Podcasts about Yves Saint Laurent

Elle a passé 20 ans dans la mode. Agnès b., Yves Saint Laurent, Directrice Générale de Claudie Pierlot. Un CV en béton, une carrière au sommet.Et puis, à 40 ans, elle a tout lâché pour vendre des cornichons.Pas n'importe lesquels. Les meilleurs. Parce que Delphine Plisson ne fait rien à moitié.En 2015, elle ouvre Maison Plisson boulevard Beaumarchais — une halle culinaire, 750 artisans référencés, 160 salariés, plusieurs adresses à Paris. Un endroit qui devient en quelques années l'une des tables de référence de la capitale. Une réussite folle.Puis le Covid arrive. Et tout s'effondre.Redressement judiciaire, plan de cession, liquidation. Elle perd ce qu'elle a mis dix ans à construire.Sauf qu'avec Delphine Plisson, la chute n'est jamais le dernier mot.Aujourd'hui elle est consultante, elle a écrit son premier roman "Laiisse aller c'est une valse", et elle lance aujourd'hui, le 11 juin 2026, 20 ans plus tard — un média entièrement dédié à la ménopause. Parce qu'elle estime que ce sujet mérite mieux que le silence ou la condescendance médicale.Une femme qui réinvente sa vie. Encore.Delphine Plisson, bienvenue dans Julia donne le ton.https://www.instagram.com/thisisdelphineplisson/https://www.instagram.com/20ansplustard/Production Blabla StudioHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The most famous tourist attraction in Marrakesh, perhaps, is Yves Saint-Laurent's Jardin Majorelle, a one-hectare botanical garden and artist's landscape garden in Marrakesh, Morocco. It was created by the French Orientalist artist Jacques Majorelle over almost forty years, starting in 1923, and features a Cubist villa designed by French architect Paul Sinoir in the 1930s. Here we tune into birdsong, the sound of flowing water features, tourists passing by and the unusual sound of light rain in the city! Recorded in Marrakesh, Morocco, January 2026 by Cities and Memory. 

Bob Verlaat and Nick Nijhof are Amsterdam-based entrepreneurs and Co-Founders of Hears, the fast-growing hearing protection brand redefining earplugs through premium design and industry-leading sound clarity. Prior to Hears, the duo successfully scaled luxury sleep wellness brand Dore & Rose to $30M in revenue, building deep expertise in branding, Ecommerce, and consumer behavior. Their entrepreneurial journey has been shaped by creating products that solve real consumer problems while building emotionally resonant brands. After Bob experienced hearing damage and persistent tinnitus from loud music, the pair became increasingly aware of the global problem of noise-induced hearing loss and the lack of earplugs people actually wanted to wear. Existing products compromised sound quality, looked unattractive, and failed to fit seamlessly into modern lifestyles. Driven by that personal frustration, Bob and Nick spent 1.5 years researching and developing Hears from scratch, investing in patented filter technology and an award-winning heart-shaped design focused on preserving natural sound while protecting hearing. Since launching in 2024, Hears has generated $7M in first-year revenue, won the Red Dot Design Award, and partnered with globally recognized brands and venues including Yves Saint Laurent and Pacha Ibiza. In This Conversation We Discuss: [00:32] Intro [00:58] Launching products with clear positioning  [01:31] Solving everyday problems through Ecommerce  [03:14] Leveraging past mistakes to scale faster  [06:33] Episode Sponsor: Klaviyo [08:32] Finding product ideas through personal pain  [09:49] Testing creatives to accelerate growth  [11:01] Balancing brand building with direct sales  [11:57] Leveraging organic content before paid scaling  [13:51] Episode Sponsor: Intelligems [15:52] Optimizing products for global scalability  [19:14] Episode Sponsor: Electric Eye [20:23] Designing products customers instantly notice  [22:20] Protecting products through patented innovation  [23:25] Callout [23:34] Using social proof to increase conversions  Resources: Subscribe to Honest Ecommerce on Youtube Engineered for maximum sound blocking, reduce disruptive noise, helping you fall asleep faster, stay asleep longer and wake up fully rested hears.com/ Follow Bob Verlaat linkedin.com/in/bobverlaat/ Follow Nick Nijhof https://www.linkedin.com/in/nicknijhof/ Book a demo today at intelligems.io/ Migrate and grow more klaviyo.com/honest  Schedule an intro call with one of our experts electriceye.io/connect If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

Het verhaal van Yves Saint Laurent vertelt over hoe de visionaire ontwerper de modewereld wist te verrassen met iconische ontwerpen, van Le Smoking tot zijn baanbrekende kunstzinnige couture. Uitgegeven door Kosmos Uitgevers Spreker: Miryanna van Reeden

durée : 00:57:22 - Toute une vie - par : Pascale Charpentier - Yves Saint Laurent est l'un des plus grands couturiers français. Dessinateur surdoué, il a imposé le style masculin-féminin à partir des années 1970. YSL : métamorphoses, créations et révolutions, ce sont ces trois lettres et ces trois mots qui sont racontés dans ce documentaire. - réalisation : Dominique Costa - invités : Laurence Benaïm Journaliste, Alicia Drake Journaliste de mode, Marie-Dominique Lelièvre Journaliste et écrivaine, Jean-Pierre Derbord Ancien directeur technique de « l'atelier veste » auprès de Monsieur Saint Laurent Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:57:22 - Toute une vie - par : Pascale Charpentier - Yves Saint Laurent est l'un des plus grands couturiers français. Dessinateur surdoué, il a imposé le style masculin-féminin à partir des années 1970. YSL : métamorphoses, créations et révolutions, ce sont ces trois lettres et ces trois mots qui sont racontés dans ce documentaire. - réalisation : Dominique Costa - invités : Laurence Benaïm Journaliste; Alicia Drake Journaliste de mode; Marie-Dominique Lelièvre Journaliste et écrivaine; Jean-Pierre Derbord Ancien directeur technique de « l'atelier veste » auprès de Monsieur Saint Laurent

On va bien voir qui porte la culotte. En 1800, une ordonnance du préfet de Paris interdit aux femmes de s'habiller en homme et donc de porter le pantalon. Cette loi restera en vigueur jusqu'en 2013. Oui, vous avez bien lu : 2013. Dans cet épisode, on retrace l'histoire du pantalon féminin, de l'Ancien Régime à nos jours. Pourquoi cette interdiction ? Depuis le Moyen-Age, la confusion des sexes est une des grandes peurs de l'Occident. Les femmes doivent être des femmes, les hommes des hommes. Point. Mais au 19e siècle, le pantalon va progressivement gagner du terrain : pour des raisons de sécurité et d'hygiène, pour s'adapter au travail des femmes qui se diversifie, et surtout grâce à la bicyclette qui révolutionne la mobilité des femmes bourgeoises. Des figures emblématiques défient les codes : George Sand, Rosa Bonheur, Louise Michel. Puis viennent les sportives, les couturiers comme Yves Saint Laurent avec son smoking féminin. En 1969, le Figaro écrit : "le pantalon, c'est gagné". Vraiment ? Aujourd'hui encore, les poches des pantalons féminins sont 48% plus courtes que celles des hommes. Parce que dans notre société patriarcale, le vêtement n'est jamais anodin.Les Chroniques du sexisme ordinaire sont un podcast de Marine-Pétroline Soichot qui débusque le sexisme avec pédagogie, humour et zéro culpabilité.Pour aller plus loin

Stepping into a new leadership role should feel like progress. But for many leaders, the pressure to prove yourself, move fast, and make the right decisions quickly muddles how you show up when it matters most. In this episode of Let's Talk, People, Emily sits down with Oneeka Botu, Senior HR Leader for Retail Leadership & Team Development at Valentino, a globally recognized luxury brand with a retail footprint across North America and markets worldwide. With more than 20 years of experience across brands including Saks Fifth Avenue, Yves Saint Laurent, Bulgari, and La Perla, Oneeka brings deep expertise in helping leaders navigate transitions and accelerate impact.Together, Emily and Oneeka unpack what it really takes to step into a new leadership role successfully. They explore how to shift out of old patterns and stop relying on what worked before, how early pressure to prove yourself can actually slow progress, and why relationships are the foundation for influence that leads to meaningful execution. They also discuss the signals behind common leadership traps like micromanaging and over-explaining, and what it means to intentionally reset when leading former peers.Whether you're stepping into a new role, navigating a promotion, or supporting leaders through transition, this conversation offers a new playbook to help you build trust faster, adapt with intention, and lead with greater clarity from day one.Timestamps:[00:04:14] No Playbook Works the Same Twice – Emily and Oneeka challenge the idea that past success guarantees future results. They explore why every new role requires leaders to adapt to a different team, culture, and set of expectations, and how relying on what worked before can quietly limit impact.[00:12:06] Relationships Before Results – Oneeka shares why new leaders must prioritize connection before execution. Together, she and Emily unpack how building trust and co-creating early direction creates the foundation for influence and sustainable performance.[00:25:13] Redefining Relationships When You Become the Boss – Oneeka and Emily unpack the emotional complexity of managing former peers. They explore why avoiding the conversation creates more tension, and how clarity around expectations, feedback, and boundaries helps preserve trust while establishing leadership credibility.[00:36:48] It's Time To Build A New Playbook – Emily and Oneeka explore the internal pressure many leaders feel to deliver immediately, and how that pressure often leads to pushing too hard, over-explaining, or micromanaging. They reframe these behaviors as common traps leaders fall into and identify how to slow down and notice the signals so that you can shift your mindset and behaviors before it's too late. Access the episode transcript.Join the Conversation: This year we're taking audience questions! Send in your toughest people management and leadership challenges, and we'll anonymize them and tackle them in an upcoming episode. Email Abigail on our Let's Talk, People team with your situation as a written note or voice memo to abigail@arosegroup.com.Connect with Emily Frieze-Kemeny on LinkedIn and Instagram or explore her work through AROSE Group's website.If you'd like to receive new episodes as they're published, please subscribe to Let's Talk, People in Apple Podcasts, Spotify, or wherever you get your podcasts. If you enjoyed this episode, please leave a 5-star rating on Apple Podcasts. It helps others discover the show.Thanks for listening to Let's Talk, People!

Il est des objets plus puissants qu'ils n'en ont l'air. Invisibles, immatériels presque, et pourtant capables à eux seuls de résumer une époque, une silhouette, une maison, parfois même un imaginaire entier.Le parfum fait partie de ceux-là.Dans cet épisode, Décousu remonte le fil d'une histoire aussi culturelle qu'économique : celle du lien intime entre la couture et le parfum. Car derrière chaque grand flacon se cache souvent bien plus qu'une simple fragrance : une stratégie de marque, une vision du luxe, une manière de diffuser le rêve bien au-delà des salons de couture.Aux côtés d'Elisabeth de Feydeau, historienne du parfum, nous explorons cette alliance fondatrice entre mode et parfumerie — depuis les premiers grands parfumeurs français jusqu'à l'entrée fracassante des couturiers dans cet univers au début du XXᵉ siècle. Paul Poiret, Gabrielle Chanel, Lanvin, Patou, Dior, Yves Saint Laurent, Mugler… autant de maisons qui ont compris très tôt qu'un parfum pouvait devenir bien plus rentable qu'une robe, mais aussi bien plus durable dans l'imaginaire collectif.Car si la couture habille quelques corps, le parfum, lui, permet d'habiter le monde entier.Au fil de la conversation, cet épisode interroge aussi ce que le parfum raconte du luxe lui-même : son industrialisation, sa démocratisation, sa mondialisation, mais aussi sa capacité unique à fabriquer du désir, de la mémoire et de la fidélité.Pourquoi les maisons de couture ont-elles presque toutes fini par créer des parfums ?Comment un flacon peut-il financer une maison entière ?Et aujourd'hui, que le parfum nous dit-il du secteur et de ses mutations profondes? Un sillage bien plus bavard qu'il n'y paraît...Un épisode entre histoire culturelle, stratégie économique et esthétique du désir — où l'on découvre que, depuis plus d'un siècle, le parfum est peut-être la plus discrète… mais aussi la plus redoutable des armes du luxe.Bon épisode !Retrouvez Décousu sur Instagram @decousupodcast

En este episodio de HDM repasamos todos los looks de la Met Gala, desde Hailey Bieber deslumbrando en un diseño custom de Saint Laurent, hasta Kendall Jenner apostando por una opción menos obvia de Gap Studio por Zac Posen.También hablamos del it boy del momento, Connor Storrie, en Yves Saint Laurent, y debatimos nuestros looks favoritos, los aciertos y los que no tanto. Además, analizamos las tendencias que dominaron la noche —como el cuero— y lo que nos dicen sobre el rumbo de la moda actual.

