Podcast appearances and mentions of Lorde

Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm. The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing. 00:00:00 Gig Gab 549 – Monday, August 31st, 2026 August 31st: Eat Outside Day Guest co-host: Kevin Glendinning 00:02:38 Pula, Croatia. 8 countries in 7 days 00:04:36 SNL stage for The Deftones with the Carson Daly show 00:06:20 Making an impression on touring musicians with 00:08:35 Always be learning about the new tech Learning from the “new” guys Neve 5045 Primary Source Expander Waves PSE Plugin Digico Mustard Source Enhancer 00:13:55 Always be open-minded 00:18:57 Mixing ears and the respect of it all 00:21:02 Chris Rabold mixing monitors for REM 00:22:06 Now some REM stories 00:24:23 Helping get Adam Levine & John Mayer through ear fatigue with one ear monitor 00:26:46 OzFest System Engineers and hearing fatigue 00:27:45 Sometimes it just doesn't sound right 00:30:44 Super Bowl in 2011 in Dallas…with snow! And The Black Eyed Peas 00:35:45 Being rehearsed enough to just do the gig (and fix what goes wrong when it goes wrong) 00:36:25 Lorde's large-and-resilient fanbase 00:39:21 Working Red Rocks..”Wet Rocks” 00:44:33 Christina and the reboot “Don't worry…the audio will come back.” Dave's issue with the Mackie DL32S losing input signals 00:49:58 Batteries Matter 00:52:31 Miley Cyrus, Taylor Hawkins, Lightning-stuck aircraft, oh my! 00:56:28 Getting paid to see the world The pros and the cons 00:59:11 The “covert” phone call… and Justin Timberlake Get to know ML who works for ShowCo Ask for the gig you want (and, specifically, ask Anthony Giordano) The Victoria's Secret Awards! Watching Muse with Justin 01:06:11 Have gratitude for everyone who you've worked with 01:08:14 Kevin wants to answer your questions! 01:09:52 Gig Gab 549 Outtro Follow Kevin Glendinning IG: @kev_chitown LinkedIn: Kevin ‘KG' Glendinning Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road – Gig Gab 549 appeared first on Gig Gab.

Good morning, everyone. Time to talk. Doug hates cold weather. Redbird chatter. Win yesterday. Blaze Jordan injury. There is no hibachi in the Cardinal clubhouse. Gordon Graceffo. More people send in their measurements. Shania Twain. Sheryl Crow will sing at the Arkansas Pine-Bluff game. What's on tab for the fellas for the weekend? Trivia nights. Listeners inviting us to events. Taylor Twellman. Josh Baez struggles. The Skipper will be on with us at 8. People sending in there net worth and body counts. Mike Francesa is a legend. ATMA has become a Beercats vehicle. They love the fans, not money. When did Royals by Lorde come out? Trying to connect Tony La Russa. Butch Patrick's Werewolf Doll is in a bad spot. Tony La Russa joins us to talk about his upcoming event on September 13 at the Factory in Chesterfield. Albert, Yadi, Jim Edmonds, So Taguchi, and many more will be in attendance. Talking about memories from the 04, 05, and the championship 06 team. Tony's connection to players and teammates over the years. Does Tony think Yadi will be a first ballot Hall of Famer?Recapping our conversation with the Skipper. Net worth of the listeners. Oli Marmol on Gordon Graceffo's performance yesterday. Martin talked it over with Matt Holliday on the TV side and Matt discussed his friendship with Oli Marmol. David calls in with a heartfelt call. Tattoos. Toto. Biggest celebrity you have ever ridden in a car with? They are filming a hoops movie here in STL. Should we be an extra? Drops of the Week. Jackson's golf struggles. Tracks around the area. Gambling. Bulletproof. High School Football chatter. Mark De Rosa and MLB Central discussed the NL Rookie of the Year award and make the case for Sal Stewart over JJ Wetherholt. Betting odds for the ROY. Why didn't Jackson invite Tim to his round of golf? Design Aire Heating & Cooling E-Mail of the Day The Cardinals are Coming. Bug bites. SLU vs. Mizzou tickets went on sale yesterday. Pirates vs. Cardinals betting total. Quinn Mathews. Who do you like tonight? Who's the deer, dork, and d*ck of our show? Iggy and Martin's bit Mike McGreevy joins us briefly to say what's up. We ask Mike about his outing on Wednesday night. Was it a case of him not having his stuff, or just part of the game? The Cardinals starter also talks golf, facing the Pirates this weekend, and more!Housekeeping. EMOTD winnerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(0:00) Good morning, everyone. Time to talk. Doug hates cold weather. Redbird chatter. Win yesterday. Blaze Jordan injury. There is no hibachi in the Cardinal clubhouse. Gordon Graceffo. More people send in their measurements. (13:10) Shania Twain. Sheryl Crow will sing at the Arkansas Pine-Bluff game. What's on tab for the fellas for the weekend? Trivia nights. Listeners inviting us to events. Taylor Twellman. Josh Baez struggles. The Skipper will be on with us at 8. People sending in there net worth and body counts. Mike Francesa is a legend. ATMA has become a Beercats vehicle. (47:30) They love the fans, not money. When did Royals by Lorde come out? Trying to connect Tony La Russa. Butch Patrick's Werewolf Doll is in a bad spot. Tony La Russa joins us to talk about his upcoming event on September 13 at the Factory in Chesterfield. Albert, Yadi, Jim Edmonds, So Taguchi, and many more will be in attendance. Talking about memories from the 04, 05, and the championship 06 team. Tony's connection to players and teammates over the years. Does Tony think Yadi will be a first ballot Hall of Famer? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Way Out West ve švédském Göteborgu patří mezi nejvýraznější hudební festivaly severní Evropy. Stojí na silném mezinárodním programu, městské atmosféře i důrazu na udržitelnost. Od prvního ročníku hledí vpřed a bez nostalgie vzpomíná na účast Prince nebo Franka Oceana. V letošním programu najdeme jména jako Gorillaz, Lorde, Oklou, Geese nebo Clipse. O esenci samotného festivalu mluvil v rozhovoru jeden z organizátorů Filip Hiltmann.

Way Out West ve švédském Göteborgu patří mezi nejvýraznější hudební festivaly severní Evropy. Stojí na silném mezinárodním programu, městské atmosféře i důrazu na udržitelnost. Od prvního ročníku hledí vpřed a bez nostalgie vzpomíná na účast Prince nebo Franka Oceana. V letošním programu najdeme jména jako Gorillaz, Lorde, Oklou, Geese nebo Clipse. O esenci samotného festivalu mluvil v rozhovoru jeden z organizátorů Filip Hiltmann.Všechny díly podcastu On Air můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

An early Tuesday Edge Breakfast chat covers behind-the-scenes chaos and breakfast banter, Dan’s gym/moustache era, and what “fly like a G6” really means. Clint revels in being home alone while his family is in Rarotonga, prompting jokes about his newfound freedom. Marcus Lush briefly references their “Hit The Spot” feature, and the team plans a Timbaland-style attempt. Meg shares a study on ovulation and strip-club earnings and suggests “period maxing” for photos and meetings. Two Easy Money callers narrowly miss $1,000 with letters O and M. They discuss workplace “luck,” including a sauna raffle and Carl winning a meat pack, then touch on AI videos, a bat-echolocation album, and an IVF embryo mix-up. The A-List debate lands Whitney and Adele as A-list, Lorde as B, before Dan dives into Bigfoot sightings and teases an interview with Finding Bigfoot’s Matt.

Helen and Gavin chat about The Bombing of Pan Am 103, One Night Only, Muana, and Spider-Man: Brand New Day, and it's Week 56 of the list of Grammy Record of the Year Winners from 2014, which will be picked from Get Lucky by Daft Punk feat. Pharrell Williams & Nile Rodgers, Radioactive by Imagine Dragons, Royals by Lorde, Locked Out of Heaven by Bruno Mars, and Blurred Lines by Robin Thicke feat. T I & Pharrell Williams. Support the show by buying us a coffee: buymeacoffee.com/thelistoflists Subscribe to our YouTube channel: youtube.com/@thelistoflistspodcast

