Podcast appearances and mentions of Sofia Coppola

This week we're looking at the surprisingly successful, but oft forgotten film Lost in Translation. We talk about the careers of Sofia Coppola, Bill Murray, and Scarlett Johansson, the themes of alienation and disassociation, liminal spaces, Tokyo, selling out, whiskey, and more! I Love This You Should Too is hosted by Samantha and Indy Randhawa Lost in Translation is a 2003 romantic comedy-drama film written and directed by Sofia Coppola. Bill Murray stars as Bob Harris, a fading American movie star who is having a midlife crisis when he travels to Tokyo to promote Suntory whisky. There, he befriends another disillusioned American named Charlotte (Scarlett Johansson), a young woman and recent college graduate. Giovanni Ribisi, Anna Faris, and Fumihiro Hayashi are also featured. The film explores themes of alienation and disconnection against a backdrop of cultural displacement in Japan. It defies mainstream narrative conventions and is atypical in its depiction of romance.

This year marks the 25th anniversary of “The Virgin Suicides,” a film that continues to spark conversation and inspire debate. We're unpacking Sofia Coppola's exploration of female adolescence, societal pressures, and the male gaze through the lens of Jeffrey Eugenides' source material. Featuring standout performances from Kirsten Dunst, Josh Hartnett, A.J. Cook, and a stellar supporting cast, this episode explores the film's enduring impact and its complex themes. Is “The Virgin Suicides” a romanticized tragedy, or a powerful indictment of societal ills? Listen in to find out!Where To Watch The Virgin Suicides

How do people like Stephen Sondheim, Sofia Coppola or David Simon create something from nothing? And what are the threads that tie their work together with making a cookbook or a cartoon? Former New York Magazine and New York Times Magazine editor Adam Moss talked to dozens of creative people to find out how they do it. In his new book, The Work of Art, artists from a wide range of mediums break down the process behind a single piece, sharing sketches, outlines and rejected attempts they worked through along the way.  This episode was originally published May 15, 2024

Indy recounts the musical madness of the perplexing Voyage of the Rock Aliens, Samantha continues reading Karin Slaughter with Pretty Girls, and we preview next week's deep dive: Lost In Translation. I Love This You Should Too is hosted by Samantha and Indy Randhawa   Lost in Translation is a 2003 romantic comedy-drama film written and directed by Sofia Coppola. Bill Murray stars as Bob Harris, a fading American movie star who is having a midlife crisis when he travels to Tokyo to promote Suntory whisky. There, he befriends another disillusioned American named Charlotte (Scarlett Johansson), a young woman and recent college graduate. Giovanni Ribisi, Anna Faris, and Fumihiro Hayashi are also featured. The film explores themes of alienation and disconnection against a backdrop of cultural displacement in Japan. It defies mainstream narrative conventions and is atypical in its depiction of romance.

En este episodio nos sumergimos en el silencioso universo de Lost in Translation, la obra maestra de Sofia Coppola. Hablamos del lenguaje que no necesita palabras: miradas, gestos, y esos silencios cargados de significado. ¿Qué nos dice esta historia sobre el aislamiento, la conexión fugaz y la búsqueda de sentido en medio del caos moderno? Acompáñanos a descifrar lo que realmente se perdió (o se encontró) en la traducción... porque a veces, una mirada basta para recordarnos que no estamos tan solos como creemos. IMPORTANTE: Si estás interesado te informo que hemos lanzado nuestro primer libro, AISLADOS EN EL CINE, por Pepe Dana y Javier Pérez-vico, un libro de Terra ignota, que puedes comprar el librerías y de forma online, pero sobre todo a través de: https://www.riffraff.es/producto/aislados-en-el-cine/ + info: https://masqcine.com/aislados-en-el-cine/

a companion podcast to the substack post on The Virgin Suicides. Fashion Grunge Library on Substack is a deeper dive on my book and magazine collection and a closer look at print media. Including personal scans of books, photographers, zines, and more! On this entry I talk about the new Corinne Day book of photos from the set, and the elusive magazine produced in promotion for the filmTo hear more, visit fashiongrunge.substack.comCheck out more of my collection on Instagram and TikTok! ---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanie Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Send us a textIronically its Lost In Translation Month (not just the movie but the theme as well)Today were talking about:This week, we whisper our way through Lost in Translation (2003) — Sofia Coppola's moody Tokyo meditation on loneliness, weird karaoke, and the most romantic almost-non-affair in cinematic history.Bill Murray plays a tired actor in a hotel. Scarlett Johansson plays a philosophy major in a towel. Together, they vibe. Not much else happens, but somehow... it's iconic.We discuss cultural confusion, emotional repression, and the real question: what did he whisper at the end? (Spoiler: it probably wasn't “get me out of this commercial.”)

