Podcasts about Yves Saint Laurent

I veckans avsnitt av Gentlemanualen Extra hyllar vi den franska elegansen och närmare bestämt ikonen Yves Saint Laurent. En man som får ses som en av världens genom tiderna mest inflytesrika designers med en personlig stil som var sofistikerad, elegant och nedtonad. Med skräddarsydda kostymer och smokings från bland andra Cifonelli och Caraceni och glasögon från Maison Bonnet känns hans stil lika aktuell idag som för 50 år sedan. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:54 - Les Nuits de France Culture - par : Albane Penaranda - Yves Saint Laurent est l'un des plus grands couturiers français. Dessinateur surdoué, il a imposé le style masculin-féminin à partir des années 1970. YSL : métamorphoses, créations et révolutions, ce sont ces trois lettres et ces trois mots qui sont racontés dans ce documentaire. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Episode Description:This From the Archive episode features Tyra Banks and her mother, Carolyn London, in a conversation about beauty, business, motherhood, reinvention, and the power of not trying to be perfect.There is no “A Note from James” section for this episode.James begins by explaining why America's Next Top Model mattered to him as a father. He watched the show with his daughters, and what stood out was not just modeling or fashion. It was the way Tyra taught that success depended on personality, presence, charisma, preparation, and knowing how to use what made you different.Tyra and Carolyn discuss their book Perfect Is Boring, which grew out of the raw, funny, and sometimes embarrassing conversations Carolyn had with Tyra throughout her life. Carolyn did not want Tyra to enter adulthood ignorant, ashamed, or unprepared. That meant frank talks about sex, periods, modeling, business, self-worth, and how to handle a world that would constantly try to define her.A major theme of the conversation is preparation. When Tyra chose Paris Fashion Week over college, Carolyn told her that the choice was hers—but if she was going to model, she had to treat it like a business. She had to study designers the way she had studied for the SAT. She had to understand the industry, the clients, the aesthetics, and the opportunities before she got on the plane.That preparation became one of Tyra's biggest advantages. She explains how she studied Chanel, Yves Saint Laurent, Dior, and other designers, adjusting her look and walk from audition to audition. She later used the same strategic mindset when high-fashion clients criticized her body and told her to lose weight. Instead of starving herself, she and Carolyn sat down over pizza and made a list of clients and models who embraced a curvier, more commercial look.That list changed her career.Tyra also talks about becoming the first Black model to achieve several milestones at Victoria's Secret, and how one early failure came not from her lack of ability, but from a hairdresser who did not know how to work with Black hair. A year later, she took control of the situation, prepared her own hair, fought for another chance, and rebuilt that opportunity on her terms.The conversation then moves into television. Tyra explains how America's Next Top Model came to her as a blend of American Idol and The Real World, set inside the modeling industry. Her agent dismissed the idea, but Tyra found another path, worked with Kenya Barris and Ken Mok, and became deeply involved in producing and editing the show.Finally, Tyra reflects on success, burnout, delegation, motherhood, and legacy. At the height of her career, she was on magazine covers, running shows, and being recognized as one of the most influential people in the world—but she says she was also at the bottom of her spirit. Today, success means something different: building things that outlive her and continue expanding the definition of beauty long after people remember who created them.Editorial Note:This is a From the Archive episode. References to Tyra's projects, America's Next Top Model, her cosmetics company, future business plans, and her daily schedule reflect the original recording period.The book's official subtitle is 10 Things My Crazy, Fierce Mama Taught Me About Beauty, Booty, and Being a Boss.What You'll Learn:Why Carolyn London's honesty became one of Tyra's greatest advantages.How Tyra learned to treat modeling as a business, not just a talent contest.Why preparation beat natural beauty in Tyra's first Paris Fashion Week season.How Tyra and Carolyn turned body criticism into a career pivot.Why “perfect is boring” became both a beauty philosophy and a business strategy.How Tyra's “fierce, funny, heart” filter helps her decide what to say yes to.Why success without balance left Tyra “at the bottom of her spirit.”How Tyra learned to delegate instead of fixing everything herself.Why America's Next Top Model worked as more than a modeling competition.How Tyra moved from modeling into television production.Why Carolyn's early photography work shaped Tyra's eye for unconventional beauty.What legacy means to Tyra nowTimestamped Chapters:[02:00] Tyra Banks, Carolyn London, and Perfect Is BoringJames introduces Tyra and Carolyn and explains why America's Next Top Model became meaningful bonding time with his daughters.[03:27] Why They Wrote the Book TogetherTyra explains that she and Carolyn had been thinking about the book for 10 years and wanted to share the honesty behind their relationship.[05:18] Writing as a Mother-Daughter ConversationCarolyn and Tyra describe the writing process, the clashes, and why Tyra kept pushing her mother toward shorter, sharper storytelling.[07:40] Carolyn's Independence and Early MotherhoodCarolyn talks about becoming a teen mother, wanting independence, facing discrimination in job interviews, and eventually getting off government assistance.[11:25] The Honesty Tyra Grew Up WithCarolyn explains why she talked openly with Tyra about periods, sexuality, and the things her own mother had never explained to her.[13:21] You Are the BusinessBefore Tyra left for Europe, Carolyn told her that modeling was not just a career choice—the commodity was Tyra herself.[15:35] College or Paris Fashion WeekTyra remembers asking her mother to choose for her, and Carolyn refusing to make the decision while promising support either way.[18:07] How Tyra Decides What to Say No ToTyra explains her personal brand filter: fierce, funny, and heart. A project has to hit at least two.[20:55] Getting Back to CreativeTyra reflects on focusing too heavily on operations in business and needing to return to brand, voice, creativity, and community.[22:03] When Success Was Bigger Than ExpectedTyra talks about expecting America's Next Top Model to last two seasons and later realizing it had become a global juggernaut.[23:38] At the Top of the Game, Bottom of the SpiritTyra describes the burnout that came from overworking, micromanaging, and failing to delegate.[26:37] Preparation as the Real AdvantageJames highlights how Tyra studied each designer before Paris, and Tyra explains how she adapted her look for each client.[29:32] Beauty Gets You Two Steps—Then You WorkTyra explains why supermodels become supermodels through strategy, personality, business sense, and planning.[31:26] Pizza, Body Criticism, and the Career PivotAfter an agent told Carolyn that Tyra needed to lose weight, Carolyn took Tyra to eat pizza and helped her build a new strategy around clients who wanted her body type.[35:33] “We Already Have a Black Girl”Tyra describes early agency rejection, racial barriers, and the way the industry turned differences into insecurities.[36:41] Taking Control at Victoria's SecretTyra explains how a bad hair experience cost her an early Victoria's Secret opportunity—and how she fought her way back a year later.[40:15] From Modeling to TelevisionTyra says modeling happened to her, but television was always her passion.[41:21] The Idea for America's Next Top ModelTyra remembers combining American Idol with The Real World and setting the format inside the modeling industry.[42:34] When the Middleman Says NoAfter her agent dismissed the idea, Tyra went around him, worked with Kenya Barris and Ken Mok, and sold the show.[44:20] The Hidden Work of ProducingTyra explains that she was not a vanity producer—she lived in the editing bay and helped shape the show.[44:42] Redefining Beauty on TelevisionTyra and Carolyn discuss the many kinds of beauty and how Carolyn's photography work shaped Tyra's eye for what others missed.[47:03] Top Model Around the WorldTyra talks about returning to the show, ratings, international versions, and the global reach of the franchise.[47:56] Why The Tyra Banks Show EndedTyra explains the workload of producing a daily talk show and how the 2008 financial crisis affected advertisers.[49:02] A Day in Tyra's Life NowTyra describes motherhood, meetings, production plans, school paperwork, business projects, and trying not to start work too early.[51:14] What Success Means NowTyra says success now means legacy: expanding the definition of beauty and building things that outlive her.[52:32] Perfect Is BoringJames praises the book, the mother-daughter collaboration, and the larger message that perfection is not the goal.Additional Resources:Perfect Is Boring — Penguin Random House's official page lists the book by Tyra Banks and Carolyn London, published April 3, 2018, with the subtitle 10 Things My Crazy, Fierce Mama Taught Me About Beauty, Booty, and Being a Boss.Tyra Banks at Victoria's Secret — Victoria's Secret's model bio covers Tyra's modeling career, her first Victoria's Secret Fashion Show in 1996, her return in 2024, and her broader work as a model, producer, writer, and actress.Sports Illustrated Swimsuit: Tyra Banks — SI Swimsuit's archive article describes Tyra's 1996 shared cover, her 1997 solo cover, and her 2019 return.SMiZE & DREAM — Tyra's current ice cream and dessert brand, which connects to the legacy-building theme she discusses near the end of the episode.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Yves Saint Laurent se narodil 1. srpna 1936. Napřed navrhl šaty pro svou matku a sestry. Vzápětí dobyl svět vysoké módy. Kariéru začal v sedmnácti, v devatenácti pracoval pro Diora a v jednadvaceti jeho módní dům vedl. Muž, který přesměroval dějiny módy. Prý i díky němu dnes ženy nosí kalhoty. Miloval psy, Maroko a módu. A svět miloval jeho.

