Podcasts about Rave On

Variety in music. Variety in sound. Variety of artists. You found it! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!February 26, 2025, Wednesday, verse two…@The Parson Red Heads - Time After Time [IPO Vol 21]@3D - Something In My Eye (I'm Not Cryin')@The Quick - Rag Doll [Untold Rock Stories]@Nick Frater - Strangers On The Bus [Full Fathom Freight-Train] (@Great Sheiks Music)@Kid Gulliver – You'll Never Know [Kismet]@Earthquake - Little Cindy@Benjamin Russell - You Can't Hear Me [Pleasure Center]@Lightning Love - Winter Once Again [November Birthday]@The Well Wishers – House Regrets [Spare Parts]@Furious Ball - What if We Lost the Moon [The Last Music on Earth]@Andrew Gabbard - Good Boy [Ramble & Rave On!]@Richard X Heyman - Action Screams Louder Than Words [Pop Circles] (@Turn Up Records)@Freeana - Just Be Yourself [Just Be Yourself]@Thorcraft Cobra - No One Believes Her [IPO Vol 19]@65MPH – Gaslight [LP4]@Bob Fenster – The One Thing I Know@The Vandalias – Say I'm Sorry [buzzbomb!]

Neue Schippe bunter filmischer Smarties - oder Ecstasy-Pillen - je nachdem womit ihr euch besser identifizieren könnt. Rave On!

Charlotte Sawyer is a documentary film maker and photographer who captures cinematic stories that cross cultures and boundaries. She has worked in conflict zones and places vulnerable to climate change, notably Iraq, Ethiopia and Nigeria. Aggie Nyagari is a Kenyan film and TV director, who brings the diversity of her life experiences into her work. Charlotte and Aggie both live, swim and work in Bristol. Together they have made a beautiful new film - Rave On for the Avon - capturing the Conham Bathing Group communities love for their river, and their fight for to gain Bathing Water Quality status for it. This podcast was recorded at Conham, where Stanley Ulijaszek, Charlotte Sawyer and Aggie Nyagari talk about the film and its making, and the River Avon and its swimming people.

Inside Out or Unconstructed Beef Eggrolls for dinner tonight.  Grass Fed Grass Finished ground beef and all the goodness that goes into eggrolls…minus the wrapper! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!February 1, 2025, Saturday, verse two…@Andrew Gabbard - Magic Taxi {Single 10.14.24} [Ramble & Rave On!]@Andrea Gillis – Leave The Light On {Single 3.18.24} (@Red On Red Records)@Andras Jones - Record Store {Single 4.2.24} [Recognize, De-escalate & De-code]@AmyJo Doh & The Spangles - Rock n' Roll {Single 11.4.24}@James Sullivan - Totally Bored [Light Years]@Amanda Walker - Haunt Me {Single 6.3.24}@Alloy Six - Gimme Somethin I Can Feel {Single 12.9.24}@Allan Purvis - Parting Shot {Single 2.5.24}@Alias Kid - Shot Through {Single 1.29.24}@The Right Here - Something Went Wrong With Us [Northern Town] (@Rum Bar Records)@Alex Ohm - When The Sea Came To Tea {Single 12.16.24}@Alex Nester - This Love Will Shine {Single 6.10.24}@After the Mourning - Restlessness {11.25.24} [Our Transgressions]@Aerynn - Light with You {Single 2.5.24}@Cromm Fallon - 2689 [Presents The P200] (@Rum Bar Records)@Adam Sherman - If You Think {Single 3.4.24} (@rockgardenrcds)@ACROBVT - Crazy {11.25.24}@Abz Winter - Rock Girl Summer {Single 8.26.24}@Abi Muir – Blueprint {Single 4.2.24}

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX  #876 (mercredi 22 janvier 2025)  Vedette : PORRIDGE RADIO (Secretly Canadian) - Clouds In The Sky They Will Always Be There For Me  ###########    PORRIDGE RADIO (Secretly Canadian) - Clouds In The Sky They Will Always Be There For Me – A Hole in the Ground - QOBUZ    TV Sundaze (Howlin Banana Records / Le Cèpe Records) - Extinctor- (nouvel album avril 2025).  TELEPAGAILLE (Le Cèpe Records) - Traction – Boite de conserve    Roy ORBISON (Monument Records, 1963) - In dreams (2'48)  Andrew GABBARD (Karma Chief) - Ramble & Rave On! - Ramble & Rave On!    DANGERHOUSE :    Death Valley Girls (Reverberation Appreciation Society) - Live From Astral Plane- Levitation Sessions -Street Justice   Memo PST (In The Red) S/T - Platform Damage    PORRIDGE RADIO (Secretly Canadian) - Clouds In The Sky They Will Always Be There For Me - Sick Of The Blues  
PORRIDGE RADIO (Secretly Canadian) - Clouds In The Sky They Will Always Be There For Me - God Of Everything Else    bingO (chronique)   SOLTERO (Microcultures, ??/??/2025 - Super EXCLU !) - Staying alive - True indication (3'42)  UPTOWN BONES (Black & Noir Records, 1990) - Split single avec Les THUGS (BNS04 - 4ème référence du Club single Black & Noir) - Spring is a cat (3'15)   
  
Snapped Ankles (The Leaf Label) - Hard Times Furious Dancing - Raoul   PORRIDGE RADIO (Secretly Canadian) - Clouds In The Sky They Will Always Be There For Me – I Got Lost  

Salmon for Lori tonight. So many people LOVE that fish! I can't eat it. It tastes to me the way an algae filled lake with dead fish smells. I know that reaction is just me, but I am running into more people who won't eat Salmon either! Maybe we should form a club?! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!December 3, 2024, Tuesday, the third…@The Quireboys - Howling Wolf [Wardour Street]@No Museums - Arc-Light [Lowways]@Soft Cotton County - The Future's Not What it Used to Be [10 Years of Travel]@Spun Out - Heart Through Your Eyes [Dream Noise]@Eva Carboni - Don't Get In My Way [Blues Siren]@Nelson Bragg - The Cool Kids [Gratitude Blues]@Andrew Gabbard - Magic Taxi [Ramble & Rave On!]@Kris Rab - Red Tape [It's About Time]@Joshua David Thayer - Tempest [It Will Still Keep Feeling Rough]@Dana Countryman - Scrapbook [Pop Scrapbook]@Blake - Something About You [Louder Than Sound] (@Subjangle)@The Happy Somethings - Good Think [Love Songs]@Diablogato - Lost Highway [Snake Oil Salvation] (@Rum Bar Records)@Rich Kid Express - Doin' The Time [Wired Up!]@Terrycloth Mother - Mission From God [King of The Wasteland]@The Triceratops – Stitch Me Up [Charge!]@Why Bother – Tag The Train [Hey, At Least You're Not Me]@Hemmit – Thank You [Straight Outta Nowhere]

All things are relative. Relativity is based on YOUR perception. Above the equator we are heading into winter. Below the equator the people there are readying for summer. I live in Florida, 55 is cold to me. I have friends and family in New York, this time of year 55 is moderately warmish. Your perception shapes your relative reality. The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 26, 2024, Tuesday, part two…@SUPER8UK - Keep Doing It (Japanese version) [SUPER 8 Goes JPop]@Holden Miller - Final Boss [Holden Miller V The State Of California]@Bright Like Stars - Entangled [Reflections]@Extra Arms - Gates Of Steel [Radar] (@Setterwind Records)@The Weeklings - Morning, Noon & Night [In Their Own Write-The Weeklings Live] (@Jem Records)@Soft Cotton County - On a Roll [10 Years of Travel]@Spun Out - Wild Enclosure [Dream Noise]@Eva Carboni - You Gotta Change [Blues Siren]@John Howard - Moving Piano Piece in F [Dreaming I Am Waking]@No Museums - Dark Maps [Lowways]@The Quireboys - Honour Among Thieves [Wardour Street]@Andrew Gabbard - I'm Bound To Ride [Ramble & Rave On!]@The Toms - The World is Flat [Tomplicated] (@Futureman Records)@Kris Rab - Runaround [It's About Time]@Joshua David Thayer - Anything But What You Want [It Will Still Keep Feeling Rough]@Diablogato - Wandering Hearts [Snake Oil Salvation] (@Rum Bar Records)@Blake – Strawberry Way [Louder Than Sound] (@Subjangle)

Didn't get my haircut today…gonna wait till Thursday. Shoulder pain from trimming Bismark palm fronds and carrying them to the front yard is severe and intense today. Weird what can make a body part hurt as we get older! I still don't think I have fully recovered from the hilly up and down the wicked inclines at the antique market in Mt. Dora this last Sunday. My old broken S5 L1 back isn't used to those steep inclines! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site:  *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 19, 2024, Tuesday, act one…@Orbis 2.0 - TMA SHOW OPEN THEME@SUPER8UK - I Need You [SUPER 8 Goes JPop]@Holden Miller - Cool [Holden Miller V The State Of California]@Bright Like Stars - The Less You Know [Reflections]@Extra Arms - Space and Time [Radar] (@Setterwind Records)@Bill Lloyd - Miracle Mile [Working The Long Game] (@Big Stir Records) (@SpyderPop Records)@Soft Cotton County - Coward Of The Country Fair [10 Years of Travel]@Spun Out - Pale Green Sky [Dream Noise]@Eva Carboni - Wrong Place, Wrong Time [Blues Siren]@DoublePlusPop - You Can't Be Serious [Too Loud - Too Fast - Too Much] (koolkatmusik.com)@No Museums - Park [Lowways]@The Quireboys - Jeeze Louise [Wardour Street]@Andrew Gabbard - Donna-Lou [Ramble & Rave On!]@Hawkins - Wal-Mart [Say "Uncle"]@Kris Rab - Faith [It's About Time]@Joshua David Thayer - The Timeline Is Slipping [It Will Still Keep Feeling Rough]@Diablogato - Fire And Powder [Snake Oil Salvation] (@Rum Bar Records)@Blake - Love X Forever [Louder Than Sound] (@Subjangle)