On the show today: Romy Mars' Instagram and music debut, the 25th anniversary of The Virgin Suicides and the ongoing supremacy of Sofia Coppola, the i-D piece on "The death of the movie star", Labubus, and more. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Bring us the anatomy book and keep your stitches in a straight line as we discuss mushrooms, men, and foxes in the henhouse with Sofia Coppola's the Beguiled.  There is nothing more frightening than a startled woman with a pod. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: McKenzie Gerber (@wolfman_mac_gerber) Learn more about your ad choices. Visit megaphone.fm/adchoices

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We got our hands on Sofia Coppola's diary and read it to try and make sense of her dreamy, quietly devastating debut The Virgin Suicides. Adapted from the Jeffrey Eugenides novel of the same name, Coppola's film tells the story of the five Lisbon sisters as seen through the eyes of the boys they charm and perplex in equal measure. Adopting the male gaze as a means of dismantling it, the film is a gauzy, stylish showcase that approaches the concerns of girlhood with sincerity while unearthing the tragedies of femininity under the patriarchal thumb of suburban American life.We discuss the film's aesthetic contradictions and how it weaponizes its own visual splendor against the viewer, its beauty a calculated veneer masking uncomfortable truths. Then, we examine the film's brilliant narrative device, using a single unidentified narrator to represent the collective attitudes of the young men incapapable of comprehending the fullness of the Lisbon sisters and their interiority. Finally, we ponder the connections Coppola draws between femininity and the natural world, how she literalizes this coupling within the film's suburban landscape and distinctive milieu.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!....Our theme song is "Mirror" by Chris Fish

Memento #339. No ha de ser f

Dos personas en crisis conectadas en Tokyo comparten su confusión. Mas que esto no hay nada, dice la canción de Roxy Music que Bill Murray canturrea en el Karaoke mirando a Scarlett Johansson, no hay nada más que esa conexión de dos almas perdidas. Una joven en ropa interior contempla la gran urbe a través de la ventana, un actor de viaje en el país del sol naciente se pimpla los whiskies que él mismo anuncia en el bar del hotel: “Un momento de relax es un momento Suntory”. Profundidad de campo, iluminación intimista y el actor, mirando una lámpara, se enciende un habano y bebe en silencio. Bill Murray aporta sus gestos congelados, su cara de póker tan divertida, esas caras que le pone a la joven, natural y bella Scarlett Johansson. Salen de la habitación, entran, se encuentran en la piscina, y comparten su hastío, bucean en compartimentos afines mientras las señoras mayores practican aerobic. El vestuario, los lugares, la iluminación, los tonos neutros escogidos por Sofía Coppola subrayan el abandono y la estupefacción de la insólita pareja. Los tópicos y los lugares el Japón desde la mirada de un occidental. Con esta película hay que conectar, ocurre algo similar a la más reciente “Aftersun” -Charlotte Wells-, momentos de cierta alegría y otros de tristeza, de soledad ociosa en un hotel. Seguramente la joven licenciada en filosofía y harta de un marido fotógrafo y adicto al trabajo nunca más llame al actor en horas bajas, aún así nos quedamos pensando que le susurró al oído mientras sube la distorsión del “Just like Honey” de los Jesus and Mary Chain. Esta noche nos vamos de marcha por Tokyo con pistolas de juguete… Chari Medina. Salvador Limón, Raúl Gallego y Zacarías Cotán

In the penultimate review of Season 3, our trusted trio delight in disagreement as a relic of Ben's film student days rears its beautiful or ugly head, depending on who you ask! Sofia Coppola's understated, cinematic love letter to Tokyo, Lost In Translation (2003) is in the firing line this time round. And the boys have a jovial time dissecting the nuances between loving a film where hardly anything happens and loathing a film where hardly anything happens. The debate ebbs and flows from respecting the lesser plot and more on experiencing life. Why the exploration of theme is more fitting than the desire for revelation. Is the movie irresistible and the characters empathetic or is it irredeemable and the characters pathetic? Find out what's hot and what's not about LIT on another episode of Back to the Pictures...and remember, for relaxing times...make it Suntory times.

Les films de Sofia Coppola sont de véritables bulles d'esthétisme, cocons manucurés jusqu'au bout des ongles. Certes les costumes, les décors, la cinématographie y sont pour beaucoup, mais c'est bel et bien la musique qui fait la différence ici.Entre des débuts à promouvoir dans ses films les groupes underground de ses copines, son ascension fulgurante aux côtés de la French Touch (notamment Air et Phoenix), l'utilisation de la musique comme anachronisme signifiant ou encore les multiples scènes musicales aux choix de morceaux bien léchés, il y a beaucoup à dire et donc, pour vous, à écouter sur le rapport du cinéma de Sofia Coppola à la musique !

