Podcast appearances and mentions of Kim Gordon

Hey friends, Chase here Austin Kleon is back on the show, and this conversation is exactly the kind of reminder every creative person needs. You probably know Austin from Steal Like an Artist, Show Your Work!, and Keep Going, the books that have helped millions of people rethink creativity, sharing, influence, originality, and what it actually means to make things in public. But Austin's new book, Don't Call It Art: 10 Ways to Create Like a Kid Again, goes somewhere even more fundamental. It asks a question that feels especially urgent for creators, entrepreneurs, artists, writers, photographers, parents, and anyone trying to make meaningful work in a world that wants to turn everything into content: What if the way back to your best creative work is not becoming more serious, but becoming more playful? That question matters because most of us have made creativity too heavy. We have wrapped it in identity, pressure, productivity, platforms, metrics, perfectionism, and the fear of being judged. We get stuck asking whether we are real artists, serious writers, successful creators, or legitimate professionals. We worry about the noun before we do the verb. Austin's message is simpler, deeper, and more freeing: "Don't call it art. Don't worry about being an artist. Forget the nouns. Do the verbs. Just make stuff." That idea is the center of this episode. We talk about what kids can teach us about creativity, why play is not frivolous, how to build the conditions for your best work, why attention is your most valuable resource, and why some of the most important ideas in your life might come from goofing off. This conversation is about loosening the grip. It is about getting back to the part of you that makes before it judges, explores before it explains, and follows the energy before it knows exactly where the work is going. Why This Conversation Matters Right Now We are living in a strange moment for creative people. On one hand, there has never been more opportunity. An individual with a laptop, a camera, a newsletter, a sketchbook, a phone, a point of view, or a weird little idea can reach people directly. That is extraordinary. But it also comes with a cost. The pressure to turn every interest into a brand, every hobby into content, every project into a product, and every creative impulse into a strategy has never been stronger. We are constantly being asked to define ourselves: What do you do? What is your niche? What is your platform? What are you building? How are you monetizing it? What is the plan? Those questions can be useful at the right time. But when they show up too early, they can suffocate the very thing they are trying to organize. Austin's work reminds us that creativity begins before identity. Before "artist." Before "writer." Before "photographer." Before "entrepreneur." Before "content creator." Before the nouns, there are verbs. Drawing. Writing. Walking. Noticing. Building. Playing. Collecting. Tinkering. Making. Sharing. Kids understand this instinctively. They do not sit down and ask whether what they are making fits the market. They do not wonder whether they are allowed to call themselves artists. They do not freeze because the thing in front of them might not be good enough. They simply begin. And in that beginning, there is a kind of wisdom most adults have forgotten. What We Explore in This Episode Why kids can be some of the best creativity teachers because they make before they judge, label, or perform. How to reconnect with the feeling you wanted as a kid, not necessarily the exact childhood you had. Why play is not the opposite of serious work, but a form of creative research and development. How to create the conditions for creativity through time, space, materials, and permission. Why tools should feel more like toys if you want to stay curious and experimental. How phones fracture attention and why protecting the edges of your day can change the texture of your life. Why hobbies matter and how bikes, music, golf, drawing, and other forms of play can return us to ourselves. Why "don't call it art" can be liberating for anyone who feels trapped by labels or legitimacy. How to use jealousy, disgust, and frustration as creative information instead of letting them turn into bitterness. Why people pay attention when someone truly believes in what they are doing. The Core Idea: Forget the Nouns. Do the Verbs. The fastest way to get unstuck is often to stop asking what you are and start paying attention to what you do. That sounds simple, but it is one of the biggest traps in creative work. We get obsessed with identity. Am I an artist? Am I a real writer? Am I a serious photographer? Am I a professional? Am I successful enough to call myself this thing? Am I allowed? That kind of thinking can freeze you before you even start. Kids do not have that problem. They are not trying to become "artists." They are drawing. They are building. They are making noise. They are inventing stories. They are throwing materials around and seeing what happens. Austin's point is not that craft does not matter. It is not that ambition does not matter. It is not that we should abandon discipline. It is that the living center of creativity is action. The verb comes first. Make the thing. Move the pencil. Open the notebook. Pick up the guitar. Ride the bike. Take the walk. Make the zine. Shoot the photo. Write the sentence. Start the weird little project that begins with, "Wouldn't it be funny if…" That is where the energy is. Play Is Creative R&D One of the big tensions in this conversation is the voice many of us carry around that says play is not practical. That voice says: You have responsibilities. You need to make money. You need to be serious. You need to have a plan. You need to stop messing around. Austin's response is that play is not the opposite of serious work. Play is often what makes serious work possible. He talks about play as research and development. Any healthy company needs R&D. It needs space to explore, test, wander, fail, and discover things that cannot be found through pure efficiency. The same is true for a creative life. A lot of us start in explore mode. We are curious. We are trying things. We are learning. We are following our taste. We are discovering our voice. Then, if something works, we shift into exploit mode. We repeat the thing. We build a career around it. We systematize it. We professionalize it. We optimize it. That can be useful. But if you stay there forever, you eventually run out of juice. You need space to explore again. That is what play gives you. It returns you to the part of the process where you are not just producing, but discovering. And in creative work, discovery is everything. Create the Conditions, Then Get Out of the Way One of my favorite parts of this conversation is Austin's simple equation: Play = time + space + materials. That may sound almost too simple, but it is profound. When I look back at the most creative seasons of my life, the pattern is obvious. I had uninterrupted time. I had a place to go. I had the right materials around me. I had enough structure to begin and enough freedom to be surprised. That is what we often give kids when we want them to create. We give them a table, some paper, some markers, a chunk of time, and permission to make a mess. Then we grow up and deny ourselves the same basic conditions. We say we are blocked, stuck, confused, or uninspired, but often we have not created an environment where anything could actually emerge. No time. No space. No materials. No quiet. No room to tinker. The lesson is not complicated, but it is easy to forget: Set the conditions. Allow the work to happen. Get out of the way. That is not laziness. That is not indulgence. That is how the good stuff gets a chance to show up. The Best Ideas Often Come From Goofing Off I have said this before, and I mean it: so many of the best ideas in my life have come from goofing off. Not from trying to optimize. Not from grinding. Not from forcing. Not from staring at a blank screen and demanding genius. They came when I was tinkering. Playing. Walking. Talking with friends. Making something that had no obvious point. Trying something because it felt fun, strange, or impossible to explain. Austin and I talk about this because it is one of the hardest things for ambitious people to accept. We want the path to be linear. We want effort to equal outcome. We want the best ideas to come from the most serious hours. But creativity often does not work that way. The mind needs room. The body needs movement. The soul needs a little nonsense. Goofing off is not always avoidance. Sometimes it is how the deeper intelligence gets a chance to speak. Tools Should Be Toys Austin says something in this episode that every creator should sit with: Tools should be toys. That does not mean your tools are unimportant. It means the best tools invite you into a state of play. They make you want to touch them, try them, misuse them, combine them, push them, and see what happens. A sketchbook can be a toy. A camera can be a toy. A guitar pedal can be a toy. A bicycle can be a toy. A cheap notebook, a box of crayons, a microphone, a drum machine, a kitchen table, a phone in airplane mode, a pile of index cards — all of it can become part of the creative playground. The danger is when tools become only professional instruments. When every object in your creative life carries the pressure of output, performance, monetization, or proof, it becomes harder to begin. A toy invites curiosity. And curiosity is one of the most reliable doors back into making. Attention Is the Beginning of Everything Another major theme in this episode is attention. Austin shares a simple practice: start and end the day without your phone. Not as a moral performance. Not as some extreme digital detox. Just as a way to protect the edges of the day from people and companies that do not care about you, but desperately want your attention. That hit me hard. Because attention is not just another resource. In many ways, it is the resource. What you give your attention to shapes your thoughts, your desires, your mood, your relationships, your sense of possibility, and your work. If the first thing you do every morning is hand your mind to the internet, you are letting someone else set the tone for your day. Austin's practice is simple. Coffee. Breakfast. Journal. Kids. Life. Then the phone. At night, the phone charges in the kitchen. Small boundary. Huge impact. Creativity requires attention. And attention has to be protected. Return to Who You Were Before All This There is a beautiful thread in this conversation about returning to the things that made you feel alive before life got complicated. For Austin, that includes riding a bike and playing in a band. For me, golf has become one of those things. Not because it is productive in the traditional sense, but because it gets me outside, off my phone, walking with friends, and fully present for hours. That matters. A lot of people feel lost because they are trying to think their way back into aliveness. But sometimes the way back is physical. Pick up the instrument. Ride the bike. Throw the baseball. Walk the dog. Draw badly. Make noise. Get outside. Do the thing you used to love before you thought it had to mean something. Austin brings up the question: Who were you before all this? Before the career. Before the metrics. Before the audience. Before the obligations. Before the identity got heavy. There may be clues there. Not because you need to go backward, but because some part of you may have been waiting to be invited forward again. Don't Call It Art The title of Austin's book is not a dismissal of art. It is a liberation from the weight we put on the word. For a lot of people, "art" has become intimidating. Sacred. Serious. Something that belongs to museums, geniuses, experts, critics, galleries, and people who have permission. But making is older and deeper than all of that. Kids understand this. They do not call it art. They just do things. And when we stop obsessing over whether something is art, we create more room to actually make. We get less precious. Less frozen. Less performative. Less worried about the label and more connected to the act. That is the invitation: Don't call it art. Don't worry about being an artist. Forget the nouns. Do the verbs. Just make stuff. It sounds almost too simple. That is why it works. Use What Bothers You Austin also offers a surprising creative tactic: pay attention to what you hate. Not publicly. Not performatively. Not as a way to become bitter or cynical. But privately, as information. Disgust can point toward values. Frustration can reveal desire. Jealousy can show you something you want. The things that bother you can become clues, if you are willing to ask what the opposite would look like. Instead of turning your irritation into a rant, turn it into a project. What would you rather see in the world? What is the opposite of the thing you cannot stand? What would it look like to make that? That shift is powerful because it transforms complaint into creation. It turns "I hate this" into "What if we made something different?" People Pay Attention to Belief Near the end of the conversation, Austin shares a line from Kim Gordon that I love: "People will pay to watch other people believe in themselves." That is true in art. It is true in music. It is true in entrepreneurship. It is true in leadership. It is true in life. We are drawn to people who are alive in what they are doing. Not perfect. Not polished beyond recognition. Not optimized into sameness. Alive. When someone believes in what they are making, that belief travels. This does not mean you will always feel confident. It does not mean you will never doubt yourself. It does not mean every idea will work. It means you keep returning to the work. You keep paying attention to what matters to you. You keep making the thing only you can make in the way only you can make it. That is where the signal comes from. About Austin Kleon Austin Kleon is the New York Times bestselling author of a series of illustrated books about creativity in the digital age: Steal Like An Artist, Show Your Work!, Keep Going, and Don't Call It Art. He is also the author of Newspaper Blackout, a collection of poems made by redacting the newspaper with a permanent marker. His books have sold over two million copies and have been translated into more than 30 languages. Austin's work has been featured on NPR's Morning Edition, PBS Newshour, The New York Times, and The Wall Street Journal. New York Magazine called his work "brilliant," The Atlantic called him "positively one of the most interesting people on the Internet," and The New Yorker said his poems "resurrect the newspaper when everybody else is declaring it dead." He has spoken for organizations including Pixar, Google, Netflix, SXSW, TEDx, Dropbox, Adobe, and The Economist. In previous lives, he worked as a librarian, a web designer, and an advertising copywriter. He lives in Austin, Texas, with his wife and sons. Follow Austin Kleon Website Don't Call It Art Newsletter Instagram X YouTube Timecodes 04:24 – Austin returns to the show and talks about the new book 06:17 – How Austin's kids became his best creativity teachers 07:04 – What it means to take care of a creative person 10:43 – The childhood question that reveals what makes time disappear 18:34 – Why play is creative research and development 21:43 – Finding what you were not looking for 23:06 – How a fixed vision can blind you to what is actually in front of you 28:13 – Chase reflects on creating the right conditions for creative work 31:37 – Austin's equation: play equals time plus space plus materials 32:48 – Why tools should feel more like toys 35:25 – Reconnecting with the activities that made you feel alive as a kid 38:53 – Who were you before all this? 43:08 – Protecting attention from companies that want to take it 44:17 – Starting and ending the day without your phone 47:08 – Why friendship, hobbies, and shared activities matter 57:17 – Where the title Don't Call It Art came from 58:32 – Forget the nouns, do the verbs, just make stuff 01:00:01 – Why "wouldn't it be funny if…" is a clue worth following 01:03:15 – Finding your creative family tree 01:06:36 – How to use frustration and disgust as creative information 01:08:31 – Why people pay attention when you believe in what you are doing 01:09:44 – Austin's newsletter, book tour, and where to find his work Questions to Ask Yourself If you want to turn this episode into action, take a few minutes with these questions: What did I do as a kid that made hours pass like minutes? Where am I making creativity heavier than it needs to be? What noun am I clinging to that might be keeping me from doing the verb? What conditions do I need in order to make more freely? Do I have time, space, and materials available on a regular basis? What tool in my life could become more like a toy? Where is my attention being stolen before I have a chance to choose? What hobby, activity, or form of play would help me return to myself? What bothers me enough that it might contain a creative clue? What would I make this week if I stopped worrying whether it counted as art? A Simple Practice for Making Like a Kid Again Here's something practical you can do this week. Set aside one uninterrupted hour. No phone. No audience. No outcome. No need to make something good. Choose a space. Put a few materials in front of you. Paper and markers. A camera. A guitar. A notebook. Clay. Index cards. A laptop with the internet off. Whatever feels inviting. Then begin with this prompt: Wouldn't it be funny if… Follow whatever comes next. Do not evaluate it too early. Do not ask what it is for. Do not decide whether it is art. Do not turn it into a brand, a strategy, or a pitch deck. Just make stuff. Then notice how you feel. Notice what surprised you. Notice whether something small wants to keep going. That is enough. Final Thought The longer I do this work, the more I believe that creativity is not something we need to earn. It is something we need to return to. It was there before the labels. Before the pressure. Before the metrics. Before the platforms. Before the fear of being judged. Before we learned to ask whether we were allowed. Austin's invitation in this conversation is simple, generous, and quietly radical: Stop making creativity so precious that you cannot touch it. Give yourself time. Give yourself space. Give yourself materials. Protect your attention. Find your friends. Pick up the toy. Follow the weird little idea. Let yourself begin before you know what it means. Until next time: forget the nouns, do the verbs, and just make stuff.

