With records from Garbage, Audioslave, Soundgarden, Brandi Carilie, The Black Keys, Beastwood, She Drew The Gun, Mothertown, Slash, Alice In Chains, Temple Of The Dog, Mother Love Bone, Led Zeppelin, Katherine Priddy, The Howling Tides, Doves, Delilah Bon and Them Crooked Vultures. Listen right here!   This Week's Playlist: Blackberry Smoke - All Rise Again (ft Warren Haynes) Delilah Bon - Soul Sisters The Black Keys - Sad Days Lonely Nights Beastwood - Electric Gangbang She Drew The Gun - Cut Me Down Alice In Chains - Man In The Box The Howling Tides - Crack My Soul Them Crooked Vultures - Spinning In Daffodils Katherine Priddy - Indigo Mothertown - A Different Light Doves - Cedar Room Audioslave - Show Me How To Live Soundgarden - Jesus Christ Pose Chris Cornell - Seasons Slash - Promise (ft Chris Cornell) Temple of The Dog - Times of Trouble Brandi Carlile - Black Hole Sun Garbage - Fix Me Now Mother Love Bone - Crown Of Thorns Led Zeppelin - In My Time of Dying

Originally posted to Patreon - April 28th 2020 It's our 25th Rioteers Review and what a super group of musicians we have to talk about for you my friend, as Steve and Remfry discuss Them Crooked Vultures, the 2009 self-titled debut from Messers Homme, Grohl and errr ... Paul-Jones? They discuss the album, seeing the band play Download and whatever happened to that proposed follow-up album? See acast.com/privacy for privacy and opt-out information. This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Not every side project becomes an Audioslave or a Them Crooked Vultures. But if you're a fan of the band they stemmed from, odds are pretty good you'll find something to like. For fans of Fleet Foxes, we have the short-lived Poor Moon. Comprised of bass player Christian Wargo and keyboardist Casey Wescott, Poor Moon brings the intricate melodies and delicate harmonies that Wargo and Wescott bring to Fleet Foxes with a hint of their own psychedelic flair.Tracklist: Poor Moon - Holiday Poor Moon - Heaven's Door Peel Dream Magazine - Escalator Ism Elvis Perkins - The Fire Light This show is part of the Pantheon Podcast Network.

Not every side project becomes an Audioslave or a Them Crooked Vultures. But if you're a fan of the band they stemmed from, odds are pretty good you'll find something to like. For fans of Fleet Foxes, we have the short-lived Poor Moon. Comprised of bass player Christian Wargo and keyboardist Casey Wescott, Poor Moon brings the intricate melodies and delicate harmonies that Wargo and Wescott bring to Fleet Foxes with a hint of their own psychedelic flair. Tracklist: Poor Moon - Holiday Poor Moon - Heaven's Door Peel Dream Magazine - Escalator Ism Elvis Perkins - The Fire Light This show is part of the Pantheon Podcast Network.

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays).Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic.The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism.Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode…Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com.Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta Tharpe

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays).Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic.The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism.Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode…Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com.Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta TharpeThe RBP podcast is part of the Pantheon Podcasts network.

To kick off our new discography on Foo Fighters--our heroes welcome back Kevin Brennan from The Fair Weathered to offer all the hard-hitting insight on Dave Grohl's first(?) project before embarking on a prolific career playing for Tenacious D, Them Crooked Vultures, Probot, Eagles of Death Metal, Queens of the Stone Age, etc.

Ray And Markus take a quick look at 2019 in Rock And Roll and what we can look forward to in 2020. We were fortunate there was a plethora of great albums in 2019. Tool, Cage The Elephant, Rival Sons, Gary Clarke Jr., Marcus King Band, Raconteurs, Papa Roach, Foals as well as many others we weren't able to name. We also spoke about some music to look forward to in 2020 including Dirty Honey, AC/DC, Guns N Roses (Maybe/hopefully), Ozzy, The Struts, Them Crooked Vultures(fingers crossed!), The Foo Fighters and more. We expect to do a follow up or addendum and cover some of the music we left out of this particular discussion. Rock And Roll is NOT dead. It's very much alive and magnificent.

Ray And Markus take a quick look at 2019 in Rock And Roll and what we can look forward to in 2020. We were fortunate there was a plethora of great albums in 2019. Tool, Cage The Elephant, Rival Sons, Gary Clarke Jr., Marcus King Band, Raconteurs, Papa Roach, Foals as well as many others we weren't able to name. We also spoke about some music to look forward to in 2020 including Dirty Honey, AC/DC, Guns N Roses (Maybe/hopefully), Ozzy, The Struts, Them Crooked Vultures(fingers crossed!), The Foo Fighters and more. We expect to do a follow up or addendum and cover some of the music we left out of this particular discussion. Rock And Roll is NOT dead. It's very much alive and magnificent.