Neste episódio, retomo a exploração de filmes e dos seus remakes. Desta vez, para conversar comigo sobre 'The Beguiled', tanto a versão de 1971 realizada por Don Siegel com Clint Eastwood, como a de 2017 da autoria de Sofia Coppola encabeçada por Nicole Kidman, tenho comigo o cinéfilo e podcaster André Marques. Se gostas do podcast, segue-me nas redes sociais! Estou no YouTube, onde encontras também este episódio seguindo esta ligação, no Letterboxd, no Instagram, no Facebook e agora também no BlueSky. A tua ajuda faz toda a diferença, por isso interage, comenta e partilha para fazer crescer a comunidade Segundo Take. Encontra aqui todos os links onde podemos continuar esta conversa sobre cinema: YouTube: https://www.youtube.com/@segundotake Letterboxd: https://letterboxd.com/segundotake/ Facebook: https://www.facebook.com/segundotakepodcast Instagram: https://www.instagram.com/segundotake/ BlueSky: https://segundotake.bsky.social Substack: https://substack.com/@segundotake Desde já, obrigado pelo teu apoio! Tema ‘Wonder Cycle' interpretado por Chris Zabriskie sob a licença CC BY 3.0

The Ringer's Amanda Dobbins joins Lauren on the pod to discuss one of their shared interests: Sofia Coppola. Together, the duo interrogate Coppola's relationship with fashion, on- and off-screen: her incredible influence on modern aesthetics, her impact on the industry, and why she's personally important to them. (As true professionals, they also tried their best not to be too sycophantic. They may or may not have failed.) Meghan Markle Jam Charvet shirt Sofia-recommended Noah Pants Noah x Barbour jacket Sofia Coppola x Augustinus Bader tinted lip balm Sofia Coppola x Barrie puffer jacket Ulla Johnson Lavender Dress To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

The Stories — "I dyed the bottom of it Manic Panic raspberry-red. I had a belly button pierce. I wore a lot of midriffs. I was a kind of Jewish Shakira, trying to have some influence from Erykah Badu or something, but I was not cool in that way at all.” “I really wanted to be in that movie. I just love Sofia Coppola so much. At the time I didn't have a child. I didn't know much about mothering, and because the writing was so good, I think I knew what to do.” “I want Ida to know that the world is a field of relations. It's cause and effect. Things don't come from nowhere. People don't come from nowhere. Everybody has a heart. It means that she has the ultimate safety in me and in Ben, my husband.”The Backstory — “When I started doing improv and excelled, it was like realizing that you could run really fast or something.” “[SNL] was a necessary opportunity for me to take. I saw a lot in myself that I didn't expect to see. Though challenging, it completely pointed me in the direction of my own natural success.”Wisdom Rains — "Every time we love a piece of art, that's our achievement. The original creation is the achievement of the artist and the people who may have helped them, or made them feel encouraged or inspired… the beauty and offerings of their world at that time.”On Inspo — "When something is ready to be expressed outside of my personal life, there tends to be no hesitation in terms of either putting it in standup or putting it on the page.”On playing the best friend in both It Ends With Us and Dying for Sex —  “Other than me playing them, I think it's totally two different pieces of work, two different writers… totally different. I'm often cast as people who are 'the funny person,' but in Dying for Sex, what was offered to me was such an incredible combination of character traits.”On Dying for Sex — “It was a real moment in understanding my own self-defined legitimacy… backed up by Liz Meriwether and Kim Rosenstock writing it. They're so incredible. I thought, Michelle wants me to be here, and she sees me. She's not like seeing hope for what I will be. She's watching my work. She's connecting with me. We're glad we're here. It felt so good. I felt really enrobed in my character.”On her latest book, Lifeform — “I'd found it really hard to write anything that felt like it could breathe and progress. I found it hard to say something interesting, and that wasn't just me having a tiny little shit fit. That's cruel to say about myself, I know, but sometimes it's just that way. Then, in the summer of 2023, my daughter was two-and-a-half, and I could suddenly just catch a wave.”What Else — “I really want to write another kid's book, not a Marcel book, but another picture book. And I'm writing a screenplay right now. I would also like to write a theater piece for myself. There's always a lot that I'm trying to do all at once, in small doses, and then something will overtake everything else.” At The Sea, an upcoming film with Amy Adams.Obsixed —  A collection of Jenny Slate's current lifestyle obsessions.Discover more + Shop the podcast:Dying For Sex on HuluIt Ends With Us on NetflixLifeform by Jenny Slate Little Weirds by Jenny SlateAbout The House by Ron Slate + Jenny SlateMarcel the Shell with Shoes On: Things About Me by Jenny Slate + Dean Fleischer Camp Marcel the Shell: The Most Surprised I've Ever Been by Jenny Slate + Dean Fleischer Camp Chani Nicholas and the Chani AppCaron Callahan Carissa ShirtCaron Callahan Lila SkirtTulsi Rose Tea Discover the episode and more on storyandrain.comfollow @storyandraintalks and @storyandrain on Instagram follow @storyandraintalks and @storyandrain on Threadsall about the host 