The Learning Leader Show with Ryan Hawk www.LearningLeader.com New Book -- The Price of Becoming www.LearningLeader.com/Becoming Austin Kleon is the NYT bestselling author of Steal Like an Artist, Show Your Work, and Keep Going. He's a writer who draws, a former librarian, and one of the most original thinkers on creativity working today. His new book is Don't Call It Art: 10 Ways to Create Like a Kid Again. This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. Key Learnings   Stay light. Bill Murray told ballplayers that if you stay light, loose, and relaxed, you can play at the highest level. Same with acting, writing, anything. Austin keeps a photo of Bill in his studio as a reminder. Play is the work. A lot of Austin's best work requires a sense of play. It's hard to tell where one ends and the other begins. Go to the analog desk first. Austin has a digital desk and an analog desk. Nothing electronic is allowed at the analog desk. He starts there with nothing and sees what comes. Most people never give themselves the time, space, and materials to make something of what's swirling inside them.  People want to watch someone who is activated. "People will pay every night to show up and see somebody believe in themselves." (Kim Gordon, Sonic Youth) The market for something to believe in is infinite. (Hugh MacLeod) The world is full of people just doing their thing. They're hungry to see someone on fire for something. The writer's job: take what everyone is thinking and put it into words. "You gave me the words" is the highest compliment a reader can give. Effortless is earned. People say the Friday newsletter looks easy. Austin's reply: Do it every Friday for 13 years, then call me. A place to put things makes you notice more. Thoreau took morning walks knowing he'd write later, so he paid closer attention. Carry a camera, and you start seeing shots everywhere. Live for the living, not for the writing. There's a tension between living your life and documenting it. Don't lose yourself to the feed. Your attention is the most valuable thing you have. Everyone wants to take it. The real challenge of modern life is making sure you're the one who decides where it goes. The best teachers are perpetual students. You realize what you know and don't know only when you try to teach it. Toggle between knowing and not knowing. The moment you think you know what you're doing, the work gets stale. You start running on routine instead of need. To be an amateur is to be a lover. The French root means "lover of." An amateur does it out of love, not material reward. Every great CEO should be put in a room with a four-year-old. They'd both learn something. Kids knock the pompous certainty right out of you. "I don't know. How do you think we should figure it out?" Austin's kids taught him it's less important to know everything than to know how to find out. The leader isn't the one who speaks while everyone listens. The leader listens, asks questions, stays curious, and wonders how everyone is doing. Look for who's having fun, not who's successful. Fun is underrated. Serious people have a serious time. Do it with lightness and it's contagious. "A master in the art of living draws no sharp distinction between his work and his play." (Lawrence Pearsall Jacks) He hardly knows which is which. He simply pursues his vision of excellence through whatever he's doing and leaves others to decide whether he's working or playing. To himself, he always appears to be doing both. Ask "What does the universe want to show me today?" A useful fiction. Tell yourself the world is trying to send you messages and suddenly you see a hundred of them. Have the toy before you know what you'll do with it. Austin buys typewriters, then asks what to make. Get the bicycle first. In six months you'll know what kind you actually want. Steal an idea someone only did once and turn it into a whole thing. Austin saw a single typewriter interview, made it a series, and has done more than 20. Put the human hand in the work. Austin decided 20 years ago to make it obvious a human made his stuff. In the age of AI, it stands out more than ever. People want the imperfection. Writing is thinking. People think you gather your ideas then write them down. The act of writing is the act of figuring out what you actually think. That's the hard part. Differentiate yourself by reading a book outside your field. Swim a little further out than everyone else and you find new water. Focus on what you can control. A writer controls only what's between the covers. Did you do a good job? Were you clear? Were you helpful? The rest isn't up to you. Austin's champagne moment a year from now: his kids flourishing. The older he gets, the less the books mean and the more his family does. Reflection Questions Where is your analog desk? Do you have a space with no screens where you go to make something of what's swirling inside you? Are you activated? When people watch you work, do they see someone on fire for it, or someone just going through the motions? What's one idea from outside your field you could steal this week? Where could you swim a little further out and find new water? More Learning #676: Jesse Cole - Built for the Fans, Obsession & Excellence#687: Jim Collins - What to Make of a Life#241: Austin Kleon - How to Steal Like an Artist   Podcast Chapters   00:00 The Price of Becoming - Pre-Order Now!  01:33 Meet Austin Kleon  02:53 The Bill Murray Photo: Stay Light  05:42 The Analog Desk: Where the Real Work Starts  08:51 People Want to Watch Someone Activated  15:22 Why "It Looks Easy" Is the Whole Point  16:28 The Newsletter as a Forcing Function to Notice  20:46 Who Owns Your Attention?  24:39 How Austin's Kids Became His Teachers  29:06 Why the Best Creators Stay Amateurs  31:33 Curiosity Is the Real Leadership Skill  34:09 What Does the Universe Want to Show Me Today?  35:02 Look for Who's Having Fun, Not Who's Successful  38:30 Do You Love to Write, or Love to Have Written?  41:00 The Typewriter Interviews: Stealing an Idea Done Once  47:18 The Interplay of Analog and Digital  49:02 AI and Why the Human Hand Wins  51:23 The Champagne Question: Family Flourishing  55:47 Walk-Ins Welcome  58:06 EOPC

