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In this episode of the Pursue Him Podcast, be encouraged as Pastor Kim invites you to drop your mask and dwell in the presence of your Father — because God is your home, and with Him, you are completely free.
It's a Bugaboo Tuesday…what's bothering Bill today? Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "Heard it in a Love Song" - Marshall Tucker Band (1977)Show Sponsored by SANDHILLS GLOBALOur Sponsors:* Check out Hims: https://hims.com/EARLYBREAKAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Send us a textIn this episode, Geoff Notkin joins the podcast. He brings along the movie Hope and Glory. Marty and Clif give Geoff the movie Yellowbeard to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
We all love a love song, don't we? ..... Join me on a Sunday morning when I'll play the best love songs, old and new, from soft rock to the slushy stuff. Break up to make up and everything in between. Help me choose them, get involved by letting me know what you want to hear. Email on studio@mearnsfm.org.uk or text, starting the message with MFM and send to 82228
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2023 conversation with Robert De Leo of Stone Temple Pilots. ABOUT ROBERT DE LEORobert De Leo is best known for his work in Stone Temple Pilots. Collaborating with lyricist and vocalist Scott Weiland, Robert wrote or co-wrote the music for many of the group's classic songs, including “Plush,” “Creep,” “Wicked Garden,” “Vaseline,” “Interstate Love Song,” “Big Bang Baby,” “Down,” “Hollywood Bitch,” and “Between the Lines.” Outside of their music in Stone Temple Pilots, Robert and his brother Dean have also written and recorded songs for their band Talk Show, as well as Army of Anyone, which is a collaboration with Filter frontman Richard Patrick. Since the death of Weiland and subsequent lead singer Chester Bennington, the De Leo brothers and drummer Eric Kretz continue to make music as Stone Temple Pilots with current vocalist Jeff Gutt. At the time of our conversation, Robert had released his debut solo album, Lessons Learned, a deeply personal collection of original songs. Featuring a handful of guest singers, it's a different sound than listeners might expect from De Leo, exploring the vibes of Laurel Canyon, Americana, roots music, and a healthy dose of one of Robert's musical heroes, Glen Campbell. In this episode you'll hear a lot of great new music and gain a deeper appreciation for some of the amazing Stone Temple Pilots catalog as Robert grabs his guitar and breaks down some of those classics in mind-blowing depth. This is one of our favorite Songcraft conversations, and you definitely won't want to miss it.
Songs include: So In Love by Patti Page, Taking a Chance On Love by Benny Goodman, Dream by the Pied Pipers, For Sentimental Reasons by Nat King Cole and I Wish That I Were Twins by Fats Waller.
Send us a textIn this episode, Marty gives Clif the movie The 4:30 Movie to watch and Clif gives Marty the movie In Bruges to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
TODAY'S TREASUREThe Lord your God is in your midst, a mighty one who will save; he will rejoice over you with gladness; he will quiet you by his love; he will exult over you with loud singing.Zephaniah 3:17 ESVSend us a comment!Support the show
Song of Solomon Pastor Seth Norris
We all love a love song, don't we? ..... Join me on a Sunday morning when I'll play the best love songs, old and new, from soft rock to the slushy stuff. Break up to make up and everything in between. Help me choose them, get involved by letting me know what you want to hear. Email on studio@mearnsfm.org.uk or text, starting the message with MFM and send to 82228
On this episode, friend of the show and friend of mine, Jonathan Travers calls in with a tribute to Tim Cronin of […] The post Suing Bandmates, Canceling Tours Because of Weather and Sappy Love Songs first appeared on The Rock and Roll Geek Show.