We explore the meditative practice of water pouring and how this simple action can become a mindful ritual. The episode demonstrates how everyday actions can be opportunities for presence and attention.• Using water itself as a tool to manipulate more water• The repetitive nature of pouring as a mindfulness practice• Finding beauty and meaning in seemingly mundane activities• How small, deliberate actions can create moments of presence• Connecting to ancient traditions through simple everyday ritualsTry this water-pouring exercise at home. Pour slowly, with full attention, and notice the sensations, sounds, and visual experience. Please share your experiences with us on social media using #MindfulPouring.For Richard D. James, Sofia Coppola, and all of us who celebrate.ti wonk uoy erofeb revo eb lliw tiGot something to say to me? Slide into the DMs.Emerson Dameron's Sophistication Nation - April 4th - All major music-delivery platformsSupport the showIt's OUT! Sophistication Nation: Brief Interviews with Women I Pretend to Understand: https://emersondameron.hearnow.com/sophistication-nation

Hilary Tiscione"Setole"Polidoro Editorewww.alessandropolidoroeditore.itDopo il successo di Liquefatto, Hilary Tiscione torna in libreria il 12 aprile nella collana Interzona con Setole, un romanzo dalla lingua fenomenica e vorticosa.Dentro una dimenticata villa con piscina, in un tempo e luogo sospesi come in un quadro di David Hockney, si muovono vite disastrose e illuminanti, quelle di Mira, Lena, Rocco e Cino.  Nel cuore tormentoso della grande casa, la quale pulsa di disastri e incontri, gli abitanti sembrano non appartenere a se stessi e al mondo fuori, appartengono solo alle loro stanze, ai tetti e al giardino, che a dispetto della loro immobilità, pullula di vita. In questo spazio mosse dall'aria e dal fato, galleggiano le esistenze di una ragazzina lolitiana mai stufa di vivere, una donna oppressa dalle pillole e dal peso delle indecisioni e di altri personaggi che gravitano intorno alla lussuosa villa. Poi, c'è un uomo lontano, eppure incastonato, come un emblema che si accartoccia su sé stesso mai perdendo la forza simbolica, nelle esistenze di tutti loro. Il suo nome è Al.Un romanzo che sembra richiamare il ritmo masticato, filosofico e acidamente lirico di Nabokov, di Ellis e di Manganelli. Setole vuole rinnovare la poetica cinematografica delle solitudini avanzata da un film cult come Il giardino delle vergini suicide di Sofia Coppola."Setole" proposto da Filippo Bologna al Premio Strega 2025 con la seguente motivazione:«Come nelle celebri tele di David Hockney o nell'indimenticabile film di Jacques Deray con Alain Delon, anche in questa storia c'è una piscina. Con l'acqua a volte limpida, a volte torbida, increspata di piccole onde. Proprio come i sentimenti di Lena, adolescente inquieta confinata in una villa su un'isola delle Hawaii, sospesa nel tempo immobile di un'estate senza fine. E attorno a questa piscina, sotto un sole stordente che si abbatte sul polveroso cantiere della dépendance e sul lussureggiante giardino, si muovono presenze sfuggenti, ombre riflesse sul fondale, indecise se tuffarsi o meno nella vasca senza fondo delle loro vite. Sono Lena, prigioniera dei turbamenti ormonali e del febbricitante languore estivo; Mira, madre depressa e femme fatale sfiorita che annega il suo malessere tra sonniferi e alcol; Cino, giardiniere tuttofare che regge sulle spalle l'eroismo silenzioso della sopportazione; e Rocco, giovane e atletico manovale che diventa il vertice di un conturbante triangolo del desiderio. Su questa Itaca dei Tropici aleggia l'assenza onnipresente di Al, musicista e compagno di Mira, padre di Lena, Ulisse smarrito, che ha dimenticato la rotta di casa e forse non farà mai ritorno alla sua reggia. Setole è un romanzo dall'atmosfera ipnotica, che avvolge da subito il lettore tra le sue spire narrative. Con una struttura compatta e incalzante, scandita in trentuno capitoli – tanti quanti i giorni di agosto – e una voce capace di captare ogni minima vibrazione dell'animo di un'adolescente, Hilary Tiscione dimostra una sensibilità di scrittura rara. Attraverso un uso del dialogo asciutto e percussivo, di chiara ispirazione cinematografica, e uno stile visivo e sensoriale, denso di immagini poetiche, l'autrice crea un efficacissimo montaggio, che alterna accelerazioni improvvise e dilatati ralenti. Tra campiture pittoriche fatte di esplosioni di luce e violenti tagli d'ombra, e una vibrante playlist che diventa colonna sonora dell'abbandono, della delusione e del tradimento, Setole si impone come un romanzo originalissimo e pop, capace di distinguersi per personalità e stile nel panorama della letteratura contemporanea.»Hilary Tiscione (1987) è nata a Genova e vive a Milano. Si è laureata in Lettere e Filosofia all'Università Cattolica del Sacro Cuore. Ha scritto per il Magazine 8 e mezzo e per la rivista online LongTake. Scrive per La Ragione. I suoi racconti sono apparsi su Nazione Indiana, Il Primo Amore, Minima&Moralia e Altri Animali. Lavora all'Università IULM di Milano; è coordinatrice del Master in Sceneggiatura della sede di Roma. Produttore esecutivo del docufilm “Vorrei sparire senza morire – Un racconto di Pupi Avati” selezionato alle Giornate degli Autori nella 78esima edizione della Mostra del cinema di Venezia. Nel 2021 ha pubblicato il suo primo romanzo, Liquefatto (Polidoro Editore) e il saggio narrativo Se Rose gli facesse spazio, Jack si salverebbe? (Bietti).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Join the Hogg Hive or be a Carol Aird on Patreon to listen ad–free! Or become a Party Girl supporterKate's joined by forever It Girl Ione Skye to talk about her new must–read memoir Say Everything, her creative life & loves, perceptions of relationships then & now, her real life 90s L Word era and the film she made with Sofia Coppola that's impossible to see.Ione's Also Alsos:A History of Rock Music in 500 songs podcast by Andrew HickeyThe Andy Warhol Diaries Soundtrack by Brad OberhoferThe Brian De Palma documentary 'De Palma' directed by Noah Baumbach & Jake Paltrow Hosted on Acast. See acast.com/privacy for more information.