Content-Hinweis: In dieser Folge geht es u.a. um psychische Erkrankungen und Suizid-Gedanken.Melanie & Jobst im Gespräch mit Benjamin. Wir reden über die Shitlers, Bardowick, Hubert Selby onanierend im kalten Entzug, Ungerechtigkeit & Gewalt, Empathie-Unterricht in der Fahrschule, aus Versehen Humor, mit Timo "The Longest Line" im Auto hören, die Band Heyt, Scared Straight & Ten Foot Pole, statt Propaghandi nur ...but Alive, ein handkopierter Katalog mit CDs, mit 12 mal Death Metal probieren, den Gitarristen von Ryker´s im Zug treffen, ein vakuumöser Haushalt, Hobby Holz hacken, ständig in hab acht Stellung sein, immer Angst haben fertig gemacht zu werden, bei Oma Anni auf den Feldern abhängen, den Spargel zu kurz abstechen, ein wandernder Granatsplitter in Opas Stirn, die ganze Welt voll mit Schmerzen, wie beim Hulk, wegen Lippen-Gaumen-Spalte zur Sonderschule, in Bardowick beim All-You-Can-Eat-Chinesen, das Lieben auslagern, plötzlich wurde Papa weicher, bei der Freundin die Arschdusche einbauen, das Nazi-Gymnasium in Lüneburg, wenn man wütend ist hat man meistens ne Wahnsinns-Angst, ST aufm Walkman, so genannte Elternbands, aus Wut kann Poesie entstehen, das 1000 Steine Projekt, Life of Agony & Spudmonsters & Pro-Pain, eigentlich Melodien brauchen, Flag of Democracy im Fundbureau, Nazi-Parties in Garagen, ein Band-Wettbewerb in Winsen/Luhe, Stress mit Okkervil River, sechs Kassetten auf Einlegen Kassetten, es wird blöd wenn Sachen monetarisiert werden müssen, das Tracy Chapman-Problem, Kafka & Benn, Menschen mit langen beigen Mänteln wollen Kleinanzeigen schalten, das große Frisör-Special im Prinz, plötzlich Video-Spiele als Kulturgut sehen, eines tages vom Spiegel, der coole Bill Watterson, mit der Härte nicht weiterkommen, ein unglücklicher Mensch der mit Glück überschüttet wurde, Bolt Thrower, dumm was lernen angeht, Depressionen sind der Porsche unter den psychischen Erkrankungen, Melancholie vs. Trauer vs. Depression, Absagen sammeln müssen, in Arzt-Romane auf Platz 23 sein, die Zeit braucht Offenporiges, den Gedanken Zügel anlegen, die zuverlässige Qualle, in den Schatten wachsen die größten Monster, eigentlich nach Berlin wollen, in sich reisen, mehr Punks auf Sylt, beiläufige Freundlichkeiten, das neue Album von Kim Gordon, Sonic Youth is ne Scheiß-Band, superteurer lila Spitzkohl, die Doku "The Other F-Word", uvm.Drei Songs für die Playlist:1) Ein Lieblings-Lied des 16-jährigen Benjamin: SUICIDAL TENDENCIES - Alone2) Ein Song mit dem man Benjamin auf die Tanzfläche locken kann: RAGE AGAINST THE MACHINE - Killing in the Name of3) Ein wirklicher guter Kinder-Song: BUMMELKASTEN - Rolltreppenmax

Ce 28 avril, Marjorie Hache nous propose les incontournables, Alice Cooper, The Rolling Stones, Nirvana, Aldous Harding, Norman Greenbaum, Cold War Kids, Stereophonics, Supergrass et Pulp. Sont aussi au programme David Bowie, Metronomy, Garbage, Blondie, et un alliage surprenant entre Anthrax et Public Enemy. L'animatrice rend par ailleurs deux beaux hommages : l'un à Kim Gordon de Sonic Youth pour son anniversaire avec "Bull In The Heather", l'autre à Nedra Talley Ross des Ronettes, récemment disparue, avec le mythique "Be My Baby". En matière de nouveautés, Jack White s'illustre avec "God and The Broken Ribs". Les Lambrini Girls dévoilent "Cult Of Celebrity", tandis que Gorillaz s'associe à la voix posthume de Mark E. Smith sur "Delirium". S'ajoutent les Dynamite Shakers et le Français Nicolas Veroncastel avec "At Least". La primeur du jour met en lumière le groupe francilien Chest, avec "Otto". L'album de la semaine poursuit l'exploration du douzième disque des Foo Fighters illustré ce soir par le titre "Window". Enfin, la reprise de l'émission est l'oeuvre des Anglais d'Alt-J, qui s'approprient brillamment le légendaire "House Of The Rising Sun" de The Animals. Jack White - G.O.D. And The Broken Ribs Alice Cooper - School's Out Sonic Youth - Bull In The Heather David Bowie - China Girl Steven Wilson - Permanating The Rolling Stones - Angie Aldous Harding - The Barrel Foo Fighters - Window Nirvana - Breed Norman Greenbaum - Spirit In The Sky Anthrax & Public Enemy - Bring The Noise Lambrini Girls - Cult Of Celebrity Alt+J - House Of The Rising Sun Cold War Kids - Hang Me Up To Dry Stereophonics - Dakota Nicolas Veroncastel - At Least The Ronettes - Be My Baby Metronomy - The Bay Gorillaz - Delirium (Feat. Mark E. Smith) The Velvet Underground - Sweet Jane Supergrass - Diamond Hoo Ha Man Chest. - Otto Garbage - Stupid Girl Pulp - Babies Blondie - One Way Or Another Dynamite Shakers - Cinema Crippled Black Phoenix - Times They Are A'ragingHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier: https://open.spotify.com/playlist/1j2MlIqHTGKhRdvyNZx4LC?si=M_AH_p7mQzKLXhCQudm07A Diesmal besprechen wir:- die Beefs des Monats: Brady Ebert vs. Turnstile, Pt. 2 + Courtney Love & Billy Corgan vs. Kim Gordon- die Rock'n'Roll-Hall of Famer Oasis und Joy Division/New Order- neue Singles und/oder Albumankündigungen von The Strokes, Iceage, Quicksand, Kurt Vile, Jack White, Lambrini Girls & Gang Of Four- die neuen Alben von Foo Fighters & Wu Lyf + kurz & gut: Hi Mum!, The Twilight Sad, Frikó & Angelo De Augustine- den 25. Geburtstag von Black Rebel Motorcycle Clubs „B.R.M.C.“- den Marketing-Skandal um die Hype-Band Geese und die ethischen Grenzen des Erfolgs im Indie-RockFolgt uns bei ⁠instagram.com/loveisnoisepodcast/⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/LoveIsNoisePodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ und schreibt uns unter loveisnoisepodcast@gmail.com