Join us today with our guest the mystic and bard Sophie Strand as we discuss the Knight of Wands. Like Dionysus, the Knight of Wands arrives from beyond with a message: look for the joy, look for what delights you, even if it's just a small thing, imagine it like a small spark of fire, then blow. We talk about the difference between the Knight and the King, and the ecological relationships they both imply. We talk about ecstasies and where inspiration comes from and what it means for your wand to flower and rituals for working with the Knight of Wands on your morning walks. Join us!To attend the SONNETS FOR THE MUSE workshop in Scotland on July 26th click here.To join Amanda's MYSTERY CULT on Substack click here.Listen to Carolyn's podcast with Beth Pickens Mind Your Practice, and join their Homework Club.**********************************FIND OUT MORE ABOUT OUR GUEST SOPHIE STRANDSophie Strand is a poet and writer with a focus on the history of religion and the intersection of spirituality, storytelling, and ecology. She is the author of four books: the poetry book "Love Song to a Blue God," "The Flowering Wand: a deep exploration of the regenerative and magical secrets of sacred masculinity hidden in familiar myths both ancient and modern", the novel "The Madonna Secret," and most recently the eco-disability memoir "The Body is a Doorway." You can find Sophie on her excellent Substack platform: Make Me Good SoilFind Sophie on Instagram: @cosmogonyOr buy her books here: sophiestrand.com/**********************************SONNETS FOR THE MUSE WORKSHOP with Amanda Yates Garcia and Rebecca SharpJoin Amanda and the poet Rebecca Sharp on Saturday, July 26th for a day-long workshop in Edinburgh, Scotland. This workshop is for you if you have a subject you're passionate about that you'd like to make space for in your life. Especially if you have an interest in learning more about poetry and its relationship to magic.FIND OUT MORE **********************************Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes. Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Are you an artist or writer looking for structure, support and community? Check out Carolyn's project - Homework Club -with with arts consultant and author, Beth Pickens:Homework Club offers creative people strategies for keeping their projects and practices a priority with monthly webinars, worksheets, live QnA's, accountability pods, and actual homework (that you'll never be graded on. Ever!). Make 2024 a BIG PROJECT year - first month free with code: YourArtMind Your Practice is our podcast.You can visit https://www.bethpickens.com/homework-club for more details or listen wherever you stream Between the Worlds.**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes.
"Don't blame me, love made me crazy. If it doesn't, you ain't doing it right." This week, we're deep diving into "Don't Blame Me" from the reputation album. We explore the song's gospel influences, religious imagery, and transformation themes as we analyze Taylor's most unhinged declaration of love. From poison ivy to daisies, from halos to falling from grace, join us as we unpack this intoxicating Taylor Swift tale of desire, addiction, and spiritual transcendence. Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe Stay up to date at aptaylorswift.com Mentioned in this episode: E94: Show and Tell - Frankenstein The Great Gatsby, F. Scott Fitzgerald Paradise Lost, John Milton Ellie Goulding - "Love Me Like You Do" 50 Shades of Grey Rocky Horror Picture Show *** Episode Highlights: [02:02] - “Don't blame me, love made me crazy” [09:00] - “I've been breaking hearts a long time” [13:07] - “For you I would cross the line” [22:40] - “My name is whatever you decide” [33:08] - “I get so high, everytime you're touching me” [41:25] - Purpose of the song Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
In our new episode we welcome two amazing guests! Before having an in-depth chat with Ed Cunningham, producer of the documentary 'The King Of Kong' and 'Arcades And Love Songs: The Ballad of Walter Day', we'll hear some insights about the Brazilian Sega scene and Paprium by Guilherme Chirinéa. A special double feature, don't miss this! Enjoy! The interview starts at minute 1:01:43 into the podcast.