We drift through Sofia Coppola’s “Lost in Translation” and discuss: Cinematography, specificity & purpose with the camera; Story & Writing, Tokyo & language as a metaphor; Performances, Scarlett Johansson doing Marvel movies; and other such stuff and things and stuff. “I try to just make what I want to make or what I would want […] The post Ep 316: “Lost in Translation” appeared first on The Pestle.

Sofia Coppola's meta-autobiographical historical drama.

My guest today is a Gen X legend and someone I've been a little bit obsessed with ever since I saw her star in the definitive (late) 80s movie, Say Anything. Ione Skye. There was a time when It seemed like if there was a hot young actor - John Cusack, River Phoenix, Keanu Reeves - she got to snog them on screen. (I know, shallow, much.) Ione has spent her life in the centre of the Venn diagram of film, music and celebrity. The daughter of 60s superstar Donovan, she famously dated Red Hot Chilli Peppers' Anthony Keidis finding herself both babysitter and breadwinner at just 16. She followed that with an ill-fated marriage to Beastie Boy Ad-Rock (Adam Horowitz). But there is so much more to Ione than all those male name drops. She has starred in some of the most significant movies of their generation. She has worked with the likes of Sofia Coppola, Chloe Sevigny, Lena Dunham and Madonna. She's written children's books, directed short films and is an accomplished painter. Not to mention podcaster. (She hosts the podcast Weirder Together with her partner, Ben Lee.) Oh, and I do just have to say that as a child she only lived next door to the iconic writer Eve Babitz! Anyway It all adds up to one fascinating tumultuous story. One she's addressed extremely candidly in her new memoir, Say Everything. See what she did there? Ione joined me from LA to talk about growing up in the 80s and 90s, being a nepo baby before nepo babies were a thing, having it all, losing it all and getting some of it back, what she's learnt from her Gen Z daughters and finally coming into herself in her 50s. * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including Say Everything by Ione Skye and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls at Pineapple Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 2010s, a group of burglars ransacked Hollywood homes like the city was their personal shopping mall. No celebrity was safe from their sticky fingers: Not Lindsay Lohan, not Orlando Bloom, and especially not Paris Hilton, who perhaps lost the most luxury loot of anyone. The thieves pocketed over $3 million dollars' worth of custom couture, cocaine, and cold card cash before they were caught. And when “The Bling Ring” finally traded their designer digs for orange jumpsuits, the world learned the most shocking aspect of the entire case: They were only teenagers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The legend of Bill Murray is real. He doesn't do contracts. If you want to work with him, you leave a message on his 1-800 number and hope he calls you back. Writer and director Sofia Coppola had no idea if he would arrive on set of "Lost in Translation." Lucky for them, he did; they were both nominated for Oscars, and her script won. Writer, film lover and media executive Laura Lubrano joins Dennis to discuss why this story of loneliness and disconnection is one of the great character studies of cinema. For relaxing times... Hosted on Acast. See acast.com/privacy for more information.

David Lizerbram (Rock Docs) returns to discuss Sofia Coppola's biographical drama Priscilla (2023) starring Cailee Spaeny and Jacob Elordi as Priscilla and Elvis Presley. Send us a text

Mais um mês que se passa, mais uma tertúlia Rádio Clube Altamont que se partilha nos ares da net. Em mês do Dia da Mulher, nada como eleger fortes representantes femininas para auscultar e promover por esta via. Do punk sem regras das Lambrini Girls, à sempre presente Janis Joplin e indo ainda ao drama da família Lisbon, trazido a nós pelas mãos da superlativa Sofia Coppola. Rádio Clube Altamont, parceria Altamont.pt com Futura - Rádio de Autor.

