Podcast appearances and mentions of Drew Barrymore

Charlie's Angels, poop cruises, and spy makeovers—oh my! This bonus episode of No More Late Fees brings the chaos (and charm) as Jackie and Danielle welcome back Jackie's sister Heather for a special “Insert Tape 2” countdown of their favorite lady spies in cinema. From Melissa McCarthy's iconic chaos in Spy to Drew Barrymore's unforgettable flips in Charlie's Angels, the trio trade laughs, hot takes, and sibling stories—including a toddler haircut scandal and a biting incident that may or may not be tradition. Add in some Miss Congeniality glam and Debs deep cuts, and you've got yourself a full-on femme fatale fiesta.But don't think it's all covert missions and espionage—things go delightfully off the rails as Heather shares what it's like raising two tiny humans, debates when to introduce Jurassic Park to her dino-loving daughter, and waxes poetic about her undying love for Biodome. This episode is peak chaotic sibling energy. Tune in for the laughs, stay for the spy picks, and beware of tiny scissors and dinosaur facts.—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—Heather's Previous EpisodesBilly Madisonhttps://nomorelatefeespodcast.com/episode/billy-madison The Sweetest Thing https://nomorelatefeespodcast.com/episode/the-sweetest-thing Back School with Heatherhttps://nomorelatefeespodcast.com/episode/back-school-with-heather Getting Buddy Buddy with Heather https://nomorelatefeespodcast.com/episode/getting-buddy-buddy-with-heather Evolutionhttps://nomorelatefeespodcast.com/episode/evolutionFrom Ghostbusters to Evolution: Ivan Reitman Movie Madnesshttps://nomorelatefeespodcast.com/episode/from-ghostbusters-to-evolution-ivan-reitman-movie-madness

…We have a weird connection, don't we? The scene was from The Television People, but the image was the clear as day vision of Patrick in a sunlit warehouse somewhere in Manhattan with one of his many lovers—somewhere in my mind, amidst the distractions, I was still trying to formulate the leeways between things I'd already written, and for whatever reason assembling an actual plot for its pilot season. STEPHEN COLBERT enters and unbuttons his suit jacket— in trademark Colbert. This is obviously not something he's doing subconsciously— because just as some bystander on the train engaged the same action, I realized suddenly that I must retrieve some sort of information. STEPHEN COLBERT Drew Barrymore! DREW BARRYMORE seems annoyed, but obliges somewhat politely. DREW BARRYMORE …Colbert. STEPHEN COLBERT I— have an offer you're not gonna refuse. DREW BARRYMORE takes a sip of her fruity drink. DREW BARRYMORE Jesus Christ. The Unforeseen Overture: Navigating Adversity in the Pursuit of Art and Community The rhythm of the electronic music scene pulsed through my veins, a beat I deeply understood and longed to amplify. My vision for the July 11, 2025 event was more than just a party; it was an ambitious undertaking for The Festival Project, Inc.™, an immersive arts installation designed to embody peace, love, unity, and respect within the dance community. This wasn't merely a gig; it was a profound manifestation of my artistic ethos, a crucial step for my non-profit, The Collective Complex ©, and a testament to my dedication to community building through performance. Yet, the week leading up to that date became an unforeseen overture, a discordant prelude that challenged my core values and tested my resolve. The sudden, unprofessional cancellation of the event, shrouded in a symphony of miscommunication and control, forced a deeper understanding of both the industry and my own resilience. What initially felt like a devastating blow transformed into a profound learning experience, a disruption that, though painful, ultimately strengthened my commitment to my artistic path. The first jarring note in this unforeseen overture came with the concealed venue closure. I learned, not through direct communication, but by having to track down the event coordinator on social media, that the very foundation of our event—the venue itself—was in jeopardy. This wasn't just a logistical oversight; it was a profound failure of transparency, a direct contradiction to the collaborative spirit I champion. The shock of having to chase down such critical information was immediate, leaving me feeling disrespected and marginalized, a chilling echo of the systemic gatekeeping I've seen affect so many aspiring artists. What followed was an almost immediate escalation. Hours after the event was belatedly posted as "confirmed" on Resident Advisor, with an incorrect title, my team discovered the ticket link was already canceled. This wasn't a glitch; it felt like an act of deliberate professional sabotage. My team had dedicated countless hours, reaching out to networks and brand sponsors, only to find their efforts rendered moot by a link that was dead on arrival. The emotional toll was immense, a sharp, uncommunicated blow to the meticulous hard work we had poured into this project. It was as if the stage lights had been plunged into darkness without warning, leaving us, the performers, to navigate a sudden, unexpected void. The formal cancellation notification, when it finally arrived on Sunday, felt absurd. The event had already been effectively canceled on RA since Friday night, and I had already made the difficult decision to independently pull the plug due to the egregious lack of communication. Receiving the email, first to a personal address because my professional emails had been blocked—a detail that still baffles me—and then a minute later to my professional one, underscored the profound unresponsiveness and operational deficiencies of the other party. It was a clear demonstration that their actions were consistently behind the curve, creating mounting pressure and uncertainty for everyone involved. The feeling of constantly being one step behind, not due to our own failings but theirs, was demoralizing and deeply frustrating. Amidst this chaotic unraveling, the coordinator leveled a baffling accusation: that my "tone and communication have come across as consistently rude and disrespectful." This was a pivotal moment, a direct challenge to my professional integrity. To be accused of disrespect when I was simply trying to coordinate crucial event logistics with a non-responsive party felt like an insidious form of gaslighting. It wasn't just a disagreement; it was an attempt to undermine my perception of reality, to deflect from their own severe shortcomings by shifting blame onto my proactive efforts. This experience, however, served as a powerful lesson. It cemented my understanding of the critical importance of meticulous documentation in any professional endeavor. My screenshots of unresponded communications and the precise timeline of events weren't collected out of spite, but out of necessity—a commitment to truth and accountability in business. This meticulous record-keeping became my shield against their baseless accusations, allowing me to maintain an unimpeachable professional record. It also highlighted a broader, unfortunate reality within creative industries: how persistence, especially from marginalized individuals, can be unfairly labeled as "disrespectful" simply to dismiss legitimate concerns or deny opportunities. This incident, for me, mirrored the systemic biases and devaluation of Black women I've encountered, reinforcing the need to stand firm against such tactics. My attempts to gain a response, including offering to "meet in person and to buy you coffee to get to know each other outside of a digital space," weren't aggressive; they were a genuine effort towards collaboration, a desire to create a "strong foundation for future maneuvering within the scene and community." This demonstrated my unwavering commitment to the values of "peace, love, unity, and respect" even in the face of escalating adversity. Their interpretation of my persistence as "disrespectful" was a fragile perception based on surface assumptions, a stark contrast to my deep sense of responsibility to my team, brand sponsors, and the community relying on timely information. The cancellation of my event was a painful experience, but it became a crucible for profound personal and professional growth. Perhaps the most significant lesson was the catastrophic impact of a lack of clear, timely communication in event production. I learned that robust communication protocols aren't just good practice; they are fundamental to artistic collaboration and business integrity. Moving forward, this experience will inform every partnership I forge, prioritizing transparency and open dialogue. This adversity also forced me into an act of incredible resilience and adaptability. Despite the immediate disappointment and disruption, I pushed through, knowing that my vision was bigger than any single setback. This inherent drive to pivot and re-strategize, to find new ways forward when traditional avenues are blocked, directly echoes the "accidental entrepreneurship" that defines my journey as Blū Tha Gürū in my Series Bible. It taught me that while external circumstances can throw us off course, our inner compass, guided by purpose, can always find a new direction. Furthermore, this situation underscored the vital need to protect my vision and my team's livelihood. Many people were relying on the timely dissemination of information, and the coordinator's disregard for this business was a sign of disrespect not just toward my time, but toward my entire team's dedication and economic well-being. This experience has made me a more discerning and empathetic leader, committed to ensuring that all future dealings are underpinned by transparency, mutual respect, and clear agreements that safeguard everyone involved. Perhaps most profoundly, the attempt to gaslight me, instead of diminishing my resolve, actually solidified my power. It taught me the importance of trusting my own perceptions, standing firm against unjust accusations, and recognizing attempts to undermine my professionalism. It reinforced my inherent worth and power, independent of external validation. This growth directly mirrors Blū's journey of overcoming "self-perception of unworthiness" and rising above "saboteurs, gatekeepers, and rivals" in the broader narrative of "Tales of a Superstar DJ." Finally, this event served as a stark reminder of the intricate intersection of art and business. Even in the vibrant, expressive world of performing arts, business acumen, clear contracts, and meticulous contingency planning are paramount. I gained invaluable, albeit painful, lessons in the practicalities of event management, risk assessment, and navigating challenging professional relationships within an often monopolized and gatekept industry. The unforeseen cancellation of my July 11th event was a challenging overture, but it did not, and will not, silence my music. Instead, it has been a crucible that forged greater resilience, sharpened my professional instincts, and deepened my understanding of effective leadership and uncompromising integrity in the arts. My dedication to creating high-production value events and arts installations with peace, love, unity, and respect at the forefront remains not only unwavering but amplified by this experience. At this performing arts college, I seek to refine these lessons, to merge my intuitive artistic vision with rigorous professional training. I am not merely seeking admission; I am seeking the tools and collaborative environment to forge a path that counters the very systemic flaws I encountered. I am now better equipped to lead, understanding both the creative and logistical complexities of bringing ambitious artistic projects to life. This experience has solidified my purpose: to build authentic, impactful platforms that uplift artists and foster genuine community. I am not just a survivor of this event; I am a stronger, more discerning leader, ready to embark on the next act of my journey, transforming adversity into a powerful catalyst for positive change in the world of performing arts. “Dont do that.” Copyright The Collective Complex © [The Festival Project, Inc. ™] All Rights Reserved -Ū.