"Quand on est un homme costumier, on est un créateur. Quand on est une femme costumière, on est une couturière. Moi, je ne sais pas coudre."Anaïs Romand a créé les costumes de 49 films.Elle a redonné vie à Marguerite Duras, Charles de Gaulle, Sarah Bernhardt, Isadora Duncan ou encore Louis XVI.Nommée 9 fois aux Césars, elle en a remporté 3 en 5 ans pour Saint Laurent, L'Apollonide et La Danseuse.Formée à l'école de restauration de Rome, elle a fait ses armes auprès des grands maîtres italiens, Ezio Frigerio et Franca Squarciapino, avant de signer ses premiers costumes de films pour le cinéma français.Au micro de Céleste Touboul Durante, Anaïs revient sur sa formation italienne et son influence durable sur sa pratique, ses collaborations avec Bertrand Bonello, Guillaume Nicloux et Léos Carax, les coulisses de Saint Laurent tourné sans accès aux archives de la Fondation, et les fameux costumes lumineux de Holy Motors.Elle parle aussi avec franchise des inégalités salariales et de la méconnaissance persistante du métier de créateur·rice de costumes en France.Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence SilenzioMontage : Benjamin TouboulHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A alta-costura está em Lisboa numa exposição em que criações de Dior, Yves Saint Laurent ou Givenchy são mostradas com o melhor da coleção Gulbenkian. No Ensaio Geral desta semana, espreitamos a exposição que abre este sábado ao público. Vamos também à Culturgest visitar a retrospetiva de João Penalva, fazemos a antevisão do filme de Ivo Ferreira sobre as FP-25 e abrimos um dos livros mais lidos e premiados em Espanha, do autor David Uclés.

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In this episode of Style DNA I go on a style journey with the vintage curator, brand consultant and founder of ATELIER MAYER, the wonderfully elegant and eclectic Carmen Haid.Carmen has spent her career in the world of luxury fashion, beginning at Yves Saint Laurent before following her instinctive love of vintage — long before it became the movement it is today.She tells me she doesn't follow trends… and yet somehow always anticipates them. Drawn to pieces with history, craftsmanship and soul, her approach to fashion is entirely intuitive. Her stories of sourcing are extraordinary… from discovering a Paul Poiret coat in a crumbling house to uncovering couture treasures across the world. These are not just clothes, but pieces of history.This is a conversation about sustainability, individuality and the magic of clothes that have lived a life before us.Thank you for such a wonderful conversation @carmenhaid xx

En ce moment, La Fondation Cartier à Paris consacre un programme spécial à un événement historique de la mode: la collection "Libération" d'Yves Saint Laurent.Découvre dans cet épisode, l'histoire de cette collection qui a fait scandale.

In this episode of MyMusic, Graham Coath sits down with Sam Kellner, best known for his recurring appearances in major productions including Percy Jackson and the Olympians, Everybody Still Hates Chris, Young Royals, The Woman in the Wall, and Bunk'd, to talk about his love for and his career so far in music.Born and raised near Hamburg, Germany, Sam taught himself guitar at eleven, began producing at fifteen, and has since released more than twenty self-produced singles on Spotify. Several of those tracks have gone on to become theme songs for feature films, reflecting an artist who understands both storytelling and sonic atmosphere.As described in his IMDb mini biography by Craig Rogalski, Sam's creative journey spans acting, music and modelling, including walking at New York Fashion Week in February 2024 and appearing in a promotional campaign for Yves Saint Laurent.But this conversation goes deeper than credits.Graham and Sam explore:Growing up inspired by Michael Jackson, and why he would still choose him as his ultimate studio collaboratorEarly pop influences like Justin Bieber and how that shaped his songwriting instinctsWhy he values personal honesty over technical perfectionThe reality of being a young artist navigating TikTok, streaming culture and creative pressureHow messages from listeners studying, revising, or finding comfort in his songs keep him motivatedThere is humour too, including a confession about being spectacularly bad at archery and reflections on identity, insecurity, experimentation, and the desire to write something even more personal in the next phase of his career.From indie-leaning folk ambitions to Latin and early 2000s R&B influences, Sam is still exploring, still refining, and still open.This is a conversation about momentum, maturity, and what it means to stay curious while the spotlight grows.Listen in. Add a track to your playlist. And discover where Sam Kellner's music might take him next.

Today I am joined by Meg Hale! Meg is the founder and designer of Tutto, a brand built on the idea of creating fewer, better pieces that work hard in everyday life. Meg attended the College of Charleston and studied apparel design in Florence, Italy, where she developed a strong foundation in quality craftsmanship and timeless design. She also completed fashion internships at Neiman Marcus and Yves Saint Laurent. After college, Meg spent several years working in sales and events, gaining firsthand experience in brand building, client relationships, and operational execution. After returning to Charleston and becoming a mother, she identified a clear gap in her own wardrobe: a high-quality, washable cotton piece that could move effortlessly through a full day—from school drop-off to the beach, and dinner—without sacrificing style and comfort. Approaching the problem as both a designer and an entrepreneur, Meg has focused on perfecting the essential pieces of a woman's wardrobe. With a love of stripes and a commitment to quality and versatility, Tutto was born. Meaning “everything” in Italian, Tutto reflects Meg's belief in intentional growth and designing products that truly earn their place in a woman's closet. In this episode, Meg and I talk about why she started Tutto, the first steps to starting Tutto, the inspiration behind her clothing designs, the importance of having a hero product, and so much more! Meg's WebsiteMeg's Instagram MUSC

In Chapter 45 of The Book of Trump, Ghost welcomes Adrian of Rise Attire and Dauntless to unpack Part Two of the Darkness by Design documentary series, titled The High Priests of Culture. The discussion centers on the Rothschild Surrealist Ball of 1972 and its connection to elite influence over fashion, art, and cultural institutions. From occult symbolism and surrealist movements to figures like Yves Saint Laurent and the corporate power structures behind major luxury brands, the episode examines how culture is shaped at the highest levels. Ghost and Adrian explore the idea of a coordinated cultural degradation campaign, drawing links between high society, fashion conglomerates, and intelligence operations. They contrast this darkness with what they describe as an organic spiritual awakening, highlighting shifts in music, public discourse, and growing awareness of elite corruption. The conversation also touches on Kanye West's cultural impact, the exposure of powerful networks, and the importance of confronting evil without empowering it. Chapter 45 frames the culture war as both spiritual and institutional, urging discernment, courage, and continued exposure of the forces shaping modern society.

Aujourd'hui, je reçois l'acteur Pierre Niney qui revient en salles le 28 janvier 2026 avec le film “Gourou”.Pour suivre l'actualité au quotidien, RDV sur notre chaîne dédiée : @hugodecrypteactus‬ 00:00 Introduction02:18 Jouer le rôle d'un orateur03:48 Les coachs en développement personnel 06:21 La préparation du rôle 08:05 Être un bon acteur, c'est être un bon orateur ?09:40 Jeu : Philosophe ou Gourou ?14:30 Les séminaires et le mécanisme de l'addiction18:25 L'importance du théâtre19:44 Une rencontre clé : son premier agent 21:27 Les castings 25:41 La nostalgie de l'enfance27:23 L'importance de jouer29:51 La nouvelle générations d'acteurs 31:50 Être producteur 33:57 Le travail d'écriture36:35 Pierre Niney et YouTube38:18 Le rapport aux réseaux sociaux Vidéo produite par HugoDécrypteEntretien écrit et mené par Hugo TraversAvec la participation de Pierre NineyJournalistes : Julie Baheux, Benjamin Alberteau, Hugo TraversProductrice exécutive : Clara LesageDirectrice de production : Marie DelvalléeChargés de production : Clément Chaulet, Fiona GouzeAssistante de production : Amandine BarAdministratrice de production : Sterenn HallCadreurs : Noé Périquet, Vanon BorgetIngénieure du son : Inês Dos SantosMaquilleuse : Kim DesnoyersMonteur : Alexandre SouberyandÉtalonnage : Vanon BorgetMixage : Florent SimonMiniature : Doryan HinckerCrédits musiques : ArtlistCrédits images : Abaca - Gourou, Yann Gozlan (2026) - Boîte noire, Yann Gozlan (2021) - Five, Igor Gotesman (2016) - LOL, Lisa Azuelos (2009) - Le Comte de Monte-Cristo, Alexandre de La Patellière et Matthieu Delaporte (2024) - Yves Saint Laurent, Jalil Lespert (2014) - 20 ans d'écart, David Moreau (2013) - Un homme idéal, Yann Gozlan (2015) - Mascarade, Nicolas Bedos (2022) - Sauver ou périr, Frédéric Tellier (2018) - La Flamme, Jonathan Cohen, Jérémie Galan et Florent Bernard (2020) - OSS 117 3, Nicolas Bedos (2021) - Goliath, Frédéric Tellier (2022) - Casting(s), Pierre Niney et Ali Marhyar (2013) - Le loup de Wall Street, Martin Scorsese (2013) - Magnolia, Paul Thomas Anderson (1999) - Grandeur et Décadence, Buster Keaton (1922) - Madame Doubtfire, Chris Columbus (1993) ) Face Cachée, HugoDécrypte (2022) - @Tony Robbins - PathePLANIPRESSE HD MEDIA / UNFOLD PRODUCTION 2026 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Podobno tylko ona była w stanie sprawić, by Yves Saint Laurent i Karl Lagerfeld na chwilę zakopali topór wojenny. Dla projektantów jest muzą i inspiracją, dla francuskiej bohemy – hipnotyzującą postacią, której udało się uwolnić od ciężaru wielkiego nazwiska. Dziś o Palomie, córce Pabla Picassa i Françoise Gilot, mówi się jako o artystce, bizneswoman i ikonie stylu. Kolekcję na wiosnę-lato 2022 zadedykował jej dyrektor kreatywny Saint Laurent Anthony Vaccarello, przypominając tym samym o wyjątkowej relacji, jaka niegdyś łączyła ją z legendarnym kreatorem, a następnie także Jacquemus odnosząc się do jej ikonicznego portretu autorstwa Helmuta Newtona. Autorka: Michalina Murawska Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/paloma-picasso-historia-zycia-corki-picassa

durée : 00:11:07 - Le Fil de l'histoire - par : Stéphanie Duncan - Le 30 janvier 1958 marque un tournant dans la haute couture, avec l'arrivée d'un petit nouveau : Yves Saint-Laurent. - invités : Olivier SAILLARD - Olivier Saillard : Historien français de la mode. - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Terry est la créatrice de la magnifique marque de maquillage et de soin By Terry.Ici, Terry nous raconte son parcours, ses débuts comme maquilleuse de studio, puis sa grande carrière chez Yves Saint Laurent et la création de sa marque By Terry. Terry nous parle aussi de sa vie de femme et de maman avec ses 4 enfants, et souvent 7 en comptant ceux de son mari. Terry a 70 ans et elle nous donne envie d'avancer et de traverser les prochaines étapes de la vie avec tant de joie, d'énergie et de vitalité.Musique : Stolen Heart - Henry and the WaiterRetrouvez-nous sur Instagram https://www.instagram.com/sea_view_media?igsh=bGg1bjZ6YzMwdnBvHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Terry est la créatrice de la magnifique marque de maquillage et de soin By Terry.
Ici, Terry nous raconte son parcours, ses débuts comme maquilleuse de studio, puis sa grande carrière chez Yves Saint Laurent et la création de sa marque By Terry.
Terry nous parle aussi de sa vie de femme et de maman avec ses 4 enfants, et souvent 7 en comptant ceux de son mari.
Terry a 70 ans et elle nous donne envie d'avancer et de traverser les prochaines étapes de la vie avec tant de joie, d'énergie et de vitalité.Musique : Stolen Heart - Henry and the WaiterRetrouvez l'épisode complet Dimanche soir.Retrouvez-nous sur Instagram https://www.instagram.com/sea_view_media?igsh=bGg1bjZ6YzMwdnBvHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