Full length videos of SUP drop on YouTube every Monday and Friday. Lara and Carey try their best to break through the cursed cultural vibes, as they reel from the tragic death of Michelle Trachtenberg and the mysterious deaths of Gene Hackman, his wife and their dog. They also talk the fluke heatwave in LA, Angelina Jolie's strangely underreported performance in Maria, whether or not Mango would eat Carey, a breakdown of the Alabama Barker and Bhad Bhabie feud and why Sofia Coppola's daughter has weighed in, the search for MH370 officially getting a second wind, Lauren Sanchez taking Katy Perry and Gayle King on a girls trip to space, Karen Huger's shocking prigione sentence, robots attacking humans, people pleasing AI and more. Listen to this episode ad-free AND get access to weekly bonus episodes + video bonus episodes by joining the SUP Patreon. Watch video episodes of the pod on Mondays and Fridays by subscribing to the SUP YouTube.  Relive the best moments of this iconic podcast by following the SUP TikTok. Production Services Provided by: Tiny Legends Productions, LLC Executive Producer: Stella Young Tech Director: Guy Robinson Art Director & Social Media: Ariel Moreno Sexy Unique Podcast is Edited by: Audio Editor: Ness Smith-Savedoff Video Editor: Case Blackwell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lost in Translation is a 2003 romantic comedy-drama film written and directed by Sofia Coppola. Bill Murray stars as Bob Harris, a fading American movie star who is having a midlife crisis when he travels to Tokyo to promote Suntory whisky. There, he befriends another estranged American named Charlotte (Scarlett Johansson), a young woman and recent college graduate. Giovanni Ribisi, Anna Faris, and Fumihiro Hayashi are also featured. The film explores themes of alienation and disconnection against a backdrop of cultural displacement in Japan. It defies mainstream narrative conventions and is atypical in its depiction of romance.

In this episode, Masie & Stuart take a look at an alternate vision of 2025 in Spike Jonze's 2013 sci-fi romance film Her. The second part of their examination of the divorce films of Spike Jonze and Sofia Coppola, our hosts scroll through to find a film made up of beautiful surfaces with a cynical view of romance beneath the surface. Listen as they discuss the film's beautiful production design and general aesthetics, while also getting frustrated when talking about its portrayal of women and (not-so-subtle) self-insert qualities.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Additional Reading/Sources: Interview with Production Designer K.K. Barrett

As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. For Corey's first choice, we take a look at Sofia Coppola's second feature, Lost in Translation (2003) - an impressionistic meditation on loneliness, alienation, jetlag, and Tokyo. The film also allows for a deepdive into nepotism in Hollywood and America; friendship across generations and genders; and racism as a product of colonial imagination. It's (Suntory) time for a great conversation!

Conni Miu is a Canadian actor to watch recognized for her standout performances in Sofia Copola‘s Priscilla and Prime Video's The Boys. Conni secured roles in television, including appearances in Hallmark and Lifetime movies. Her first professional role was in Hallmark's Christmas in My Heart. Conni's talent and determination led to a recurring role in Fox's Alert: Missing Persons Unit and a pivotal part in Sofia Coppola's critically acclaimed feature Priscilla, where she portrayed a member of Elvis Presley's Memphis Mafia. The role marked a turning point in her life, as it allowed her to quit her bartending job and fully commit to her career as a full-time actor. In 2024, Conni appeared as P.A. Bonnie in fan-favourite and Prime Video's hit series The Boys (Season 4), further cementing her place as a rising star. Beyond acting, she recently ventured into producing with the short film The Butchers, in which she also acted. Inspired by this experience, Conni is eager to expand her creative repertoire to include more producing and, potentially, directing projects. Conni's upcoming work includes her role as Nurse Liz in Fox's highly anticipated medical drama DOC, premiering in January 2025. She also stars in two independent feature films, Lucky Star and His Father's Son both set to be released in 2025.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/ZsVsrJvsONc . จะมีผู้กำกับภาพยนตร์กี่คนที่ได้ชื่อว่าเป็นสไตล์ไอคอนด้วย Sofia Coppola ผู้กำกับหญิงในดวงใจหลายๆ คน ใช้แฟชั่นเป็นส่วนหนึ่งของภาพยนตร์ที่เธออยากจะเล่าเรื่อง และนำเสนอตัวตนผู้หญิงผ่านสไตล์และเสื้อผ้า . 7 Things We Love About… สัปดาห์นี้เราเชิญ จูนจูน-พัชชา เฮงษฎีกุล หนึ่งในแฟนคลับตัวยงของ Sofia Coppola มาพูดคุยถึงผลงานตั้งแต่สมัยก่อตั้งแบรนด์เสื้อยืด Milk Fed และการร่วมงานกับแบรนด์มากมาย และทำไมเธอยกให้เป็นต้นแบบจนถึงทุกวันนี้ . ติดตามฟังและชมรายการ 7 Things We Love About… ได้ในวันจันทร์ เวลา 19.00 น. ทุกช่องทางสตรีมมิ่งและ YouTube ของ THE STANDARD POP

Les films de Sofia Coppola sont de véritables bulles d'esthétisme, cocons manucurés jusqu'au bout des ongles. Certes les costumes, les décors, la cinématographie y sont pour beaucoup, mais c'est bel et bien la musique qui fait la différence ici. Entre des débuts à promouvoir dans ses films les groupes underground de ses copines, son ascension fulgurante aux côtés de la French Touch (notamment Air et Phœnix), l'utilisation de la musique comme anachronisme signifiant ou encore les multiples scènes musicales aux choix de morceaux bien léchés, il y a beaucoup à dire et donc, pour vous, à écouter sur le rapport du cinéma de Sofia Coppola à la musique !