…We have a weird connection, don't we? The scene was from The Television People, but the image was the clear as day vision of Patrick in a sunlit warehouse somewhere in Manhattan with one of his many lovers—somewhere in my mind, amidst the distractions, I was still trying to formulate the leeways between things I'd already written, and for whatever reason assembling an actual plot for its pilot season. STEPHEN COLBERT enters and unbuttons his suit jacket— in trademark Colbert. This is obviously not something he's doing subconsciously— because just as some bystander on the train engaged the same action, I realized suddenly that I must retrieve some sort of information. STEPHEN COLBERT Drew Barrymore! DREW BARRYMORE seems annoyed, but obliges somewhat politely. DREW BARRYMORE …Colbert. STEPHEN COLBERT I— have an offer you're not gonna refuse. DREW BARRYMORE takes a sip of her fruity drink. DREW BARRYMORE Jesus Christ. The Unforeseen Overture: Navigating Adversity in the Pursuit of Art and Community The rhythm of the electronic music scene pulsed through my veins, a beat I deeply understood and longed to amplify. My vision for the July 11, 2025 event was more than just a party; it was an ambitious undertaking for The Festival Project, Inc.™, an immersive arts installation designed to embody peace, love, unity, and respect within the dance community. This wasn't merely a gig; it was a profound manifestation of my artistic ethos, a crucial step for my non-profit, The Collective Complex ©, and a testament to my dedication to community building through performance. Yet, the week leading up to that date became an unforeseen overture, a discordant prelude that challenged my core values and tested my resolve. The sudden, unprofessional cancellation of the event, shrouded in a symphony of miscommunication and control, forced a deeper understanding of both the industry and my own resilience. What initially felt like a devastating blow transformed into a profound learning experience, a disruption that, though painful, ultimately strengthened my commitment to my artistic path. The first jarring note in this unforeseen overture came with the concealed venue closure. I learned, not through direct communication, but by having to track down the event coordinator on social media, that the very foundation of our event—the venue itself—was in jeopardy. This wasn't just a logistical oversight; it was a profound failure of transparency, a direct contradiction to the collaborative spirit I champion. The shock of having to chase down such critical information was immediate, leaving me feeling disrespected and marginalized, a chilling echo of the systemic gatekeeping I've seen affect so many aspiring artists. What followed was an almost immediate escalation. Hours after the event was belatedly posted as "confirmed" on Resident Advisor, with an incorrect title, my team discovered the ticket link was already canceled. This wasn't a glitch; it felt like an act of deliberate professional sabotage. My team had dedicated countless hours, reaching out to networks and brand sponsors, only to find their efforts rendered moot by a link that was dead on arrival. The emotional toll was immense, a sharp, uncommunicated blow to the meticulous hard work we had poured into this project. It was as if the stage lights had been plunged into darkness without warning, leaving us, the performers, to navigate a sudden, unexpected void. The formal cancellation notification, when it finally arrived on Sunday, felt absurd. The event had already been effectively canceled on RA since Friday night, and I had already made the difficult decision to independently pull the plug due to the egregious lack of communication. Receiving the email, first to a personal address because my professional emails had been blocked—a detail that still baffles me—and then a minute later to my professional one, underscored the profound unresponsiveness and operational deficiencies of the other party. It was a clear demonstration that their actions were consistently behind the curve, creating mounting pressure and uncertainty for everyone involved. The feeling of constantly being one step behind, not due to our own failings but theirs, was demoralizing and deeply frustrating. Amidst this chaotic unraveling, the coordinator leveled a baffling accusation: that my "tone and communication have come across as consistently rude and disrespectful." This was a pivotal moment, a direct challenge to my professional integrity. To be accused of disrespect when I was simply trying to coordinate crucial event logistics with a non-responsive party felt like an insidious form of gaslighting. It wasn't just a disagreement; it was an attempt to undermine my perception of reality, to deflect from their own severe shortcomings by shifting blame onto my proactive efforts. This experience, however, served as a powerful lesson. It cemented my understanding of the critical importance of meticulous documentation in any professional endeavor. My screenshots of unresponded communications and the precise timeline of events weren't collected out of spite, but out of necessity—a commitment to truth and accountability in business. This meticulous record-keeping became my shield against their baseless accusations, allowing me to maintain an unimpeachable professional record. It also highlighted a broader, unfortunate reality within creative industries: how persistence, especially from marginalized individuals, can be unfairly labeled as "disrespectful" simply to dismiss legitimate concerns or deny opportunities. This incident, for me, mirrored the systemic biases and devaluation of Black women I've encountered, reinforcing the need to stand firm against such tactics. My attempts to gain a response, including offering to "meet in person and to buy you coffee to get to know each other outside of a digital space," weren't aggressive; they were a genuine effort towards collaboration, a desire to create a "strong foundation for future maneuvering within the scene and community." This demonstrated my unwavering commitment to the values of "peace, love, unity, and respect" even in the face of escalating adversity. Their interpretation of my persistence as "disrespectful" was a fragile perception based on surface assumptions, a stark contrast to my deep sense of responsibility to my team, brand sponsors, and the community relying on timely information. The cancellation of my event was a painful experience, but it became a crucible for profound personal and professional growth. Perhaps the most significant lesson was the catastrophic impact of a lack of clear, timely communication in event production. I learned that robust communication protocols aren't just good practice; they are fundamental to artistic collaboration and business integrity. Moving forward, this experience will inform every partnership I forge, prioritizing transparency and open dialogue. This adversity also forced me into an act of incredible resilience and adaptability. Despite the immediate disappointment and disruption, I pushed through, knowing that my vision was bigger than any single setback. This inherent drive to pivot and re-strategize, to find new ways forward when traditional avenues are blocked, directly echoes the "accidental entrepreneurship" that defines my journey as Blū Tha Gürū in my Series Bible. It taught me that while external circumstances can throw us off course, our inner compass, guided by purpose, can always find a new direction. Furthermore, this situation underscored the vital need to protect my vision and my team's livelihood. Many people were relying on the timely dissemination of information, and the coordinator's disregard for this business was a sign of disrespect not just toward my time, but toward my entire team's dedication and economic well-being. This experience has made me a more discerning and empathetic leader, committed to ensuring that all future dealings are underpinned by transparency, mutual respect, and clear agreements that safeguard everyone involved. Perhaps most profoundly, the attempt to gaslight me, instead of diminishing my resolve, actually solidified my power. It taught me the importance of trusting my own perceptions, standing firm against unjust accusations, and recognizing attempts to undermine my professionalism. It reinforced my inherent worth and power, independent of external validation. This growth directly mirrors Blū's journey of overcoming "self-perception of unworthiness" and rising above "saboteurs, gatekeepers, and rivals" in the broader narrative of "Tales of a Superstar DJ." Finally, this event served as a stark reminder of the intricate intersection of art and business. Even in the vibrant, expressive world of performing arts, business acumen, clear contracts, and meticulous contingency planning are paramount. I gained invaluable, albeit painful, lessons in the practicalities of event management, risk assessment, and navigating challenging professional relationships within an often monopolized and gatekept industry. The unforeseen cancellation of my July 11th event was a challenging overture, but it did not, and will not, silence my music. Instead, it has been a crucible that forged greater resilience, sharpened my professional instincts, and deepened my understanding of effective leadership and uncompromising integrity in the arts. My dedication to creating high-production value events and arts installations with peace, love, unity, and respect at the forefront remains not only unwavering but amplified by this experience. At this performing arts college, I seek to refine these lessons, to merge my intuitive artistic vision with rigorous professional training. I am not merely seeking admission; I am seeking the tools and collaborative environment to forge a path that counters the very systemic flaws I encountered. I am now better equipped to lead, understanding both the creative and logistical complexities of bringing ambitious artistic projects to life. This experience has solidified my purpose: to build authentic, impactful platforms that uplift artists and foster genuine community. I am not just a survivor of this event; I am a stronger, more discerning leader, ready to embark on the next act of my journey, transforming adversity into a powerful catalyst for positive change in the world of performing arts. “Dont do that.” Copyright The Collective Complex © [The Festival Project, Inc. ™] All Rights Reserved -Ū.

…We have a weird connection, don't we? The scene was from The Television People, but the image was the clear as day vision of Patrick in a sunlit warehouse somewhere in Manhattan with one of his many lovers—somewhere in my mind, amidst the distractions, I was still trying to formulate the leeways between things I'd already written, and for whatever reason assembling an actual plot for its pilot season. STEPHEN COLBERT enters and unbuttons his suit jacket— in trademark Colbert. This is obviously not something he's doing subconsciously— because just as some bystander on the train engaged the same action, I realized suddenly that I must retrieve some sort of information. STEPHEN COLBERT Drew Barrymore! DREW BARRYMORE seems annoyed, but obliges somewhat politely. DREW BARRYMORE …Colbert. STEPHEN COLBERT I— have an offer you're not gonna refuse. DREW BARRYMORE takes a sip of her fruity drink. DREW BARRYMORE Jesus Christ. The Unforeseen Overture: Navigating Adversity in the Pursuit of Art and Community The rhythm of the electronic music scene pulsed through my veins, a beat I deeply understood and longed to amplify. My vision for the July 11, 2025 event was more than just a party; it was an ambitious undertaking for The Festival Project, Inc.™, an immersive arts installation designed to embody peace, love, unity, and respect within the dance community. This wasn't merely a gig; it was a profound manifestation of my artistic ethos, a crucial step for my non-profit, The Collective Complex ©, and a testament to my dedication to community building through performance. Yet, the week leading up to that date became an unforeseen overture, a discordant prelude that challenged my core values and tested my resolve. The sudden, unprofessional cancellation of the event, shrouded in a symphony of miscommunication and control, forced a deeper understanding of both the industry and my own resilience. What initially felt like a devastating blow transformed into a profound learning experience, a disruption that, though painful, ultimately strengthened my commitment to my artistic path. The first jarring note in this unforeseen overture came with the concealed venue closure. I learned, not through direct communication, but by having to track down the event coordinator on social media, that the very foundation of our event—the venue itself—was in jeopardy. This wasn't just a logistical oversight; it was a profound failure of transparency, a direct contradiction to the collaborative spirit I champion. The shock of having to chase down such critical information was immediate, leaving me feeling disrespected and marginalized, a chilling echo of the systemic gatekeeping I've seen affect so many aspiring artists. What followed was an almost immediate escalation. Hours after the event was belatedly posted as "confirmed" on Resident Advisor, with an incorrect title, my team discovered the ticket link was already canceled. This wasn't a glitch; it felt like an act of deliberate professional sabotage. My team had dedicated countless hours, reaching out to networks and brand sponsors, only to find their efforts rendered moot by a link that was dead on arrival. The emotional toll was immense, a sharp, uncommunicated blow to the meticulous hard work we had poured into this project. It was as if the stage lights had been plunged into darkness without warning, leaving us, the performers, to navigate a sudden, unexpected void. The formal cancellation notification, when it finally arrived on Sunday, felt absurd. The event had already been effectively canceled on RA since Friday night, and I had already made the difficult decision to independently pull the plug due to the egregious lack of communication. Receiving the email, first to a personal address because my professional emails had been blocked—a detail that still baffles me—and then a minute later to my professional one, underscored the profound unresponsiveness and operational deficiencies of the other party. It was a clear demonstration that their actions were consistently behind the curve, creating mounting pressure and uncertainty for everyone involved. The feeling of constantly being one step behind, not due to our own failings but theirs, was demoralizing and deeply frustrating. Amidst this chaotic unraveling, the coordinator leveled a baffling accusation: that my "tone and communication have come across as consistently rude and disrespectful." This was a pivotal moment, a direct challenge to my professional integrity. To be accused of disrespect when I was simply trying to coordinate crucial event logistics with a non-responsive party felt like an insidious form of gaslighting. It wasn't just a disagreement; it was an attempt to undermine my perception of reality, to deflect from their own severe shortcomings by shifting blame onto my proactive efforts. This experience, however, served as a powerful lesson. It cemented my understanding of the critical importance of meticulous documentation in any professional endeavor. My screenshots of unresponded communications and the precise timeline of events weren't collected out of spite, but out of necessity—a commitment to truth and accountability in business. This meticulous record-keeping became my shield against their baseless accusations, allowing me to maintain an unimpeachable professional record. It also highlighted a broader, unfortunate reality within creative industries: how persistence, especially from marginalized individuals, can be unfairly labeled as "disrespectful" simply to dismiss legitimate concerns or deny opportunities. This incident, for me, mirrored the systemic biases and devaluation of Black women I've encountered, reinforcing the need to stand firm against such tactics. My attempts to gain a response, including offering to "meet in person and to buy you coffee to get to know each other outside of a digital space," weren't aggressive; they were a genuine effort towards collaboration, a desire to create a "strong foundation for future maneuvering within the scene and community." This demonstrated my unwavering commitment to the values of "peace, love, unity, and respect" even in the face of escalating adversity. Their interpretation of my persistence as "disrespectful" was a fragile perception based on surface assumptions, a stark contrast to my deep sense of responsibility to my team, brand sponsors, and the community relying on timely information. The cancellation of my event was a painful experience, but it became a crucible for profound personal and professional growth. Perhaps the most significant lesson was the catastrophic impact of a lack of clear, timely communication in event production. I learned that robust communication protocols aren't just good practice; they are fundamental to artistic collaboration and business integrity. Moving forward, this experience will inform every partnership I forge, prioritizing transparency and open dialogue. This adversity also forced me into an act of incredible resilience and adaptability. Despite the immediate disappointment and disruption, I pushed through, knowing that my vision was bigger than any single setback. This inherent drive to pivot and re-strategize, to find new ways forward when traditional avenues are blocked, directly echoes the "accidental entrepreneurship" that defines my journey as Blū Tha Gürū in my Series Bible. It taught me that while external circumstances can throw us off course, our inner compass, guided by purpose, can always find a new direction. Furthermore, this situation underscored the vital need to protect my vision and my team's livelihood. Many people were relying on the timely dissemination of information, and the coordinator's disregard for this business was a sign of disrespect not just toward my time, but toward my entire team's dedication and economic well-being. This experience has made me a more discerning and empathetic leader, committed to ensuring that all future dealings are underpinned by transparency, mutual respect, and clear agreements that safeguard everyone involved. Perhaps most profoundly, the attempt to gaslight me, instead of diminishing my resolve, actually solidified my power. It taught me the importance of trusting my own perceptions, standing firm against unjust accusations, and recognizing attempts to undermine my professionalism. It reinforced my inherent worth and power, independent of external validation. This growth directly mirrors Blū's journey of overcoming "self-perception of unworthiness" and rising above "saboteurs, gatekeepers, and rivals" in the broader narrative of "Tales of a Superstar DJ." Finally, this event served as a stark reminder of the intricate intersection of art and business. Even in the vibrant, expressive world of performing arts, business acumen, clear contracts, and meticulous contingency planning are paramount. I gained invaluable, albeit painful, lessons in the practicalities of event management, risk assessment, and navigating challenging professional relationships within an often monopolized and gatekept industry. The unforeseen cancellation of my July 11th event was a challenging overture, but it did not, and will not, silence my music. Instead, it has been a crucible that forged greater resilience, sharpened my professional instincts, and deepened my understanding of effective leadership and uncompromising integrity in the arts. My dedication to creating high-production value events and arts installations with peace, love, unity, and respect at the forefront remains not only unwavering but amplified by this experience. At this performing arts college, I seek to refine these lessons, to merge my intuitive artistic vision with rigorous professional training. I am not merely seeking admission; I am seeking the tools and collaborative environment to forge a path that counters the very systemic flaws I encountered. I am now better equipped to lead, understanding both the creative and logistical complexities of bringing ambitious artistic projects to life. This experience has solidified my purpose: to build authentic, impactful platforms that uplift artists and foster genuine community. I am not just a survivor of this event; I am a stronger, more discerning leader, ready to embark on the next act of my journey, transforming adversity into a powerful catalyst for positive change in the world of performing arts. “Dont do that.” Copyright The Collective Complex © [The Festival Project, Inc. ™] All Rights Reserved -Ū.