On this episode of "Rare Maven: The Podcast," we're joined by Shawana Ward, founder of @TheSelf LoveSong — a wellness brand that began as a Zoom call and has grown into a movement supporting individuals, schools, and organizations through music, movement and mindfulness.As summer radiates joy and creativity, Shawana shares how to stay rooted, inspired, and in motion with self-love this summer, sharing:* Reconnecting with your intuition* Using creativity as a tool for healing* Finding "mindful moments: that align with your lifestyle* Letting music be your medicine* How to lead with joy and passion — not pressure It's your season to sustain and execute. Let's get into it. Listen now! Follow us on Instagram: @raremavenmedia Visit us online: http://www.raremaven.media
As fans of CS&N, and the Eagles, & Love Song we would add that flavor to Breakin' The Ice with “The Lord Is Callin You” Listen for the synth solo on the end, played by Larry Williams (not Me) & one of the horn players
Send us a textIn this episode, Marty gives Clif the movie The Fabelmans to watch and Clif gives Marty the movie CBGB to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
GBAG of the DAY & LA Live: Toxic Tuesday: two naked youth baseball coaches; Coach JB GOES OFF On Sophie Cunningham; Corey Holcomb's Toxic Love Song & More full 1568 Wed, 09 Jul 2025 00:27:11 +0000 WPWKn7xiOBAGhZEVk4bcNbmzozcrMUxF viral,little league,trending,sophie cunningham,sports GBag Nation viral,little league,trending,sophie cunningham,sports GBAG of the DAY & LA Live: Toxic Tuesday: two naked youth baseball coaches; Coach JB GOES OFF On Sophie Cunningham; Corey Holcomb's Toxic Love Song & More The G-Bag Nation - Weekdays 10am-3pm 2024 © 2021 Audacy, Inc. Sports
Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That's What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested. Songs In This Episode Intro - Weak and Mean 25:17 - Bury Me 29:29 - Seeds 35:29 - Going Gone Outro - Chew Toy Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Send us a text In this episode, Jeff Tyner joins the podcast. He brings along the movie Youngblood. Marty and Clif give Jeff the movie Demolition Man to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
Beave and Len talk through a wide variety of topics on the latest recap episode, including the NBA draft, the ASCENDANT Golden State Valkyries, Angel Reese's improved play, the Cubs' continued hold on first place, the improving Sox, and the sinking Guardians. Plus Iva-Marie Palmer joins the pod for a little 5th anniversary celebration and Top 5 lists, Len keeps everyone up to date on the New Yorker, Beave reviews the new McKinley Dixon album, the guys review Magnetic Fields' "69 Love Songs", and more! Tune in for recap excellence!
In this episode, I'll be discussing the career of R&B singer Kevin Ross.If you want to listen to the podcast on other platforms:GoodPods:https://goodpods.app.link/8GExwJCiPNbPodcast Official Website:https://www.inthemixwithleahb.comPandora:https://www.pandora.com/podcast/in-the-mix-with-leah-b/PC:1000712709Apple:https://podcasts.apple.com/us/podcast/in-the-mix-with-leah-b/id149967Spotify:https://open.spotify.com/show/1NBzGR7hPphTP2fiPS4KTfIn The Mix With Leah B. •Spotify For Podcasters:https://podcasters.spotify.com/pod/show/inthemixxI-Heart Radio:https://www.iheart.com/podcast/269-in-the-mix-with-leah-b-62565870?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=trueThe In the Mix With Leah B. Youtube Channel :https://www.youtube.com/@inthemixwithleahbpodcastCatch up with the podcast on Social Media:Instagram:https://www.instagram.com/inthe_mixwithleahbThreads:https://www.threads.net/@inthe_mixwithleahbFacebook:https://www.facebook.com/InthemixwithleabTikTok:https://www.tiktok.com/@inthemixwithleahb?_t=8kXTjwYqdVG&_r=1If you want to support the podcast:Podcast Merch:https://www.inthemixwithleahb.com/shopBuy Me A Coffee:https://www.buymeacoffee.com/inthemix
Send us a textIn this episode, Marty gives Clif the movie Funhouse to watch and Clif gives Marty the movie Step Brothers to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
After a decades-long career as a full-time pastor and member of the music trio "Phillips, Craig & Dean," Dan Dean brings "More." He joins the podcast to discuss his new solo project, "More," and shares his experience balancing parenthood, music, and full-time ministry. His remarkable Christian music journey began over thirty years ago, and he has served in full-time ministry for nearly 50 years, now holding the role of legacy pastor. Dan also describes how the musical group "Phillips, Craig & Dean" formed and their commitment to staying involved in their local churches. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Lyrics of Love (Song of Solomon 1:5-2:7) Rivertown Church is a Christ-centered community that exists to worship God and make disciples of Jesus for the glory of God and the joy of all peoples. For more about our church, please visit our website or join us Sundays at 10:30am at 28 Birge Street in Brattleboro, VT for our worship gathering.
