Podcasts about love songs

GBAG of the DAY & LA Live: Toxic Tuesday: two naked youth baseball coaches; Coach JB GOES OFF On Sophie Cunningham; Corey Holcomb's Toxic Love Song & More full 1568 Wed, 09 Jul 2025 00:27:11 +0000 WPWKn7xiOBAGhZEVk4bcNbmzozcrMUxF viral,little league,trending,sophie cunningham,sports GBag Nation viral,little league,trending,sophie cunningham,sports GBAG of the DAY & LA Live: Toxic Tuesday: two naked youth baseball coaches; Coach JB GOES OFF On Sophie Cunningham; Corey Holcomb's Toxic Love Song & More The G-Bag Nation - Weekdays 10am-3pm 2024 © 2021 Audacy, Inc. Sports

Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That's What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested.   Songs In This Episode Intro - Weak and Mean 25:17 - Bury Me 29:29 - Seeds 35:29 - Going Gone Outro - Chew Toy   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Beave and Len talk through a wide variety of topics on the latest recap episode, including the NBA draft, the ASCENDANT Golden State Valkyries, Angel Reese's improved play, the Cubs' continued hold on first place, the improving Sox, and the sinking Guardians. Plus Iva-Marie Palmer joins the pod for a little 5th anniversary celebration and Top 5 lists, Len keeps everyone up to date on the New Yorker, Beave reviews the new McKinley Dixon album, the guys review Magnetic Fields' "69 Love Songs", and more! Tune in for recap excellence!

In this episode, I'll be discussing the career of R&B singer Kevin Ross.If you want to listen to the podcast on other platforms:GoodPods:https://goodpods.app.link/8GExwJCiPNbPodcast Official Website:https://www.inthemixwithleahb.comPandora:https://www.pandora.com/podcast/in-the-mix-with-leah-b/PC:1000712709Apple:https://podcasts.apple.com/us/podcast/in-the-mix-with-leah-b/id149967Spotify:https://open.spotify.com/show/1NBzGR7hPphTP2fiPS4KTfIn The Mix With Leah B. •Spotify For Podcasters:https://podcasters.spotify.com/pod/show/inthemixxI-Heart Radio:https://www.iheart.com/podcast/269-in-the-mix-with-leah-b-62565870?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=trueThe In the Mix With Leah B. Youtube Channel :https://www.youtube.com/@inthemixwithleahbpodcastCatch up with the podcast on Social Media:Instagram:https://www.instagram.com/inthe_mixwithleahbThreads:https://www.threads.net/@inthe_mixwithleahbFacebook:https://www.facebook.com/InthemixwithleabTikTok:https://www.tiktok.com/@inthemixwithleahb?_t=8kXTjwYqdVG&_r=1If you want to support the podcast:Podcast Merch:https://www.inthemixwithleahb.com/shopBuy Me A Coffee:https://www.buymeacoffee.com/inthemix

After a decades-long career as a full-time pastor and member of the music trio "Phillips, Craig & Dean," Dan Dean brings "More."  He joins the podcast to discuss his new solo project, "More," and shares his experience balancing parenthood, music, and full-time ministry. His remarkable Christian music journey began over thirty years ago, and he has served in full-time ministry for nearly 50 years, now holding the role of legacy pastor.  Dan also describes how the musical group "Phillips, Craig & Dean" formed and their commitment to staying involved in their local churches.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Lyrics of Love (Song of Solomon 1:5-2:7) Rivertown Church is a Christ-centered community that exists to worship God and make disciples of Jesus for the glory of God and the joy of all peoples. For more about our church, please visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or join us Sundays at 10:30am at 28 Birge Street in Brattleboro, VT for our worship gathering.

We all love a love song, don't we? ..... Join me on a Sunday morning when I'll play the best love songs, old and new, from soft rock to the slushy stuff. Break up to make up and everything in between. Help me choose them, get involved by letting me know what you want to hear. Email on studio@mearnsfm.org.uk or text, starting the message with MFM and send to 82228

On today's Labor Radio Podcast Daily: A 1934 strike by Milwaukee electric railway workers. And on this day in 1905, the Industrial Workers of the World—the IWW—was founded in Chicago. Plus, this weekend's labor arts calendar features Brother Outsider, Love Songs from the Liberation Wars, and a concert with Bev Grant & Charlie King. @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network

My Summer Lair host Sammy Younan talks to Walter Day (a video game referee) and Billy Mitchell (a video game champion) about Arcades and Love Songs: The Ballad of Walter Day. My Summer Lair Chapter #321: How Many Songs Has Your Heartbreaks Inspired? Recorded: Tuesday, February 18, 2025 at 10:00 am (EST) For more show notes visit MySummerLair.com. Bonus Fun? Sign up for my newsletter because the F in FOMO doesn't stand for Fun. Stress free pop culture (TV shows! Books! Movies! Music! So Many Recommendations!!) tastefully harvested for your divine delight. Once a week a carefully curated edition of My Pal Sammy goes directly to your inbox. Magic or Science? You decide.

A new MP3 sermon from Knockbain Free Church of Scotland is now available on SermonAudio with the following details: Title: Psalm 45 - The love song Subtitle: My Favourite Psalm Speaker: Rev. Murdo Campbell Broadcaster: Knockbain Free Church of Scotland Event: Prayer Meeting Date: 6/25/2025 Bible: Psalm 45 Length: 30 min.

Send us a textJaden is a filthy cheater and decided to triple dip today by talking about Andrew McMahon, who has fronted more bands than can be counted by humans. Zac gets real defensive about The Second Stage Turbine Blade by Coheed and Cambria, and Daniel talks about Love Song by Sara Bareilles.Follow us on Instagram if that's your thing: https://www.instagram.com/theplaylisterspod/

Send us a textOn this episode Tom and Bert get a bit "wild and crazy" with the "Slang" words and their meanings on a variety of topics. Lots of laughs and plenty of content! CHAPTERS: (1:07)  TV- lots of names for TV's over the years.(12:29) Underwear- lots to say about the under garments and it ain't all that pretty.(21:00) Catchy Songs- slang for your favorite tunes! (24:52) Songs- lots of slang for types of songs from Bangers to Love Songs.(30:15) Wife- tons of slang terms for the wives, it's all in the eye of the beholder and it's in all good fun! (39:47) Women- what is a woman? Well you'll have many names to chose from after listening to these slang terms.(51:13) Getting Married- slang/terms for walking down the aisle and tying the knot, so to speak. Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Ralston College presents a talk by Christopher Snook, Lecturer in the Department of Classics at Dalhousie University, on St. Augustine's great autobiographical text The Confessions. This talk offers a detailed walk through of Books VII and VIII of Augustine's text in light of Augustine's “abiding preoccupation with the nature of the created order.”  Snook explores how Augustine absorbed the  insights of Platonist philosophers like Plotinus and Porphyry but also moved beyond them as he sought a more embodied account of the nature of the human person. Augustine's own conversion stresses the importance of encountering models for life and reveals the centrality of the incarnate Logos to the Christian understandings of self-realization. This lecture was delivered on January 9th, 2025 at Ralston College's Savannah campus during the third term of the MA in the Humanities program. Support Ralston College's mission to revive the conditions of a free and flourishing culture. Authors and Works Mentioned in this Episode: Dante, The Divine Comedy Cicero, Hortensius T.S. Eliot, The Love Song of J. Alfred Prufrock St. Ambrose Plotinus Porphyry Gaius Marius Victorinus Plato, The Republic Virgil, The Aeneid  Iamblichus Charles Dickens, A Christmas Carol St. Anthony the Great John Scotus Eriugena Anselm of Canterbury Martin Luther Rene Decartes  

Send us a textIn this episode, Marty gives Clif the movie Victor/Victoria to watch and Clif gives Marty the movie Always to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song by Russ PacePhotos by Geoff Notkin

The Friday market in Ventimiglia, an Italian town on the border with France, is alive with the bustle of French tourists who come weekly to buy goods. The sounds of music, bargaining and laughter fill the air, but there's also an oblivious tension. The Italian police move through the crowd, routinely stopping people — particularly racialized individuals — to ask for documents.  "Permesso di soggiorno, ce l'hai?" ("Do you have a residence permit?") echoes sharply as two Tunisian minors are questioned. In the background, the mechanical tune of a police radio punctuates the scene as the police have a quick casual conversation on Ecuadorians, these voices blend uneasily with the market's lively hum.  Here, the ordinary rhythms of commerce coexist with the heavy presence of surveillance at the border, where every passing moment is marked by an invisible line. You can also here my voice in the background, a light-hearted exchange unfolds—me chatting with a French lady and a sellers from Guinea and Italy, who try to guess where I am originally from. Recorded by Masha Hassan.

Patrick Tully, Jenn's husband, joins Jenn on the show this week just ahead of Valentine's Day to talk about love songs and some secrets to a long lasting relationship.https://open.spotify.com/playlist/4VZkzZMHA581XoBIiuvfNU?si=b2c9095c7e7c43421. New Years Day by Taylor Swift2. Babylon Sisters by Steely Dan3. Wish You Were Here by Pink Floyd4. Come Rain or Come Shiine by Ray Charles

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Originally from Los Gatos, California, Ren Geisick began singing at a young age. She earned an Ella Fitzgerald Scholarship, studied Jazz vocal performance at California State University, Long Beach, and was named an Outstanding Jazz Vocalist by DownBeat Magazine—but her identity as an Americana Singer-Songwriter has long been in motion. With influences like Willie Nelson, Patsy Cline, and Guy Clark, her latest music draws from the outlaw country tradition—authentic, stripped-down, and emotionally direct. In 2017, she released her debut album, Ren, Love Song, produced by Jesse Harris, marking a significant step toward Americana, which blended folk with jazz sensibilities and showcased her deeply personal songwriting voice. Since then, Ren has leaned fully into Country music. While she doesn't set out to specifically write country songs, her singing style and focus on honest, lyrical narratives have made Americana a natural fit for her.Her latest album, The Place I Planned to Go, centers on themes of hope and perseverance, especially in the context of being a musician. The album explores the struggles of progressing in life and music, maintaining optimism in the face of challenges, and finding compassion. It includes songs that reflect on the difficulties of the music industry, like the humorous “15 Cents” and more introspective tracks like “Weakness” and “No Mercy at All.” The title track, “The Place I Plan to Go,” was written during the pandemic and reflects on life not turning out exactly as expected, yet maintaining hope for the future.In this conversation, Ren gives us a behind-the-scenes glimpse at the production of this record and collaboration with producer Mikey Ross. Ren opens up about the challenges of sustaining a music career today, her reasons for pushing forward, and her connection to the music she creates.

Send us a textIn this episode, Jessica Stone joins the podcast. She brings along the movie Onyx the Fortuitous and the Talisman of Souls. Marty and Clif give Jessica the movie Waking Ned Devine to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song by Russ PacePhotos by Geoff Notkin

A man carries out what he believes is a flawlessly executed killing. But soon after, he begins to unravel—plagued by guilt, paranoia, or fate — learning too late that no crime goes unpunished. Death, it seems, has the final laugh. Hear the story from The Sealed Book! | #RetroRadio EP0436Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Love Song of Death” (April 21, 1976)00:47:05.229 = Mystery Playhouse from Molle, “Female of the Species” (June 07, 1946) ***WD01:12:24.779 = The Price of Fear, “Guy Fawkes Night” (November 17, 1973)01:40:24.759 = Adventures of Ellery Queen, “Nikki Porter, Suspect” (March 05, 1947) ***WD02:06:15.549 = Quiet Please, “Gem of the Purest Ray” (May 17, 1948)02:35:55.909 = Radio City Playhouse, “Wisdom of Eve” (January 24, 1949)03:05:58.479 = Isn't It Crime, “Speaking of Murder” (December 14, 1945)03:35:08.139 = Ripley's Believe It Or Not, “Never Bitten” (1930s) ***WD03:36:10.331 = The Saint, “Wanted: A Husband” (October 29, 1950)04:02:12.209 = Sam Spade, “Apple of Eve Caper” (June 19, 1949) ***WD04:30:37.629 = The Sealed Book, “Death Laughs Last” (September 02, 1945)05:00:12.229 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0436

In this episode of Pray the Word on Song of Solomon 8:7, David Platt encourages us to steward God's gift of love for His glory and our good.Explore more content from Radical.

TRACKLIST: 1. Here With Me - Sango [@sangobeats] 2. Slow Down [Jeftuz RnB Flip] [@jeftuzmusic] 3. Ave Maria - Zacari & Ty Dolla $ign [@zacarip] 4. Ease My Mind (Come Over) - Nija [@nija-music] 5. Private Jet - Penthouse Penthouse [@penthouse-penthouse] 6. Slow Dance (feat. DIXSON) - Kehlani [@kehlanimusic] 7. Up Late - Ari Lennox [@arilennox] 8. Silly Love Song - Enchantment 9. All Of Me - Nao [@thisnao] 10. Ily - CHERISE [@cherise-music] 11. YES IT IS - Leon Thomas [@leonthomasmusic] 12. NIGHT OFF - Isaiah Falls & Sasha Keable [@isaiah-falls-music @sasha-keable] 13. Yeah You (Thinkin Bout You) - King Sis [@iamkingsis] 14. Feels So Good (feat. Ne-Yo) - Remy Ma 15. KNOW YOU WANNA. - tango. [@tdwav] 16. SAY YES [JERSEY REMIX] - VELEZ. [@velez_am] 17. JUICE [AQUA FLIP] - Aquarius Jay [@aquarius-bwoy]

Send us a message, so we know what you're thinking!A “Deep Cut” is something that is recognisable or familiar to passionate fans but not usually to others.  As a special treat this week, we've delved into our collections to give you some deep cuts from our favourites – things like Queen, Bowie, Joe Cocker, Nick Cave and TISM. We think you'll love them,   In Rock News, Jeff delves into songs that turn 60 on 2025, looks at Sunday Lunch with Toyah and Robert Fripp, and looks at Yachtley Crew, a strange phenomenon from California.  Our Album You Must Hear Before You Die this week is Raw Power (1973) by Iggy and the Stooges. The lo-fi production on this highly influential album is the source of much tension between Bowie and Iggy, much of it not fair. We liked it!  Enjoy.  Playlist  Songs that turn 60 this year  Sunday Lunch with Robert and Toyah  Yachtley Crew Peter Cook as The BishopREM on Letterman References:  Raw Power, Iggy Pop, The Stooges, John Cale, Columbia Records, Sex Pistols, Johnny Marr & The Smiths, Kurt Cobain, Nirvana, MainMan, Tony DeFries, Sonny Boy Williamson, Ron Asheton, Scott Asheton, “Gimme Danger”, “Search and Destroy”, Iggy on Countdown, radio-friendly, Bowie, “The Man Who Sold the World”, Unplugged, Roxy Music, “For Your Pleasure”, Roxy live in Sydney – 2001 & 2011, The Police, “Bring on the Night”, Regatta de Blanc, white reggae, T.S. Eliot, “The Love Song of J. Alfred Prufrock”, Joe Cocker, “Many Rivers to Cross”, Sheffield Steel, Queen, “Fairy Fellers Master Stroke”, Richard Dadd, State Criminal Lunatic Asylum of Bethlem Royal Hospital – Bedlam, Nick Cave, “Papa Won't Leave You, Henry”, Henry's Dream, John Cale, “Close Watch (I Keep a)”, Helen of Troy, Music for a New Society, Fragments of a Rainy Season, REM, "So. Central Rain (Sorry)", Reckoning, Lou Reed, “Street Hassle”, Warren Zevon, “Hit Somebody!  (The Hockey Song)”, My Ride's Here, Carl Hiassen, “Bad Monkey”, Vince Vaughan, David Letterman, Enjoy Every Sandwich, Jimmy Webb, “Galveston”, Kate Bush, Aerial, "Pi”, Pete Townshend, “The Sea Refuses No River”, All the Best Cowboys Have Chinese Eyes, TISM, Great Trucking Songs of the Renaissance, "The Ballad of John Bonham's Coke Roadie"  

In this episode of Pray the Word on Song of Solomon 2:4, David Platt prays for marriages to reflect God's love for His people.Explore more content from Radical.

Text Us Here!Have you ever wondered what ever happened to how R&B used to sound? The feeling it gave you? The jams that were created? Well, join the gang as they discuss what shift could we have gone through to lose what R&B used to be, and when did we lose R&B groups?You have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one time purchases with code: FMJPOD20 at checkout.You can claim it at: https://www.magicmind.com/FMJPOD20Magic MindA mental performance shot you soon won't forget! Make 2025 your year for the best version of you!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThanks For Listening! Subscribe for X-tra Lives!https://www.buzzsprout.com/1473904/subscribe

Conceptual photographer Hrair Sarkissian moves between Syria, Armenia, and Turkey, capturing present absences in personal and political histories in the 20th and 21st centuries.Hrair Sarkissian uses photography, installation, moving image, and sound to reflect on social issues, often silenced or obscured from view. Born and raised in Syria, the grandson of refugees of the Armenian Genocide in 1915, much of his work explores the lived experiences of intergenerational trauma, with respect to individuals and diverse diasporic communities.Sweet & Sour (2021-2022), a three-channel video installation currently on view at Wolverhampton Art Gallery, reflects on memory and storytelling. Hrair discusses the significance of the Maruta Mountain in Armenian culture, and shares images of his ancestral home of Khantsorig, a village in the Sassoun region of present-day Turkey. We also explore the role of emotion and subjectivity in his practice, contrasting his approach to series like Last Seen (2018-2021) with the more detached, extractive approaches typical of photojournalism.Hrair explains his early training at his father's photographic studio in Damascus, and the role of Armenians in the development of studio photography in Syria, Lebanon, and Palestine following the collapse of the Ottoman Empire. With Sea of Trees (2025), we move between Hrair's exhibition environments to the volcanic Aokigahara forest on Mount Fuji, discussing how different cultural narratives and contexts have inspired his artistic practice. We look towards new works in production for an international art festival in Japan, and suggest of the long-term creative relationships within his own career that also connect times, places, and migrations - returning to Wolverhampton with Deathscape (2021), an audio installation for British Art Show 9 in 2021.Hrair Sarkissian: Other Pains is at Wolverhampton Art Gallery until 22 June 2025. You can hear the artist in conversation at the gallery on Saturday 14 June.Finding My Blue Sky, curated by Dr. Omar Kholeif, is at Lisson Gallery in London until 26 July 2025.The Aichi Triennale 2025: A Time Between Ashes and Roses, curated by Hoor Al-Qasimi, opens in Japan on 13 September 2025.For more about Mahmoud Darwish, read about Miloš Trakilović's installation 564 Tracks (Not a Love Song Is Usually a Love Song) (2024) at KW Institute in Berlin, in the New Internationalist: newint.org/art/2025/spotlight-milos-trakilovicFor more about diasporic communities in Lebanon and Syria, listen to Sara Shamma's live episode on World Civil War Portraits (2015) with Dulwich Picture Gallery in London, and the National Museum of Damascus, part of ⁠PEACE FREQUENCIES 2023⁠: pod.link/1533637675/episode/6c9af892a1a8e1450c2cc4b73f226835For more about studio photography in Palestine through the Ottoman Empire and British Mandate, hear curator Rachel Dedman's EMPIRE LINES episode about an UNRWA Dress from Ramallah, Palestine (1930s)⁠: pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cbAnd read into the exhibition, Material Power: Palestinian Embroidery, at Kettle's Yard in Cambridge and the Whitworth in Manchester, in gowithYamo: gowithyamo.com/blog/textiles-in-cambridge-palestinian-embroidery-at-kettles-yardPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠⁠instagram.com/empirelinespodcast⁠⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠⁠patreon.com/empirelines

Send us a textIn this episode, Marty gives Clif the movie On The Waterfront to watch and Clif gives Marty the movie Stalag 17 to watch.  Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song by Russ PacePhotos by Geoff Notkin

PLAYLIST: | 00:00 | DJ | DICKIE LEE AND THE ICEMAN | 00:28 | WHAT I'D SAY | BRYMERS | 01:13 | FIT ME IN | BRYMERS | 02:52 | CRAZY LOVE | VAN MORRISON | 05:57 | FOR YOUR PRECIOUS LOVE | JERRY BUTLER | 07:26 | SINCE I DON'T HAVE YOU | SKYLINERS | 08:31 | WHAT'S YOUR NAME | DON AND JUAN | 09:40 | WE BELONG TOGETHER | ROBERT AND JOHNY | 11:37 | LOVE WILL KEEP US ALIVE | EAGLES | 15:18 | HOW DEEP IS YOUR LOVE | BEE GEES | 19:44 | COMMENTS - JOHNY MESTRO (CRESTS) |  | 20:20 | 16 CANDLES | CRESTS | 23:51 | DON'T WORRY BABY | BEACH BOYS | 27:45 | STAND BY ME | DRIFTERS | 31:38 | BABY COME BACK | PLAYER | 39:26 | LOST THAT LOVIN FEELIN | RIGHTEOUS BROTHERS | 42:51 | WHEN A MAN LOVES A WOMAN | PERCY SLEDGE | 46:31 | OOH GIRL | CHI-LITES | 48:54 | SHARING THE NIGHT TOGETHER | DR. HOOK | 51:32 | IF YOU DON'T KNOW ME BY NOW | HAROLD MELVIN AND THE BLUE NOTES | 54:54 | I WANNA MAKE IT WITH YOU | BREAD | 59:34 | KISS YOU ALL OVER | EXILE | 59:21 | HOLD ON I'M COMING | BRYMERS

We’ve all heard about the TikTok video that goes viral for no apparent reason or the unsuspecting tradie who becomes an overnight sensation off the back of one post. Well, it turns out there’s a method to that madness, and the one with the keys to unlocking that method is Michelle Melky. Michelle is the Global Creative Director of a marketing agency called Amplify. They represent the top influencers and broker the deals for them. Michelle has created cutting-edge content for brands including Estee Lauder, Warner Bros. and Google. She also co-produced Love Songs, the world’s first narrative web series for TikTok. Her work has been nominated for a TikTok Ad Award, three Mumbrella Awards and in 2024, she was shortlisted for the B&T 30 Under 30 Awards. In this episode, we talk about what it means to be an influencer – or content creator, as Michelle prefers to call them. She gives us the low down on how to create that content, land a brand deal, find clients willing to pay you the big bucks and why you don’t need as many followers as you might think to start calling yourself an influencer. If you’ve ever wanted to monetise your knowledge about anything and learn how to negotiate and navigate the new media landscape, this is the episode for you. Read the show notes This podcast is brought to you by the Australian Writers' Centre. WritersCentre.com.au Join our community of copywriters at CopyClub.com.au.See omnystudio.com/listener for privacy information.

From The King of Kong: A Fistful of Quarters comes a somber follow-up documentary about Walter Day's music career. Walter and Billy spoke to me about their lives after The King of Kong, Walter's generosity, and his legal battle with the internet, which accused him of cheating. Arcades & Love Songs: The Ballad of Walter Day releases Worldwide 6/9 on VOD via Apple, Amazon, Google Play, YouTube Movies, Fandango, and Vimeo-on-Demand https://www.arcadesandlovesongs.com/ Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public   Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content.   Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603  Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005  Subscribe on SoundCloud https://soundcloud.com/user-114056851   Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago Follow Me on Twitter and Instagram @ypareviews

Send us a textThis week Vicky and Kristen discuss Not Another Love Song by Julie Soto. Tune in for an unmemorable book about h*rny musicians by an author who didn't do her research on classical music.If you liked this episode, please give us a 5 star rating, like, and subscribe! We post new episodes every Wednesday. If you want more, including our monthly book picks and funny memes, follow us on TikTok and Instagram @goodmorningbookclubWe'd also love to hear from you, so if you have any suggestions, including a book you'd like us to read, shoot us an email at gmbookclubllc@gmail.comSee you on the next one!Music and Production by LVL 3 EntertainmentInstagramTikTok

In this heart-to-head conversation, The Phat Girl Chronicles dives deep into the soulful journey of Black love music—from the days of slow dances, sweet serenades, and wedding ballads to the raw, raunchy, and sometimes toxic tracks of today. How did we go from “Here and Now” to “Wait For U”? Are we still singing about love… or just lust and control? Join us as we unpack the cultural, musical, and emotional shifts in how Black artists express love, heartbreak, and desire.We love bringing the laughs, the healing, and the hard conversations—but we wanna hear from YOU too! Your voice matters in this community we've built together. So tap in, sound off, and come connect with us:Instagram: @thephatgirlchroniclesFacebook: facebook.com/thephatgirlchroniclesTwitter/X: @pgcpodcastYouTube: https://youtube.com/c/ThePhatGirlChroniclesYou42: https://www.you42.com/channel/1647Did this episode teach you something new, shift your perspective, or just give you a feel-good moment in your day? If so, do us a favor:

Send us a textIn this episode, Marty gives Clif the movie Before Midnight to watch and Clif gives Marty the movie Trainspotting to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Theme Song by Russ PacePhotos by Geoff Notkin

You know that meme that's going around saying “propaganda i'm not falling for”? Well the propaganda we're not falling for is the discourse that says we need to quit our day jobs in order to be “real artists”, “real diviners”, “real entrepreneurs”. Or whatever, because truth is…we can be working full-time inside our passion and still be in misalignment with the sometimes uncomfortable and terrifying invitations of our creative spirit. My intention behind recording this podcast episode is to invite us to explore how we might bring our full witchy-ness into our work. Less about the "what" of what we do and more about the "how". How do we show up in the fullness of our power, how do we maintain boundaries that support our bodies and how do we refuse to sever ourselves from our spirit for work misaligned with our values? We'll explore all this and more in today's episode.ResourcesLet's Work Together 1:1 On Your Creative Offer: https://www.seedaschool.com/coachingSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠CitationsCover Art: Julie Dash, Daughters of the Dust (Film Still), 1991

Watch on Philo! - Philo.tv/DTHA daughter traveling with her widowed mother and a son traveling with his widower father meet on a cruise and decide that their musical parents would make the perfect couple try to engineer a romance only to falling in love themselves.