Vince Fakhoury Horn speakswith Rima Vesely-Flad about The Fire Inside: The Dharma of James Baldwin and Audre Lorde—the silence she found in her own Buddhist community when she began writing about Palestine, Baldwin and Lorde's distinction between hatred that corrodes and rage that comes from the examined life, and the question they keep returning to: how to feel it all without causing more harm.Vince Horn: So, Rima, great to see you.I've been really loving getting to know you as a person and also your work. I've been reading your book. Unfortunately, I also spilled water on my copy, so it is a little... If you see me struggling to flip through the pages, that's ‘cause we had a bit of an accident here. But I've really enjoyed reading your work. Can't wait to get into it with you. Thank you so much for your time.Rima Vesely-Flad: Yeah. Thank you, Vince. It's been great to get to know you, too. We're so close. Amazing. Amazing.Vince Horn: Yes, and it's amazing as adults, we can carve out the time to hang out. So that's sometimes the hardest part. I feel like being in middle age is, like, making time to spend with cool people, so appreciate your time.Rima Vesely-Flad: Me too.Vince Horn: So let's talk about your new book. This is The Fire Inside: The Dharma of James Baldwin and Audre Lorde. Of course, before reading this book, I was familiar with you and your work. But it really struck me that you were writing in this book, like from the very beginning, you're writing about Palestine and Israel, which is not something I see many Buddhists really writing about or talking about in America.So it stands out just the fact that you're even talking about this subject. And then on top of that, you're bringing to bear these beautiful Dharma teachings and wisdom teachings from the Black tradition of James Baldwin and Audre Lorde, bringing them to bear on this topic in the first chapter of the book, which I thought was quite courageous.And I really appreciate it, you know, as someone who has Palestinian family members and people in the West Bank I care about. So just on a personal level, really am grateful that you centered this in your writing. And I thought maybe we could start with that first chapter if you're up for it.Rima Vesely-Flad: Absolutely. It was actually the very last chapter I wrote. I wrote this book of course over several years, but as I was concluding in real time, the genocide was taking place, and I just found myself absolutely in a state of grief and rage and was really politically active around it in ways that I hadn't been in quite some time.Like feeling very pushed to speak out and to contact the Biden administration and representatives, people here in North Carolina who might or might not speak in Congress, and just found that I needed ways to speak out, and this is my community. The people who self-identify as Buddhist claim these traditions, these lineages, these practices, these schools of thought, and yet there was so much silence, and I felt really compelled to speak into that silence. And I know that's something that you feel and understand in a deep way. And then also, I'm not by any stretch the first Black activist or academic or thought leader to make the connections between oppression of people of African descent whose ancestors were enslaved and people who are in a state of survival as their land is being taken in real time. So all of those connections were very present, and yet in the Buddhist world, there was so much silence, so much evasion or even erasure of what's taking place. And it felt like it wasn't separate from my practice, and I had to speak.Even though at the time I hadn't even visited the West Bank. I since have, but at the time I was thinking and writing and observing and feeling from afar.Vince Horn: Yeah. Okay. I didn't realize you'd gone to the West Bank. Wow, we'll have to talk about that sometime. Yeah, there's early on in the book, there's a quote here that's really echoing what you just shared.I thought I'd share this ‘cause it really moved me quite a bit. You said, “I, like many Black Americans, like Southwest Asian and North African Buddhists, observe that violent oppression of Palestinians can never bring safety and security to Jewish Israelis. And as a Buddhist practitioner, it's important for me to speak out against the violence sanctioned by my government, my tax dollars.The policies of the US government do not represent my commitments. I'm horrified by the massacres in Gaza day after day, by the constant terrorizing of Palestinians in the West Bank. I think daily of Baldwin's words, ‘You don't know what's happening on the other side of the wall because you don't want to know.'”Rima Vesely-Flad: Wow. Even just hearing Baldwin's words in that context again, it really brings me chills. And so prescient, right? So prescient in terms of just anticipating how much more extensive... At the time actually that Baldwin visited, there wasn't a formal occupation, although there was theft of land. But this— that was 1961, and then the wall— right now the walls, the checkpoints, the just sheer magnitude of aggression and violence. Like Baldwin anticipated that, and then the myopia in Israel and in the United States.Vince Horn: Yeah. I think at the same time though as I read through your writing on this, I was really also struck that you're really trying to hold multiple realities here at once.You know, both holding the suffering of the Palestinians and the apartheid state that you're describing. At the same time, you have a lot of, as I do, Jewish friends and people that you care about who may not be able to hold that reality in the same way or who are struggling to in some cases. Who...and you treat that with real compassion I think in your writing and in your words. As I try to, you know, my best. And it's, of course, important to differentiate between Jewish identity and Israeli identity, which is often, you know, merged intentionally by the State of Israel.And for many people it's the way they're inculturated. It seems like that was kind of an unconscious merger in a lot of folks' identity. At least I've noticed that with close friends and even students in the last few years where we've had conversations around this. There's been real tension.And anyway, I appreciate that you're holding it with compassion, both realities here, not trying to sort of demonize Israelis or Jewish people. And really being aware of the antisemitism that this whole issue is also bringing about. Or it's... I'm not sure if it's bringing about or giving excuse to people to be bigoted.So I think it's cool the way that you're trying to weave those different things. And I guess I'm curious if you could say a bit about how you're taking that approach or why that's important to you.Rima Vesely-Flad: Yes. I start off the book talking about a relationship I had with a, I would say a mama bear, a mother figure who claimed herself, who self-identified as my godmother, and she was born in France to a very well-known filmmaker who had the opportunity for asylum in the United States, and he and his wife were granted this opportunity to flee, but were told they couldn't take their daughter, who was my godmother Via–Vince Horn: Wow.Rima Vesely-Flad: –was sent to a convent in France. So a Jewish girl sent to a Catholic institution, and she was blamed for the war and has suffered horrific antisemitic abuse. And it scarred her indefinitely. When she came to the United States, she took off the first part of her name, just called herself Via.She died of cancer many years later, and the wounds of that period were still quite evident at the time. I just remember, I have such extraordinary memories of her and what she suffered. And so part of my compassion and empathy, which is real, is that this nation state we call Israel was founded as ostensibly a refuge for people like Via and her parents.And this is a nation state founded upon theft of land. And what it meant practically is that 750,000 Palestinians were driven from their ancestral lands, and they and their descendants still to date live in refugee camps, which I was able to visit when I went to the West Bank. These are no longer tents.They're now concrete buildings, but stacked very high, very crowded, very narrow passages for walking, no play space for children. One of the refugee camps I visited in Bethlehem has an entryway that consists of keys welded into an arc, and these are the keys for return. People still possess the keys to their homes they were driven from 75 years ago. So to recognize the terror that took place during the Holocaust in Europe, and then to recognize the consequent suffering that was inflicted upon Palestinians, I think is not simple. Yes, safety, but one thing Baldwin says that stays with me over and over is that Palestinians should not pay for the sins of Europeans.Europeans committed the genocide, the Holocaust, and Palestinians should not have had to pay for that and should not have been driven from their lands to establish what is supposed to be a state of safety. And yet the atrocities being committed by this government and other governments, not saying that this very right-wing government is the only government that has committed atrocities against Palestinians. To say that this is a state of safety for people whose ancestors were exposed to the horrors of the Holocaust is, I think, to be very myopic, very limited. And part of what I'm trying to wrestle with is such deep confusion, like a deep state of confusion of how, if your ancestors have experienced the Holocaust, could you inflict this upon another peoples?So that's some of what I wrestle with in this first chapter is just like—Vince Horn: Yes.Rima Vesely-Flad: —what? And I'm not the only one. Like Ta-Nehisi Coates starts off his book talking about the— the book is called The Message. And he starts off his book saying like, “I just don't get it.” And I feel that too. I just don't get it. But then also, I don't understand this claim to sacred land, and that's part of what's happening with the atrocities in the West Bank in real time. And you know, all of us know it has escalated dramatically in the past few weeks.Vince Horn: Yes.Rima Vesely-Flad: Like even worse than when I was there. And when I was there, that's when the farmers during harvest, the Palestinian farmers during the olive harvest were being terrorized.Vince Horn: Yes.Rima Vesely-Flad: Including many Jewish activists, similarly from the United States and from Israel were being terrorized, all of them. Everyone who was in the fields trying to harvest the olives.Vince Horn: Right.Rima Vesely-Flad: That was happening in October, but now it has escalated dramatically in a city called Nablus and its surrounds.Vince Horn: Yes.Rima Vesely-Flad: I actually went to Nablus. That was one of the places we spent some time.Vince Horn: Yeah. That's where my cousin is based. So yes. Oh, yeah. And I've heard that as well from her. So that's, in recent, like week or two, her house was broken into by the IDF and they destroyed one of the walls and were calling out for someone who they have no idea who it is.Yeah. And just, you know, like that's becoming more just kind of more standard. Like that's just happening all over the place. Yeah.Rima Vesely-Flad: It's becoming normalized.Vince Horn: Normalized, yeah, exactly.Rima Vesely-Flad: That aggression. Yes, so much. And one of the things I just sat with when I went, you know, I was in Jerusalem initially.There is coexistence. It's, you know, people are not separate. They are coexisting in real time. And yet, when I went to the West Bank and, you know, it's like I just don't understand. Jewish refugees were given 51% of the land by initially Britain and the United Nations then in 1948, 1947, 1948.Drove out Palestinians from their ancestral villages into refugee camps. Why do they want more? And one of the things I realized is that the West Bank consists or has many holy sites, both for Palestinians who practice Islam and for Jewish peoples who see these sites also as their holy sites. So I was based in a city called Al-Halil, and there's a mosque there that's called the Tomb of the Patriarchs, and that is one of the holy sites also for Jewish practitioners, people who are adherents.They have built settlements on top of Palestinian buildings, especially in the old village. So I saw all of this actually arrive just as there was an incursion of young people from these settlements into the city of Al-Khalil, which is also called Hebron. In any case, that claim to holy space in the sense, the idea, the narrative that God gave it to a certain peoples who are chosen and therefore all of the land is theirs, something I don't understand. And I have some real hatred— with regards to the atrocities taking place. And I feel that part of my practice is to really own that and feel that in my body, and then to work with it in such a way that it doesn't come out and get directed towards people.But I can feel that. And so part of what it means for me to claim these practices, like you, I'm in the Insight Diaspora, so we likely know many of the same practices. But part of it is working effectively with the body so much so that it's not targeted, it doesn't come out in random ways and cause further harm.But it's a hard practice, and some of what you see in that chapter or read is that muscle being flexed of like, how do I feel without it coming out in a way that causes harm? That is part of the wrestling. That is part of the practice.Vince Horn: Yes. And it's one that I noticed, like in my own training, I didn't get a lot of tools for that in the insight tradition because hatred was sort of like something we're trying to transcend or, you know, like notice and then counteract.That was usually the frame around hatred. It wasn't something like you can actually feel this anger and really feel rage. Like although sometimes people would, I think, give lip service to that, it never felt to me like a culture where people were actually doing that.And so I was just sort of repressing all this rage and sort of like carrying on. And now I realize that the wisdom of what you're saying is like, if you repressed all that rage it goes inward, it goes outward. It is not constructive. It's not generative. It's not healing. It's just kind of like a time bomb ticking.Rima Vesely-Flad: Yeah I think that's so wise. It causes anxiety and depression. It needs a place to land, and part of what I think we're meant to do with this work is cultivate that place to land, but do it in a way that's skillful so that we're not creating more harm. And I don't think that... is harmful, but I think it, when it's not effectively worked with, it does come out sideways, and then it can inadvertently or maybe—Vince Horn: Intentionally even.Rima Vesely-Flad: —intentionally create that. But I think part of it also is recognizing it, giving it space to be named—Vince Horn: Yes.Rima Vesely-Flad: —and legitimizing it. Like, it is a just rage. And hatred— actually Baldwin and Lorde both talk about hatred as corrosive. They talk about how it does actually impact us in ways that are not useful, and it does need to be worked with skillfully.But rage, they both say, comes from the examined life. It comes from legitimate and clear observation of patterns of oppression taking place and experienced in real time. And so that's energy that can be used, that can be directed in fruitful ways. And I think that distinction is really important, and it did inform my own experience of hatred.Of like, “Oh, it's here. How do I work with it in a way that doesn't corrode my spirit or it doesn't corrode relationships that matter to me?”Vince Horn: Yeah. I love what you're saying there. It seems like conflating hatred and rage would be one mistake there, to think like, “Oh, I shouldn't be experiencing this anger or this rage because somehow it's a sign that I'm, like, in this corrosive state of hatred.”But like, oh, it's real, and it's arising in response to something real. Like, I had never seen this quote from James Baldwin about how being a Black American means living with rage all the time everywhere, and that hit me so hard. I'm like, yeah, that's what it feels like as a Palestinian right now. I feel that and have always felt that.I didn't know that's what I was feeling for so many decades. But now that it's out in the open and it's like, oh yeah, like it's just this constant sense of rage at being constantly policed. You know, having your tone of voice policed, your words. Not being able to be a certain kind of emotive or, you know, loud.Like, all these things that are culturally, like what I grew up with. This was like the way that our family was. Like, it's not okay in this larger kind of white culture to display these kinds of things. And so you just like, you gotta tamp it down.Rima Vesely-Flad: And, you know, Foucault would say we learn to police ourselves to discipline ourselves. And I think part of our work then, in terms of recovery, is to name the ways that we self-oppress.Vince Horn: Yes.Rima Vesely-Flad: I would say that's a huge, huge part of my practice, ongoing.Vince Horn: Yes. That makes so much sense because it is, like you're saying, it's internalized.Like, I— yeah, it's like I only need to get a few social signals before I start to realize, ‘cause I'm a socially intelligent being, like we all are. Like, oh, like, this is not okay. And if I continue to do this, there's gonna be kind of repercussions. And I think the bravery and the courage to do it anyway, and to deal with those repercussions, like, that seems to be where your work lives here, and it's a hard place to live.Rima Vesely-Flad: It is hard, yes. I mean, one of the things I also talk about in this book more broadly is that I grew up in a family where I wasn't wanted. My birth was not welcome, and that was something I knew from a very early age. So I learned to adapt. I learned all of these ways of trying to be wanted, trying to be claimed, being exceptional.Vince Horn: Yes.Rima Vesely-Flad: So the idea that I would self-exile is, like, anathema. And that's where I start talking. And part of the way I use Audre Lorde's work in this first chapter in particular is to say, she calls us out, saying, “We must speak remembering we were never meant to survive.” But for me to speak in ways that might be confrontational or perceived as offensive is a very hard edge.But to self-silence is also to betray myself and my people. And that's the edge, right? To speak and to risk exile for someone like me, who has been exiled just because of the way I appeared in the world with dark skin, dark eyes, dark hair, curly hair. And then also to adapt in so many ways that I recognize a level of self-betrayal or a betrayal of the people to whom I'm accountable.And I do consider my people are people of African descent who have been oppressed because of their embodiment in this particular context, which has shunned people of African descent as unworthy, as less intelligent. Has seen a kind of embodiment as inferior. We come up against that. I came up against that in my own family.Vince Horn: Yes.Rima Vesely-Flad: It's a hard edge, and I think part of the work is to actually not be so alone, to find our people, to find people with whom we feel mirrored. That's also hard work, but it has come over time. I have found community, and that matters. And I think part of this work of sangha, which I think in our lineage is not so prioritized—Vince Horn: Right.Rima Vesely-Flad: —but if we take it on intentionally, we can truly honor it as one of the three jewels. Part of our work is really investing in sangha, even when it feels scary or even when it feels like, wow, I have to be held accountable for things that I say that might actually really harm somebody else. But to keep doing that work and to ask for that feedback and that accountability.Vince Horn: Yeah, that strikes me as so true, and I understand why sangha isn't prioritized when you have such an individualistic kind of culture of, you know, meditative achievement and self-work. It's like, oh yeah, well, of course if we're all just focusing on ourselves together, we're not gonna be focused on the bonds that connect us.And yeah, I found that to be a limitation really for many years now in that community. And sort of what drove me to like explore relational practices and other things that felt like they kind of help soften those boundaries and begin to kind of get a felt sense for like what interbeing feels like in real time.It's like this is what it actually is like to be connected to someone or to disconnect or to lose myself in someone else's perspective. I guess I wanted to honor too that like you're talking about all the reasons that one could not speak out even if there's injustice and one wants to speak out on behalf of people they care about and are identified with.That on top of the racial dimension of this, there's also imagine the gendered dimension of this for you as well. Like I see with my wife and other women I know who are raised in a more kind of gendered female way. Like it's just speaking up in general is hard to do. Or it's not something that's encouraged or, you know, people don't have...they're not offered that same level of training often when they're in a female body. So I guess I'm curious like is that also part of what you've had to work with in addition to the racial dimension of this?Rima Vesely-Flad: That's a really good question. I think initially, yes.Like, I was raised to watch and serve and people please. And that's how I got my goods, as my therapist would say. Like, I felt wanted when I—Vince Horn: Right.Rima Vesely-Flad: —gave people what they wanted, and I think that is a very, very gendered experience. I cleaned the house at an early age. I took care of my younger brother.I was with a single mother who worked a lot, so I held things together in the family home. And yes, I think that is a highly gendered experience that I've carried into adulthood. I think I have patterns that I'm still trying to work with around serving and adapting, people pleasing and what have you.I do also feel like there's some corrective, if you will, by becoming an academic. I think in my line of work, having jumped through a thousand hoops, I did three master's degrees, I did a PhD, I learned how to cite research and ask questions and back up and demonstrate. You see it in this book, right?Actually, the book initially was an academic book where I just took on Baldwin and Lorde and tried to show how they illuminate these incredibly important and timeless teachings that we now associate with Buddhism or call Buddhist. And I had a friend and a mentor, Ruth King, say, “Actually, we need your practice in this book.We need this to not just be through the third person, but we actually need your voice in this book,” which was really important and also incredibly hard. But part of why I felt I could take it on is that I was in a world in which I was expected to speak and facilitate, and I think there was a training not necessarily in the broader environment to which you're pointing, but in an academic environment where standing up and giving a talk or a lecture or doing Q&A on the spot was something I learned how to do.So in that way, I think there's more of a sense of, oh, I have this. I can do this. And that feels more, I would say, naturalized, for lack of a better word, just because it's been two decades of doing this so explicitly. And I've loved the academy, you know, being with people who read thick books.And I'm the kind of person, I'll walk into a store and I'll look at the endnotes before I look at the introduction, just ‘cause I wanna know who's cited and, you know, what research are they relying on? And like, who has informed this work? That matters to me even more so than the title or even the introduction.I wanna just know who, what school of thought is this author drawing upon. And I love being with people who also operate in that way. And I have this funny story of being a consultant for a book project for a friend of mine, and we were all taken out to Portland. It was my first time in Portland, and you know, beautiful city.And we hung out and talked and conversed and worked through these chapters, and then we sat in the hot tub and discussed Foucault. And, you know, it's just so, for me, natural to be in an environment where something like that is really fun. And that is, I think, a part of learning how to speak. I think the harder part, and this goes back to the gender question, is having been a Black girl in a white family and trying to figure out how to survive in such hostility.So yes, I do think that's both racialized and gendered kind of experience.Vince Horn: Yeah. Okay. Yeah, makes sense. I hadn't considered the training in academia would be such a sharp training. But it makes sense, yeah, that you'd sort of be expected to be able to receive critique and offer it and speak and debate.Yeah, that... I could see that both being kind of traumatizing and a very good training at the same time.Yeah. I appreciate it so much that you did bring your story into this book as well, because I feel like at least for me as a reader, it gives me something personally to connect with where I can sort of see, like, how the universal becomes personal, you know, in a way. Where it's like all these things that you're describing, and Baldwin and Lorde are describing, like, they make sense to me and I understand it.But then when you describe, you know, your experience of coming up with your grandparents and the specific ways, like not having your picture hanging up with the rest of your cousins, for instance. Like, that specific experience and the way that you shared it just made... It made all of the abstract universal stuff real for me in a way, you know, that I think it sticks with me, and it's like it lands in my heart, you know, in a way that is transformative.So I suspect that's probably true for others as well. So thank you for sharing that.Rima Vesely-Flad: Yeah, I would say that was hard in a way that academic citations and reading for ideas, making arguments is not so hard. Like, it actually comes very naturally. But the harder work of communicating the harm that was done and how I received it, and certainly because I was raised knowing them, my grandparents' rejection of me based on my skin color in particular was, it was deeply traumatizing, and I still work with some of my patterns of adapting, ways that still do not serve me.And then too, and this is something I'm more present with, is my experience of being abandoned by my father. Actually, yesterday was his birthday, August 2nd, also James Baldwin's birthday, and I found myself honoring James Baldwin, and having a really hard time honoring my father, who I had not seen at the time that he passed away for more than 40 years. And I also feel that, and the disconnection not just from him, but also my lineage. And a big part of this book is actually not attempting to reconcile with my grandparents or the members of my family that are still very overtly racist, and there are many, but actually to find my father's people and to cultivate a sense of lineage and belonging through my father's people who came from the Mississippi Delta.My grandmother moved north during the Great Migration, and I am in touch with those family members who descended from her. She's now deceased, but, and my father is also deceased. But to have some sense of connection and being claimed, to have visited the graves of my great-grandparents, in a certain way it's not full circle, but it is a sense of return, and by that I mean return to ancestors, biological ancestors who I now know the names of and have a place to go and now developing relationships with in terms of a broader family system. And those are folks who have claimed me.I, about a month ago, maybe just about three weeks ago, got to talk to the matriarch of my father's family, one of, uh, his youngest... Uh, not my father, I'm sorry. My great-grandparents, their lineage. I was able to speak to one of their youngest daughters, my great-aunt who turned 100 last December.Vince Horn: Wow.Rima Vesely-Flad: Who's now about 100 and a half, and I just think, wow, how amazing to have met her. That she knows my name, that I had some time with her, that she still wants to speak to me on the phone. That she sees me as a way to connect to her sister, my grandmother, who's, as mentioned, deceased. Sometimes I think that healing process is not attempting to reconcile with the people who have denied or rejected your existence, but to find people who claim you and who want to be part of you.I think that also speaks to this broader political environment. It's not about getting accepted by the people who have ideas of your inferiority. It's not about proving that you are, in fact, worthy of X, Y, and Z, but it's actually about claiming and developing and cultivating your own spaces. And I'll say this in a personal way, not so much about being accepted by a dominant white culture community, as much as cultivating the spaces that do feel supportive, in which I am mirrored.And I feel like both Audre Lorde and James Baldwin were oriented that way as well. Like Audre Lorde was part of the second generation women's movement, and they weren't, like, trying to fit into some stereotype of women. They created their own communities, and they had relationships with one another. She was a self-defined lesbian, and was with a community of women who honored their own sexuality and their gender, and who sought a kind of alternative to the broader dominant culture. I think that is so important. And Baldwin, as a gay man too, was oriented towards honoring his own sexuality and creating communities that essentially I don't want to use the word affirmed in, like, a tidy way, but just said, like, all of you, every part of you is welcome here.Vince Horn: Yes.Rima Vesely-Flad: And so I do think that is incumbent upon us as well, not to look for acceptance, not to be claimed, but rather to invest in communities that we want to be part of.Vince Horn: Yeah. So it's like you're getting your belonging needs met by creating or finding the kind of community that you can be yourself there and not have to be constantly seeking external validation from a culture that's not going to validate you, or probably not for the next few decades at least. Rima Vesely-Flad: We could even say that within our insight lineages.Vince Horn: Yeah, absolutely. I guess that's the need for diasporas is rooted there. You know, finding... I remember the early community of people I hung out with were mostly people that were unabashedly interested in, like, mastering the states and stages of the path, which is a weird thing to say now ‘cause that's not where I am at all.But yeah, it was like a subculture of people who were like, “Yeah, we're really interested in hardcore meditation.” And that wasn't the scene in the insight tradition. It was more like healing and kind of long-term retreat. So yeah, I can absolutely relate to what you're saying. I'm curious to go back a little to the part of the book where you talk about karma.Because this is, I think this is an area where I've always struggled with early Buddhist teachings. And I remember the first class I took at Naropa on the first turning with Judith Simmer-Brown. We really explored karma in depth there, and it became clear to me, like the early Buddhist vision of karma was very individualistic.It was like you are the cause of— it was primarily putting everything back onto the individual. So I thought it was interesting when you're trying to bridge that with collective understanding of karma as well, and seemed like you're trying to hold both the individual and collective perspectives together, like not kind of falling into one or the other.But I always found early Buddhism was like collapsed straight into the individual perspective. So I'm curious, like how do you work with... Is that true from your point of view and from, you know, your scholarship? And like how do you then work with a tradition that seems to be, I don't know, hyper individualistic when there are also deep teachings on interdependence and interbeing you can find in the tradition as well, though I haven't found them as prominently in the early Buddhist tradition.Rima Vesely-Flad: I think that's true. I mean, the sutta that I rely on at the beginning of the chapter, which I can put into the chat if that's helpful, is one of the few that explicitly says, oh, and there are other causes and conditions for suffering, and I actually, I'll read that.Vince Horn: That's cool. So it is there.Rima Vesely-Flad: Yeah. It's, so it's an early Buddhist teaching or sutta, the Moliyasivaka Sutta, and it says, “Bile, phlegm, and also wind.” So our bodies, what's around us, “imbalance and climate too—”Vince Horn: Wow.Rima Vesely-Flad: —”carelessness and assault, with karma result as the eighth.”And it's saying these are all reasons for suffering. But it's true. It's one of the few suttas that explicitly acknowledges causes and conditions as sources of suffering. Where I delve into collective karma is, it's true, I found it less in early Buddhism, more in Mahayana Buddhism, the focus on language actually.The fact that we come of age as very small beings and learn language, and our language is collective. We are learning certain meanings along with certain phrases, and that is collectively formed, and that is a part of our thoughts. That is something that a number of scholars within the Mahayana Buddhist lineage talk about in many very complex texts over actually several centuries.So it is to say that we find that less in early Buddhism, but we do find that, and it's with that analysis in mind that I talk about the fact that we are shaped by the collective, and also that we have agency.Some of the gleanings I have towards how we might employ karma in a very constructive way come from postmodern thinkers who claim Buddhism, but who are also broadly read with thinkers such as Marx, thinkers such as Foucault, and, you know, people who are making connections in ways that, of course, are very far removed from early Buddhism.But one of the things that is drawn out by now a wide range of postmodern Buddhist scholars, so people who both practice Buddhism and are scholars of Buddhist teachings, is that we have agency. We're not simply beholden to actions of the past or even the collective, that we actually can practice and cultivate our thoughts, cultivate our words, cultivate our actions in a way that allows us to break free of patterns that are harmful or do not serve us. So that's where I go with that chapter on karma.Vince Horn: Yeah.Rima Vesely-Flad: Wanting to say we inherit so much, and we do. We inherit language. We also inherit culture. We inherit ways of thinking, and it's hard to see that because we swim in the waters even as we are inheriting them, yet there is some capacity for agency.Vince Horn: Yes.Rima Vesely-Flad: And that is what we can do. And maybe that's the emphasis in early Buddhism, is that we can work on our minds. We can free our minds from these oppressive patterns.Vince Horn: Yes. Yeah, and that makes so much sense in the context of, like, Indian caste system and the emergence of this, like, other way of living that's kind of outside of that caste system.I mean, it seems like such a powerful move to claim agency when you're in a culture that's, like, so determined by birth and status.Rima Vesely-Flad: Yes.Vince Horn: And then now, but in 21st century America, it feels like in some ways that view prevents moving forward to me with some of the deep learnings that the postmodern theorists have offered us over the last decades, you know, around the way that power gets calcified and ossified in systems, you know, that we're embedded in, in cultures that we are raised in.You know, having grown up here in the rural South, you know, this is a lot of what I've reflected on when it's come to reading works like yours and looking at racialization. Is like how I can't separate myself out from the place that I came up in. And I can see even with a Palestinian mixed racial household, like I was in a sea of white Southern Baptist Christians mostly.And, like, it had a huge effect on the way I talked and the things I thought were acceptable to say or to think. And, you know, I can even see the ways that I was always... I was trying to bridge the gaps with folks who are different because my grandfather moved into the part of town where the only Black folks in the entire county lived.There were two students in my high school who were Black. They were both... We rode on the bus together. I was quite close friends with one person. And it's like growing up in the small little mini minority space I remember trying to make connections with folks and sometimes just like really messing up and not because of that inculturation.I remember one time I wanted to share this story, which I've never shared before. Which I think it... I want to meet you in your vulnerability here because you shared so much in the book. But I remember a friend of mine had a friend over, young Black girl, and she was, I forget her name, but she came over.We were hanging out and getting to know each other. And I remember this thing that I said to her as a... Really, my intention was to try to connect. And I said, sometimes me and my family, we're also called “sand,” and then I used the N word. And this was my— and I said it totally smiling, you know, like really assuming this would bridge some gap between us, and that she would see, like, I'm like her.But the impact that it had was totally the opposite. You know, it's like, it really bothered her. She was crying later. My friends were like, “What the heck is wrong with you? Why did you say that?” And I was like, oh my gosh. And it was just such a rude awakening to the reality of race, and I could see that even as an older adult, you know, asking people where they're from to try to connect, when I appear as white, has this impact of really causing people to feel paranoid or feel like I'm coming at them in a way that's racially biased.You know, where I'm trying to, like, figure out where they're from ‘cause they're not from around here, you know, and stuff like that. And I could see how even being well-intentioned when you're trying to connect across difference, it's very easy to, because of ignorance, to really harm people. And I can see that in the community of white Buddhist practitioners, you know, where a lot of very smart and well-intentioned people, as they engage with this work, like, we struggle to figure out how to do that in a way that's not perpetuating harm on a racial basis.It seems safer to just not talk about it sometimes. And I can see that this is a real problem. Like, it prevents learning and it prevents people from being able to kind of see their own conditioning and kind of acknowledge like, oh, this is really ugly. You know, it's really ugly that I thought it was okay to just, like, use that language and that it wouldn't have that kind of impact.Like, I thought for some reason it was neutral.Rima Vesely-Flad: Yeah. Yeah, that, I think that does speak to what we were just talking about with regards to karma and language and how we are socialized, how we inherit so much, and how even a word that has been weaponized with such vitriol and hatred over centuries in real time is still like a brick at the body.Like, it can land and it's almost... Yeah, I could even feel, like your reference to it, just how it landed, ‘cause it's still such a powerful word, and it does point to the fact that we do exist in conditions of such hatred and violence, that we are landed upon all the time, and we have to figure out, like, how to acknowledge that in ways that don't take us under or, frankly, if this is wanted on all sides, create rupture so that there can't be a way forward to acknowledge the weight of what's taken place.And I think for people who have had that hatred— and again, I'm thinking of both Baldwin and Lorde speaking to this with such clarity and self-empathy. For that hatred to be received over and over, especially in early years, but not exclusively in early years, and to have ways to acknowledge it and to come out of it, I think is something that we are all called to do.And to maybe to, and I say this with real tenderness, ‘cause I am still learning and asking for feedback all the time. With some tenderness to, if you notice that something has been, that some harm has taken place, that something has caused rupture, or if you're told that by other people to go in, not with some sense of defensiveness or a sense of needing to explain yourself, or even needing to clarify your intention, but to come in and to say with real humility, “I'm sorry, and I want to know what this is for you, and it matters to me that your inner being, that your wellbeing is cared for.”That's what matters. And actually, I had a moment a couple of weeks ago, not even quite that long, where I said something quite offensive to a friend of mine, and I noticed. I just— you know, noticed by reading facial expressions, and this is part of our work too, right? To observe. And so I asked, and was able to receive some feedback and to really hear it.And I think something that I struggle with, and I imagine for you, Vince, this is real as well, is we both are parenting young kiddos. You have an 11-year-old, I have a 10-year-old, about to be 11. We are really busy. We're running households, and I think some of what I come up against in my own work is, where is the time to do that inner work of reflecting, processing, synthesizing how we might have created harm, returning to the relationship?Like, where is the time to really do that? And that is something I'm sitting with, is if I have said something or not said something and it has created harm, where is the space to process that? And so this practice of sitting every day, of taking refuge, creating a kind of consistent place to land every day, I think that is some of the work as well, is to have a place where we can receive ourselves and how we are working with that harm that we have imputed upon someone else.And that's a big part of the practice as well for me, is just to create that level of consistency. And to feel into that remorse, to feel into that regret, to feel how it lands with us, and to hope that we might be able to convey that and to be received. And we don't always know. We can put ourselves out there.We may not be received, but just to have that sincerity of approach and to not make it about us, but to really focus on how it has landed for the other person, and then in our own practice to do our work. I think that, for me anyway, has been a way forward. Not that I could write a rule book or some set of instructions. I would not say that. But, you know, I take real guidance from Audre Lorde who said, like, “It's on me to see my heel print on another woman's face.” I have to do my own work even if I do self-identify as someone who has had that level of systemic and interpersonal harm coming at me.I'm also in a place where I can oppress other people. I'm doing real harm for other people. And it's not one or the other. It's not simplistic, but it involves a level, I think, of spiritual and emotional maturity to really see that for ourselves and to be open to whatever has arisen and whatever harm has been done, and then to be accountable, to put ourselves in a position of being accountable to a group or to another person it is really hard work. Really very hard work.Vince Horn: Yeah. Yeah. At the same time, I mean, I can see that's the only way to gain in wisdom is to be able to do that work and then be like, “Oh, yeah, now I know better. You know, I know a little better how to engage or be with folks in a way that's not gonna cause as much harm.It's going to, you know, support others.” So yeah, thank you for talking to me today and for exploring this with us here in the Insight Diaspora. I wanted to mention, too, that you're very generously offering up sort of in-depth content around this for sanghas and other communities and leaders that are kind of interested in bringing this work into their communities.I don't know if you wanted to mention that for those that are listening and might want to reach out to you and explore that.Rima Vesely-Flad: Oh, yes. And I can put... I have a couple of things I want to put in the chat, but I can put my website in, and the bottom of the page are these offerings. Yeah, so—Vince Horn: Please.Rima Vesely-Flad: I have recorded a number of Dharma talks, eight Dharma talks with two practices based on the book. And the hope is that this is a self-guided course, but the hope is that people can both listen and then practice. And the hope is in community that actually that can happen. And still trying to figure out exactly how to essentially package all of that.But at the moment, people can register for a self-guided course and listen to Dharma talks, some of which come from the book and are somewhat expanded, and some of which come from other work I've done. So there's one called The Dharma of James Baldwin and Audre Lorde, and then there are three that will be offered live with a good friend of mine, Rashid Hughes, who has put together a practice he refers to as rest.He is a lovely human. He's done restorative justice work for a long time. He also has a Master of Divinity degree and leads a sangha in DC. And so Rashid will offer practice spaces live, and I will record Dharma talks. The next one is called Buddhism and Black Liberation. That comes from a book I published in 2022.And then there will be one offered in January called The Discipline of Liberation, and I think that's my next project. I'm just starting to get my head around it, but it's informed and guided by the writings of bell hooks.And then there will be one that actually points to exactly what we were just talking about with regards to harm and conflict and how to work with it internally and how to be in community, and I think a lot of us don't have that training, and I'm still someone, even now, who if I receive something in a hard way, I will go to my cushion before I'll go to another person.And maybe that's okay, except if I don't ever get off the cushion and go to that person, that's not okay. So really trying to, this is in real time, also trying to learn, like, how to have these harder conversations and do repair. That's really what I'm pointing to, how to do repair effectively so that there isn't only rupture, but there's a relationship that's sustained. So there will be one self-guided course. It will open in about a month on Tuesday, September 1st, and then three live classes with my friend Rashid, and starting in October, and then in 2027, two classes. And my hope is that we start to create some spaces that are trainings and also collective spaces where we can be guided, especially by, in my case, I'm thinking of Black thinkers, although always in conversation with other lineages, but really wanting to bring the wisdom of Black thinkers to the center of Dharma practice.Vince Horn: Yeah.Rima Vesely-Flad: Palestinian voices as well. I am really invested in that, too. And a friend, Kareem Gandoor, refers to Palestinian dharma, and I think, yes, that really resonates with me.Vince Horn: So yeah, Kareem. I know Kareem. Good stuff. Yeah, I've recently just connected with Mohsen Mawdawi, who is the president of Buddhist Association at Columbia.I think— didn't you do your grad work at Columbia?Rima Vesely-Flad: I did one of those degrees there. Uh-huh. In the same program he was in, yeah.Vince Horn: Uh-huh. Yeah. And it's been so nice to connect with fellow Palestinian Buddhists. All five of us are now connected. So I feel a lot of solidarity with the work that you're doing, and the way that you're centering the wisdom of Black teachers in the Buddhist lineage, bringing that to bear.So thank you so much for that work. I hope you continue doing it for a long time.Rima Vesely-Flad: Well, thank you. It does feel like the right work, and I feel so grateful to be able to do it long term. I mean, that's I think where I'm going here. Actually, being able to work... I'm gonna put my website into the chat.Being able to organize some of these classes is an attempt to make this work more sustainable, in addition to being like it both informs the next project and is an outgrowth of the current project. Get full access to Buddhist Geeks at www.buddhistgeeks.org/subscribe

