Podcast appearances and mentions of cathy horyn

This episode is for the REAL fashion heads and critical thinkers. This week, Alyssa sits down with the esteemed Rachel Tashjian, fashion critic at the Washington Post and the brains behind the cult-favorite, invite-only newsletter Opulent Tips, for a fascinating discussion about the state of fashion media and the industry at large. Tune in to hear about Rachel's origin story as a blogger, plus her ascent up the masthead with stints at Vanity Fair (as a publicist!), Garage, GQ, and Harper's Bazaar; what she learned studying the work of critics like Cathy Horyn and Robin Givhan; figuring out how to find the fashion angle in non-fashion stories, because that's how so much of the world thinks; the value of having a good (and scrappy) attitude, as well as of asking for what you want; how to find your voice and your unique point of view, and why both are crucial to success; paying attention to what makes you a person and letting people see that; how working in men's fashion differs from working in women's fashion; writing for a magazine vs. a newspaper vs. your own audience; how her best bosses always led with integrity; looking at advertiser relationships as an interesting puzzle to solve, rather than a limitation; whether it's easier or harder than ever to be a fashion journalist now; what happens when a designer or a brand takes issue with her reviews; the importance of always staying open to the next thing; starting Opulent Tips ahead of the Substack and recommendation newsletter boom; Lorde referencing Opulent Tips in her last album cycle, and so much more.This episode was recorded in the podcast studio at The SQ @ 205 Hudson. Get full access to The New Garde with Alyssa Vingan at thenewgarde.substack.com/subscribe

New York Fashion Week is upon us! To kick off the Spring 2025 season, Alyssa sits down with one of the city's most prolific fashion writers, Emilia Petrarca, whose popular shopping newsletter, Shop Rat, turns a year old this month. Emilia gives a play-by-play of her climb up the masthead — which involves stints at W Magazine and New York Magazine's The Cut — and shares the most important lessons she's learned along the way, including the realizations that there's no such thing as a “dream job” anymore, and the career path promised in The Devil Wears Prada is obsolete in today's media landscape. Tune in to find out how she pioneered the nepo baby beat, why a story about Paris Hilton changed the trajectory of her career, how she learned to follow her instincts, hone her voice, and go with her gut, what it was like to attend runway shows alongside Cathy Horyn, why getting offline and going outside are crucial for creativity, the most important (and fun!) parts of reporting from Fashion Month, how she decided it was time to bet on herself and do her own thing, the ups and downs of navigating freelance life while starting a publication from scratch, how to know you have a hit story on your hands, the power of saying “no,” what's in store for year two of Shop Rat, and so much more. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewgarde.substack.com

Urgent episode drop! ERK chats with fashion designer and GAP's newest creative director, ZAC POSEN as he reflects on his two-decades-long career. He shares how he trail-blazed celebrities and theatricalities into the flat fashion scene of the early 2000s, survived media pressure by the great CATHY HORYN, costume designed for RYAN MURPHY's latest miniseries Feud: Capote vs. the Swans, found inspiration in his love of Broadway, and more. Listen now as Posen steals our hearts and the conversation (actually, though)—the only guest who can pull that off so charmingly. Enjoy!Host: Evan Ross KatzEditor: Sophia AsmuthShow links: Evan Ross Katz on Instagram https://www.instagram.com/evanrosskatz/See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, the girls tackle some scary shit: Nicki Minaj vs. Megan Thee Stallion, The Zone of Interest (spoilers ahead!), American Nightmare, and the heterosexual jump scares on True Detective: Night Country. Also discussed: the fabulous John Waters show at the Academy Museum, the Conde Nast Strike, Sofia Coppola's lost Edith Wharton limited series, Dan Levy's Good Grief, Maison Margiela majorness, Simone Rocha's Gaultier collab, Chanel's Pennywise glam, and the forthcoming Kardashian-produced Elizabeth Taylor docuseries. Also: watch our fabulous friend Loren Kramar's new video Glovermaker!  Further Reading: Rachel Syme's Sofia Coppola profile and Margiela reviews from Alexander Fury, Cathy Horyn, and Vanessa Friedman.