Siempre que llega la primavera, repasamos la música que mas nos ha gustado de lo que llevamos de año en nuestro habitual Especial NOVEDADES. En el programa de hoy, sonarán hits de SLAYYYTER, CHARLI XCX, HARRY STYLES, DEPECHE MODE, MADONNA, HAUTE & FREDDY, UNDERSCORES, RAYE, CA7RIEL & PACO AMOROSO, JILL SCOTT, AGNES, GORILLAZ & SPARKS, NACHO VEGAS, GINEBRAS, DANI DICOSTAS, MARÍA ESCARMIENTO, OBK, MARC ALIANA, MUJERES, PACO TE QUIERO, MARÍA ARNAL, RODRIGO CUEVAS & MASSIEL, ADIOS COMETA, THE TWILIGHT SAD, COURTNEY BARNETT, MITSKI, RATBOYS, DRY CLEANING, SLEAFORD MODS & GWENDOLINE CHRISTIE, KIM GORDON, ANGINE DE POITRINE, PEACHES, LADYTRON, JAMES BLAKE, APPARAT, NATHAN FAKE, DANNY L HARLE & PINKPANTHERESS, DOUBLESPEAK, MASSIVE ATTACK & TOM WAITS, NINE INCH NOIZE, ROBYN, CHALK y MANDY, INDIANA & BILLY WOODS.

Nos invité·e·s nous révèlent leurs trois titres les plus écoutés. La journaliste et écrivaine Carole Boinet nous fait écouter des morceaux de Kim Gordon, The Velvet Underground et Eartheater. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Will and Jason discuss new releases by Special Friend, The Notwist, Memorials, and Ex-Pilots + Gaadge, plus a live report and bonus songs.

Today on Morning Glory, Thursday host Emma Gleason interviews Frankie Curac and Nikkie Rich from Wellington band Niko Ne Zna. Today's show features music from them, as well as Hun Lynch, Fazerdaze, Kim Gordon, Garageland, Mbongwana Star and more. Thanks to The Tuning Fork

One-on-one pod today, Chris is in Philadelphia, and Jason is home in LA. We chat about Rockport shoes, a packet-filled evening, beating your face before Club Space, Christina Hendricks's recent all-vinyl DJ set, Chris and Alix revisit The Rachel Zoe Project (2008), when the gym has an indoor track mezzanine, the ongoing tribulations of Pooh Shiesty, our friends posting the Kanye concert to Close Friends, M.I.A. and Olivia Rodrigo's fans at war over who has the right to swing freely, who doesn't have smoke with Kim Gordon, Chris's Escalade livery for the weekend, and we learn what Roku is exactly. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded as a podcast for International Women's Day, this panel brings together Nicci Richman, Dr Kim Gordon, and Dr Annalisa Contos, to share experiences of late diagnosis (ADHD, autism, dyslexia/dysgraphia) and how it reshaped identity, self-compassion, and career trajectories. The discussion links perimenopause/menopause to reduced capacity to mask, emotional peaks and troughs, and grief over missed support and opportunities. Panelists describe the invisible load of masking, executive-function demands, parenting neurodivergent children, burnout, and workplace penalties for non-linear careers, “cultural fit,” and intersectional bias. They outline practical workplace changes—universal design, clarity, flexible output-focused work, supportive tools (including AI), easier adjustments, and leaders who model disclosure—while noting supports like JobAccess and resources from ADHD Australia.

Mercredi 1er avril, Pop-Rock Station ouvre avec le niuveau titre de The Strokes "The Adults Are Talking". Parmi les nouveautés, Kim Gordon dévoile "Girl With A Look", extrait de son album "Play Me". Focus aussi sur The Twilight Sad avec "Back To Fourteen", un titre centré sur le deuil et l'anxiété. Côté classique, hommage à David Bowie pour les 60 ans de son premier single "Do Anything You Say". S'enchaînent Richard Ashcroft, Deep Purple avec "Highway Star", ou encore Norman Greenbaum avec "Spirit In The Sky". La compilation caritative "Help2", au profit de War Child, propose une reprise de "Sunday Morning" du The Velvet Underground par Beth Gibbons. Suite de l'émission avec Jefferson Airplane, Temples, Cat Power et la découverte du groupe parisien Mascara. La nouveauté "Fresh Fresh Fresh" met en avant The Lemon Twigs et "I Just Can't Get Over Losing You", aux influences 60s-70s. Enfin, retour aux fondamentaux avec The Doors et "Light My Fire", puis Black Flag et "Rise Above", avant une fin d'émission avec Alt-J et Pink Floyd. The Strokes - The Adults Are Talking Kim Gordon - Girl With A Look David Bowie - Do Anything You Say Ten Years After - I Woke Up This Morning Richard Ashcroft - Break The Night With Colour Bruce Springsteen - Atlantic City Courtney Barnett - Nobody Really Cares If You Don't Go To The Party The Twilight Sad - Back To Fourteen The Cure - The End Of The World Deep Purple - Highway Star Norman Greenbaum - Spirit In The Sky Gorillaz - Delirium (Feat. Mark E. Smith) Beth Gibbons - Sunday Morning Travis - Side Mascara - Going Postal Jefferson Airplane - Somebody To Love Elvis Presley - A Little Less Conversation (Jxl Radio Edit Remix) Temples - Jet Stream Heart Gary Glitter - Rock & Roll Part 2 Cat Power - Peace And Love The Lemon Twigs - I Just Can't Get Over Losing You Green Day - Still Breathing The Doors - Light My Fire Black Flag - Rise Above Alt+J - Tessellate Pink Floyd - Shine On You Crazy Diamond (Parts I-V)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier:https://open.spotify.com/playlist/2CE0eaNs5JUVJUJenRjnl5?si=WxgA_ifDRKGqugRKEtwYWA Diesmal besprechen wir:- die Beefs des Monats: Franz Ferdinand vs. IDF / Radiohead vs. ICE- neue Singles und/oder Albumankündigungen von Death Cab For Cutie, Black Keys, Muse, Modest Mouse, Afghan Whigs & Get Well Soon- die neuen Alben von Morrissey, The Notwist & Kim Gordon + kurz & gut: Brigitte Calls Me Baby, Morgan Nagler, Gladie & Surfbort- den 30. Geburtstag von Afghan Whigs' „Black Love“- eure Sprachnachrichten an uns

Met ditmaal: Iggy Pop & Ginger Baker, Cardinals, Pulp, JB Meijers, Deadletter, The Black Crowes, Walter Trout, Ora Cogan, Zach Bryan, dEUS, Kim Gordon, De Baron, The Delines, plus een exclusieve instore van Henk Koorn & Hans Vandenburg. Concerto Radio, aflevering 641 (27 maart 2026): Iggy Pop & Ginger Baker, Lonely Boy: Black On Blues – […]