My Summer Lair host Sammy Younan talks to Walter Day (a video game referee) and Billy Mitchell (a video game champion) about Arcades and Love Songs: The Ballad of Walter Day. My Summer Lair Chapter #321: How Many Songs Has Your Heartbreaks Inspired? Recorded: Tuesday, February 18, 2025 at 10:00 am (EST) For more show notes visit MySummerLair.com. Bonus Fun? Sign up for my newsletter because the F in FOMO doesn't stand for Fun. Stress free pop culture (TV shows! Books! Movies! Music! So Many Recommendations!!) tastefully harvested for your divine delight. Once a week a carefully curated edition of My Pal Sammy goes directly to your inbox. Magic or Science? You decide.
Send us a textJaden is a filthy cheater and decided to triple dip today by talking about Andrew McMahon, who has fronted more bands than can be counted by humans. Zac gets real defensive about The Second Stage Turbine Blade by Coheed and Cambria, and Daniel talks about Love Song by Sara Bareilles.Follow us on Instagram if that's your thing: https://www.instagram.com/theplaylisterspod/
Send us a textOn this episode Tom and Bert get a bit "wild and crazy" with the "Slang" words and their meanings on a variety of topics. Lots of laughs and plenty of content! CHAPTERS: (1:07) TV- lots of names for TV's over the years.(12:29) Underwear- lots to say about the under garments and it ain't all that pretty.(21:00) Catchy Songs- slang for your favorite tunes! (24:52) Songs- lots of slang for types of songs from Bangers to Love Songs.(30:15) Wife- tons of slang terms for the wives, it's all in the eye of the beholder and it's in all good fun! (39:47) Women- what is a woman? Well you'll have many names to chose from after listening to these slang terms.(51:13) Getting Married- slang/terms for walking down the aisle and tying the knot, so to speak. Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.
Ralston College presents a talk by Christopher Snook, Lecturer in the Department of Classics at Dalhousie University, on St. Augustine's great autobiographical text The Confessions. This talk offers a detailed walk through of Books VII and VIII of Augustine's text in light of Augustine's “abiding preoccupation with the nature of the created order.” Snook explores how Augustine absorbed the insights of Platonist philosophers like Plotinus and Porphyry but also moved beyond them as he sought a more embodied account of the nature of the human person. Augustine's own conversion stresses the importance of encountering models for life and reveals the centrality of the incarnate Logos to the Christian understandings of self-realization. This lecture was delivered on January 9th, 2025 at Ralston College's Savannah campus during the third term of the MA in the Humanities program. Support Ralston College's mission to revive the conditions of a free and flourishing culture. Authors and Works Mentioned in this Episode: Dante, The Divine Comedy Cicero, Hortensius T.S. Eliot, The Love Song of J. Alfred Prufrock St. Ambrose Plotinus Porphyry Gaius Marius Victorinus Plato, The Republic Virgil, The Aeneid Iamblichus Charles Dickens, A Christmas Carol St. Anthony the Great John Scotus Eriugena Anselm of Canterbury Martin Luther Rene Decartes
Send us a textIn this episode, Marty gives Clif the movie Victor/Victoria to watch and Clif gives Marty the movie Always to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song by Russ PacePhotos by Geoff Notkin
The Friday market in Ventimiglia, an Italian town on the border with France, is alive with the bustle of French tourists who come weekly to buy goods. The sounds of music, bargaining and laughter fill the air, but there's also an oblivious tension. The Italian police move through the crowd, routinely stopping people — particularly racialized individuals — to ask for documents. "Permesso di soggiorno, ce l'hai?" ("Do you have a residence permit?") echoes sharply as two Tunisian minors are questioned. In the background, the mechanical tune of a police radio punctuates the scene as the police have a quick casual conversation on Ecuadorians, these voices blend uneasily with the market's lively hum. Here, the ordinary rhythms of commerce coexist with the heavy presence of surveillance at the border, where every passing moment is marked by an invisible line. You can also here my voice in the background, a light-hearted exchange unfolds—me chatting with a French lady and a sellers from Guinea and Italy, who try to guess where I am originally from. Recorded by Masha Hassan.