In this episode, Masie & Stuart take a (imaginary) trip to Japan to examine the 2003 Oscar-darling film, Sofia Coppola's Lost in Translation. The first part of a duology covering the divorce films of Sofia Coppola and Spike Jonze, our hosts find themselves treading in familiar Coppola-territory. How does this story of two priveleged people experiencing isolation and existential crises in Tokyo hold up today? Does Coppola portray the city and Japanese culture with care and sensitivity? The answers likely won't shock you based on her track record, but our hosts still find plenty to discuss and enjoy in the film's moody atmosphere and aesthetics.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Additional Reading/Sources: Lost in Translation 20th Anniversary Interview Sofia Coppola's Defense Against Criticism Over the Film's Depiction of Japan

Sherry Miller is a Canadian actress. Miller began her career in the 1970s as a singer and dancer, who later gained attention in Canadian television for representing Spumante Bambino wine in commercial advertisements, as well as for her role as the host of the children's television series, Polka Dot Door.   She also appeared in Sofia Coppola's The Virgin Suicides. She won a 2001 Gemini Award for Best Performance by an Actress in a Featured Supporting Role in a Dramatic Program or Mini-Series for her work as Elisha Cuthbert's mother in My Daughter's Secret Life. Miller is best known for her recurring role as Justin's mother Jennifer Taylor on the American version of Queer as Folk, during the entire run of the series from 2000 to 2005. She also appeared on the television series E.N.G. as weather reporter/anchor person Jane Oliver, and the 2004 miniseries Kingdom Hospital as sleep psychologist Dr. Lona Massingale. Miller was also an anchor for Global Television's newscasts from 1986 to 1988.   In addition, Sherry is known for her work on Hot Frosty, Ginny & Georgia, Sabrina The Teenage Witch, The Good Witch, Schitt's Creek, The Dresden Files and F/X the Series.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)    

Zaza! This January we are finishing up trilogies to movies we've covered which means it is finally time for The Godfather Part III! It's a big movie, so this is a longer episode and we are talking about The Godfather, Coda: The Death of Michael Corleone, Gnocchi, Sofia Coppola, the goat guy, Pacino's new Michael, and a lot more. Put down your jaw harp, grab some orange juice and candy and check it out! For all of our bonus episodes and to vote on upcoming episodes check out our Patreon Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Gift a Movie Friends Subscription! Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram You scrolled this far? That's impressive.

Connor and Jordan draw the Days of Dunst to a close in a daze of pastel Monolos, impotent men, and the downfall of the French monarchy. Let them eat cake as they watch Sofia Coppola's ode to the ultimate teen queen, Marie Antionette, starring Kristin Dunst. 

Coppola Month begins with Oriana Nudo (Hollywood-ography) and Dane McDonald (Chasing Chalamet) facing off for the first time, ranking all 8 feature films written and directed by Oscar winner SOFIA COPPOLA! Become a Screen Drafts Booster and get in the game! Patreon.com/screendrafts

Sofia Coppola. Is anymore introduction really necessary? As writer-directors go, her influence (and place in one of American cinema's greatest dynasties) can't be overstated. The filmmaker is one of the best-known and most-loved working today, renowned for the lilting feel and femininity of films like Lost In Translation, The Virgin Suicides, Marie Antoinette, On The Rocks and most recently, Priscilla.In 2022, Al spoke to Sofia about her writing process, for the ScreenCraft Summit – a weekend of interviews with great storytellers, designed to inspire emerging writers. With the latest Summit just weeks away, featuring a host of amazing guests, we thought it'd be a great time to post Al and Sofia's conversation from that event – a freewheeling chat about hotels, the intimacy with which we get to know her characters, her love of using photo books as mood boards for her movies – and why she still experiences self-doubt, even today.Sign up for this December's ScreenCraft Summit by clicking here.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

This week on Female Gaze: The Film Club, Morgan is joined by film critic, writer, and podcaster for The Rolling Tape, Adam Patla to discuss Sofia Coppola's 2013 film, "The Bling Ring." You can follow AdamInstagramTikTokTwitterBlueSkyYou can find Adam's workThe Rolling TapeYou can follow Female Gaze: The Film ClubInstagramBlueSky

The 2 Guys finish off the Godfather trilogy this week by revisiting The Godfather III although they watch  the 2020 cut from Francis Ford Coppola, titled The Godfather Coda: The Death of Michael Corleone. The movie finds Corleone trying to go straight, but complications ensue leading to more mafia turmoil. It finds Al Pacino, Diane Keaton, and Talia Shire returning with newcomers Andy Garcia and Sofia Coppola.