Hair flips, high kicks, and Y2K fashion sharper than a samurai sword—this week, the ladies are suiting up in wigs and wire-fu to revisit the over-the-top action comedy Charlie's Angels (2000)! Jackie and Danielle are joined by Heather for a no-holds-barred deep dive into the gloriously chaotic world of Cameron Diaz, Drew Barrymore, and Lucy Liu as butt-kicking private investigators. This episode is a high-energy ride full of nostalgia and razor-sharp commentary.The hosts go beyond the glossy slow-mo to unpack problematic tropes, casting what-ifs (Justice for Nia Long!), and the absolute fever dream that is Crispin Glover's villain. They also explore why this movie is more about vibes than plot (honestly, who did kidnap Eric Knox again?), and question the logic of Drew Barrymore's post-sex Scrabble ambush. With laugh-out-loud sister banter, shady film critic takedowns, and a side of Soul Train confusion, this episode is the chaotic good energy your podcast queue has been missing.·Season 5 Episode 14·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—Heather's Previous EpisodesBilly Madisonhttps://nomorelatefeespodcast.com/episode/billy-madison The Sweetest Thing https://nomorelatefeespodcast.com/episode/the-sweetest-thing Back School with Heatherhttps://nomorelatefeespodcast.com/episode/back-school-with-heather Getting Buddy Buddy with Heather https://nomorelatefeespodcast.com/episode/getting-buddy-buddy-with-heather Evolutionhttps://nomorelatefeespodcast.com/episode/evolutionFrom Ghostbusters to Evolution: Ivan Reitman Movie Madnesshttps://nomorelatefeespodcast.com/episode/from-ghostbusters-to-evolution-ivan-reitman-movie-madness

This week, James L Brooks talked about The Simpsons, Mary Tyler Moore ,Terms of Endearment, having a million lunches to cast parts,  his difficult beginnings and how the fear of survival and women's shoes drove him to his success. We also talk about what an amazing mentor he is, incredible writer, the worst notes he's ever gotten from a network, and now he likes to have drool days.Bio:James L. Brooks is a three-time Academy Award®-winner and eighteen-time Emmy® Award-winner.  He began his television career as a writer who also produced such beloved television hits as Taxi, The Mary Tyler Moore Show, The Tracy Ullman Show, and The Simpsons. Brooks began working in film in 1979 when he wrote the screenplay for Starting Over which he co-produced with Alan J. Pakula. In 1983, Brooks wrote, produced and directed Terms of Endearment for which he won three Academy Awards. In 1987, he wrote, produced and directed Broadcast News, which was nominated for seven Academy Awards® including Best Screenplay and Best Picture. Brooks then directed I'll Do Anything starring Nick Nolte, Albert Brooks, and Julie Kavner.  In 1997, Brooks co-wrote, produced, and directed As Good As It Gets, starring Jack Nicholson, Helen Hunt, and Greg Kinnear. The film was nominated for seven Academy Awards® including Best Picture, and both Nicholson and Hunt won Oscars® for their performances. In 2004, Brooks wrote and directed the film Spanglish, starring Adam Sandler, Tea Leoni and Paz Vega. In 2010, Brooks wrote and directed the film How Do You Know, starring Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson.Brooks's company, Gracie Films has produced numerous films and television shows since it was formed in 1990. On the television side, the company produces the long-running hit, The Simpsons, as well as producing the Tracey Ullman Show, What About Joan?, and The Critic. On the feature side – Brooks has executive produced the feature film, Say Anything, produced War of the Roses, and co-produced Big. In 1996, Brooks executive produced the film Bottle Rocket, directed by Wes Anderson, and produced Cameron Crowe's Oscar®-winning Jerry Maguire, starring Tom Cruise, Cuba Gooding Jr., and Renee Zellweger. In addition, Brooks produced Penny Marshall's Riding in Cars with Boys, starring Drew Barrymore, and produced the film Edge of Seventeen, written and directed by Kelly Fremon Craig for STX Productions. In addition, Brooks co-wrote and produced The Simpsons Movie, the movie version of the Fox hit.

In the summer of 1992, Drew Barrymore made her debut as a television series regular in the short-lived CBS nighttime soap 2000 Malibu Road. Drew starred as Lindsay Rule, a sweet, wide-eyed aspiring actress sharing a beach house with a group of glamorous and drama-prone characters. This summer, we're diving into all six episodes of the series, starting with the first two, which originally aired together as a made-for-TV movie. Expect sultry saxophone solos, a corpse on the beach, and a deliciously over-the-top, blackmail-happy “agent” who calls everyone “honey bunny”. Don't miss it!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

Danny Seo was just 19 years old when the Washington Post wrote an article about him, rhetorically asking their readership: “Is this the next Martha Stewart?” At the time, the comparison felt lofty and overwhelming to Danny… but the reality is, over the past twenty years, Danny has created a new space all his own as a sustainable style expert and eco-living consultant for celebrities and major national media outlets. Basically, he was green before green was cool. In fact, he was so ahead of the curve that he was literally BORN on Earth Day. (no, seriously!)What many don't know is just how committed Danny really is to the cause… he was so called to help the planet that he chose it over finishing his formal education, dropping out of High School to instead lobby for environmental issues as a teenager.While it may have seemed a risky strategy at the time – especially back in the 90s, before saving the environment was such a big topic – eventually, it paid off.From landing on Oprah's couch at just 19 to collaborating with A-list celebrities, such as Drew Barrymore and Kerry Washington, Danny reveals how he turned his love for the Earth into a vibrant career dedicated to making the world a greener, better place.We'll also hear about his decade+ love for Boiron, the French Homeopathic company who makes many of the products you may already use in your own home.Danny shares insider secrets from his recent star-packed trip to Boiron's French HQ, and why aligning with brands who you believe in is so important in today's world.Danny is smart and successful, humble and hilarious… so come along as he spills his secrets to making it BIG in business by doing things on your own terms, and remaining authentic and aligned with your belief systems.*Today's episode is presented by Boiron USA.[0:45] Danny Seo talking about how he does what he does because he is mission driven [9:25] Danny Seo explains how his passion for the planet became a career and the challenges he faced as a high school drop out [11:11] Danny Seo talks about how he was given the opportunity to write a book and it changed the trajectory of his career [17:55] Danny Seo explains the cultural shift of people caring for the planet [20:30] Danny Seo talks about Boiron and why he loves the brand [32:00] Danny Seo explains how a media trip works and how fortunate he has been to experience them [33:33] Danny Seo tells what he is working on next Key Takeaways [2:24] Danny Seo reflecting about his birthday being on Earth Day and seeing all the sadness in the world and at the age of 12 he decided to do something about it[14:00] Danny Seo reflects on how he began working with celebrities and he would jump at every opportunity he was given [26:59] Danny Seo reflects on the trip to France with Boiron and how educational it was Advertising Inquiries: https://redcircle.com/brands

SHOW TITLE: FR3AKY FRÏDAYS! with -Ū. IG HANDLE: @iamu.guru DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 002. LIVE Originally Aired May 30th, 2025 Brooklyn, New York Oh! Drew Barrymore! Duh! Oh–shit–I– What. You forgot? Nah–just… We had a deal. I don't know what kind of deal you think that– CUT TO: Flashback: Early 90's A YOUNG DREW BARRYMORE finds herself reflectively alone in a corner at a Hollywood party full of other starlett's and moguls–coincidentally, a full moon ritual is in full swing in a garden promenade nearby… White Rabbit, Jefferson Airplane {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