Bonjour f**ckettes! We're back to discuss the highs and lows of Paris Fashion Week, Kim Cattrall's Skims campaign, the reveal of Stevie Nicks' Barbie, the scarily realistic Vera Wang Barbie, Beyonce's Renaissance concert film, and Angelina Jolie's new fashion venture. Pertinent Links Rachel Tashjian's We Need More Female Fashion Designers article, Harmony Korine's 2021 Balenciaga short feat. Cathy Horyn, and Tracie Egan Morrissey's Pulizer-worthy Kravis Instagram Story. Fashion Shows Alexander McQueen, Balenciaga, Comme des Garçons, Maison Margiela (here's the video also), Louis Vuitton, Loewe, Miu Miu, Schiaparelli.Today's episode is brought to you by Dipsea! Our listeners get an extended 30 day free trial when you go to DipseaStories.com/Outfit!As well as, Nutrafol. Enter the promo code OUTFIT  to save FIFTEEN DOLLARS off  your first month's subscription.

We're back with some major life updates: Lauren bought a house and Chelsea's car is still infested with rats! We also discuss the restoration of Gregg Araki's Nowhere, Drew Barrymore's scabbing scandal, the unveiling of Matthew McConaughey's wax figure on The View, Ashton and Mila's failed apology video, Bijou Phillips' divorce from Danny Masterston and the Shakspearean tragedy that is her family, Cathy Horyn's “Lost in the Machine” article, Spring collections from  Mowalola, Simone Rocha, and Burberry, Naomi Campbell's Pretty Little Thing collab, Steven Meisel's Zara collab, and Kim Kardashian's debut on American Horror Story: Delicate. Plus: Chelsea reports back from John Waters' historic Hollywood Walk of Fame star unveiling ceremony.Today's episode is brought to you by Green Chef. Go to GreenChef.com/60outfit and use code 60outfit to get 60% off plus free shipping.” As well as, Nuuly!  Get $20 off your first month of Nuuly when you sign up with the code OUTFIT20! WE HAVE A HOTLINE! Call us with your thoughts and we may just play your call on our after show! Call 323-486-6773

Sleep talk, we further unpack the Sophie Turner/Joe Jonas discourse and fallout, Izzy takes us inside the Kim Gordon closet sale, we discuss Cathy Horyn's article about all fashion being boring now, and go deep on all things Ashton Kutcher/Mila Kunis scandal. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The 90s brought a backlash to the lingering decadence of the 80s. This was the birth of grunge. As supermodels rose to prominence, so did this counterculture, which emphasized anti-fashion and rejection of superficiality. But can anyone be exempt from fashion? Episode 2: Grunge Strikes Back features guest interviews with Marc Jacobs, Kim Gordon, Anna Sui, Cathy Horyn, Grace Coddington, Camilla Nickerson, Tonne Goodman, Kimberly Jenkins, and Megan Jasper. From Vogue's editorial team: Mark Holgate, Laird Borrelli-Persson, and Nicole Phelps. See Marc Jacobs 1993 Spring/Summer collection for Perry Ellis here. For more on this week's episode and to access additional Vogue content, make sure to visit vogue.com/podcast. Don't miss out on new episodes of In Vogue: The 1990s on: Apple Podcasts: listen.vogue.com/iv-apple-podcasts Spotify: listen.vogue.com/iv-spotify Google: listen.vogue.com/iv-google-podcasts or wherever you listen to podcasts. Shop the Vogue Collection: https://shop.vogue.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

When models walk the runway at New York Fashion Week, what messages are they sending about the core of American values? Cathy Horyn, critic-at-large for The Cut at New York Magazine, joins host Krys Boyd to discuss the aesthetics of the nation, how they've changed, and how global fashion brands speak through us every day when we get dressed. Her recent essay is headlined “My Endless Search for American Fashion.”

We’re excited to bring you a new series from Vogue -- In Vogue: The 1990s. If you miss the 90s for all its nostalgia, fashion, and culture, you're going to love this episode on grunge The 90s brought a backlash to the lingering decadence of the 80s. This was the birth of grunge. As supermodels rose to prominence, so did this counterculture, which emphasized anti-fashion and rejection of superficiality. But can anyone be exempt from fashion? Episode 2: Grunge Strikes Back features guest interviews with Marc Jacobs, Kim Gordon, Anna Sui, Cathy Horyn, Grace Coddington, Camilla Nickerson, Tonne Goodman, Kimberly Jenkins, and Megan Jasper. If you like what you hear, subscribe to In VOGUE: The 1990s now on your preferred podcast app: Apple Podcasts: https://podcasts.apple.com/us/podcast/id1526206712 Spotify: https://open.spotify.com/show/4uJdNOg4EtQAqlnfxLo7wX Or wherever you get your podcasts. See Marc Jacobs 1993 Spring/Summer collection for Perry Ellis here. For more on this week’s episode and to access additional Vogue content, make sure to visit vogue.com/podcast.