We are breaking down the most shocking pop culture news of the week. Justin Bieber is facing massive backlash after being caught smoking right next to his newborn son. Meanwhile fans are terrified for Ariana Grande as concerning new updates about her health continue to surface. Plus we discuss North West acting completely out of control just like her father Kanye West, leading to rumors that Kim Kardashian has grounded her. We also dive into the latest bizarre drama surrounding Lorde, Jared Leto, and the shocking new updates from Nolan Wells. Let us get into it! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, adventurer Bear Grylls joins us to tell us about The Chosen in the Wild, his new Prime Video series debuting Sunday. He takes the cast into Utah canyons and the Great Basin Desert, and tells us what Jonathan Roumie is actually like off camera.We also have Emily's recap of a memorable Lollapalooza this past weekend, Spider-Man: Brand New Day making U.S. box office history, and movie theaters having a record-setting comeback. We also get into the professor who found a way to catch students using AI on exams, and Arizona State announcing a new degree that's getting a lot of ridicule, but Jesse thinks is a great idea. And we tell the tale of Katy Perry getting stuck in a human-sized inflatable water bottle at a recent concert.This week's question of the week: what's a random habit you picked up that's genuinely improved your life? Drop your answer in the comments or @ us. We're reading them on next week's episode.Highlights:01:25 — A father-sons weekend in New York03:22 — The Devil Wears Prada 2, reviewed from the runway05:44 — Lollapalooza recap: Grant Park is enormous07:15 — The case for wheels on your feet11:47 — Lorde, Olivia Dean and a very wet weekend14:54 — The rain delay, a canceled set and The Neighbourhood's missing instruments18:34 — Lolla fashion: vintage NBA jerseys and brat crop tops20:29 — Charli xcx, "Rock Music" and what artists owe their fans25:20 — Marty moves on up27:26 — Sitcom shared universes30:12 — RELEVANT Buzz: Spider-Man breaks the all-time box office record36:05 — The professor who caught 32 students using AI38:12 — Bear Grylls on The Chosen in the Wild42:02 — Slices: Arizona State's influencer degree46:49 — Slices: Katy Perry vs. a giant water bottle50:56 — Question of the WeekAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Jodie and Red are joined by Roach from the No Effort Podcast to go through some Pop Music!!Can "The Wide hips connected to the soft lips and my mama's trauma" beat a song that tells you how dumb and childish her boyfriend is? YOU be the JUDGE!!Lorde - GRWMVSSabrina Carpenter - Manchild Listen to Roach's show HERE.Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

