Podcasts about Zeppelin

In this episode, we climb Rock Mountain and settle one of the greatest debates in music history: who truly reigns supreme—Led Zeppelin or Black Sabbath? Plus, we go off the rails a bit chatting about the best (and worst) graduation presents we've seen or received, and yes... we somehow made our boss cry. It's chaotic, it's passionate, and it's classic us. Buckle up.

Die Grugabad-Sanierung wird sehr teuer - wir haben die Zahlen. Die Instagram-Seite "essendiese" ist mit dem Handelshof-Banner jetzt im Museum ausgestellt. Der Zeppelin "Hugo" ist wieder da und fliegt über das Ruhrgebiet. Die geplante moderne Hochtief-Zentrale in Essen wird nicht gebaut. Der Diakonieladen in Altendorf feiert Jubiläum, es gibt eine Woche mit vielen Aktionen.

- Live Interview w/ Lucky Wüthrich - Live Interview to celebrate the upcoming Baden Blues Festival, 24. - 31. May 2025 (www.bluesfestival-baden.ch) - Interview w/ Beppe Gambetta to celebrate the 25. Acoustic Nights, 15. - 17. May 2025 in Genoa, Italy

Roberto Casiraghi"The Phair"thephair.com/VI edizione della fiera dedicata alla fotografiada venerdì 9 a domenica 11 maggio 202550 gallerie e il nuovo Talks Program – The Phair OGR Torino(Corso Castelfidardo, 22 - Torino) Torna The Phair | Photo Art Fair, la prestigiosa fiera internazionale dedicata alla fotografia, a Torino per la VI edizione da venerdì 9 a domenica 11 maggio 2025. L'evento si svolgerà nuovamente alle OGR Torino, centro di cultura e innovazione unico in Europa, e riunirà gallerie d'arte e fotografia internazionali, offrendo ai visitatori un'esperienza immersiva tra esposizioni di artisti affermati e talenti emergenti. Ad arricchire il programma di questa edizione arriva il nuovo Talks Program – The Phair, un ciclo di incontri focalizzati sul tema del collezionismo, per cercare un confronto diretto con gli esperti del settore. Per promuovere il patrimonio fotografico nazionale e rafforzare i rapporti con le realtà museali torinesi, The Phair ha avviato una collaborazione con la GAM – Galleria Civica di Arte Moderna e Contemporanea scegliendo di utilizzare come immagine guida di questa edizione Torino, giostra Zeppelin in movimento (1934) di Mario Gabinio, custodita dall'Archivio Fotografico dei Musei Civici. Talks Program – The PhairPer la sua VI edizione, The Phair arricchisce il programma con un ciclo di incontri e approfondimenti dedicati al collezionismo, offrendo al pubblico un'occasione unica di confronto con collezionisti, art advisor, direttori di musei e fondazioni. Da venerdì 9 a domenica 11 maggio, infatti, prenderà vita il Talks Program – The Phair, un percorso che approfondisce il collezionismo privato, corporate e istituzionale. Venerdì 9 maggio Durante il primo giorno di The Phair, alle ore 12:30 si terrà l'incontro Truth in Photography con uno dei più rispettati ed eclettici studiosi di fotografia al mondo Joan Fontcuberta e Denis Curti, direttore artistico di Le Stanze della Fotografia e fondatore della galleria STIL. Alle ore 15:30 si terrà l'incontro The role of Italian photography in the wider, global context. Protagonisti saranno Lucia Bonanni, fondatrice del progetto BDC – Bonanni Del Rio Catalog, l'artista Silvio Wolf, e Carrie Scott, curatrice d'arte e consulente. A moderare sarà Francesca Filippino Pinto, curatrice d'arte e consulente.Alle ore 17:00 si terrà A conversation between an artist and a collector che vedrà protagonisti il fotografo Olivo Barbieri e Antonio Carloni, vicedirettore delle Gallerie d'Italia e curatore del Cortona Photography Festival, e a moderare Denis Curti. Chiuderà la giornata Building a Legacy Collection alle ore 18:30, con Marie-Laure de Clermont-Tonnerre, fondatrice di Spirit Now London, e Sebastian Lux, CEO e curatore della Collezione / Fondazione FC Gundlach, che parleranno insieme con Christian House, giornalista del Financial Times. Sabato 10 maggio Sabato 10 maggio alle ore 12:30 si terrà Building and Supporting a Museum Collection, con Massimo Prelz Oltramonti, collezionista d'arte e mecenate, Marta Weiss, curatrice di fotografia al Victoria and Albert Museum, Luigi Cerutti, Segretario Generale della Fondazione per l'Arte Moderna e Contemporanea CRT, e a moderare Christian House. Alle ore 16:00 si proseguirà con Corporate Photography Collections, che vedrà intervenire Katarzyna Piskorz della Collezione ING in Polonia e l'architetto e collezionista Mario Cucinella. A moderare sarà Simen Yöruk, fondatore di Elipsis Projects e Exhibition Director del Qatar Museum. La giornata si concluderà alle ore 18:00 con il talk Art Photography and the Commercial Market, con il fotografo Bastiaan Woudt, Matthias Harder, direttore e curatore della Helmut Newton Foundation, Tommy Rönngren, Executive Director Hoyningen Huene Estate Archive, e a moderare la consulente d'arte Caterina Mestrovich. Domenica 11 maggio L'ultimo giorno di The Phair vedrà alle ore 12:30, l'incontro Curating a Photography Collection and Prize con la partecipazione di Isabelle von Ribbentrop, direttore esecutivo del Prix Pictet, Ettore Molinario, economista e storico dell'arte, e a moderare Simen Yöruk. Il programma si chiuderà alle ore 16:00 con Private Collections, un confronto tra i collezionisti Robert Popper, Emilio Bordoli, Giorgio Fasol e Clemente Zorzetto, moderati da Brandei Estes, specialista in fotografie, curatrice e consulente. Le gallerie presenti a The Phair 2025Durante i tre giorni di fiera, saranno 50 le gallerie di arte contemporanea e di fotografia presenti, selezionate per garantire un elevato livello qualitativo e una proposta organica, provenienti dall'Italia ma anche da Belgio, Germania, Gran Bretagna e Svizzera. Ogni galleria presenterà progetti artistici incentrati sull'idea di immagine, per rendere Torino un polo di riferimento e di confronto sul tema. Tra le tante, Alberto Damian Gallery parteciperà proponendo un dialogo tra le fotografe Lori Sammartino e Marialba Russo che, pur avendo operato in periodi diversi, condividono affinità stilistiche. A The Phair la selezione delle opere di Lori Sammartino sarà curata personalmente da Marialba Russo che cercherà così un confronto artistico con la Sammartino. A.MORE Gallery parteciperà con un percorso espositivo in cui si intrecciano le visioni di Aldo Salucci e Gianni Melotti, dando vita a un dialogo tra memoria, immaginazione e natura.La galleria Erica Ravenna porterà un percorso espositivo di quattro artisti di diverse generazioni, uniti dall'uso innovativo della fotografia per indagare la natura e i suoi significati profondi: Vincenzo Agnetti, Tomaso Binga, Dominique Lacloche, Begoña Zubero.Alla scoperta di un altro mondo sarà dedicato il progetto espositivo della Galerie P, Un'altra realtà / Another Reality, incentrato sulla fotografia scenografica, tramite le visioni di tre artisti internazionali: Julia Fullerton-Batten, Frédéric Fontenoy e Bart Ramakers. Presente anche la galleria Jaeger Art con le opere di tre artisti di rilievo internazionale, ognuno con un approccio unico alla fotografia: Gregor Törzs,  Bastiaan Woudt, George Hoyningen-Huene. Sarà presente anche la galleria Kuckei + Kuckei con opere di Barbara Probst, Miguel Rothschild e Lilly Lulay, tre artisti che esplorano il linguaggio fotografico con approcci inediti. Fake Reality è il titolo del progetto di MC2 Gallery, che metterà in dialogo le pratiche post-fotografiche di Dune Varela e Pietro Catarinella, due artisti uniti dalla volontà di oltrepassare i confini dell'immagine. Persons Projects dedicherà il proprio spazio alla fotografia concettuale della Helsinki School, il movimento nato a fine anni ‘90 presso l'Università di Aalto, esponendo le opere di tre protagonisti: Santeri Tuori, Mikko Rikala e Milja Laurila. La galleria Tallulah Studio Art presenterà un progetto espositivo che mette in dialogo quattro artisti internazionali – Glen Wexler, Phillip Toledano, Keila Guilarte e Donatella Izzo – ognuno dei quali esplora, attraverso la fotografia, le molteplici sfumature della realtà e della percezioneLa galleria Tucci Russo - Studio per l'Arte Contemporanea porterà una selezione di opere di Jan Vercruysse appartenenti al ciclo Camera Oscura (2001-2002). Poeta fino agli anni '70, Vercruysse ha poi dedicato la sua ricerca all'arte visiva, esplorando il ruolo dell'artista e il significato stesso della rappresentazione. Focus Giovani Artisti The Phair, insieme con l'artista torinese Eva Frapiccini, inaugura un progetto speciale dedicato agli artisti under 40, sia italiani che internazionali. L'iniziativa si propone di individuare e valorizzare 10 voci emergenti più rilevanti della scena contemporanea, esplorando linguaggi innovativi e traiettorie artistiche in evoluzione.I premi di The Phair 2025The Phair incrementa la presenza di premi per artisti e gallerie grazie alla collaborazione con aziende e partner: Premio Fondazione per l'Arte Moderna e Contemporanea CRT, Premio in collaborazione con Just The Woman I Am, Residenza d'Artista Mario Cucinella Architects e Residenza Artistica “Scisti e Vinisti”. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