¿Sabías que España es el 5º mercado europeo de perfumería y cosmética y el 2º exportador mundial de perfumes (después de Francia)? En un país en el 94,6 % de la población utiliza perfume con mayor o menor frecuencia y más de la mitad lo usa a diario queremos analizar el boom de este producto de belleza que tiene, en la Generación Z, a su mejor público. De todo esto y mucho más hablamos en el episodio de hoy con el experto en perfumes Daniel Figuero, que publica la tercera edición de su libro Contraperfume, un básico para todos los que nos apasiona el mundo de las fragancias: Daniel Figuero, psicólogo de formación, ha trabajado en Sephora, Yves Saint Laurent, Dior y, ahora, Loewe. Autor del libro ‘Contraperfume’, publica su tercera edición. See omnystudio.com/listener for privacy information.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Mohamedek között, Keith Richards és Yves Saint Laurent nyomában. Igazság és hitelesség a belső sávban. Nyelvtudomány és esztétikai terror. Pápázás. Tusfürdőmaffia a siralomházban. 00:23 Mohamedek között fagyláros havában. Black novemberre Alza-napok. Ez már a copywritereknek is sok.06:21 Keith Richards és a beat-generáció Marrakesben. Egykor érdekes helyek elturistásodása. Rövidnadrágban 20 fokban.12:47 A Docker robogó. Marrakes gyalog. Marrakes szezonon kívül.16:50 Bipoláris állapotok és stabilitás.20:29 A marokkói-amerikai kapcsolatok dicső múltja. Igazság és hitelesség Marokkóban.23:04 Olvasói levél: Siralomház. A Kisfogház Emlékhely.26:40 Olvasói levél: Kálmán László nyelvészeti elvei. Nádasdy Ádám és a szép napot. Fejes László és a hanti nyelv.32:17 Nem nyelvészet, stílus! Van, ami műveletlenség. Aki nem tud liberálisul, ne beszéljen liberálisul. Tamás Gáspár Miklós, mint stílusrendőr.40:30 Olvasói levél: jobbra tartás és kategorikus imperatívusz. Amikor Barangó keresztényeket irtott karácsonykor. A hat ember, aki élőben hallotta. Barangó: Nincs mentségem. M. Giorgio Richárd. XIV. Leó és a palesztin állam. A katolikus egyház baloldalisága Észak- és Dél-Amerikában.47:05 A nemzetközi tusfürdő-maffia.50:05 A marokkó.See omnystudio.com/listener for privacy information.

Cet épisode propose la captation de l'échange entre Joana Granero Sánchez, fondatrice de Fashion & Cinema et Jürgen Doering, créateur de costumes, après la projection de La femme la plus riche du monde au Cinéma du Panthéon, le 24 novembre dernier. Comment habille-t-on la femme la plus riche du monde à l'écran ? Comment collabore-t-on avec l'icône de mode et cinématographique qu'est Isabelle Huppert ? Quel rôle jouent les couleurs dans ce film ? Comment créer une garde robe luxueuse avec un budget limité ?Autant de questions auxquelles Jürgen Doering a répondu avec humour et générosité. Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence Silenzio Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

En esta edición de Radar Empresarial abordamos las crecientes especulaciones sobre una posible compra de Puma por parte de la compañía china Anta Sports. En numerosas ocasiones, son los rumores los que activan el movimiento en los mercados, y este en particular podría generar un importante cambio dentro del sector de la moda deportiva. De acuerdo con información publicada por Bloomberg, Anta —que en volumen de negocio se sitúa justo detrás de Adidas y Nike— habría iniciado contactos con un asesor financiero para estudiar la presentación de una propuesta formal de adquisición, lo que supondría un paso decisivo en su estrategia de expansión global. El mayor freno a esta potencial operación estaría en manos de los accionistas de referencia de Puma: la familia Pinault. Este grupo empresarial, propietario de firmas de lujo como Gucci o Yves Saint Laurent, controla cerca del 29% de las acciones de la compañía alemana, y según señala Bloomberg, su posición sería uno de los principales desafíos para que la negociación llegara a buen puerto. No obstante, no es la primera vez que surge la posibilidad de una venta. El pasado agosto, tras registrarse pérdidas cercanas a los 250 millones de dólares durante los primeros seis meses del año, el mismo medio apuntó que los Pinault podrían estar dispuestos a escuchar ofertas, entre ellas las de Anta Sports y la también china Li Ning. A pesar de que en aquel momento Puma había recortado previsiones por la presión de los aranceles, sus propietarios optaron por mantener la confianza en los resultados de los siguientes periodos. Sin embargo, los datos más recientes no han acompañado esas expectativas: en el tercer trimestre de 2025 la firma reportó un descenso del 10% en sus ventas. Este retroceso podría abrir una ventana de oportunidad para Anta, cuya notoriedad internacional se disparó tras los Juegos Olímpicos de Pekín 2008, evento que consolidó su presencia global y la situó como patrocinadora oficial del equipo olímpico chino, también en Londres 2012. Consciente de la importancia del impacto mediático, Anta Sports ha apostado por vincular su imagen a figuras deportivas de alto perfil. Aunque ya contaba con nombres como Manny Pacquiao o Simone Biles, fue en la NBA donde la marca encontró su mayor impulso. Kevin Garnett fue el primero en abandonar Adidas para firmar con la empresa china, seguido por Rajon Rondo y, posteriormente, por Klay Thompson, cuatro veces campeón con los Golden State Warriors, quien se convirtió en uno de sus embajadores más influyentes.

Yves Saint Laurent et Pierre Bergé se rendent pour la première fois en vacances à Marrakech. Là bas, après plusieurs jours de pluie, alors que le soleil revient, ils ont comme un choc. Un choc esthétique à la vue des jardins luxuriants et des maisons ocres, surplombés par les monts enneigés de l'Atlas. Ils se sentent incroyablement bien, en écoutant le chant des oiseaux et en sentant l'odeur du jasmin. Ils décident immédiatement d'y acheter une maison et d'y revenir plusieurs fois par an. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

Ils formèrent le couple le plus iconique de l'histoire de la mode. Yves Saint Laurent et Pierre Bergé écrivirent ensemble, pendant 50 ans, une page de l'histoire de la haute couture et du prêt à porter. Ensemble ils traversèrent les infidélités, les excès, les jalousies. Leur secret résidait peut être dans leur amour commun pour les Arts. Une histoire de génie, d'angoisses et de couleurs. Une histoire d'amour. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

In hour four, Hoch is a big Yves Saint Laurent guy. River Cracraft revenge game vs Miami incoming. Doug Plagens joins the show live at the Amerant Bank Arena.

Episode 499 / Claudia WieserClaudia Wieser is a German artist based in Berlin. Her work has been the subject of solo exhibitions at The Drawing Center, New York; the Contemporary Art Museum, St. Louis, MO; and Smart Museum, Chicago, IL. Her work has been included in recent group exhibitions at the Katonah Museum of Art, Katonah, NY; the Anderson Collection at Stanford University, CA; the Hamburger Bahnhof, Nationalgalerie der Gegenwart, Berlin Germany; Asia Culture Center, Gwangju, South Korea; Contemporary Arts Center New Orleans; Museum für Moderne Kunst, Frankfurt; and Marta Herford Museum for Art, Architecture, Design, Herford, Germany. Wieser's work included in a number or prominent public collections, such as the Contemporary Art Collection of the Federal Republic of Germany; Collection of the Berlin State Museums, Neue Nationalgalerie, Sammlung Goetz, Munich; Deutsche Bundesbank Kunstsammlung, Frankfurt; Mercedes-Benz Art Collection, Germany; K21-International Contemporary Art Collection of the Kunstsammlung North Rhine-Westfalia; the Anderson Collection, Stanford University, CA; the William Louis-Dreyfus Foundation Collection; and the Louiand Zabludowicz Collection, London. She has produced large-scale, site-specific commissions for Dior in Vienna, Paris, and Beverly Hills, the Cleveland Clinic in Ohio, and the City of Munich. In July 2021, Wieser unveiled her first outdoor public installation, commissioned by Public Art Fund, at Brooklyn Bridge Park in New York. In 2023, she presented work in collaboration with historic Yves Saint Laurent couture, designing a set and exhibiting her work at the Museé Yves Saint Laurent, Paris. In 2020 she collaborated with Hérmes to design a catwalk for Paris Fashion Week. She recently completed an outdoor installation at the Stavros Niarchos Foundation Cultural Center in Athens. Claudia earned an MA in Painting and Sculpture from the Academy of Fine Arts, Munich. She lives and works in Berlin. She just opened a solo show at Marianne Boesky gallery. 

You could hear episode early and get access to our Rick Owens "Temple of Love" Giveaway by subscribing to our HeroHero! Michael's back! Michael's back! Sit down as Sol catches up with his work husband and chat about Rick Owens, Helmut Lang, Stone Island, CP Company, Balenciaga, Adidas, Italian fashion, the downfall of tourism, Issey Miyake shirts, Margiela, Margiela Couture, Glenn Martens, Off-White hoodies, the now-defunct Pyrex vision, Virgil Abloh, LL Bean and Eddie Bauer, popular fashion trends as a result of internet engagement (Rick Owens shoes, Chrome Hearts rings, Yeezy Gap), Paris Fashion Week 2025, post-modern fashion, athleisure and the rise of synthetic fabrics, how TikTok fashion changes how we dress, The 1975, and so much more!We hope you enjoy the episode!Sol--Ignore these tags:streetwear, men's streetwear, urban fashion, hypebeast, sneaker culture, sneakerhead, men's outfits, outfit inspiration, vintage streetwear, thrifted fashion, street style, fashion trends, TikTok fashion, Instagram fashion, Gen Z style, capsule wardrobe, men's accessories, unisex fashion, oversized clothing, logo tees, baggy jeans, statement sneakers, graphic hoodies, layering, street fashion brands, everyday streetwear, athleisure, skate style, music and fashion, street culture, global menswear, Rick Owens, Maison Margiela, Balenciaga, Vetements, Chrome Hearts, Vivienne Westwood, Yohji Yamamoto, Issey Miyake, Givenchy, Saint Laurent, Yves Saint Laurent, Bottega Veneta, Junya Watanabe, Undercover, Kapital, Salomon, geobaskets, gorpcore, techwear, streetwear, athleisure, haute couture, archive fashion, thrifted, grailed, legit check, Carti aesthetic, opium style, Rick Owens reps, DHgate haul, Pandabuy Sol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

In this episode of Style DNA I go on a thrifting style journey with the British stylist, editor, author and long-standing champion of second-hand fashion the brilliant Bay Garnett. Often called the “Queen of Thrift”, she is known for her eclectic, vintage-infused styling and her belief in the creativity and sustainability of re-wearing clothes… yes to that! She started her career working on Cheap Date magazine where she worked on the second hand fashion advertising pictures, changing the font from high designer names to thrift stores and charity shops ( Salvation Army replacing Yves Saint Laurent, Cancer Care Calvin Klein, and so on). Her witty irreverent spreads were spotted by the editor of British Vogue Alexandra Shulman who invited Bay to work on the magazine's first charity shop fashion shoot and become a contributing Fashion Editor. Bay approached her good friend and thrifting buddy Anita Pallenberg to help her pull some looks together for Jurgen Teller to shoot Kate Moss in…the iconic shoot is often referenced by designers and creatives to this day. She went on to use vintage in all fashion shoots moving forward over 25 years. Working with photographers from Bruce Weber, Jurgen Teller, Tom Craig, Glen Luchford and Craig McDean.  In 2016 she became an Independent Fashion Advisor at Oxfam and styled their first runway show, Fashion Fighting Poverty. In 2019 she Co- founded Second Hand September with Oxfam… the first campaign starred Stella Tennant and her daughter Iris, and then following year, Michaela Cole, then Sienna Miller and a new face each year.  She is a true champion of second hand style … she tells me that a shocking 13 million pieces of clothing goes into British landfill A WEEK…food for thought… She shares her thrifting tips with me…it can be pretty intimidating to go thrifting if you have never given it a go. She is also the author of Style and Substance: Why What We Wear Matters (2022), a collection of essays exploring the deeper meaning of fashion and clothing. It is a beautiful and thought provoking book which I have enjoyed dipping in and out of. SOPH CAN WE LINK TO AMAZON? She is now working with Smartworks …the most amazing charity to help women prepare for interviews by assisting them with what they will be wearing (they have stylists on hand to guide them through the process), as well as helping them with interview techniques and then gives them several outfits once they have the job to set them on their way. Bay has been invited by Bicester Village to create her ultimate charity shop (open now for the next month). She has sourced everything and all the money goes to Smartworks…bravo! If you are nearby over the next month do pop in and check it out…you may even get the chance to meet her. We talk about age being a consideration as to how we dress…and some style hacks for remaining cool as the years tick by…funnily enough she is also a fan of a good belt! I hope you enjoy this episode. Thank you @baygarnettt for being such a great guest xx