This morning, Spider-Man: Brand New Day has broken the all-time opening day box office record and Elton John may be attempting a peace deal between Brooklyn Beckham and his parents. ☕ Spider-Man: Brand New Day earns $168 million on opening day (the biggest in cinema history)☕ Vin Diesel reads the Fast Forever script and says it's the best he's read in decades☕ Brooklyn Beckham holidays on Elton John's yacht while his parents holiday separately in Spain☕ Jack Osbourne shares pics of his newest baby daughter and her ADORABLE name☕ Lando Norris and Alix Earle are spotted together again☕ Lorde pauses Lollapalooza multiple times over fan safety fears TAKE THE SPILL QUIZ HERETHE END BITS Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Support independent women's media The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply.Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. CREDITS Host & Producer: Ash London Executive Producer: Monisha Iswaran Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Christine Hentschel zu Sicherheit und Aktivismus in katastrophischen Zeiten Future Histories LIVE Das Gespräch mit Christine Hentschel ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 12. Juli 2026 auf Einladung des Hamburger Künstler*innenkollektivs Zollo entstanden. Shownotes Christine Hentschel Prof. Dr. Christine Hentschel an der Universität Hamburg: https://www.wiso.uni-hamburg.de/fachbereich-sowi/professuren/hentschel/team/hentschel-christine.html DFG Humanities Centre for Advanced Studies “Futures of Sustainability”: https://www.zukuenfte-nachhaltigkeit.uni-hamburg.de zur DFG-Forschungsgruppe "The Promise of Security in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/welcome.html Nina Perkowski zu Reimagining Security: Perkowski, N. (2025). Radical Imagination and Vernacular Security: Creating Spaces for Alternative Security Futures, International Political Sociology, Volume 19, Issue 4.  https://academic.oup.com/ips/article/19/4/olaf033/8255613 Garcés, M. (2024). Versprechen Können. Turia + Kant.  https://www.turia.at/titel/garces3.html zu Tadzio Müller und solidarischem Preppen: Müller, T. (2024) Zwischen friedlicher Sabotage und Kollaps. Wie ich lernte, die Zukunft wieder zu lieben. Mandelbaum. https://www.mandelbaum.at/buecher/tadzio-mueller/zwischen-friedlicher-sabotage-und-kollaps/ https://www.collapseclub.com/blog/five-elements-of-solidarity-prepping/ zur Letzten Generation: https://letztegeneration.org/ zu Just Stop Oil: https://juststopoil.org/ zu ‘Dernière Rénovation' (Riposte Alimentaire): https://en.wikipedia.org/wiki/Riposte_Alimentaire Christine Hentschel zu Endzeitaktivismus und Edgework:  Hentschel, C. (2023). Edgework in post/apokalyptischen Zeiten. Soziopolis.  https://www.soziopolis.de/edgework-in-post-apokalyptischen-zeiten.html zur Kollapsbewegung: https://taz.de/Kollapsbewegung-in-der-Klimakrise/!6110821/ zu Heat Strike: https://heatstrike.uk/ zu Les Soulèvements de la Terre: https://de.wikipedia.org/wiki/Les_Soul%C3%A8vements_de_la_Terre Bröckling, U. (2026). Invertierte Zukunft. Konturen der Zuspätmoderne. WestEnd, 23(1), 3–18. https://doi.org/10.5771/1860-2177-2026-1-3 https://www.inlibra.com/de/document/view/pdf/uuid/dd3d743d-12ac-3db9-8d17-af67ddb150ba?page=1&toc=5916333 Reckwitz, A. (2024). Verlust: Ein Grundproblem der Moderne. Suhrkamp Verlag. https://www.suhrkamp.de/buch/andreas-reckwitz-verlust-t-9783518588222 Folkers, A. (2022). Nach der Nachhaltigkeit: Resilienz und Revolte in der dritten Moderne. Leviathan 50, 239–262. https://doi.org/10.5771/0340-0425-2022-2-239 https://www.jstor.org/stable/27295246?seq=1 zu Mutual Aid: https://en.wikipedia.org/wiki/Mutual_aid Christine Hentschel und Susanne Krasmann über gegenwärtige „Collapse Awareness“: Hentschel, C., & Krasmann, S. (2024). Collapse awareness in the face of climate breakdown and urbicide. Critical Studies on Security, 14(1), 2–16. https://doi.org/10.1080/21624887.2024.2403795 https://www.tandfonline.com/doi/full/10.1080/21624887.2024.2403795 Vortrag von Christine Hentschel „Vom Retten der Welt zum Vorbereiten auf den Kollaps“ in der Ringvorlesung “Am Scheidepunkt: Zur Krise der Demokratie” in Frankfurt (22.01.2026): https://www.youtube.com/watch?v=tmn7g3vJPKg Marina Garcés zur postumen Kondition und Metapher der Nachspielzeit: Garcés, M. (2019). Neue radikale Aufklärung. Verlag Turia+ Kant. https://www.turia.at/titel/garces.html zu postapokalyptischem Umweltaktivismus: Cassegård, C., & Thörn, H. (2022). Post-Apocalyptic environmentalism. palgrave macmillan.  https://link.springer.com/book/10.1007/978-3-031-13203-2 Anaïs Maurer zur postapokalyptischen Agency im Pazifik & ‘fighting for what's left': Maurer, A. (2024). The ocean on fire: Pacific stories from nuclear survivors and climate activists. Duke University Press.  https://www.dukeupress.edu/the-ocean-on-fire zu climate change mitigation: https://climatepromise.undp.org/news-and-stories/what-climate-change-mitigation-and-why-it-urgent Jacob Blumenfeld zu Managing Decline:  Blumenfeld, J. (2024). Managing Decline. Cured Quail. https://www.academia.edu/121062536/Managing_Decline zu Climate Barbarism: Blumenfeld, J. (2023). Climate barbarism: Adapting to a wrong world. Constellations, 30, 162–178.  https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8675.12596 zu Christine Hentschels und Ursula Schröders Forschungsprojekt „Infrastructures of Protection. Planning for Catastrophes to Come“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp2.html zu Adaptation: https://climatepromise.undp.org/news-and-stories/what-climate-change-adaptation-and-why-it-crucial zum Forschungsprojekt „Extreme Adaptation to Climate Change“ im DFG-Exzellenzcluster CLICCS: https://www.cliccs.uni-hamburg.de/research/projects-themes/projects/a4-extreme-adaptation.html Lacbawan, M. (2025). Escaping the Climate Crisis: Speculative Wealth and the Selling of a Smart City. Journal of Business Anthropology, 14(2), 94-117. https://www.fis.uni-hamburg.de/en/publikationen/detail.html?id=13f172b2-6f23-44cc-adc7-31b42fb376b4 Rothe, D., Boas, I., Farbotko, C., & Kitara, T. (2024). Digital Tuvalu: state sovereignty in a world of climate loss. International Affairs, 100(4), 1491-1509. https://academic.oup.com/ia/article/100/4/1491/7710472 zu Muscular Adaptationism: Carton, W. & Malm, A. (2025). The long heat: climate politics when it's too late. Verso Books. https://www.versobooks.com/products/3317-the-long-heat?srsltid=AfmBOort8KE2C2ggxjCJE1Q7GTyEoyzLypZO0Wd75hcCmJUTuuW0zGa6 Joshua KaewnetarasForschung zu Wiederaufbau nach der Flutkatastrophe in Valencia: https://urban-future-making.hcu-hamburg.de/research/disrupted-mobilities Solar Geo Engineering: https://www.umweltbundesamt.de/presse/pressemitteilungen/unberechenbare-risiken-solares-geoengineering-keine Geoengineering: https://www.umweltbundesamt.de/en/topics/climate-energy/geoengineering zur Securitisation Theory: https://criticallegalthinking.com/2025/03/31/key-concept-securitization-copenhagen-school/ Schröder, U. (2026). Schutz in Krisenzeiten. Piper. https://www.piper.de/buecher/schutz-in-krisenzeiten-isbn-978-3-492-07396-7 zu Sicherheit im Anthropozän:  Rothe, D., Hentschel, C., & Schröder, U. (2025). Recomposing the climate-security nexus: A conceptual introduction. Geoforum, 159, 104195. https://www.sciencedirect.com/science/article/pii/S0016718524002562 Von Redecker, E. (2023). Bleibefreiheit. S. Fischer Verlag. https://www.fischerverlage.de/buch/eva-von-redecker-bleibefreiheit-9783596711260   zum Begriff der Infrastrukturen in der Sicherheitsforschung: Hentschel, C., Schröder, U., 2020. Democratising Security in Turbulent Times: An Infrastructural Lens. S+F 38, 191–194. https://doi.org/10.5771/0175-274X-2020-4-191 https://www.jstor.org/stable/pdf/27260104.pdf?refreqid=fastly-default%3Abf575832edd748b4b77595527737cd25&ab_segments=&initiator=&acceptTC=1 zu Nina Perkowskis Forschungsprojekt zu „Counter-Communities' Protection Practices and Security Utopias in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp8.html Staab, P. (2022). Anpassung. Leitmotiv der nächsten Gesellschaft. Suhrkamp, Berlin. https://www.suhrkamp.de/buch/philipp-staab-anpassung-t-9783518127797 Saito, K. (2026). Am Ende des Fortschritts. Überleben in den Ruinen des Kapitalismus. dtv. https://www.dtv.de/buch/am-ende-des-fortschritts-28534 Garcés, M. (2022). Critical Imagination. Artnodes.  https://www.academia.edu/73676938/Critical_Imagination zum Thüringen Projekt: https://verfassungsblog.de/wp-content/uploads/2025/06/Thueringen-Projekt_Abschlussbericht.pdf zu Verwaltung für Demokratie: https://verwaltung-fuer-demokratie.de/erste-hilfe-kit-demokratie/ zu Zukunftswerkstätten nach Robert Jungk: https://www.sowi-online.de/praxis/methode/zukunftswerkstatt.html_2 zu climate change boredom: Anderson, B. (2023). Boredom and the politics of climate change. Scottish Geographical Journal, 139(1–2), 133–141. https://doi.org/10.1080/14702541.2023.2197869 https://www.tandfonline.com/doi/full/10.1080/14702541.2023.2197869 Christine Hentschel zu „Apokalypse-Indifferenz“ (Günther Anders) im Kontext der Klimakrise: Hentschel, C. (2024). Im Angesicht der planetaren Zerstörung. Soziologische Perspektiven gegen die Indifferenz., in: Lessenich, S., Scheffer, T. (Eds.), Gesellschaften Unter Handlungszwang: Existenzielle Probleme, Normalität Und Kritik, IfS-Aus Der Reihe. Bertz + Fischer, Berlin, pp. 78–92. https://bertz-fischer.b-cdn.net/wp-content/uploads/2026/06/bertz-fischer-ifs-02-gesellschaften-unter-handlungszwang-9783865056528.pdf zu Verleugnung nach Alenka Zupančič: Zupančič, A.(2024) Disavowal. Polity Books. https://www.politybooks.com/bookdetail?book_slug=disavowal--9781509561193 Christine Hentschel zu affectiven investments in den Protesten gegen die Coronamaßnamen Hentschel, C.(2021) »Das große Erwachen«: Affekt und Narrativ in der Bewegung gegen die Corona-Maßnahmen. Leviathan 49, 62–85.  https://www.inlibra.com/de/document/view/pdf/uuid/1ed695c2-d459-32aa-a482-bf64a34a412c zur mobilisierenden Kraft von Wut bei Audre Lorde: Lorde, A. (1997). The uses of anger. Women's Studies Quarterly, 25(1/2), 278-285. https://americanstudies.yale.edu/sites/default/files/files/Lorde%20-%20The%20Uses%20of%20Anger.pdf zu Everyone hates Elon: https://www.everyonehateselon.com zu strategischem Hass nach Seyda Kurt: Kurt, S. (2023). Hass. Von der Macht eines widerständigen Gefühls. HarperCollins. https://www.harpercollins.de/products/hass-von-der-macht-eines-widerstandigen-gefuhls zum Begriff des Prozesses nach Rahel Jaeggi: https://www.fes.de/asd/buch-essenz/jaeggi-fortschritt-und-regression Jaeggi, R. (2023). Fortschritt und Regression. Suhrkamp. https://www.suhrkamp.de/buch/rahel-jaeggi-fortschritt-und-regression-t-9783518587140 White, J. (2024). In the long run: The future as a political idea. Profile Books. https://www.academia.edu/115206928/In_the_Long_Run_the_Future_as_a_Political_Idea_Profile_Books_2024_ Relevante Future Histories Folgen S04E07 | Kohei Saito, Christoph Sorg and Jan Groos on Creative Construction and the Struggle over Progress https://www.futurehistories.today/episoden-blog/s04/e07-creative-construction-and-the-struggle-over-progress/ S03E46 | Rahel Jaeggi zur Krise des Liberalismus, Fortschritt als Prozess und sozialistischem Utopisieren https://www.futurehistories.today/episoden-blog/s03/e46-rahel-jaeggi-zur-krise-des-liberalismus-fortschritt-als-prozess-und-sozialistischem-utopisieren/ S03E33 | Tadzio Müller zu solidarischem Preppen im Kollaps https://www.futurehistories.today/episoden-blog/s03/e33-tadzio-mueller-zu-solidarischem-preppen-im-kollaps/ S03E32 | Jacob Blumenfeld on Climate Barbarism and Managing Decline https://www.futurehistories.today/episoden-blog/s03/e32-jacob-blumenfeld-on-climate-barbarism-and-managing-decline/ S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/ S02E56 | Şeyda Kurt zu strategischem Hass https://www.futurehistories.today/episoden-blog/s02/e56-seyda-kurt-zu-strategischem-hass/ S02E38 | Eva von Redecker zu Bleibefreiheit und Demokratischer Planung https://www.futurehistories.today/episoden-blog/s02/e38-eva-von-redecker-zu-bleibefreiheit-und-demokratischer-planung/ — Future Histories Kontakt & Unterstützung: Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Website mit allen Folgen: www.futurehistories.today   Episode Keywords #ChristineHentschel, #JanGroos, #Interview, #FutureHistories, #FutureHistoriesLIVE, #Sicherheit, #Aktivismus, #Katastrophe, #Klimakollaps, #Zukunft, #SolidarischesPreppen, #Kollaps, #MutualAid, #Adaptation, #Mitigation, #ExtremeAdaptaion, #Klimaaktivismus, #Klimakrise 