Mercredi 25 mars, Pop-Rock Station propose deux heures mêlant classiques et nouveautés. Ouverture avec Pulp et "Begging For Change", extrait de la compilation caritative "Help2", avant d'enchaîner avec des incontournables comme Thin Lizzy, Talking Heads ou Dire Straits. La soirée rend aussi hommage à Taylor Hawkins avec "Learn To Fly" de Foo Fighters, quatre ans après sa disparition. Côté nouveautés, l'album de la semaine est signé Kim Gordon avec "Play Me", illustré ici par une relecture de "Bye Bye". S'ajoutent les nouveaux titres de Aldous Harding et Lana Del Rey, ainsi que Puscifer. La cover du soir revisite Kraftwerk avec "The Model", repris par Messer Chups dans une version surf rock. Dans le reste de la programmation, on retrouve The Dandy Warhols avec Slash, Muse, Kyuss ou encore Nothing But Thieves. Pulp - Begging For Change Thin Lizzy - The Boys Are Back In Town Foo Fighters - Learn To Fly Hole - Skinny Little Bitch The Dandy Warhols & Slash - I'd Like To Help You With Your Problem Serge Gainsbourg - Qui Est "In" Qui Est "Out" Dropkick Murphys - Rose Tattoo Kim Gordon - Bye Bye Beastie Boys - Sabotage Talking Heads - Once In A Lifetime Blondie - Atomic Puscifer - Bad Wolf Messer Chups - Model April March - Chick Habit Nothing But Thieves - Forever And Ever More Dirt Buyer - For Me Dire Straits - Six Blade Knife Kate Nash - Foundations Rob Zombie - (I'm A) Rock "N" Roller Leonard Cohen - Hallelujah Muse - Undisclosed Desires Aldous Harding - One Stop The Kingsmen - Louie Louie Kyuss - Demon Cleaner Stuck In The Sound - Brother Lana Del Rey - White Feather Hawk Tail Deer Hunter Ted Nugent - StrangleholdHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, new live Social Distortion, Black Keys, Lime Garden, Kim Gordon and Carsie Blanton. Also, faves from Jack White, Beastie Boys,  and  Aphex Twin. Plus...A Pants Off Dance Off! Think you can handle it? Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

Singer-songwriter Reine Orelia rings in all the way from Paris to tell us about her new EP. Plus we spin new tracks from Kim Gordon, Eleni Mandell and Star Moles

durée : 00:27:24 - Les Midis de Culture - par : Marie Labory - Dans ce débat critique, ça swing : on parle du troisième album solo de Kim Gordon, ex chanteuse de Sonic Youth, et du premier album entièrement indépendant du britannique James Blake. - réalisation : Laurence Malonda - invités : Carole Boinet Journaliste française; Christophe Conte Journaliste

durée : 00:12:44 - Les Midis de Culture - par : Marie Labory - Kim Gordon, ex chanteuse des Sonic Youth, livre un troisième album solo encore et toujours révolté, avec une touche d'intériorité. - réalisation : Laurence Malonda - invités : Carole Boinet Journaliste française; Christophe Conte Journaliste

Met ditmaal: The Black Crowes, Arctic Monkeys, Earth Tongue, The Hickey Underworld, Kim Gordon, De Baron, Ora Cogan, Fontaines D.C., Bonnie “Prince” Billy, The Lemonheads, The Notwist, Foy Vance, Depeche Mode, Kevin Morby, plus een exclusieve instore van Iskander Moon. Concerto Radio, aflevering 640 (20 maart 2026): The Black Crowes, Do The Parasite!: A Pound Of […]

Torsten Groß nimmt mit seinen Gästen Kai Müller (Tagesspiegel), Stephan Rehm (Musikexpress) und Andreas Borcholte (DER SPIEGEL) diese vier brandneuen Alben unter die Lupe – mit Hintergründen, persönlichen Eindrücken und Empfehlungen. Für alle, die Musik auch verstehen wollen: "Play Me" von Kim Gordon, "Attempted Martyr" von Prostitute, "Paradises" von Ladytron und "Gschnas" von Voodoo Jürgens.

Kim Gordon trägt den Legendenstatus nicht nur dank ihrer Zeit bei Sonic Youth. Die New Yorkerin macht Kunst, Musik und Fashion; sie ist Autorin, Designerin und Schauspielerin. Kim Gordon gehört zum Inventar der alternativen Kultur und beweist das auf «Play Me» einmal mehr.

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) aproveitam o clima de Oscar para conversar sobre cinebiografias musicais que realmente valem a pena.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Iceage https://tinyurl.com/yz87m4p9➜ Lykke Li https://tinyurl.com/23e5rj72➜ Alice Caymmi https://tinyurl.com/3tm53xak➜ Bruna Lucchesi https://tinyurl.com/2fwhntkv➜ Russian Red https://tinyurl.com/52d24rp3➜ O Nó https://tinyurl.com/22wb9667➜ Turmallina https://tinyurl.com/ayhfwmw5➜ Hemlocke Springs https://tinyurl.com/46uyxrtb➜ Sideshow https://tinyurl.com/3stkhskm➜ Kim Gordon https://tinyurl.com/yc4zzkaa➜ James Blake https://tinyurl.com/mu53ujed➜ Sorosoro https://tinyurl.com/5n8vfhjk➜ Lucas Santtana https://tinyurl.com/cmnyjapt➜ Chococorn and The Sugarcanes https://tinyurl.com/5wkj8thx➜ Arlo Parks https://tinyurl.com/ynf7unu6➜ Snowcuffs https://tinyurl.com/38d4dhh4➜ Slag https://tinyurl.com/7e3nvz5b Você Precisa Ouvir Isso➜ Sakamoto Days (Netflix)➜ Hotel Assombrado (Netflix)➜ 1975: O Ano do Colapso (Netflix)➜ Mostra FarolPlaylist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

This week, hosts Reggie Worth and Jason Jefferies discuss the releases of 3/6 and 3/13/26 including new albums by Outift, Kim Gordon, Shabaka, Dub Pistols, Morrissey, Lamb of God, Rob Zombie and more.  Happy listening, friends!

Hoy una sesión que mezcla la potencia internacional con joyas de la escena local. + info - https://linktr.ee/b90podcast Espacio patrocinado por: Barullo -Unai Elordui - JulMorGon - David Salamanca Sanz - Jaime Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - chalsontheroute - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Próxima Estación Okinawa - Rosa Rivas - Achtungivoox - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Power42 - Naïa - Dani GO - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

Mardi 17 mars, Marjorie Hache enchaîne une nouvelle soirée de Pop-Rock Station sur RTL2, entre classiques et découvertes. L'émission s'ouvre avec Foo Fighters et "Your Favorite Toy", avant un parcours mêlant Led Zeppelin, Television, System Of A Down, Oasis ou encore Rancid. L'album de la semaine est signé Mitski avec "Nothing's About To Happen To Me", dont est extrait ce soir "Dead Women". Parmi les nouveautés, on retrouve Kim Gordon, Rob Zombie ou encore White Denim. La reprise du soir met en avant Sheryl Crow avec "Behind Blue Eyes", un titre de The Who. La recommandation de Francis Zégut met en lumière Converge avec "We Were Never The Same". Le rendez-vous Fresh Fresh Fresh accueille Ed O'Brien, guitariste de Radiohead, avec "Blue Morpho", premier extrait de son projet solo. Au fil de la soirée Pop-Rock Station poursuit son exploration entre rock culte et nouveautés, avec AC/DC, Blur, John Lennon, Queens Of The Stone Age ou Kittie. Foo Fighters - Your Favorite Toy Kim Wilde - Kids In America The Smashing Pumpkins - Ava Adore No One Is Innocent - La Peur Led Zeppelin - Babe I'm Gonna Leave You Blur - Country House Kavinsky - First Blood Mitski - Dead Women John Lennon - Imagine R.E.M. - It's The End Of The World As We Know It AC/DC - T.N.T. Rob Zombie - (I'm A) Rock "N" Roller Sheryl Crow - Behind Blue Eyes Limp Bizkit - Rollin' (Air Raid Vehicle) Oasis - Stand By Me Converge - We Were Never The Same System Of A Down - Lonely Day Wire - Mannequin Kim Gordon - Not Today The Seeds - Can't Seem To Make You Mine Queens Of The Stone Age - The Lost Art Of Keeping A Secret Ed O'brien - Blue Morpho Wings - Goodnight Tonight Rancid - Time Bomb Kittie - Get Off (You Can Eat A Dick) Kasabian - Shoot The Runner White Denim - (God Created) Lock And Key Television - Torn CurtainHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

James Blake. Kim Gordon. Sturgill Simpson's country-funk alter ego. NPR Music's Stephen Thompson chats with Amelia Mason from WBUR in Boston about their favorite albums out Friday, March 13. Plus, a handful of NPR Music writers and critics offer personal picks in our lightning round.The Starting 5(00:00) Introduction & Oscars predictions(02:15) Johnny Blue Skies & The Dark Clouds, 'Mutiny After Midnight'(08:50) James Blake, 'Trying Times'(17:04) Anjimile, 'You're Free To Go'(22:53) Kim Gordon, 'Play Me'(27:52) Blessing Jolie, '20nothing'(35:15) The Lightning Round- Morgan Nagler, 'I've Got Nothing To Lose, and I'm Losing It'- Tinariwen, 'Hoggar'- Jorge Drexler, 'Taracá'- The Tallis Scholars, 'Nico Muhly: No Resting Place'- Fugazi, 'Albini Sessions'Sample the albums via our New Music Friday playlist and see our Long List of notable releases on NPR.org.Credits: Host: Stephen ThompsonGuest: Amelia Mason, WBURAudio Producer: Noah CaldwellDigital Producer: Dora LeviteEditors: Otis Hart, Elle MannionExecutive Producer: Suraya MohamedSpecial thanks to Felix Contreras, Tom Huizenga and Lars GotrichTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Kim Gordon—artist, musician, writer, and co-founder of the iconic rock band Sonic Youth—is one of the most restlessly creative figures in American culture. Over the past four decades moved between mediums with an ease that few can achieve. She published her memoir Girl in a Band in 2015 to wide acclaim. Her visual work has been shown at institutions including the Andy Warhol Museum, the Irish Museum of Modern Art, and the Busan Biennale. Her 2024 solo album The Collective, a record built on trap beats and with sharp cultural commentary, earned her two Grammy nominations, a career first. But Gordon was always an artist first. Now, she is the subject of two concurrent exhibitions now open at Amant, the Brooklyn-based arts organization. The first is her solo survey "Count Your Chickens," which brings together painting, ceramics, film, and readymades spanning nearly 20 years of work. The second is "Folded Group," a group show she co-curated with Bill Nace, her collaborator in the experimental guitar duo Body/Head, featuring 19 artists and artist-musicians many of whom, like Gordon, have never accepted the boundary between making art and making music. Her third solo album, Play Me, is out on March 13. In her conversation with senior editor Kate Brown, Gordon discusses her visual practice, her relationship to the art world and the music world, and what these two universes share and where they diverge. She reflects on album art as a curatorial act, on how the internet has transformed what it means to make and disseminate work, and on what it has meant to spend a career resisting every category people tried to put her in.

Mardi, Margaux Lassalle poursuit la semaine aux commandes de Pop-Rock Station sur RTL2 pendant les vacances de Marjorie Hache. L'émission s'ouvre avec Joy Division et "Love Will Tear Us Apart", avant un enchaînement mêlant figures du rock et découvertes avec Kim Gordon, Depeche Mode, Thin Lizzy, Hard-Fi ou Fleetwood Mac. Parmi les nouveautés diffusées dans la soirée figurent notamment "Bad Wolf" de Puscifer, "You Got To Lose" des Black Keys, "Out Of Control" de Ghinzu, ainsi que le nouveau titre de Foo Fighters "Your Favorite Toy". La reprise du soir met à l'honneur The Presidents of the USA qui revisite "Video Killed The Radio Star" des Buggles. La recommandation de Francis Zégut met en lumière Sofia and the Antoinettes avec "Hi My Love". La perle du jour est "Just Breathe" de Pearl Jam, tirée de l'album "Backspacer" sorti en 2009. La programmation convoque également Radiohead, The Beatles, Joan Jett, Pantera, Phoenix ou Lana Del Rey avant de conclure avec le long format de la soirée : "Roundabout" de Yes, extrait de l'album "Fragile" paru en 1971. Joy Division - Love Will Tear Us Apart Kim Gordon - Not Today Depeche Mode - Heaven Thin Lizzy - Whiskey In The Jar Hard-Fi - Cash Machine Gary Glitter - I'm The Leader Of The Gang (I Am!) The Hives - Come On ! Puscifer - Bad Wolf Fleetwood Mac - Big Love Radiohead - Paranoid Android Steely Dan - Pretzel Logic The Black Keys - You Got To Lose Eugene Mcguinness - Shotgun Presidents Of The USA - Video Killed The Radio Star Santigold - Say Aha The Beatles - Helter Skelter Foo Fighters - Your Favorite Toy Slade - Cum On Feel The Noize Sofia And The Antoinettes - Hi My Love Joan Jett - Bad Reputation Green Day - Oh Yeah Ghinzu - Out Of Control T.Rex - Children Of The Revolution Pantera - This Love Pearl Jam - Just Breathe Phoenix - Everything Is Everything Lana Del Rey - White Feather Hawk Tail Deer Hunter Yes - RoundaboutHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mercredi dans Pop-Rock Station, la soirée mêle classiques et nouveautés avec Black Sabbath, The White Stripes, Katrina and the Waves ou Placebo. Focus historique sur The Jam, qui signe avec Polydor en 1977, célébré avec "In The City". L'album de la semaine est "No Lube So Rude" de Peaches, illustré par "Grip". Archive dévoile "Look At Us", extrait de "Glass Minds". Gorillaz présente "Orange County", avant la sortie de The Mountain. La reprise du soir met à l'honneur "Wicked Game" de Chris Isaak, revisitée par Stone Sour. Live également avec Brutus et "Dust", tandis que l'émission célèbre l'anniversaire de George Harrison avec "My Sweet Lord". La séquence Fresh Fresh Fresh présente The Sophs et "Sweetiepie", extrait de "Goldstar". La fin de soirée convoque Kim Gordon, Queen, Alex Turner en solo, Jefferson Airplane et Black Sabbath, entre héritage rock et scène actuelle. Archive - Look At Us Placebo - Song To Say Goodbye The Jam - In The City Katrina And The Waves - Walking On Sunshine Kasabian - Hippie Sunshine The Rolling Stones - Paint It Black The White Stripes - Blue Orchid Peaches - Grip Babylon Zoo - Spaceman Neil Young - Rockin In The Free World Electric Light Orchestra - Mr Blue Sky Gorillaz & Bizarrap & Kara Jackson & Anoushka Shankar - Orange County Stone Sour - Wicked Game Beth Ditto - Fire Stereophonics - Dakota Brutus - Dust (Live In Brussels) George Harrison - My Sweet Lord Mark Knopfler - What It Is Kim Gordon - Not Today Queen - Killer Queen Papa Roach - Last Resort The Sophs - Sweetiepie Jefferson Airplane - Somebody To Love Alex Turner - Stuck On A Puzzle Black Sabbath - Paranoid Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Isaac Hayes - Shaft IiHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Author Garth Jones returns with some new book reviews and suggestions including Stayin' Alive in Channel Country, Kim Gordon's autobiography Girl in a Band, Salvage, the new Batman ongoing title, and more. If you're looking for something to read, there's plenty of suggestions from Hammo and Garth in this pod. Hosted on Acast. See acast.com/privacy for more information.

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME.For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap.Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism.In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

Episode 776: February 14, 2026 playlist: Laibach, "Allgorhythm (feat. Wiyaala)" (Musick) 2026 Mute Drop Nineteens, "Fools" (Fools) 2025 Wharf Cat Pan American, "Death Cleaning" (Fly the Ocean in a Silver Plane) 2026 Kranky Insides, "Nobody Could Love You more" (Nobody Could Love You more) 2026 [self-released] Dizzy Fae, "Cupid's Call" (Cupid's Call) 2026 Pulse Kim Gordon, "Not Today" (Play Me) 2026 Matador Greater Than One, "Control Freak" (Groove Is In The Dark) 2026 Dataflow Yin Yin, "Lecker Song" (Yatta!) 2026 Glitterbeat Eli Keszler, "When I Sleep (Tim Hecker Remix)" (Eli Keszler Remixes) 2025 Lucky Me Tommy Peltier, "Flight of the Dancer" (Echo Park (The 70's Sessions)) 2026 Drag City K.A. Posse, "Imported Taste" (Strikes Again) 2026 Dark Entries Klein, "rich dad poor dad" (sleep with a cane) 2025 [self-released] Adey Omotade, "Oori : Ogbe" (Eero : Eecu) 2026 Afrosynth Joshua Abrams, "Music for Pulse Meridian Foliation (brief immersion)" (Music for Pulse Meridian Foliation) 2026 Drag City Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Ce mercredi, Marjorie Hache propose deux heures de rock et de pop pointue dans Pop-Rock Station. Elle ouvre la soirée avec Arctic Monkeys et un titre inédit issu de la compilation caritative "Help 2" au profit de War Child. Parmi les classiques, elle enchaîne avec Echo & The Bunnymen, Deep Purple, David Bowie, The Dandy Warhols, Nine Inch Nails ou encore Guns N' Roses. Dans l'actualité musicale, elle met en avant Anna Calvi avec "God's Lonely Man" en duo avec Iggy Pop et Kim Gordon avec "Not Today". L'album de la semaine est toujours signé Puscifer avec "Normal Isn't", illustré ce soir par "Self Evident". La reprise met à l'honneur "Lilac Wine", popularisée par Nina Simone et revisitée ici par Jeff Buckley. L'émission salue aussi l'anniversaire de Mike Shinoda avec Linkin Park et rend hommage à Brad Arnold de 3 Doors Down qui vient de nous quitter. Enfin, la séquence Fresh Fresh Fresh présente Zach Bryan, nouvelle figure montante de la country, avec "Plastic Cigarettes". Arctic Monkeys - Opening Night Echo & The Bunnymen - The Killing Moon Linkin Park - Unshatter The Dandy Warhols - Get Off Deep Purple - Hush Luke - La Sentinelle David Bowie - Blue Jean Puscifer - Self Evident The Who - Who Are You The 5.6.7.8'S - Woo Hoo Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Jeff Buckley - Lilac Wine The Box Tops - The Letter 3 Doors Down - Kryptonite Brotaly - The Body Depeche Mode - A Question Of Time Nine Inch Nails - Closer Kim Gordon - Not Today Joan Baez - House Of The Rising Sun Guns N' Roses - Yesterdays Zach Bryan - Plastic Cigarettes The Velvet Underground - Sunday Morning Curtis Stigers - This Life The Arrows - Touch Too Much Prince - Let's Go Crazy Sebastien Tellier - La RitournelleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