Elisa Rovesta"Fashion Outsider"Oligo Editorewww.oligoeditore.itFashion Outsider è un viaggio nelle vite straordinarie di personaggi iconici che hanno lasciato un segno indelebile, non limitandosi a seguire le mode, ma stravolgendole e reinventando qualcosa di nuovo. Incontreremo artisti come Frida Kahlo e Salvador Dalì, designer come Piero Fornasetti e i fratelli Castiglione, stilisti come Elsa Schiapparelli, Coco Chanel e Yves Saint Laurent, ma anche star della musica come Madonna e Micheal Jackson. Storie di legami e amicizia, ribellione e creatività, per comprendere come l'arte, la moda e il costume siano sempre una sfida alle convenzioni.Vite straordinarie che hanno lasciato un segnoUn viaggio nella moda, nel costume e nell'arteElisa Rovesta è da sempre affascinata dalle mode e dai costumi della società. Specialista in brand, stile e tendenze, ha pubblicato una trilogia dedicata alla contemporaneità e alle dinamiche umane, raccontando con ironia, stile e profondità i piccoli e grandi movimenti del nostro tempo (Fatti di umani, Umanistili e una ballerina sulla luna, Umane-stelle, NFC). Per Panorama.it cura la rubrica Stili Umani. Scrive per il corner Contemporanea attitude di Prometeoliberato.com in cui osserva con intelligenza e leggerezza le trasformazioni della società.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Lauren is joined by writer and stylist Becky Malinsky to discuss Paris Fashion Week, starting with Yves Saint Laurent and leading all the way up to Chanel. They break down Matthieu Blazy's first collection for Chanel, look by look, piece by piece, song by song, and highlight some of their favorite moments of the week, including Pieter Mulier's Saturday morning pick me up at Alaïa, Michael Rider's optimistic Celine outing, and plenty others. They also share a retail report—from Charvet and Phoebe Philo to the newly opened Rubirosa—and serve a couple Milan leftovers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Der Kreativdirektor von Chanel lernte an der Modeschule in Brüssel, ebenso der Chefdesigner von Yves Saint Laurent. Noch berühmter ist die Modeschule in Antwerpen, die die Modewelt revolutioniert hat. Warum gerade Belgien? Autorin: Sabrina Fritz Von Sabrina Fritz.

Welcome back to Your World of Creativity, the show where we dive into the minds of creative leaders around the globe. I'm your host, Mark Stinson. Today, we're exploring the intersection of creativity, branding, and personal growth with someone who's built unforgettable brands from the ground up.Our guest today is Judy Winslow, known as The Brandologist. With more than three decades of experience in marketing and branding, Judy's helped Fortune 100 companies and visionary entrepreneurs build powerful brands that leave lasting impressions. She's the author of Ignite Your Faith and Third Act Encore, and she brings a unique blend of marketing strategy, personal development, and innovation to her work.Judy's Website @jWINSceoPRO on Instagram Judy's Facebook page 1. The DNA of a Memorable Brand“Judy, your clients often come to you seeking that ‘it factor'—something to make their brand unforgettable. In your experience, what are the key ingredients that turn a brand into an emotional, authentic, and lasting connection with its audience?”2. Aligning Purpose with Profit“You often say that it's a disservice not to share your unique gifts with the world. How do you help clients align their purpose and passion with a profitable brand strategy, especially in industries like health, wellness, and personal development?”3. Standing Out in a Crowded Market“In a world of endless noise and digital clutter, what's your advice to someone trying to get their voice heard and their brand noticed—without falling into gimmicks or losing authenticity?”4. Building the Brand from Within“You've said that confidence and clarity are crucial in brand-building. How do you guide individuals—especially solopreneurs or creatives—through the inner work of discovering their true gifts and strengths?”5. The Brandologist's Legacy: What Lasts?“You've worked with icons from Cover Girl to Yves Saint Laurent and now with inspired entrepreneurs. What have you learned about the evolution of branding—and what do you think it takes to really leave a legacy?”This episode was brought to you by White Cloud Coffee Roasters—because bold ideas deserve bold coffee. Get 10% off your first order at WhiteCloudCoffee.com with the code CREATIVITY at checkout.Be sure to subscribe, rate, and review Your World of Creativity on your favorite podcast platform. And join us again next time as we continue unlocking your world of creativity.J. Winslow is “The Brandologist”, developing strategies to build your business & life. With 3+ decades of experience and a 93% success rate, she's won numerous awards, co-founded a marketing firm in NYC working with Fortune 100s to start-ups, founded TEDxSarasota and is an International Best Selling author and speaker. Her global roster of CEOs and Founders focuses on impactful innovation, leadership and brand expansion. She's appeared on ABC TV, SmileJamaicaTV and is a frequent podcast guest.

Cet épisode est présenté par Squarespace.Vous voulez lancer votre marque, votre projet ou votre portfolio ?Squarespace est l'outil que j'aurais rêvé d'avoir à mes débuts : templates élégants, boutique en ligne intégrée, paiement sécurisé, gestion des stocks, emailing, optimisation SEO… tout en un, sans développeur et sans prise de tête.Essayez 14 jours. -10 % avec le code BOLD → squarespace.com/BOLD

REDIFF - Cheveux blancs, catogan, col relevé, mitaines, lunettes noires, look toujours impeccable et petit accent allemand... Karl Lagerfeld aura marqué le monde de la haute couture comme rarement. Mais avant de devenir le Kaiser de la mode que l'on connaît tous, il aura fallu du temps... Surtout face à l'autre grand génie de la couture de l'époque, Yves Saint Laurent. Tous deux ont été de grands amis avant de devenir frères ennemis. Une rivalité autant professionnelle que personnelle... Qui était Karl Lagerfeld dans l'ombre ? Comment est-il devenu le couturier le plus célèbre au monde ? Et quel impact sa rivalité dévorante avec Yves Saint-Laurent a-t-elle eu sur sa vie ?Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Leticia Vaquero y Sergio Crespo recuerdan al diseñador de moda francés.

Christine Van Der Hurd is the founder of the iconic textile and rug studio Vanderhurd. After graduating from Winchester School of Art, she moved to New York in 1977 and quickly immersed herself in the city's creative underground—spending time with Robert Mapplethorpe, Annie Leibovitz, and the Studio 54 crowd.She began her career designing prints for fashion houses like Yves Saint Laurent and Liberty of London. Her work soon caught the attention of design legends like Angelo Donghia and Jack Lenor Larsen, leading to large-scale commissions for custom rugs and textiles. Over the course of her 50-year career, Christine has collaborated with some of the most distinguished designers in the industry. In 2024, House & Garden honored her with its Lifetime Achievement Award.On this episode of the podcast she speaks with host Dennis Scully  about what it was really like arriving in New York in the late '70s; how she learned to speak up for her business interests while working alongside her husband; and why designers like Kit Kemp and Rita Konig bring her in—not just to source– but to help shape their most important projects.This episode is sponsored by LoloiLINKSVanderhurdDennis ScullyBusiness of Home

ODYSSÉE | SAINT JEAN CAP FERRAT: A CURATOR'S SKETCHBOOK BY BILLY ZANE & DIANE DETALLEThis beautifully crafted book offers a unique glimpse into the creative process behind curating some of the most exquisite exhibitions. The two-person exhibition, ODYSSÉE, took place at the Neptune Gallery on the historical port of Saint Jean Cap Ferrat, celebrating the city's 120th anniversary. The city, rich in historical creativity, inspired the likes of Winston Churchill, Jean Cocteau, Picasso, Henri Matisse, Chagall, Chanel, Yves Saint Laurent, Elizabeth Taylor, Charlie Chaplin, and many more on the beautiful ports of the French Riviera.Through a blend of insightful diary notes from international curator Rachel D. Vancelette and stunning artistic imagery from contemporary artists Diane Detalle and Billy Zane, readers are invited on a captivating journey through the exhibition, celebrating the picturesque and vibrant influence of Saint Jean Cap Ferrat. Perfect for art lovers and aspiring curators alike, this unique collector's edition is a testament to the passion and vision that drive the art world.Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

I veckans program ska vi glänta på dörren till några konstnärsgarderober och titta närmare på hur deras kläder inspirerat inte minst modeskapare. Lyssna på alla avsnitt i Sveriges Radio Play. Det är inte bara själva konsten som satt fart på fantasin hos designers. Som Piet Mondrian hos Yves Saint Laurent, Salvador Dali hos Elsa Schiaparelli eller Andy Warhol hos Gianni Versace, bland många, många andra. Inspirerat har också deras kläder och personliga stil gjort.I programmet träffar vi galleristen och vernissageveteranen Björn Wetterling. Han har arbetat med några av de största namnen i konstvärlden och har en hel del att säga om hur det står till med kläder och stil bland konstnärer. Och så pratar vi med den brittiska modejournalisten Charlie Porter som skrivit boken What Artists Wear. I den undersöker han vad vi kan lära oss om konstnärernas liv och verk om vi rotar runt i deras garderober.