In this monthly episode of the Anglotopia Podcast, Jonathan Thomas returns with his August edition of What's On in London — and this one comes with a personal twist, because Jonathan will be in London himself later in the month. August is London's most contradictory month: the busiest tourist season of the year, a million-plus visitors, packed attractions and carnival streets — and yet simultaneously the month when Londoners themselves flee to Cornwall and France, leaving whole districts strangely quiet. Jonathan covers it all: the Notting Hill Carnival (August 30–31, its 60th anniversary this year, Europe's largest street festival, free entry); the major royal and historic building openings including Buckingham Palace State Rooms, Houses of Parliament summer tours, and the freshly restored Banqueting House reopening August 1st; London's brand new museum, Trent Park House of Secrets — just opened July 21st, telling the extraordinary wartime spy story that was kept under the Official Secrets Act for over 50 years; new West End openings including Jane Eyre the Musical and Kimberly Akimbo; the blockbuster exhibitions still running and closing this month; live music at Victoria Park and Wembley; family-friendly highlights; the VAT tourist discount reducing admission prices across major attractions this summer; and Jonathan's own personal list of what he's booked and planning to see — including the Ceremony of the Keys at the Tower of London, Buckingham Palace's East Wing tour, the Wallace Collection's Churchill as Painter exhibition, and Trent Park. Links The Big One — Notting Hill Carnival (August 29-31, 60th Anniversary) Notting Hill Carnival — Official Website Notting Hill Carnival 2026 Schedule & Info (Sat Aug 29 Steel Band Competition; Sun Aug 30 Children's Day; Mon Aug 31 Main Parade) Royal & Historic Building Openings Buckingham Palace State Rooms — Book Tickets (Open July 9 – September 27, 2026; daily 9:30–19:30 through August 31) Buckingham Palace East Wing Highlights Tour — Book Separately Houses of Parliament Summer Tours — Book Tickets (Reduced prices throughout summer recess; Westminster Hall, House of Commons, House of Lords) Banqueting House — Tickets & Info (Fully reopened August 1 after major restoration; open Thu–Mon 10:00–16:00; Adults £10, under 16s free) London's Newest Museum Trent Park House of Secrets — Book Tickets (Open since July 21; Tue–Sun 10:00–17:00; Adults £14/~$20; Oakwood tube station, Piccadilly Line) Ceremony of the Keys Ceremony of the Keys — Tower of London — Book Tickets (Next ticket release: August 3, 2026 at 13:00; suggested price £30, pay from £10; sells out immediately — set a reminder) Festivals & Outdoor Events Greenwich + Docklands International Festival — Free (August 21 – September 6, 2026; outdoor theatre, circus and dance across Greenwich, Woolwich and Docklands) Greenwich Fair — Free (August 22–23, Greenwich Park — no ticket required) 120 Years of the Piccadilly Line with Tim Dunn — London Transport Museum (August 22) All Points East — Victoria Park, East London (Two weekends; headliners include Lorde, Tyler the Creator, Twenty One Pilots) BBC Proms at the Royal Albert Hall (Running all month, ends September 12; day tickets available on the door) New West End Theater Openings Jane Eyre the Musical — UK Premiere (from August 28, Southwark Playhouse) Kimberly Akimbo (from August 28, Hampstead Theatre) The Mischievous Team — New spy farce (from August 1) West End Tickets via Londontopia TKTS Half-Price Tickets, Leicester Square Exhibitions — Running & Closing in August Frida Kahlo — Tate Modern (runs to 2027) (Plenty of time — but book ahead) Winston Churchill the Painter — Wallace Collection (until November 29) Richard Dadd — Royal Academy (running) Anish Kapoor — Hayward Gallery (until October) Schiaparelli: Fashion Becomes Art — V&A (until November) Marilyn Monroe — National Portrait Gallery (closing September) (Last chance — closing soon) Jurassic Oceans: Monsters of the Deep — Natural History Museum (Great for families) Star Trek at 60 Trail — Science Museum (closing September) (Free) Young Artist Summer Show — Royal Academy (until August 30, Free) Exhibitions Closing in August — See These Now Holy Pop at Somerset House — closes August 9 Patrick Caulfield — Royal Academy — closes August 16 Titanic Exhibition — Olympia — closes August 16 Fairy Tales — British Library — closes August 23 Zurbarán — National Gallery — closes August 23 Hervien Anderson — Tate Britain — closes August 23 David Hockney: A Year in Normandy — Royal Academy — closes August 23 Tracey Emin: A Second Life — Tate Modern — closes August 31 Family Activities Paddington Bear Summer Special — Immersive Experience The Big Dig: Archaeology Adventure (until August 21) Boleyn is Back — Tudor Living History, Tower of London (until August 14) Live Music All Points East — Victoria Park The Weeknd — Wembley Stadium (August 14–19) Practical Resources Met Office App — London Weather Forecast Londontopia London Events Calendar TfL Elizabeth Line — Air-Conditioned Travel Across London Anglotopia Wallace Collection Churchill Episode — Listen Now (Our earlier episode with Dr. Lucy Davis) Friends of Anglotopia Club Takeaways August 2026 is the 60th anniversary of the Notting Hill Carnival — Europe's largest street festival, free to attend, taking over Notting Hill and Ladbroke Grove on August 30–31. The Saturday Steel Band Competition (August 29) requires a ticket; Sunday Children's Day and Monday main parade are free. Arrive early, follow your nose to the food stalls, and keep your wits about you in the crowds. Trent Park House of Secrets — London's brand new museum, opened July 21st — tells the extraordinary story of the WWII intelligence operation where 59 captured German generals were housed in apparent luxury, never knowing the entire house was bugged. Often called "the other Bletchley Park." Tickets are £14 (~$20), open Tuesday–Sunday, and it's on the Piccadilly Line at Oakwood station. Jonathan is going. Buckingham Palace State Rooms are open daily through August 31, 9:30am to 7:30pm — the longest opening hours of the season. Jonathan has booked both the State Rooms tour and the newly opened East Wing tour. If you haven't booked yet, check for remaining availability immediately; the best slots are gone but cancellations do appear. Banqueting House on Whitehall — Inigo Jones's 1622 masterpiece with its Rubens ceiling, the building outside which Charles I was executed — reopens fully on August 1st after a major restoration. Adults £10, under 16s free, open Thursday–Monday. New lift for step-free access. One of London's most underrated experiences. The Ceremony of the Keys at the Tower of London — the world's oldest unbroken military ceremony, performed every night for at least 700 years — releases the next month's tickets on the first working day of each month. The next release is August 3rd at 1pm. Jonathan got a ticket; it requires an early wake-up and sells out within hours of release. The UK government has instituted a 15% VAT discount on tourist attraction admissions this summer — which means lower prices at major London attractions. If you booked in advance, you may be entitled to a partial refund for the difference; check with each venue. Lower prices also means slightly larger crowds. The Greenwich + Docklands International Festival runs August 21 to September 6 — 17 days of completely free outdoor theatre, circus and dance across Greenwich Park, Woolwich, and the Docklands. The two-day Greenwich Fair on August 22–23 in Greenwich Park is the unmissable centerpiece. No ticket required — just show up. Several major exhibitions close on or around August 23rd — a critical date. Zurbarán at the National Gallery, Fairy Tales at the British Library, David Hockney at the Royal Academy, Hervien Anderson at Tate Britain, and Patrick Caulfield at the Royal Academy all close that day. If you're arriving after August 23rd, these are gone. The BBC Proms at the Royal Albert Hall run all month and into September — the world's largest classical music festival, with day-of standing tickets potentially available on the door. Jonathan hasn't managed to go yet and still wants to. It's worth trying even if you can't book ahead. August in London is genuinely two cities at once: over a million tourists fill the attractions and the carnival streets, while large swaths of residential London go quiet as locals escape. The wise visitor uses this: the tourist attractions are busy, but the parks, the residential neighborhoods, and the early mornings are surprisingly peaceful. Soundbites "August is London's most contradictory month. Every guidebook tells you it's peak season — and every guidebook is right. And yet at exactly the same time, London kind of empties out. Locals flee to Cornwall, to France, to anywhere that isn't a stuffy office in a heat wave. Whole districts can go completely quiet." — Jonathan on August's strange duality. "The Notting Hill Carnival is that one weekend where London's multicultural and diverse character — which can feel oddly invisible at other times of the year — is front and center. It's loud. It's joyful. And it's entirely free." — Jonathan on why the carnival matters. "They captured high-level German officers and put them all in one place. What the prisoners didn't know was that the entire house was wired with microphones. And hidden in a concealed basement, around a hundred secret listeners — many of them German-speaking Jewish refugees who had fled the Nazis — were recording and transcribing every careless word." — Jonathan on Trent Park House of Secrets. "I have wanted to go inside Buckingham Palace for twenty years. I'm finally doing it this year. I've got my tickets booked. I'm going to do the State Room tour, I'm going to see the freshly rehung picture gallery, and I've booked the East Wing tour. That is going to take a whole Saturday. I cannot wait." — Jonathan on his long-awaited Buckingham Palace visit. "The Ceremony of the Keys is considered the world's longest military ceremony. They say it's been running for a thousand years — I'm skeptical, but at least as long as there's been a Tower of London. I woke up early and managed to snag a ticket before they sold out. Because they do sell out immediately." — Jonathan on booking the Ceremony of the Keys. "Banqueting House. Inigo Jones's masterpiece on Whitehall, with its Rubens ceiling. The one surviving fragment of the old Palace of Whitehall — the very spot where Charles I was executed in 1649. It reopens for the summer on August 1st. That is a lot of history in one place." — Jonathan on Banqueting House reopening. "The government has instituted a fifteen percent discount off the twenty percent VAT for tourists visiting tourist attractions this summer. So this month you will see lower prices at all of London's major tourist attractions. And if you booked in advance, you should be getting a refund." — Jonathan on the summer VAT tourist discount. "I love Star Trek. I have seen every episode of Star Trek dozens of times. You can't see over there, but I'm building the LEGO Enterprise D model right now. And I'm going to go see this exhibition because it's the 60th anniversary and the producers don't seem to want to celebrate it much — but everybody else is." — Jonathan on his plan to visit the Star Trek at 60 Trail at the Science Museum. "Several things close on August 23rd. I'm arriving after August 23rd. So I'm going to miss the David Hockney, the Zurbarán, the Tracey Emin. It's a bit annoying. But it is what it is." — Jonathan on the painful August 23rd exhibition closing cliff. "If you see a slightly sun-birthed Anglophile wandering the food stalls at one of the festivals going on later in August — do say hello. It might just be me." — Jonathan's closing invitation. Chapters 00:23 Introduction & Personal Note — Jonathan is heading to London this August 01:14 Weather Warning — England's driest summer in years, three heat waves, and what to expect 02:35 Episode Overview — Carnival, openings, exhibitions, practical tips 03:16 The Strange Duality of August — A million tourists arrive as Londoners flee 04:05 NOTTING HILL CARNIVAL — Europe's largest free street festival, 60th anniversary, August 29–31 05:28 Carnival Practical Tips — Go early, follow the food, wear comfortable shoes, stay safe 06:37 Festivals & Outdoor Highlights — Greenwich + Docklands International Festival (free, Aug 21–Sep 6) 07:07 Greenwich Fair — Free outdoor theatre in Greenwich Park, August 22–23 07:17 120 Years of the Piccadilly Line — Tim Dunn at the London Transport Museum, August 22 07:50 Edinburgh Fringe Previews & Al Fresco Dining — London venues hosting previews; Soho streets 08:22 ROYAL & HISTORIC BUILDING OPENINGS 08:25 Buckingham Palace State Rooms — Open daily; freshly rehung picture gallery; Jonathan's booked visit 09:31 Buckingham Palace East Wing — Newly opened tour; Jonathan's full Saturday plan 10:07 Houses of Parliament Summer Tours — Westminster Hall, Commons, Lords; reduced prices 10:36 Banqueting House — Fully reopens August 1st after major restoration; Rubens ceiling; £10 adults 11:03 TRENT PARK HOUSE OF SECRETS — London's brand new museum, opened July 21st 11:22 The Story of Trent Park — Philip Sassoon, 59 German generals, hidden microphones 13:03 The Secret Listeners — Jewish refugees transcribing Nazi generals in a concealed basement 14:16 Visiting Trent Park — Hours, tickets £14, Oakwood station, Piccadilly Line 15:43 NEW WEST END THEATER OPENINGS 15:53 The Mischievous Team — New spy farce from August 1st 16:04 Jane Eyre the Musical — UK premiere, Southwark Playhouse, August 28 16:19 Kimberly Akimbo — Tony-winning musical, Hampstead Theatre, August 28 16:32 BLOCKBUSTER EXHIBITIONS STILL RUNNING 16:47 Frida Kahlo at Tate Modern — Runs to 2027; Jonathan plans to go 17:03 Marilyn Monroe — National Portrait Gallery; closing September — last chance 17:13 Anish Kapoor — Hayward Gallery; Schiaparelli — V&A; Richard Dadd — Royal Academy 17:58 Winston Churchill the Painter — Wallace Collection; Jonathan booked since March 18:44 Royal Academy Summer Exhibition — Closes August 23rd; last chance 18:52 Jurassic Oceans — Natural History Museum; Jonathan has never been 19:03 Star Trek at 60 Trail — Science Museum; free; LEGO Enterprise D confession 19:30 EXHIBITIONS CLOSING IN AUGUST — CRITICAL DATES 19:37 August 9 & 16 — Holy Pop (Somerset House), Patrick Caulfield & Titanic (RA & Olympia) 19:54 August 23rd Mass Closings — Fairy Tales, Zurbarán, Hervien Anderson, David Hockney 20:16 August 31 — Tracey Emin: A Second Life (Tate Modern) 20:29 LIVE MUSIC 20:31 All Points East — Victoria Park; Lorde, Tyler the Creator, Twenty One Pilots 20:44 BBC Proms — All month to September 12; day standing tickets on the door 21:11 The Artist at Wembley — August 14–19; Luke Combs this weekend only 21:28 FAMILY ACTIVITIES — School holidays mean packed attractions 21:48 Paddington Bear Summer Special — Immersive experience for younger children 21:56 The Big Dig — Hands-on archaeology through August 21st 22:08 Boleyn is Back — Tudor living history at the Tower, through August 14th 22:16 Young Artist Summer Show — Royal Academy; free; closes August 30th 22:30 JONATHAN'S PERSONAL AUGUST ITINERARY 22:40 Ceremony of the Keys — Booked; how Jonathan got a ticket; arrive at 9:30pm 23:54 What Else Jonathan Is Doing — National Gallery, Wallace Collection, Royal Academy, Natural History Museum 24:49 Star Trek + Natural History Museum Double Bill Plan 25:05 Notting Hill Carnival — In London for it but sitting it out without his wife 25:32 PRACTICAL SECTION — CROWDS, WEATHER & SHOULD YOU GO? 25:37 August Weather Reality — Warm and dry; long days; twilight till after 9pm; pack layers 26:35 Peak Season & School Holidays — Why it's busy even when Londoners leave 26:39 Weather Detail — Pack layers; rain is rare but intense; humidity by the Thames 28:13 THE VAT TOURIST DISCOUNT — 15% off admissions; possible refunds for advance bookers 29:27 Should You Visit in August? — Jonathan's honest verdict 29:52 Top Tip — Don't travel over bank holiday weekend (Jonathan breaks his own rule) 30:51 Wrap-Up — Londontopia events calendar, Friends of Anglotopia, and see you in London Video Version