I feel like that would be a– coincidence? No, I don't think so THERE ARE NO COINCIDENCES. THATS A CHALLENGE. CUNTFACE. 0.0 WHAT DID YOUJUST CALL ME. FUNTCASE. WHAT. IT'S A DJ– WHAT! GROUP–OR WHATEVER. Harvard; How'd I do that? I wonder what else I can get If I just ask I thought watch my thoughts I been bad I'm a dog (ruff) I should watch my process I been good, nothing lost I been bad, I'm a dog. I been bad I'm a dog Woof woof I'm dog I been bad I'm a dog Jesus Christ (i been bad) I was right (I'm a dog) I should probably watch my fuckin thoughts (I'm a dog) i got beef (ruff ruff) I got sauce Run along I got lost I should probably watch my thoughts Go to town, I was wrong Brush it off I'm a process Holler if you want But my collar got a concept Don't you call my phone I should cut the fucker off Gotta member Jon as i bite the toblerone hey Cut it off Hollywood Talk in code I should probably cut her off But the honor On thy father And thy mother Got a couple corn breads I should cut them off bro I got a woof of dog's breath Pick another card I been bad I'm a dog I been bad I'm a dog I been bad I'm a dog I been bad He's headless, He's headless He's entirely invisible Oh even this is making sense In symmetry; Oh, even this is interesting Even a Syncronicy Look here, look here He's invisible, even inevitable Even invincible He's no longer headless, He's all suit and tie now This was the news, But it might be a noose And I'm starting to die, now Loosen the strings, please Free fall apostrophe, re I'm not dumb, I'm just sick of you all. Enjoying my title As long as it lasts And I'm finally learning The falcon, the falcon Finally, something to keep I want the sauce, not the Viking The lodestones And not the gossip. I want no possibility of interaction at all I need a recovery Every day at the gym but the vampires lurking? Come on. I had a right to m procure me a peloton One for the arms, And one for the armor And sweet chili broccoli And amour, And amour I wish I could die and not rot again Under the circumstance Digging my coffin up, Then burning it. I got comfortable with earthworms And learning my heritage Stolen culture But still nothing sucks more than Literature, authoritarian authors And arthritis Here, write this Shure, chuck forward Lean back in your device and Conspire to write us a Kill us, why don't you I went back to dartford And Dartmouth and Where is it I'm going for the tower? Just duck, it's a bomb shower Interesting creatures, I gather Remind me why we're blowing them up again. You can try to scare her out All you want But the modern world is so wrong that God stops talking And I stop opening up For the monsters Won't you Just turn the clocks back Don't turn the power off I hold more value here Than all of us totaled up On the block Put together I trained myself out of slavery, But I promise not to teach the other mongrels Not to constipate the other world With solutions Now, dear Don't you want to Stratosphere Status and all that Sit and won't you Read us a poem? No, AI can't write like this But I can I hold the man up for ransom For damaging my anthrax You heard! I'm not as impossible as my apostles Imbicils Now where was I? Nowhere those others ought to be; I set fires after walking amongst them three days With my heart out Carrying all like sponges The sickness and curses of the earth's world upon us Flowerbeds of styrofoam Products with logos plastered on us To be quite frank, Franklin It burns the heart out Starting at the eyes And ending in an oven fire Are you out the apartment! Of course, conservative, I barter Wouldn't it be funny to see me Dying, skid across the sidewalk in Los Angeles With no one at all Blabbering about my heart Or whatever Over cardboard How about that, Los Angeles? Your dog goes to a borders As you're on tour But I've been pushing shopping carts Waiting for the rainstorm to take a shower Praying for the big wave To wash us all out So my Beachfront property Comes down to market value And I buy it on my food stamps How are ye? Bad, doctor I've run away again And the rabbit calls me Alice But I promise, I let half life's over Hours when I washed my socks on Harpists I'm pissed off like you want me, I promise But I'm no political revolution at all Until I'm murdered by my own gun Then someone might bark— I meant borders for books And you love your dog more than my person So I love your dog more as a conciousness To you I'm nothing To him, I'm possible love What a remarkable mirror We cancel out each other You love your dog more than me I love your dog more than I love you I'm sure of it, Then, I'm an afterthought And because I'm an afterthought, I chose your dog Rather than to be shamed For looking However your eyes saw me; I never saw you I saw your dog. What a wonderful talisman; Wag the tail a bit. What's up with you and the hosts? I don't know, but I'm 30 years old And it got hard and dark, And I'm dark skinned with odd thoughts, And I find this all remarkable enough Not to remark I think the networks are testing my malleble I think there's someone stopping my unstoppable I think they're trying to shame me for Fallon But honestly, after that You all can have him Is fandom is rampant, I call it a Skrillex, I showed them a four sided photo box Made of mirrors And I'm nearsided And fightsighted And heart spoiled And notes ransom And really trying to hide in New York is like Calling closing your eyes Being blind “I can't see.” I want to die And hope no one remembers me Or else I might end up Like poor Johnny Conformity and control Is that all you folks want Believe it or not I'm on your side With a golden aura Warning you not to shoot Or I might go again Forming to something You love even less Than us poorer dark folks With imperfect bodies Something you loathe even more Than the robots you worship More than the words That you made up And the forgot More than the poles apart You continue to blow up I'm in the neon galaxy in tirades or glass With my arms up shouting, “I'm an immortal, You shoot, I'll grow stronger!” You put the devil in my neighbor for what? But I write stronger Right wing You out the devil in my mailbox The devil in the eye of the beholder And I behold nothing Longer I live in a trash can Not one symbol purchased But all I have Is all that I found in a dumpster And all that I do for love And still no love loves her I swore I had a cat here somewhere Look, you better catch her! Rabbis possum wombat Who bred that catastrophic Had to happen in captivity Monsters Who are I now? Monumental Don't want to go to the trap and be laughed at Don't want to run Because I can't stand you Don't want to Look, I'm in lockdown But how many of us now are hassled By the same land grant? How many terrorists we're hired Just to make me die And still I wonder What the taste of water Is like All I've got are these Vestibules Miniscule And still you were seeking to survive our wrath Despite the many times I warned you To find another planet to destroy with Apartheid? Still I warned you to go ahead and die Because there is no safe as shadows watch Close shaves and cameras eye I was designed to want But never touch you Now that's a knife I'm happy to run across this artery Due in part to the wife And a life otherwise lived Just to die Over and over With no shock value And no portal Past a world where Again, I become No longer wanted It has been long since love And so long in fact I almost forgot what love is Until, In the eye of a dog, I was And washed over my body in birds, Trained to seek, But not to find The wanderlust in Pendergrass Or, are you still a serpent Serive past And all I want are tropics Cool winds Clear waves Surfboards No politics, No lovers, Suits and ties Chatterboxes Silver screens or silver foxes The dye captures Soon I lost a son Who doesn't know a mother There it goes again Business cards or care packages? Get a job, New clothes, Or of course, Visitation Salutations, good riddance Can't wait to be rid of this Images world and Vanity Models And perfection And bodies that don't love But certainly in any other way Don't want me Darian 14th B The is the part that I throw the bazooka over my shoulder And run with it; please no blue suits! this is bullshit! Why is the Hudson yards always a white lower movement? Revolving doors and pinstripes I pay less attention to whatever's dressed in blue, I'm an object of affection Just as much as Equinox is Raise the price or forget it Another mention Nothing worse than a mistress But I missed my original sin fix and just then the sewage hit. (!&. Is Manhattan Cger all. 8.'g if I've got a secret, a dirty little secret. No. Get out. Ohw, What! C'mon. The Window closes, then opens again; the window reopens and another attendant looks angrily out of the space in the door. …hi. Herro. [It is a chinese man] Um…I've got a secret a dirty little secret. NO. YOU GO. But i've got the password. YOU GO NOW. Yeah, We're already here The villains on brigade and with your every move You're gone before you came Yeah, We know everything BASTARD! the magazine article was befitting, if I realized the roles Ms. Drew Barrymore had always played, and this was not that. He humiliated me on my own fucking stage! At all. Oh, is this another one of those— I hate him! Calm down! I hate him. I want him mutilated! Sweetie, I— Don't sweetie me! —no, I want him worse than mutilated; I want him cancelled. Now you're being irrational. (Irrationally) I'M NOT BEING IRRATIONAL. Drew. DONT CALL ME BY MY NAME RIGHT NOW. Drew. Hm? You can't cancel the tonight show. Mm. Maybe not… [beat] But you can cancel the host. DUNDUNDUN. How are we still on this storyline? To be quite fair, he's one of the only actors in the series in every single season. That's—true— but still. why are you bothering me? I'm not. You are. Oh! You'll never believe this. What. She actually has a barcode tattoo on the bottom of her foot. Okay. That's creepy. And it actually scans. You carry around a barcode scanner? It's an app! Gross. It's not gross. It's gross. Look. This is the website where it took me. Your girlfriend's weird foot secret barcode tattoo? It's not a secret. She let me scan it. Gross! It's not gross. I'm pretty sure that's why it's there! Ugh. Look at this— I don't want to fucking look at your— Just look! See. Oh. Yeah. Wow. Yeah— [The Festival Project ™ ] {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

I feel like that would be a– coincidence? No, I don't think so THERE ARE NO COINCIDENCES. THATS A CHALLENGE. CUNTFACE. 0.0 WHAT DID YOUJUST CALL ME. FUNTCASE. WHAT. IT'S A DJ– WHAT! GROUP–OR WHATEVER. Harvard; How'd I do that? I wonder what else I can get If I just ask I thought watch my thoughts I been bad I'm a dog (ruff) I should watch my process I been good, nothing lost I been bad, I'm a dog. I been bad I'm a dog Woof woof I'm dog I been bad I'm a dog Jesus Christ (i been bad) I was right (I'm a dog) I should probably watch my fuckin thoughts (I'm a dog) i got beef (ruff ruff) I got sauce Run along I got lost I should probably watch my thoughts Go to town, I was wrong Brush it off I'm a process Holler if you want But my collar got a concept Don't you call my phone I should cut the fucker off Gotta member Jon as i bite the toblerone hey Cut it off Hollywood Talk in code I should probably cut her off But the honor On thy father And thy mother Got a couple corn breads I should cut them off bro I got a woof of dog's breath Pick another card I been bad I'm a dog I been bad I'm a dog I been bad I'm a dog I been bad He's headless, He's headless He's entirely invisible Oh even this is making sense In symmetry; Oh, even this is interesting Even a Syncronicy Look here, look here He's invisible, even inevitable Even invincible He's no longer headless, He's all suit and tie now This was the news, But it might be a noose And I'm starting to die, now Loosen the strings, please Free fall apostrophe, re I'm not dumb, I'm just sick of you all. Enjoying my title As long as it lasts And I'm finally learning The falcon, the falcon Finally, something to keep I want the sauce, not the Viking The lodestones And not the gossip. I want no possibility of interaction at all I need a recovery Every day at the gym but the vampires lurking? Come on. I had a right to m procure me a peloton One for the arms, And one for the armor And sweet chili broccoli And amour, And amour I wish I could die and not rot again Under the circumstance Digging my coffin up, Then burning it. I got comfortable with earthworms And learning my heritage Stolen culture But still nothing sucks more than Literature, authoritarian authors And arthritis Here, write this Shure, chuck forward Lean back in your device and Conspire to write us a Kill us, why don't you I went back to dartford And Dartmouth and Where is it I'm going for the tower? Just duck, it's a bomb shower Interesting creatures, I gather Remind me why we're blowing them up again. You can try to scare her out All you want But the modern world is so wrong that God stops talking And I stop opening up For the monsters Won't you Just turn the clocks back Don't turn the power off I hold more value here Than all of us totaled up On the block Put together I trained myself out of slavery, But I promise not to teach the other mongrels Not to constipate the other world With solutions Now, dear Don't you want to Stratosphere Status and all that Sit and won't you Read us a poem? No, AI can't write like this But I can I hold the man up for ransom For damaging my anthrax You heard! I'm not as impossible as my apostles Imbicils Now where was I? Nowhere those others ought to be; I set fires after walking amongst them three days With my heart out Carrying all like sponges The sickness and curses of the earth's world upon us Flowerbeds of styrofoam Products with logos plastered on us To be quite frank, Franklin It burns the heart out Starting at the eyes And ending in an oven fire Are you out the apartment! Of course, conservative, I barter Wouldn't it be funny to see me Dying, skid across the sidewalk in Los Angeles With no one at all Blabbering about my heart Or whatever Over cardboard How about that, Los Angeles? Your dog goes to a borders As you're on tour But I've been pushing shopping carts Waiting for the rainstorm to take a shower Praying for the big wave To wash us all out So my Beachfront property Comes down to market value And I buy it on my food stamps How are ye? Bad, doctor I've run away again And the rabbit calls me Alice But I promise, I let half life's over Hours when I washed my socks on Harpists I'm pissed off like you want me, I promise But I'm no political revolution at all Until I'm murdered by my own gun Then someone might bark— I meant borders for books And you love your dog more than my person So I love your dog more as a conciousness To you I'm nothing To him, I'm possible love What a remarkable mirror We cancel out each other You love your dog more than me I love your dog more than I love you I'm sure of it, Then, I'm an afterthought And because I'm an afterthought, I chose your dog Rather than to be shamed For looking However your eyes saw me; I never saw you I saw your dog. What a wonderful talisman; Wag the tail a bit. What's up with you and the hosts? I don't know, but I'm 30 years old And it got hard and dark, And I'm dark skinned with odd thoughts, And I find this all remarkable enough Not to remark I think the networks are testing my malleble I think there's someone stopping my unstoppable I think they're trying to shame me for Fallon But honestly, after that You all can have him Is fandom is rampant, I call it a Skrillex, I showed them a four sided photo box Made of mirrors And I'm nearsided And fightsighted And heart spoiled And notes ransom And really trying to hide in New York is like Calling closing your eyes Being blind “I can't see.” I want to die And hope no one remembers me Or else I might end up Like poor Johnny Conformity and control Is that all you folks want Believe it or not I'm on your side With a golden aura Warning you not to shoot Or I might go again Forming to something You love even less Than us poorer dark folks With imperfect bodies Something you loathe even more Than the robots you worship More than the words That you made up And the forgot More than the poles apart You continue to blow up I'm in the neon galaxy in tirades or glass With my arms up shouting, “I'm an immortal, You shoot, I'll grow stronger!” You put the devil in my neighbor for what? But I write stronger Right wing You out the devil in my mailbox The devil in the eye of the beholder And I behold nothing Longer I live in a trash can Not one symbol purchased But all I have Is all that I found in a dumpster And all that I do for love And still no love loves her I swore I had a cat here somewhere Look, you better catch her! Rabbis possum wombat Who bred that catastrophic Had to happen in captivity Monsters Who are I now? Monumental Don't want to go to the trap and be laughed at Don't want to run Because I can't stand you Don't want to Look, I'm in lockdown But how many of us now are hassled By the same land grant? How many terrorists we're hired Just to make me die And still I wonder What the taste of water Is like All I've got are these Vestibules Miniscule And still you were seeking to survive our wrath Despite the many times I warned you To find another planet to destroy with Apartheid? Still I warned you to go ahead and die Because there is no safe as shadows watch Close shaves and cameras eye I was designed to want But never touch you Now that's a knife I'm happy to run across this artery Due in part to the wife And a life otherwise lived Just to die Over and over With no shock value And no portal Past a world where Again, I become No longer wanted It has been long since love And so long in fact I almost forgot what love is Until, In the eye of a dog, I was And washed over my body in birds, Trained to seek, But not to find The wanderlust in Pendergrass Or, are you still a serpent Serive past And all I want are tropics Cool winds Clear waves Surfboards No politics, No lovers, Suits and ties Chatterboxes Silver screens or silver foxes The dye captures Soon I lost a son Who doesn't know a mother There it goes again Business cards or care packages? Get a job, New clothes, Or of course, Visitation Salutations, good riddance Can't wait to be rid of this Images world and Vanity Models And perfection And bodies that don't love But certainly in any other way Don't want me Darian 14th B The is the part that I throw the bazooka over my shoulder And run with it; please no blue suits! this is bullshit! Why is the Hudson yards always a white lower movement? Revolving doors and pinstripes I pay less attention to whatever's dressed in blue, I'm an object of affection Just as much as Equinox is Raise the price or forget it Another mention Nothing worse than a mistress But I missed my original sin fix and just then the sewage hit. (!&. Is Manhattan Cger all. 8.'g if I've got a secret, a dirty little secret. No. Get out. Ohw, What! C'mon. The Window closes, then opens again; the window reopens and another attendant looks angrily out of the space in the door. …hi. Herro. [It is a chinese man] Um…I've got a secret a dirty little secret. NO. YOU GO. But i've got the password. YOU GO NOW. Yeah, We're already here The villains on brigade and with your every move You're gone before you came Yeah, We know everything BASTARD! the magazine article was befitting, if I realized the roles Ms. Drew Barrymore had always played, and this was not that. He humiliated me on my own fucking stage! At all. Oh, is this another one of those— I hate him! Calm down! I hate him. I want him mutilated! Sweetie, I— Don't sweetie me! —no, I want him worse than mutilated; I want him cancelled. Now you're being irrational. (Irrationally) I'M NOT BEING IRRATIONAL. Drew. DONT CALL ME BY MY NAME RIGHT NOW. Drew. Hm? You can't cancel the tonight show. Mm. Maybe not… [beat] But you can cancel the host. DUNDUNDUN. How are we still on this storyline? To be quite fair, he's one of the only actors in the series in every single season. That's—true— but still. why are you bothering me? I'm not. You are. Oh! You'll never believe this. What. She actually has a barcode tattoo on the bottom of her foot. Okay. That's creepy. And it actually scans. You carry around a barcode scanner? It's an app! Gross. It's not gross. It's gross. Look. This is the website where it took me. Your girlfriend's weird foot secret barcode tattoo? It's not a secret. She let me scan it. Gross! It's not gross. I'm pretty sure that's why it's there! Ugh. Look at this— I don't want to fucking look at your— Just look! See. Oh. Yeah. Wow. Yeah— [The Festival Project ™ ] {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

SHOW TITLE: FR3AKY FRÏDAYS! with -Ū. IG HANDLE: @iamu.guru DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 002. LIVE Originally Aired May 30th, 2025 Brooklyn, New York Oh! Drew Barrymore! Duh! Oh–shit–I– What. You forgot? Nah–just… We had a deal. I don't know what kind of deal you think that– CUT TO: Flashback: Early 90's A YOUNG DREW BARRYMORE finds herself reflectively alone in a corner at a Hollywood party full of other starlett's and moguls–coincidentally, a full moon ritual is in full swing in a garden promenade nearby… White Rabbit, Jefferson Airplane {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

I feel like that would be a– coincidence? No, I don't think so THERE ARE NO COINCIDENCES. THATS A CHALLENGE. CUNTFACE. 0.0 WHAT DID YOUJUST CALL ME. FUNTCASE. WHAT. IT'S A DJ– WHAT! GROUP–OR WHATEVER. Harvard; How'd I do that? I wonder what else I can get If I just ask I thought watch my thoughts I been bad I'm a dog (ruff) I should watch my process I been good, nothing lost I been bad, I'm a dog. I been bad I'm a dog Woof woof I'm dog I been bad I'm a dog Jesus Christ (i been bad) I was right (I'm a dog) I should probably watch my fuckin thoughts (I'm a dog) i got beef (ruff ruff) I got sauce Run along I got lost I should probably watch my thoughts Go to town, I was wrong Brush it off I'm a process Holler if you want But my collar got a concept Don't you call my phone I should cut the fucker off Gotta member Jon as i bite the toblerone hey Cut it off Hollywood Talk in code I should probably cut her off But the honor On thy father And thy mother Got a couple corn breads I should cut them off bro I got a woof of dog's breath Pick another card I been bad I'm a dog I been bad I'm a dog I been bad I'm a dog I been bad He's headless, He's headless He's entirely invisible Oh even this is making sense In symmetry; Oh, even this is interesting Even a Syncronicy Look here, look here He's invisible, even inevitable Even invincible He's no longer headless, He's all suit and tie now This was the news, But it might be a noose And I'm starting to die, now Loosen the strings, please Free fall apostrophe, re I'm not dumb, I'm just sick of you all. Enjoying my title As long as it lasts And I'm finally learning The falcon, the falcon Finally, something to keep I want the sauce, not the Viking The lodestones And not the gossip. I want no possibility of interaction at all I need a recovery Every day at the gym but the vampires lurking? Come on. I had a right to m procure me a peloton One for the arms, And one for the armor And sweet chili broccoli And amour, And amour I wish I could die and not rot again Under the circumstance Digging my coffin up, Then burning it. I got comfortable with earthworms And learning my heritage Stolen culture But still nothing sucks more than Literature, authoritarian authors And arthritis Here, write this Shure, chuck forward Lean back in your device and Conspire to write us a Kill us, why don't you I went back to dartford And Dartmouth and Where is it I'm going for the tower? Just duck, it's a bomb shower Interesting creatures, I gather Remind me why we're blowing them up again. You can try to scare her out All you want But the modern world is so wrong that God stops talking And I stop opening up For the monsters Won't you Just turn the clocks back Don't turn the power off I hold more value here Than all of us totaled up On the block Put together I trained myself out of slavery, But I promise not to teach the other mongrels Not to constipate the other world With solutions Now, dear Don't you want to Stratosphere Status and all that Sit and won't you Read us a poem? No, AI can't write like this But I can I hold the man up for ransom For damaging my anthrax You heard! I'm not as impossible as my apostles Imbicils Now where was I? Nowhere those others ought to be; I set fires after walking amongst them three days With my heart out Carrying all like sponges The sickness and curses of the earth's world upon us Flowerbeds of styrofoam Products with logos plastered on us To be quite frank, Franklin It burns the heart out Starting at the eyes And ending in an oven fire Are you out the apartment! Of course, conservative, I barter Wouldn't it be funny to see me Dying, skid across the sidewalk in Los Angeles With no one at all Blabbering about my heart Or whatever Over cardboard How about that, Los Angeles? Your dog goes to a borders As you're on tour But I've been pushing shopping carts Waiting for the rainstorm to take a shower Praying for the big wave To wash us all out So my Beachfront property Comes down to market value And I buy it on my food stamps How are ye? Bad, doctor I've run away again And the rabbit calls me Alice But I promise, I let half life's over Hours when I washed my socks on Harpists I'm pissed off like you want me, I promise But I'm no political revolution at all Until I'm murdered by my own gun Then someone might bark— I meant borders for books And you love your dog more than my person So I love your dog more as a conciousness To you I'm nothing To him, I'm possible love What a remarkable mirror We cancel out each other You love your dog more than me I love your dog more than I love you I'm sure of it, Then, I'm an afterthought And because I'm an afterthought, I chose your dog Rather than to be shamed For looking However your eyes saw me; I never saw you I saw your dog. What a wonderful talisman; Wag the tail a bit. What's up with you and the hosts? I don't know, but I'm 30 years old And it got hard and dark, And I'm dark skinned with odd thoughts, And I find this all remarkable enough Not to remark I think the networks are testing my malleble I think there's someone stopping my unstoppable I think they're trying to shame me for Fallon But honestly, after that You all can have him Is fandom is rampant, I call it a Skrillex, I showed them a four sided photo box Made of mirrors And I'm nearsided And fightsighted And heart spoiled And notes ransom And really trying to hide in New York is like Calling closing your eyes Being blind “I can't see.” I want to die And hope no one remembers me Or else I might end up Like poor Johnny Conformity and control Is that all you folks want Believe it or not I'm on your side With a golden aura Warning you not to shoot Or I might go again Forming to something You love even less Than us poorer dark folks With imperfect bodies Something you loathe even more Than the robots you worship More than the words That you made up And the forgot More than the poles apart You continue to blow up I'm in the neon galaxy in tirades or glass With my arms up shouting, “I'm an immortal, You shoot, I'll grow stronger!” You put the devil in my neighbor for what? But I write stronger Right wing You out the devil in my mailbox The devil in the eye of the beholder And I behold nothing Longer I live in a trash can Not one symbol purchased But all I have Is all that I found in a dumpster And all that I do for love And still no love loves her I swore I had a cat here somewhere Look, you better catch her! Rabbis possum wombat Who bred that catastrophic Had to happen in captivity Monsters Who are I now? Monumental Don't want to go to the trap and be laughed at Don't want to run Because I can't stand you Don't want to Look, I'm in lockdown But how many of us now are hassled By the same land grant? How many terrorists we're hired Just to make me die And still I wonder What the taste of water Is like All I've got are these Vestibules Miniscule And still you were seeking to survive our wrath Despite the many times I warned you To find another planet to destroy with Apartheid? Still I warned you to go ahead and die Because there is no safe as shadows watch Close shaves and cameras eye I was designed to want But never touch you Now that's a knife I'm happy to run across this artery Due in part to the wife And a life otherwise lived Just to die Over and over With no shock value And no portal Past a world where Again, I become No longer wanted It has been long since love And so long in fact I almost forgot what love is Until, In the eye of a dog, I was And washed over my body in birds, Trained to seek, But not to find The wanderlust in Pendergrass Or, are you still a serpent Serive past And all I want are tropics Cool winds Clear waves Surfboards No politics, No lovers, Suits and ties Chatterboxes Silver screens or silver foxes The dye captures Soon I lost a son Who doesn't know a mother There it goes again Business cards or care packages? Get a job, New clothes, Or of course, Visitation Salutations, good riddance Can't wait to be rid of this Images world and Vanity Models And perfection And bodies that don't love But certainly in any other way Don't want me Darian 14th B The is the part that I throw the bazooka over my shoulder And run with it; please no blue suits! this is bullshit! Why is the Hudson yards always a white lower movement? Revolving doors and pinstripes I pay less attention to whatever's dressed in blue, I'm an object of affection Just as much as Equinox is Raise the price or forget it Another mention Nothing worse than a mistress But I missed my original sin fix and just then the sewage hit. (!&. Is Manhattan Cger all. 8.'g if I've got a secret, a dirty little secret. No. Get out. Ohw, What! C'mon. The Window closes, then opens again; the window reopens and another attendant looks angrily out of the space in the door. …hi. Herro. [It is a chinese man] Um…I've got a secret a dirty little secret. NO. YOU GO. But i've got the password. YOU GO NOW. Yeah, We're already here The villains on brigade and with your every move You're gone before you came Yeah, We know everything BASTARD! the magazine article was befitting, if I realized the roles Ms. Drew Barrymore had always played, and this was not that. He humiliated me on my own fucking stage! At all. Oh, is this another one of those— I hate him! Calm down! I hate him. I want him mutilated! Sweetie, I— Don't sweetie me! —no, I want him worse than mutilated; I want him cancelled. Now you're being irrational. (Irrationally) I'M NOT BEING IRRATIONAL. Drew. DONT CALL ME BY MY NAME RIGHT NOW. Drew. Hm? You can't cancel the tonight show. Mm. Maybe not… [beat] But you can cancel the host. DUNDUNDUN. How are we still on this storyline? To be quite fair, he's one of the only actors in the series in every single season. That's—true— but still. why are you bothering me? I'm not. You are. Oh! You'll never believe this. What. She actually has a barcode tattoo on the bottom of her foot. Okay. That's creepy. And it actually scans. You carry around a barcode scanner? It's an app! Gross. It's not gross. It's gross. Look. This is the website where it took me. Your girlfriend's weird foot secret barcode tattoo? It's not a secret. She let me scan it. Gross! It's not gross. I'm pretty sure that's why it's there! Ugh. Look at this— I don't want to fucking look at your— Just look! See. Oh. Yeah. Wow. Yeah— [The Festival Project ™ ] {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

SHOW TITLE: FR3AKY FRÏDAYS! with -Ū. IG HANDLE: @iamu.guru DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 002. LIVE Originally Aired May 30th, 2025 Brooklyn, New York Oh! Drew Barrymore! Duh! Oh–shit–I– What. You forgot? Nah–just… We had a deal. I don't know what kind of deal you think that– CUT TO: Flashback: Early 90's A YOUNG DREW BARRYMORE finds herself reflectively alone in a corner at a Hollywood party full of other starlett's and moguls–coincidentally, a full moon ritual is in full swing in a garden promenade nearby… White Rabbit, Jefferson Airplane {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

July appears quiet. It isn't.This episode outlines why summer is a high-risk period for reputation management. With newsroom staffing reduced and audience attention low, deeper stories start brewing. Reporters have more time. Leadership is often distracted. That's when reputational cracks start to widen.The timing is rarely accidental. Many of the biggest PR crises in recent years—from Lizzo's lawsuit to Drew Barrymore's strike backlash—began simmering in July and erupted by September.What's covered:How reduced oversight and lower engagement create space for reputational damageThe patterns behind summer stories that spiralCase examples including Diddy, Cuomo, Barrymore, Lizzo, Fallon, Baldoni, and LivelyThe role of social media in sustaining backlashWhy July is a critical window for transparency, not silenceAlso featured: a breakdown of how MuckRack supports proactive monitoring and sentiment tracking.Referenced Stories:Sean Combs trialAndrew Cuomo's primary upsetLizzo legal falloutWriters strike flashpointsCelebrity missteps and media strategyKey takeaway: July is not the time to disappear. For anyone managing a sensitive narrative, this is the moment to speak before being spoken about.Want More Behind the Breakdown? Follow The PR Breakdown with Molly McPherson on Substack for early access to podcast episodes, exclusive member chats, weekly lives, and monthly workshops that go deeper than the mic. It's the insider's hub for communicators who want strategy with spine—and a little side-eye where it counts.Follow Molly → @MollyMcPherson Subscribe to PR Breakdown on Substack → prbreakdown.media Need a Keynote Speaker? Drawing from real-world PR battles, Molly delivers the same engaging stories and hard-won crisis insights from the podcast to your live audience. Click here to book Molly for your next meeting. This podcast is supported by Muck Rack, the PR management platform I use to monitor media coverage, track journalist activity, and inform high-stakes strategy with real-time data. Learn more at https://muckrack.com Follow & Connect with Molly: https://www.youtube.com/mollymcpherson https://www.tiktok.com/@mollybmcpherson ...

In this episode, we dig into the iconic-yet-controversial July 1992 issue of Interview magazine featuring a 17-year-old Drew Barrymore on the cover in the buff along with other pictures of poolside playfulness captured by photographer Bruce Weber. The images are accompanied by an insightful Q&A that gets into her career path post-Poison Ivy and the brief-but-impactful relationship between Drew and then-boyfriend Jamie Walters. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

Hard to believe it, but Drew Barrymore turns 50 this year. She can't believe it either. She got her AARP card, but it brings up the question of whether 50 is the "right" age to start thinking about or implementing retirement planning. Jim Fox has an answer for you and other things to think about if you have a retirement plan or have thought about getting one started. Tune in for this episode and hear what the Financial Straight Talker has to say on this and so much more! Ready to connect with Jim today? Get some Financial Straight Talk! Follow us on social media: YouTube | FacebookSee omnystudio.com/listener for privacy information.

Galaxy Quest was one of the great summer movies of 1999. Except it was released, for some reason, at Christmas. Lovingly sending up television sci-fi of a certain era - and heavily grounded in Star Trek - Galaxy Quest was a modest success as 30th highest grossing movie of 1999 The second feature film, both overall and in as many years following the Vince Gilligan-penned Home Fries with Drew Barrymore and Luke Wilson in 1998, from accomplished television director Dean Parisot, and witten by David Howard and Rob Gordon, Galaxy Quest stars Tim Allen, Sigourney Weaver, Alan Rickman, Enrico Colantoni, Tony Shaloub, Sam Rockwell, Darryl Chill Mitchell, Robin Sachs, Patrick Breen, Missy Pyle, Jeb Rees, and Rain Wilson and Justin Long in their film debuts. Galaxy Quest has gone on to become one of the great cult films (and most enduring comedies) ever. So we invited culture writer Annie Berke to see how it holds up a quarter century later. Oh, and we basically write the sequel! Annie is on Bluesky @sayanniething  

David and Dana discuss Bill Gates' mosquitos, porch pirates, Drew Barrymore, hula hooping bears, Sydney Sweeney, Zendaya, and a 2nd grade Scarface play. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ever After is one of my favorite versions of Cinderella, and I have wanted to do a podcast on it for ages. It's finally time.Follow Nicki online!YouTube: ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/trivialtheater⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/TrivialTheater⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠https://instagram.com/trivialtheater⁠⁠⁠⁠⁠⁠I Heart Animation - Episode 213For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠

Barry Nichols joined me to discuss his love of the Smothers Brothers; how his brother Nils got an internship at SNL in 1978; being the drummer from Jeannie Cunningham; getting hired to work on Nothing Lasts Forever; being hired by Dick Ebersol; Nick Nolte backs out; an average an average week for him' being in charge of cast tickets; a four hour dress rehearsal; Eddie Murphy, Drew Barrymore; having to bring around Duran Duran; singing backup to Randy Newman; having Stevie Wonder play his bongos; hanging with Huey Lewis, John Candy, Santana; being Lily Tomlin's punk drummer in a cut sketch; being a member of The Garage Band; recording music for sketches; getting residual checks for episodes he was in; joining SAG; Spinal Tap; Harry Shearer; Carol Kane; Pamela Stephenson; the Don Rickles episode; Loverboy only getting one number; Tina Turner; being in David Letterman's NBC Talent show episode; being in on the ground floor of Friday Night Videos; picking the videos including Oingo Boingo; having to be live, in studio, for the video of the week, ZZ Top; Saturday Nights Main Event; holding cue cards on a water slide; Captain Lou Albano; Andre the Giant being twice the size of his bodyguard; his friendship with Gene Oakerland; moving to LA and doing grip and audio work; coming to North Carolina and and doing 15 ESPN Jimmy V Golf Classics; getting hired to edit for thirty-five years and recently retiring; opening the Milton 66 Bear Garden; and his name diversity.

Welcome to Future Commerce Rewind, where we compare stories in commerce today to episodes from the archives. This week, we're playing back VISIONS speaker Justin Breton's 2024 episode on Walmart Realm.When Walmart entered immersive digital experiences, it wasn't chasing hype—it was rethinking how the brand shows up in everyday digital life. In this rewind from August 2024, Justin Breton, Director of Brand Experiences, shares how Walmart Realm launched as a gamified marketplace blending culture, commerce, and creativity.Since then, Walmart has scaled its virtual ambitions with “Walmart Discovered” on Roblox, real-world commerce in gaming, and the debut of “Walmart Unlimited.” What began as an experiment is now central to Walmart's immersive commerce strategy.CTRL+ALT+CARTKey takeaways:Walmart Realm was never about conversions; it was about discovery. Today, Walmart's investments in platforms like Roblox and Spatial have validated that focus, with real-world commerce now integrated directly into those ecosystems.Justin avoided the term "metaverse," even when it was a buzzword. Instead, his team focused on familiarity and ritual, and that framing holds up. The strategy now connects digital shoppers with creators, brands, and immersive experiences they already love.Walmart has scaled its creator-driven experiences, including collaborations with Drew Barrymore and Netflix, helping drive co-created virtual spaces that reflect real-world partnerships.The early embrace of immersive storytelling now informs Walmart's content commerce and livestreaming efforts, with shoppable moments and branded narrative arcs that feel more like cultural touchpoints than retail plays.With new initiatives like Walmart Unlimited and its expanded Spatial footprint, Walmart is setting the stage for a generation of consumers who see shopping as play, story, and community.Justin joined the lineup of speakers at VISIONS Summit: NYC this summer. Subscribe to our newsletters and check out our recap on Insiders to catch highlights from the event.Associated Links:Explore Walmart RealmCheck out Future Commerce on YouTubeCheck out Future Commerce+ for exclusive content and save on merch and printSubscribe to Insiders and The Senses to read more about what we are witnessing in the commerce worldListen to our other episodes of Future CommerceHave any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners!

On today's episode we are joined by special guest and former co-worker Glenny Balls. We get into how much his life has changed after leaving Barstool Sports to be with Caleb Presley full time, some of the best cities and restaurants Glenny has tried in his travels and more.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/thedogwalk

Our exit today has us following in the footsteps of the Backwards Man. This week, we are talking about Freddy Got Fingered, written by Tom Green and Derek Harvie and directed by Tom Green.Along the way, we drop many more fancy words than you would expect given the movie: transgressive cinema, Dadaism, surrealism. Does that mean we like the movie? No. But it does give us a chance to talk John Waters, Drew Barrymore, Julie Hagerty, Razzie awards, MTV films, the Marx Brothers, Rip Torn's 1990s, and Tripp's high school car!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

To the Batmobile! This week marks a major milestone — the 30th anniversary of Batman Forever! Drew Barrymore made her one and only leap into the superhero universe with her memorable turn as Sugar, the angelic half of Two-Face's duo of femme fatales. With her “glitter dipped” Marilyn Monroe-inspired performance, Drew lights up the screen in her brief but iconic moments.We're diving deep into the film's production — from how Drew landed the role through her friendship with director Joel Schumacher, to her dynamic with the star-studded cast, and the stunning style that made her character unforgettable. Plus, we've uncovered the scoop on two deleted scenes featuring Sugar and her dark counterpart, Spice!⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

 Apesar de uma carreira de sucesso como atriz, a infância de Drew Barrymore foi conturbada e a levou ao vício. Aos 12, ela já bebia e fumava e aos 13 estava viciada em cocaína e precisou ser internada em uma clínica de reabilitação. Conheça a história de Drew. #497

Sisters! Where is your sense of ADVENTURE? Find it with US as we recount the tale of Ever After: A Cinderella Story, the 1998 classic fairy tale romance starring Drew Barrymore and Dougray Scott. Listen to us rant about accents, That Guy From That Thing, and historical anachronisms in a completely fictional work. We have fun here!As always, find us on Instagram @sisflickspodcast; on Letterboxd @sisflickspodcast; on Patreon @sisflickspodcast (if you'd like to share your ducats) and on YouTube!Check out our little merch shop: ⁠⁠⁠⁠⁠⁠⁠⁠Sis Flicks Shop⁠⁠⁠⁠⁠⁠⁠⁠ Recorded, edited & produced by Nadhya & Paola.Intro song Alive in Everything, by Neon Beach.

Welcome to Dev Game Club, where this week we continue our series on walking simulators with 2012's Dear Esther, played here in a 2017 "Landmark Edition" but based on a 2007 Source mod for Half-Life 2. We of course set the game in its time, spend a fair amount of time on randomness and meaning, and open the cellar door. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The whole shebang Issues covered: walking simulators, 2012 in games, a little history of The Chinese Room (the company), a little digression on The Chinese Room (the thought experiment), influences, developing in the mod community, the role of randomness, discovering the randomness, justifying the randomness, mod communities replaying games, not discussing games as you play them, writers having the same space to play, 30 seconds of depressing poetry, "cellar door," a quality of lovely phonemes, the facts we know and the things we might interpret, a dreamy narrative space, Tim reveals his baseball knowledge, a metaphor for grief and an otherworldly space, rebirth, a car accident setting vs a gurney setting, things you can miss, not a thing video games would do, appreciating a new design space, directors' commentaries, crematory urns, one of the props, the impact of the ultrasound, needing to relate to the characters, the potential for missing things. Games, people, and influences mentioned or discussed: Fez, The Stanley Parable, The Chinese Room, Dishonored, Halo 4, Diablo III, Kingdom Hearts 3D: Dream Drop Distance, Forza Horizon, New Super Mario Bros U, Far Cry 3, XCOM Enemy Unknown, Alan Wake's American Nightware, Hitman Absolution, Assassin's Creed 3, Max Payne 3, Mass Effect 3, Borderlands 2, Darksiders 2, Spec Ops: The Line, Dragon's Dogma, Fez, Journey, The Walking Dead, Hotline Miami, Spelunky, Papo y Yo, Bastion, Super Hexagon, Sumo Digital, Dan Pinchbeck, Jessica Curry, Rob Briscoe, Independent Games Festival, Korsakovia, Amnesia: A Machine for Pigs, Everyone's Gone to the Rapture, Unity, CryEngine, Little Orpheus, Still Wakes the Deep, Vampire: Bloodlines (series), Hardsuit Labs, Brian Mitsoda, John Searle, Alan Turing, William S. Burroughs, Nigel Carrington, Proteus, Halo, Drew Barrymore, Donnie Darko, Rogue Legacy 2, David Lynch, Lost Highway, Inland Empire, Laura Dern, Waiting for Godot, True West, Sam Shepard, Firewatch, LucasArts, 343 Games, Kevin Schmitt, Metal Gear, Death Stranding, Trespasser, Tacoma, Jedi Starfighter, Daron Stinnett, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: The Stanley Parable Twitch: timlongojr  Discord  DevGameClub@gmail.com 

The feel good movie of the 20th Century or the most disturbing childhood experience of all time?  Let us be the judge as we induct E.T. The Extra-Terrestrial into the Five Bucket Club! “E.T. need a dime, THEN phone home…”  #ettheextraterrestrial #et #stevenspielberg #henrythomas #drewbarrymore #deewallace

In honor of what would be Marilyn Monroe's 99th birthday this week, we are discussing the interesting ways her life has intersected with Drew Barrymore's. Once hailed by Drew as her idol, the two women share a surprising amount of similarities—both in their personal journeys and Hollywood careers. Over the years, Drew has also paid tribute to “the world's greatest icon” on several memorable occasions and we are going over them all. Happy birthday, Ms. Monroe!⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

They were cones! Welcome to Wedding June, Honey-June, June Brides... Not sure what it's called yet, but either way we are covering wedding movies this month and we are kicking it off with our FIRST Adam Sandler vehicle, 1998's The Wedding Singer! We discuss the hair, the music, the qoutable lines and we even have surprise guests! Wow! Also: defending Linda, Ebert's big beef, Alexis Arquette, our Sandler feelings, Drew Barrymore's acting abilities and the incredible true life story of Cat School. Check it out!  Use our code MOVIEFRIENDS for 25% off of your tickets for the Stony Brook Film Festival! Follow this link: Stony Brook Film Festival Seth's favorite SNL skit: The Herlihy Boy Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're dusting off our ruffled shirts and setting our time machines to the 1980s as we revisit The Wedding Singer (1998), a rom-com that's equal parts sweet, silly, and synth-soaked.Directed by Frank Coraci and starring Adam Sandler and Drew Barrymore, this nostalgic crowd-pleaser finds Sandler in perhaps his most charming role as Robbie Hart, a down-on-his-luck wedding singer trying to recover from heartbreak. After being jilted at the altar, Robbie befriends Julia (Barrymore), a waitress engaged to a Grade-A sleazeball, and the two strike up a will-they-won't-they friendship filled with awkward moments, big hair, and a killer retro soundtrack.The Wedding Singer balances slapstick with sincerity and is elevated by the natural chemistry between its leads. Barrymore's sweetness softens Sandler's usual chaos, making for a genuinely endearing romantic pairing. And let's not forget Christine Taylor, Steve Buscemi's brilliant drunken best man speech, and Billy Idol playing himself in one of the most gloriously absurd plane-based finales ever filmed.The movie also serves as a love letter to the 1980s, cramming in everything from breakdancing to New Wave fashion to Wall Street-era villainy. It's unashamedly sentimental, but also knowingly daft—like a mixtape of cheesy love songs and punchy jokes that somehow hits all the right notes.Whether you grew up in the ‘80s or just wish you had, The Wedding Singer delivers that warm, fuzzy vibe that makes it ideal for rewatching with mates—or maybe even at a wedding.

#WillSmith got some special advice! Meanwhile, #Redman reveals he & #MethodMan have grown apart.

Hard to believe it, but Drew Barrymore turns 50 this year. She can't believe it either. She got her AARP card, but it brings up the question of whether 50 is the "right" age to start thinking about or implementing retirement planning. Jim Fox has an answer for you and other things to think about if you have a retirement plan or have thought about getting one started. Tune in for this episode and hear what the Financial Straight Talker has to say on this and so much more! Ready to connect with Jim today? Get some Financial Straight Talk! Follow us on social media: YouTube | FacebookSee omnystudio.com/listener for privacy information.

After E.T., Drew Barrymore could have done anything. Turns out that producer Dino de Laurentiis was about to scoop her up to be in two adaptations of author Stephen King's work. The second, Cat's Eye, is one we already covered way back at the beginning of Night Shift. But the first was Firestarter, King's borderline science fiction novel about a girl who sets fires with her mind. Join the Three Men and a Retrospective Podcast as they review Commando director Mark L Lester's 1984 adaptation of King's 1980 novel. Unsurprisingly, it's Adam's first viewing of the film. Will he be genuinely surprised? And come back next week as the boys review not the syfy adaptation as outlined here, but the 2022 Zac Effron starring film of the same name.

This week, we're concluding our Movieline series with Drew Barrymore's final cover story for the magazine. In this feature, writer Lawrence Grobel explores Drew's passion for The Beatles, her split from Tom Green, and her famously unconventional family background. As a special bonus, we're sharing unprinted excerpts from the original interview, pulled from Grobel's book to give even more insight into where our girl was at in late 2002.⁠⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

Whether you're renting, buying or renovating, this episode is for you and your happiness…at the place you call home. I chat with Anita Yokota—licensed therapist turned interior designer, whose work blends psychology with interior design to create spaces that truly support you (you might recognize her work from the Drew Barrymore show.) If you've ever felt stuck in the same old routines, drained by cluttered corners, or like your home just isn't lifting you up—this might be why: your environment is running on autopilot, not in sync with your wellbeing. Together, we unpack how home design creates happiness and wellbeing through four mini episodes. This is part 1:  00:00 Creating Calm and Creativity at Home 01:35 The Intersection of Therapy and Design 07:11 Transforming Spaces: The Journey of Home Therapy 10:13 The Science of Design and Wellbeing ✨ Topics in this podcast: Easiest ways to declutter so you FEEL calm at home The 3 neuroscience hacks every home needs How home loops conquer procrastination Why your physical & emotional environments are intertwined Creating healthy boundaries in your home No sledgehammers required—just intention and a few small shifts to make your home feel better than “home.” Share with anyone who you know deserves a more creative space to thrive. Get Anita's Home Therapy Book Here

Whether you're renting, buying or renovating, this episode is for you and your happiness…at the place you call home. I chat with Anita Yokota—licensed therapist turned interior designer, whose work blends psychology with interior design to create spaces that truly support you (you might recognize her work from the Drew Barrymore show.) If you've ever felt stuck in the same old routines, drained by cluttered corners, or like your home just isn't lifting you up—this might be why: your environment is running on autopilot, not in sync with your wellbeing. Together, we unpack how home design creates happiness and wellbeing through four mini episodes. This is part 2:  00:15 Understanding Individual Domains in Home Design 03:07 Creating Personal Spaces for Success 06:07 Identifying Habits and Home Loops 08:58 Small Tweaks for Big Changes 10:30 The Role of Home as a Safe Haven ✨ Topics in this podcast: Easiest ways to declutter so you FEEL calm at home The 3 neuroscience hacks every home needs How home loops conquer procrastination Why your physical & emotional environments are intertwined Creating healthy boundaries in your home No sledgehammers required—just intention and a few small shifts to make your home feel better than “home.” Share with anyone who you know deserves a more creative space to thrive.  

Whether you're renting, buying or renovating, this episode is for you and your happiness…at the place you call home. I chat with Anita Yokota—licensed therapist turned interior designer, whose work blends psychology with interior design to create spaces that truly support you (you might recognize her work from the Drew Barrymore show.) If you've ever felt stuck in the same old routines, drained by cluttered corners, or like your home just isn't lifting you up—this might be why: your environment is running on autopilot, not in sync with your wellbeing. Together, we unpack how home design creates happiness and wellbeing through four mini episodes. This is part 3:  02:59 Creating Flow in Your Home 06:11 Transforming Communal Spaces 08:52 Intentional Communication in Shared Spaces 10:08 Exploring the Renewal Domain   ✨ Topics in this podcast: Easiest ways to declutter so you FEEL calm at home The 3 neuroscience hacks every home needs How home loops conquer procrastination Why your physical & emotional environments are intertwined Creating healthy boundaries in your home No sledgehammers required—just intention and a few small shifts to make your home feel better than “home.” Share with anyone who you know deserves a more creative space to thrive.  

Whether you're renting, buying or renovating, this episode is for you and your happiness…at the place you call home. I chat with Anita Yokota—licensed therapist turned interior designer, whose work blends psychology with interior design to create spaces that truly support you (you might recognize her work from the Drew Barrymore show.) If you've ever felt stuck in the same old routines, drained by cluttered corners, or like your home just isn't lifting you up—this might be why: your environment is running on autopilot, not in sync with your wellbeing. Together, we unpack how home design creates happiness and wellbeing through four mini episodes. This is part 4:  00:17 The Importance of Renewal in Self-Care 03:12 Exploring the Five Senses for Renewal 06:00 Creating Intentional Spaces for Activities 07:55 Evolving Spaces and Personal Growth 08:42 Connecting with Anita and Resources   ✨ Topics in this podcast: Easiest ways to declutter so you FEEL calm at home The 3 neuroscience hacks every home needs How home loops conquer procrastination Why your physical & emotional environments are intertwined Creating healthy boundaries in your home No sledgehammers required—just intention and a few small shifts to make your home feel better than “home.” Share with anyone who you know deserves a more creative space to thrive.  

Si quieres ver esta entrevista en Youtube, da clic aquí.Si, el celibato está de moda: el hashtag #celibacy tiene más de 100 millones de vistas en TikTok y famosos como Lenny Kravitz, Drew Barrymore y Elizabeth Gilbert lo están haciendo. Pero, ¿qué beneficios trae? ¿Hay desventajas? De todo eso platiqué con la sexóloga Fer Zárate, y agárrate mana que hasta hablamos de sexo tántrico. Idea original y conducción: Romina SacreProducción: Romina Pons rominapons@sensiblesychingonas.comProducción de audio y video: Campechano Media bernardo@campechano.mediaDirección comercial: Salvador Eljure salvador@doubletap.mxRedes sociales: Las Corleone Hosted on Acast. See acast.com/privacy for more information.

Oliver Hudson joins Drew Barrymore and Valerie Bertinelli at the Drew's News desk to discuss some of the trendiest headlines of the day. Plus, Ross Mathews joins Grandma Connie in NYC to get some sage advice about dating and relationships.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dax Shepard sits down with Drew Barrymore to talk about some of his most memorable interviews in his podcast, "Armchair Expert". To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Kate McKinnon sits down with Drew Barrymore to answer some rapid fire questions from Leslie Jones and reveals her most embarrassing moment while on set. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We talk plants with Ryan McEnaney! Anna Wintour knows people don't want to party with her. Billy Ray and Miley have made up? Plus Kendall thinks OK! Magazine is doing Drew Barrymore dirty!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Delco pooper strikes a car clean and fast, Drew Barrymore cries because she saw a window, BPD psycho screams at police https://www.patreon.com/HateWatchPodcast

Tyra Banks sits down with Drew Barrymore to reflect on her career and what it was like working with Jule Campbell in "Sports Illustrated". To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Kimberly Snyder, author of 'The Hidden Power of the Five Hearts,' shares fascinating insights on the concept of heart coherence and its transformative power. Discover how emotions like appreciation and love can align your heart, brain, and nervous system. Kimberly also explores the 5 stages of heart coherence, shares personal experiences with emotional healing, and provides practical tools for achieving a more coherent state. As a special bonus, the episode includes a guided heart coherence meditation to help you experience the profound effects of these practices on your well-being. Don't miss out on this enlightening episode! To view full show notes, more information on our guests, resources mentioned in the episode, discount codes, transcripts, and more, visit https://drmindypelz.com/ep285 Kimberly Snyder is the 3-time New York Times bestselling author of The Hidden Power of the Five Hearts, who is the change-maker of the heart-led living and wellness movement. The founder of the holistic lifestyle brand Solluna and host of the top-rated Feel Good Podcast, Kimberly is a wellness expert, creator of the research-based HeartAlign Meditation, nutritionist and international speaker. She co-authored Radical Beauty with Deepak Chopra, and has been the go-to expert to help celebrities feel their best, including Drew Barrymore, Reese Witherspoon and Channing Tatum. Kimberly's work is featured on Good Morning America, Today, The Wall Street Journal, Vogue, The New York Times, and many other publications.    Check out our fasting membership at resetacademy.drmindypelz.com. Please note our medical disclaimer.

How I accidentally manifested Drew Barrymore into my reality, anything is possible–BUT YOU MUST DO THIS FIRST. Tune in and take notes, sweet unicorns!  LOVE YA! TUNE IN AND TAKE NOTES! Thanks for coming to class : )  TIMESTAMPS 00:00 Embracing Worthiness and Manifestation 03:12 The Power of Letting Go and Flow 05:52 Taking Action: The Importance of Systems 09:04 Grounding and Nourishing Our Lives 11:46 The Fertilizer of Life: Learning from Challenges 15:04 Living Authentically and Trusting Yourself 18:06 Manifestation: The Magic of Vision Boards 20:52 The Journey of Self-Discovery and Growth   Keywords:  manifestation, self-worth, personal growth, letting go, systems, authenticity, vision boards, self-discovery, challenges, energy flow   LINKS MENTIONED IN THIS EPISODE:  AG's free grounding meditation: https://aguniversitypod.gumroad.com/l/groundingmeditation?layout=profile   AG's Book Club (book linked here) https://amzn.to/3JxyOEE   AG'S 2025 BALI TRIP: https://trovatrip.com/trip/asia/bali/indonesia-with-anna-grace-newell-jun-21-2025   How To Read The Akashic Records Course:  https://anna-grace-newell.mykajabi.com/offers/PfVmbYFN/checkout   AG's Energetic Protection Courses + Free Shower Prayer! https://aguniversitypod.gumroad.com/   AGU's Course ~ How to Read Angel Cards: AG teaches you how she connects with her oracle deck to pull cards for readings!  https://aguniversitypod.gumroad.com/l/angelcards AG's Energetic Protection Courses: https://aguniversitypod.gumroad.com/   AG's free grounding meditation: https://aguniversitypod.gumroad.com/l/groundingmeditation?layout=profile   —----- AG's newsletter for more info on readings OR submit a question for her to answer LIVE on the podcast: https://www.annagracenewell.com/newsletter   What is AGU? After launching an energy work practice rooted in the Akashic Records, AG uncovered so much information that she needs the world to hear! It's her duty and personal mission to help people get in touch with their intuition and energetic gifts, and ultimately become the brightest and boldest version of themselves! This is your official acceptance letter: WELCOME TO AG UNIVERSITY! AG's Energetic Protection Courses: https://aguniversitypod.gumroad.com/ AG's Book Club: https://www.amazon.com/shop/annagracenewell/list/WD6VUBYE1HFC?ref_=aipsflist_aipsfannagracenewell  Sign up for the newsletter if you are interested in doing a reading with Anna Grace, or learning more about her energy work practice. Sessions will ONLY become available here - her booking link will never be shared on any other platforms: https://www.annagracenewell.com/newsletter If you aren't already - you can connect with AG on Instagram and TikTok: @annagracenewell on all platforms! XO  

• Sponsored by BudDocs.org for medical marijuana licenses • BudDocs offers easy, same-day telemedicine appointments • Dr. Chanlatte curates BudDeals and dispensary discounts • Live from the JustCallMoe.com studio • Rauce joins the Friday Free Show • Rauce plugs “Good Sauce with Rauce and Joel” and their Fringe show • Recap of chaotic BDM $5 shirt-stuffing party at Hourglass Brewing • Koozie stuffing chaos and Tony Rage's Minecraft-style table slide • Tom stresses over organizing volunteer events • Vince Taylor arrives on wrong date after Tom typo • Vince left his sick mom, showed up in BDM gear, found only fishermen • “Getting Tommied” becomes shorthand for careless screwups • Tom offers to pay Vince's gas, Vince jokes about his 18-wheeler • Vince plugs his podcast and May 4 Star Wars brunch at Funny Bone • Tom & Dan join Temu affiliate program for cheap party gear • Tom orders tiny gardening shears from Temu, slow shipping • Dan never uses Uber Eats, agrees with Rauce that $5 is a solid tip • Uber Eats vs. old-school pizza delivery and tipping debates • Grocery bag strength becomes a pride topic • Ikea story: listener scans 59 items at self-checkout, gets mocked • Dan prefers real cashier interaction, jokes he brightens their day • Frustration over unpaid labor at self-checkout • Poop story from workplace where someone smeared it on a wall • Hot take: fondue sucks, Tom tips himself • Dan's daughter loves taquitos, nostalgia for junk food athletes • Temu bag delivery compared to opium ships • Song “Catch These Fizz” by Wet Leg played during break • StreamlineFlorida.com plug for mortgage help from Brian ZIML • Rauce & Joel's Fringe show titled “10 More Sketches” • Joke about flaunting past awards like Super Bowl rings • Tom wants to be a Kratos-style cool dad • Max learns card tricks on a camping trip • Tom teaches TikTok magic and finds comfort in math-based tricks • David Blaine nostalgia: 1997 special, studio visit after cursing • Listeners revealed levitation secret, Masked Magician reference • Magician Jeff Kaylor sells tricks to pros, Kostya Kimlat shoutout • Tooth Fairy talk leads to joke about Tooth Fairy porn • Celebrities like The Rock and Larry the Cable Guy played Tooth Fairy • Dan mentions hanging with a teen curious about podcasting • Teasers: cruise godmothers, Island Boys, Epic Universe • Song “Apocalypse Soon” by local band Debt Neglector • Fairvilla event plugs: Oral 101, Bootylicious Anal, Sex Toys 101 • Sanford Food Truck Fiesta judged by Angel and Brian Grimes • Dan forgets a studio visit, wears Crocs post-surgery • Dan hides when visitors knock unexpectedly • Student visits about radio but actually loves jazz and R&B • Dan recommends OrlandoBands.com and Ben Gardner • Internships: how Dan got his job after “Apple Annie” incident • Modern interns expect pay; Rauce says timing still matters • Dan jokes Tom's kids have no dreams, but offers help to listeners' kids • Dan says he has industry connections to make dreams come true • Rauce confirms Dan has Carrot Top in his phone • Dan compares himself to Willy Wonka of Orlando networking • Rauce visited Epic Universe three times, says it beats Disney • Highlights: Stardust Racers coaster, drink-around-the-universe • Praise for How to Train Your Dragon show and Dark Universe land • Dan wants to dress like Toad and ride Mario Kart drunk • Cruise guy Tony attends MSC christening with celebs • Drew Barrymore named godmother of the ship • Cruise godmother role explained: honorary, free cruise • Listener suggests D-Generation X crotch chop as dream fan moment • Tom dreams of catching an NFL pass • Dan shot on the Magic court thanks to Jeff Turner • Foo Fighters and Green Day inviting fans to play onstage discussed • Parenting efforts often go unnoticed until kids grow up • Moe DeWitt sponsors Rauce's podcast and Fringe show • Promo for Moe DeWitt Bowling Tournament (sold out) • Tease for April 19 BDM event with erotic magic and DJ Sharp ### **Social Media:**   [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration) **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)