The Virgin Suicides, Lost in Translation, Marie Antoinette, Somewhere, the Bling Ring, the Beguiled, On the Rocks, and Priscilla all get the Never Did It treatment in this Sofia Coppola career retrospective. Connect with us: Never Did It on YouTube: https://www.youtube.com/@neverdiditpod Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/ Brad on Letterboxd: https://letterboxd.com/bradgaroon/ Jake on Letterboxd: https://letterboxd.com/jake_ziegler/ Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler, with guest Meghan Fischer

We're students of the creative process, and so is Adam Moss, author of The Work of Art: How something comes from nothing. Formerly the editor-in-chief of New York magazine, these days Moss is on a quest in his studio to understand painting and through it the mysteries of the act of creation.  Questions about why people create—and the diversity of process across mediums—led Adam to write his book, which features interviews with a host of inspiring folks. Kara Walker, Tony Kushner, Sofia Coppola, Stephen Sondheim, Barbara Kruger, Ira Glass, Samin Nosrat, Marc Jacobs, David Simon, and many more share their approach to the work they do in the book.  We talk with Adam about the red threads that run through such varied creative expressions, finding the right creative partners, how to feed creativity, and how his own work has been influenced by his investigation into how creativity unfolds.  Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/adam-moss Bio Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Wix Studio: With Wix Studio, agencies and enterprises can create, develop and manage exceptional web projects with hyper efficiency. And if you're worried about the learning curve eating into time you don't have, don't be. Wix Studio is intuitive by design, so your entire team can hit the ground running. For your next project, check out wixstudio.com. Wine Access: We love wine, but often feel overwhelmed by the options out there. But we recently joined Wine Access who not only ship to your door some of the world's most inspiring wines, they also educate subscribers with full color information cards that accompany each bottle. You should totally join The Waitlist Wine Club. Just visit wineaccess.com/waitlist and use Promo Code: DESIGNBETTER for $25 off your first shipment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alors que vous avez pu récemment découvrir son film Nikki avec Charlotte Le Bon, je vous propose de (re)plonger dans le parcours de l'actrice et réalisatrice Céline Sallette. De petite fille bordelaise issue d'un milieu modeste à figure phare du cinéma indépendant, elle a su faire de sa passion son mode de vie à force de détermination et de résilience, jusqu'à jouer avec les plus grands : Sofia Coppola, Jacques Audiard, Costa-Gavras ou encore Bertrand Bonello. 

Besa is a film photographer and model who resides in Chicago. Her work is largely editorial, drawing inspiration from old Hollywood film noir and the creative direction of Sofia Coppola.BesaSRTN

We're staying up all night as we dig into the romance(?) of Sofia Coppola's 2003 indie hit Lost in Translation! Join in as we discuss the 2003 Oscars, celebrity product endorsements, the film's handling of Japan, and our own weird hotel experiences. Plus: How romantic is this central relationship? What's up with the first shot? Is Giovanni Ribisi playing Spike Jonze? And exactly how famous is Bob supposed to be? Make sure to rate, review, and subscribe! Next week: Bram Stoker's Dracula (1992)

Lauren has strep throat (pray for our girl) so today we're unlocking the inaugural episode of the Every Outfit Book Club, a deep dive into 2023's greatest book Sofia Coppola Archive. Topics discussed include Sofia Coppola's iconic canned wine, the Paris Vogue issue that she guest edited, Quentin Tarantino's Star 80 poster, and more! UPDATE: Jennifer Coolidge's former residence was one of two houses that appeared in The Beguiled and is not the same plantation that was used for the “Sorry” video. Apologies to our queen!  Pertinent Links: Sofia's Seventeen spread, MTV's coverage of the X-girl guerrilla fashion show, Ciao LA + Hi-Octane, and The Chemical Brothers' “Elektrobank” music video. Today's episode is brought to you by Clarins. Get their Double Serum for 10% off, a free 8-piece welcome gift, plus free shipping on your first order when you go to Clarins.com/Outfit and use promo code OUTFIT. And try our favorite water Fiji Water!

"We knew the girls were really women in disguise, that they understood love, and even death, and that our job was merely to create the noise that seemed to fascinate them."Sofia Coppola's directorial debut delivered the world a new look at the Lisbon Sisters, undeniably feminine atmospheric filmmaking, an examination of the way men examine women, and generations of women responded by romanticizing their pain and aestheticizing turmoil as a means of processing negative emotions. This week, the Wives Colangelo are joined by a dear friend of the show, Miranda Zickler, to discuss why THE VIRGIN SUICIDES is a seminal film and one of the most important films in the teen girl canon.----Become a Patron!https://www.patreon.com/thisendsatprom----Follow our Guest!Miranda Zickler on Instagram: @mirandatheswampmonsterKuinka the Band! https://linktr.ee/kuinkathebandMagpie Cinema Club: https://magpiecinemaclub.bandcamp.com/----Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor