Podcasts about bus projects

This week, we were lucky to chat with Sophia Cai, Director of Bus Projects!Bus Projects is a long-term ARI based in our city, and has recently been showing some amazing artists – including some that we interviewed previously this year. Sophia talks about how Bus operates, her role and the journey that led her to becoming the director. Art Smitten airs on SYN Radio 90.7 FM SYN Media acknowledges and pays respect to the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands the SYN office and studios stand. SYN and the Art Smitten team would like to further acknowledge the Traditional Custodians and their Ancestors of the Lands and Waters across Australia where our content reaches. Art Smitten would like to expand that respect to Bunjil, the great creator ancestor of the Kulin nations. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.See omnystudio.com/listener for privacy information.

This week I had the pleasure of speaking to local artists Jermaine Ibarra and Juliet Phraser about their exhibitions at Bus Projects. Jermaine Ibarra and Sara Jajou have a duet exhibition opening today, the 27th of March, titled Love Song open till the 20th of April. https://busprojects.org.au/program/love-song Juliet Phraser has a solo show opening today, the 27th of March, titled Warm Water where she shares her honours research - open till the 20th of April. https://busprojects.org.au/program/warm-water I was honoured to speak to both artists about their practices, their experiences and their thoughts.  Art Smitten is Syn FM's flagship show for arts and culture, live on air on Wednesdays from 3pm onwards on 90.7 FM.See omnystudio.com/listener for privacy information.

“I was thinking about meditation as being a way of creating calm and openness so that more constructive conversation can happen,” says Katie West in the second episode of Notions of Care.In our latest podcast, West talks about dyeing textiles, creating spaces of meditation, and facing experiences of racism—all in a conversation centred on care and creating, linking with the NETS Victoria touring exhibition, Notions of Care at Ararat Gallery TAMA.The show features five artists and groups to consider care in art making, through materials, how we relate to one another, and as an approach to the world.West is a Yindjibarndi Western Australian artist, based in Noongar Ballardong country in Western Australia. She exhibits incredibly moving installations, which often feature dyed textiles and native plants which are sewn and woven.In 2016 as part of Next Wave Festival she exhibited the work Decolonist, which looks at how meditation can be a way to decolonise the self. And she later extended on this for a stunning installation at TarraWarra Museum of Art, giving audiences a space to meditate and contemplate.Now, her work in Notions of Care could be described as a tea installation, and she talks through this work and how it came about. We also talk about what the concept of care means to her, how she came to meditating and bringing this into the gallery space, and the process of walking, gathering, and dyeing the materials for her textiles.West also talks about the experiences of racism she has faced, and her words of encouragement to other people who have had similar experiences.You can listen back to the first episode of Notions of Care with Kate Tucker.Notions Of CareArarat Gallery TAMAUntil 26 February 2023A kind thank you to our sponsors for this series. The show Notions of Care is a Bus Projects exhibition touring with NETS Victoria, which is curated by Kathryne Genevieve Honey and Nina Mulhall. This project is supported by the Victorian Government through Creative Victoria and received assistance from NETS Victoria's Exhibition Development Fund 2020, supported by the Victorian Government through Creative Victoria.You can subscribe to the Art Guide podcast on Apple Podcasts and Spotify, and don't forget to rate the show as it helps people find us.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

“I'm doing that something humans do: I'm trying to explain this time to myself by making something from it and about it,” says artist Kate Tucker. “I'm trying to make myself something that I need to live now.”Tucker is our first guest for a new podcast mini-series on art, creating and care, linking with the NETS Victoria touring exhibition Notions Of Care. The show brings together five artists and groups to consider care in art making, whether through materials, how we relate to one another, and as an approach to the world.Tucker works across painting, sculpture and installation, creating incredible assemblage-like pieces that are compelling in their construction. Tucker's process involves the layering of various materials and textures, expanding our idea of what painting can be by subverting familiar notions of the form.Tucker talks about what care means to her, and what it means to approach an art practice with care. We also talk about detaching from external notions of success, how and why she creates her works, and the importance of having aesthetic experiences.Notions Of CareArarat Gallery TAMAUntil 26 February 2023A kind thank you to our sponsors for this series. The show Notions of Care is a Bus Projects exhibition touring with NETS Victoria, which is curated by Kathryne Genevieve Honey and Nina Mulhall. This project is supported by the Victorian Government through Creative Victoria and received assistance from NETS Victoria's Exhibition Development Fund 2020, supported by the Victorian Government through Creative Victoria.You can subscribe to the Art Guide podcast on Apple Podcasts and Spotify, and don't forget to rate the show as it helps people find us.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

Kutcha Edwards is a Mutti Mutti songwriter. He spoke with us about his long-spanning music career, his twenty year involvement with the Beyond the Bars Radio broadcasts and memories from Fitzroy in the 1980s. For Aboriginal and Torres Strait Islander listeners, please be advised that this conversation refers to Aboriginal and Torres Strait Islander people who have passed away.//This interview forms part of the 3CR Thursday Breakfast crew's contribution to Liquid Architecture, West Space and Bus Projects' disorganising.// Evelyn Araluen joined us on 25 March 2021 to speak about her debut collection of poetry, Dropbear. Evelyn is a poet, researcher and co-editor of the Overland literary journal. She has been awarded the Nakata Brophy Prize for Young Indigenous Writers, the Judith Wright Poetry Prize and a Wheeler Centre Next Chapter Fellowship. Evelyn was born and raised on Dharug Country and she descends from the Bundjalung Nation.// Lady Lash is a Kokatha and Greek musician who has brought her magic to stages including the Sydney Opera House, prime rooftop bars, grassroots festivals and arts venues across the country. As a family woman searching for deeper meaning through sound and voice, Lash's is a musical vision of eclectic rarities that is embodied by culture and experience. She caught up with Priya for our show on 2 December 2021 to speak about her new album Spiritual Misfit, which was released with Heavy Machinery Records on 22 November.// Songs// Missing You - Budjerah// We Sing - Kutcha Edwards// Price I Paid - Miiesha// Role Models - Kobie Dee//Crest of Gold - Lady Lash//

Kelly and Spike are longtime housing activists and broadcasters on 3CR. They speak with us about the Homeless Persons Union, the 2016 Bendigo Street housing occupations and share reflections on hosting the 3CR Roominations show.//This interview forms part of the 3CR Thursday Breakfast crew's contribution to Liquid Architecture, West Space and Bus Projects' disorganising.// Poet and educator Eunice Andrada joined us on 9 September 2021 to discuss her new collection ‘TAKE CARE', which has just been published by Giramondo Publishing. Her first poetry collection ‘Flood Damages' won the Anne Elder Award. Born and raised in the Philippines, Eunice currently lives and writes on unceded Gadigal Land.// Professor Libby Porter (RMIT) is a planner and urban geographer working on the role of planning and urban development in dispossession and displacement, and what we might do about it. In this conversation, Libby explored the problems of urban planning on stolen land, selective state investment in development projects, and the valuation of cultural production and heritage in inner-city areas. Read the full transcript here.//This interview forms part of the 3CR Thursday Breakfast crew's contribution to Liquid Architecture, West Space and Bus Projects' disorganising.// George Kanjere, representing the newly formed Save the Preston Market Action Group, joined us on 1 July 2021 to discuss the fight to save Preston Market from aggressive redevelopment proposed by the Victorian Planning Authority.// Songs// The More Things Change - Kutcha Edwards// Boomerang - The Merindas//Milkumana - King Stingray//

Porobibi is a West Papuan based in Narrm, a human rights activist and campaigner for Make West Papua Safe. Izzy Brown is the lead singer and MC of Combat Wombat and founder of the United Struggle Project. They joined us to speak about political organising, performing in public spaces in and around Collingwood and the importance of creative autonomous zones. Read the full transcript here.//This interview forms part of the 3CR Thursday Breakfast crew's contribution to Liquid Architecture, West Space and Bus Projects' disorganising.// Jazz Money is a poet and artist of Wiradjuri heritage, currently based on sovereign Gadigal land. Her poetry has been published widely and reimagined as murals, installations, digital interventions and film. She joined us on 30 September 2021 to discuss her award winning debut poetry collection 'how to make a basket'.// Melbourne Activist Legal Support held a discussion on Tuesday 28 September 2021 about the Surveillance Legislation Amendment (Identify and Disrupt) Act 2021, which gives broad powers to federal police and intelligence agencies to spy on, disrupt and modify communications. This clip features lawyer and human rights advocate Angus Murray discussing the legislation and notions of relevant offences and reasonable suspicion, with comments from host Jordan Brown from MALS. MALS has published an explainer on the Act, which you can read here.// Songs// King Brown - Baarka// Nothing I Can Do - Emma Donovan and the Putbacks// Moonshine - Ngaiire//Addy ft. Sevy - Teether & Kuya Neil//

John Harding is a Kuku-Yulangi and Meriam man and playwright. He spoke to us about his play ‘The Dirty Mile', a 2008 production by Ilbijerri Theatre Company, and his time broadcasting and working as the Aboriginal Programming Coordinator at 3CR in the late 1980s. This interview includes excerpts of two 3CR broadcasts - the Bicentennial protest broadcast and Tent Embassy broadcast. For Aboriginal and Torres Strait Islander listeners, please be advised that this conversation refers to Aboriginal and Torres Strait Islander people who have passed away.//This interview forms part of the 3CR Thursday Breakfast crew's contribution to Liquid Architecture, West Space and Bus Projects' disorganising.// Sabina, co-founder of the Australian Anti-Racism Kit, joined us on 30 September 2021 to speak about the recent launch of the kit, which is the first of its kind and targeted at Australian high school students. Sabina is a migrant woman of colour who recently graduated high school. You can follow the Anti-Racism Kit on Instagram at @antiracismkit.// Bobby Nicholls is a proud Yorta Yorta, Dja Dja Wurrung and Wotjobaluk man, and a founding member of the Yalinguth Working Group. Bobby has worked for many years in community run organisations such as the Aborigines Advancement League, Victorian Aboriginal Child Care Agency, and the Aboriginal Housing Board of Victoria. He is also one of the founding members of Yarnin' Pictures, inspired by his passion to document Elders stories whilst training Aboriginal youth in the art of filmmaking. Bobby joined us on 29 July 2021 to discuss the Yalinguth App, an audio augmented reality experience that connects people to place and history through geo-located soundscapes and stories told by Aboriginal and Torres Strait Islander communities. The first site for the app is the area around Gertrude St, Fitzroy.// Songs//Blak Matriarchy - Barkaa// Sometime - Mo'Ju//Stay in Bed - Alice Skye//

All Local for afternoon on 5.11.21 See omnystudio.com/listener for privacy information.

14:57: We hear from Tilly talking about The Food Angels, a queer mutual aid project(chuffed, Instagram). 30:10: Second, we hear from Leilani and Morag on their art collaborations, friendship, ableism and care. See Leilani and Morag's art from March 9 as part of an exhibition curated by Jemi Gale at the Bus Projects. MentionsSubscribe to 3CR to keep us going!Pride in Protest "MEDIA RELEASE: SAVE STUDENT ACTIVIST FROM DEPORTATION"House of Mutual Learning, featured on previous programVisability exhibition 3CR Disability Day 2020Queering the Air is looking for new people, email us at queeringtheair@gmail.com   TracksElectric Fields - VisionAlice Skye - MelbourneKee'ahn - Better ThingsQueen - You're my best friend Image: The Food Angels graphic showing three food angels holding a bowl (art by Jaz and Echo) on left, and picture of glass mirror shards connected by wire made by Leilani and Morag

Double From Composite by Bus Projects

DEFINING MOMENTS LECTURE SERIES: Founding of Gallery 4A and the inaugural exhibition in 1997 with Dr Mikala Tai ABOUT THIS LECTURE: In this lecture, Dr Mikala Tai discusses the founding of Gallery 4A in Sydney and its inaugural exhibition in 1997 featuring three Asian-Australian artists: Emil Goh, Lindy Lee and Hou Leong, curated by Melissa Chiu, 4A’s first curator and director. Tai considers the exhibition and the context in which the organisation launched and how 4A continues to expand and thrive. ABOUT THE SPEAKER: Dr Mikala Tai is the Director of 4A Centre for Contemporary Asian Art, and a curator, researcher and academic specialising in contemporary Asian art and Australian design. Tai has collaborated with local, national and international organisations to strengthen ties between Australia and Asia. As an academic Tai has lectured at both RMIT and the University of Melbourne, and devised and delivered the inaugural Contemporary Asian Art syllabus at RMIT (2012 – ) and the first China Fieldwork Course (2015 – ) with Rebecca Coates and Kate McNeill at the University of Melbourne. Tai was the founder and director of Supergraph – Australia’s Contemporary Graphic Art Fair, which has been held twice at the Royal Exhibition Building in Melbourne and exhibited at Somerset House, London (2015). Tai currently sits on the board of BUS Projects, Melbourne. THANK YOU TO OUR PARTNERS: Presenting Partner Abercrombie & Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM Produced by Gatherer Media. Further information: acca.melbourne/series/defining-moments/

A lively digital discussion, Think Tank #2 will engage with ideas of collaboration, collectivity, community engaged practice and the commons, as part of the Think Tank series as part of ACCA’s forthcoming exhibition Who’s Afraid of Public Space? Presented in partnership with Footscray Community Arts Centre (FCAC), and moderated by FCAC Artistic Director and co-CEO Daniel Santangeli, the panel will include contributors Eugenia Flynn, Kent Morris, Roberta Joy Rich and Kate Sulan. Read more about the speakers via the link below. ABOUT 'WHO'S AFRAID OF PUBLIC SPACE?' Developed with an assembly of advisors and collaborators, Who’s Afraid of Public Space? is a research, publication and exhibition project which ACCA is developing over 2020–22. ACCA has partnered with Abbotsford Convent, Arts Project Australia, Blak Dot, Bus Projects and FCAC to present a dispersed program of exhibitions and projects that consider critical ideas as to what constitutes public culture and to ask who might it be for? More information: https://acca.melbourne/exhibition/whos-afraid-of-public-space/

Join Nathan Beard, finalist in the churchie emerging art prize 2020, in conversation with exhibition curator Talia Smith, exploring the themes and ideas embedded within his practice. Nathan Beard is a Perth-based interdisciplinary artist whose work addresses the complex interplay of culture and memory in the shaping of identity. Beard’s practice situates sincere and intimate exchanges with his Thai family alongside broader cultural signifiers to generate slippages of identity and query ‘Thainess’. Within this collision of aesthetic and emotional influences Beard’s practice personalises broader perspectives around diasporic identity. Beard holds a Bachelor of Arts (Arts) with First Class Honours from Curtin University. He has recently exhibited at Firstdraft (2020), Cool Change Contemporary (2019), Bus Projects (2019), Turner Galleries (2018), and Art Gallery of Western Australia (2017). In 2017 Beard was selected for the 4A Beijing Studio Program, shortlisted as a finalist for the John Stringer Prize, and awarded Highly Commended in the Fremantle Art Centre Print Award. https://ima.org.au/exhibitions/the-churchie-emerging-art-prize-2020/

A lecture by artist Peter Cripps on the exhibition 'Recession art and other strategies' 1985 at the IMA Brisbane, followed by a response from Channon Goodwin. Part of ACCA's Lecture Series 'Defining Moments: Australian Exhibition Histories 1968–1999'. Listen to the follow up conversation between Peter Cripps and Channon Goodwin (Director of Bus Projects, founding Convener of the All Conference network) on the ACCA Podcast here: https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-channon-goodwin-permanent-recession-art-labour-circumstance Further information: acca.melbourne/series/defining-moments- popism/ ABOUT THE LECTURE: In response to the social, political and cultural contexts of the 1970s and 80s, Peter Cripps curated the exhibition Recession Art, at the Institute of Modern Art (IMA), Brisbane in 1987. According to Cripps, ‘Recession art refers to art which is made under the pressure of little money and an insignificant market. It tends to be small, easy to produce, store and dispose of. It included the development of new strategies for the sale of works; the possibility of replacing parts as they sell with replicas. It is an art based on the limited means of production, speed of production and small size of constituent units, which, since they can form larger works, do not restrict the artist in the scale of his work. It is an art based on intellect rather than on formal qualities.’ In his lecture, Cripps reviews this exhibition, interrogating its legacy, as well as exploring perceived synergies between historical and contemporary independent art practice. Additionally, he assesses the role and impact of this type of artist thinking and practice on the contemporary context. ABOUT THE SPEAKERS: Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including 'Peter Cripps: Endless Space' at the IMA, Brisbane in 2012, and 'Peter Cripps: Towards an Elegant Solution' ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity. Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker. Thank you to our partners: Presenting Partner Abercrombie & Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM Produced by Gatherer Media.

This conversation between Peter Cripps and Channon Goodwin considers the contemporary relevance of ideas of 'recession art', and follows on from the the lecture by Cripps and response from Goodwin, addressing the 1985 exhibition 'Recession art and other strategies' 1985 at the IMA, curated by Cripps, and the 2019 publication 'Permanent Recession', edited by Goodwin. This conversation is part of ACCA's Lecture Series Defining Moments: Australian Exhibition Histories 1968–1999. Listen to the lecture by Peter Cripps, and response by Goodwin here: https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-on-recession-art-and-other-strategies Read more about the lecture series here: https://acca.melbourne/series/defining-moments ABOUT THE SPEAKERS: Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including Peter Cripps: Endless Space at the IMA, Brisbane in 2012, and Peter Cripps: Towards an Elegant Solution, ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity. Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker.

Artist and Arts worker Channon Goodwin talks to us about having time to reflect on "toxic aspects of normality”, Australia having a work ethic that is often unproductive, the sustainability of working in the arts and acknowledging support networks and privilege. Channon shares how Bus Projects has been affected by Covid-19 and lets us know about his project Composite: Moving Image Agency. How Are You Today? is generously supported by the City of Melbourne Arts Grants Program.

A Melbourne-based artist couple: Peter Aldrich (painter and drawer) and Natalie Trofimiuk (print and drawer), are alert to the contemporary art exhibitions in town and nation wide. The number of the art exhibitions that they have seen in last month are so impressive and enviable for many artists, including me. In this episode, they shared their rich knowledge about some recent exhibitions in Melbourne, such as, Ry David Bradley's 500 years at Tristian Koenig; Prima Materia at Bundoora Homestead Art Centre; Jeremy Eaton and Ebony Truscott's exhibitions at Bus Projects, and more. Also, please remember to check out Natalie's upcoming exhibition in Trocadero Art Space in November. Please enjoy!Episode notes:Ry David Bradley500 Years : http://tristiankoenig.com/500-years.htmlhttp://tristiankoenig.com/current.htmlGerhard RichterThe life of imageshttps://www.qagoma.qld.gov.au/whats-on/exhibitions/gerhard-richterPolly BorlandPolyversehttps://www.ngv.vic.gov.au/media_release/polly-borland-polyverse/Prima MateriaMay 11- July 7, 2019http://www.bundoorahomestead.com/exhibition/prima-materia-2/Zilversterhttp://www.zilverster.comMichael GF Priorhttps://michaelprior.orgBernhard SachsBlock Project Galleryhttps://blockprojectsgallery.com/bernhard-sachs-bioJeremy EatonSome thoughts on cinema, dancing menhttps://busprojects.org.au/program/some-thoughts-on-cinema-dancing-menEbony TruscottA Brick in Mid-Air https://busprojects.org.au/program/a-brick-in-mid-airDale Frankhttps://neonparc.com.au/artists/dale-frank

In Episode 6, Drew Pettifer speaks to artist William Yang, the Hon Michael Kirby and academic Paul Sendziuk about queer rights, the AIDS pandemic and representation. William Yang is a prolific storyteller. His photographs and monologues with slide projections describe his experience of coming to terms with his identity as a gay Chinese Australian. Yang’s work is a rich visual record of queer histories and struggles, as well as a personal exploration of his Chinese heritage and family relationships. Often inscribed with handwritten commentary, his visual stories offer insightful reflections on cultural identity. FIELD WORK is produced by Channon Goodwin, Drew Pettifer, and supported by Bus Projects with funding from Copyright Agency Cultural Fund. Audio production, editing and mixing by Bec Fary. FIELD WORK theme music is by Martin King and graphic design is by Lachlan Siu.

In Episode 4, Drew Pettifer speaks to artist Eugenia Lim, academic Carolyn D’Cruz and curator Paola Balla about the complexities of intersectional feminism. Eugenia Lim works across video, performance and installation. She is interested in how nationalism and stereotypes are formed, inventing personas to explore the tensions between alienation and belonging in a globalised world. Listen now: bit.ly/fieldwork_eugenialim More info: http://fieldworkpodcast.com.au/ Subscribe via Apple Podcasts and Stitcher. FIELD WORK is produced by Channon Goodwin, Drew Pettifer, and supported by Bus Projects with funding from Copyright Agency Cultural Fund. Audio production, editing and mixing by Bec Fary. FIELD WORK theme music is by Martin King and graphic design is by Lachlan Siu.

In Episode 4 of Season 3 we talk to Penelope Benton and Brianna Munting of NAVA, Channon Goodwin of Bus Projects and All Conference and Grace Herbert of Visual Bulk, Constance ARI and Hobiennale about labour and volunteerism in the arts.

This week, Richard is joined on the line by Adelaide festival's own artistic directors Neil Armfield and Rachel Healey; Andrew Goddard pops by for an in-depth chat aboutSoundings, an RMIT sound arts students exhibition at Bus Projects - and Matthew Holmes caps off the podcast with his new work The Legend of Ben Hall.

This week: The return of the The Amanda Browder Show! we talk with artist Katya Grokhovsky from her exhibition/residency at Soho20 in NYC. We talk about her work, performance as a medium, artist as curator and her discussion panels surrounding feminism, and the contemporary art world.    www.katyagrokhovsky.nethttp://katyagrokhovsky.tumblr.com/http://feministurgent.tumblr.com/http://soho20gallery.com/opportunities/artist-in-residence-studio-program/ Katya Grokhovsky is an interdisciplinary artist, curator, educator and organizer, whose work deals with issues of alienation, gender politics and migration. Grokhovsky holds an MFA from the School of the Art Institute of Chicago (2011), a BFA from Victorian College of the Arts, Australia (2007) and is a recipient of numerous fellowships, residencies and awards including SOHO20 Chelsea Gallery Residency (2015), BRIC Media Arts Fellowship (2015), VOX Populi AUX Curatorial Fellowship in Performance, Philadelphia (2015), New York Studio Residency Program Visiting Artist (2015), Residency Unlimited (2014), Kimmel Harding Nelson Center for the Arts, (2014), Saltonstall Foundation for the Arts (2013), NARS Residency (2013), Santa Fe Art Institute Residency (2012), Watermill Center Summer Residency (2011), Dame Joan Sutherland Fund Grant (2013), Australia Council for the Arts ArtStart Grant (2013), NYFA Mentoring Program for Immigrant Artists (2012), Chashama space to create grant (2012). Her work has been exhibited in venues such as Lesley Heller Workspace (2015), Judith Charles Gallery (2015), Dixon Place (2015), Spring Break Art /Show (2015), EFA Project Space (2014), HERE Arts Center (2014), Art in Odd Places NYC (2014), SAW - Storefront Art Walk Bay Ridge (2014), Gateway Project (2014), A.I.R Gallery Projects, Governor's Island (2014), Amelie A. Wallace Gallery, SUNY College (2014), Panoply Performance Lab (2014), New York City Center Lobby Projects (2013), Galerie Protege NYC (2013/14), IDEAS City, New Museum (2013), Gallery Affero (2013), Movement Research Festival (2012), Chashama (2012), Ukrainian Institute of America (2012), Grace Exhibition Space (2012-14), The Franklin (2013), Antena gallery (2013), Defibrillator gallery (2011/13), Bus Projects (2012), Heaven gallery (2010), amongst many others.     Details for image: Katya Grokhovsky, One Fine Day, 2014. photo Yan Gi Cheng