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices
The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Originally from Los Gatos, California, Ren Geisick began singing at a young age. She earned an Ella Fitzgerald Scholarship, studied Jazz vocal performance at California State University, Long Beach, and was named an Outstanding Jazz Vocalist by DownBeat Magazine—but her identity as an Americana Singer-Songwriter has long been in motion. With influences like Willie Nelson, Patsy Cline, and Guy Clark, her latest music draws from the outlaw country tradition—authentic, stripped-down, and emotionally direct. In 2017, she released her debut album, Ren, Love Song, produced by Jesse Harris, marking a significant step toward Americana, which blended folk with jazz sensibilities and showcased her deeply personal songwriting voice. Since then, Ren has leaned fully into Country music. While she doesn't set out to specifically write country songs, her singing style and focus on honest, lyrical narratives have made Americana a natural fit for her.Her latest album, The Place I Planned to Go, centers on themes of hope and perseverance, especially in the context of being a musician. The album explores the struggles of progressing in life and music, maintaining optimism in the face of challenges, and finding compassion. It includes songs that reflect on the difficulties of the music industry, like the humorous “15 Cents” and more introspective tracks like “Weakness” and “No Mercy at All.” The title track, “The Place I Plan to Go,” was written during the pandemic and reflects on life not turning out exactly as expected, yet maintaining hope for the future.In this conversation, Ren gives us a behind-the-scenes glimpse at the production of this record and collaboration with producer Mikey Ross. Ren opens up about the challenges of sustaining a music career today, her reasons for pushing forward, and her connection to the music she creates.
A man carries out what he believes is a flawlessly executed killing. But soon after, he begins to unravel—plagued by guilt, paranoia, or fate — learning too late that no crime goes unpunished. Death, it seems, has the final laugh. Hear the story from The Sealed Book! | #RetroRadio EP0436Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Love Song of Death” (April 21, 1976)00:47:05.229 = Mystery Playhouse from Molle, “Female of the Species” (June 07, 1946) ***WD01:12:24.779 = The Price of Fear, “Guy Fawkes Night” (November 17, 1973)01:40:24.759 = Adventures of Ellery Queen, “Nikki Porter, Suspect” (March 05, 1947) ***WD02:06:15.549 = Quiet Please, “Gem of the Purest Ray” (May 17, 1948)02:35:55.909 = Radio City Playhouse, “Wisdom of Eve” (January 24, 1949)03:05:58.479 = Isn't It Crime, “Speaking of Murder” (December 14, 1945)03:35:08.139 = Ripley's Believe It Or Not, “Never Bitten” (1930s) ***WD03:36:10.331 = The Saint, “Wanted: A Husband” (October 29, 1950)04:02:12.209 = Sam Spade, “Apple of Eve Caper” (June 19, 1949) ***WD04:30:37.629 = The Sealed Book, “Death Laughs Last” (September 02, 1945)05:00:12.229 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0436
In this episode of Pray the Word on Song of Solomon 8:7, David Platt encourages us to steward God's gift of love for His glory and our good.Explore more content from Radical.