Wystawa „John Galliano: Horizons”, która odbędzie się wiosną 2027 roku w Instytucie Kostiumów Metropolitan Museum of Art w Nowym Jorku uhonoruje twórczość Johna Galliano. W historii muzeum tylko dwóch innych projektantów było bohaterami wystaw monograficznych. Pierwszym był Yves Saint Laurent w 1983 roku (wystawę organizowała wówczas Diana Vreeland), drugą – Rei Kawakubo z Comme des Garçons w 2017 roku.

Yves Saint Laurent se narodil 1. srpna 1936. Napřed navrhl šaty pro svou matku a sestry. Vzápětí dobyl svět vysoké módy. Kariéru začal v sedmnácti, v devatenácti pracoval pro Diora a v jednadvaceti jeho módní dům vedl. Muž, který přesměroval dějiny módy. Prý i díky němu dnes ženy nosí kalhoty. Miloval psy, Maroko a módu. A svět miloval jeho. Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Method dressing is once again dominating the red carpet. At the Los Angeles premiere of “Spider-Man: Brand New Day” on July 27, Zendaya arrived in an Ashi Studio fall 2026 gown with a plunging neckline framed by sculptural elements resembling a spider's appendages. Three days later, she and longtime stylist Law Roach continued the narrative at the film's London premiere with a cream Tamara Ralph couture gown traced with metallic, web-like lines. The London look was finished with a diamond-encrusted gold spider brooch by couture jewelry designer Keren Wolf, placed at the base of Zendaya's back. The piece was originally created to form part of a spiderweb headpiece designed by Shani Dvorkin with Wolf, before being reworked as an embellishment for the gown. Tom Holland joined in with an articulated spider brooch by British jeweler Pragnell, worn on the knot of his tie. The appearances were the latest demonstration of the red-carpet strategy Zendaya and Roach have helped turn into an entertainment-marketing event of its own, from “Dune” to “The Odyssey”. Instead of treating each premiere as an isolated fashion moment, they build a visual world across photocalls, press events and carpets, giving fans another reference to identify and circulate with every appearance. During the current “Spider-Man” tour, that has included a vintage Giorgio Armani dress covered in silver cobwebs at the film's Rome premiere on June 23 and a $34.99 vintage Spider-Man T-shirt sourced on eBay for a Paris photocall two days later. The pair have simultaneously been promoting Christopher Nolan's “The Odyssey,” shifting between literal spider references and contemporary interpretations of Greek dress. But as increasingly recognizable references become a fixture of movie promotion, celebrity stylist Micaela Erlanger believes the most successful looks should not resemble costumes. Erlanger, whose clients include Lupita Nyong'o and Meryl Streep, prefers the term “meta dressing”: using colors, silhouettes and more discreet cultural references to connect an actor's wardrobe to a project without overwhelming the person wearing it. “For me, it hasn't always felt like it has to be that literal,” Erlanger said on the Glossy Podcast this week. “I like the idea of referencing a character, or referencing a film, a moment, a dialogue or a period in time, without it having to feel gimmicky or obvious.” Erlanger used that approach while styling Nyong'o, who plays Helen of Troy, for “The Odyssey” press tour. At the film's London premiere on July 6, Nyong'o wore a silver Christian Cowan gown with a relatively restrained silhouette from the front, but deep sculptural cutouts beneath the arms that revealed her figure from the side. Rather than reaching for an overtly Grecian chiffon dress, Erlanger wanted the look to communicate Helen's legendary beauty more indirectly. “She's playing Helen of Troy, the most beautiful woman in the world,” Erlanger said. “You don't need a lot of clothing or a whole lot of look when it's about who the woman wearing the dress is and how she stands on her own.” Erlanger had limited information when she began working on the wardrobe. Nolan is known for keeping his films private, while Nyong'o initially disclosed little beyond the identity of her character. Erlanger instead drew from Homer's poem, Greek mythology and her own interpretation of Helen. For an earlier New York appearance, Nyong'o wore a custom Sally LaPointe look with ostrich feathers. The idea was developed by Erlanger and Nyong'o as a reference to the story that Helen was born after Zeus took the form of a swan. “If you know, you know,” Erlanger said. “Lovers of the book and Greek mythology might be able to pick up on that.” The outfit still worked independently for audiences unfamiliar with the reference, which is central to Erlanger's distinction between meta dressing and simply recreating a film's costume. She applied the same thinking while styling Streep during the press tour for “The Devil Wears Prada 2.” At an April 12 event in Shanghai, Streep wore a cobalt-blue Saint Laurent military-inspired coat dress with oversized sunglasses, subtly recalling both Miranda Priestly and the original film's famous cerulean monologue. In the speech, Priestly describes cerulean military jackets supposedly shown by Yves Saint Laurent before the color filtered down through the fashion system. The collection described in the screenplay never actually existed, making Streep's coat what Erlanger called “a reference within a reference.” “If you were paying attention, you would pick up on these kinds of things,” she said. Social media has made such details increasingly valuable. An obscure reference decoded by fans can become a viral post, generating attention for the actor, stylist, designer and film simultaneously. It has also brought stylists themselves out from behind the scenes. Erlanger said their work now extends far beyond choosing attractive clothes, encompassing public-image management, brand exposure and the strategic positioning of clients. “We are responsible for shaping the public image of some of the biggest names in entertainment,” she said. “There's a whole business to all of it.”

On the latest episode of The Run-Through, hosts Chloe Malle, Chioma Nnadi, and Nicole Phelps gathered in the studio together for an Ask Me Anything session pulled from questions on the Vogue app and from students in Vogue's Summer School program. The conversation covered internship advice and career guidance, but a throughline emerged: enthusiasm and curiosity matter more than any single credential. The hosts also opened up about how the culture of the office itself has shifted. Heels have given way to sneakers, the dress code has loosened, and the pandemic accelerated a broader move toward comfort and personal style across the industry. They also swapped stories about their own "I made it" moments, from a first magazine cover to being recognized on the street by young listeners of the podcast, and reflected on conversations with designers. The hosts traded takes on nostalgia and trend forecasting, including dream dinner parties with Coco Chanel or Yves Saint Laurent, first big bag purchases (a lime-green Kate Spade shopper among them), and the resurgence of the drop waist. Stay tuned for our next AMA to submit your own questions! The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Le 23 juin 2022, on fête la première collection de l'iconique créateur de mode Yves Saint Laurent. Des pièces devenues des œuvres d'art, à retrouver cette année dans six musées français. Le Musée Yves Saint Laurent évidemment, mais aussi celui d'Orsay, le Musée d'Art Moderne de Paris ou le Centre Pompidou. A quel âge a-t-il commencé à faire parler de lui ? Quand va-t-il devenir indépendant ? Comment était ce créateur dans sa vie privée ?  ⁠Ecoutez la suite dans cet épisode de "Maintenant vous savez - Culture".⁠ Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : juin 2022 A écouter aussi : ⁠Pourquoi Elvis Presley est-il surnommé le “King” ?⁠ ⁠Pourquoi fait-on des spin-off au cinéma ?⁠ ⁠Quels sont les pires caprices de stars ?⁠ Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

À l'occasion du lancement des Cours du soir de PSL, et plus particulièrement du cycle « La mode sous toutes ses coutures », Décousu vous propose un épisode consacré à une discipline encore trop souvent reléguée au second plan : l'histoire de la mode.Car le vêtement ne fait peut-être pas le moine. Mais il dit beaucoup de sa place dans le monde, de son époque, de ses moyens, de ses désirs — et parfois même de ce qu'il préférerait tenir caché.La mode n'est jamais seulement une affaire de jupes, de vestes ou de longueurs de manches. Elle raconte les hiérarchies sociales, les rapports de genre, les transformations du travail, la circulation des matières, les empires, les révolutions industrielles et les puissances de l'image. Autrement dit, toute une société, à condition de savoir regarder.Pour en parler, je reçois Guénolée Milleret, historienne de la mode, enseignante à l'École des Arts Décoratifs – PSL, ancienne responsable des archives documentaires de la maison Yves Saint Laurent et fondatrice de l'iconothèque Images GuenoMiller. Depuis de nombreuses années, elle œuvre à faire reconnaître le vêtement pour ce qu'il est réellement : un objet historique, culturel et politique de premier plan.Ensemble, nous nous demanderons ce qu'une silhouette peut révéler d'un ordre social, comment le corset, le costume, le coton ou la vitrine racontent chacun une certaine idée du monde, et pourquoi l'histoire de la mode ne saurait se réduire à une aimable succession de tendances — ce qui, reconnaissons-le, lui fait déjà gagner quelques galons de respectabilité.Nous parlerons de corps, de morale, d'émancipation, de commerce textile, de patrimoine, de colonialité, d'archives, de musées, mais aussi de la manière dont le vêtement constitue un formidable document historique, capable de raconter les sociétés parfois mieux que de longs discours.Si l'on considère souvent la mode comme le reflet de son époque, cet épisode propose d'aller un peu plus loin : et si elle en était aussi l'une des meilleures clés de lecture ?Retrouvez Décousu sur instagram @decousupodcast pour ne louper aucun épisode !Bonne écoute !

C'était le premier juin 2008 à Paris : celui que l'on avait surnommé à ses débuts« le petit prince de la mode » nous quittait à l'âge de septante et un an, des suites d'un cancer du cerveau. Arrivé dans la capitale française au milieu des années cinquante, il a été l'un de ceux qui ont le mieux capté les bouleversements sociaux qui vont déferler au cours de la décennie suivante. Et surtout, il saura les traduire dans ses créations « Chanel a libéré la femme, il lui a donné le pouvoir », dit-on. Sa rencontre avec Pierre Berger aura permis la naissance de ce qui deviendra un empire de la haute-couture et de la mode. Une vie entre sex drog et rock'n'roll et un nom mondialement connu, aujourd'hui, synonyme d'une façon de vivre que le commerce et la finance n'ont pas tout à fait expurgé d'une certaine idée de la liberté. Un sigle suffit, trois lettres : YSL pour Yves saint Laurent. Avec Nele Bernheim, historienne de la mode à Anvers sujets traités : Yves Saint Laurent, mode, haute-couture, Chanel, D0ior, Pierre Berger Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today on The Social, Taylor Swift and Travis Kelce have a strict “no gifts” rule for their wedding. And, would you buy a bare bones vehicle with hand-crank windows and no radio to save money? Then, Steven Spielberg’s ‘Disclosure Day’ crashes at the box office. Plus, Yves Saint Laurent unveils new clear shoes for men.

Les créateurs africains s'exposent aux Galeries Lafayette. Dans ce lieu emblématique de la mode, neuf créateurs ont été sélectionnés pour proposer leurs collections aux clients de cette enceinte historique. Une opportunité pour l'industrie de la mode africaine de vendre et de se faire connaître lors de cette 2e édition du pop-up Africa Now. « Être aux Galeries Lafayette, qui est quand même le centre du luxe à Paris... C'est d'abord une chance pour nous d'être ici », se réjouit Eric Resina, qui finalise la préparation de ses portants. Entre fourrures de soie et dentelles de raphia, le créateur propose des collections colorées et très texturées. Ce Malgache d'origine a déjà travaillé avec les maisons Yves Saint Laurent ou Christian Lacroix, pour lui, l'intérêt est vraiment de promouvoir la mode africaine. « Je suis ici pour réellement présenter Madagascar avec toutes ces couleurs, toutes ces matières que j'essaie d'interpréter, pas seulement en utilisant les matières de mon pays, mais aussi parce qu'il y a des résonances qui sont importantes, explique-t-il. Il y a des souvenirs des gens qui sont déjà passés à Madagascar, qui peuvent en fait retrouver dans ma collection ici, et c'était un peu pour les faire rêver. » Une nouvelle clientèle À côté, se tient le présentoir de la Sénégalaise Hélène Diouf. Elle fait un bilan très positif de la première édition : « L'année dernière, on avait fait presque sold out à la première semaine. Et on reprend la même chose cette année aussi. En tout cas, nos boubous, on les vend très bien. Les boubous aux Galeries Lafayette, ça marche très bien. » Être présente aux Galeries Lafayette a permis d'ouvrir les collections de sa marque Sisters of Africa a une nouvelle clientèle venue de Londres, mais aussi du Qatar ou des Émirats. « On a beaucoup de clientes qui reviennent sur le site internet maintenant pour venir acheter. C'est ça qui est bien en fait. Au-delà de la vente, c'est cette connexion entre nos clientes qui sont un peu partout, qui viennent, qui touchent, qui essaient et après reviennent sur le site pour acheter. Donc oui, ça nous a drainé aussi une ouverture qu'on n'espérait pas, mais qui est là », détaille-t-elle. Et si elle n'aime pas parler d'argent, elle reconnaît avoir fait un bon chiffre d'affaires. Soutenir l'industrie africaine Valérie Ka est fondatrice d'Africa Fashion Up, le grand défilé de mode africaine à Paris et partenaire de ce pop-up. « L'année dernière, la vente Africa Now a été la meilleure vente aux Galeries Lafayette. Donc comme quoi, les créateurs africains vendent. C'est plus qu'une fierté. J'en ai rêvé », se réjouit la femme d'affaires. Il est temps donc de « prendre l'industrie de la mode africaine au sérieux », pointe-t-elle. « Il y en a beaucoup qui habillent des célébrités qu'on voit à la télé, mais on ne sait même pas que ce sont des créateurs africains. On a des créateurs qui ont habillé Theresa May, la princesse de Monaco, Fally Ipupa », rappelle-t-elle fièrement. Et de plaider pour plus de soutien pour cette industrie : « La marque africaine, elle marche véritablement. C'est un enjeu économique assez important. Jusqu'à présent, je trouve qu'en Afrique, on n'a pas encore pris sérieusement l'aspect accompagnement sur les industries créatives, notamment la mode. On voit ça un peu comme un deuxième ou troisième métier. Ce n'est pas pris très au sérieux. » Pourtant, rappelle-t-elle, les hommes et les groupes les plus influents « vendent des vêtements, des chaussures, des accessoires. Donc, à un moment donné, il faut qu'ils prennent au sérieux nos créateurs africains ». En plus de ces trois semaines de vente, un grand défilé est prévu fin juin au musée du Quai Branly, où une exposition consacrée à la mode africaine a lieu jusqu'au 12 juillet. À lire aussiAvec l'exposition «Africa Fashion», la mode africaine affiche ses racines et sa diversité à Paris

We're back with a whole new season of On the Scent Podcast!While we had a break on the main pod, we've still been recording our Patreon exclusive episodes every week, which you can catch up with on patreon.com https://www.patreon.com/u84518038Meanwhile, we've been busy attending some incredible new launches, many of which you'll hear about in this episode, and Nicola and her husband, Chris, got to have bespoke fragrances made for them by Nicola Pozzani, the Global Fragrance Ambassador and Bespoke Perfumer for Floris London! She's talking us through the entire process here, and you'll hear some recordings she made in the historic Jermyn Street perfumer's office on the day.Suzy also got to experience something rather wonderful, visiting the newly appointed Chanel salon in Harrods for a ‘Grand Parfumeur' session revealing the fascinating symbolism present in Chanel's life, aesthetics, and the new Extrait perfumes. She also attended the jaw-dropping launch of BDK's three new fragrances, each inspired by spectacular fabrics.After talking about the celeb-filled celebrations of The Fragrance Foundation Awards, with more being more, there's much talk of what's on the current ‘can't stop wearing list' (which includes a latex and lipstick scent Nicola adores, a mushroom fragrance Suzy's obsessed by, and a reconnection with a past perfume love).On this week's episode…Floris London Bespoke Experience:https://tinyurl.com/florisbespokeBDK Stellar Silk‘Stellar Silk unfolds around the milky, textured richness of a creamy, precious sandalwood. At the top, a spicy spark of ginger and cinnamon bark is delicately dusted with saffron. Then, the floral heart of iris unfolds, echoing the intimate caress of fabric against the skin, enveloped in vanilla, tonka bean, and the profound warmth of benzoin tears. In the base, sandalwood and musks carry and extend the trail with gentle intensity. Like a precious thread of silk, Stellar Silk lays a veil of sensuality across the skin. A fragrance of passion, it radiates as a luminous halo, balancing depth and lightness to create an enduring, timeless elegance. Around the silk, a universe of luxury emerges, defined by a noble material exploring with subtlety the porous boundaries between masculine and feminine wardrobes. The softness and delicacy of the fabric flirt with the sensuality of evening gowns, evoking Haute Couture silhouettes where creative freedom blurs boundaries, reminiscent of designs by Yves Saint Laurent or Valentino Garavani. In the airy, whispering rustle of muslin, an ode rises to the preciousness of a millennia-old material, noble and treasured.'BDK Silver Ceremony‘Silver Ceremony is conceived in resonance with the precious radiance of sequins. At the top, bergamot, green mandarin, and lemon illuminate the fragrance as light strikes metal, sparkling with a crystalline, vibrant, almost icy freshness, heightened by the spicy brilliance of ginger and pink pepper. In the base, woody notes unfold, dominated by cedar, set with patchouli and oud, and faceted with the amber nuances of labdanum. A textured creation, rich in energy and vibration, where freshness accentuates depth and warmth anchors luminosity. Constructed like an architectural masterpiece in which movement and stillness coexist, it is at once solid and fluid. Like a luminous, shimmering, ethereal garment, Silver Ceremony reveals itself as a fragrance with an electric, magnetic, incisive, and radiant signature. In the 1960s, when Paco Rabanne was celebrated as a metallurgist, he boldly wove metal into his creations, sculpting dresses with the precision of an architect. Thierry Mugler conjured robotized silhouettes, evoking a visionary, almost cosmic futurism. As for sequins, with their meticulous artisanal craftsmanship, they endure as a luminous and precious signature of Haute Couture, illuminating the most sophisticated ensembles with a radiant brilliance.'BDK Oud Paradiso‘Oud Paradisio unveils itself: a fragrance at once powerful, captivating, opulent, and audacious. Dominating with majesty is a dark, enveloping oud wood. At the top, the fresh, citrusy brightness of bergamot is enlivened by the juicy, succulent sweetness of frosted pineapple, while a subtle veil of incense and saffron whispers through the composition. The exquisite floral heart unfolds as a precious trio of roses, two essences and an absolute, imbuing the composition with elegance and depth. The warm base marries shadowy oud with cocoa, creating an arrangement rich in intensity and sumptuous voluptuousness. Sensuality blossoms among a woody warmth, nuanced with subtle restraint. Its assertive character is sculpted by the animalic accents revealed through the potent olfactory presence of oud essence. Complex and surprising, Oud Paradisio is a nocturnal perfume steeped in mystery. In fashion, leather claims its nobility without forsaking its innate animality, which imparts strength and commanding presence. Designers have challenged leather, shaping it into a second skin, Claude Montana in the 1980s with exaggerated shoulders crafted for fearless, audacious personalities. More recently, Rick Owens has celebrated this material with brilliance, transgressing its codes with boldness, even a hint of provocation. Animalistic by nature, leather embodies strength, power, and confidence.'Atelier Rebul Istanbul‘Discover the hidden scents of Istanbul with this eau de parfum. The glittering notes of bergamot is blended with spicy notes of cinnamon, saffron and clove, as well as floral and woody notes. The fragrance of our Istanbul collection is truly striking and unique.' Vyrao Ludatrix‘Naughty notes of lipstick and latex entwine with powdery rose, energising sichuan pepper and courage-enhancing orris to cast Ludatrix's enticing and empowered spell. Tantalising ambrette for igniting arousal is layered with voluptuous cedarwood, sandalwood and olibanum for positivity and protection, while a potent blend of ambrox and musk sparks sensuality. Bold and boundless desire, bottled.'Nasomatto MicrodelirioAll we're told is ‘The fragrance is the result of a natural vital delirium, evoking a flourishing ecosystem of organic disobedience.' Suzy senses ultra-realistic petrichor (rain soaked earth), creamy mushrooms, leaf-mulchy forest floor, vetiver, perhaps some beetroot fruitiness (?) and bags of patchouli earthiness. Lush Ginger‘A fragrance of the sensation of tasting ginger for the first time and feel it warming your body. Ginger is combined with flowers – mimosa, geranium, rose, ylang ylang and jasmine. A touch of juniper berry makes the composition vivid and fruity.'Goldfield & Banks Ingenious Ginger‘Ingenious Ginger is a floral amber perfume inspired by the lush Atherton Tablelands. red back ginger blends with bergamot, mandarin, magnolia, vanilla, amber and australian sandalwood.A world-first exploration of Australian Red Back Ginger, this best-selling Eau De Parfum offers an instant sense of nature in a blissful and sultry destination.'Buy issue 1 of On The Scent magazine and feast your eyes on the fabulous fragrant features, news and reviews in print! Get your copy here:https://www.onthescentmedia.com/shop

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

As the G7 summit kicks off today in Évian-les-Bains, we assess how France is shaping the agenda. Plus: we discuss the results of the immigration referendum in Switzerland and visit the Musée Yves Saint Laurent.See omnystudio.com/listener for privacy information.

Elle a passé 20 ans dans la mode. Agnès b., Yves Saint Laurent, Directrice Générale de Claudie Pierlot. Un CV en béton, une carrière au sommet.Et puis, à 40 ans, elle a tout lâché pour vendre des cornichons.Pas n'importe lesquels. Les meilleurs. Parce que Delphine Plisson ne fait rien à moitié.En 2015, elle ouvre Maison Plisson boulevard Beaumarchais — une halle culinaire, 750 artisans référencés, 160 salariés, plusieurs adresses à Paris. Un endroit qui devient en quelques années l'une des tables de référence de la capitale. Une réussite folle.Puis le Covid arrive. Et tout s'effondre.Redressement judiciaire, plan de cession, liquidation. Elle perd ce qu'elle a mis dix ans à construire.Sauf qu'avec Delphine Plisson, la chute n'est jamais le dernier mot.Aujourd'hui elle est consultante, elle a écrit son premier roman "Laiisse aller c'est une valse", et elle lance aujourd'hui, le 11 juin 2026, 20 ans plus tard — un média entièrement dédié à la ménopause. Parce qu'elle estime que ce sujet mérite mieux que le silence ou la condescendance médicale.Une femme qui réinvente sa vie. Encore.Delphine Plisson, bienvenue dans Julia donne le ton.https://www.instagram.com/thisisdelphineplisson/https://www.instagram.com/20ansplustard/Production Blabla StudioHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

The most famous tourist attraction in Marrakesh, perhaps, is Yves Saint-Laurent's Jardin Majorelle, a one-hectare botanical garden and artist's landscape garden in Marrakesh, Morocco. It was created by the French Orientalist artist Jacques Majorelle over almost forty years, starting in 1923, and features a Cubist villa designed by French architect Paul Sinoir in the 1930s. Here we tune into birdsong, the sound of flowing water features, tourists passing by and the unusual sound of light rain in the city! Recorded in Marrakesh, Morocco, January 2026 by Cities and Memory. 

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Bob Verlaat and Nick Nijhof are Amsterdam-based entrepreneurs and Co-Founders of Hears, the fast-growing hearing protection brand redefining earplugs through premium design and industry-leading sound clarity. Prior to Hears, the duo successfully scaled luxury sleep wellness brand Dore & Rose to $30M in revenue, building deep expertise in branding, Ecommerce, and consumer behavior. Their entrepreneurial journey has been shaped by creating products that solve real consumer problems while building emotionally resonant brands. After Bob experienced hearing damage and persistent tinnitus from loud music, the pair became increasingly aware of the global problem of noise-induced hearing loss and the lack of earplugs people actually wanted to wear. Existing products compromised sound quality, looked unattractive, and failed to fit seamlessly into modern lifestyles. Driven by that personal frustration, Bob and Nick spent 1.5 years researching and developing Hears from scratch, investing in patented filter technology and an award-winning heart-shaped design focused on preserving natural sound while protecting hearing. Since launching in 2024, Hears has generated $7M in first-year revenue, won the Red Dot Design Award, and partnered with globally recognized brands and venues including Yves Saint Laurent and Pacha Ibiza. In This Conversation We Discuss: [00:32] Intro [00:58] Launching products with clear positioning  [01:31] Solving everyday problems through Ecommerce  [03:14] Leveraging past mistakes to scale faster  [06:33] Episode Sponsor: Klaviyo [08:32] Finding product ideas through personal pain  [09:49] Testing creatives to accelerate growth  [11:01] Balancing brand building with direct sales  [11:57] Leveraging organic content before paid scaling  [13:51] Episode Sponsor: Intelligems [15:52] Optimizing products for global scalability  [19:14] Episode Sponsor: Electric Eye [20:23] Designing products customers instantly notice  [22:20] Protecting products through patented innovation  [23:25] Callout [23:34] Using social proof to increase conversions  Resources: Subscribe to Honest Ecommerce on Youtube Engineered for maximum sound blocking, reduce disruptive noise, helping you fall asleep faster, stay asleep longer and wake up fully rested hears.com/ Follow Bob Verlaat linkedin.com/in/bobverlaat/ Follow Nick Nijhof https://www.linkedin.com/in/nicknijhof/ Book a demo today at intelligems.io/ Migrate and grow more klaviyo.com/honest  Schedule an intro call with one of our experts electriceye.io/connect If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

Het verhaal van Yves Saint Laurent vertelt over hoe de visionaire ontwerper de modewereld wist te verrassen met iconische ontwerpen, van Le Smoking tot zijn baanbrekende kunstzinnige couture. Uitgegeven door Kosmos Uitgevers Spreker: Miryanna van Reeden

durée : 00:57:22 - Toute une vie - par : Pascale Charpentier - Yves Saint Laurent est l'un des plus grands couturiers français. Dessinateur surdoué, il a imposé le style masculin-féminin à partir des années 1970. YSL : métamorphoses, créations et révolutions, ce sont ces trois lettres et ces trois mots qui sont racontés dans ce documentaire. - réalisation : Dominique Costa - invités : Laurence Benaïm Journaliste; Alicia Drake Journaliste de mode; Marie-Dominique Lelièvre Journaliste et écrivaine; Jean-Pierre Derbord Ancien directeur technique de « l'atelier veste » auprès de Monsieur Saint Laurent

durée : 00:57:22 - Toute une vie - par : Pascale Charpentier - Yves Saint Laurent est l'un des plus grands couturiers français. Dessinateur surdoué, il a imposé le style masculin-féminin à partir des années 1970. YSL : métamorphoses, créations et révolutions, ce sont ces trois lettres et ces trois mots qui sont racontés dans ce documentaire. - réalisation : Dominique Costa - invités : Laurence Benaïm Journaliste, Alicia Drake Journaliste de mode, Marie-Dominique Lelièvre Journaliste et écrivaine, Jean-Pierre Derbord Ancien directeur technique de « l'atelier veste » auprès de Monsieur Saint Laurent Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Stepping into a new leadership role should feel like progress. But for many leaders, the pressure to prove yourself, move fast, and make the right decisions quickly muddles how you show up when it matters most. In this episode of Let's Talk, People, Emily sits down with Oneeka Botu, Senior HR Leader for Retail Leadership & Team Development at Valentino, a globally recognized luxury brand with a retail footprint across North America and markets worldwide. With more than 20 years of experience across brands including Saks Fifth Avenue, Yves Saint Laurent, Bulgari, and La Perla, Oneeka brings deep expertise in helping leaders navigate transitions and accelerate impact.Together, Emily and Oneeka unpack what it really takes to step into a new leadership role successfully. They explore how to shift out of old patterns and stop relying on what worked before, how early pressure to prove yourself can actually slow progress, and why relationships are the foundation for influence that leads to meaningful execution. They also discuss the signals behind common leadership traps like micromanaging and over-explaining, and what it means to intentionally reset when leading former peers.Whether you're stepping into a new role, navigating a promotion, or supporting leaders through transition, this conversation offers a new playbook to help you build trust faster, adapt with intention, and lead with greater clarity from day one.Timestamps:[00:04:14] No Playbook Works the Same Twice – Emily and Oneeka challenge the idea that past success guarantees future results. They explore why every new role requires leaders to adapt to a different team, culture, and set of expectations, and how relying on what worked before can quietly limit impact.[00:12:06] Relationships Before Results – Oneeka shares why new leaders must prioritize connection before execution. Together, she and Emily unpack how building trust and co-creating early direction creates the foundation for influence and sustainable performance.[00:25:13] Redefining Relationships When You Become the Boss – Oneeka and Emily unpack the emotional complexity of managing former peers. They explore why avoiding the conversation creates more tension, and how clarity around expectations, feedback, and boundaries helps preserve trust while establishing leadership credibility.[00:36:48] It's Time To Build A New Playbook – Emily and Oneeka explore the internal pressure many leaders feel to deliver immediately, and how that pressure often leads to pushing too hard, over-explaining, or micromanaging. They reframe these behaviors as common traps leaders fall into and identify how to slow down and notice the signals so that you can shift your mindset and behaviors before it's too late. Access the episode transcript.Join the Conversation: This year we're taking audience questions! Send in your toughest people management and leadership challenges, and we'll anonymize them and tackle them in an upcoming episode. Email Abigail on our Let's Talk, People team with your situation as a written note or voice memo to abigail@arosegroup.com.Connect with Emily Frieze-Kemeny on LinkedIn and Instagram or explore her work through AROSE Group's website.If you'd like to receive new episodes as they're published, please subscribe to Let's Talk, People in Apple Podcasts, Spotify, or wherever you get your podcasts. If you enjoyed this episode, please leave a 5-star rating on Apple Podcasts. It helps others discover the show.Thanks for listening to Let's Talk, People!

Il est des objets plus puissants qu'ils n'en ont l'air. Invisibles, immatériels presque, et pourtant capables à eux seuls de résumer une époque, une silhouette, une maison, parfois même un imaginaire entier.Le parfum fait partie de ceux-là.Dans cet épisode, Décousu remonte le fil d'une histoire aussi culturelle qu'économique : celle du lien intime entre la couture et le parfum. Car derrière chaque grand flacon se cache souvent bien plus qu'une simple fragrance : une stratégie de marque, une vision du luxe, une manière de diffuser le rêve bien au-delà des salons de couture.Aux côtés d'Elisabeth de Feydeau, historienne du parfum, nous explorons cette alliance fondatrice entre mode et parfumerie — depuis les premiers grands parfumeurs français jusqu'à l'entrée fracassante des couturiers dans cet univers au début du XXᵉ siècle. Paul Poiret, Gabrielle Chanel, Lanvin, Patou, Dior, Yves Saint Laurent, Mugler… autant de maisons qui ont compris très tôt qu'un parfum pouvait devenir bien plus rentable qu'une robe, mais aussi bien plus durable dans l'imaginaire collectif.Car si la couture habille quelques corps, le parfum, lui, permet d'habiter le monde entier.Au fil de la conversation, cet épisode interroge aussi ce que le parfum raconte du luxe lui-même : son industrialisation, sa démocratisation, sa mondialisation, mais aussi sa capacité unique à fabriquer du désir, de la mémoire et de la fidélité.Pourquoi les maisons de couture ont-elles presque toutes fini par créer des parfums ?Comment un flacon peut-il financer une maison entière ?Et aujourd'hui, que le parfum nous dit-il du secteur et de ses mutations profondes? Un sillage bien plus bavard qu'il n'y paraît...Un épisode entre histoire culturelle, stratégie économique et esthétique du désir — où l'on découvre que, depuis plus d'un siècle, le parfum est peut-être la plus discrète… mais aussi la plus redoutable des armes du luxe.Bon épisode !Retrouvez Décousu sur Instagram @decousupodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

En este episodio de HDM repasamos todos los looks de la Met Gala, desde Hailey Bieber deslumbrando en un diseño custom de Saint Laurent, hasta Kendall Jenner apostando por una opción menos obvia de Gap Studio por Zac Posen.También hablamos del it boy del momento, Connor Storrie, en Yves Saint Laurent, y debatimos nuestros looks favoritos, los aciertos y los que no tanto. Además, analizamos las tendencias que dominaron la noche —como el cuero— y lo que nos dicen sobre el rumbo de la moda actual.

"Quand on est un homme costumier, on est un créateur. Quand on est une femme costumière, on est une couturière. Moi, je ne sais pas coudre."Anaïs Romand a créé les costumes de 49 films.Elle a redonné vie à Marguerite Duras, Charles de Gaulle, Sarah Bernhardt, Isadora Duncan ou encore Louis XVI.Nommée 9 fois aux Césars, elle en a remporté 3 en 5 ans pour Saint Laurent, L'Apollonide et La Danseuse.Formée à l'école de restauration de Rome, elle a fait ses armes auprès des grands maîtres italiens, Ezio Frigerio et Franca Squarciapino, avant de signer ses premiers costumes de films pour le cinéma français.Au micro de Céleste Touboul Durante, Anaïs revient sur sa formation italienne et son influence durable sur sa pratique, ses collaborations avec Bertrand Bonello, Guillaume Nicloux et Léos Carax, les coulisses de Saint Laurent tourné sans accès aux archives de la Fondation, et les fameux costumes lumineux de Holy Motors.Elle parle aussi avec franchise des inégalités salariales et de la méconnaissance persistante du métier de créateur·rice de costumes en France.Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence SilenzioMontage : Benjamin TouboulHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Learn more at TheCityLife.org

In this episode of Style DNA I go on a style journey with the vintage curator, brand consultant and founder of ATELIER MAYER, the wonderfully elegant and eclectic Carmen Haid.Carmen has spent her career in the world of luxury fashion, beginning at Yves Saint Laurent before following her instinctive love of vintage — long before it became the movement it is today.She tells me she doesn't follow trends… and yet somehow always anticipates them. Drawn to pieces with history, craftsmanship and soul, her approach to fashion is entirely intuitive. Her stories of sourcing are extraordinary… from discovering a Paul Poiret coat in a crumbling house to uncovering couture treasures across the world. These are not just clothes, but pieces of history.This is a conversation about sustainability, individuality and the magic of clothes that have lived a life before us.Thank you for such a wonderful conversation @carmenhaid xx

In this episode of MyMusic, Graham Coath sits down with Sam Kellner, best known for his recurring appearances in major productions including Percy Jackson and the Olympians, Everybody Still Hates Chris, Young Royals, The Woman in the Wall, and Bunk'd, to talk about his love for and his career so far in music.Born and raised near Hamburg, Germany, Sam taught himself guitar at eleven, began producing at fifteen, and has since released more than twenty self-produced singles on Spotify. Several of those tracks have gone on to become theme songs for feature films, reflecting an artist who understands both storytelling and sonic atmosphere.As described in his IMDb mini biography by Craig Rogalski, Sam's creative journey spans acting, music and modelling, including walking at New York Fashion Week in February 2024 and appearing in a promotional campaign for Yves Saint Laurent.But this conversation goes deeper than credits.Graham and Sam explore:Growing up inspired by Michael Jackson, and why he would still choose him as his ultimate studio collaboratorEarly pop influences like Justin Bieber and how that shaped his songwriting instinctsWhy he values personal honesty over technical perfectionThe reality of being a young artist navigating TikTok, streaming culture and creative pressureHow messages from listeners studying, revising, or finding comfort in his songs keep him motivatedThere is humour too, including a confession about being spectacularly bad at archery and reflections on identity, insecurity, experimentation, and the desire to write something even more personal in the next phase of his career.From indie-leaning folk ambitions to Latin and early 2000s R&B influences, Sam is still exploring, still refining, and still open.This is a conversation about momentum, maturity, and what it means to stay curious while the spotlight grows.Listen in. Add a track to your playlist. And discover where Sam Kellner's music might take him next.

Today I am joined by Meg Hale! Meg is the founder and designer of Tutto, a brand built on the idea of creating fewer, better pieces that work hard in everyday life. Meg attended the College of Charleston and studied apparel design in Florence, Italy, where she developed a strong foundation in quality craftsmanship and timeless design. She also completed fashion internships at Neiman Marcus and Yves Saint Laurent. After college, Meg spent several years working in sales and events, gaining firsthand experience in brand building, client relationships, and operational execution. After returning to Charleston and becoming a mother, she identified a clear gap in her own wardrobe: a high-quality, washable cotton piece that could move effortlessly through a full day—from school drop-off to the beach, and dinner—without sacrificing style and comfort. Approaching the problem as both a designer and an entrepreneur, Meg has focused on perfecting the essential pieces of a woman's wardrobe. With a love of stripes and a commitment to quality and versatility, Tutto was born. Meaning “everything” in Italian, Tutto reflects Meg's belief in intentional growth and designing products that truly earn their place in a woman's closet. In this episode, Meg and I talk about why she started Tutto, the first steps to starting Tutto, the inspiration behind her clothing designs, the importance of having a hero product, and so much more! Meg's WebsiteMeg's Instagram MUSC

In Chapter 45 of The Book of Trump, Ghost welcomes Adrian of Rise Attire and Dauntless to unpack Part Two of the Darkness by Design documentary series, titled The High Priests of Culture. The discussion centers on the Rothschild Surrealist Ball of 1972 and its connection to elite influence over fashion, art, and cultural institutions. From occult symbolism and surrealist movements to figures like Yves Saint Laurent and the corporate power structures behind major luxury brands, the episode examines how culture is shaped at the highest levels. Ghost and Adrian explore the idea of a coordinated cultural degradation campaign, drawing links between high society, fashion conglomerates, and intelligence operations. They contrast this darkness with what they describe as an organic spiritual awakening, highlighting shifts in music, public discourse, and growing awareness of elite corruption. The conversation also touches on Kanye West's cultural impact, the exposure of powerful networks, and the importance of confronting evil without empowering it. Chapter 45 frames the culture war as both spiritual and institutional, urging discernment, courage, and continued exposure of the forces shaping modern society.

Aujourd'hui, je reçois l'acteur Pierre Niney qui revient en salles le 28 janvier 2026 avec le film “Gourou”.Pour suivre l'actualité au quotidien, RDV sur notre chaîne dédiée : @hugodecrypteactus‬ 00:00 Introduction02:18 Jouer le rôle d'un orateur03:48 Les coachs en développement personnel 06:21 La préparation du rôle 08:05 Être un bon acteur, c'est être un bon orateur ?09:40 Jeu : Philosophe ou Gourou ?14:30 Les séminaires et le mécanisme de l'addiction18:25 L'importance du théâtre19:44 Une rencontre clé : son premier agent 21:27 Les castings 25:41 La nostalgie de l'enfance27:23 L'importance de jouer29:51 La nouvelle générations d'acteurs 31:50 Être producteur 33:57 Le travail d'écriture36:35 Pierre Niney et YouTube38:18 Le rapport aux réseaux sociaux Vidéo produite par HugoDécrypteEntretien écrit et mené par Hugo TraversAvec la participation de Pierre NineyJournalistes : Julie Baheux, Benjamin Alberteau, Hugo TraversProductrice exécutive : Clara LesageDirectrice de production : Marie DelvalléeChargés de production : Clément Chaulet, Fiona GouzeAssistante de production : Amandine BarAdministratrice de production : Sterenn HallCadreurs : Noé Périquet, Vanon BorgetIngénieure du son : Inês Dos SantosMaquilleuse : Kim DesnoyersMonteur : Alexandre SouberyandÉtalonnage : Vanon BorgetMixage : Florent SimonMiniature : Doryan HinckerCrédits musiques : ArtlistCrédits images : Abaca - Gourou, Yann Gozlan (2026) - Boîte noire, Yann Gozlan (2021) - Five, Igor Gotesman (2016) - LOL, Lisa Azuelos (2009) - Le Comte de Monte-Cristo, Alexandre de La Patellière et Matthieu Delaporte (2024) - Yves Saint Laurent, Jalil Lespert (2014) - 20 ans d'écart, David Moreau (2013) - Un homme idéal, Yann Gozlan (2015) - Mascarade, Nicolas Bedos (2022) - Sauver ou périr, Frédéric Tellier (2018) - La Flamme, Jonathan Cohen, Jérémie Galan et Florent Bernard (2020) - OSS 117 3, Nicolas Bedos (2021) - Goliath, Frédéric Tellier (2022) - Casting(s), Pierre Niney et Ali Marhyar (2013) - Le loup de Wall Street, Martin Scorsese (2013) - Magnolia, Paul Thomas Anderson (1999) - Grandeur et Décadence, Buster Keaton (1922) - Madame Doubtfire, Chris Columbus (1993) ) Face Cachée, HugoDécrypte (2022) - @Tony Robbins - PathePLANIPRESSE HD MEDIA / UNFOLD PRODUCTION 2026 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:11:07 - Le Fil de l'histoire - par : Stéphanie Duncan - Le 30 janvier 1958 marque un tournant dans la haute couture, avec l'arrivée d'un petit nouveau : Yves Saint-Laurent. - invités : Olivier SAILLARD - Olivier Saillard : Historien français de la mode. - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Terry est la créatrice de la magnifique marque de maquillage et de soin By Terry.Ici, Terry nous raconte son parcours, ses débuts comme maquilleuse de studio, puis sa grande carrière chez Yves Saint Laurent et la création de sa marque By Terry. Terry nous parle aussi de sa vie de femme et de maman avec ses 4 enfants, et souvent 7 en comptant ceux de son mari. Terry a 70 ans et elle nous donne envie d'avancer et de traverser les prochaines étapes de la vie avec tant de joie, d'énergie et de vitalité.Musique : Stolen Heart - Henry and the WaiterRetrouvez-nous sur Instagram https://www.instagram.com/sea_view_media?igsh=bGg1bjZ6YzMwdnBvHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Mohamedek között, Keith Richards és Yves Saint Laurent nyomában. Igazság és hitelesség a belső sávban. Nyelvtudomány és esztétikai terror. Pápázás. Tusfürdőmaffia a siralomházban. 00:23 Mohamedek között fagyláros havában. Black novemberre Alza-napok. Ez már a copywritereknek is sok.06:21 Keith Richards és a beat-generáció Marrakesben. Egykor érdekes helyek elturistásodása. Rövidnadrágban 20 fokban.12:47 A Docker robogó. Marrakes gyalog. Marrakes szezonon kívül.16:50 Bipoláris állapotok és stabilitás.20:29 A marokkói-amerikai kapcsolatok dicső múltja. Igazság és hitelesség Marokkóban.23:04 Olvasói levél: Siralomház. A Kisfogház Emlékhely.26:40 Olvasói levél: Kálmán László nyelvészeti elvei. Nádasdy Ádám és a szép napot. Fejes László és a hanti nyelv.32:17 Nem nyelvészet, stílus! Van, ami műveletlenség. Aki nem tud liberálisul, ne beszéljen liberálisul. Tamás Gáspár Miklós, mint stílusrendőr.40:30 Olvasói levél: jobbra tartás és kategorikus imperatívusz. Amikor Barangó keresztényeket irtott karácsonykor. A hat ember, aki élőben hallotta. Barangó: Nincs mentségem. M. Giorgio Richárd. XIV. Leó és a palesztin állam. A katolikus egyház baloldalisága Észak- és Dél-Amerikában.47:05 A nemzetközi tusfürdő-maffia.50:05 A marokkó.See omnystudio.com/listener for privacy information.

In hour four, Hoch is a big Yves Saint Laurent guy. River Cracraft revenge game vs Miami incoming. Doug Plagens joins the show live at the Amerant Bank Arena.

Episode 499 / Claudia WieserClaudia Wieser is a German artist based in Berlin. Her work has been the subject of solo exhibitions at The Drawing Center, New York; the Contemporary Art Museum, St. Louis, MO; and Smart Museum, Chicago, IL. Her work has been included in recent group exhibitions at the Katonah Museum of Art, Katonah, NY; the Anderson Collection at Stanford University, CA; the Hamburger Bahnhof, Nationalgalerie der Gegenwart, Berlin Germany; Asia Culture Center, Gwangju, South Korea; Contemporary Arts Center New Orleans; Museum für Moderne Kunst, Frankfurt; and Marta Herford Museum for Art, Architecture, Design, Herford, Germany. Wieser's work included in a number or prominent public collections, such as the Contemporary Art Collection of the Federal Republic of Germany; Collection of the Berlin State Museums, Neue Nationalgalerie, Sammlung Goetz, Munich; Deutsche Bundesbank Kunstsammlung, Frankfurt; Mercedes-Benz Art Collection, Germany; K21-International Contemporary Art Collection of the Kunstsammlung North Rhine-Westfalia; the Anderson Collection, Stanford University, CA; the William Louis-Dreyfus Foundation Collection; and the Louiand Zabludowicz Collection, London. She has produced large-scale, site-specific commissions for Dior in Vienna, Paris, and Beverly Hills, the Cleveland Clinic in Ohio, and the City of Munich. In July 2021, Wieser unveiled her first outdoor public installation, commissioned by Public Art Fund, at Brooklyn Bridge Park in New York. In 2023, she presented work in collaboration with historic Yves Saint Laurent couture, designing a set and exhibiting her work at the Museé Yves Saint Laurent, Paris. In 2020 she collaborated with Hérmes to design a catwalk for Paris Fashion Week. She recently completed an outdoor installation at the Stavros Niarchos Foundation Cultural Center in Athens. Claudia earned an MA in Painting and Sculpture from the Academy of Fine Arts, Munich. She lives and works in Berlin. She just opened a solo show at Marianne Boesky gallery. 

You could hear episode early and get access to our Rick Owens "Temple of Love" Giveaway by subscribing to our HeroHero! Michael's back! Michael's back! Sit down as Sol catches up with his work husband and chat about Rick Owens, Helmut Lang, Stone Island, CP Company, Balenciaga, Adidas, Italian fashion, the downfall of tourism, Issey Miyake shirts, Margiela, Margiela Couture, Glenn Martens, Off-White hoodies, the now-defunct Pyrex vision, Virgil Abloh, LL Bean and Eddie Bauer, popular fashion trends as a result of internet engagement (Rick Owens shoes, Chrome Hearts rings, Yeezy Gap), Paris Fashion Week 2025, post-modern fashion, athleisure and the rise of synthetic fabrics, how TikTok fashion changes how we dress, The 1975, and so much more!We hope you enjoy the episode!Sol--Ignore these tags:streetwear, men's streetwear, urban fashion, hypebeast, sneaker culture, sneakerhead, men's outfits, outfit inspiration, vintage streetwear, thrifted fashion, street style, fashion trends, TikTok fashion, Instagram fashion, Gen Z style, capsule wardrobe, men's accessories, unisex fashion, oversized clothing, logo tees, baggy jeans, statement sneakers, graphic hoodies, layering, street fashion brands, everyday streetwear, athleisure, skate style, music and fashion, street culture, global menswear, Rick Owens, Maison Margiela, Balenciaga, Vetements, Chrome Hearts, Vivienne Westwood, Yohji Yamamoto, Issey Miyake, Givenchy, Saint Laurent, Yves Saint Laurent, Bottega Veneta, Junya Watanabe, Undercover, Kapital, Salomon, geobaskets, gorpcore, techwear, streetwear, athleisure, haute couture, archive fashion, thrifted, grailed, legit check, Carti aesthetic, opium style, Rick Owens reps, DHgate haul, Pandabuy Sol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Welcome back to Your World of Creativity, the show where we dive into the minds of creative leaders around the globe. I'm your host, Mark Stinson. Today, we're exploring the intersection of creativity, branding, and personal growth with someone who's built unforgettable brands from the ground up.Our guest today is Judy Winslow, known as The Brandologist. With more than three decades of experience in marketing and branding, Judy's helped Fortune 100 companies and visionary entrepreneurs build powerful brands that leave lasting impressions. She's the author of Ignite Your Faith and Third Act Encore, and she brings a unique blend of marketing strategy, personal development, and innovation to her work.Judy's Website @jWINSceoPRO on Instagram Judy's Facebook page 1. The DNA of a Memorable Brand“Judy, your clients often come to you seeking that ‘it factor'—something to make their brand unforgettable. In your experience, what are the key ingredients that turn a brand into an emotional, authentic, and lasting connection with its audience?”2. Aligning Purpose with Profit“You often say that it's a disservice not to share your unique gifts with the world. How do you help clients align their purpose and passion with a profitable brand strategy, especially in industries like health, wellness, and personal development?”3. Standing Out in a Crowded Market“In a world of endless noise and digital clutter, what's your advice to someone trying to get their voice heard and their brand noticed—without falling into gimmicks or losing authenticity?”4. Building the Brand from Within“You've said that confidence and clarity are crucial in brand-building. How do you guide individuals—especially solopreneurs or creatives—through the inner work of discovering their true gifts and strengths?”5. The Brandologist's Legacy: What Lasts?“You've worked with icons from Cover Girl to Yves Saint Laurent and now with inspired entrepreneurs. What have you learned about the evolution of branding—and what do you think it takes to really leave a legacy?”This episode was brought to you by White Cloud Coffee Roasters—because bold ideas deserve bold coffee. Get 10% off your first order at WhiteCloudCoffee.com with the code CREATIVITY at checkout.Be sure to subscribe, rate, and review Your World of Creativity on your favorite podcast platform. And join us again next time as we continue unlocking your world of creativity.J. Winslow is “The Brandologist”, developing strategies to build your business & life. With 3+ decades of experience and a 93% success rate, she's won numerous awards, co-founded a marketing firm in NYC working with Fortune 100s to start-ups, founded TEDxSarasota and is an International Best Selling author and speaker. Her global roster of CEOs and Founders focuses on impactful innovation, leadership and brand expansion. She's appeared on ABC TV, SmileJamaicaTV and is a frequent podcast guest.