Thankful. Yes. My wife loves me…is that not enough? The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 12, 2024, Tuesday, opening sentence…@Orbis 2.0 - TMA SHOW OPEN THEME@Bright Like Stars - Unaligned [Reflections]@Extra Arms - Shut ‘Em Down [Radar]@Soft Cotton County - Time Is Moving On [10 Years of Travel]@Spun Out - Lilacs [Dream Noise]@ANC4 - Go Easy [Strange Tide] (koolkatmusik.com)@Eva Carboni - Walking A Tightrope [Blues Siren]@No Museums - Whales [Lowways]@The Quireboys - Like It Or Not [Wardour Street]@Andrew Gabbard - Just Like Magic [Ramble & Rave On!]@Mike Browning - I Gotta Shake It [Another Bite At The Apple]@Kris Rab - It's About Time [It's About Time]@Joshua David Thayer - No Sort Of Dream [It Will Still Keep Feeling Rough]@Diablogato - Jet Black Night [Snake Oil Salvation] (@Rum Bar Records)@The Popravinas - Self Made Derecho [Goons West]@Blake - Disguises [Louder Than Sound] (@Subjangle)@Rich Kid Express – Not A Monster [Wired Up!]@Nick Batterham – Good Things Come [The Sentimentalist] (koolkatmusik.com) 

Another night of “Sleepless In Palm Bay”! Must be the nerve ablation is wearing off, as my nocturnal leg cramps are starting to ramp up! There has got to be a better way? The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 5, 2024, Tuesday, page one…@Orbis 2.0 - TMA SHOW OPEN THEME@No Museums - Index [Lowways]@The Quireboys - I Think I Got It Wrong [Wardour Street]@Andrew Gabbard - Mulberry Rock [Ramble & Rave On!]@Kris Rab - Won't Mean a Thing [It's About Time]@The Lunar Laugh - Solitary Man [Nighthawks!] (@Big Stir Records)@Joshua David Thayer - Say What You Mean [It Will Still Keep Feeling Rough]@Diablogato – Heaven's Gate [Snake Oil Salvation] (@Rum Bar Records)@Rich Kid Express - Now You're Gone [Wired Up!]@Nick Batterham - I'll Be Yours [The Sentimentalist] (koolkatmusik.com)@The Parlophonics - Paper Smile [A Day In The Life]@Weegee - Primitive Thrill [Primitive Thrill - EP]@The Happy Somethings - Stand Up April! [Love Songs]@The Triceratops - When You Get Volatile [Charge!]@Sixpence None The Richer - Angeltread [This Beautiful Mess]@Why Bother - Autumn Weather [Hey, At Least You're Not Me]@The Dogs - Good Times Girl [Unleashed] (@Rum Bar Records)@The Orange Humble Band - Apple Green Slice Cut (Tamla Tamra) [Assorted Creams]@Speed Circuit - Maybe Another Time [Survey The Damage]@Orbis 2.0 – Waiting All Night [Tilt A Whirl]

“Singles Release Show!” THREE COMMERCIAL FREE HOURS of great art from great artists! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! themusicauthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!October 14, 2024, Monday, the week starts like this…@Stop Calling Me Frank - Off The Hook [SCMF - First Six Years] (@Rum Bar Records)@TheOnandOns - (Scare Me) Outta My Mind [Come On In]@Adam Wedd - Fight Or Flight (This Is The One) [Pumpkin Pi]@Alex Lipinski – Wounds@Andrew Gabbard - Magic Taxi [Ramble & Rave On!]@Ken Lintern - No Words [Saying Goodbye]@Birrell or Biscuit – Unknown@Club Paradise – Runaways@Count Zero – Overthinking@A Bunch Of Jerks - Twisten [XOXOXO Vol.1] (@Rum Bar Records)@Daniel Darley - I Have Only Myself To Blame For Loving You@Danny Darlington – Blinding@Emerald Sunday (feat. @Sandi Thom) - Sitting In The Stars@Gene Champagne - Rock 'n' Roll Boy [Let's Jet] (@Rum Bar Records)@The Speed Of Sound - Blood Sweat And Tears [Museum Of Tomorrow] (@Big Stir Records)@Grace Day - You Lit a Fire (For My Frozen Heart)@Gregory Julas – Shockwave Alley@Hunger Anthem – Patron@Hurtsfall – Lost Souls (Driving At Night)

This episode we cover Rave On, Homecoming, Who's Zoomin' Who?, and Things That Go Bang in the Night.Follow us on Instagram and Twitter @thetvdeepdive. Check out our Patreon: patreon.com/TheTVDeepDiveEmail us at thetvdeepdive@gmail.com with any comments or suggestions!

RAVE ON! LA FIESTA RAVE EN LA RADIO! TECHNO RAVE PEAK TIME RADIOMIX- RADIO NEW YORK CLUB- VANGUARDIA GLOBAL UNDERGROUND TECHNO- PODCAST SDU607- SUPERASIS INDAHOUSE PRESENTA: SONIDOS DEL UNIVERSO TECHNO RADIOSHOW-DESDE -RADIO NEW YORK CLUB- EN EL CENTRO DE MANHATTAN, NUEVA YORK, PARA UNIKA.FM MADRID - BROADCAST 30.04.24- TECHNO RAVE NYC RADIOMIX- RAVE ON! PODCAST- UNIKA.FM Madrid & App. Unika fm Live y www.unika.fm Presentan: SONIDOS DEL UNIVERSO RADIOSHOW desde Nueva York con SUPERASIS INDAHOUSE-- RADIO NEW YORK CLUB -Empire State Building Studios- LIVE-STREAMING - Unika.fm Madrid España & App: unika fm live y www.unika.fm Broadcast: *Martes (22:00-00:00 horas) (UTC/GMT +1) - TRACKLIST: 1.- ERCAN ATES- TRUTH OR DARE 2.- DJ GODFATHER- YO FEET 2 SLO 3.- KASSIAN- YENA 4.- IVY LAB- TEACUP (LAKE HILLS REMIX) 5.- HUDSON MOHAWKE & NIKKI NAIR- SET THE ROOF (MISS JAY REMIX) 6.- BREAK- OVERSTAYED 7.- HANNAH HOLLAND WITH JOY JOSEPH- SHE'S GIVING CRAY 8.- MAN POWER FT. LOUISAHHH- WE TRAWL THE HURTS (DEETRON DRUM & BASS) 9.- NED BENNET- NAVIGATION 10.- GUNJACK- THE ICEMAN COMETH 11.- AVAN7 & BURN IN NOSE & ALTRUISM- DIVINE FORTUNE 12.- DAX J- ARES 13.- MARK BROOM & GENE RICHARDS JR- ELEPHANT BONES (TWR72 REMIX) 14.- RENE WISE- ESCAPING SIRO 15.- JAY LUMEN- BANG TO THE BEAT 16.- ROBERT HOOD- ALPHA KEY 17.- HURDSLENK- FUTURES 18.- UMEK- SHANTI 19.- BAILEY IBBS- MANIC ROOM 20.- UNCERTAIN- MANIAC (VOCAL) 21.- FILTERHEADZ- ENIGMA 22.- ALEX KARAKASIS- ENCHANTED 23.- LEN FAKI- SEXUALITY (MY REALITY) (HARDSPACE MIX) 24.- KEITH CARNAL- ALTRUISM INFORMATION: Contact: superasis@me.com Instagram: @superasis facebook: @djsuperasis & @superasisdj Twitter: @superasis & @soundsNYC Youtube: superasis presents sonidos del universo radioshow Tumblr: soundsoftheuniverseradiolive Google: SuperasisDJ PODCAST Free: Ivoox, Apple Podcasts, Google Podcasts, Amazon Music, Podimo, YouTube, Mixcloud, Soundcloud.

Andy has released 20 albums since 1986, touring with just him and his acoustic guitar. We discuss "The Happiness Index" from AT (2023), his second collaboration with Tim Finn; the title track from The Guilty and the Innocent (2017); and "Speechless" from Out There (1992). End song: "Italian Girls on Mopeds" from Boy 40 (2003). Intro: "Vision of You" from Rave On (1986). More at andywhite.com. Hear more Nakedly Examined Music. Like our Facebook page. Sponsor: Visit FactorMeals.com/nem50 (code improv50) to get 50% off America's #1 Ready-To-Eat Meal Kit.

We hear an insane Whole Lotta Love from Sept 24 1971 Tokyo, as Led Zeppelin is on their first tour of Japan. The song is 30 minutes of Rave On, You Time Is Gonna Come, I'm A Man, Hello Mary Lou, How Many More Times, and more... all within Whole Lotta Love. It's ridiculously good. Also play a groovy Communcation Breakdown. Also insane.

30 Years HAMdj (NL) 1993-2023 - Part 08 (Victor Gambon - Forgotten Techno Classics 1995-2006) This months set is a style HAMdj loves very much but it's only the second time he does it with vinyl. Techno from back in the days. Collected through the years. In this set he uses a lot of different styles of techno but thye red line is Hard. Starting around 140BPM Slowly going to around 148BPM this is an journey through Dark times in Techno. Big Classics mixed with, maybe, unknown germs. At least when HAMdj is thinking as Viktor Gambon this is what you get. Hope you all enjoy this Darkhall Underground feeling for 1 hour and 45 minutes. Imagion you are in an abandon warehouse with only stroboscoops!!! Enjoy the set. Play it at high volume, so the neighborgs will enjoy it also. RAVE ON!! 01. Barb-Wired - One 4 The Road [Bush 1040] 02. Lexicon - Different Drum [GAMB 036-6] 03. Funk D'Void - Lucky Strike (Funk's 98 Mix) [SOMA 69] 04. Philip Braunstein & DJ Paula - Don't Resist (Adam Jay Remix) [PATRNSPEC 4.5] 05. The Advent - C-on [BASH009] 06. Laurent Garnier - Crispy Bacon (Jeff Mills Solid Sleep Mix) [F055] 07. Dark Dancer - Acid Vibes [AR008] 08. Spokesman - Acid Creak (Pierre's Reconstruction Mix) [541416 501192] 09. Pom-E-Granite - Officer Squiggle (Adam Beyer Remix 1) [PAIN001R] 10. Elektrochemie LK - Rauch [CON 09] 11. Cold Dust - Shadow Boxing [CORE 005] 12. Umek - Ranzal [KUPEC 005] 13. The Advent - Standers [CCCB 10] 14. Richie Hawtin – Untiteld (A1) [M_NUS ORANGE] 15. Maximum Punishment - Delancey [MP02] 16. Redhead - The Darkness (Tom Hades Remix) [mb elek.008] 17. Marco G & Preach Vs Teknobrat - Candy 4 Ur Soul (Marco Lenzi Trippy Tarka Mix) [Missile 61] 18. SpeedyJ & Chris Liebing - Trikco_ [12NOMU136] 19. Chris McCormack - Untiteld (B1) [EMB008] 20. Pounding Grooves - Untiteld (A1.1) [PGV 17S.E.] 21. Umek - Brotax [POTENTIAL 011] 22. ρε - Sonus Terrarum (Primus Mix) [S 669] 23. A. Crash - Kopfschuss [WV 12] 24. Polished Chrome - The Land Of Rape And Glory [søk.15] 25. Depeche Mode - Dream On (Dave Clarke Remix) [12BONG30] 26. Chelsea Grin - Piggies [SR021] 27. Marchetto & Scheurer - Hard [NZ101] 28. Alex K. Katz - Polish Drums [CR12035] 29. Jeff Mills - The Bells [PM-002] 30. Jel Ford - Sarcastic [PRMT 055]

Freitag ▶️ Wochenende ▶️ Zeit für elektronische Musik

Hier ist Euer wöchentliches DJ-Set

Jimmy P, is the father of BOTA Sports, a game host on Rave On sports and a part of breaking down the tape. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nobullsportsguy/support

Peter tells us why he originally wanted to look and sound just like Buddy Holly. Hear how hard Peter and the Hermits worked for years before they signed a record deal, and how their situation improved once they had a manager who helped the band evolve and became a more professional operation. Listen to how they toured the country using public transport or cycling to venues and being paid just £5 per gig! What happened as the band became more successful? What was it like to be the lead singer of a suddenly hugely successful band? Hear what happened when Peter met the Queen and how this affected his relationship with the rest of the band. Find out why Peter feels that having your music in the movies is more rewarding than anything else, including how he feels about his song being placed in the Netflix number one show The Queen's Gambit. It's a great conversation plus you can hear Peter singing along to the songs he loves as well as his on Herman's Hermits songs! Peter Noone Website IMDB Twitter Instagram Facebook Music is the difference between a good film and a great one. Music Songs included in this episode are: Rave On by Buddy Holly I'm into Something Good by Herman's Hermits A Kind of Hush by Herman's Hermits  End of The World by Herman's Hermits SYNC SESSION FEATURING: Jodylynn Talevi – Lisa Dunn – Heather Ragnars Songs  Blue & Gold by Dante Mazzetti I'm Chaos & Destruction by Abz K (Syncromental) Falling by Agat 2 Sense  Music presents The Sync Report, where you will meet industry experts and top level songwriters as we pull the curtain back on music placement and scores, build vital relationships and provide real opportunities to our listeners. Listen to indie filmmakers present their latest productions and describe specific scenes as they consider music submitted by our audience. Please tell your friends about us, and remember to rate, comment, & subscribe to us on Apple Podcasts and across all platforms.  And find us at The Sync Report here TSR Website  Facebook  Instagram Twitter Youtube Linkedin Tik Tok  The Sync Report podcast is:   Hosted By: Colin O'Donoghue - Rose Ganguzza - Jason P. Rothberg Featuring: Kevin Sharpley - Paula Flack and Willow - Milfredo Seven - Phill Mason – Jodylynn Talevi – Lisa Dunn Produced By: Jason P. Rothberg - Paula Flack - Robert Cappadona - Kevin Sharpley Executive Producers: Colin O'Donoghue - Rose Ganguzza - Jason P. Rothberg - Kevin Sharpley - Gianfranco Bianchi - Dean Lyon Writers: Jason P. Rothberg - Lisa Dunn - Paula Flack Editors: Jason P. Rothberg - Milfredo Seven - Paula Flack - Edgar “Edge” Camey - Adam McNamara Marketing Director: Paula Flack Music Supervisors: Phill Mason Music Department: Heather Ragnars - Lisa Dunn Foley: Phill Mason Research: Lisa Dunn Art Director: Gianfranco Bianchi Graphic Design: Jodylynn Talevi College Programs: Dr Stacy Montgomery College interns: Angela Nicastro – Drift – Princess Arga – Sean Jeon

Freitag ▶️ Wochenende ▶️ Zeit für elektronische Musik

Diesen Freitagabend haben wir einen Lokalmatador aus Owl zu Gast bei der Club Business Radio Show: M-Jaay. Wer gerne bis in den Sonntagvormittag tanzt, wird an ihm nicht vorbei kommen. Er ist Resident DJ im Club Sam´s in Bielefeld.

Nature One – Unter diesem Motto steht die heutige Club Business Radio Show! Nach pandemiebedingter Pause ist es endlich wieder so weit: Die Pydna ruft zum Tanz! Das leiten wir mit einem Techno-Mix von Maik Pahlsmeyer ein. Die Ausgabe wird schnell, hart und etwas speziell. Folgt Maik auf dem Campingplatz der Nature One zu den größten Bühnen und den genialsten Camps. Auf vielen Floors legt Maik House bis Techno auf. Vom Club Campury Circus über die Pydna Alliance bis hin zu kleinen Camps könnt Ihr ihn verfolgen und zu seinen Sounds abgehen. Wir halten Euch über die üblichen Kanäle auf dem Laufenden. Die Nature One startet am Donnerstag, den 4. August, auf dem verrücktesten Campingplatz der Welt: in Kastellaun im Hunsrück. Freitag Abend geht es auf der Pydna, einem ehemaligen Bunkergeländer der US-Army, mit 22 Floors weiter – bis Sonntag morgen haben 350 DJs für Euch aufgelegt. Eskaliert gemeinsam mit Maik in das Wochenende. Den Mix spielte er auf der Technik von Denon Dj, bestehend aus dem Denon X1800 Prime Mixer und 2 Denon SC500 Prime Playern. Rave ON!

My inspiration for this Mix are memories of my historic Nite in Berghain the weekend of the CRYPTODJ's Event during BDME last Month. Rave On !!! This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

143. Rave on, children, RAVE ON! It's time for a return visit (FINALLY!) to Camber Sands, UK for the 24th annual Rockabilly Rave! Join me for a 3 hour pre-party sure to get you in a rockin' good mood. We're celebrating the BEST all-rockabilly weekender in the world with a dangerously cool selection of tracks from most of the bands performing this year at The Rave. Go bop, jive & stroll crazy with tracks from The Nite Howlers, Mitch Polzak, Paul Ansell's No. 9, The Radions, Lynette Morgan, The Go Getters, Toto & The Raw Deal, Danny-O, The Crawdads, Red Hot Riot, Legacaster, Deke Dickerson & The Whippersnappers and even The Bellfuries! As always, an expertly curated assortment of vintage 50's-era rockers to compliment the best new rockin' recordings! PLUS, an exclusive live chat with Rave organizer Jerry Chattabox (!) to find out what's new & improved for Rave #24. It's the perfect program to get you ready for some serious RAVE-action, it's DJ Del Villarreal's "Go Kat, GO! The Rock-A-Billy Show!" 