The 90s brought a backlash to the lingering decadence of the 80s. This was the birth of grunge. As supermodels rose to prominence, so did this counterculture, which emphasized anti-fashion and rejection of superficiality. But can anyone be exempt from fashion? Episode 2: Grunge Strikes Back features guest interviews with Marc Jacobs, Kim Gordon, Anna Sui, Cathy Horyn, Grace Coddington, Camilla Nickerson, Tonne Goodman, Kimberly Jenkins, and Megan Jasper. From Vogue's editorial team: Mark Holgate, Laird Borrelli-Persson, and Nicole Phelps. See Marc Jacobs 1993 Spring/Summer collection for Perry Ellis here. For more on this week’s episode and to access additional Vogue content, make sure to visit vogue.com/podcast. Don’t miss out on new episodes of In Vogue: The 1990s on Apple Podcasts, Spotify, Google, or wherever you listen to podcasts.

The industry veteran and renown Critic-at-Large at New York Magazine and The Cut discusses how the pandemic has shifted the way journalists cover fashion, signalling an editorial transformation.   LONDON, United Kingdom — For fashion critic Cathy Horyn, the pandemic has ushered in yet another transformation of fashion media. Just like the brands and designers who pivoted and adopted new digital tools to reach buyers and consumers amid show cancellations, publications maximised their online presence to guide the industry at large through a period of upheaval. In the latest episode of The BoF Podcast, Horyn sat down with BoF Editor-at-Large Tim Blanks to discuss reviewing the upcoming shows this month (a mixture of both physical and live events) and her outlook for a post-Covid-19 fashion industry. For Horyn, the media reflects and adapts to the needs of its time. “There’s been incredible [fashion] writers all the way back to the 1830s at least… and they all did something different. Journalists adapted to whatever was going on at that time,” she said. With the advent of the internet and social media, the industry saw the emergence of new voices and new talent. Amid this current period of uncertainty, Horyn remains optimistic that the industry will emerge stronger and transformed. “We’ve seen a lot of experimentation in the last… two months… I think going forward...it’s going to be an adjustment for everybody covering fashion, [but] I certainly think it should be covered.” Will the show go on? This has been one of the questions on the minds of designers across the globe, but with New York Fashion Week given the go ahead (sort of) industry insiders and consumers are in for a fashion week unlike anything ever seen before: a mixture of in-person shows, livestreams, films and virtual panel discussions. What does this mean for journalists, like Horyn, that usually review the collections gracing the runway? “We don’t even know if we’re going to be covering shows like we did till possibly next fall,” she said. “My long-term feelings for the industry are really strong… [fashion] will transform itself but we just don’t know what that’s going to [look like].” For Horyn and other critics, it would be remiss to ignore the allure of the physical runway show. A collection “doesn’t [always] translate so well on television or on a video screen,” Horyn said. But one thing that remains, whether via a screen or in real time, is the “sense of discovery and [realisation] that some of that stuff ... moves the historical needle of fashion and we get to see that,” she said.   Related Articles: The Best-Case, Worst-Case for Fashion Media For Fashion Magazines, It's Crunch Time At Condé Nast and Hearst, It’s About More Than the Current Crisis   Watch and listen to more #BoFLIVE conversations here. To contact The Business of Fashion with comments, questions, or speaker ideas please e-mail podcast@businessoffashion.com.   Sign up for BoF’s Daily Digest newsletter.   Ready to become a BoF Professional? For a limited time, enjoy 25% discount on an annual membership, exclusively for podcast listeners. Simply, click here, select the Annual Package and use code PODCASTPRO at the checkout. For all sponsorship enquiries, it’s: advertising@businessoffashion.com.

With the ever evolving landscape of fashion media - from people buying fewer newspapers and magazines, to the changing role of advertising and reviews, to editors becoming influencers and vice versa, we discuss the direction that fashion journalism is taking in the age of digital and social media. In addition to writers Robin Givhan, Vanessa Friedman and Cathy Horyn mentioned in this episode, other personal favorites I (Henrietta) forgot to mention in the early morning moment is: Alexander Fury, Tim Blanks and Pam Boy - check them all out! As always we hope you enjoy the episode, subscribe, comment, rate (*****) and continue to DM us, we always love hearing what you have to say and very much appreciate your support :)

A cartoon, a genius, a man who hated sweatpants... Making sense of one of the greatest fashion designers of all time, with Vanessa Grigoriadis, Carl Swanson, and Cathy Horyn. Learn more about your ad choices. Visit megaphone.fm/adchoices