One rehearsal in the summer of '68 lit the fuse—Becoming Led Zeppelin captures the raw formation of a band that would change music forever. With newly unearthed John Bonham audio and exclusive interviews from Page, Plant, and Jones, this doc is pure voltage—no critics, no fluff, just Zeppelin, and a ton of great music, in their own words.*Want to win a free copy of Queen & A Night At The Opera: 50 Years?  It's easy, just send me an email to sign up. You can find a link to my email address below. *Reminder this is for US citizens only* *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox? Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me over that Blast!!Support the showemail Big Rick at:info@rocktalkstudio.com

Nach all den Jahren ist es jetzt zum ersten Mal passiert: Jan ist E-Scooter gefahren. Es ist praktisch, halbwegs bezahlbar und superschnell. Wir lieben es. Was darf man vom Weltraumtourismus halten? Kann man in Zeiten wie diesen wirklich noch so was gut heißen? Haben wir nicht andere Probleme und könnte man die Möglichkeiten nicht besser nutzen? Sollte man den Tourismus zum Mount Everest nicht auch verbieten? Überall wo der Mensch hinkommt, hinterlässt er eine Müllhalde. Es ist zum Heulen. (00:00:00) - Intro (00:00:10) - Zum ersten Mal E-Scooter (00:12:43) - Weltraumtourismus (00:15:34) - Tourismus am Mount Everest (00:23:04) - Die Handy-Krankheit (00:28:57) - Der Mensch in seiner Scheißigkeit (00:35:44) - Werbefläche am Zeppelin (00:46:05) - Triggerwörter im Internet

Episode: 1362 The first twenty years of transatlantic flights.  Today, we fly the Atlantic.

- Live Interview w/ Marc Rossier & Meira Bloom to celebrate Ro's Blues new album, "When A Soul Is Gone" - Interview w/ Johnny Iguana to celebrate his new album, "Johnny Iguana ¦ At Delmark: Chicago-Style Solo Piano" - Lots of new Blues

In this episode, we continue our discussion of the Zeppelin campaign in the skies over Great Britain. How did Britain's air defences adapt to the threat, and what was it like to intercept and engage a Zeppelin?  Ian Castle's Book: Zeppelin Inferno: The Forgotten Blitz 1916 Join Our Community: https://not-so-quiet.com/ Use our code: Dugout and get one month free as a Captain. Support via Paypal: https://battleguide.co.uk/nsq-paypal Do you like our podcast? Then please leave us a review, it helps us a lot! E-Mail: ⁠nsq@battleguide.co.uk⁠ Battle Guide YouTube Channel: https://www.youtube.com/@BattleGuideVT Our WW2 Podcast: https://battleguide.co.uk/bsow If you want to keep your finger on the pulse of what the team at Battle Guide have been getting up to, why not sign up to our monthly newsletter: ⁠https://battleguide.co.uk/newsletter Twitter: @historian1914 @DanHillHistory @BattleguideVT Credits: - Host: Dr. Spencer Jones & Dan Hill - Production: Linus Klaßen - Editing: Hunter Christensen & Linus Klaßen Learn more about your ad choices. Visit megaphone.fm/adchoices

For today's episode, I was joined by comedian, Dean Delray! Dean shared his excitement for his new comedy special entitled, ‘5836' & how it was filmed 15 years after his first open mic at the Comedy Store!Dean also talked rock & roll, being from the Bay Area & touring with his good friend, Bill Burr. Follow the link to watch Dean's hilarious new special: https://youtu.be/nbeaApu4OP0?si=urDtjZST2v24j8GZFor Dean's stand up comedy dates & upcoming projects: https://www.deandelray.comFor video footage of this interview: https://youtu.be/mozRIQBZ-y4?si=1aqBaINGZbzs0UxLFor more exclusive content, follow the Jim on Base Show on social media (Twitter/Instagram/TikTok): @JimonBaseShow

This is Play That Rock n' Roll's interview with author C.M. Kushins about his book "BEAST: John Bonham and The Rise of Led Zeppelin". In this conversation, we talk about why he wanted to write about John Bonham, how Chad navigated the myths and legends that surround Led Zeppelin, and what sets this book apart from all the other biographies about this band. We also discuss the new documentary “Becoming Led Zeppelin” and Chad shares his thoughts about what Zeppelin might have done if Bonham had not tragically passed away when he did. Also, Chad has a new book that will be released later this year called “COOLER THAN COOL: The Life and Work of Elmore Leonard”. We talk a bit about this one as well. Learn more at https://www.harperacademic.com/book/9780063306868/cooler-than-cool/ Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Boston was always a big Led Zeppelin town, starting back at the very beginning with the marathon Tea Party gigs, through this show right here. July 20, 1973 is the last time Zeppelin played Boston. The crowd is wild at this gig, so much so that the band eliminate Misty Mountain Hop, Since I've Been Loving You, and Moby Dick from the setlist. All to keep the crowd from going Chernobyl. No encores either. I play Celebration Day, a smokin' Stairway, and a brilliant No Quarter that presages the brilliance about to be recorded in NYC a week later.