This week we are keeping it homegrown with some incredible Irish talent talking all about The Cranberries. We also touch on Lorde's beef with Spotify over their use of A.I and Josh from December 10 involving influencer Phoebe Prentice and Waterloo Road star Scarlett Thomas.   Follow us for more on X (Twitter) & Instagram @MakeItAPopcast

This week, David's son asks him if he customizes, Gavin yells at his daughter in front of the Lorde, we shit on our kids' excitement, we give our kids money they didn't earn, we rank the top 3 fruits, and this week we are joined by gay Dad and outdoor adventurer Mitch Hallan who talks to us about being a Dad to four, being previously married to a woman, what his family looks like now, and how even you can be as Midwestern as apple pie.Questions? Comments? Rants? Raves? Send them to GaytriarchsPodcast@gmail.com, or you can DM us anywhere @GaytriarchsPodcast

Osheaga has become one of Canada’s most recognized music festivals, bringing together some of the biggest names in the industry while celebrating Montreal’s vibrant arts and cultural scene. Since its launch in 2006, the festival has grown from a local event into an internationally known destination for music lovers, showcasing a diverse lineup of artists across genres and creating memorable experiences for thousands of attendees each year. Nick Farkas, co-founder of Osheaga, spoke to Andrew Carter. Photo Credit: Marc Bruxelle

What does it actually take to keep your body healthy through rehearsals, performances, flights, hotels, and the demands of life on the road? Athletic trainer Adam Quigley has supported artists and tours including Post Malone, Lorde, Tyla, Karol G, the Jabbawockeez, 5 Seconds of Summer, plus broadway tours like MJ the Musical and Moulin Rouge, helping performers care for their bodies through the unique physical demands of touring. In this conversation, Adam shares practical strategies for staying healthy on the road while challenging dancers to think of themselves as athletes. We discuss how to build a warm-up that supports the demands of dance, what to pack on tour, navigating time zone changes and travel fatigue, fueling your body while traveling, and why recovery deserves just as much attention as performance. Adam also shares his philosophy of care, explains why movement is medicine, and offers practical advice for preventing small issues from becoming bigger ones. The conversation also explores the physical and mental comedown after tour - something many dancers experience but rarely discuss, despite how important it can be for long-term health and performance. Whether you're touring internationally, teaching on weekends, traveling for work, or simply want to build a longer, healthier dance career, this episode is packed with practical tools to help you take better care of your body. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home Connect with Adam Quigley on Instagram - www.instagram.com/adamquigley Explore Adam's company website - https://blvperformancetherapy.com/ Listen to DanceSpeak on Spotify and Apple Podcasts.

this episode we discuss the newest memoir by a woman who could well be the voice of our generation (or at least a voice of a generation) - famesick by Lena Dunham. from her meteoric rise to fame with the hit tv show girls, to the crippling chronic pain and mental health concerns that intersected with an externally perfect life yet highlighly cancellable life, lena dunham is compulsively honest in this new novel. we chat about hannah, jessa, marnie and shoshanna, the juicy details on adam driver, jenny konner and jack antonoff and of course, the infamous powerpoint.send us your voice messages here

Playlist con música relacionada al episodio:  Spotify: https://open.spotify.com/playlist/4zfJWzEeRCZeLM8zB0JbUK YouTube: https://www.youtube.com/playlist?list=PLcwi2oAu6JXk ¿Jack Antonoff es un genio musical... o simplemente el productor favorito de todas las superestrellas? En este episodio de Músicos de Sillón nos clavamos en la carrera del hombre detrás de algunos de los discos más importantes de Taylor Swift, Lana Del Rey, Lorde, Sabrina Carpenter, Kendrick Lamar y muchos más. Hablamos de sus inicios en el punk, el éxito de fun., Bleachers y cómo pasó de tocar en bares vacíos a convertirse en uno de los productores más premiados de la industria. Además, analizamos el reciente escándalo que lo rodea y debatimos si se puede separar el talento del artista de su vida personal. Música, producción, chisme y muchas opiniones... como si supiéramos. Únete a nuestro grupo de Facebook: https://www.facebook.com/groups/1012646383467657 Síguenos:https://www.instagram.com/musicosdesillonpodcast/https://twitter.com/musicosdesillonhttps://www.facebook.com/musicosdesillon/

Clique Babes, is it just. me or did Aricia make the holiday clues extra hard today on purpose?! I think she might be trying to sabotage the group! On today's episode:• A World Cup recap• Bodycam footage in the trespassing case again Sunny Hostin's son• Lorde calls out Spotify's new AI feature• The speculation on why Chloe Fineman left Saturday Night Live• An intruder at The Today Show• Cardi B seen with Nigerian football player & his ex is pissed• Jelly Roll's daughter goes off on TikTok live about her Dad's divorce• Ella Langley ties Mariah Carey & Whitney Houston for record• Remembering Brenda Fricker Grab a joint and a glass of milk because it's time for Clique Bait! Thinking of joining the Patreon? You can find a collection of free Patreon content here!F ollow Clique Bait on Patreon or wherever you get your podcasts.And follow us on Instagram:@brookesiffrinn@ariciaskidmorewilliams@almostfamelessmedia Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 185: We're sharing an episode from our other music biz podcast, The Price of Music (follow it here! https://musically.lnk.to/TPOM) - because we went and had another chat with the team from EcoRecord, a couple of years after we first spoke to them here on Music Ally Focus. EcoRecord is a PVC-free, injection-moulded alternative to the traditional vinyl record, which cuts, they say, factory energy use by up to 85%, and swaps PVC for recyclable PET plastic. Recently, artists like Coldplay and Lorde have released versions of their albums using the process.We chatted to Sven Deutschmann, CEO of record manufacturer Sonopress, about what he's learned over the last two years of production, whether the records sound as good as traditional vinyl, how Coldplay have switched all of their back catalogue from PVC to PET, and if most records will be made this way in the future. (Plus, Joe gets very excited by some gold and silver coloured records.)------

The biggest tech news & social media trends on the internet from July 22nd, 2026.Timestamps:00:00 Intro00:44 Madison Square Garden files defamation lawsuit against WIRED10:00 Lorde calls out Spotify for AI features 17:10 AI companion crackdown + AI updates  Subscribe to Spotify: https://open.spotify.com/show/18cqrQI7gMiVfxIMRAeULF   Subscribe to Apple Podcasts: https://podcasts.apple.com/au/podcast/infinite-scroll/id1499785732   Subscribe to our weekly Substack: https://centennialworld.substack.com/   Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/   Follow our publication: https://www.tiktok.com/@centennialworld   Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/   Follow Lauren on TikTok: https://www.tiktok.com/@laurenmeisner_Are you a podcaster looking for brand partnerships? Or a brand looking to advertise on podcasts? Check out our marketplace connecting podcasters of all sizes with brands of all budgets worldwide: https://www.sponstudio.com Please consider buying us a coffee to help keep Centennial World's weekly podcasts going! Every single dollar goes back into this business

Your weekly guide to the music biz and how it all works. This week, Stu and Joe are back from two weeks' holiday in Rhyl – and immediately hop into a golf cart along with Ronaldo and Ronaldinho to go through this week's music biz news:→ More than 50%(!) of all new music being uploaded to streaming services is now AI-generated. How might the music industry respond to this? With... a system of labels (not the record kind…)→ Stu's Big Number is 1.124 billion... but which mega-song does it relate to? (If you're a parent, you'll know it only too well…)→ Someone's leaked the code of Suno, the biggest AI-music service, and they claim they know what it trained its models on...→ The latest startup hoping to help artists make some money directly from their biggest fans is Lume, and it's got Lorde's backing→ Lorde has also been giving a right Royals bashing to Meta and Spotify... but why?→ Michael Jackson biopic ‘Michael' got a mixed response from critics (OK, they thought it was rubbish). But at the box-office it's a huge hit: to the tune of ONE BILLION dollars…→ The Rolling Stones (collective age of their three founder members: 243) are now on Roblox, the platform famously used by children. But is this a surprisingly good fit?And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Stu and Joe prop themselves up at the bar – in this week's bonus material: → Following the last episode featuring plastic bottles being turned into Ed Sheeran Records – could Ed Sheeran records be turned back into plastic bottles?→ A recap on the World Cup half-time extravaganza: Madonna! Ronaldo/Ronaldinho! Muppets! Bieber! Vuvuzelas! BTS!→ Stuart rhapsodises about seeing the Beta Band live, including some epic four-man bongo wigouts→ Good overlooked deep-cut World Cup songs, including  Chin Up by The Rhythm Method (https://www.youtube.com/watch?v=8KqmUtU1QEM)===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠⁠⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠⁠⁠⁠See you next week!Stuart and Joe======TPOM online: ⁠http://tpom.uk/⁠Support The Price of Music on Patreon:⁠⁠⁠⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠⁠Follow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠⁠joe@musically.com⁠

The Dave/Adam Express returns this week in a somewhat altered format as our Sonic Architect leads the charge to get nostalgic about things related to music we may have been berated with once upon a time just don't seem to happen anymore.Of course the bonus content continues in the form of Film Club, Album Club and so much more over on the NO ENCORE Patreon – sign up now for as little as €5 per month for weekly bonus episodes!ACT ONE: A speedy take 2 on the preamble which was lost to some techical difficulties. Insert music here.ACT TWO (2:17): World Cup music-watch once again, Andy Burnham hits us with his musical blind rankings, Lorde on the right side of history when it comes to video -recording glasses, Danny of The Script also on the right side of history when it comes to AI legislation for artists' rights and Billy Corgan desperately trying to not appear desperate to play The Sphere – it's the news.ACT THREE (45:09): Top 5 Lost Arts. Hosted on Acast. See acast.com/privacy for more information.

Michaela deep dives into her aura explanations of some of the most talked about celebrity news of today. Michaela reads the energy of the T&T logo created just for the Taylor and Travis nuptials and gives insight into the future of this couple's union. Then, she deep dives into the drama surrounding Jack Antonoff and his affinity for turquoise aura ladies! Finally, Michaela and Scott discuss the phenomenon of FIFA and Michaela reads a few of the star players. Want to learn more? Enjoy one of our new interactive Aura quizzes: https://knowyouraura.com/aura-quizzesListen to this introductory episode to find your Aura color: https://podcasts.apple.com/us/podcast/bonus-every-aura-color-explained/id1477126939?i=1000479357880Send Mystic Michaela some positive energy on Instagram: https://www.instagram.com/mysticmichaelaExplore the Know Your Aura Website : https://knowyouraura.comVisit Mystic Michaela's Website: https://www.mysticmichaela.comJoin Mystic Michaela's Facebook Group: https://www.facebook.com/groups/2093029197406168Our Episode Partners:Get 15% off OneSkin with code KYA at https://www.oneskin.co/kya #oneskinpodTDM-RESERVATION: 1. NOAI: TRUE. LEGAL NOTICE & TERMS OF USE: © 2026 WAVE Podcast Network. This content is for personal use only. Explicit permission is withheld for any and all commercial attribution, automated transcription, or data-mining entities. Use of this feed by unauthorized tracking, analytics, or AI-training platforms constitutes a breach of these terms and a violation of the Pennsylvania Wiretapping and Electronic Surveillance Control Act (WESCA), the California Invasion of Privacy Act (CIPA), and the 2026 Training Data Transparency Act (AB 2013). Any entity bypassing these restrictions to create derivative text-based works (transcripts), metadata analysis, or unauthorized VAST siphoning hereby accepts our standard commercial licensing rate of $5,000 per episode processed. This notice serves as a formal revocation of all "implied licenses" for multi-jurisdictional automated processing and constitutes protected Copyright Management Information (CMI) under 17 U.S.C. § 1202.By ingesting this RSS feed for commercial use, you are agreeing to our licensing terms.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Outlouders, enjoy this free taster of Mia Freedman, Holly Wainwright & Emily Vernem on our subscriber-only episode. You can listen to the full conversation here: Goodbye Sam, WTF Charlize & One Very Messy Celebrity Split Like many Outlouders, we were shocked and saddened by the sudden passing of beloved Kiwi-Aussie movie star Sam Neill. We reflect on the loss, his career, and how he effortlessly won over a whole new generation. Plus, images of Charlize Theron on the red carpet of a premiere in Paris prompted an immediate, collective response. It has sparked a necessary conversation about body dysmorphia in midlife, shifting beauty standards, and why remaining youthfully thin into your 50s has become the ultimate high-status trap. And, the celebrity breakup that has us absolutely reeling: Jack Antonoff and Margaret Qualley are officially over. How does a relationship fall apart just six weeks after a highly publicised podcast tour declaring your marriage your absolute safe space? We unpack the rumours of a messy co-star affair, the volatile reality behind the scenes, and why it is so much harder to delete a love song than an Instagram post. Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% What To Listen To Next: Listen to our latest episode: Lena’s Revenge, Harry’s Secret Tea & Clare Calls In Listen: Airport Divorce & The Podcast Cutting Our Grass Listen: The Unseen Scar: An Honest Conversation About Coercive Control Listen: Your Boss Is Sick Of Your Emotions & The Steve And Miranda Theory Listen: Harry’s Trauma Response & Breastfeeding At 49 Listen: Albo’s Kylie Problem & Harry’s Eat Pray Love Moment Connect your subscription to Apple Podcasts Got questions or things you'd like Mia to talk about? Email us at outloud@mamamia.com.au Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: In 2022, Sam Neill was diagnosed with a rare form of blood cancer. He's now grateful to 'be alive'. Legendary NZ actor Sam Neill has passed away. This is what we know. Margaret Qualley and Jack Antonoff's breakup is a new spin on an old dynamic. Jack Antonoff knew he wanted to marry Margaret Qualley the moment they met. Three years later, it's over. THE END BITS: Check out our merch at MamamiaOutLoud.com Keen for more? Check out the Mamamia Out Loud newsletter. GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Your weekly guide to the music biz and how it all works. This week, Stu and Joe are still on their summer holidays in Rhyl, but before they packed their bags, they had a chat with the team behind EcoRecord. It's a PVC-free, injection-moulded alternative to the traditional vinyl record, which cuts factory energy use by up to 85%, and swaps PVC for recyclable PET plastic. Recently, artists like Coldplay and Lorde have released versions of their albums using the process.We chatted to Sven Deutschmann, CEO of record manufacturer Sonopress, about what he's learned over the last two years of production, whether the records sound as good as traditional vinyl, how Coldplay have switched all of their back catalogue from PVC to PET, and if most records will be made this way in the future. (Plus, Joe gets very excited by some gold and silver coloured records.)And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Stu and Joe prop themselves up at the bar – in this week's bonus material: Ecological vinyl roundup: what other types of ecologically-friendly records are there anyway; and how big a difference can these records make?A Little Grandad Update - the band are playing Sŵn, and it got Joe and Stu talking about...Band names!: which are are the good bands with bad band names, and bad bands with good band names? Are there any good bands with good names? Band names discussed include: Teen Jesus and the Jean Teasers, The Beatles, the Rolling Stones, The Teardrop Explodes and Nickelback!===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Stuart and Joe======TPOM online: http://tpom.uk/Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

V areálu bývalých ostravských železáren jsme už zaparkovali naše mobilní studio, na místě jsou i moderátoři Petr Král a Libor Bouček a tým reportérů. Právě dnes totiž začíná festival Colours of Ostrava a Radiožurnál je hlavním mediálním partnerem. Vysílat přímo z Dolních Vítkovic budeme denně po poledni. Zveme vás na unikátní spojení živého rozhovoru a hudebního vystoupení. A na diskusním fóru Meltingpot představíme naše projekty.

So Out Loud host Clare Stephens has had her baby boy, and no, she didn’t take up any of Em’s name suggestions but yes, she has called into the show from the hospital with a birth update. Also, for a while there they were Australia’s Beckhams. Now the next generation of Hewitts - Lleyton and Bec’s kids - are… playing at Wimbledon? Lena Dunham has shaken off Famesickess to master the comeback. But what does that have to do with Jack Antonoff’s recent split? Where is Taylor’s wedding dress? There’s a theory, and it’s around the number 13. Also, the silliest husband in the world did not RSVP to his family invite. People are paying to get together and… do absolutely nothing. And, yes, Prince Harry went over to his Dad’s for a historic cup of tea.. Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% What To Listen To Next: Listen to our latest episode: Airport Divorce & The Podcast Cutting Our Grass Listen: The Unseen Scar: An Honest Conversation About Coercive Control Listen: Your Boss Is Sick Of Your Emotions & The Steve And Miranda Theory Listen: Harry’s Trauma Response & Breastfeeding At 49 Listen: Albo’s Kylie Problem & Harry’s Eat Pray Love Moment Listen: Emergency Meeting: Taylor Wedding Debrief With Holly & Mia Listen: The Influencer Who Disappeared & An Outlouder Made Clare Cry Connect your subscription to Apple Podcasts Check out the Mamamia Out Loud newsletter. Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Taylor told you who she was the first time. 'Taylor Swift was my ultimate single-girl companion. Now she belongs to someone else.' Every piece of celebrity gossip in Lena Dunham's new memoir, ranked. Bec and Lleyton Hewitt's kids are all grown up. These are their lives now. King Charles has just reunited with Harry, Meghan, Archie and Lilibet. This is everything we know. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Taylor Swift got married at Madison Square Garden and, somehow, the AMC CEO became our main correspondent for the “wedding of the century.” In this episode, we piece together the night from leaks, fan videos, and unhinged eyewitnesses: the peach-draped entryway and TT logo, the fake “garden” inside an arena, Taylor walking a bridge to a Love Story string arrangement, Adam Sandler officiating and allegedly singing, Paul McCartney and Stevie Nicks performing, and a thousand-person guest list that feels half fairytale, half corporate retreat. We get into who was there (Simone Biles, Fergie, Selena, Gigi, Eras Tour crew), who conspicuously wasn't (Blake, Phoebe, Lorde, Lana, Ice Spice), and what that says about power, PR, and who actually wants to be folded into the Tayvis storyline. We also talk about those 20-minute vows and the room in tears, the parasocial high of watching Taylor finally get married, and the ethics of a wedding that's also a brand activation—plus the Swifties outside MSG in a heat wave, singing to blank walls and scrambling for leftover pastries like subway RATS! JOIN US ON PATREON FOR WEEKLY BONUS EPISODES: https://www.patreon.com/swiftologist 

Jack Antonoff and Margaret Qualley’s marriage has abruptly come to an end, and the details were only exposed after Jack’s solo appearance at the year's biggest celebrity wedding. We track the bizarre timeline of their split (and what has convinced us that it was sudden), plus discuss the messy pop-world lore from a recent tell-all memoir that changed everything we thought we knew about this couple. The nominations for television's biggest night have officially dropped, and the internet is completely spiralling over some of the most controversial snubs in history. We unpack the historic voting discourse surrounding a massive TV favourite and break down who is on track to take home the gold and who will be left completely out in the cold. And two highly anticipated trailers for some of the world's most massive cinematic franchises just dropped, and our hosts are completely divided. We discuss why this straight-to-streaming release has left its passionate fan base completely devastated and why the timing of this drop is absolute PR perfection. Take The Spill's monthly pop culture quiz here and test your knowledge! Listen to the time Em and Bree listened to celebrity smut together on Apple or Spotify.And check out our wrap of The Best TV Shows Of 2026 on Apple or Spotify. THE END BITSFind and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

This week we welcome singer-songwriter, composer and podcasting pioneer Hrishikesh Hirway to the show. Hrishikesh introduces us to his dogs Watson, a 15 year old Poodle, and Ginger, a Poodle/Chihuahua/Mini Schnauzer/Cocker Spaniel mix he and his wife Lindsey adopted in 2024. We discuss their origin stories, where the inspiration for his song "Stray Dogs" came from and how artists like Cat Power, Lorde, Lin Manuel Miranda and Yo Yo Ma became fans of Watson. Hear these and more from this dog loving 2026 I Heart Podcasts Innovator Award winner.Hrishikesh's new LP In The Last Hour of Light is out now and available wherever you stream music. His groundbreaking podcast Song Exploder can be found on all podcast platforms with new episodes dropping biweekly. To keep up on all of Hrishikesh's creative endeavors subscribe to his newsletter at hrishikesh.substack.comHrishikesh gave his shout outs to the following well deserving advocates: Marley's Mutts and their Pawsitive Change program that was built on the belief that redemption and rehabilitation are possible for both dogs and humans. Through this life-changing program, euthanasia-listed dogs are given a second chance at life while incarcerated students are given an opportunity to rediscover purpose, empathy, accountability, and hope. Together, they create a bond rooted in healing, trust, and transformation. To make a contribution to help bring this program back to Wasco State Prison go to marleysmutts.org/pawsitivechange/Wags & Walks, a Los Angeles and Nashville based nonprofit organization and a dedicated community of dog lovers working to reduce euthanasia in local shelters and increase awareness of rescue dogs being wonderful pets. To adopt, foster, volunteer or donate visit wagsandwalks.orgLindsey Hirway whose love and empathy for animals inspired her husband to share the same passion and advocacy towards these creatures. To see that love manifested into two small adorable hair balls follow their pups on Instagram at watson.and.gingerFor pics and clips from this interview, and the almost 200 before it, follow the show on Instagram at rockerdogcast

00.00: Intro 00.25: Go fund me for world's smallest... 08.10: Top 6 - Things future celeb headlines 12.00: A sign of a good relo is roasting your partner 17.00: SLP - Live sport or watching on TV? 22.00: Vinted coming to Aus 27.00: Lorde has PMDD 31.10: The movie that has had us all crying 35.00: How bad were you at your job? 46.15: Vaughan go karting 52.50: Taylor Swift Wedding update 55.00: Did Hayley make it to her gig 59.40: Vaughan's big shoe 1.07.25: Fact of the day 1.19.40: What is your childhood bedroom now? 1.19.40: Not enough for the News News 1.27.30: What are you sick of seeing on dating apps? 1.35.25: Vaughan's mushroom moment See omnystudio.com/listener for privacy information.

So an email landed in my inbox - Spark Arena named among the world's top 20 arenas. Now, this is a big deal. This isn't a list that's put together by some random Instagram account in Norway with 100 followers. This is a list put together by IQ Magazine. And if you're into music in a big way - like, really into it, more than a Rolling Stone kind of way - you'll know IQ Magazine is a big deal. So for Spark Arena to be named in the top 20 arenas in the world is a big deal. Since moving back to Auckland three years ago, I've been to Spark Arena more times than I can remember. I've seen everything there. I've seen The Wiggles, Suzy Cato, big noisy rock like The War on Drugs, Mumford & Sons, Lenny Kravitz - he was the best, wasn't he? I've seen big stars like Lizzo and Lorde and shows like Hamilton. I've been there in previous years, obviously, for things like Oprah Winfrey and Celine Dion. And every single time - honestly, without fail - I've had a great experience. Now, we can have a debate about the acoustics because, frankly, yeah, they do suck sometimes. I mean, you know, it's not the best. If you've experienced the best acoustics, you'll know this place is far from it. But otherwise, it's a great experience. It never feels empty in there, even with smaller crowds, because it's versatile enough to adjust for them. It's in the central city so it's easy to get to and from the great bars and restaurants around it. It's easy to walk out and grab an Uber, easy to find a car park nearby, easy to get to the train station or catch a bus. Staff are always helpful in getting you to your seat or pointing you in the right direction. The drinks are served fast. It's really easy to get in. I think we've become so consumed in Auckland in recent years with the debate that flares up every now and again about how we don't have a decent new stadium, that we forget what we actually do have - which is a really good arena right in the centre of town that does its job brilliantly. Well done them. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Un beau jour de 2018, une certaine @buzzkillary a posté un PowerPoint sur Twitter : en 30 slides, elle détaille la relation entre Jack Antonoff et Lorde, qui selon elle dépassait largement le cadre professionnel. Un document historique que je décortique avec mon amie Rayene !Abonnez-vous à la newsletter sur Substack : chaque mois, je publie un article sur un sujet de la pop culture !Suivez Star System sur les réseaux :Instagram : @starsystempodcastTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Our Kiwi Cover Song Contest is back for 2026! Yes, we want the best versions of a Kiwi song. So tell all your musician and singer friends. The winner the band or person who records the best cover song gets to perform it on Afternoons and you will also get to release the mastered version of it on whatever platform you like. This competition is open to anyone - professional or amateur. All the details are on our website rnz.co.nz/afternoons or text COVER to 2101 and you'll get the link. You have until the 2nd of August to get the song to us. The competition is now open and we will be playing you the entries as they come in. Here is Lorde's Green Light performed by Fiona McMartin from Fiona & the Glow.

Jack Antonoff is one of the most successful producers working today. Known for his work with Taylor Swift, Lana Del Rey, Lorde and Sabrina Carpenter, he has crafted some of the biggest songs of the 21st century. As his career gets bigger and bigger, Jack has felt the need to chronicle his origin story to keep track of where he came from. Everyone for Ten Minutes is the new album from his band, Bleachers, that looks at his lineage and how leaving home at 15 to tour the country in a van impacted him. Jack joins Tom Power in the studio to talk about the new album and his production work.

Introducing Drax Project!They are Shaan Singh, Matt Beachen, Sam Thomson and Ben O'Leary...along the way they have opened for the likes of Ed Sheeran, Christina Aguilera, Lorde, George Clinton & Parliament Funkadelic and Camila Cabello, and the boys have just been announced to support Robbie Williams for two dates in NZ in November. All. Happeniing.Their new single is called 24/7 and it's out now wherever you get your tunes! Hosted on Acast. See acast.com/privacy for more information.

Mark Shekter is a master at creating hits. With a rich background as a Hollywood writer-producer-composer, having worked with Steve Martin, Jim Carrey, Elton John, and many others, Mark has pioneered an entirely new system of creative thinking – Think8. This same easy-to-learn system empowers business leaders to reshape their corporate cultures for unlimited innovation and growth.Mentioned on the ShowLearn more about Mark Shekter and his Think8 Global Initiative on his website: https://www.think8globalinstitute.com/Get Mark's book, Think8: 8 Steps to Ignite Your Creative Genius in Business, Career, & Life on Amazon: https://a.co/d/09pvYnh8Tone experiment: Listen to Hurt, as performed by Nine Inch Nails (1994) vs. Hurt performed by Johnny Cash. Listen to Everybody Wants to Rule the World by Tears for Fears vs. Lorde. Timestamps(00:00:00) – Mark Shekter sits down with O'Brien McMahon on People Business, the podcast for HR professionals.(00:02:44) – What is Mark's definition of "creativity"?  (00:05:34) – What's the value of creativity in the workplace (for skeptics)?(00:08:26) – How did the Think8 method come together and start falling into place?(00:12:28) – Walk us through the eight steps of the Think8 process at a high level(00:17:10) – Purpose: How to make this broad topic more accessible.(00:24:09) – How does Mark's own purpose tie together his varied career?(00:33:53) – Ego check: how do we balance wanting acknowledgement with capacity?(00:40:31) – How can purpose be turned into a message to share with the world?(00:47:14) – Tone: how to find the right tone when building a business or personal brand?(00:56:23) – Character: what role does character play when building a business or personal brand?

Jayce wrote the episode, but I'm writing this… We know that we live in a world where emotions are fleeting- they roll through us like 2 second electric shock waves from distraction to distraction, but I STILL have not forgotten the night of June 5th where I sold my tickets to see Lorde at Gov Ball in exchange for a night in the presence of Madonna.It caused 2 days of silent treatment in my home when I sold the Gov Ball tickets and a mental health check since I LOVE Lorde. But… I also LOVE Madonna and am too old to “festival” anymore. In preparing for this Bite Sized episode on Madonna we played Confessions On A Dancefloor around the clock and I danced on air reliving my MySpace days. Even in getting ready to go to the event I felt like life was better and though giving up our phones was scary for exactly 2 seconds, I instantly felt like a new human being.I had an amazing discussion with my dear friend, David Russell, who is quite the music historian and a Madonna expert (that is the label I have given him, to be clear, he would never claim that title for himself), and I will share that talk later when Confessions II is finally released July 3. We talked about how BORING it is that there is so much that people are annoyed with about Madonna. Complaints about her age, her surgeries and her “need for relevance”… this actually bores me. The Beacon was teaming with people full of joy, acceptance, and unabashed expression. The talk was a display of Madonna's vulnerability actually. She wasn't a persona this night, she was a woman who had her best friend Debi Mazar in the audience with her celebrating her latest creation. This is the same woman who shut down Times Square the night before and performed in a skyscraper, for goodness sake. The woman on stage was both of these people. A full circle.So while Lorde was inspiring one generation (maybe a couple generations) at Gov Ball, I did not regret choosing to be at the Beacon June 5th to physically feel the decades of inspiration Madonna has provided us.The video is amazing and if you haven't seen it yet, that's crazy. Watch it below. You know by know that Kate Moss who looks better than ever is in the video, but it was a complete surprise to us as an audience and I screamed so loud that I scared myself when she came on the screen. Feeling that excited and young again… that was fun.For more on Madonna's look for Hung Up, check out my interview from waaaaaaay back with the amazing makeup artist, Gina Brooke.00:00 Intro | Madonna Takes Over Tribeca 202600:28 Confessions 2 Arrives01:29 Why Confessions Is Madonna's Masterpiece03:20 The Making of Confessions on a Dance Floor03:50 Why "Hung Up" Changed Pop Music04:59 Inside the Making of the "Hung Up" Video06:17 Madonna Filmed with Eight Broken Ribs07:16 Why the "Hung Up" Video Is Still Iconic07:49 Tribeca Premiere & Madonna Q&A08:28 Inside the Beacon Theatre Experience09:16 Madonna's Emotional Conversation10:46 The Confessions 2 Visual Album Reaction11:35 Final Thoughts | Will Confessions 2 Make History? Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

The newest installment to my colors mix series, the Indigo Mix, a playlist featuring R&B, Hip-Hop, instrumentals, and some edits. I wanted this to reflect the warm + sunny day when I recorded the mix. It features D'Angelo, Wale, Lloyd, Jill Scott, Victoria Monet, 2Pac, Lorde & many more. Press play and enjoy! Find me on the SOCIALS: https://www.instagram.com/boknowsdjing/ https://www.tiktok.com/@boknowsdjing https://youtube.com/@boknowsdjing My WEBSITE: http://djbo.co #mix #rnb #hiphop #rhythmandblues Tracklist: Love Me ( @itsesentrik Edit - Bo's extended mix) - Young Thug + Brownstone + JMSN I Know (Feat. Pharrell) - Jay-Z Mirrors (feat. Bun B) - Wale Eucalyptus - Metal Fingers 60901 - Oddisee Hurt You First - Niia Little More Time (feat. Victoria Monet) - Lucky Daye Strawberries - Francis and the Lights Orange Soda - Vic Mensa Sade's Taboo (Tall Black Guy Sweetest Taboo Blap-Up) - Sade Parables (ft. JENI) - Esta. Lovin' You - .EEhOU Kiss Of Life [Sahars Slow Jamz] - Sade Alright - D'Angelo When You Know It - IAMNOBODI You Got Me [Sahars Slow Jamz] - Snoh Aalegra Whatever - Jill Scott MJ DILLA - Numero13 Karma - DJ Bo (unreleased) Them Changes - Thundercat Follow Me - .EEhOU Locals Only - Dom Kennedy Bag Lady (Bo "Locals Only" Blend) - Erykah Badu + Dom Kennedy You Make Me Wanna - Usher U Make Me Wanna Do It Again - J Boog + Usher Coconut (You Make Me Wanna - Migs Flip) - Sailorr You Got It - J. Cole Love Love Love (Jengi Club Edit) - Donny Hathaway Spend My Life With You - Tall Black Guy Productions To Live And Die In L.A. - 2Pac Let the Drummer Kick - Citizen Cope Drugs (feat. Biggie) - Lil' Kim Sugar Hill - AZ Royals - Lorde Final Fantasy - Drake Tie My Hands (feat. Robin Thicke) - Lil' Wayne one thing [95] - K, Le Maestro + Amerie Sky High - Kid Cudi Respiration - BlackStar (Mos Def + Talib Kweli) YouTube Link: https://www.youtube.com/watch?v=2gLX-LqztLE

En El Ojo Crítico conversamos con Alexandra Masangkay y Juan Paños, intérpretes de Las últimas en el Centro Dramático Nacional, una obra que combina teatro documental y ficción especulativa para revisar la relación histórica entre España y Filipinas a lo largo de 461 años. Además, Helena Cerveto nos acerca a Samuel, el libro de David Bestué, una reflexión sobre los monumentos espontáneos, construidos con materiales precarios como huella de la memoria y reflejo de la realidad contemporánea. Y María Taosa profundiza en la figura de Jack Antonoff, músico, compositor y productor estadounidense clave en el pop actual, conocido por su trabajo junto a Taylor Swift, Lana Del Rey, Lorde, Sabrina Carpenter y su banda Bleachers. Escuchar audio

If you, like us, are obsessed with Lena Dunham's latest book Famesick, we're here for you with this special episode. You're welcome. The Girls creator who became the ‘voice of a generation’ is back with a second memoir and Mia, Holly, Amelia and Em are discussing why the world is finally ready to hear her side of the story. From the heights of toxic fame to the depths of chronic illness, her relationship with Jack Antonoff and highly publicised falling-out with showrunner Jenni Konner - we're unpacking it all. Plus, did her parents save her from the darker side of fame or did they actually stop her from ever growing up? We have thoughts. Whether you’re rewatching Girls for the tenth time or you’re reading her memoir like a novel, this is the conversation you’ve been waiting for. Support independent women's media - SUBSCRIBE HERE What To Listen To Next: Listen to our latest episode: A Zero Birthday Freak Out & You've Got Something On Your Face Listen: Wait, There Are Four Styles of Friendship? Listen: A Fashion F-Up & The Ryan Reynolds Of It All Listen: Scurrilous Gossip: The Royal Affair No One Saw Coming Listen: How To Be Liked By Absolutely Everyone Listen: Writing a List of Anti-Goals Made Me Quit My Job Listen: Scurrilous Gossip: A Facelift Slippage & ‘Wildly Unhappy’ Royals Listen: The Red Carpet Moment That Answers The Blake Lively Question Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Support independent women's media - SUBSCRIBE HERE Mamamia Out Loud on Apple What to read: Every piece of celebrity gossip in Lena Dunham's new memoir, ranked. Lena Dunham just returned to the Met Gala. In 2018, her ride home took her straight back to rehab. Lena Dunham disappeared after starring in Girls. She’s finally explaining why. After her high-profile split, Lena Dunham escaped to London. What happened next inspired Too Much. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Happy spring, and welcome to our May Valentine. ♡ We have a lot to discuss in Significant Lovers-related news, including: -The Drama (starring Significant Lovers alumni Robert Pattinson & Zendaya) …and the worst things we've ever done-The end of ‘Love Story: JFK Jr. and Carolyn Bessette' -Elizabeth Taylor & Taylor Swift -Olivia Rodrigo & Josua Bassett-More on Justin Bieber & Selena Gomez-New relationship: Jacob Elordi & Kendall Jenner -Lena Dunham's new memoir Famesick - she gives us SO MUCH! Jack Antonoff, Lorde, Adam Driver, and more. Hear the whole episode today by subscribing ⁠⁠on Patreon⁠⁠! 

This week: Thulio survives a UTI (Rat Beach will pay for its crimes), summer is coming (Lorde hive rise), The Devil Wears Prada 2 review, Beyoncé Act III conspiracy theories, and TV fellowship season is among us... let's get in formation. Plus a Punch-Up on looksmaxxers... and immigrant stories that still treat us like set dressing. La Lista Podcast host Rubén Mendive and writer Thulio DaSilva ditch the formal interviews and hop on the mic for quick, unfiltered conversations about their chaotic creative lives — covering new writing projects, hot takes on industry trends, dating disasters, and whatever discourse the algorithm served them that morning.  Tower 28 SOS Daily Rescue Facial Spray Instagram - @lalistapodcast Music: Sunny Side - Airstream

Outlouders, enjoy this free taster of Mia Freedman, Holly Wainwright and Emily Vernem on our subscribers only episode. You can listen to the full conversation: 'Scurrilous Gossip: An Engagement, An Affair & A Royal F-You' here. What do you mean, you're not a subscriber yet? Solve that problem HERE. Harry Styles is engaged and the man has chosen wisely. So how did he and fellow serial monogamist Zoe Kravitz tell everyone that yes, the search is off. Millennial icon Lena Dunham’s memoir Famesick finally addresses the very famous man she dated for years and the 'teenage pop star' who got blamed for their split. And… a Royal Update: Charles and Trump’s lipreading row, Harry’s (next) fake royal tour and what Princess Kate did on ANZAC Day.

As ever, the Trashy Divorces Cinematic Universe has been on full display of late, with new entrants as well! First up, we mourn actor Patrick Muldoon, who died suddenly of a heart attack on April 19 at just 57 years old. He was not part of our TDCU, but his 36-year-long friendship (and early 90s romance) with Denise Richards, then later a romance with Tori Spelling, certainly give us reason to grieve the loss. Then, Scooter Braun and Sydney Sweeney made it Instagram official, Taylor Swift and Travis Kelce had a change of venue, but not a change of heart, Patriots coach Mike Vrabel has been stepping out on his wife apparently for years, and it's gotten both his alleged mistress and another female sports reporter fired from their jobs. Finally, the internet never forgets, Lena Dunham-Jack Abramoff-Lorde Spreadsheet edition. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Receipts Someone update the Lena Dunham/Jack Antonoff/Lorde PowerPoint (goodsoup.substack.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Kelli and Troy revisit one of the internet's most unhinged masterpieces: the Lorde and Jack Antonoff slideshow. The theory? A secret, torrid affair during Melodrama. The twist? A 2026 update from someone involved who is not Lorde or Jack… and it's giving this whole thing new life. Link to slideshow - https://dfta.show/files/Lorde%20and%20Jack%20Antonoff%20-.pptx%20(2).pdf Join our Patreon for more content! - patreon.com/Beyondtheblinds Follow us on Instagram - instagram.com/beyondtheblindspod Kelli on IG - Instagram.com/laguna_biotch Troy on IG - Instagram.com/troyjeanspears Learn more about your ad choices. Visit megaphone.fm/adchoices

Why do so many artists peak on their very first album? This week, Shay (TikTok - and her new podcast Critical Condition) joins the show to unpack the curse of the perfect debut - from Lorde's Pure Heroine to SZA's Ctrl to Olivia Rodrigo's Sour. We dig into why hunger, resistance, and being underestimated produce the best art, and what happens when the label takes over, the money rolls in, and the boardroom starts making creative decisions. Plus, we talk about what artists like Taylor Swift, Chappell Roan, and Katy Perry could do to break out of the album yips! This year, hit your goals without giving up your favorite bready dishes. Hero Bread is offering 10% off your order. Go to ⁠⁠⁠hero.co⁠⁠⁠ and use code FLUENTLY at checkout. Rehydrate with science-backed hydration from Liquid I.V.'s Hydration Multiplier Sugar Free. Go to ⁠liquidiv.com⁠ and get 20% off your first order with code Fluently at checkout Visit ⁠OliveandJune.com/fluently⁠ for 20% off your first manicure system! Your emotional wellbeing matters. Find support and feel lighter in therapy. Sign up and get 10% off at ⁠BetterHelp.com/fluently⁠