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

This time we get to meet Jocelyn Sandstrom, my first podcast guest from Hawaii. Jocelyn was born and raised in Hawaii. Tt the urging of her mother, she took her first modeling job when she was sixteen. As she tells the story, she grew up quiet and pretty shy and she didn't have a great deal of confidence in herself. After high school, modeling became her full-time career. She says that the urging and support of her mother caused her to make some of the best decisions in her life. Modeling, she tells us, brought her out of herself. She traveled to 12 countries over a 20-year modeling career. She loved every minute of the experience.   In 2003 she began thinking that she wanted to help others deal with their confidence and career issues. By 2010 she decided that she was experiencing burnout as a model and changed to a coaching career that, in part, helped others to recognize burnout and deal with it. Jocelyn provides us with some good life pointers and lessons to help us change our mindset from the usual negative “I have to do this” to a more positive view “I get to do this”. I leave it to her to tell more.   Jocelyn does offer many insights I am sure you will appreciate. Over her 15-year coaching career she has become certified in several disciplines, and she uses them to teach her clients how to shift their careers to more positive and strong efforts going forward.       About the Guest:   Growing up in Hawaii, Jocelyn has lived and worked in 12 different countries. This experience has allowed her to realize that even though we may speak different languages or have different traditions, at our core, we are all the same. She has used this knowledge to help and support clients around the world in creating next-level success not just in their careers but in their personal lives as well.    Since 2010, she has been providing Quantum Energy Sessions and teaching Neuro-Linguistic Programming, Neurological Re-patterning, and the Millennium Method to clients globally. In 2022, she founded Wellness and Metaphysical, a community-driven platform that promotes a higher level of consciousness through expos and retreats.   Jocelyn's mindset and energy work have propelled her career, allowing her to work with leading global luxury brands like Louis Vuitton, Gucci, Fendi, Cartier, Tiffany & Co., Christian Louboutin, and Yves Saint Laurent, among others. She has been featured on the covers of Elle, Marie Claire, Esquire, Harper's Bazaar, and more. Alongside her husband, she has hosted two travel shows and appeared in various feature and short films. After creating a career beyond her wildest dreams through quantum manifestations, her passion is to now help others do the same, whether it's business, health, relationships, or any aspect of life.   Jocelyn specializes in helping clients release deep-rooted issues from their past that are holding them back. She supports clients in building not just success but also fulfillment at the same time because success without fulfillment is empty, leading to burnout and anxiety. She supports her clients to discover their authentic truth and share that with the world, magnetizing their energy to start attracting people and opportunities out of the blue, enabling them to fall in love with themselves and their life while creating more success than ever before!   Jocelyn is a certified:   Neuro-Linguistic Programing Advanced Practitioner + Teacher Neurological Re-patterning Practitioner + Teacher Ericksonian Hypnosis Practitioner + Teacher Millennium Method™ Practitioner + Teacher Yuen Method™ Practitioner Reiki Practitioner.   Ways to connect Jocelyn:   Instagram https://www.instagram.com/jocelynlukosandstrom/?hl=en Facebook https://www.facebook.com/jocelyn.lukosandstrom/ LinkedIn https://www.linkedin.com/in/jocelyn-luko-sandstrom-4789882a/  Website www.jocelynsandstrom.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Jocelyn Sandstrom ** 01:56 Thank you so much, and I do hope you come back again. It's such an honor to be on your podcast. Well, it's   Michael Hingson ** 02:02 been a while. It's only been 15 years since I've been there, and it is time to come back, but my wife passed away, and so it's kind of not nearly as fun to come alone, unless, unless I come and people keep me busy over there, but we'll figure it out.   Jocelyn Sandstrom ** 02:17 Yes, I'm so sorry about your wife, and if you want, I will show you around here.   Michael Hingson ** 02:24 Well, we'll have to make something happen. We'll just, we'll just do it. Yes, but I'm really glad that you're here. Um, Jocelyn is an interesting individual, and by any standard, she is a we're a neurological repatterning practitioner plus teacher. She has a lot of things. She does neuro linguistics. She is also a Reiki Master and practitioner, and just a number of things, and we're going to get to all of that, but I want to, again, welcome you and really glad that you're taking the time to be with us instead of being with clients, with all the things that you do.   Jocelyn Sandstrom ** 03:11 Thank you so much for your time. I love your podcast and everything, all the messages that you're bringing out onto the world.   Michael Hingson ** 03:17 Well, thank you. It has been a lot of fun to be able to do it and continue to do it, and we're having a lot of fun doing it, so I can't complain a whole lot about that. It's just a lot of fun. And I as I tell people, if I'm not learning at least as much as everybody else, then I'm not doing my job right. So I'm really glad that I get to learn so much from from people as well. Well, why don't we start, as I love to do, with learning about the early Jocelyn, growing up and all that sort of stuff.   Jocelyn Sandstrom ** 03:49 Well, I did grow up in Hawaii, and I, like every a lot of people, we went through a lot of growing pains. I had a lot that I did grow through, and it wasn't until I started my first contract overseas when I was 16 that life shifted for me, and I started to find my people and started to come into my own, get you know, transcending above the bullying and everything that happened in childhood. And then I lived overseas for about 20 years and moved home in 2016 to be with my family again.   Michael Hingson ** 04:29 So where did you live for those 20 years? I lived in   Jocelyn Sandstrom ** 04:31 12 different countries around the world. Um, I absolutely for me, it was I just loved exploring different cultures. It wasn't like going on vacation, to me, is amazing, but going to a place, living there, working with the people, learning the culture, learning the different ways that they work in, you know, speaking like the languages I only you know, spoke a very little bit of each language, just like taxi language, right? Um. And then just immersing into the culture, just the food tastes different in every place as well. Like it could be the same thing, but it just tastes different. Life is so different. And for me, that was my passion, really, to just immerse into different cultures, different parts of the world, different parts of me as well. Because every time I went to another country, I became a different person. There was another side of me that got ignited that I didn't even know was there. And so I got to not only discover myself, but I got to discover the world.   Michael Hingson ** 05:30 What made you go to so many different countries? What started all that?   Jocelyn Sandstrom ** 05:35 Well, I was modeling so I was able to do contracts in different countries. And so whenever I wanted to go to their country, I just contacted an agency there, and I got a contract and went and so basically, the world was my oyster. And I just said, Where do I desire to go next? And then Khan reached out. Instead of waiting for someone to come to me, I reached out to that, you know, to agencies over there and got a contract and went over. So I've never, once I started that. I've never been one to sit around and wait for things to kind of come to me. It's always been this is what I desire. So now let me go and create that to happen. And that's how I created my last career to be so successful. And there's so many things that I learned along the way that not only can you use that, but also to do it in a way that doesn't burn you out. And so that's my passion now, is to help people to build success and fulfillment, not just the success. Because I had burnt out pretty bad, and I in hindsight, if I had done it differently, I probably could have built it even bigger without the burnout. And so that's my passion now, and that's how I built this career, is through that fulfillment and success at the same time, so that it's so fulfilling, as well as creating next level results.   Michael Hingson ** 06:59 Did you go to college? Or did you go from high school into modeling?   Jocelyn Sandstrom ** 07:03 I went straight in. What   Michael Hingson ** 07:06 started you with that? My   Jocelyn Sandstrom ** 07:08 mom, of course, it's always your mom, right? Of course, because I was very shy, and like I said, I went through a lot growing up, through bullying and all of this. So for me, it was like the best blessing that's ever happened. For me, I was very scared, but I knew that I wanted to explore and try, and it brought me out of my shell. It brought me to my people. It was the first time that, you know, people like, wanted to hear what I had to say, really, like, they were fascinated. And I was like, what, you know, and again, again, what I realized, now after all this time, is I had a perception growing up here in Hawaii, so necessarily, I've been finding out that not people did not have that same perception that I had about myself. I realized I was almost the one that was not coming out of my shell fully, and therefore it was hard to connect, I think, and people have a different perception of me. So looking back on my childhood now, when I say bullying, yes, there was bullying and there was, you know, but overall, there were also things that I perceived in a way that wasn't necessarily true for other people, because I would run into them and they'd remember me, and they'd have remember a different version of me, and I'd be like, it's, you know? And so I realize now how much I actually also held my back, held myself back, and, yeah, well,   Michael Hingson ** 08:39 did that affect your modeling career, because I would think as a model, you'd have to be reasonably outgoing and be able to work in a variety of different kinds of situations.   Jocelyn Sandstrom ** 08:49 I think it was what helped me to be resilient growing up through the hardships of what I went through, you know, with relationships and everything. That's what got me to be resilient, to stick it out. Because not everybody does stick it out. Because there is a ton of rejection, there is a ton there is a ton of things that you're going through at a very young age. My first contract was when I was 16 in high school during the summer, and so to be able to handle obviously, you know, there's a lot of not so nice things in the industry as well, too. So to be able to handle that, I think that came from everything that I grew through as a child, as well as my mom's support, because she was the one, the one thing that was stable throughout my life, where I would always call her, because I was living in so many different countries, I think you know, she was my best friend, and so that, and living in all those different countries helping me to be so resilient, is what Korea helped me to create this business to be so success, successful as well,   Michael Hingson ** 09:55 what some of the countries that you stayed in went to, well, some. Of   Jocelyn Sandstrom ** 10:00 my favorite I started in Tokyo, and then I went to Korea, Sydney, Milan, Hamburg, London. I did live in New York for a little while, Taiwan, China, you know, like, there's so many different places. Like, some of my favorites definitely were Tokyo, because that was and Hong Kong was where I spent most of my time at the end. And I, of course, loved Milan and Sydney as well as London as well too. And of course, New York is just Memphis.   Michael Hingson ** 10:33 I enjoy Tokyo. I've been to Japan twice, not for long periods. Well, the second time, actually, I guess the third time I've been there three times, and the last time was when we did work with the Japanese publisher of my first book, Thunder dog. And we were there for almost two weeks. It was a lot of fun, but mostly I spent time around Tokyo until thunder dog, and then we were all over Japan. But it was very enjoyable. What I really remember the first time I went to Japan. We were over there about four days, I tried to eat very healthy, um, although I had ice cream with every meal, because they insisted, and all that, when I came back, I had lost my pal. I can't believe it. Wow. I know that didn't happen the second and third time, but I didn't gain weight either, so it's okay, but I really enjoyed Japan. I've been to Korea. Enjoyed that as well. Not been to Australia. I'm still want to go. I've been to New Zealand, but not Australia. Yeah.   Jocelyn Sandstrom ** 11:36 Australia is an amazing place, the people, the food, just the lifestyle,   Michael Hingson ** 11:43 yeah, yeah. And it is, of course, so different because it's on the other side of the equator. So right now they're getting into their summer season.   Speaker 1 ** 11:52 Yes, yes, absolutely. So it's pretty   Michael Hingson ** 11:55 cool. Was your mama model? Is that what got you guys to get you into it or No, no, she just, she just thought it was good for you,   Jocelyn Sandstrom ** 12:04 huh? Yeah, exactly. And thank goodness she did, because, honestly, it was the thing that got me out of my shell. It like for me to go and live in Tokyo when I was 16 during the summer. It showed me that high school wasn't everything, because I was so consumed by, you know, school kids and the cool kids and not being cool and all of those things. And when I went over there, I realized, wow, there is a whole other world outside of this. And it completely changed my life. And so when I came back, I didn't relate to everybody in the same way. I wasn't so consumed with everything, because I knew what was waiting for me. I knew that there was so much more to explore and to experience. So it really was the thing that completely changed my life, and I will always be grateful for that on how it allowed me to grow and through the years, I grew through that. Like each contract I did, I grew, I stretched myself, each country that I went to, where I didn't know anybody except for the agency, and lived, you know, with new people, and had a map that they would give you, and you'd have to go and find your castings on your own, before we had Google Maps, using a paper map, and just, you know, walking down the street and looking for the places like it just stretched me in so many beautiful ways. And I wish everyone could go through that experience. Because when you put yourself into places where you stretch, you just you access the strength that's actually within you. It's just compounding your resilience and your power and your knowing within yourself, and that's what makes you unstoppable. When you know you can do all those things and you've done all those things, the next step is that much easier because you've already done it.   Michael Hingson ** 13:56 Yeah, um, there's so many ways of stretching and growing. I was just reading an email from someone I'm the vice president on the board of directors of the Colorado Center for the Blind, which is a training center that teaches newly blinded people or people who are losing their eyesight, teaching them blindness techniques and teaching them that blindness isn't the problem. It's really our attitudes about it. And one of the things, if you go to the center and take advantage of the full residential program, one of the last things that you have to do is you are dropped off somewhere within some sort of walking distance of the agency itself. But that could be a couple miles Well, it may not even be just a couple miles away. It may be that you're further, but you have to figure out where you are and get back to the center. And you can only ask one question of the public, so it's all about you learning to use your wit, your wits, and people do it all the time, right? Awesome, and it's so cool me, and so I really relate very much to what you're talking about, as far as how you learned to stretch and grow with all the modeling and being in all those foreign countries and having to learn to live there.   Jocelyn Sandstrom ** 15:13 Yeah, that's so powerful. That's so amazing. What you're what you've done, and your story is so inspiring and so powerful.   Michael Hingson ** 15:21 Well, I I never did go to that center, and so I never actually, directly was subjected to that. However, with all the traveling that I've done around the world, I've had to essentially do the same thing, so I know what you're talking about, and it's so exhilarating when you figure it out, right? Yes,   Jocelyn Sandstrom ** 15:41 it is, and and that's why we're here. We're here to experience all those things, because if not, it would just be so boring. And so one of the things that I always, you know, remind myself and my clients, is that, you know, we may be in a place that's crunchy and doesn't feel great, but we're growing through it. And when we do grow through it, the feeling of getting on the other side is what why we why we do it. And once we get to the other side, or let's say you're climbing a mountain, and you get to the top of the mountain, you don't want to just sit at the top of the mountain. You want to climb another mountain, because it's the journey. That's the thing that we enjoy. And so when we embrace the journey, not only do we get to where we desire to go, to feel that feeling of like accomplishment, but also we get to enjoy the journey instead of just trying to rush through it to get there.   Michael Hingson ** 16:38 I somewhere in my life, probably when I was fairly young, decided, although I didn't articulate it for a while, but decided that life is an adventure, and wherever we go, we can find very positive things. And I have never found a place that I hated, that I didn't like to go to. I've been all over this country and and I have eaten some some pretty unhealthy food in places, very deep fried kinds of things and so on. But I've also found ways to enjoy some of it, although I tried to eat as little of the bad food, if you will, that's high in cholesterol and so on. I've tried to eat as little of that as possible. But I've enjoyed everywhere I have been. I've been been to all 50 states, had a lot of fun in every place where I've been, and wouldn't trade any of those experiences for anything, much less traveling to a variety of other countries. Mm hmm, so it's a lot of fun to, you know, to do, but life is an adventure, and we should approach it that way. Mm   Jocelyn Sandstrom ** 17:40 hmm, yeah, absolutely. And when we do approach it that way, we enjoy it so much more, because I used to always avoid making a mistake or things going wrong or get so frustrated that it wasn't wrong or that it wasn't going well. But now I I lean into those things, and it's those things that make life interesting. It's those things like the mistakes that I make, I grow more from those mistakes than from anything else. And through the hardships that I've been through, I've grown so much from those as well, too. And so when we lean into the journey and just know that there is no good, bad, right, wrong, it's just the experience of what it is. We live in a completely different way, and we can like I was telling my clients in one of the webinars I was running the other day that my husband and I had read the book celestian prophecy. And so he goes on a journey, and he doesn't plan anything. He just shows up and he listens to, you know, synchronicities, and he kind of goes with that. And so when we went to Jordan, we did the same thing. We're like, you know what, let's just go play. Let's go play and have no plan, and just arrive and discover what we're gonna do. And so we did that. And then we ended up, you know, meeting this one tour company, and ended up booking them, but it ended up turning out that they weren't the best, and we kind of got ripped off. But the driver that they hired was amazing, and he gave us like these special tours and things because he felt bad that we did get ripped off. And so the thing that looked like it was something bad actually was a blessing, and ended up turning out into this most incredible trip. And so when we make these so called wrong decisions, and we realize that it's not wrong, that it's leading us to something better, we don't have to get upset about it, like we weren't upset that that happened. We were just on the journey and the adventure of it, and that actually turned out to be one of our most incredible trips.   Michael Hingson ** 19:38 One of the things that I have learned and talked about on this podcast occasionally is that there's no such thing as failure their learning experiences. And I like what you just said, because it isn't that they're something that goes wrong. It happened the way it did. And the question is, what did we learn from it? And I'll bet that that driver. I would never have done those special things for you if you had treated him differently and treated him in a in a negative way.   Jocelyn Sandstrom ** 20:08 Mm, hmm, yeah, if we were grumpy and angry, he would have said, Okay, well, too bad for you guys. Yeah,   Michael Hingson ** 20:15 yeah, forget you guys. Exactly. Yeah, absolutely. Well. You modeled for you said 20 years, right? Yes. And what made you decided that you wanted to give that up.   Jocelyn Sandstrom ** 20:29 So I actually started doing wellness in 2003 when my mom got sick, and that's when my whole world shifted. That's when I wanted to find a natural way to help her, to support her, and that's how I started doing neurological repatterning, neuro linguistic programming and Ericksonian hypnosis. Then I went into quantum physics based energy work, and was able to help her and the at the same time, I was working on my career and both her getting, you know, her recovering and getting stronger, and my career taking off, I thought, oh my gosh, like I want to help people do this. I don't want to just use it for myself. I want to help other people do this. So I actually started while I was still modeling, simultaneously teaching and doing sessions for clients, since 2010 and so I've been doing this since then, and now it's, I just want to do it full time. It's just, it's just so fulfilling to be able to support clients through shifts, to create things beyond their wildest dreams, to open up the ease and the flow, to remove the burnout to, you know, to know that anything is possible and that we create our reality, we get to create we, you know, like we're creating an abundance of things every single moment of every single day based on our thoughts. And so we can create an abundance of lack, or we can create an abundance of, you know, happiness and and it's really just not letting anything take our power. So one of the things that shifted in my life as well, too, was when I was able to not let anything ruin my day, not let anyone or anything ruin my day, not that things that weren't going my way ruin my day. I was just gonna say, Okay, well, this is going on. It's happening for me. So now what do I get to do with this? How do I get to transmute this? How do I turn it into something good, or turn it into my superpower? By practicing neutrality, practicing not reacting and creating more fallout that needs to happen. And so whenever things don't go my way. I don't get frustrated about it anymore. I know that it's an opportunity, opportunity for me to practice a new way of being or new way of thinking. And there was one day where everything was just going so wrong, like from the beginning, like big things too, and I didn't let it take my happiness away, and I didn't let myself get down by it. I was like, Well, what can I do instead? How can I transmute this? How can I like when I missed my yoga class, and I'm like, I'm just gonna go home and I'm gonna do it by myself. Nothing is gonna stop me. This is what I desire to do. And that was my, like, favorite day ever. I felt amazing. I got home after the day of all the things that didn't work out, like almost losing a $2,500 camera lens, and by the end of the day, just feeling so good about it. And my son was saying to me, Okay, I'm gonna go check the mailbox. And he went to go check the mailbox. And at the end of the day, after me not letting anything take my freedom. An electric bill came and we opened it up, but it wasn't a bill. It was a refund for $7,200 for some PV panels that we had purchased that we didn't know we were going to be getting a rebate for. And it just showed me that nothing can take my joy, and because of that, I'm not going to slow down the good things that are on their way to me, either. And so it just opens it up. And from that point on there I don't have bad days. I transmute them,   Michael Hingson ** 24:10 yeah? Which? Which is what we all can do, yeah. So how do you transmute them? Though? What? How do you really do that?   Jocelyn Sandstrom ** 24:19 Well, the one thing that really helps me is realizing that everything is happening for me, everything like everything is happening for me, to help me to learn, to help me to grow, to help me to create my next level of success. And if I look at it that way, I'm not the victim. But if I look at it as the victim like it's happening to me, I have no power. I've given my power to the situation, but if I know that it's happening for me and that I'm unstoppable and I'm resilient and I'm always going to find a way, because I'm never going to give up. So for instance, with that camera lens, I ordered a camera lens that Best Buy was meant to ship me, and I called them because it was a. A week. And they said, Oh, it looks like you actually picked it up from the store. So no one shipping you anything. You got the product already. And I said, No, I didn't there. It was out of stock, and the person that I bought it from ordered it to be shipped to my house. And they said, well, there's nothing we can do on my end. On their end, I have to go to the shop, find the person who sold it to me and talked to them, and so the old me would have reacted, freaked out, created all this necessary Fallout, gone in angry, but now I was like, You know what? It's going to work out. Somehow it's going to work out. I don't know how it's going to work out, but the more calm and neutral I am, the more that I just let it flow, instead of react to this. Somehow it's just going to work out. And if it doesn't, it's just money. Like, it's not my life, it's not the end of the world, it's just money, and I can make more money. And so when I approached it that way, and I went in to talk to them, I wasn't guns blazing, I wasn't, you know, angry, I just came in and I was like, hey, you know, this is a situation. I was wondering if you could help me. And somehow, magically, they were just like, oh yeah, no problem. I can see it. There's an issue, and we'll send you a new one. And then it arrived in a couple days. And so a lot of times it's our reaction that causes the issues. But if you know, sorry, no, go ahead. I was just going to say, if we know that, it's going to work out somehow, because we're never going to give up, nothing is going to break us. Then somehow, magically, it always does.   Michael Hingson ** 26:25 Did they or you have to figure out exactly what really did happen?   Jocelyn Sandstrom ** 26:31 Nope. And to me, it doesn't really matter, because as long as it works out, I'm just, I'm always taking the next step. I'm always, if something, you know, like I in the beginning, I would launch programs and no one would show up, and it wouldn't matter, I would just keep launching. Or, you know, I heard this one story that completely inspired me about Anthony Robbins, when he first started doing his programs, and he sold his first program out, he rented the the call for it, and not one person bought but it didn't stop him. He said to his four friends, Hey, can I pay you with pizza and soda so that you could sit here for four days so I could teach you my program? Because he knew where he was going, nothing was going to stop him. And so I do the same thing, like I sold a master class here in Hawaii, and most of my networks online. And so one person had showed up, signed up, and I was like, Okay, so maybe do I cancel this? But I just really felt like there was something that was going to happen. If I just teach it, it's going to stretch me, it's going to do something. I just kept showing up and selling it every single day, trying different ways of selling it, not out of scarcity, but out of okay, well, this is the universe or something giving me an opportunity to play, to practice, selling, to have fun with it. And so I did. And you know, the day of, there was still only two people that were going to be there, and I thought, maybe I should cancel it, because I'm going to look like a failure. But then I thought, I don't care what I don't care what people think. If I'm a failure or not, the only part of me that will be bruised is my ego, but I know that I'm so much more than that, and if Anthony Robbins can do that, I can do that. So I'm going to show up and I'm going to teach these people just as powerfully as if there was 100 people there. And so I showed up, and at first nobody was there, and I didn't care, because I didn't care anymore. I knew where I was going to build, but there is traffic and stuff, and then finally, by the end of it, nine people showed up out of the blue, and it was the one of the most amazing master classes that I taught, because I taught it in this new way of thinking, where I had I had overcome my fears of my ego, of failure and people what people Were going to think, because I knew where I was going. I was inspired by Anthony Robbins doing that. And if he can do that and build that, I can do that, you know what I mean. So   Michael Hingson ** 28:50 I do, yeah, I I'm a nosy person, and I would have wanted to try to find out what happened with the with the lens. And the reason I'd want to find out is not to fix blame or anything, but because I figured that's a learning experience too. And I have, I've had situations where it worked out whatever it was, but then I went back and asked, now, how come this happened? And when I and the other people involved figured it out, we all learned from it. But again, it's all about, as you said, not going in with guns blazing. It's not a fixing blame. Yeah, it's really all about understanding, and I think that's the most important thing. So this is all about the fact that you adopted a mindset and you decided that you're going to live that mindset, which makes a lot of sense. Mm, hmm,   Jocelyn Sandstrom ** 29:50 yeah, it to me. It's all mindset, because nothing is real until you create a story around it, which is why eyewitness, eyewitnesses are. Not reliable sources, because you could have the same situation happen, and people will see different thing Bay things based on the reality that they're looking for. And you know, I've even talking to my brother about childhood memories that are completely different, and I'm like, no so and so didn't say it. This person said it, and this is what happened, and in and he fully has a real, real, real memory of it happening in a completely different way. And so it's just really something happens, and we put a meaning and we put a story on it. And so whatever meaning and story you put on it determines the outcome. And so only thing we can control is the meaning and story that we put on it. So do we want to put a meaning and story that empowers us, or do we want to put a meaning and story that makes us not feel so good? And that's also the other thing that shifted in my life.   Michael Hingson ** 30:51 Yeah, it's all about now, ultimately, you're your own best teacher, and you can empower yourself. Yes. Yes, yes, absolutely. So I am not familiar with but would love to learn what is Ericksonian hypnosis.   Jocelyn Sandstrom ** 31:07 It's just a type of hypnosis, a different style of how you bring somebody down into the the hypnotic state screen, and then you, then you do programming while they're down in the hypnotic but, yeah, it's just a there's, there's multiple different types of hypnosis, and so that's just one of the types. Yeah,   Michael Hingson ** 31:31 I just never heard of of that particular one. I'm familiar with hypnosis and so on, but I wasn't familiar with Eric Sony, and didn't know whether there was something uniquely interesting about that.   Jocelyn Sandstrom ** 31:42 No, I think it's just the the style got it well,   Michael Hingson ** 31:47 you know, one of the things that we deal with people in general, in general, is we put a lot of our own limitations on ourselves, especially where we don't need to do that. How do we transcend or overcome limitations. One   Jocelyn Sandstrom ** 32:02 of the way to do that is to recognize how powerful we are and how powerful our minds are. So a lot of people say that they can't trust, but they trust that they can't trust. They say that they're not confident, but they're confident that they're not confident, a that they don't create their own reality, and so that belief creates the reality that they don't create that reality, right? And so it's just about looking at the beliefs and saying, Do I want to hold on to this story? So a lot of people will come and say, This always happens to me, and I'll ask them, and does it always happen? And they say, No, it doesn't always happen, but this happened, this happened. This happened, this happened. And we'll say, okay, great. You're really good at validating that story. Do you want to keep validating that story, or do you want to start validating the times that it didn't happen? And it goes back to that red car theory, like, if you're driving on the road, how many red cars do you notice that day, versus if you were driving on the road looking for the red cars? How many red cars would you actually notice? And so what are you looking for? Because we're bombarded with billions of bits of information every single second, but we can only take like plus or minus seven every single second based on what we're looking for. So if we're looking for a red car, in reality, we're going to find that red car. If we're looking for a blue car, we're going to find that blue car. So what story are you telling yourself that's no longer serving you, and what story would you desire to tell yourself instead? And I'll give you an example for me, I used to have this belief that I could make a lot of money, but I couldn't hold on to it, because every time I would make the big amount of money, I'd get hit with a bill, or a pipe would burst, or something would happen. And so I kept telling that story, and I recognized that doesn't always happen. Big money's come in and it didn't go out immediately, but I didn't think about those times because I was validating the other story. So once I recognized that, I said, Okay, I'm not going to validate that other story anymore. I'm going to validate the times when I make big money and more money comes in, so that I can then have this belief that I'm building generational wealth. And that's when my finances changed and I started building generational wealth, right? It it's what we're looking for that we are then going to compound over and over and over again.   Michael Hingson ** 34:28 Yeah, again, it's back to mindset. Yes,   Jocelyn Sandstrom ** 34:32 it's always back to mindset.   Michael Hingson ** 34:36 That's fair. So you talked about, among other things, dealing with quantum physics and so on. Tell me about quantum leaps. So   Jocelyn Sandstrom ** 34:43 quantum leaps to me a book. If you've never read this book, it's amazing. It's it's a really thin book called u squared, and the beginning of the book starts out with this fly that's beating its head against the window pane over and over and over again, trying to get out. So. When all it had to do was stop, fly back, look for the door, and fly out of the door. And so that's basically what I was doing. I was like beating my head, trying to force, trying to make these things work, pushing myself to do things that all the shoulds and the have tos, instead of taking a step back, listening to my own knowing my gut, my intuition, my truth, and then that truth being the door that's going to guide me to, you know, where I'm going. The other piece of that is I looked back on my last career, and I saw it from a whole other perspective. I thought it was from all of that pushing, forcing, all of those things, but in hindsight, when I look at it, it was the moments that I was in alignment, trusting my gut, following my intuition, doing the thing that then all of a sudden, out of the blue, this person dropped into my life, or this opportunity dropped into my life, which then quantum leads me into whole new reality. So the first time I ever wanted to teach bank like, corporate workshops, any type of corporate workshops. I knew that I wanted to teach corporate workshops, and so I started, you know, to develop a plan to figure out, like, what kind of corporations would I like to work with to help them to take everything to the next level, to help people to build success and fulfillment at the same time. And I started to think about it, and started to write a few things, and then all of a sudden, out of the blue, I met this CEO, and was starting to talk to him, and he said, Yeah, that would be awesome. Send me a proposal. So I wrote a proposal, and then they loved it, and I did my first corporate workshop. Now to me, that's a quantum leap. It was me being in alignment, knowing where I wanted to go, reprogramming my fears and my doubts. Because at first I'm like, why would a corporation take me seriously? Are they going to think that this stuff is too crazy, too out there? So I had to reprogram myself from those beliefs so that I could actually become the person that could teach the program. And once I reprogrammed all of that, then that person showed up. And because they showed up, I quantum leaped into that reality. Because otherwise I would have had to finish writing the proposal call all the corporate companies that I would want to work with, try and find the person that I wanted to speak with. You know, pitch my proposal to, who knows how many people to then hopefully get my first one. But for me, it was getting in alignment, reprogramming all the beliefs that I wasn't good enough for, then that person to drop in, and then all of a sudden, just start doing workshops. And that's basically how my career, my last career, and this career built. If you look back on your life, it's those moments that things happened, that dropped in, that ended up taking you into a different reality, like those chance encounters, or those chance things that would have happened, right? So it's how do we get in such alignment and reprogram the beliefs that are getting in the way so we could have more of those out of the blue opportunities dropping in faster.   Michael Hingson ** 38:01 It goes back to that same issue of looking for the red car. If you're looking for the red car, yes, you will see it. If you're looking to be able to do the corporate workshops, and you think about what you need to do to make it happen, recognizing that you're good enough, it will happen.   Jocelyn Sandstrom ** 38:20 Yes, exactly. But most of us never think that. Like, my whole life, I never thought I was good enough, you know. So it was always so much proving pleasing. You know, there's the imposter syndrome of somebody that wants to write a book, but then they're saying, Well, you know, who am I to write a book? But all the people that wrote a book never wrote a book until they wrote their first book, yeah, and so it's just just like letting go of the pressure and the expectation and just, I desire to write a book, so I'm going to write a book and I'm going to put it out in there in the world like everybody else did, every single author like you and your book, you wrote the book. That's the only difference from the people that wrote the book and didn't write the book is that you wrote the book, and you put your passion into it, and then it became, you know, such a massive life changing thing for you and so many people that read that book to hear your story well.   