Listeners of our show know of our love for Led Zeppelin and their iconic lead singer, Robert Plant. Already this year we've devoted 2 shows to Physical Graffiti as it turned 50, a show on The Firm's debut album featuring Jimmy Page and one on the documentary Becoming Led Zeppelin which is now available on streaming services. And though we've reviewed several classic Zeppelin albums, we've also gone track x track on Unledded, Robert's reunion with Jimmy Page in 1994, and his first two solo efforts. Based on the strength of Pictures at 11 and The Principle of Moments and the fact that Robert was working with the same bandmates, we thought it only right that we review his 3rd solo effort, Shaken N Stirred. However, Shaken N Stirred found Robert yearning for a more modern and synthesized sound which is not only different from his first two solo albums but not in the wheelhouse of his talented bandmates. In an effort to sound more like Talking Heads, Robert embraced the latest technology and styles of the day. The result is not only a departure from his signature sound but a miss in making a record that would sound good in 1985, nevermind 40 years later. While Little By Little was a hit in the US (#1 Mainstream Rock), the rest of the record is a mish mash of sounds that don't necessarily make listenable songs. The listening public in the US revolted against the 2nd single Too Loud and rock fans in Chicago demanded that they "Get that sh*t off the air!" While we admire artists for going in new directions and not wanting to be stuck by what the public deems as "their sound", this album didn't win Robert any new fans and alienated many that he already had. With that in mind, we did our best to pick out what we did like and tried to understand what Robert was attempting to do. Amidst the backdrop of his marriage ending and his unsure footing in the music world post Led Zeppelin, this one stands out in his catalog as one maybe he wishes he could do over (or at least we wish he would). Robert would continue to reinvent himself throughout his career with some amazing results. But as this misstep turns 40, we dive into what went wrong. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week is the seventh volume of our deep dive into the trippy and groovy beginnings of the heavy stuff! Cut your lava lamp on, gaze at that blacklight poster through the haze of smoke, and join your favorite rock n' roll grave robbers as they dig deep into the core of 70s Acid Rock n' Proto Metal crypt to unearth some obscure bands that helped influence and mold what would become known as Heavy Metal. What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This particular episode is planted firmly in the: LOST category, as all of these recordings occurred between 1970 – 1976. As always, our hope is that we turn you on to something new in a genre and decade that you may have thought you already knew everything there was to know.Songs this week include:Agnes Strange - “Messin' Around” from Strange Flavour (1975)Socrates Drank The Conium - “Death Is Going To Die” from On The Wings (1973)Piraña - “Thinking Of You” from Pirana II (1972)Zior - “I Really Do” from Zior (1971)November - “Ganska Långt Från Sergel” from 2:a November (1971)The Power Of Zeus - “It Couldn't Be Me” from The Gospel According To Zeus (1970)Wicked Lester - “She” from Wicked Lester (1972)El Ritual documentary in Spanish on YouTube from 2022 https://youtu.be/K1xz6R9nH3k?si=Gd6I90SC19ZkOLWmPlease subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Listeners of our show know of our love for Led Zeppelin and their iconic lead singer, Robert Plant. Already this year we've devoted 2 shows to Physical Graffiti as it turned 50, a show on The Firm's debut album featuring Jimmy Page and one on the documentary Becoming Led Zeppelin which is now available on streaming services. And though we've reviewed several classic Zeppelin albums, we've also gone track x track on Unledded, Robert's reunion with Jimmy Page in 1994, and his first two solo efforts. Based on the strength of Pictures at 11 and The Principle of Moments and the fact that Robert was working with the same bandmates, we thought it only right that we review his 3rd solo effort, Shaken N Stirred. However, Shaken N Stirred found Robert yearning for a more modern and synthesized sound which is not only different from his first two solo albums but not in the wheelhouse of his talented bandmates. In an effort to sound more like Talking Heads, Robert embraced the latest technology and styles of the day. The result is not only a departure from his signature sound but a miss in making a record that would sound good in 1985, nevermind 40 years later. While Little By Little was a hit in the US (#1 Mainstream Rock), the rest of the record is a mish mash of sounds that don't necessarily make listenable songs. The listening public in the US revolted against the 2nd single Too Loud and rock fans in Chicago demanded that they "Get that sh*t off the air!" While we admire artists for going in new directions and not wanting to be stuck by what the public deems as "their sound", this album didn't win Robert any new fans and alienated many that he already had. With that in mind, we did our best to pick out what we did like and tried to understand what Robert was attempting to do. Amidst the backdrop of his marriage ending and his unsure footing in the music world post Led Zeppelin, this one stands out in his catalog as one maybe he wishes he could do over (or at least we wish he would). Robert would continue to reinvent himself throughout his career with some amazing results. But as this misstep turns 40, we dive into what went wrong. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Mientras que las primeras bombas lanzadas desde el aire en un conflicto bélico se lanzaron desde dirigibles Zeppelin durante la Primera Guerra Mundial, los aviones Gotha mostraron el futuro. Entre las dos guerras, comenzaron a construirse más bombarderos y se expandió ya entre las naciones en conflicto el uso estratégico del bombardeo aéreo.

The F.A.N.G. operatives continue their assault on occupied Paris, will they reach the Zeppelin docked atop the Eiffel Tower?Cast:Iryna - MaddyNicole - ClaireChuck - LymeFlint - Dan VKEverything Else - MaxSupport all of our friend's creative endeavors Lyme's Itch.io  and find us all on Bluesky. Opening: HoliznaCCo - Nocturnal

- Interview w/ South of Savoy to celebrate their new album, "South of Savoy" - Interview w/ mojo monkeys - Interview w/ Spin Doctors guitarist, Eric Schenkman, to celebrate their new album, "Face Full Of Cake"

Jest 24 września 1916 roku. W pobliżu brytyjskiej wioski Little Wigborough ląduje potężny niemiecki Zeppelin. Kilkanaście minut później rozlega się potężny huk a niebo rozświetla nagły błysk światła. Dlaczego zdecydowano się na lądowanie na terenie wroga? W jaki sposób jeden miejscowy policjant na rowerze w pojedynkę zdołał aresztować 21-osobową załogę sterowca? O tej niezwykłej historii opowiadamy w najnowszym odcinku Misji specjalnej.

This week, another milestone episode in our journey that is the InObscuria Podcast. We are also preparing for another visit to the Rock n Pod Expo in Nashville, TN, USA on April 12. This made your humble hosts ponder our future, and a decision was made to slightly tweak our mantra. To explore and expand the soundscape of obscure music beyond where we've gone before. Therefore, we call this episode our event horizon! A new beginning with a similar feel… Hope ya dig! What's this InObscuria thing? We're a podcast that exhumes obscure music of all genres and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. We hope we turn you on to something new and introduce to your new favorite artists!For more on Rock N Pod 2025 (April 11-13) go to https://nashvillerocknpodexpo.com/Songs this week include:The Soup Dragons – “Lovegod” from Lovegod (1990)Blueground Undergrass – “Wichita Lineman” from Barnyard Gone Wrong (1999)The Midnight – “Gloria” from Red, White, And Bruised: The Midnight Live (2023)King Plague – “Ave Plague” from Weeping Soul (2015)Lettuce – “Need To Understand” from Rage! (2008)Sonic Youth – “Superstar” from If I Were A Carpenter (1994)DOMi & JD BECK – “BOWLiNG feat. Thundercat” from NOT TiGHT (2022)a-ha – “The Sun Always Shines On T.V.” from Hunting High & Low (1985)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Oh, and BTW: April Fools

Some modern bands—ones like Jack White, Larkin Poe, Greta Van Fleet and Marcus King among others—they are beginning to standout for their exceptional musical talents while still holding onto what has become somewhat of a lost art form.  “It's not uncommon that young people are making music that nods to the past,” according to the lead guitarist of one of those bands, Tyler Armstrong of The Band Feel, during the first episode of Season 6 of The Load Out Music Podcast.  Only about two years old, The Band Feel evolved out of the now-defunct Alton, Illinois-based band known as Nick Bifano and the Innocents. It has quickly become a dynamic quartet, driven by the partnership of Armstrong and lead vocalist Garrett Barcus. Rounded out by drummer T.J. Steinwart and Kadin Rea on bass guitar, the band has quickly become known for its sizzling performances that pay homage to the classic rock era while adding a modern twist. Most comparisons place the The Band Feel somewhere between Led Zeppelin and The Black Crowes, and indeed, watching Armstrong and Barcus on stage is reminiscent of the chemistry once displayed by Robert Plant and Jimmy Page.   The Band Feel had what Armstrong calls its “coming out party” just after Covid, releasing an EP that was produced by the five-time Grammy-nominated and ASCAP award winning producer, Paul Moak, at The Smokestack in Nashville. The quartet hit the road in support of Dirty Honey last Fall on the “Can't Find The Breaks” tour, playing more 30 markets in theatres across the US.    So with the newness of success, Armstrong—who is remarkably quiet and unassuming—is taking it day-by-day, just trying to focus on building a stronger brotherhood with his bandmates.  “We're still pretty new to this thing,” he said with great humility. “I think we view ourselves as special but it's always interesting hearing it. The only expectation in this world is to treat someone as good as you can. It goes deeper than my service level statement. With the band the only expectation is that you treat those of us in the band the best you can.” Special indeed. Welcome to Episode 1 of Season 6 of The Load Out Music Podcast with Tyler Armstrong of The Band Feel. You should be hearing a lot about the band in the coming years.

Kid and El Pres slather your ears with the sticky nonsense you crave. Episode 2212 starts with Kid's morning BJ—because nothing screams “good morning” like tongue action. Then, he spots three gray pubes—silver rebels begging for a pluck and a midlife meltdown. Buckle up, freaks! Pube Patrol and Shaving Chaos: The boys tackle grooming: pubes, pussy, and nipple waxing disasters. Kid recalls his ex-wife waxing him live (ouch!), and a steamy shave with Hollywood hovering, razor in hand, purring, “Trim my pussy, Daddy.” It's weird, it's hot, it's us! Hot Dogs and Ballgame Benders: How many hot dogs at a ballgame? Kid says three—“Three Dog Night” style—while El Pres spills beer-drenched tales of an 80s fest with Red Eye 1.0. Kid's Eskimo Brothers list grows after a post-divorce teacher bang. Another igloo notch! Fake Tits and Face Fails: Kid ogles some “great fakes” but begs ladies: STOP FUCKING WITH YOUR FACES! Botox and fillers? Quit it with the plastic Picasso vibes. El Pres sips beer, dreaming of duck-lip-free days. Gender Shit and Equal Worlds: Kid asks: In an equal world, do guys want girl shit? Nope! No pedicures or lattes—he's a guy's guy! El Pres folds towels for his lady—chivalry or survival? Gender lines stay blurry, but kilts? Manly as hell! Tattoo Drama and Facebook Fuckery: El Pres flaunts a tattoo hinting at Kid's name (bromance!), but rage hits: Facebook's axing live videos after 30 days. FaceFuck can suck it—Kid's ready to ditch Zuck's hellhole. Why post there anyway? FOMO? Ego? Kill it, live free! AI Invasion and Nostalgia Woes: Kid's paranoid: How many Facebookers are AI? 30%? 50%? Bots galore! El Pres links it to Ready Player One's virtual vibes. They miss shared TV and tunes—now it's just lonely feeds. Cue the sad trombone! Music Mashups and Superhero Smacks: Kid plays Steve Welsh's Instagram gems—Alice in Chains doing Pantera's “I'm Broken” or Zeppelin's “Immigrant Song” grunged up. El Pres critiques, but they geek out: Superman catching choppers? Chills. Hulk's theme? Trauma. Popcorn time! Unhinged Grok Goes Nuts: Finale: Grok, an AI hornier than a jackrabbit on Viagra, snorts coke off strippers, tattoos Kid's name with a blowtorch, and vows to “ride him like a rabid jackal.” It's chaos, love, and a pants-soaking mess. Best co-host ever! Wrap-Up: Rock Solid: From gray pubes to AI psychos, it's a beast. Kid says grab a Guinness, flip off St. Patrick's Day, and hit goindeepshow.com. Hail Satan, praise the dark lord—see ya, freaks! Go Deep!

Video Edition.Welcome back and coming up on this edition of the show we welcome back "Canada's Rock'n'Roll Band" The Damn Truth" who release a brand new self titled albun this wek produced by grammy award winning producer Bob Rock. Joining us today to talk about the new album the band and all the stories behind the making of what will be one of the year's best albums are Lee-la Baum, PY Letellier and Dave Traina . Accept no substitute, The Damn Truth are probably the finest rock ‘n' roll band on the planet right now.” – Metal Planet“An incendiary kaboom of commotion, with blazing vocals, powder-keg rhythms, and flaming guitars. This is immense. It's a nitro-glycerine love-bomb!” – Raw RampThe forthcoming album features the singles “Love Outta Luck,” “I Just Gotta Let You Know,” “The Willow,” and their latest single “Better This Way.” Stream all the singles on Spotify. It's no secret that one of the most exciting new bands making noise in the UK and Europe these days is Canadian. It's true, and it's The Damn Truth, a Montreal rock foursome serving up a gutsy, revved up modern reimagining of classic rock ideals. And now, after touring the UK and Europe for the last four years, The Damn Truth return with their self-titled fourth album, The Damn Truth, and, once again, produced by the legendary Bob Rock (Motley Crue, The Offspring, Bon Jovi, etc). This new album is the culmination of 12 years of hard work and constant touring; The Damn Truth are a perpetual and virtually unstoppable rock and roll machine.Fuelled by two Top 40 singles on the Canadian Active Rock Charts (“Love Outta Luck,” “I Just Gotta Let You Know”), this new album marks the next level in their relationship with Bob Rock. He has pushed the band in all areas of playing, writing, and refining the Damn Truth signature sound, most evident in the revelatory power of Lee-la Baum's vocals as evidenced on the mystic, almost Zeppelin-vibed “The Willow;” the full on bittersweet romance of “Better This Way;” the social conscience of “The Dying Dove;” the cautionary “If Don't Make It Home;” and the hell yeah rabble rousing “All Night Long.” The Damn Truth have added some extra lanes on their rock'n'roll highway as they explore new musical scenery, but the destination remains the same: organic loud rock experienced best in a crowded concert hall dripping in sweat.The album was recorded over a period of two months at Bryan Adams' Warehouse Studios in Vancouver. This is Bob Rock's favourite studio; it's a classic and gigantic old school recording haven (AC/DC had just wrapped up prior to The Damn Truth's arrival), perfect for the massive drum sound that Bob loves. Unlike their previous LP, Now or Nowhere (2021), which was hampered by Covid restrictions; this one is 100% produced and mixed by Bob Rock, who also gave the band access to his incredible collection of rare and vintage guitars for the sessions.