TRACKLIST: 1. Here With Me - Sango [@sangobeats] 2. Slow Down [Jeftuz RnB Flip] [@jeftuzmusic] 3. Ave Maria - Zacari & Ty Dolla $ign [@zacarip] 4. Ease My Mind (Come Over) - Nija [@nija-music] 5. Private Jet - Penthouse Penthouse [@penthouse-penthouse] 6. Slow Dance (feat. DIXSON) - Kehlani [@kehlanimusic] 7. Up Late - Ari Lennox [@arilennox] 8. Silly Love Song - Enchantment 9. All Of Me - Nao [@thisnao] 10. Ily - CHERISE [@cherise-music] 11. YES IT IS - Leon Thomas [@leonthomasmusic] 12. NIGHT OFF - Isaiah Falls & Sasha Keable [@isaiah-falls-music @sasha-keable] 13. Yeah You (Thinkin Bout You) - King Sis [@iamkingsis] 14. Feels So Good (feat. Ne-Yo) - Remy Ma 15. KNOW YOU WANNA. - tango. [@tdwav] 16. SAY YES [JERSEY REMIX] - VELEZ. [@velez_am] 17. JUICE [AQUA FLIP] - Aquarius Jay [@aquarius-bwoy]
In this episode of Pray the Word on Song of Solomon 2:4, David Platt prays for marriages to reflect God's love for His people.Explore more content from Radical.
Conceptual photographer Hrair Sarkissian moves between Syria, Armenia, and Turkey, capturing present absences in personal and political histories in the 20th and 21st centuries.Hrair Sarkissian uses photography, installation, moving image, and sound to reflect on social issues, often silenced or obscured from view. Born and raised in Syria, the grandson of refugees of the Armenian Genocide in 1915, much of his work explores the lived experiences of intergenerational trauma, with respect to individuals and diverse diasporic communities.Sweet & Sour (2021-2022), a three-channel video installation currently on view at Wolverhampton Art Gallery, reflects on memory and storytelling. Hrair discusses the significance of the Maruta Mountain in Armenian culture, and shares images of his ancestral home of Khantsorig, a village in the Sassoun region of present-day Turkey. We also explore the role of emotion and subjectivity in his practice, contrasting his approach to series like Last Seen (2018-2021) with the more detached, extractive approaches typical of photojournalism.Hrair explains his early training at his father's photographic studio in Damascus, and the role of Armenians in the development of studio photography in Syria, Lebanon, and Palestine following the collapse of the Ottoman Empire. With Sea of Trees (2025), we move between Hrair's exhibition environments to the volcanic Aokigahara forest on Mount Fuji, discussing how different cultural narratives and contexts have inspired his artistic practice. We look towards new works in production for an international art festival in Japan, and suggest of the long-term creative relationships within his own career that also connect times, places, and migrations - returning to Wolverhampton with Deathscape (2021), an audio installation for British Art Show 9 in 2021.Hrair Sarkissian: Other Pains is at Wolverhampton Art Gallery until 22 June 2025. You can hear the artist in conversation at the gallery on Saturday 14 June.Finding My Blue Sky, curated by Dr. Omar Kholeif, is at Lisson Gallery in London until 26 July 2025.The Aichi Triennale 2025: A Time Between Ashes and Roses, curated by Hoor Al-Qasimi, opens in Japan on 13 September 2025.For more about Mahmoud Darwish, read about Miloš Trakilović's installation 564 Tracks (Not a Love Song Is Usually a Love Song) (2024) at KW Institute in Berlin, in the New Internationalist: newint.org/art/2025/spotlight-milos-trakilovicFor more about diasporic communities in Lebanon and Syria, listen to Sara Shamma's live episode on World Civil War Portraits (2015) with Dulwich Picture Gallery in London, and the National Museum of Damascus, part of PEACE FREQUENCIES 2023: pod.link/1533637675/episode/6c9af892a1a8e1450c2cc4b73f226835For more about studio photography in Palestine through the Ottoman Empire and British Mandate, hear curator Rachel Dedman's EMPIRE LINES episode about an UNRWA Dress from Ramallah, Palestine (1930s): pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cbAnd read into the exhibition, Material Power: Palestinian Embroidery, at Kettle's Yard in Cambridge and the Whitworth in Manchester, in gowithYamo: gowithyamo.com/blog/textiles-in-cambridge-palestinian-embroidery-at-kettles-yardPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines
Watch on Philo! - Philo.tv/DTHA daughter traveling with her widowed mother and a son traveling with his widower father meet on a cruise and decide that their musical parents would make the perfect couple try to engineer a romance only to falling in love themselves.