On July 15th 1997 the Italian fashion designer was shot dead on the steps of his Florida mansion. His murder sparked a huge manhunt and shocked the world of fashion. Mike Lanchin spoke to journalist Cathy Horyn about the man, and his life.Photo: A police car outside Gianni Versace's Miami home in July 1997. Credit: Robert Sullivan/AFP/Getty Images

On July 15th 1997 the Italian fashion designer was shot dead on the steps of his Florida mansion. His murder sparked a huge manhunt and shocked the world of fashion. Mike Lanchin spoke to journalist Cathy Horyn about the man, and his life. Photo: A police car outside Gianni Versace's Miami home in July 1997. Credit: Robert Sullivan/AFP/Getty Images

Cathy Horyn resigns, New York's model law and what it means for Fashion Week, emerging designers target celebrities and SS14 campaigns that made us go "wow". Listen up!

On December 2, 2013, Cathy Horyn, Fashion Critic for the New York Times, sat with Ron Johnson, former CEO of JCPenney and SVP of Retail at Apple, to discuss brand integrity and the future of retail.

Förra veckan debuterade Hedi Slimane (1968-) som chefsdesigner för det franska modehuset Yves Saint Laurent. Förväntningarna var höga och förvirringen stor. Var det ett steg framåt? Eller var det bakåt? Och vad menar han med att döpa om modehuset? Att stryka namnet Yves och bara ha kvar Saint Laurent? Och var det verkligen så smart att kasta dynga på recensenter, via twitter? I veckans STIL synar vi en av modevärldens största, och hemligaste, stjärnor närmare i sömmarna. Hedi Slimame har tidigare arbetat som designer av herrkläder, först för Yves Saint Laurent och senare som chefsdesigner för Dior Homme där han 2001 lanserade den slimmade silhuetten för män. Den fick inte bara modeskaparen Karl Lagerfeld att banta ned sig 40 kilo för att kunna klämma in sig i hans tajta och kroppsnära kostymer. En look som han – och många andra – fortfarande håller sig till. Man skulle faktiskt kunna påstå att Hedi Slimanes slimmade stil fick samma breda genomslag för dagens män, som Christian Diors ”New Look” fick för kvinnor i slutet av 40-talet. För idag klär sig de flesta män, åtminstone yngre, i en långt smalare stil än förr. 2007 lämnade Hedi Slimane Paris och modebranschen för att istället flytta till Los Angeles, där han bland annat ägnat sig åt att fotografera. Men nu är han tillbaka i modevärlden igen och nyfikenheten på vad som ska ske i framtiden är stor. För i modevärlden pågår just nu ett slags tronskifte. Inte bara Yves Saint Laurent har bytt designer. Det har även Dior gjort. Det innebär att två av världens allra största och mäktigaste modehus (som ägs av de två jättelika stora och konkurrerande franska modekonglomeraten LVMH och PPR) håller på att staka ut nya vägar inför framtiden. På Dior – som är LVMH:s kronjuvel och ägs av mångmiljardären Bernard Arnault – har designern Raf Simons tagit över efter John Galliano som åkte ut med öronen före, efter att ha slängt ur sig antisemitiska uttalanden på fyllan i en bar i Paris. Och på Yves Saint Laurent – som är en skattkista för PPR (som drivs av François-Henri Pinault) har den forne designern Stefano Pilati fått sparken efter tio år och ersatts av Hedi Slimane. Båda är 44 år, har liknande estetik, smak och bakgrund som herrdesigner. Båda betraktas som en sorts ultrabegåvade underbarn i branschen. Fast om Raf Simons kan beskrivas som det snälla vita fåret, kan Hedi Slimane med lätthet kallas det stökiga svarta. Han har redan ställt till med rabalder genom att kalla New York Times modekritiker Cathy Horyn för ”skolgårdsmobbare”. Mer om snarstuckna kreatörer och deras bråk med kritiker berättar journalisten Andres Lokko i veckans program. Vi berättar förstås även mer om Hedi Slimane och hans bakgrund och smak för glamrock. Vi har även träffat art directorn Lars Hall som förklarar vad man kan vinna och förlora på att ändra varumärkens logotyper. Och så reder vi ut hur kort eller lång en byxa egentligen ska vara. Veckans gäst är Agnes Braunerhielm, moderedaktör på tidningen Rodeo och frilansande modejournalist.

Speakers Cathy Horyn and Nancy Troy talk about fashion in writing and art and the role it plays today and has played throughout history. Cathy Horyn is a fashion critic for the New York Times and has worked for many European journals. (October 19, 2010)