Michael Hingson ** 39:12 And now there are three, which is, which is fun, and you know what? Live like a guide dog. It it really goes along very well with the kinds of things you're talking about, because one of the things that we we advise and try to teach and live like a guide dog, is all about doing self analysis, looking at your your day, every day, at the end of the day, what, what worked, what didn't work, even the stuff that worked, what way might we have done to make it better? And the stuff that didn't work again, not a failure, but rather, what happened, and how do we learn from it so that won't happen again? And the reality is that at the end of the day, when we're falling asleep, we're. We have the time to do that if we really do introspection and and choose to do it. But again, it's a choice, and it's adopting the mindset that says we can do that, and it will help to increase, if you will, the mind muscle. And ultimately, the more of it we do, the less we'll fear about life. Mm,   Jocelyn Sandstrom ** 40:22 hmm, yes, yes. Because the fear comes from us thinking that we're not going to be able to get through it, that it's going to be so painful, that we're not going to be able to handle it, we're going to be so afraid of the disappointment. And so we don't take the leaps and we get and we just live in fear. But when we recognize our power through knowing that we get to harvest the learnings and that we're going to transmute it. We're going to get through it. We're going to turn it into our superpower. We're going to get stronger all the things we've done in the past, we've already we've gotten through so of course, we're going to get through the next thing. So when you know that you have that power to, like you said, go through the day and say what worked and what doesn't work, and how to make it better the next time, you don't have as much fear of the unknown, because you know you're going to get through it just like you did every other time. Yeah,   Michael Hingson ** 41:12 and you have to make the decision that it'll work,   Jocelyn Sandstrom ** 41:20 and then you have to make the decision to not beat yourself up,   Michael Hingson ** 41:22 because then you have the decision to not beat yourself up, right? Yeah, because pain   Jocelyn Sandstrom ** 41:27 is inevitable, but suffering is something we create by the story we tell ourselves over and over and over again about the pain. And so if we know that, we're not going to beat ourselves up and create it to be suffering, we're not going to be as scared to take that next leap, because we know we'll get through the pain, and we're not going to turn it into suffering, right?   Michael Hingson ** 41:48 And we know that the pain is there to send us a signal, and we need to learn from that signal. Yes, so much. Yes,   Jocelyn Sandstrom ** 41:59 I love that.   Michael Hingson ** 42:02 So tell me, what is the difference between creating and achieving? Because I think that there, there really is a difference, and we're talking about both of those here in various ways.   Jocelyn Sandstrom ** 42:14 Yes. So creating is this playfulness. It's like this is what I desire to create. I know where I want to go. I know this goal that I want to do, and I'm going to create on this journey. I'm going to climb this mountain, and I'm going to take this step every day, and I'm going to enjoy the process of it and look at the flowers, and, you know, maybe hang by the lake for a day and then continue to go up there. But achieving is just achieving is proving pleasing. Achieving, right? It's like, I gotta get to the top of this mountain to prove that I've done this to achieve this thing. And so you rush through the journey. And that's where burnout comes from. So I don't think burnout comes from doing burnout comes from who you are when you're doing it, if you're doing the things, like when I'm doing the things out of creation, and because I love doing it, and because I desire to help people and support people, and bring this into reality, I'm having so much fun doing it, but if I'm doing it to achieve these results, if I'm doing it, because if I don't achieve these results, there's something wrong with me, or I'm a failure, or I'm not good enough, my business isn't good enough, And I'm being judged, and I care about other people's judgments, I will be burnt out, because I'm going to push and I, you know, there's so much emotion and exhaustion around the achieving, and then you're constantly just chasing that carrot, and the carrot always moves, because every time you achieve it, you want to climb the next mountain. And so you don't ever get that fulfillment, because then you're just going to go on to the next thing, and the next thing, and the next thing is what I did in my last career. I just kept chasing. Kept saying, I'm going to reach this goal, and I reached that goal, and I'm like, Oh no, I don't have this one. There was, there was no fulfillment on the inside, and it was exhausting.   Michael Hingson ** 43:56 Well, you know, I hear often that people who really like what they do have discovered that it's not a job because they just enjoy doing it so much and and that's ultimately what you're really saying, is it's not a job, and I agree with that. It's we need to decide that we like what we do, and if we truly don't like it, then we should be doing it, or we should look at why we don't like it and deal with that, because it is worth doing. Yes,   Jocelyn Sandstrom ** 44:29 that is a great example, because when I was building this business, I did a lot of freelance work, and in the beginning I did I did the freelance work so I would have predictable money so that I could build this business the way that I desired to build it, so I wouldn't compromise myself. I wouldn't do it because I just need clients to pay the bills and all of these things. It was my passion project, and so I did the freelance work so I had predictable money to be able to pay my bills. And then this was pure creation of what i. Desired to bring to the world, and how I desired to help my clients. And at first, when I was doing these freelance jobs, I'd be so frustrated while I was there, because I'd be like, Oh, I'm here making this money. And I'm so frustrated because I could be working on my business right now, and I could be making the business grow, but I need this money, right? And my mindset turned it into, every time I did that work, you would just drain me. I'd be I'd leave so exhausted, and then I would go home and not have time to work on my other business because I didn't have energy. Until I recognized this is my choice. How lucky am I that I have this freelance job that I get to do that's bringing in this predictable money so that I get to build my dream business. How grateful I am for this freelance work, that I have this opportunity to work these amount of hours and get paid so well, so that I could build my dream business. So I showed up to those jobs in a different energy. I showed up with pure gratitude that I have that that I get to show up to this job and I'm and to do my best job, because they're giving me this opportunity to build this business. And when I did that, not only did I have more energy, that job started to become really easy, like so before, there was always fires to put out, and there was always drama and everything. But after, I shifted this mindset to gratitude. And I started to just say, How can I serve? How can I be here and be my best self, because I'm grateful for this job. Then all of a sudden I would come on shift, and everything would just work. And like, the dramas would go away, the fires would go away, things would be easy. And then some of the other people would say, I want to be on Jocelyn shift, because whenever she shows up, it's like easy, but that was from gratitude. That was from gratitude, from showing up, you know, wanting to serve. And it shifted my reality. And then I had all this energy, because I felt so good. And sometimes we'd finish early. A lot of times we'd finish early, or the job would be so easy that when I came home, I had energy to work on my business. And then that's how I shifted my business. So it's really the it's not what we do, it's who we are when we're doing it. What are we feeling on the inside that we're then projecting out, that people are then responding to   Michael Hingson ** 47:14 and and the reality is, some of the fires may have still been there, but they're not fires anymore,   Jocelyn Sandstrom ** 47:21 yes, yes, exactly, exactly, because I perceive them in a different way,   Michael Hingson ** 47:27 right? Exactly, which is the whole point?   47:30 Yes, yes, I love that. So   Michael Hingson ** 47:33 how do we get people to recognize when they're experiencing burnout, much less. How do we get them to change their mindset, to eliminate the burnout process?   Jocelyn Sandstrom ** 47:49 It just comes from their choice. It comes from their choice to to decide how they desire to see it. So, I mean, a lot of it, too comes from reprogramming. So, I mean, that's what I do in my programs, right? Is that if there are with burnout, we just discover where is it coming from? Like, is it coming from the pushing, the pleasing, achieving, the not being good enough, the worried what people are going to think, the failure, like all the stuff, the hoping that it's going to work out, afraid that it's not going to work out, because that's all the stuff that we leak our energy to. Once we discover what that is and we reprogram it so you don't have that you can just do it as a task. You show up and you do a task. One of my NLP teachers told me something that was so powerful, which was he said that the best, best basketball player in the world also has the highest amount of missed shots in the world, and that's why he's the best basketball player, because he just takes the shot. He doesn't beat himself up every single time he takes the shot. He's just taking a shot and a shot and a shot and a shot and a shot. He's playing to win. He's not playing not to lose. And so there's a difference in that energy. And so once you discover what that is, you get to then shift your mindset. So we it's very it's, it's quite easy to kind of find where the triggers are coming from. It's like, where are you getting pissed off? Where are you getting frustrated? Right? Like, those are the triggers. Then it's about, how do we then remove the triggers with whatever tool that you have, with mindset, with reprogramming, with hypnosis, with quantum physics, like whatever it's going to be, podcasts, listening to these things to come up with a new story, and then the resilience to create that new story to be your new story. So every time it doesn't go the way that you had planned, not getting caught up in saying, Oh, see it happened again, saying, okay, oh well, I'm not fully in that new programming yet, and so it's still showing up a little bit. But how do I harvest the learnings? And then how do I pivot? And then how do I do something different? And you just keep doing that until your reality eventually shifts. This   Michael Hingson ** 49:56 is so freaky. The other day, it was like yesterday, or. Monday or Sunday. I can't remember which day, but I was thinking about basketball players and some of the really famous, good basketball players, and thinking, why are they such horrible free throw shooters? And why are they in a in a sense, why is there a percentage what it is, and I came to the same conclusion that you talked about, but it's just kind of funny that the discussion in my brain was there and now, here it is again. But it's true. It's all about being willing to take the shot and   Jocelyn Sandstrom ** 50:34 just taking the shot and not putting the meaning on it. It's when we put the meaning on it that it exhausts us. If you think about taking a shot, it's fine, but the minute you think about taking the shot, but hoping you're going to make it or not going to make it, because what are people going to think and what is that going to mean about you, and all that other stuff, all of a sudden it becomes a big ball of energy that you're leaking instead of I'm just taking the shot, because I know I'm going to get in, I'm going to get one in. So the more shots I take, you know, like Disney, he got rejected 33 times before the 34th time he got the loan. But if he just every single time, like, you know, gave up, we would not have what we have. But he just kept going in and doing it. And if you know that on the 34th time you're going to get accepted. How fast would you keep going back to banks and saying, Hey, until you get the loan right?   Michael Hingson ** 51:27 Well, and the issue with the shots, every time you take a shot and miss, if you're taking the shot, to continue to take the shot, as opposed to this one has to be the one to go in. You're also, I think, subconsciously, studying, well, why didn't that shot go in? What do I learn? Because this shot didn't go in, or the next one goes in, why did that one go in? What do I do to replicate that and become more effective?   Jocelyn Sandstrom ** 52:00 Yeah. How do I harvest the learnings and pivot and do it better next time? Yeah? And if you just focus on the solution versus the problem, you'll get there, right? Yeah, okay, well, and the more that you get it in, you know what that feels like. So you get to replicate that again next time, right? And the more that you don't, then you find, like Edison said, he found 1000 he didn't fail. He found 1000 different ways how not to   Michael Hingson ** 52:28 do something right.   52:30 Exactly.   Michael Hingson ** 52:33 You know it is, it is so true, and it's all about that's why I continue to say there's no such thing as failure. The other thing I used to say about myself because I like to listen to my speeches. I record them and listen to them, and I do it because I want to learn what what worked, what didn't work. How can I do this better? And I always used to say, I'm my own worst critic. But I always thought that was a negative sort of thing, and literally only within about the last 14 or 15 months have I started to say, in reality, I'm my own best teacher. It's a much more positive and open way of doing it, and it makes listening all that much more fun and exciting. By the way,   Jocelyn Sandstrom ** 53:14 I love that, and that's the creating versus achieving, right? Like, that's the different energy. Tweak that when you're doing it now you enjoy it versus before you were beating yourself up, right,   Michael Hingson ** 53:26 right? Very much. So yeah, and that's, of course, the issue. So you, you've you continue to celebrate the fact that you were a model, and now you've gone on to a different life, and you're continuing to create and enhance that life. How do you how do you deal with both of those lives? You You really have adopted this celebration right across the board? I think,   Jocelyn Sandstrom ** 53:57 yeah, I don't see it as different parts of, I mean, I just see them all as different, like, it's just a different   Michael Hingson ** 54:04 chapter. It's progressing, right? Yeah, and that's what I thought after   Jocelyn Sandstrom ** 54:07 was each chapter was exactly what it was, and it was so amazing, and I and, and the next chapter gets to be more amazing, and the next chapter gets to be more amazing, and because it's an evolution over your entire lifetime. And so you just keep evolving. You know, there's a post out there about, I can't remember the ages, but like all these people that open businesses in their 40s, their 50s, their 60s, Walmart and, you know, Kentucky Fried Chicken, and all these different companies that didn't actually like they didn't create it. They tried. They were creating things, but it didn't hit until later in the years. And most people think, Oh, we get to this age, we retire. We're done. But that's not true. We get to keep creating our entire life. We get to keep evolving our entire life. We get to keep climbing more mountains. I've climbed that mountain that was awesome. Now. Me climb this mountain, not because I have to, not because I need to prove myself, but because I get to, right. If you can shift your words from need, have, should to I get to that is the difference between creating and achieving. It's like I get to do this, like I get to show up. I used to when I was starting this new business. I used to not like social media at all, and I just wish that I could just have clients and coach and mentor, because that's all I love to do. I didn't like to, you know, do the marketing and do the social media and do all the rest of the stuff. I was just like, I wish I could just receive clients and coach and mentor, because that's what I love, and that's my passion. And then I realized I can't do that. I can go work for a corporate company, and I can do that, but I don't have time freedom to be with my child. I don't have I'm Max capped out about how much I can earn or create because I'm working for someone else, or I can go off on my own. And I get to get good at marketing. I get to get good at social media. I get to get good at all the other things, as well as getting good at getting better at coaching and mentoring, so that I can be my own boss, that so that I can be with my child and travel and take him and work from my computer around the world, so that I can do speaking engagements around the world, and that I can build this business as big as I desire, the way that I desire. So everything then became a get to so then when I showed up for social media, I was excited for it, versus like, Oh, this is so frustrating. I wish this wasn't part of my job. So you, once you shift the get oh, everything opens up, and then everything starts working as well, because your energy opens up and we get to learn, yes, exactly, we get to learn and now, now in a lot of different things, thanks to that,   Michael Hingson ** 56:51 there you are, right, exactly, which makes a whole lot of sense. Changing your belief really changes your life, changing your mindset and looking for that open way to allow you to deal with all the things that come along, can they get to, as opposed to have to way certainly just enhances your whole outlook.   Jocelyn Sandstrom ** 57:16 Yes, absolutely, yeah. And it can change overnight. If you can just look at everything in your life that you're grateful for, that you a younger version of you dreamed about, that you now have in your life, even your phone, your computer like you wanted that now you have it, but you take it for granted until you lose it, and then you don't appreciate it till you get it back. And you're like, Oh, I love it so much, right? Like, if we just shift from looking from everything that's wrong with our life to everything that's incredible, we get to be full of gratitude while we're creating our next level that frequency, gratitude is this most powerful frequency. It opens synchronicity. It helps you to become magnetized, so that people are then magnetized to you. If you think about going into a shop and there's like, this grumpy person who's complaining all the time, versus this, like charismatic, happy, loving life, loving life, salesperson, which one are you going to be attracted to working with, you're going to be attracted to working with the one that looks for the positive outcome, that doesn't see limitations, that sees ways to transcend them. You know, that's not complaining about all the things that are going wrong, but showing you what could go right instead. And so then your business opens up as well. Because you're magnetized, you start meeting people that want to come and talk to you, you know, like you could be in a restaurant, and you're just drawn to looking at someone that walks into the room and you don't know why, you don't know who they are, what they do, you just there something about their energy draws you to them, and it's that energy that becomes their calling card. And so when you are in this gratitude and this loving of life and not seeing limitations. You just see opportunities to grow. You become magnetized. People want to be around that. People are inspired by that. So now you start attracting opportunities into your life, instead of, you know, trying to force and push and chase them. And it goes back to the saying that I absolutely love, which is, instead of chasing butterflies, build your own garden, so the butterflies come to you. Yeah, so, and it's also like that other saying that the grass is always greener on the other side, until you start watering your own grass. Like those two sayings completely changed my life. Yeah?   Michael Hingson ** 59:38 Well, you know, I, when I was growing up, I lived about 55 miles west of here in a town called Palmdale, and I now live in Victorville. But when I was growing up, I described Victorville as compared to Palmdale that only had like about 2700 people. I described Victorville as not even a speck on a race. Our scope compared to Palmdale. I never imagined myself once I moved away, moving back to Victorville or to this whole area, but my wife became ill with double pneumonia in 2014 she recovered from that. Family started saying, you really ought to move down c