Born in Lubbock, Texas, on September 7, 1936, Charles Hardin  Holley (he later dropped the "e"), after both grandfathers    the fourth child of Lawrence Odell "L.O." Holley and Ella Pauline Drake.    older siblings were Larry, Travis, and Patricia Lou.    nicknamed Buddy from a young age, and it stuck with him throughout his life.    Oddly enough, the newspaper announcement claimed that Buddy was actually a little girl. “A daughter weighing 8.5 lbs”, the Lubbock evening journal wrote. He was also only 6.5 pounds. And a boy. Buddy's family was mainly of English and Welsh descent and had some native American ancestry. During the Great Depression, the Holleys frequently moved residences within Lubbock; 17 in all.    His father changed jobs several times.    The Holley family were a musical household.  Except for Buddy's father, all family members could play an instrument or sing. His older brothers frequently entered local talent shows, and one time, his brothers signed up and Buddy wanted to play violin with them. However, Buddy couldn't play the violin.  Not wanting to break little Buddy's heart, his older brothers greased up the strings so it wouldn't make a sound. Buddy started singing his heart out and the three ended up winning the contest!  When WWII started, the U.S. government called his brothers into service. His brother Larry brought back a guitar he bought from a shipmate, and that guitar set Buddy's off. At 11 years old, Buddy started taking piano lessons.  Nine months later, he quit piano lessons and switched to guitar after seeing a classmate playing and singing on the school bus.    His parents initially bought him a steel guitar, but Buddy insisted he wanted a guitar like his brothers. They bought him a guitar, a gold top Gibson acoustic, from a pawn shop, and his brother Travis taught him to play it.  By 15, Buddy was proficient on guitar, banjo, and mandolin. During his early childhood, Holley was influenced by Hank Williams, Jimmie Rodgers, Hank Snow, Bob Wills, and the Carter Family.  He started writing songs and working with his childhood friend Bob Montgomery. The two jammed together, practicing songs by the Louvin Brothers and Johnnie & Jack. They frequently listened to Grand Ole Opry's radio programs on WSM, Louisiana Hayride on KWKH (which they once drove 600 miles to okay just to be turned away), and Big D Jamboree.  If you're not familiar with the Grand Ol Opry, it's a weekly American country music stage concert in Nashville, Tennessee, founded on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on Clearchannel's WSM, which first hit the airwaves on October 5, 1925. Its the longest-running radio broadcast in U.S. history.    At the same time he was practicing with Bob, Holley played with other musicians he met in high school, including Sonny Curtis and Jerry Allison.    In 1952 Holley and Jack Neal participated as a duo billed as "Buddy and Jack" in a talent contest on a local television show.    After Neal left, he was replaced by his buddy Bob, and they were billed as "Buddy and Bob." By the mid-'50s, Buddy & Bob played their style of music called "western and bop ."    Holley was influenced by late-night radio stations that played the blues and rhythm and blues. Holley would sit in his car with Sonny Curtis and tune to distant “black” radio stations that could only be received at night when bigger stations turned off local transmissions.    Holley then changed his music by blending his earlier country and western influence with Rhythm and Blues. After seeing the legendary Elvis perform, Holly decided to pursue his career in music full-time once he graduated high school. By mid-1955, Buddy & Bob, who already worked with an upright bass player (played by Larry Welborn), added drummer Jerry Allison to their lineup. After seeing Elvis Presley performing live in Lubbock, who Pappy Dave Stone of KDAV booked, Buddy really wanted to get after it. In February, he opened for Elvis at the Fair Park Coliseum, in April at the Cotton Club, then again in June at the Coliseum. Elvis significantly influenced the group to turn more towards Rock n Roll. Buddy and the king became friends, with Buddy even driving Elvis around when he was in town. Eventually, Bob Montgomery, who leaned toward a traditional country sound, left the group, though they continued writing and composing songs together. Holly kept pushing his music toward a straight-ahead rock & roll sound, working with Allison, Welborn, and other local musicians, including his pal and guitarist Sonny Curtis and bassist Don Guess. In October, Holly was booked as the opener for Bill Haley & His Comets (Rock Around the Clock), to be seen by Nashville scout Eddie Crandall. Obviously impressed, Eddie Crandall talked Grand Ole Opry manager Jim Denny into finding a recording contract for Holley. Pappy Stone sent Denny a demo tape, which Denny forwarded to Paul Cohen. Cohen signed the band to Decca Records in February 1956.    In the contract, Decca accidentally misspelled Holley's surname as "Holly," From that point forward, he was known as "Buddy Holly." On January 26, 1956, Holly went to his first professional recording session with producer Owen Bradley. He was a part of two more sessions in Nashville.    the producer selected the session musicians and arrangements, Holly became frustrated by his lack of creative control. In April 1956, Decca released "Blue Days, Black Nights" as a single and "Love Me" on the B-side.    "B-sides" were secondary songs that were sent out with single records. They were usually just added to have something on the flip side. Later they became songs that bands would either not release or wait to release.  Jim Denny added Holly on tour as the opening act for Faron Young. While on this tour, they were promoted as "Buddy Holly and the Two Tones." Decca then called them "Buddy Holly and the Three Tunes." The label released Holly's second single, "Modern Don Juan," along with "You Are My One Desire."    Unfortunately, neither one of these singles tickled anyone's fancy. On January 22, 1957, Decca informed Holly that they wouldn't re-sign him and insisted he could not record the same songs for anyone else for five years. The same shit happened to Universal and me. A couple of classics, like "Midnight Shift" and "Rock Around with Ollie Vee," did come out of those Decca sessions, but nothing issued at the time went anywhere. It looked as though Holly had missed his shot at stardom.  Holly was disappointed with his time with Decca. inspired by Buddy Knox's "Party Doll" and Jimmy Bowen's "I'm Stickin' with You" he decided to visit Norman Petty, who produced and promoted both of those successful records.    Buddy, Jerry Allison, bassist Joe B. Mauldin, and rhythm guitarist Niki Sullivan pulled together and headed to Petty's studio in Clovis, New Mexico. The group recorded a demo of the now-classic, "That'll Be the Day," which they had previously recorded in Nashville. Now rockin' that lead guitar, Holly finally achieved the sound he wanted. They got the song nailed down and recorded. Along with Petty's help, the group got it picked up by Murray Deutsch, a publishing associate of Petty's, and Murray got it to Bob Thiele, an executive at Coral Records. Thiele loved it. Ironically, Coral Records was a subsidiary of Decca, the company Holly had signed with before. On a side note, a subsidiary is a smaller label under the major label's umbrella. For instance, Universal signed my band to Republic, a subsidiary of Universal Music that dealt primarily with rock genres, like Godsmack. Norman Petty saw the potential in Buddy and became his manager. He sent the record to Brunswick Records in New York City. Thiele saw the record as a potential hit, but there were some significant hurdles to overcome before it could be released.  According to author Philip Norman, in his book Rave On, Thiele would only get the most reluctant support from his record company. Decca had lucked out in 1954 when they'd signed Bill Haley & His Comets and saw their "Rock Around the Clock" top the charts. Still, very few of those in charge at Decca had a natural feel or appreciation for Rock & Roll, let alone any idea of where it might be heading or whether the label could (or should) follow it down that road. Also, remember that although Buddy had been dropped by Decca the year before, the contract that Holly signed explicitly forbade him from re-recording anything he had recorded for them, released or not, for five years. However, Coral was a subsidiary of Decca, and Decca's Nashville office could hold up the release and possibly even haul Holly into court.  "That'll Be the Day" was issued in May of 1957 mainly as an indulgence to Thiele, to "humor" him. The record was put out on the Brunswick label, more of jazz and R&B label, and credited to the Crickets. The group chose this name to prevent the suits at Decca -- and more importantly, Decca's Nashville office -- from finding out that this new release was from the guy they had just dropped. The name “The Crickets” was inspired by a band that Buddy and his group followed, called “the Spiders” and they initially thought about calling themselves “The Beetles”, with two E's, but Buddy said he was afraid people would want to “squash them.” So, they picked “The Crickets.” Petty also became the group's manager and producer, signing the Crickets, identified as Allison, Sullivan, and Mauldin, to a contract. Unfortunately, Holly wasn't listed as a member in the original document to keep his involvement with "That'll Be the Day" a secret. This ruse would later become the source of severe legal and financial problems for Buddy.    The song shot to #1 on the national charts that summer. But, of course, Decca knew Holly was in the band by then. So, with Thiele's persuasion and realizing they had a hit on their hands, the company agreed to release Holly from the five-year restriction on his old contract. This release left him free to sign any recording contract he wanted. While sorting out the ins and outs of Holly's legal situation, Thiele knew that Buddy was far more than a one-hit-wonder and that he could potentially write more and different types of hits. So, Holly found himself with two recording contracts, one with Brunswick as a member of the Crickets and the other with Coral Records as Buddy Holly, all thanks to Thiele's ingenious strategy to get the most out of Buddy and his abilities. By releasing two separate bodies of work, the Crickets could keep rockin' while allowing its apparent leader and "star" to break out on his own.    Petty, whose name seems fitting as we go through this, acted as their manager and producer. He handed out writing credits at random, gifting Niki Sullivan and Joe B. Mauldin (and himself) the co-authorship of the song, "I'm Gonna Love You Too," while leaving Holly's name off of "Peggy Sue." at first. The song title, “Peggy Sue” was named after Buddy's biggest fan. Petty usually added his own name to the credit line, something the managers and producers who wanted a more significant piece of the pie did back in the '50s. To be somewhat fair, Petty made some suggestions, which were vital in shaping certain Holly songs. However, he didn't contribute as much as all of his credits allow us to believe. Some confusion over songwriting was exacerbated by problems stemming from Holly's contracts in 1956. Petty had his own publishing company, Nor Va Jak Music, and Buddy signed a contract to publish his new songs. However, Holly had signed an exclusive agreement with another company the year before. To reduce his profile as a songwriter until a settlement could be made with Petty and convince the other publisher that they weren't losing too much in any compensation, buddy copyrighted many of his new songs under the pseudonym "Charles Hardin." So many names!   The dual recording contracts allowed Holly to record a crazy amount of songs during his short-lived 18 months of fame. Meanwhile, his band -- billed as Buddy Holly & the Crickets -- became one of the top attractions of the time. Holly was the frontman, singing lead and playing lead guitar, which was unusual for the era, and writing or co-writing many of their songs. But the Crickets were also a great band, creating a big and exciting sound (which is lost to history, aside from some live recordings from their 1958 British tour). Allison was a drummer ahead of his time and contributed to the songwriting more often than his colleagues, and Joe B. Mauldin and Niki Sullivan provided a solid rhythm section.   The group relied on originals for their singles, making them unique and years ahead of their time. In 1957-1958, songwriting wasn't considered a skill essential to a career in rock & Roll; the music business was still limping along the lines it had followed since the '20s. Songwriting was a specialized profession set on the publishing side of the industry and not connected to performing and recording. A performer might write a song or, even more rarely, like Duke Ellington (It Don't Mean A Thing), count composition among his key talents; however, this was generally left to the experts. Any rock & roller wanting to write songs would also have to get past the image of Elvis. He was set to become a millionaire at the young age of 22. He never wrote his songs, and the few songwriting credits he had resulted from business arrangements rather than writing anything.   Buddy Holly & the Crickets changed that seriously by hitting number one with a song they'd written and then reaching the Top Ten with originals like "Oh, Boy" and "Peggy Sue," They were regularly charging up the charts based on their songwriting. This ability wasn't appreciated by the public at the time and wouldn't be noticed widely until the '70s. Still, thousands of aspiring musicians, including John Lennon and Paul McCartney, from some unknown band called "The Beatles," took note of their success, and some of them decided to try and tried to be like Buddy. Also unknown at the time, Holly and his crew changed the primary industry method of recording, which was to bring the artist into the label's studio, working on their timetable. If an artist were highly successful, they got a blank check in the studio, and any union rules were thrown out, but that was rare and only happened to the highest bar of musicians. Buddy Holly & the Crickets, however, did their thing, starting with "That'll Be the Day," in Clovis, New Mexico, at Petty's studio. They took their time and experimented until they got the sound they were looking for. No union told them when to stop or start their work, and they delivered terrific records; not to mention, they were albums that sounded different than anything out there. The results changed the history of rock music. The group worked out a new sound that gave shape to the next wave of rock & Roll. Most definitely influenced was British rock & Roll and the British Invasion beat, with the lead and rhythm guitars working together to create a fuller, more complex sound. On songs such as "Not Fade Away," "Everyday," "Listen to Me," "Oh Boy!," "Peggy Sue," "Maybe Baby," "Rave On," "Heartbeat," and "It's So Easy," Holly took rock & roll's range and sophistication and pushed it without abandoning its excitement and, most importantly, it's fun. Holly and the band weren't afraid to push the envelope and try new things, even on their singles. "Peggy Sue" used changes in volume and timbre on the guitar that was usually only used in instrumental albums. "Words of Love" was one of the earliest examples of double-tracked vocals in rock & Roll, and the Beatles would jump on that train the following decade. Buddy Holly & the Crickets were extremely popular in America. Still, in England, they were even more significant; their impact was compared to Elvis and, in some ways, was even bigger. This success was because they toured England; Elvis didn't. They spent a month there in 1958, playing a list of shows that were still talked about 30 years later. It also had to do with their sound and Holly's persona on stage. The group's heavy use of rhythm guitar fit right in with the sound of skiffle music, a mix of blues, folk, country, and jazz elements that most of the younger British were introduced to playing music and their first taste of rock & Roll. Also, Holly looked a lot less likely a rock & roll star than Elvis. He was tall, skinny, and wore glasses; he looked like an ordinary dude who was good at music. Part of Buddy's appeal as a rock star was how he didn't look like one. He inspired tens of thousands of British teenagers who couldn't compare themselves to Elvis or Gene Vincent. (Be Bop A Lula) In the '50s, British guitarist Hank Marvin of the Shadows owed his look and that he wore his glasses proudly on-stage to Holly, and it was brought into the '70s by Elvis Costello.  Buddy may have played several different kinds of guitars but, he was specifically responsible for popularizing the Fender Stratocaster, especially in England. For many wannabe rock & rollers in the UK, Holly's 1958 tour was the first chance they'd had to see or hear this iconic guitar in action, and it quickly became the guitar of choice for anyone wanting to be a guitarist in England. In fact, Marvin is said to have had the first Stratocaster ever brought into England.   The Crickets became a trio with Sullivan dipping out in late 1957, right after the group's appearance on The Ed Sullivan Show, but a lot more would transpire over the next year or so. The group consolidated its success with the release of two L.P.s, The Chirping Crickets, and Buddy Holly. They had two successful international tours and performed more in the United States. Holly had also started to have different ideas and aspirations than Allison and Mauldin. They never thought of leaving Texas as their home, and they continued to base their lives there, while Buddy wanted to be in New York, not just to do business but to live. His marriage to Maria Elena Santiago, a receptionist in Murray Deutsch's office, made the decision to move to New York that much easier. By this time, Holly's music had become more sophisticated and complex, and he passed off the lead guitar duties in the studio to session player Tommy Alsup. He had done several recordings in New York using session musicians such as King Curtis. It was around this time that the band started to see a slight decline in sales. Singles such as "Heartbeat" didn't sell nearly as well as the 45s of 1957 that had rolled out of stores. It's said that Buddy might even have advanced further than most of the band's audience was willing to accept in late 1958. Critics believe that the song "Well...All Right" was years ahead of its time.   Buddy split with the group -- and Petty -- in 1958. This departure left him free to chase some of those newer sounds, which also left him low on funds. In the course of the split, it became clear to Holly and everyone else that Petty had been fudging the numbers and probably taken a lot of the group's income for himself. Unfortunately, there was almost no way of proving his theft because he never seemed to finish his "accounting" of the money owed to anyone. His books were ultimately found to be so screwed up that when he came up with various low five-figure settlements to the folks he robbed, they took it.   Holly vacationed with his wife in Lubbock, TX, and hung out in Waylin Jennings's radio station in December 1958. With no money coming in from Petty, Holly decided to earn some quick cash by signing to play the Midwest's Winter Dance Party package tour. For the start of the Winter Dance Party tour, he assembled a band consisting of Waylon Jennings (on bass), Tommy Allsup (on guitar), and Carl Bunch (on drums). Holly and Jennings left for New York City, arriving on January 15, 1959. Jennings stayed at Holly's apartment by Washington Square Park on the days before a meeting scheduled at the headquarters of the General Artists Corporation, the folks who organized the tour. They then traveled by train to Chicago to meet up with the rest of the band. The Winter Dance Party tour began in Milwaukee, Wisconsin, on January 23, 1959. The amount of travel involved created problems because whoever booked the tour dates didn't consider the distance between venues. On top of the scheduling conflicts, the unheated tour buses broke down twice in the freezing weather. In addition, Holly's drummer Carl Bunch was hospitalized for frostbite to his toes while aboard the bus, so Buddy looked for different transportation.  Buddy actually sat in on drums for the local bands while Richie Valenz played drums for Buddy.    On February 2, before their appearance in Clear Lake, Iowa, Holly chartered a four-seat Beechcraft Bonanza airplane for Jennings, Allsup, and himself, from Dwyer Flying Service in Mason City, Iowa, for $108.  Holly wanted to leave after the performance at the Surf Ballroom in Clear Lake and fly to their next venue, in Moorhead, Minnesota, through Fargo, North Dakota. This plan would allow them time to rest, wash their clothes and avoid being on that crappy bus. The Clear Lake Show ended just before midnight, and Allsup agreed to flip a coin for the seat with Richie Valens. Valens called heads, and when he won, he reportedly said, "That's the first time I've ever won anything in my life" On a side note, Allsup later opened a restaurant in Fort Worth, Texas called Heads Up, in memory of this statement. Waylon Jennings voluntarily gave up his seat to J. P. Richardson (the Big Bopper), who had the flu and complained that the tour bus was too cold and uncomfortable for a man of his stature. When Buddy heard Waylon wouldn't be flying with him, he jokingly said, “I hope your old bus freezes up!” Then Waylon responded, “well, I hope your old plane crashes!” The last thing he would ever say to his friend. Roger Peterson, the pilot and only 21, took off in pretty nasty weather, although he wasn't certified to fly by instruments alone, failing an instrument test the year before. He was a big fan of Buddy's and didn't want to disappoint, so he called a more seasoned pilot to fly the trio to their destination. “I'm more of a Lawrence Welk fan.”  Sadly, shortly after 12:55 am on February 3, 1959, Holly, Valens, Richardson, and Peterson were killed instantly when the plane crashed into a frozen cornfield five miles northwest of Mason City, Iowa, airport shortly after takeoff. Buddy was in the front, next to the pilot. He loved flying and had been taking flying lessons. The three musicians were ejected from the plane upon impact, suffering severe head and chest injuries. Holly was 22 years old.   Holly's funeral was held on February 7, 1959, at the Tabernacle Baptist Church in Lubbock, TX. It was officiated by Ben D. Johnson, who married the Hollys' just months earlier. Jerry Allison, Joe B. Mauldin, Niki Sullivan, Bob Montgomery, and Sonny Curtis were pallbearers. Some sources say that Phil Everly, the one half of The Everly Brothers, was also the pallbearer, but he said at one time that he attended the funeral but was not a pallbearer. In addition, Waylon Jennings was unable to participate because of his commitment to the still-touring Winter Dance Party. Holly's body was buried in the City of Lubbock Cemetery, in the city's eastern part. His headstone has the correct spelling of his last name (Holley) and a carving of his Fender Stratocaster guitar. His wife, María Elena, had to see the first reports of her husband's death on T.V. She claimed she suffered a miscarriage the following day. Holly's mother, who heard the news on the radio in Lubbock, Texas, screamed and collapsed. Because of Elena's miscarriage, the authorities implemented a policy against announcing victims' names until the families were informed. As a result, Mary did not attend the funeral and has never visited the gravesite. She later told the Avalanche-Journal, "In a way, I blame myself. I was not feeling well when he left. I was two weeks pregnant, and I wanted Buddy to stay with me, but he had scheduled that tour. It was the only time I wasn't with him. And I blame myself because I know that, if only I had gone along, Buddy never would have gotten into that airplane."    The accident wasn't considered a significant piece of news at the time, although sad. Most news outlets were run by out-of-touch older men and didn't think rock & Roll was anything more than to be exploited to sell newspapers or grab viewing audiences. However, Holly was clean-cut and scandal-free, and with the news of his recent marriage, the story contained more misery than other music stars of the period. For the teens of the time, it was their first glimpse of a public tragedy like this, and the news was heartbreaking. Radio station D.J.s were also traumatized. The accident and sudden way it happened, along with Holly and Valens being just 22 and 17, made it even worse. Hank Williams Sr had died at 29, but he was a drug user and heavy drinker, causing some to believe his young death was inevitable. The blues guitarist Johnny Ace had passed in 1954 while backstage at a show. However, that tragedy came at his hand in a game of Russian roulette. Holly's death was different, almost more personal to the public.     Buddy left behind dozens of unfinished recordings — solo transcriptions of his new compositions, informal jam sessions with bandmates, and tapes with songs intended for other musicians. Buddy recorded his last six original songs in his apartment in late 1958 and were his most recent recordings. In June 1959, Coral Records overdubbed two of the songs with backing vocals by the Ray Charles Singers and hired guns to emulate the Crickets sound. Since his death, the finished tracks became the first singles, "Peggy Sue Got Married"/"Crying, Waiting, Hoping." The new release was a success, and the fans and industry wanted more. As a result, all six songs were included in The Buddy Holly Story, Vol. 2 in 1960 using the other Holly demos and the same studio personnel. The demand for Holly records was so great, and Holly had recorded so many tracks that his record label could release new Holly albums and singles for the next ten years. Norman Petty, the alleged swindler, produced most of these new songs, using unreleased studio masters, alternative takes, audition tapes, and even amateur recordings (a few from 1954 with recorded with low-quality vocals). The final Buddy Holly album, "Giant," was released in 1969 with the single, "Love Is Strange," taking the lead.   These posthumous records did well in the U.S. but actually charted in England. New recordings of his music, like the Rolling Stones' rendition of "Not Fade Away" and the Beatles' rendition of "Words of Love," kept Buddy's name and music in the hearts and ears of a new generation of listeners. In the States, the struggle was a little more challenging. The rock & roll wave was constantly morphing, with new sounds, bands, and listeners continuously emerging, and the general public gradually forgot about Buddy and his short-lived legacy. Holly was a largely forgotten figure in his own country by the end of the '60s, except among older fans (then in their twenties) and hardcore oldies listeners. Things began to shift toward the end of the '60s with the start of the oldies boom. Holly's music was, of course, a part of this movement. But, as people listened, they also learned about the man behind the music. Even the highly respected rock zine Rolling Stone went out of its way to remind people who Buddy was. His posing images from 1957 and 1958, wearing his glasses, a jacket, and smiling, looked like a figure from another age. The way he died also set him apart from some of the deaths of rockers like Brian Jones, Jimi Hendrix, Janis Joplin, and Jim Morrison, musicians who, at the time, overindulged in the rock in roll lifestyle. Holly was different. He was eternally innocent in all aspects of his life. Don McLean, a relatively unknown singer/songwriter, who proudly considered himself a Buddy Holly fan, wrote and released a song called "American Pie," in 1971, catapulting him into the musical ethos. Although listeners assumed McLean wrote the song about President Kennedy, he let it be known publicly that he meant February 3, 1959, the day Holly died. Maclean was a holly fan and his death devastated him when he was only 11. The song's popularity led to Holly suddenly getting more press exposure than he'd ever had the chance to enjoy in his lifetime.     The tragic plane accident launched a few careers in the years after. Bobby Vee became a star when his band took over Holly's spot on the Winter Dance Party tour.  Holly's final single, "It Doesn't Matter Anymore," hit the British charts in the wake of his death and rose to number one. Two years after the event, producer Joe Meek and singer Mike Berry got together to make "Tribute to Buddy Holly," a memorial single. But, unfortunately, rumor has it that Meek never entirely got over Holly's death, and he killed himself on the anniversary of the plane accident.   The Rock and Roll Hall of Fame included Holly among its first class in 1986. Upon his induction, the Hall of Fame basked about the large quantity of material he produced during his short musical career. Saying, "He made a major and lasting impact on popular music ." Calling him an "innovator" for writing his own material, experimenting with double-tracking, and using orchestration. He was also revered for having "pioneered and popularized" the use of two guitars, bass, and drums by rock bands. He was also inducted into the Songwriters Hall of Fame in 1986, saying his contributions "changed the face of Rock' n' Roll." Along with Petty, Holly developed techniques like overdubbing and reverb and other innovative instrumentation. As a result, according to the Songwriters Hall of Fame, Holly became "one of the most influential pioneers of rock and roll" who had a "lasting influence" on genre performers of the 1960s.   Paul McCartney bought the rights to Buddy Holly's entire song catalog on July 1, 1976.   Lubbock TX's Walk of Fame has a statue honoring Buddy of him rocking his Fender, which Grant Speed sculpted in 1980. There are other memorials to Buddy Holly, including a street named in his honor and the Buddy Holly Center, which contains a museum of memorabilia and fine arts gallery. The Center is located on Crickets Avenue, one street east of Buddy Holly Avenue.  There was a musical about Buddy. Buddy: The Buddy Holly Story, a “pioneering jukebox musical which worked his familiar hits into a narrative,” debuted in the West End in 1989. It ran until 2008, where it also appeared on Broadway, as well as in Australia and Germany, not to mention touring companies in the U.K. and U.S.   In 1994 "Buddy Holly" became a massive hit from the band Weezer, paying homage to the fallen rocker and is still played on the radio and whenever MTV decides to play videos on one of their side stations. Again, in ‘94, Holly's style also showed up in Quentin Tarantino's abstract and groundbreaking film Pulp Fiction, which featured Steve Buscemi playing a waiter impersonating Buddy.   In 1997, Buddy received the Lifetime Achievement Award from the National Academy of Recording Arts and Sciences. He was inducted into the Iowa Rock 'n' Roll Hall of Fame in 2000, as well. In 2010, Grant Speed's statue of Buddy and his guitar was taken down for repairs, and construction of a new Walk of Fame began. On May 9, 2011, the City of Lubbock held a ribbon-cutting ceremony for the Buddy and Maria Elena Holly Plaza, the new home of the statue and the Walk of Fame. The same year, on why would be Buddy's 75th birthday, a star with his name was placed on the Hollywood Walk of Fame.   There were two tribute albums released in 2011: Verve Forecast's Listen to Me: Buddy Holly,  featuring Stevie Nicks, Brian Wilson, and Ringo Starr plus 13 other artists, and Fantasy/Concord's Rave on Buddy Holly, which had tracks from Paul McCartney, Patti Smith, the Black Keys, and Nick Lowe, among others.  Pat DiNizio of the Smithereens released his own Holly tribute album in 2009. Universal released True Love Ways, an album where original Holly recordings were overdubbed by the Royal Philharmonic Orchestra in 2018, just in time for Christmas. That album debuted at number 10 on the U.K. charts. Groundbreaking was held on April 20, 2017, to construct a new performing arts center in Lubbock, TX, dubbed the Buddy Holly Hall of Performing Arts and Sciences, a $153 million project in downtown Lubbock completed in 2020 located at 1300 Mac Davis Lane.   Recently, on May 5, 2019, an article on gearnews.com had a pretty cool story, if it's true.   The famous Fender Stratocaster played and owned by Buddy Holly that disappeared after his death in 1959 has been found, according to a new video documentary called "The '54".   Gill Matthews is an Australian drummer, producer, and collector of old Fender guitars. According to the documentary, he may have stumbled upon Buddy Holly's legendary guitar. The film is The '54 and tells the history of one particular 1954 Fender Stratocaster Gil purchased two decades after the plane crash that claimed Buddy's life. Experts cited in the film say there is a good chance that the guitar in Matthews' possession is indeed Buddy Holly's actual original '54 Fender Stratocaster. If this is true, it is possibly one of the most significant finds in guitar history. You can watch the video at gearnews.com and see all the evidence presented during the film.     Sources: A biography on allmusic.com written by Bruce Eder was the main source of information here with other info coming from the following Rave on: The Biography of Buddy Holly written by Phillip Norman   Buddy Holly : Rest In Peace by Don Mclean "Why Buddy Holly will never fade away" an article on The Telegraph website written by Phillip Norman   Various other articles were used and tidbits taken from wikipedia.   And Adam Moody   Consider becoming a producer of the show. www.accidentaldads.com www.iconsandoutlaws.com       

tarte mit uns gemeinsam ins Wochenende

A National Champion will be crowned tonight as the North Carolina Tar Heels take on the Kansas Jayhawks in the Finals. The Tar Heels are coming off ending the legendary career of Coach K in the Final Four. The Jayhawks are coming off dominating the Villanova Wildcats in the Final Four. Two Blue Blood programs, only one can be called CHAMPION. The Playmaker previews the men's National Championship Game and recap the women's National Championship Game. Congratulations to the South Carolina Gamecocks and Dawn Staley.   Subscribe follow, like the podcast on your favorite streaming platforms as well as leave a rate & review. Download the Rave On app and chat live with hosts and other fans in the Live Game Chat! Follow The Playmakerz Blog on social media (Facebook, Twitter, and Instagram) & our Website for all our other podcasts. Follow The Playmaker on social media (Facebook, Twitter, and Instagram) --- Send in a voice message: https://anchor.fm/theplaymakerzblog/message

Rave On sports app co-founders Brittany Harris and James Clark discuss the concept of the Rave On sports app, the process of putting their thoughts into action, how it enhances the experience of watching a game and the former Cats that are getting involved. And we also, of course, talked about the Cats.

Kentucky comes up short in Knoxville. We look back at the Super Bowl. David Cobb of CBS Sports stopped by to talk some college football and basketball. Brittany Harris and James Clark of Rave On Sports joined us to talk UK and all the great things about the Rave On app! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cats-talk-wednesday/message Support this podcast: https://anchor.fm/cats-talk-wednesday/support

Le photographe Olivier Degorce qui expose au Point Ephémère à Paris, dans le cadre de l'expo « Rave On » dédiée aux origines du mouvement des raves parties.. 

Startet mit uns gemeinsam ins Wochenende

Der „alte Mann“ hat für Euch wieder tief in die Trickkiste gegriffen: Dirk „Malli“ Mallwitz ist ein Garant für überragende Sets

Richard Swift "Lady Luck"Margo Price "Weakness"Little Richard "Slippin' and Slidin'"Big Mama Thornton "Watermelon Man"The White Stripes "Stop Breaking Down"Adia Victoria "Howlin' Shame"Chuck Berry "Mean Old World"Bob Dylan "Like a Rolling Stone"Thelonious Monk "Monk's Dream"Mavis Staples "Will The Circle Be Unbroken"Dolly Parton "Traveling Man"Billy Joe Shaver "Tell Me Virginia"Matt Woods "Fireflies"Ted Taylor "You Got to Feel It"Eddie Hinton "Everybody Needs Love"Dan Penn "The Dark End of the Street"Ted Taylor "If I Thought You Needed Me"The Jimi Hendrix Experience "If 6 Was 9"Sly & The Family Stone "Que Sera, Sera (Whatever Will Be Will Be)"The Marvelettes "Please Mr Postman"S.G. Goodman "Old Time Feeling"Doc & Merle Watson "If I Needed You"Cedric Burnside "Pretty Flowers"Neko Case "Nobody Knows You When You're Down And Out"Amanda Shires "My Love (The Storm)"Charlie Parr "Walking Back from Willmar"M. Ward "Rave On"Maria Taylor "Cartoons and Forever Plans "Kevin Morby & Waxahatchee "Farewell Transmission"Grateful Dead "Candyman"Swamp Dogg "The Mind Does the Dancing While the Body Pulls the Strings"Patti Smith Group "Ask The Angels"Micah Schnabel "Blame It On Geography"Aimee Mann "Give Me Fifteen"Kitty Wells "I Can't Stop Loving You"The Mountain Goats "Dark in Here"William Elliot Whitmore "Old Devils"Cat Power "Lived In Bars"Billy Bragg "The Unwelcome Guest"Vic Chesnutt "The Night The Lights Went Out In Georgia"

Für Euch zu Gast in der heutigen Ausgabe: DJ Tinitus. Ein Künstler aus der Stadt der vielen Baustellen - Bielefeld. Musikalisch ist Tinitus breit aufgestellt und spielt von House bis Hardstyle alles, was die elektronische Musik zu bieten hat. In der heutigen Club Business Radio Show lässt er es aber etwas ruhiger angehen. Von bekannten Klassikern bis zum melodischen House-Sound ist so einiges für Euch dabei. Schaltet ein und lasst Euch diesen tanzbaren Sound am Freitagabend nicht entgehen. Den melodischen Mix spielt Tinitus auf der Technik von Denon Dj, bestehend aus dem Denon X1800 Prime Mixer und 2 Denon SC500 Prime Playern. Rave ON! DJ Tinitus findet ihr auf: ▶ soundcloud.com/dj_tinitus ▶ facebook.com/DJ-Tinitus-387106295096443 ▶ Bookings: djtinitus@tutanota.com

Dreht die Lautstärke auf und lasst Eure Nachbarn an Eurem gutem Musikgeschmack teilhaben: Es wird HOUSIG! Vom neuste Track „Shine“ von Sven Kerkhoff über das neuste Werk vom Großmeister himself Sven Väth: FEIERN

【喜歡這個Set? 歡迎加入國民電音新生活！】 ▶️ Oxygen Formula EDM 紮背趴 https://www.facebook.com/edm18pa ▶️ O2F EDM紮背趴應援團 https://www.facebook.com/groups/edm18pa -- ※ Tracklist: Kidnap - Cold Water (Birds That Fly) [TECH ME HOME]; Sherman de Vries x New Beat Order x Veronica Bravo - Again (Magic Free Release); Hentai Xander - In Heat. (Dave Ruthwell Remix) (No-Copyright Music)[NoFace Records] Duke Dumont Vs CID & Volkoder - 100% Honey (DJ Harry Dunkley Mashup); Stone Van Brooken - More Than Fine [TECH ME HOME]; THYKIER - Station 2 [NCS10 Release]; David Guetta, Sia x Showtek, Ookay - Booyah Bounce - [Cheyenne Giles & Knock2 Festival Flip] Bolier, Joe Stone & Voost Vs Joey Negro - Make a Burning Move (BNM Bootleg); Alok & VIZE ft. Alida - Love Again (EDM Remix)(No Copyright Music) [Infinity Record] Hrry Oliver - Need You Now [Futurity Release]; Nyron - Electric [ProgressiveRecord]; Winning Team - Keep Calm and Rave On; WnderSouls - Beautiful Life [Progressive Record] Evokings, SHM, Chapter&Verse - Tech Party vs Leave The World Behind vs Ashes (LST CNTRL Mashup); Modjo - Lady (Dave Ruthwell x Mr. Sid x Markhese Remix); Versue - That Night (No-Copyright Music) [NoFace Records]; Drove, Years & Years, Brando - Peace Of Mind vs Desire vs Look Into My Eyes (LST CNTRL Mashup); Swedish House Mafia and The Weeknd-Moth To A Flame (CØDE VIP Remix); Powered by Firstory Hosting

Episode 84: Rave On is ALL about sports. A recent addition to Awesome Inc's Fellowship program, Rave On Sports' fan-focused app gives people a place to connect with other fanatics, cheer, and jeer as the action happens! Founders James Clark and Brittany Harris sit down with Garrett to chat about how it all started. From super fans to super founders, James and Brittany have built something worth rooting for. Recorded October 20, 2021 - this will help with references to recent and upcoming collegiate and professional games. --- Send in a voice message: https://anchor.fm/awesomeinc/message

Piotr Świętochowski aka Saint Peter. Addicted to electronic music DJ based in Warsaw, Poland. Member of Znamy się z Techno collective. He is distinguished by a unique style in the selection of tracks based on diversity and great versatility. That's why he calls his mixes and artistic styles #day (Progressive, Deep, Melodic & Organic House) and #night (Techno, Hard Techno, Hardgroove, Oldschool). A man of a bipolar nature what can be heard in the music he presents. Two faces, two things in common: energy & emotions. On the stage he feels best at night, when he presents an energetic selection of pumping techno, often reaching 150 bpm on the counter, and sometimes even 160 bpm. In 2020, after many years of break, he returned to playing with people and for the people. In recent months, you could hear him in venues such as Smolna, Luzztro, ISKRA, Underground by Mazo, Techno-Kultura, The Blue Oyster, Rave On, Kombinat, Warszawa Główna, Source, Proper Rave, Creepy Rave and many more... He was nominated to MUNOLUDY award in the Discovery of the Year 20XX category. In 2021 he performed at Szaniec Stage at Wisłoujście, one of the biggest electronic music festival in Poland happening every August in Twierdza Wisloujscie, Gdansk. FB - www.facebook.com/saintpeterdjpl IG - Instagram.com/saintpeterdjpl SC - @saintpeterdjpl YT - youtube.com/channel/UCu6fnCDzdtZRh39UMII0rYw LT - linktr.ee/saintpeterdjpl

FREEZY ist ein Paderborner DJ, dessen Sound sich in den schnelleren Spektren der Techno Musik bewegt [138-160 BPM]. Ihr kennt ihn aus dem Franz Ferdinand Club und dem Wohlsein in Paderborn. Er schafft es immer wieder die Tanzfläche mit seinen dunklen und dennoch abwechslungsreichen Klängen zu füllen. Sein Geheimrezept: wummernde Kicks, klatschende Snares und Melodien mit Wiedererkennungswert! Den Mix spielte FREEZY FX auf 2x2 Decks von Denon Dj, bestehend aus dem Denon X1800 Prime Mixer und 2 Denon SC500 Prime Playern. Rave ON! ◼️

Die heutige Ausgabe der Club Business Radio Show steht ganz im Zeichen von groovigem Techhouse. Maik Pahlsmeyer kredenzt eine feine Mischung aus neuesten Scheiben und zum Teil unveröffentlichten Tracks. Der musikalische Mix dient Euch als Warm Up fürs Wochenende und somit auch für die Phoenixvibes am 2.10.21 in Dortmund mit Neil Richter und dem Vinylsurfer. Den Mix spielt Maik auf der Technik von Denon Dj, bestehend aus dem Denon X1800 Prime Mixer und 2 Denon SC500 Prime Playern. Rave ON!

Seit 17 Jahren liefert Euch die Club Business Radio Show

Join Jessica Sterling (@thejesssterling) and Sara Fergenson (@sarafergenson) as they discuss Season 3 Episodes 8 & 9 Rave On and The Last Temptation of Cory. They obsess over Reginald Fairfield, give Trini the love she deserves and discuss ANOTHER con by Feeny.Follow us on Twitter and Instagram at @shit90spod.Email us at shit90spod@gmail.comSpecial thanks to JD McGuire (@jdmcguire) for our theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Suzi Quatro sigue marcando el paso con su bajo desde Detroit. Un rock distinto al de los bostonianos Watts, más jóvenes aunque no menos garajeros. American Aquarium tienen un disco fantástico de versiones de country de los 70 y Rob Lutes un folkie canadiense deja su estilo antes de volver al rockandroll con Radio Days desde Milán con su explosivo Rave On! Un par de versiones de Timmy Sean al tributo a los 50 años del disco de Paul & Linda McCartney Ram dan paso a una burla de los Blips y a un par de rockabillies retro con Billy Nixon de su exquisito “C'mon Let's Rattle” ¡a disfrutar!⦁ Suzi Quatro, Hey Queenie⦁ Suzi Quatro, Betty Who? (feat. Cherie Currie)⦁ Watts, The Night the Lights Went Down⦁ Watts, All Done with Rock & Roll⦁ American Aquarium, Queen of My Double Wide Trailer⦁ American Aquarium, I Try to Think About Elvis⦁ Rob Lutes, Work of Art⦁ Radio Days, Walk Alone⦁ Radio Days, I Got A Love⦁ Ram On, Smile Away (feat. Timmy Sean)⦁ Ram On, Monkberry Moon Delight (feat. Timmy Sean)⦁ Reid Jamieson, Don't Let Me Down⦁ The Blips, Yes Yes No, Yes Yes No⦁ Billy Nixon, What It Takes To Love You⦁ Billy Nixon, I Remember Jenny⦁ American Aquarium, Down At The Twist And Shout

SPLIT SINGLE – Nothing You Can Do to End This Love (single) UNDERWATER SUNSHINE – It’s You (Suckertree) YOUR ACADEMY – Why Don’t We? (s/t) ANDY BOPP – I’m a Jetfighter (single) JIM TRAINOR - Heaven Descending (Staring Down the Sun) :10 LOVEBREAKERS – Family Man (Primary Colours) RADIO DAYS – What is Life? (Rave On!) TAMAR BERK – In The Wild (Restless Dreams of Youth) ALL OVER THE SHOP – Movin’ Too Slow (s/t EP) THE AUGUST TEENS – This Time I (I’m Selfish and So is My Cat) THE LEGAL MATTERS - A Memory of a Sound (Chapter Three) :22 TEENAGE FANCLUB – Living With You (Endless Arcade) SILVER SYNTHETIC – Out of the Darkness (s/t) SILVERTWIN – You Only (single) TUNS – We Stand United (Duly Noted) MATTHEW SWEET – Stars Explode (Cat’s Paw) DEADLIGHTS – Breaking Down (s/t) RINSE – Back Into Your Arms (single) MIDDLE KIDS - Some People Stay In Our Hearts Forever (Today We’re the Greatest) THE INSTITUTES – All That You Ever Know (single) NADA SURF – Telescope (Karmic EP) CADDY – Heart of Stone (Detours & Dead Ends Vol. 1) CAPER CLOWNS – Pineapple Songs (Abdicate the Throne) JELLYFISH – Baby’s Coming Back (Bellybutton) BRUCE MOODY – Survival (Forever Fresh!) THE TISBURYS – Fading Light (Sun Goes Down) THE REDUCERS – Let’s Go (Live in NYC) THE FORTY-NINETEENS – It’s For Fun (New Roaring Twenties) THE PEEVES – Radio (Big Blast Singles) CHEAP TRICK – Here’s Looking at You (In Another World) TEN TONNES – Everything You Got (single) JOE DILILO – Loser Girl (single)

Step number 20 of our amazing trip back in the time to the 90's.Full on the 90's with only Acid Techno Vibes.Relight the strobes, Rave oN !Tracklist:01) Minimum Syndicat - Claustrophobia02) Deborah de Luca - Dori Me (Original Mix)03) Nuclear Hyde - Pesola04) VSK - Vintage Sequence05) Wrong Assessment - Inner Turmoil06) VSK - Lithops07) MINIMUM SYNDICAT - Insurgency08) Brain 11 - Mystique (Horizon Mix)09) Dave Clarke - The Storm (Vocal)10) Elad Magdasi - Hell Strike11) F+S (Franz & Shape) - Acid One12) Humate - 3.113) Jonas Kopp - No Stress14) Massimo Vivona - Trafex15) Mike Dearborn - An Acid Memory (Cutted Mix)16) Subjected - FMRA (Original Mix)17) Pet Trio - Dance Or Die (Miss Djax Remix)18) Exit 100 - Metamorph19) Sven Vath - Age of Love20) Deborah de Luca - Dori Me (Original Mix)

Seit exakt 17 Jahren liefert Euch die Club Business Radio Show

MBoR this week is a random selection of some DnB with a Jungle twist. Thank you for listening ;) www,unknown,fm Records Spun Matt Doubt, Stop On By. NexGen Music Tyler Straub, Marbles, NexGen Music Alex Perez, Backlash. Bassbin Naphta, Out Of Time. Bassbin Francture & Neptune, A Clue. Bassbin Beta 2, Consciousness. Bassbin Random Movement, Struggle To The Grave. Bassbin If-Read & Limit, Jumper. Dissymmetrical Music Drum Cypha, Beware Of Failing Objects. Transmute Abio-Genesis, Intelligence (Asymmetric Remix). Dissymmetrical Music martianMan, Unknown Amen. martianMan martianMan, Tracy's Grunt. martianMan martianMan, The Beat Lab. martianMan martianMan, Vikings. martianMan martianMan, You Are Here. martianMan martianMan, Focus. martianMan martianMan, Amber Fields. martianMan martianMan, The Mind. martianMan Rough Cut, Wicked Sound. Bounce Future Prophec, Rave On. Berzerk .

Sonny West, a rockabilly hall of fame inductee and west Texas walk of fame is perhaps best known for being the main writer on two of Buddy Holly's very beloved songs, "Oh, Boy," and "Rave On."   Sonny discusses his background, working with Buddy's producer Norman Petty and how he felt when he heard the news about the "day the music died" and much more. 

Singer Leo Sayer chooses Rave On by Buddy Holly as the track he has inherited and Blowin' In The Wind by Bob Dylan as the song he would like to pass on to future generations.