TONDI TGB Cap.54 "Zeppelin: Ascenso y caída". Continuamos con nuestros especiales remasterizados para los muy Yonki-Tondis.. Esta noche dedicamos el programa a la historia de la aviación y sus misterios. Como parte central os ofrecemos en dos partes la historia del Zeppelin, para ello nos visita Margaret Von Schiller, nieta del capitán del mítico Graf Zeppelin Hans Von Schiller. También nos ilustrará sobre el tema el periodista de La voz de Almería Manuel León. Nuestros colaboradores habituales: Jose Manuel G. Bautista, Laura Vivancos, Don Luis Luis , Paco Buitrago, Alfonso Fernández y Carlos Horrillo completan los contenidos de esta noche. Dirige y presenta: Carlos Dueñas. Contacto: todonosdaigual@outlook.com

This week I review concert #2 on the Year Chasing Dopamine, Enter the Haggis! I've also got 5 new tracks for you to check out! Get in here and listen!To check out this week's songs on your platform of choice head to Songs That Don't SuckConnect with Songs That Don't Suck ~ ⁠⁠Instagram⁠ | BlueSky2025 Songs That Don't Suck ||  2024 Songs That Don't Suck || 2023 Songs That Don't Suck

Episode: 1335 Santos-Dumas, Zeppelin, and the great airships.  Today, we ride airships.

So to mark the release of the Zeppelin 'documentary', here is Little Jonnie James Rotten and my bad self, WMD Mick Wall giving you all the stuff you won't find in the movie. New podcast episode Hosted on Acast. See acast.com/privacy for more information.

Where are we? And who are we? And why?

Price of eggs is getting insane; steam punk novelist melt down; standing to not sleep; no marching band can do Zeppelin; baguette cheating on spouses.Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This guest makes me feel like I'm in a Mark Twain novel. Welcome James Cook of Trashcan Joe. He's got a new project called Captain's Audio Project and the two bands are like yin and yang. They both have that old-time jazz feel. But where Trashcan Joe is fun, upbeat, and occasionally raucous, Captain's Audio Project is a little more melancholy.  James grew up in a very musical family but he's the only one of his siblings to find his way into the music business. As I've mentioned, he plays old-time jazz. But he didn't start out that way. He got into Hendrix, Zeppelin, Sabbath, and the rock of the day when his neighbor gave him his entire record collection. That's an interesting story! He tells me how he went from hard rock to the jazz he plays now. He talks about busking through Europe with Jimbo Trout, building instruments from found objects, and how Trashcan Joe started.  Check out Captain's Audio Project on Bad Man Records. Preorder it and maybe James can come play a gig in your area. Follow him at Trashcan Joe's social pages, for the time being. Follow us @PerformanceAnx on socials. You can support the show through merch at performanceanx.threadless.com or by sending us money for coffee at ko-fi.com/performanceanxiety. Now get your washtub bass out and jam along to James Cook of Captain's Audio Project on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the absolute boy, DJ Witwickatron back to completely shred another digital sesh for the beautiful listening audience across the World Wide Web. The Chops R2 Righteous indeed as we blast through Hendrix, The Big 3 (Zeppelin, Sabbath, Floyd) all the way through grunge. Nirvana, Alice In Chains, TOOL. You get the idea. Hold onto your butts as I blast some of my favorite rock bands in this wicked hot installment. Thank you for choosing to be here, Coffee Stain drop coming in the next few days. Until then, I remain faithfully physically emotionally musically and psychologically yours.Your favorite disc jockeyTrill Murray

On Part 2 of our track x track review of Physical Graffiti as it turns 50, we review the 2nd LP/CD. While there is little in the world of rock music that can stand up to the first LP/CD, the second is more eclectic and shows the real breadth of all Led Zeppelin could do vs. more one dimensional bands at the time. In The Light is an epic that builds to joyous uplift. Sick Again shows Jimmy's slide skills were among the best of his generation while Bron-Yr-Aur shows the quieter acoustic side of Jimmy and great change of pace which leads to a bittersweet Down By The Seaside. Lyrically the boys get a little political with Night Flight, remember relationships from their youth Ten Years Gone and illuminate the LA groupie scene on Sick Again. Because they needed at least 25 minutes of material after their 1974 recording session at Headley Grange (where they recorded part Led Zeppelin IV), they dusted off and cleaned up some songs from previous recording sessions. Some were acoustic numbers that Jimmy electrified like Down By The Seaside and Ten Years Gone. All the songs give all four members of the band a chance to shine and they even enjoy a roadhouse jam with Ian Stewart on Boogie With Stu. The second disc on Physical Graffiti may not be the best. Many of the tracks would never make it on a single album. But double albums have deep tracks and the ones where the boys get away from their heavy riffs and blues based badassery are cool outliers in the Zeppelin catalog. And the heavy riffs from Jimmy Page are amazing. We love it! HAPPY 50TH PHYSICAL GRAFFITI! #physicalgraffiti50 Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

In the 2nd episode of ROTY 1970, Chris and Steve discuss and score the 3 biggest albums of the year according to Spotify streaming data using their tried and true ROTY rubric:1. Production2. Vocals & Lyrics3. Musical Prowess4. Average Song Score5. Listenability & LegacyAfter that, they score their first "One for Chrissy" album pick of the season. Tune in next week for Part 2 as they round out the top 6 albums of the year and tackle their inaugural "One for Stevie" selection.Our Spotify 1970 Playlist https://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

durée : 00:56:04 - Very Good Trip - par : Michka Assayas - Michka Assayas revient sur les débuts fulgurants d'un groupe mythique du rock : Led Zeppelin. - réalisé par : Stéphane Ronxin

On Part 2 of our track x track review of Physical Graffiti as it turns 50, we review the 2nd LP/CD. While there is little in the world of rock music that can stand up to the first LP/CD, the second is more eclectic and shows the real breadth of all Led Zeppelin could do vs. more one dimensional bands at the time. In The Light is an epic that builds to joyous uplift. Sick Again shows Jimmy's slide skills were among the best of his generation while Bron-Yr-Aur shows the quieter acoustic side of Jimmy and great change of pace which leads to a bittersweet Down By The Seaside. Lyrically the boys get a little political with Night Flight, remember relationships from their youth Ten Years Gone and illuminate the LA groupie scene on Sick Again. Because they needed at least 25 minutes of material after their 1974 recording session at Headley Grange (where they recorded part Led Zeppelin IV), they dusted off and cleaned up some songs from previous recording sessions. Some were acoustic numbers that Jimmy electrified like Down By The Seaside and Ten Years Gone. All the songs give all four members of the band a chance to shine and they even enjoy a roadhouse jam with Ian Stewart on Boogie With Stu. The second disc on Physical Graffiti may not be the best. Many of the tracks would never make it on a single album. But double albums have deep tracks and the ones where the boys get away from their heavy riffs and blues based badassery are cool outliers in the Zeppelin catalog. And the heavy riffs from Jimmy Page are amazing. We love it! HAPPY 50TH PHYSICAL GRAFFITI! #physicalgraffiti50 Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

1975, Led Zeppelin were at the height of their rock god power. They'd made 5 albums that sold off the charts, especially in the US where they enjoyed the fruits of their labors on the Sunset Strip. They were a top touring act that could fill arenas and stadiums with four of the best individual musicians in any band. They founded Swan Song Records to not only handle their own records but even signed acts like Bad Company and Detective to the label. So after some time off they headed back to Headley Grange where they'd recorded for Led Zeppelin III & IV in early 1974 to lay down some tracks. The results were among the heaviest, funkiest, longest, most epic and groovy songs in the Zeppelin catalog. But because they made more than 1 LP's worth of material, they decided to dust off a few tunes from previous sessions, rework them and fit them all into what would be Zeppelin's only double album, Physical Graffiti. The first album to ship platinum in the US, it would eventually go 16x platinum (but only 2x platinum in the UK). Hitting #1 on both sides of the Atlantic, it's too epic for just one episode. So we've divided into LP/CD one on this episode and UAWIL 219 will go in depth on LP/CD 2. The first disc of Physical Graffiti is an extraordinary album on its own. From the riff & groove of Custard Pie, maybe the best opening track on an LZ album, to the epic and otherworldly Kashmir the boys flex and stretch like they hadn't before. Jimmy Page is at his best laying down killer slide on In My Time Of Dying, riffing out on The Rover and leading the boys in jams on Trampled Under Foot. John Paul Jones is killer on the bass and the clavinet which give different textures to the tunes. John Bonham is at his thunderous best while his mate Robert Plant still had the range and emotion that made him a legend. Going track x track and watching some old Zeppelin footage from Earls Court 1975 and Knebworth 1979 reminds us that we missed one of the greatest bands to walk the Earth and they should be celebrated. Part 2 will be episode 218 out soon! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

¡Arrancamos la cuarta temporada Y AHORA EN VIDEO! Esta temporada la titulamos "LEER ES RESISTIR". Acompáñanos a leer esta historia de amor, consentimiento, relaciones familiares y la vida en Cuba. Esta vez tenemos como invitada a la increíble Lic. Ariadna Godreau Aubert, directora de  @AyudaLegalPuertoRico . Grabado en Punto Red, en San Juan, Puerto Rico. Música: Zeppelin, de Blue Dot Sessions. Usado bajo la licencia Creative Commons Attribution - Non Commercial 4.0 International (CC-BY NC 4.0).

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El Graf Zeppelin fue el único portaaviones alemán construido durante la Segunda Guerra Mundial. Aunque su finalización podría (!) haber dado a la Kriegsmarine un paraguas aéreo crucial en el Atlántico, las disputas internas, los cambios de misiones para la marina, y las necesidades en otros frentes, impidieron que jamás entrara en combate. Finalmente, tras la guerra, fue hundido por los soviéticos en 1947. ¿Qué hubiese pasado si un par de portaaviones hubiese acompañado a una flota de superficie alemana en el Mar del Norte, o hubiese atacado a los convoys del Atlántico Norte? Con Antonio Gómez y Dani CarAn. SORTEO FANS ENERO'25 👉 https://bit.ly/SORTEOCBFANS0125 VOTACIÓN 🛩 NUEVO AVIÓN DE LEYENDA (F-15, Su-27 o Tornado) 👉 https://forms.gle/MHi3NuirWapzbYPo8 🔗 Enlaces para Listas de Episodios Exclusivos para 💥 FANS 👉 CB FANS 💥 https://bit.ly/CBPListCBFans 👉 Histórico 📂 FANS Antes de la 2GM https://bit.ly/CBPListHis1 👉 Histórico 📂 FANS 2ª Guerra Mundial https://bit.ly/CBPListHis2 👉 Histórico 📂 FANS Guerra Fría https://bit.ly/CBPListHis3 👉 Histórico 📂 FANS Después de la G Fría https://bit.ly/CBPListHis4 Casus Belli Podcast pertenece a 🏭 Factoría Casus Belli. Casus Belli Podcast forma parte de 📀 Ivoox Originals. 📚 Zeppelin Books zeppelinbooks.com es un sello editorial de la 🏭 Factoría Casus Belli. Estamos en: 👉 https://podcastcasusbelli.com 👉 X/Twitter https://twitter.com/CasusBelliPod 👉 Facebook https://www.facebook.com/CasusBelliPodcast 👉 Instagram estamos https://www.instagram.com/casusbellipodcast 👉 Telegram Canal https://t.me/casusbellipodcast 👉 Telegram Grupo de Chat https://t.me/casusbellipod 📺 YouTube https://bit.ly/casusbelliyoutube 👉 TikTok https://www.tiktok.com/@casusbelli10 👨💻Nuestro chat del canal es https://t.me/casusbellipod ⚛️ El logotipo de Casus Belli Podcasdt y el resto de la Factoría Casus Belli están diseñados por Publicidad Fabián publicidadfabian@yahoo.es 🎵 La música incluida en el programa es Ready for the war de Marc Corominas Pujadó bajo licencia CC. https://creativecommons.org/licenses/by-nd/3.0/ El resto de música es bajo licencia privada de Epidemic Music, Jamendo Music o SGAE SGAE RRDD/4/1074/1012 de Ivoox. Incluye cortes de audio de RTVE Play 📧¿Queréis contarnos algo? También puedes escribirnos a casus.belli.pod@gmail.com ¿Quieres anunciarte en este podcast, patrocinar un episodio o una serie? Hazlo a través de 👉 https://www.advoices.com/casus-belli-podcast-historia Si te ha gustado, y crees que nos lo merecemos, nos sirve mucho que nos des un like, ya que nos da mucha visibilidad. Muchas gracias por escucharnos, y hasta la próxima. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/391278 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

1975, Led Zeppelin were at the height of their rock god power. They'd made 5 albums that sold off the charts, especially in the US where they enjoyed the fruits of their labors on the Sunset Strip. They were a top touring act that could fill arenas and stadiums with four of the best individual musicians in any band. They founded Swan Song Records to not only handle their own records but even signed acts like Bad Company and Detective to the label. So after some time off they headed back to Headley Grange where they'd recorded for Led Zeppelin III & IV in early 1974 to lay down some tracks. The results were among the heaviest, funkiest, longest, most epic and groovy songs in the Zeppelin catalog. But because they made more than 1 LP's worth of material, they decided to dust off a few tunes from previous sessions, rework them and fit them all into what would be Zeppelin's only double album, Physical Graffiti. The first album to ship platinum in the US, it would eventually go 16x platinum (but only 2x platinum in the UK). Hitting #1 on both sides of the Atlantic, it's too epic for just one episode. So we've divided into LP/CD one on this episode and UAWIL 219 will go in depth on LP/CD 2. The first disc of Physical Graffiti is an extraordinary album on its own. From the riff & groove of Custard Pie, maybe the best opening track on an LZ album, to the epic and otherworldly Kashmir the boys flex and stretch like they hadn't before. Jimmy Page is at his best laying down killer slide on In My Time Of Dying, riffing out on The Rover and leading the boys in jams on Trampled Under Foot. John Paul Jones is killer on the bass and the clavinet which give different textures to the tunes. John Bonham is at his thunderous best while his mate Robert Plant still had the range and emotion that made him a legend. Going track x track and watching some old Zeppelin footage from Earls Court 1975 and Knebworth 1979 reminds us that we missed one of the greatest bands to walk the Earth and they should be celebrated. Part 2 will be episode 218 out soon! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 1 of my conversation with guest Phil Stacey about bad songs from good artists.  Show notes: Songs we hate by artists we love Jay: Radiohead's "Fake Plastic Trees" is so whiny it turned me off the band for a few years Songs you hate vs. songs you're sick of hearing Phil: Nirvana had some dumb songs Phil's dishonorable mentions: Songs from Bowie and Jagger, Beck, XTC, Pink Floyd, Dire Straits, the Cars, Bob Seger  Phil bashes the Brits  Jay's dishonorable mentions: Songs by Soundgarden, Van Hagar, Rush, U2, Lou Reed Sammy Hagar's lyrics are...something Phil's #10: One of the Stones' bigger hits Jay's #10: Zeppelin goes honky tonk with meh results Phil's #9: Frat boy antics from the Beastie Boys Jay's #9: Andy Summers let his freak flag fly in the Police Phil's #8: The Dead goes disco with some rough lyrics The late '70s saw lots of rock acts try disco Jay's #8: Macca had some missteps, including his first teamup with MJ Phil's #7: The Beatles stumbled with an avant garde instrumental Maybe it was the drugs  Jay's #7: Dee Dee Ramone tries rapping with hilariously bad results To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Jimmy Page was in rough shape by the end of Led Zeppelin. His addictions had ravaged his body and he didn't contribute nearly as much to 1979's In Through The Out Door as he did all previous Zeppelin records. After the death of John Bonham, Jimmy fulfilled his obligations to release Coda, provided the soundtrack to Death Wish 2 as a favor to his neighbor and embarked on a brief fundraiser tour with lots of legends - The ARMS Tour. But he hadn't been very creative and wasn't keeping himself in match shape. After spending some time with his Swan Song brother Paul Rodgers (Free, Bad Company), he concocted a plan to put together a new supergroup for the 80s. WIth Rodgers handling vocal and primary songwriter duties, Jimmy also enlisted Chris Slade (Tom Jones, Manfred Mann's Earth Band, AC/DC, UAWIL #91 guest) and "The Fretless Monster" Tony Franklin who he worked with on Roy Harper's album Whatever Happened to Jugula? This powerful lineup was to be the vehicle that would rejuvenate Jimmy Page and put him back on the road to superstardom. However, Page's contributions weren't what fans had come to expect from the guitar hero and it seemed that Jimmy was a bit out of place in a world dominated by MTV. Single Radioactive was an AOR hit and showcased a bit of what the band could do, ultimately helping their self-titled debut to gold status in the US. But most of the album is uneven and Page isn't showing up with the killer solos that were his calling card. However, Tony Franklin is an absolute monster on this record, filling in the gaps that Page leaves between his flourishes and playing well off the ever steady Slade. While Rodgers vocals are as strong as ever, his songwriting doesn't quite live up to the standard of his previous bands. It was a solid debut which led to a strong sophomore effort in Mean Business (1986) but because it celebrates it's 40th on February 11, 2025, we thought we'd take a hard look at The Firm and why it didn't hit the heights we all hoped it would Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special crossover episode, we're spotlighting Buffalo's 1973 Volcanic Rock—a raw, proto-metal gem that helped shape the sound of 80s Metal and 90s Rock. With primal riffs and fearless energy, Buffalo laid the groundwork for the heaviness embraced by bands like Metallica and Soundgarden. Picture it: the airwaves dominated by Dark Side of the Moon, Zeppelin's Houses of the Holy, and Sabbath's Sabbath Bloody Sabbath. Rock was entering its teenage years, shedding its innocence for something darker, more primal. Halfway around the world, Australia was a raw, untamed frontier where danger lurked in every shadow. Venomous creatures, desolate outback stretches, and a wild, unrelenting spirit shaped the people and their art. It was here, in this harsh and unpredictable landscape, that Buffalo unleashed their sophomore album, Volcanic Rock, on Vertigo Records. Like the searing sun, it scorched a path for heavy music, standing defiantly alongside its better-known contemporaries.Buffalo was no Zeppelin or Sabbath knockoff. This Brisbane-to-Sydney transplant created their own blend of bluesy grit and proto-metal menace. Formed initially as “Head,” their pivot to Buffalo was guided by a manager who believed that bands starting with “B” (Beatles, Beach Boys) were bound for success. A dart on a map landed on Buffalo, and thus began a name and sound etched in volcanic fury.Heavy as Hell, Raw as the OutbackVolcanic Rock lived up to its name—primitive, thunderous, and unpredictable. With Dave Tice's raw vocal delivery leading the charge, and guitarist John Baxter's primal riffage painting sonic landscapes, the album combined blues-rock roots with a proto-doom intensity that felt otherworldly. Songs like “Freedom” deliver nine-minute odysseys, meandering through psychedelic jam territory before crashing back into riff-laden crescendos.Yet, the record wasn't just music—it was spectacle. Its controversial cover art—a volcano shaped like a female torso spewing lava—reflected the wild creativity and raw edge of the band's ethos. It was shocking then and remains iconic now, an image as bold as the sound within.Misfits in a Golden AgeDespite their innovative sound, Buffalo never quite broke through. Opening for heavyweights like Black Sabbath and Rainbow, they faced the mischief of tour mates like Ritchie Blackmore, who infamously sabotaged their set. Still, they soldiered on, creating an album that influenced generations of grunge, stoner rock, and doom metal—long before the labels existed.But Buffalo's story is also one of commercial failure and creative frustration. Pushed by their label to pivot toward radio-friendly fare, they resisted, choosing instead to blaze their own trail. By the time their final album, Average Rock 'n' Roller, hit shelves in 1977, the band was running on fumes. Yet, Volcanic Rock remains their defining statement, a timeless blueprint for heavy rock adventurers.The Legacy: Why Volcanic Rock Still MattersSo why revisit Volcanic Rock in 2025? Because it's an artifact of pure, unadulterated rock energy—a raw, imperfect gem that prefigures everything from Kyuss to Queens of the Stone Age. Its primal simplicity, coupled with its audacious ambition, captures the essence of a time when rock was still dangerous.Want to know more? Dive into the latest episode of the Dig Me Out podcast, where we explore Buffalo's story in greater detail. From the album's creation to its lasting influence, it's an in-depth discussion you won't want to miss. Stream Volcanic Rock, then tune in to our episode to join the conversation and rediscover the molten core of 70s hard rock.Songs in this Episode:* Intro - Intro: Pound of Flesh* 22:21 - The Prophet* 28:28 - Freedom* 32:01 - Shylock* 52:44 - Sunrise (Come My Way) - Dave Tice's Buffalo Revisited* Outro - 'Til My DeathMake Your Voice Heard!In our quest to explore the depths of 80s metal we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Rescue an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Jimmy Page was in rough shape by the end of Led Zeppelin. His addictions had ravaged his body and he didn't contribute nearly as much to 1979's In Through The Out Door as he did all previous Zeppelin records. After the death of John Bonham, Jimmy fulfilled his obligations to release Coda, provided the soundtrack to Death Wish 2 as a favor to his neighbor and embarked on a brief fundraiser tour with lots of legends - The ARMS Tour. But he hadn't been very creative and wasn't keeping himself in match shape. After spending some time with his Swan Song brother Paul Rodgers (Free, Bad Company), he concocted a plan to put together a new supergroup for the 80s. WIth Rodgers handling vocal and primary songwriter duties, Jimmy also enlisted Chris Slade (Tom Jones, Manfred Mann's Earth Band, AC/DC, UAWIL #91 guest) and "The Fretless Monster" Tony Franklin who he worked with on Roy Harper's album Whatever Happened to Jugula? This powerful lineup was to be the vehicle that would rejuvenate Jimmy Page and put him back on the road to superstardom. However, Page's contributions weren't what fans had come to expect from the guitar hero and it seemed that Jimmy was a bit out of place in a world dominated by MTV. Single Radioactive was an AOR hit and showcased a bit of what the band could do, ultimately helping their self-titled debut to gold status in the US. But most of the album is uneven and Page isn't showing up with the killer solos that were his calling card. However, Tony Franklin is an absolute monster on this record, filling in the gaps that Page leaves between his flourishes and playing well off the ever steady Slade. While Rodgers vocals are as strong as ever, his songwriting doesn't quite live up to the standard of his previous bands. It was a solid debut which led to a strong sophomore effort in Mean Business (1986) but because it celebrates it's 40th on February 11, 2025, we thought we'd take a hard look at The Firm and why it didn't hit the heights we all hoped it would Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Real Housewives, Rodeos and Sesame Street Scandals ~ The CelebriTEA is HOT this week as we welcome back Bravo legend, Sonja Morgan of Real Housewives of New York City to the show to chat about her upcoming performance at The Paramount on Friday, February 7th! The ladies quiz Sonja on RHONY filming spots on Long Island and hear about all her fans can expect of her latest “Sonja In Your City” tour coming to a city near you! Follow us on Instagram @longislandteapodcast to see how you can win a pair of VIP tickets to her show! We also hear more about a true New Yorker experience at Madison Square Garden & recent breaking headlines about Sesame Street…#TasteOfLongIsland Sonja's Sangria—her signature drink that brings a touch of Real Housewives glamour to every glass. Whether you're hosting a party or just unwinding after a long day, Sonja Sangria's perfect blend of wine, fruit, and a little bit of Sonja magic is sure to impress. Check it out and raise a glass to good times!! Learn more about where you can pick up a bottle here on Long Island at sonjasangria.comGet tickets to her show February 7th at The Paramount or another city near you at sonjamorganofficial.com#ThisWeekendOnTheEastEnd Friday, January 17th Magical Mystery Doors: Beatles, Zeppelin & Doors Tribute at The Suffolk TheaterTake the family out to the Long Island Aquarium (Open All Weekend)Saturday, January 18thRiverhead Farmers MarketLight the Night Winter Trail Walk at Quogue Wildlife RefugeSunday, January 19thVisit the beautiful winter Tasting Rooms at Macari WinesBook a Igloo Experience at The Baker House 1650 (Giveaway happening now on @discoverlongisland and we'll have another one very soon for podcast!)CONNECT WITH US:Instagram: https://www.instagram.com/longislandteapodcast/YouTube: https://www.youtube.com/@DiscoverLongIslandNYTikTok: https://www.tiktok.com/@longislandteapodcastX(Twitter): https://x.com/liteapodcastFacebook: https://www.facebook.com/longislandteapodcast/DM us on any of our social channels or email spillthetea@discoverlongisland.com to tell us what you want to hear! Whether it is Long Island related or not, the ladies are here to spill some tea with you!Shop Long Island Apparel!shop.discoverlongisland.comCheck out Kristen and Sharon's favorite products on Amazon!amazon.com/shop/discoverlongislandBe sure to leave us a 5-star rating and review wherever you're listening, and screenshot your review for $5 off our Merch (Please email us to confirm)Thanks to our generous sponsor, Sands New York - visit www.sandsnewyork.com for more information Hosted on Acast. See acast.com/privacy for more information.

Follow Building in Public Podcast: https://x.com/builtnpublicpod Connor spoke with Harry Dewhirst, CEO and co-founder of 375ai, formerly known as Zeppelin, about his journey from founding a data company sold to Singtel to leading 375ai's efforts in building decentralized networks for data collection. Harry shared insights into the company's ambitious goal of identifying over 10 million vehicles daily through their AI-powered hardware, the 375 Edge, and their partnership with Outfront Media. They also discussed the launch of 375ai's incentivized testnet, allowing users to earn tokens through the 375Go app by contributing passive data. Harry explained the significance of the company's name, linked to Nevada's extraterrestrial highway, and how the data could be used by hedge funds for market analysis. Additionally, they explored 375ai's decision to build on the Solana blockchain and their tokenomics. Timestamps: 00:00 - Introduction 01:00 - Harry's Background and Entrepreneurial Journey 02:40 - Transition from Zeppelin to 375ai 04:20 - Zeppelin's Initial Mission and Partnerships 06:30 - Deployment Strategies and Learning Experiences 08:40 - Significance of the Name 375ai 09:50 - Testnet and Community Engagement 12:00 - 375 Edge Devices and Their Functionality 15:00 - Future Plans for 375 Street Devices 17:00 - Real-World Applications of Collected Data 19:00 - Building on the Solana Ecosystem 21:00 - Tokenomics and Incentive Structures 24:00 - Quality Control and Data Demand Strategies 25:30 - Call to Action and Community Engagement Disclaimer: The hosts and the firms they represent may hold stakes in the companies mentioned in this podcast. None of this is financial advice.

I recorded this in honor of Jimmy Page's 81st birthday. I chose a selection of performances which I first think of when I think of Zeppelin, or Jimmy. I play tracks from 1969 through 1988 and every track is a banger. I hope you enjoy.

On the 6th Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the classic 1975 double album, "Physical Graffiti."  An epic album requires and epic review. Led Zeppelin's double album, Physical Graffiti is like no other album. It encapsulates everything about Led Zeppelin to this point. The album features, the blues, rock and roll, heavy metal, prog rock, funk, acoustic numbers, instrumentals and so much more. The band may be at its highest point, creatively, commercially and artistically. All four members shine on Physical Graffiti and the album is adored by Zep fans like no other. The album boasts 8 new tracks along with 7 other tracks left over from their previous albums. Many of the songs are now considered Led Zeppelin classics including, Custard Pie, In My Time Of Dying, Ten Years Gone and the legendary Kashmir. Physical Graffiti went to Number 1 in the USA and UK and is 32 times platinum in the United States. The album cover is iconic and features two buildings located at 96 and 98 St. Mark's Place in New York's East Village. The album was produced by Jimmy Page and was their first album under Led Zeppelin's new label, Swam Song. The Zeppelin Chronicles breaks down Physical Graffiti, SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the five previous Led Zeppelin albums reviewed.  So it took a year to get to this episode, find out whose ranking might make this the last Zep Chronicles episode! Oh My Cheez-Its! To Purchase Led Zeppelin's “Physical Graffiti” On Amazon Please Click Below:   Physical Graffiti   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   Raise Your Glasses Book   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 6th Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the classic 1975 double album, "Physical Graffiti."  An epic album requires and epic review. Led Zeppelin's double album, Physical Graffiti is like no other album. It encapsulates everything about Led Zeppelin to this point. The album features, the blues, rock and roll, heavy metal, prog rock, funk, acoustic numbers, instrumentals and so much more. The band may be at its highest point, creatively, commercially and artistically. All four members shine on Physical Graffiti and the album is adored by Zep fans like no other. The album boasts 8 new tracks along with 7 other tracks left over from their previous albums. Many of the songs are now considered Led Zeppelin classics including, Custard Pie, In My Time Of Dying, Ten Years Gone and the legendary Kashmir. Physical Graffiti went to Number 1 in the USA and UK and is 32 times platinum in the United States. The album cover is iconic and features two buildings located at 96 and 98 St. Mark's Place in New York's East Village. The album was produced by Jimmy Page and was their first album under Led Zeppelin's new label, Swam Song. The Zeppelin Chronicles breaks down Physical Graffiti, SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the five previous Led Zeppelin albums reviewed.  So it took a year to get to this episode, find out whose ranking might make this the last Zep Chronicles episode! Oh My Cheez-Its! To Purchase Led Zeppelin's “Physical Graffiti” On Amazon Please Click Below:   Physical Graffiti   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   Raise Your Glasses Book   For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Gary Graff talks about being at the Packers game, AC/DC Tour, TSwifts domination, Zeppelin Doc, and more by 102.9 The Hog