You could have heard this episode early and had access to giveaways on our HeroHero!Hey Everybody! Sol has run off to the grand canyon for the next 3 weeks and left me alone, afraid, and in charge of uploading the episodes. He has no phone and I am scared. But! there was a time that I was not scared and Sol was by my side and we recorded this episode for all of you. In this episode we discuss biblical names, that guy on instagram who does an incredible job of making bad hats, and how a number of your favorite clothing items jumped from military to high fashion to everyday - including some legacy works by Yves Saint Laurent, Jean Paul Gaultier, Helmut Lang, and Raf SimonsThanks for supporting us! Let me know if I did a good job they usually don't let me touch the keyboard or talk to anyone directly around here.-MichaelSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Opium by Yves Saint Laurent (1977) + Brian DePalma's Scarface (1983) with Georgeana Crespo, owner of The Plastic Age Shop 4/3/25 S7E22 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

One big announcement! We're organizing a pop-up at Komune (our favorite NYC boutique) with Kozaburo on April 12th! Swing by for a chance to win a free hat, say hi to the boys, and shop some of the Phantom Ranch goodies!You could have heard this episode early and been entered into all of our giveaways on HeroHero! Subscribe and support the show!The boys are back - and just in time! This week, Michael and Sol sit down with musical legend Dave Macklovitch (@dave1) of Chromeo acclaim in his Brooklyn studio to discuss his perspectives on style, whether or not Hedi Slimane is the greatest designer of the 21st century, having a uniform, Miss Kittin, old Daft Punk (you knew it was coming), being 'unc', appreciating different types of music, French literature, style inspirations from philosophy, and so much more!This was so lovely to record - I hope you enjoy! Lots of Love!SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

Our latest guest on The One Way Ticket Show is world-renowned Garden Designer, Madison Cox. The interview was conducted in September 2024 in the Willis Pavilion, beside the house today known as Villa Oasis which was built by French Orientalist painter, Jacques Majorelle in the 1920s, and later owned by Yves Saint Laurent & Pierre Bergé. Adjacent to the home is the famed Majorelle Garden. Madison was born September 23, 1958, in Bellingham, Washington, and raised in San Francisco and Marin County, California.  As a garden designer and author of books about gardens, he has traveled extensively across the United States and Europe as well as to Japan, China, Russia, India, North Africa, and Australia.  Madison's passion for garden design has also extended to lecturing, leading garden tours in France and Italy, and book publications.  He has lectured across the United States and Canada: at the Smithsonian Institute in Washington, D.C. and the Art Institute of Chicago, as well as at the Portland Garden Club and the Art Gallery of Ontario in Toronto. Madison Cox is the author of Private Gardens of Paris (Harmony Books, 1989), co-author of Gardens of the World (Macmillan, 1991), and with photographer Erica Lennard, of Artists' Gardens: from Claude Monet to Jennifer Bartlett (Abrams, 1993), and Majorelle: A Moroccan Oasis (Vendome Press, 1999). Cox wrote the preface for The Gardener's Garden (Phaidon, 2014). He was the first American to design a garden at the Chelsea Flower Show in London in 1997, and won a Silver-Gilt Medal.  Madison is a member of the following institutions:  - President, Fondation Pierre Berge – Yves Saint Laurent, Paris, France - President, Foundation Jardin Majorelle, Marrakech, Morocco - Co-Chairman of the American Schools of Tangier and Marrakech in Morocco - Advisory Board Member, The Aangan Trust, Mumbai, India - Patron, American Friends of Blérancourt, France - Board of Directors TALIM (The American Legation in Morocco)  In our conversation, Madison shares his one way ticket destination of choice is to Morocco. His first visit to the country was in 1979.  While he was a student in Paris, Yves Saint Laurent and Pierre Bergé invited him as part of a small group down to Marrakech for a long weekend. During our sit-down, Madison covers: - The difference between Marrakech in the 1970s and today - The nostalgia for Tangier (where Madison has a home) - The rich backstory behind Villa Oasis and the Majorelle Garden - Yves Saint Laurent's love for Morocco (he first visited in 1966) and how the country significantly impacted his work - The Pierre Bergé Museum of Berber Arts which is housed in the former painting studio of Jacques Majorelle, in the garden - The Yves Saint Laurent Museum in Marrakech - How Morocco has impacted his own approach to designing gardens. Plus, J. Paul Getty, Edith Wharton, Winston Churchill, FDR, and the photographer Horst, all make appearances in the interview.