I've got 5 more songs for you that I'm diggin' this month! Lucinda Williams, Mitski, Ecca Vandal, Flea (Red Hot Chili Peppers), and Kim Gordon (Sonic Youth) all have new music out and I wanted to bring these songs to you. They cover a range of styles from alt-country to indie rock and they are all great. I hope you dig it! 

This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.

Ce jeudi 29 janvier, RTL2 Pop-Rock Station déroule deux heures de rock allant de Beck à Soundgarden, en passant par Gojira, Queens Of The Stone Age et New Order. La programmation met en avant l'actualité avec Kim Gordon et "Not Today", annonciateur de l'album "Play Me", ainsi qu'un rappel historique autour des Beatles enregistrant en allemand à Paris en 1964 avec "Sie Liebt Dich". Le parcours musical s'enrichit de U2, Visage, Editors, Sly And The Family Stone et d'un détour par le rock français avec FFF. L'album de la semaine revient avec Poppy et "Empty Hands", un disque naviguant entre metalcore abrasif et moments plus mélodiques, illustré ici par "The Wait". La soirée se poursuit avec Editors, Beck, Sleaford Mods accompagnés d'Aldous Harding, puis la cover du jour consacrée à "Enter Sandman" de Metallica revisité par Weezer. La fin d'émission alterne annonces live et découvertes avec Empire Of The Sun, "Miles Of Nothing" recommandé par Francis Zégut, Archive, Dead Kennedys et un live marquant de Gojira. La nouveauté Fresh Fresh Fresh met en lumière le jeune Irlandais Dove Ellis avec "Pale Song". New Order - Blue Monday Kim Gordon - Not Today The Beatles - Sie Liebt Dich Soundgarden - Fell On Black Days U2 - Get On Your Boots Sly And The Family Stone - Dance To The Music Fff - Morphee (Vivants-Live) Poppy - The Wait Visage - Fade To Grey Editors - Papillon Beck - Sexx Laws Sleaford Mods & Aldous Harding - Elitest G.O.A.T Weezer - Enter Sandman Empire Of The Sun - Walking On A Dream Eileen Noise - Miles Of Nothing The Kinks - All Day And All Of The Night Franz Ferdinand - Do You Want To Archive - Look At Us Dead Kennedys - California Uber Alles Gojira - Mea Culpa (Ah! Ça Ira!) (Live J.O. 2024) Dove Ellis - Pale Song Van Morrison - Brown Eyed Girl Elvis Presley - A Little Less Conversation (Jxl Remix) Sly & Robbie & Shinehead - Boops (Here To Go) Queens Of The Stone Age - Little Sister Dynamite Shakers - Nightclub Stevie Wonder - Living For The CityHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week we're obsessing over the hilarious and harrowing “Where's My Phone?” from Mitski, a slightly softer solo cut from Sonic Youth's Kim Gordon, the confounding but wondrous wordplay of Father John Misty and more.NPR Music editor Hazel Cills joins host Robin Hilton.Featured songs and artists:(00:00) Mitski: “Where's My Phone?” from ‘Nothing's About to Happen to Me'(09:29) Robber Robber: “The Sound It Made,” from ‘Two Wheels Move the Soul'(16:01) Tinariwen: “Sagherat Assani (feat. Sulafa Elyas),” from ‘Hoggar'(24:44) Kim Gordon: “NOT TODAY,” from ‘PLAY ME'(31:39) Father John Misty: “The Old Law” (single)(37:21) Vero: “100 Calls,” from ‘Razor Tongue'Support the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

El señor de la lluvia trae novedades que comienzan con sabor a Lou Reed, como el debut de Sunday Mourners o con Dave Wareham haciendo una personal versión de “A gift”. Suenan adelantos de los próximos trabajos de The Bevis Frond o Kim Gordon. Y recordamos los inicios de Maika Makovski junto a otras artistas que quedaron marcadas por PJ Harvey.Playlist;THE VELVET UNDERGROUND “Hey Mr. Rain” (White light, White heat, 1968)SUNDAY MOURNERS “There’s a garden in you” (A-rhythm absolute, 2026)DEAN WAREHAM “A gift” (2025)LOU REED “She’s my best friend” (Coney Island Baby, 1976)THE DREAM SYNDICATE “Tell me when it’s over (live, 1984)” (Medicine show; I know what you like (deluxe edition), 2025)THE BEVIS FROND “That’s your lot” (Horrorful heights, 2026)KIM GORDON “Not today” (Play me, 2026)LA LUZ “News of the universo” (Extra! Extra!, 2026)MAIKA MAKOVSKI “So far sober” (Kradiaw, 2005)PJ HARVEY “Shame” (Uh huh her, 2004)LE BUTCHERETTES “My mallely” (A raw youth, 2015)COURTNEY BARNETT “Depreston” (Sometimes I Sit and Think, and Sometimes I Just Sit, 2015)NEKO CASE “Destination” (Neon grey midnight green, 2025)Escuchar audio

Ce lundi 26 janvier, RTL2 Pop-Rock Station lance la semaine avec un large éventail rock et pop. La soirée s'ouvre avec Archive et un extrait de leur nouvel album "Glass Minds", avant de replonger dans les classiques des Pixies, de Prince ou des Charlatans, sans oublier Placebo et The Cure. L'album de la semaine est signé Poppy avec "Empty Hands". L'artiste américaine, figure du metal pop, est mise à l'honneur aux côtés de nouveautés comme Kim Gordon ou Geese, tandis que la programmation traverse aussi les univers de Smashing Pumpkins, Biffy Clyro, Muse et Eric Clapton. La nouveauté Fresh Fresh Fresh met en avant Bandit Bandit avec "Rien Attendre", extrait de leur prochain album "Cavalcades". La soirée se conclut sur une montée en puissance rock et metal, de Peaches à Metallica, en passant par Rise Of The Northstar. Archive - Look At Us Pixies - Where Is My Mind Prince - I Wanna Be Your Lover Adele - Rumour Has It The Charlatans - Deeper And Deeper The Beach Boys - Good Vibrations Biffy Clyro - Black Chandelier Poppy - Unravel Peter Frampton - Show Me The Way The Smashing Pumpkins - Zero The Cure - Lullaby Geese - Cobra Echo And The Bunnymen - Ticket To Ride Muse - Panic Station Placebo - Nancy Boy For Those I Love - I Have A Love The Box Tops - The Letter Dropkick Murphys - I'm Shipping Up To Boston Kim Gordon - Not Today Alice Cooper - No More Mr. Nice Guy Eric Clapton - My Father's Eyes Bandit Bandit - Rien Attendre Aerosmith - Dude (Looks Like A Lady) Peaches - Boys Wanna Be Her Marilyn Manson - Sweet Dreams Rise Of The Northstar - Payback Metallica - The Call Of KtuluHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Another half hour of non-denominational radio! So good to have Mr. Hutch Harris and his amazing band The Thermals back in action! Hear a new track in this issue!

THE YOUNG FRESH FELLOWS, NEKO CASE – “Destination” THE SHA LA DAS – “If You Want You Can be My Girl” THE MOLOTOVS – “More, More, More” BUCK MEEK – “Gasoline” TIGER'S JAW – “Ghost” RATBOYS – “The World, So Madly” ME REX – “Angel Hammer” JOE JACKSON – “Welcome to Burning-by-Sea” HEAVENLY – “Excuse Me” LADYTRON – ”Kingdom Under Sea” PIGEON PIT – “Last Night on Planet Earth” CHARLOTTE CORNFIELD – “Hurts Like Hell” DRY CLEANING – “Joy” SAULT – “Fulfil Your Spirit” PEAER – “End of the World” THIS IS LORELEI – “SF and GG” ASAP ROCKY – “Punk Rocky” TWIN SHADOWS – “Dominos” CROOKED FINGERS, Mac McCaughan – “Cold Waves” WESTSIDE COWBOY – ”The Wahs” CUT WORMS – “Windows on the World” GARRETT BOYS, STEVE EARLE – “Back Home” ZACH BRYAN – “Plastic Cigarette” KIM GORDON – “Not Today” GRATEFUL DEAD – “Playing in the Band”          

Bienvenidísima a esta Sedición #600 de nuestro Ritual de Lo VIRTUAL eclectomeiroland, seis centenas, seis sentenarios, seis ciegos, si, egos de tener la oportunidad de sabotear las Muy hondas ondas hertzianas con nuestras armas despistemológicas de desfragmentación masiva con mucha música, poesía, narración, y toneladas de paranoia y amor por el absurdo más diestro que ha resultado siniestro por La Política y RocknRoll Radio 106.7 FM este ombligo semanal que en algunas ocasiones nos ha coqueteado la idea de concluir operaciones de este espacio pero en esta ocasión volvemos a decir Not Today, hoy Nelson Mandela cómo justo hoy nos dice Kim Gordon, la cofundadora de Sonic Youth acá en nuestro Ritual de lo VIRTUAL de eclectomeiroland Sedición #600 por la Política y RockandRoll Radio 106.7 FM desde la capital de los baches Hermosillo Sonora hasta el bosque del Ajusco en CDMX por La Radio Común 103.1 FM

"The Chronology Of Water" is a biographical psychological drama film written for the screen, co-produced, and directed by Kristen Stewart in her feature film directorial debut, based on the 2011 book of the same name by Lidia Yuknavitch. It stars Imogen Poots as Yuknavitch, along with Thora Birch, Susannah Flood, Tom Sturridge, Kim Gordon, Michael Epp, Earl Cave, Esmé Creed-Miles, and Jim Belushi in supporting roles. The film had its world premiere in the Un Certain Regard section of the 2025 Cannes Film Festival, where it received positive reviews from critics. Stewart and Poots were both kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in NY and LA theaters and will expand nationwide on January 9th from The Forge. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

My Music – Graham Coath talks to Balderdasch (Jess Matthews)In this episode, Graham Coath sits down with alt-pop artist Balderdasch — also known as Jess Matthews — for a colourful, funny, and candid conversation about creativity, identity, and the messy magic of making music.Jess talks about her ever-changing visual eras (including the famous knitted balaclava crafted by her mum), the club culture influences that seep into her left-field pop sound, and why her violin may make a scratchy cinematic comeback. She opens up about the tension between artistry and the pressures of promotion, how collaboration fits into her future, and the politics of where her music shouldn't end up.Graham digs into the craft: Jess's inspirations from St. Vincent to Kim Gordon, the joy and pain of songwriting, and the realities of being an independent musician in a digital age. They explore themes of emotional inheritance that are shaping Jess's next body of work — and her ambition to take her time and create an album with depth and intention.The episode is packed with stories, humour, and raw insight: festival supergroups that could've been, obscure Christmas songs, the chaos of TikTok virality, and the strange intimacy between artists and the audience.Jess also shares details of upcoming live shows in London — including Montez Press Radio's fundraiser and her own headline gig at The Victoria, Dalston.A thoughtful and vivid conversation with an artist forging her own path.Tune in, discover Balderdasch, and add her music to your playlist — your ears will thank you.

It is very hard for me to believe it but the 2025 edition of WestEdge is almost here. This will be the 10th edition of the show and I am so excited to share the slate of talks taking place this year in the WestEdge Theater Presented By Pacific Sales! But, I'm not going to do it here because our time here is limited. But I have an idea. I am going to link all of the programs and the times in the show notes. So, you can make your plans accordingly. Today on the show, you are going to hear from Megan Reilly, co-founder of WestEdge and my dear friend, Kim Gordon of Kim Gordon Designs. Kim is joined by Julia Demarco, who together designed the WestEdge Theater Presented by Pacific Sales. We talk about the inspiration that went into the theater design, the how and they why. You are going to love this. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home! TimberTech - Real wood beauty without the upkeep LOME-AI.com, simple, inexpensive, text to video harnessing the power of AI to grow your firm, beautifully. Before we get into it, I have something really special to share with you. Something special with a WestEdge connection. My friend, and longtime friend of the show Anthony Laney of Laney LA sent me a copy of the new monograph, Poetics of Home; Essays and Spaces by Laney LA. And so, I want to share a special installment of BOOKLOOK. BookLook - Anthony Laney, Laney LA: Poetics of Home Avialable from Oscar Riera Ojeda Publishers: Order Here.  “ Laney LA's work embodies a distinctly Southern California spirit - the blur between indoors and out, the layering of experiences, the quiet merger of minimalism and sensuality. - Sam Lubell . This is from the foreword of Laney LA's book, Poetics of Home. The book is available through Oscar Riera Ojeda Publishers. Before I tell you about the book, let me tell you about my friend Anthony Laney. Laney and I first bonded on the show over a project of his in Manhattan Beach, home for me. This project had a disappearing pool, which was very cool, but it was't the cool factor of a pool that disappeared below a functional outdoor space. It was the “why” behind its installment. The South Bay in Los Angeles is known for very expensive homes on very small lots. The underground pool is very cool but more than that, it represents something very special about Anthony and his namesake firm. This was a solution to a challenge. The client wanted this space and the home designed for the site. But they also wanted a yard for the family to enjoy the very unique exterior environment. Mark Twain said it best, “Buy land, they're not making It anymore”. It takes a very special mind to craft something that literally makes more functional space on the same site. If you want to understand the thought process and the ethos of this unique firm, Poetics of Home shows you what's behind the walls, and under the deck. But Laney LA has another challenge. This was their debut monograph and just like a smash hit record, it will be very difficult to match or exceed. So, let's focus on this one. “Craft is where intention becomes tangible” - Anthony Laney My favorite quote from the book because it is so simple and true. 6 words that succinctly define the motive. If you are anything like me, with regard to design and architecture, the story behind the design is equally important to form and function. Because the industry still speaks about architecture in terms of form and function. Yeah, it' important. However, when you minimize something to simply how it looks and why it does, you can't fully explore the intangibles. The way a space makes you feel. If you've never been to LA's South Bay, you don't know what Manhattan Beach smells like in August. Sunscreen and salt air, the scent of grilled meat and citrus. Or, what it sounds like during the Charlie Saikley 6-Man Beach Volleyball Tourn...

Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.

Today on another encore episode of the Rarified Heir Podcast we are talking to returning (or is it returning, returning, oh well, whatever, never mind), guest Eric Bonerz, son of actor/director Peter Bonerz. We had such a good time talking to Eric in our first conversation, we brought him back to discuss more of the wild and the wacky things we connected on the first time around. Of course, like many of our guests, we discussed the weird and wonderful connection we have to the Oakwood School like so many of our past guests. Be it Peter Rafelson, Carnie Wilson, Jason Everly or many others nothing bonds us closer than Gorilla Glue like Oakwood. But this time around we delve deep into more on his dinner with cartoonist Chuck Jones as a small kid, what it was like mixing a track with Trent Reznor at the infamous house where Sharon Tate was murdered (really),  befriending director Harmony Korine while running the X-Large store in New York for The Beastie Boys, and drumming for Free Kitten from then Sonic Youth's co-hort Kim Gordon & much much more. This is the Rarified Heir podcast and everyone has a story.      

In the aftermath of her breakup from Sonic Youth co-founder Thurston Moore, Kim Gordon tells her story. She won't really get into her relationship but if you want to know why everyone's always pissed at Courtney Love this is the book for you! BRAND NEW SUMMER MERCH https://shop.celebritymemoirbookclub.biz/collections/all If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! Keep up with all the latest:  https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!!  Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub  Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub  Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices