Podcasts about Schiaparelli

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

From giant pink bows to dramatic Valentino capes, the Cannes red carpet delivered plenty of standout style moments this year. Demi Moore dominated the Croisette with elegant jury looks, while Bella Hadid paid tribute to Jane Birkin in a vintage-inspired Schiaparelli gown. For the men, Colman Domingo stole the spotlight in a theatrical purple Valentino cape ensemble.

It's the middle of May, so let's get gardening! The Schiaparelli fashion exhibition is not to be missed, while Martha Stewart gets a biopic. Julia also has thoughts on The Real Housewives of Beverly Hills — specifically why Dorit is, in her words, a “dimbo” (that's dingbat bimbo). Plus: all four members of The Beatles are getting separate biopics, and the long-awaited Janis Joplin biopic is back in conversation. We react to Pink hosting the Tony Awards, break down this year's Rock and Roll Hall of Fame inductees, check in on Britney Spears, and discuss how everyone knows Ben Affleck feels terrible about dogging Jennifer Lopez (again). Book picks this week include So Old, So Young, The Vacation, and Yesteryear.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wir besprechen Der Teufel trägt Prada 2, reden über die besten Szenen, starke Mode Momente, Meryl Streep, Anne Hathaway und die Frage, ob die Fortsetzung dem Kultfilm wirklich gerecht wird. Es gibt nicht viele Modefilme, die man wirklich im Kino sehen muss. Und wenn dann doch wieder einer erscheint, ist die Sache eigentlich klar. Man schaut ihn sich an. Wenn dieser Film dann auch noch die Fortsetzung eines der bekanntesten und beliebtesten Fashion Filme überhaupt ist, dann wird daraus nicht nur ein Kinobesuch, sondern ein echtes Ereignis. Genau deshalb saßen wir, Nadine und Alexander von Lost On Planet Fashion, mit entsprechend großer Vorfreude in "Der Teufel trägt Prada 2" und haben uns dieses modische Filmspektakel direkt zum Start angesehen. Schon im Vorfeld war die Spannung riesig. Nicht nur, weil der erste Film bis heute als einer der ikonischsten Filme über Mode, Karriere, Popkultur und Macht gilt, sondern auch, weil diese Fortsetzung für viele Fans seit Jahren ein kleiner Wunschtraum war. Umso größer war für uns die Freude, dass wir unseren Hörerinnen und Hörern jetzt genau dazu eine eigene Review Podcast Episode schenken können. In dieser Folge sprechen wir ausführlich über unsere Highs und Lows, über Szenen, die wir geliebt haben, über Momente, die uns überrascht haben, und natürlich auch darüber, was der Film vielleicht vermissen lässt. Nach zwanzig Jahren Figuren wie Miranda Priestly, Andrea Sachs, Emily und natürlich auch Nigel wiederzusehen, hat für uns einen ganz eigenen Reiz. Diese Charaktere sind längst Teil der Popkultur geworden und stehen bis heute für eine ganz bestimmte Vorstellung von Mode, Ehrgeiz, Karriere und Glamour. Genau deshalb interessiert uns nicht nur, wie der Film erzählt ist, sondern auch, was er heute noch über die Fashion Welt, über die Medienbranche und über weibliche Machtfiguren erzählt. Der Film ist dabei voll von aktuellen Luxusmarken und Designer Referenzen. Namen wie Schiaparelli, Dior, Rick Owens oder Dolce & Gabbana tauchen in einer Welt auf, die zugleich glamourös, ironisch und sehr bewusst inszeniert ist. Für uns war deshalb auch die Frage spannend, wie sich die Modewelt in den letzten zwanzig Jahren verändert hat. Was ist aus der Welt geworden, in der Miranda Priestly einst als klare Anspielung auf Anna Wintour gelesen wurde? Und wie zeitgemäß ist diese Figur heute eigentlich noch? Ach und eines dürfen wir nicht unkommentiert lassen, wie war eigentlich der Auftritt von Lady Gaga? In unserer Podcast Episode über Der Teufel trägt Prada 2 sprechen wir deshalb nicht nur über den Film selbst, sondern auch über die Verbindung aus Mode, Film, Prominenz, Style und Popkultur. Es geht um starke Looks, pointierte Dialoge, nostalgische Momente und darum, ob diese Fortsetzung wirklich das liefern kann, was man sich von einem so legendären Titel erhofft. Ein echtes Modefestival, aber eben auch ein unterhaltsamer, leichter und sehr gesprächswürdiger Film. Wie wir Der Teufel trägt Prada 2 am Ende wirklich fanden, welche Szenen uns begeistert haben und was wir kritisch sehen, erfährst du in dieser neuen Folge von Lost On Planet Fashion. Alle besprochenen Looks, findest du natürlich wie immer auf unseren Social-Media-Kanälen bei Instagram und TikTok unter @lostonplanetfashion. Und ab sofort auch unter www.lostonplanetfashion.de. ******** Alle Looks auf Social Media @lostonplanetfashion : Instagram: www.instagram.com/lostonplanetfashion/ TikTok: www.tiktok.com/@lostonplanetfashion Website: www.lostonplabetfashion.de

Vi bor på Carlton Club på St James's street, klubben där det nuvarande torypartiet bildades, fast lokalerna tog de över först 1940, efter en tysk bomb. Kungen fyller åttio och fick passande nog en fin Märta Måås-Fjetterström-matta. Kungen är intresserad av hantverk. Vi har sett en fantastisk utställning om Elsa Schiaparelli på Victoria & Albertmuséet. Otroliga kreationer av den första modeskaparen som verkligen gjorde konst av sitt hantverk. Ingrid Giertz-Mårtenson kommer att skriva om utställningen i Fokus, ingen kunde göra det bättre. Tracey Emin på Tate Modern inte så kul, hon är som en hispig tonårsbrud som aldrig utvecklas. Stig Strömholm har skrivit en fantastisk understreckare om 1870 års män, apropå en bok av Per Wästberg om Bo Bergman. De hade nyanserade, vuxna liv. Johan tänker på Hans L Zetterberg och hans tal om samhällets sfärer. De har blivit färre. Lite onödigt med överpriserna för att inreda Sagerska huset. En skithistoria, men lite av Konsultsverige möter resten av Sverige. Kvartals story om SOM-undersökningarna som antagligen överskattar förtroendet för Public service och delvis finansieras av Public service är bra, men problemet har varit tydligt hela tiden: förtroendet för PS växer vänsterut, sjunker högerut. Novus konstaterar att tre av fyra upplever samtalstonen inom politiken som ohövlig. Simona Mohamsson kanske inte vet så mycket, men har gott humör i motgång. Rädda våtmarkerna har skattefuskat, men de är svenska anarkister, så de böjer sig för Förvaltningsdomstolen. Oförklarlig trötthet ej oförklarlig: träna mindre. Vi gillar fortfarande våra favoritkrogar i London: The Wolseley, Mr Chow, Simpsons-in-the-Strand och så vidare. Men London har blivit mer privat. Bra att Operan i Stockholm kan renoveras och bli kvar, tack vare privata finansiärer. Blir det bensinransonering? Vi ser fram emot gengasen. Hosted on Acast. See acast.com/privacy for more information.

The best of Arena's week - SexyTadhg performs and chats with Rick ahead of their appearance at the Night & Day Festival; Bairbre Power reviews the new Schiaparelli exhibition at the V&A, and playwright Rosaleen McDonagh discusses her debut novel, Contentious Spaces.

TODAY on the GWA podcast: curator SONNET STANFILL on ELSA SCHIAPARELLI! Sonnet is the Senior Curator of Fashion at the V&A, where she has worked since 1999. Stanfill has curated numerous highly acclaimed exhibitions, such as New York Fashion Now, Ballgowns: British Glamour since 1950, and the landmark The Glamour of Italian Fashion (2014), which traveled to several museums across the US. She has published and lectured widely on various aspects of fashion design and holds an MA in the history of dress. But the reason why we are speaking with her today is because she has just curated the monumental exhibition, Elsa Schiaparelli: Fashion Becomes Art at the V&A, which charts the fearless life and daring work of the artist, designer, surrealist, influencer and general pioneer of who the modern woman was and what she could be. A creator of surrealist wonderlands with her fantastical gowns with floating eyes, lips, and lobsters, woven jackets embellished with astrological symbolism and mirrors inspired by Versailles, plus carrot-shaped buttons with embroidered cauliflowers, Schiaparelli – who also made jewellery and perfumes and wrote extensively – was one of the most inventive people of the 20th century. Born in Rome in 1890, she fled her conservative life for London, New York, and later Paris, where she befriended the surrealists and built a business on a scale hardly any woman had done before. Elsa Schiaparelli: Fashion Becomes Art, V&A South Kensington https://www.vam.ac.uk/exhibitions/schiaparelli?srsltid=AfmBOormAlPprtKeObeDZhw4NDLACOBGb9Z-ApA9ZHIsKAio0A3mDHAZ THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael. Music by Ben Wetherfield

Remembering Gabriel Rosenstock - Schiaparelli at the V&A - Diatribe Stage at New Music Dublin - Stephen Sexton at the Granard Booktown Festival

Chers podcasteurs bonjour, je vous souhaite la bienvenue à bord de notre épisode Podcast n°542 à destination de la connaissance. Je suis votre chef de bord Eléa, accompagnée de nos conducteurs et contrôleurs de bord : Taupo, Robin, Cleora et Clara. Notre train desservira la ville de Paris, puis direction Perduville en ligne droite pour une courte escale à Perduville, lors de laquelle nous vous demanderons de ne pas changer de train. Votre correspondance repartira de Strasbourg et vous fera traverser des déserts. Nous finirons par arriver sur notre terminus dans environ 90 minutes, Mars, station canali de Schiaparelli. Nous sommes le mercredi 11 mars 2026, et nous vous souhaitons un agréable voyage à bord de la ligne Podcastscience.fm.Notes d'émission : https://www.podcastscience.fm/emission/2026/04/07/542-voyage-a-bord-de-la-ligne-podcast-science/Retrouvez-nous sur PodcastScience.fm, Bluesky, Facebook et Instagram.Soutenez-nous sur Tipeee Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

To mark the opening of Schiaparelli's exhibition Fashion Meets Art at the V&A, I met Marisa Berenson at Claridge's for a thoughtful and quietly fascinating conversation about her life, work, and remarkable family legacy.As the granddaughter of Elsa Schiaparelli, Marisa grew up close to one of fashion's true innovators—someone who blurred the lines between couture and art long before it became a conversation. We talk about Elsa not just as a cultural force, but as a grandmother: her wit, her discipline, and the world she created around her.Marisa's wider family story is equally rich, spanning figures such as art historian Bernard Berenson and astronomer Giovanni Schiaparelli. Discovered by Diana Vreeland as a teenager, she went on to become one of the defining faces of the 1970s, collaborating with an extraordinary roster of photographers including Avedon, Newton, Bailey, Penn, Bert Stern, Slim Aarons, Guy Bourdin and Cecil Beaton.She also reflects on her film career, from Death in Venice to Barry Lyndon, and offers clear-eyed insights into navigating both the fashion and film worlds.We return to Elsa in the context of the V&A exhibition—what it captures, what it leaves unsaid, and how her legacy continues to shape the way fashion and art intersect today.#marisaberenson #schiaparelli #icon #fashion #artDownload, it's a masterpieceSpecial thanks to @marisaberensonofficial @claridgesProduced by @martinlumsdenMusic by @robinkatz_ Hosted on Acast. See acast.com/privacy for more information.

The Grand Palais in Paris this week unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, a project conceived by the Centre Pompidou. The show includes abundant examples of the celebrated gouache cut-outs, his works for the Chapel of the Rosary in Vence, and his final paintings, drawings, and illustrated books, among much else. Ben Luke interviews the exhibition's curator, the Centre Pompidou's Claudine Grammont, in Paris. The latest edition of Art Basel Hong Kong opened this week amid much uncertainty about the Hong Kong art world after a prolonged downturn in the Chinese economy. Yet, some commentators are suggesting that Hong Kong has turned a corner. The Art Newspaper's chief contributing editor, Gareth Harris, has been in Hong Kong this week and tells us what he discovered. And for this episode's Work of the Week, we focus on a related painting and dress. The painting is Salvador Dalí's Necrophiliac Spring (1936), which was owned by the fashion designer Elsa Schiaparelli; the dress is the Tears Dress with Veil, from Schiaparelli's Circus Collection of 1938, made with a fabric designed by Dalí. The painting and the garment are in Schiaparelli: Fashion Becomes Art at the Victoria and Albert Museum in London, which opens this weekend, and Ben talks to Rosalind McKeever, one of the three curators of the exhibition, about the pairing.Matisse 1941-1954, Grand Palais, Paris, until 26 July. You can read more on the show, and get the full details on a wealth of Matisse shows opening in various museums and galleries in 2026, on the website or app.Art Basel Hong Kong continues until Sunday, 29 March.Schiaparelli: Fashion Becomes Art, Victoria and Albert Museum, London, 28 March-8 November Hosted on Acast. See acast.com/privacy for more information.

On this week's review show, critic and broadcaster Rhianna Dhillon and fashion historian and writer Amber Butchart join Tom Sutcliffe to discuss Riz Ahmed's new comedy series Bait, which follows a struggling actor who auditions for the role of James Bond and has to deal with the fallout. They give their verdicts on Schiaparelli: Fashion Becomes Art at the V&A in London, featuring the work of designer Elsa Schiaparelli. And they review Two Prosecutors, the new film from Ukrainian director Sergei Loznitsa, a bleak comedy following a prosecutor as he attempts to help a political prisoner during the Stalinist Purge of 1937. Plus, the ongoing story of the novel that was pulled by its publisher after allegations that it was partly written by AI. Tom talks to Alexandra Alter, the New York Times journalist who broke the story, and Anna Ganley from the Society of Authors. Presenter: Tom Sutcliffe Producer: Tim Bano

Today marks a historic moment for the Church of England as Dame Sarah Mullally is installed as the first female Archbishop of Canterbury in the Church's 1,400‑year history. What unique skills and priorities will she bring to the role, and what challenges lie ahead for her as she takes on one of the most influential positions in the Anglican Church? Joining Kylie Pentelow to explore these questions are the Bishop of Gloucester, Rachel Treweek; the Reverend Martine Oborne, chair of WATCH Women and the Church; and Professor Andrew Atherstone, author of a new biography of the Archbishop.A campaign backed by charities, MPs and peers is urging for more checks on pornography websites to protect children and vulnerable people. It's looking to change the law to get websites to verify the age of people appearing in the content that's published, and to guarantee that their consent has been given. To discuss the proposals, Kylie is joined by Baroness Bertin, author of an independent review into the regulation of online pornography, and Naomi Miles, founder of the Centre to End All Sexual Exploitation charity.The revolutionary Italian designer Elsa Schiaparelli is being celebrated in a dazzling new exhibition at the Victoria and Albert Museum in London. Sonnet Stanfill, Senior Curator of Fashion at the V&A and curator of Schiaparelli: Fashion Becomes Art and fashion historian, Justine Picardie, author of Fashioning the Crown, discuss her life and work.What can Taylor Swift teach us about the economy? Associate Professor at the University of Kansas, Misty Heggeness, explains how her concept of Swiftynomics shines a light on the true value of women's work and influence.Presenter: Kylie Pentelow Producer: Emma Pearce

The 2026 awards season delivered unforgettable fashion moments, from Jessie Buckley's sculptural pink and red Chanel gown to Timothée Chalamet's playful white Givenchy suit. Designers like Schiaparelli and Valentino dominated headlines, with the red carpet capturing the energy and creativity of major fashion weeks.In this episode, host Tamara Kormornick is joined by business writer and branding specialist, John Arlidge, to discuss the changing landscape for legacy brands in a tougher environment. The two discuss the burgeoning second-hand market to the prevalence of high quality dupes, and ultimately, the downfall of the retail sector.Photograph: Getty Images Hosted on Acast. See acast.com/privacy for more information.

The Oscars red carpet is always a spectacle, but this year had a few moments that truly stole the show. From Chloe Zhao’s stunning, gothic black gown to Wunmei Musaka glowing in sequins, and Elle Fanning in her first-ever nomination dress, we’re breaking down the looks that had us swooning—and the ones that left us wishing for more colour and drama.We also get caught up in some unforgettable red carpet chaos: a hilariously awkward moment with Paul Mescal and Gracie Abrams, plus the real nerves, excitement, and insider moments that come with award season behind the scenes.Tune in for all the fashion highs, the funniest red carpet moments, and our very human reactions to one of the year’s biggest nights in Hollywood.And you can find all the looks we spoke about right here. THE END BITSListen to The Spill, new episodes drop every Monday–Friday!Mamamia: https://www.mamamia.com.au/podcasts/the-spill/Spotify: https://open.spotify.com/show/3mjNFVvJp1irXNVxKXXABOApple Podcasts: https://podcasts.apple.com/au/podcast/the-spill/id1473523403Follow The Spill:Instagram: https://www.instagram.com/thespillpodcast/TikTok: https://www.tiktok.com/@thespillpodFacebook: https://www.facebook.com/thespillpodcast/Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/Support Independent Women’s Media:https://www.mamamia.com.au/subscribe/Your subscription helps us continue to tell the stories that matter to women.Want to join the conversation?Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP!Discover more Mamamia podcasts here: https://www.mamamia.com.au/podcasts/CREDITSHosts: Laura Brodnik & Emily VernemExecutive Producer: Monisha IswaranAudio Producer: Scott StronachMamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Vivian Wilson became the talk of Milan Fashion Week when she seductively walked the runway of Demna's debut Gucci show in a floor-length white gown. The 21-year-old model said she was briefed by casting to embody Venus, the Roman goddess of love. Her path to the Gucci runway began with a casting tape filmed in her own driveway. She walked "like a crazy person, like 8 million times" until she had the perfect take. The result? She ended up positioned in the lineup between icons Kate Moss and Mariacarla Boscono. "When I found that out, I was shaking in my boots," she told Chloe Malle, cozy in a Paris hotel room, while recording today's episode of The Run Through. "We did it, though."Before all the fashion week glamour in Paris and Milan, there was a very different life. Wilson spent time studying Japanese at a university in Tokyo, with plans to earn her TEFL certificate and become an ESL teacher. A Teen Vogue cover changed everything. "It completely transformed my career," she said. Now she's in Paris, doing the model thing — castings every hour, NDAs on NDAs — and entirely at peace with the pivot. "I wanna see how big I can get,” she said. “We're just locking the fuck in."The conversation took a more serious turn when Malle raised the question of whether models look markedly thinner this season than even five years ago. Wilson didn't hesitate. "It's the Ozempic apocalypse, girl. I am so fucking over this." Off the catwalk, she reads gay fantasy fiction and has a passion for Excel spreadsheets. She is trans, a John Oliver devotee, and has genuine ambitions in voice acting. Her three wishes are to appear in Vogue, attend the Met Gala, and walk for Schiaparelli. She left the hotel room with a piece of the chocolate Eiffel Tower, having resolved to break off a piece from the middle so as "not to compromise its structural integrity."Also in the episode, Vogue editors share thoughts from the Balmain, Dries Van Noten and Saint Laurent shows at Paris Fashion Week.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Matthew Shindell discusses the Scientific Revolution, nineteenth-century theories about Martian canals by Schiaparelli and Lowell, and H.G. Wells using Mars to satirize British imperialism.

En este episodio repasamos los looks más comentados de los Grammy. De Lady Gaga a Billie Eilish, pasando por Bad Bunny, que hizo historia con Schiaparelli para hombre. Un recorrido por la moda que marcó la noche más importante de la industria musical.

Koncepcję wnętrza nowego butiku Schiaparelli w Hongkongu dyrektor kreatywny marki Daniel Roseberry rozwijał wspólnie z duetem projektowym Hallerod. Szwedzkie studio o międzynarodowej renomie w portfolio ma już butiki takie jak Totême, Acne Studios, Byredo, Arket, Alaïa. Dla Schiaparelli Christian i Ruxandra z Halleroed zaprojektowali już wcześniej przestrzeń butiku w Londynie. Autorka: Barbara Siemianowska-Aniol Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/schiaparelli-butik-hongkong-duet-halleroed

Por primera vez la moda internacional se cuela en "Moda se escribe con Ñ". Nuevo formato y nuevo contenido que ahora, no solo puedes escuchar, sino también puedes ver en nuestro canal de YouTube. ¿Y quién mejor que Daniel Roseberry y Schiaparelli para comenzar? Disfrutamos y comentamos este desfile y algún otro en el primer episodio de esta nueva aventura...The Fashion Taupe

Sukienka tiulowa z rozłożystym dołem odeszła w zapomnienie na rzecz niezwykle zmysłowych, dopasowanych kreacji bliskich ciału. Jednak za sprawą najnowszej kolekcji Schiaparelli fason ten ma szansę powrócić do łask. Obok niej dyrektor kreatywny Daniel Roseberry bawi się formą i iluzją w projektach sukienek koronkowych, dodając do nich surrealistyczne akcenty znamienne dla domu mody. Jak te fantazje odbiją się na naszych szafach? Autorka: Ewelina Kołodziej Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/schiaparelli-haute-couture-wiosna-lato-2026-tiulowa-sukienka-rozkloszowana

Are you arguing or just disagreeing? Yo Aunteas Kerel, Dawon, and Jerrell dive into the nuances of relationship communication, triggers, and the "death by 1,000 paper cuts" that leads to a blowout... all while Dawon deal with his Bali Internet (sorry for the crunchiness)! In the News: Yo Aunteas don't hold  back on the recent viral comments from Matt Rogers and Bowen Yang. They discuss the responsibility of large platforms when it comes to Black political candidates and why "bad phrasing" isn't a sufficient apology for devaluing a qualified resume. On the Carpet: The Golden Globes 2026 brought the fashion, but did it bring the joy? Yo Aunteas review the best and worst looks, including Teyana Taylor's winning Schiaparelli gown, Colman Domingo's sophisticated restraint, and J.Lo being, well, J.Lo. Communitea Matters: Yo Aunteas close with a critical conversation on the recent ICE raids and the importance of knowing your rights and standing with your neighbors in 2026. Follow the Communitea: Instagram: @MinoriteaReport YouTube: @MinoriteaReport Subscribe and leave a 5-star review to help the Aunteas grow! Tea Stamps: 00:00 Introduction and Technical Difficulties 04:36 Celebrating MLK Day and Community Engagement 11:22 Bali Experience and Cultural Insights 13:19 Discussion on Relationships and Arguments 21:14 Communication and Conflict Resolution 24:33 Navigating Disagreements and Acceptance 27:56 The Impact of Podcasting on Personal Growth 30:50 Self-Awareness and Emotional Regulation 32:16 Matt Rogers & Bowen Yang 44:18 Community Vigilance during ICE 52:55 Exposing the Agents of Oppression 53:25 Fashion at the Golden Globes 2026 01:18:22 Benediction

Lauren's guest is Who What Wear co-founder, Future Publishing S.V.P., and Substacker Hillary Kerr. They discuss the best and worst of the Golden Globes red carpet, and what the lineup portends about the rest of the awards season, and the fashion industry at large. They also get into the Guccissance and the future of Saks Global. Mentioned in this episode: Dior, Chanel, Rose Byrne, Matthieu Blazy, Jessie Buckley, Valentino, Colman Domingo, Teyana Taylor, Schiaparelli, Jonathan Anderson, Kate Young, Jamie Mizrahi, Mia Goth, Jennifer Lawrence, Ryan Hastings, Justine Lupe, Rebecca Ramsey, and plenty of other fashion people. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Gdy huczne oklaski i głośne wiwaty powoli cichną, a zza wzgórz Beverly Hills nieśmiało wyłania się poranne słońce, 83. ceremonia rozdania Złotych Globów dobiega końca. Zanim jednak czerwony dywan w hotelu The Beverly Hilton zostanie zwinięty na dobre, jak co roku z uwagą przyglądam się modowym wyborom gwiazd. Wśród moich osobistych faworytek stylu minionej nocy bezsprzecznie znalazły się Teyana Taylor w spektakularnej kreacji Schiaparelli oraz Jennifer Lawrence w naked dress od Givenchy, zaprojektowanej przez Sarah Burton. Choć na czerwonym dywanie dominowała klasyczna czerń – niekwestionowana arbitra elegancji – moją uwagę przykuły przede wszystkim odważniejsze, barwne eksperymenty. Oto pięć najmodniejszych kolorów – od ponadczasowych po te o wyrazistym charakterze – które zdefiniują modę uliczną (i oczywiście wieczorową) w sezonie wiosna–lato 2026. Autor: Viktor Zimmermann Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/zlote-globy-2026-modne-kolory-wiosna-od-raven-black-po-opaque-pink

During the late 19th and early 20th centuries, it was erroneously believed that there were "canals" on the planet Mars. These were a network of long straight lines in the equatorial regions from 60° north to 60° south latitude on Mars, observed by astronomers using early telescopes without photography. They were first described by the Italian astronomer Giovanni Schiaparelli during the opposition of 1877, and attested to by later observers. Schiaparelli called these canali ("channels"), which was mistranslated into English as "canals". The Irish astronomer Charles E. Burton made some of the earliest drawings of straight-line features on Mars, although his drawings did not match Schiaparelli's.

Idag ska vi bege oss in i filmens och sagornas värld för att titta närmare på hur man klär sagofigurer för bästa effekt. Inte minst de häxlika. Lyssna på alla avsnitt i Sveriges Radios app. I fantasyfilmmusikalen ”Wicked”, och uppföljaren, ”Wicked: For Good” har man inte sparat på krutet, utan tittarna bombarderas med den ena extravaganta och färgsprakande utstyrseln efter den andra.Även de som inte sett filmerna har antagligen inte kunnat undgå att se de två huvudrollsinnehavarna, Ariana Grande och Cynthia Erivo, posera på bilder under olika PR-evenemang för filmerna. För de har varit spektakulärt klädda, eller utklädda. Alltid i plagg som anspelar på deras karaktärer i filmerna, så kallad ”method dressing”.Och den konsekventa stilen har gett resultat. Inte minst i form av ökat intresse för de modehus som står bakom deras olika klänningar – som Schiaparelli, Thom Browne, Ralph Lauren, Versace, Prada och Givenchy.Häxans stil är en look som formats, förändrats och återskapats sedan skrockens begynnelse. Sanna Nyström har arbetat som kostymdesigner i 20 år och har bra koll på karaktärsbyggande genom kläder.Den moderna häxan hör inte bara hemma i populärkulturen och fiktionens värld. Hella Nathorst-Böös är författare och fotograf – och häxa. Hon håller bland annat kurser, leder stadsvandringar och ceremonier, med en tydlig mission: att sprida kunskap och inspiration om magi, häxhistoria och läkeväxter.Häxan Elphaba i Wicked kan kännas igen på sina långa och häxlika naglar, även skådespelaren bakom rollen, Cynthia Erivo, har uppmärksammats i intervjuer, och på röda mattan, för sina –om ännu mer – spektakulära nagelkreationer. Vi pratar med nagelkonstnären Danielle Lundgren om de långa naglarnas status i samtiden.

Fashion, interiors, and storytelling come alive through the visionary lens of designer Danielle Balanis. Join us as Danielle, steeped in a rich tapestry of inspiration from architectural magazines and cinematic interiors, shares her journey from a childhood fascination with beautiful spaces to her thriving design career. Her work is a harmonious dance of the unexpected and the timeless, fueled by a love for fashion silhouettes, vintage charm, and the essence of music. Discover how she uses her Birmingham home as a canvas for experimentation and growth, bringing her editorial eye and maximalist spirit to life.Explore the myriad sources of design inspiration, where the ordinary transforms into the extraordinary. We uncover how bold design choices, like revamping Ikea furniture with creative wallpaper, breathe new life into spaces. Danielle emphasizes the art of editing, balancing soulful spaces without overwhelming clutter, and the excitement of blending old with new. From the thrill of uncovering treasures in local spots to the commitment required for memorable design moments, her stories underscore the dynamic and cinematic nature of personal interiors.Redefining luxury in design, our conversation reveals how it now embodies enhanced quality of life and authentic personal expression. We journey through the worlds of fashion and interior design, drawing from iconic figures like Chanel and Schiaparelli, while Danielle shares personal anecdotes about finding unique accessories that bridge the gap between style and identity. Dream client fantasies take center stage as we envision projects with Chloe Sevigny and Mick Jagger, and playful spaces like musician meditation rooms. With an invitation to stay bold and creative, join us for this inspiring episode that celebrates the courage to color outside the lines in the ever-evolving world of design.

Barrel jeans jeszcze do niedawna uchodziły za jeden z najbardziej awangardowych fasonów jeansów, goszcząc w szafach miłośniczek modowych eksperymentów i eklektycznych stylizacji. Z czasem zaczęły pojawiać się na wybiegach, m.in. domu mody Schiaparelli hołdującemu elegancji spod znaku haute couture. Tym sposobem coraz częściej zaczęły występować w stylizacjach na specjalne okazje. Dziś najmodniejsze modele barrel jeans znajdziemy w szafach wszystkich miłośniczk denimu, w tym it-girls i gwiazd. Jak je nosić i gdzie kupić najmodniejsze modele?Autorka: Ewelina KołodziejArtykuł przeczytasz pod linkiem: https://www.vogue.pl/a/jak-nosic-barrel-jeans-jakich-bledow-unikac-stylizujac-barrel-jeans

In their final episode of the "Revisting" series, Big Dipper and Meatball are joined by the icon Sasha Velour! They talk about her prolific drag career, what inspires her art, and the Schiaparelli earrings she's worn for two years. Plus they plug her amazing book “The Big Reveal,” and make her listen to some voicemails about douching and spit.Don't forget to Subscribe to our new YouTube Channel @sloppysecondsshowListen to Sloppy Seconds Ad-Free AND One Day Early on MOM Plus⁠Call us with your sex stories at 213-536-9180!Or e-mail us at ⁠sloppysecondspod@gmail.com⁠⁠FOLLOW SLOPPY SECONDS⁠⁠FOLLOW BIG DIPPER⁠⁠FOLLOW MEATBALL⁠⁠SLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Il y a des trajectoires linéaires, rassurantes, faciles à raconter. Et puis il y a celles, plus fascinantes encore, faites de tension, de contrastes assumés. Celles où deux mondes se rencontrent sans jamais totalement se rejoindre. Celles qui forcent à penser.Mariam en est l'incarnation. Dans la mode, on la connaît sous le nom de Mariam de Vinzelle, visage des défilés Chanel, Louis Vuitton, Schiaparelli etc. Dans la recherche, elle signe Mariam Beaure d'Augères, doctorante à l'École des Mines, au sein du Centre de Sociologie de l'Innovation, où elle mène une thèse sur… la durabilité du jean.Deux univers qui ne fonctionnent ni sur les mêmes codes, ni sur les mêmes temporalités. D'un côté, l'urgence, les émotions visuelles, le culte de l'instant. De l'autre, la rigueur, la lenteur méthodologique, le doute scientifique. Deux mondes qui ne se parlent presque jamais. Et pourtant, elle les habite tous les deux.Mais vivre cette double vie, c'est aussi vivre une dissonance cognitive permanente. Comment participer à une industrie qui clame la durabilité tout en produisant sans relâche ? Comment observer scientifiquement un système dont on fait partie ? Comment concilier l'échelle du podium — immédiate, esthétique — et celle du temps long de la recherche ?Car Mariam connaît la mode de l'intérieur. Les studios où l'on parle d'allure plus que d'impact. Les défilés où l'on évoque l'« urgence créative » plus que les ressources. Les conversations où l'on rêve d'innovation, mais où l'on oublie parfois ce que signifie vraiment fabriquer. Elle voit la réalité derrière la narration — et elle choisit de ne pas détourner le regard.Dans cet épisode, on parle : de double identité et de fidélité à soi, de durabilité sans slogans, de recherche appliquée au réel, d'éthique, de contradictions.Entre lucidité et sincérité, Mariam pose une question rare et nécessaire :peut-on transformer un système sans le quitter ?Un épisode dense extrêmement humain, au coeur de nos contradictions.Bonne écoute et retrouvez le podcast sur instagram @decousupodcast pour partager vos impressions !

In this episode, we welcome back none other than the “Freud of Fashion” herself, Dr. Valerie Steele, to discuss the Museum at FIT's latest exhibition, Dress, Dreams, and Desire: Fashion and Psychoanalysis. Dr. Steele walks us through central theories on mirrors, masquerade, and eroticism, exploring the deep-seated fears and fantasies that drive what we wear. We dissect how the theories of Lacan and Freud play out on the bodies dressed by Schiaparelli, McQueen, Versace, and many more fashion history greats. Links: Visit Dress, Dreams, and Desire: Fashion and Psychoanalysis at the Museum at FIT (up until January 4, 2026)!Register for the Fashion and Psychoanalysis Symposium at the Museum at FIT, Friday November 14th!Audio Analysis for Dress, Dreams, and Desire (four items) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Mientras trabajaba en el Observatorio Vaticano durante la oposición de Marte en 1858, el astrónomo italiano Angelo Secchi notó una gran característica triangular de color azul, a la que él llamó el «Escorpión Azul». Esta misma formación nubosa estacional fue vista por el astrónomo inglés Joseph Norman Lockyer en 1862, y ha sido vista por otros observadores. Durante la oposición de 1862, el astrónomo holandés Frederik Kaiser se dedicó a hacer dibujos de Marte. Al comparar sus ilustraciones con las de Huygens y el filósofo natural inglés Robert Hooke, pudo refinar aún más el período de rotación de Marte. Su valor de 24 horas 37 minutos y 22'6 segundos es preciso dentro de una décima de segundo. En agosto de 1877, el astrónomo estadounidense Asaph Hall descubrió las dos lunas de Marte utilizando un telescopio de 660 mm en el Observatorio Naval de los Estados Unidos.​ Los nombres de los dos satélites, Fobos y Deimos, fueron escogidos por Hall basado en una sugerencia de Henry Madan, un instructor de ciencias en el Eton College en Inglaterra. Durante la oposición de 1877, el astrónomo italiano Giovanni Schiaparelli utilizó un telescopio de 22 cms para ayudar a producir el primer mapa detallado de Marte. Estos mapas contenían características notables a las que llamó canali, que más tarde se demostró que eran una ilusión óptica. Estos canali eran supuestamente rectas largas en la superficie de Marte a las que dio nombres de ríos famosos de la Tierra. Su término canali fue mal traducido en inglés como canales. En 1886, el astrónomo inglés William Frederick Denning observó que estas características lineales eran de naturaleza irregular y mostraban concentraciones e interrupciones. En 1895, el astrónomo inglés Edward Walter Maunder se convenció de que las características lineales eran meramente la suma de muchos detalles más pequeños. Camille Flammarion escribió en su obra La Planète Mars et Ses Conditions d'Habitabilité de 1892, acerca de cómo estos canales se asemejaban a los canales artificiales, y que una raza inteligente podría usarlos para redistribuir el agua a través de un mundo marciano agonizante. Abogó por la existencia de tales habitantes, y sugirió que podían ser más avanzados que los humanos. Comenzando 1901, el astrónomo estadounidense A. E. Douglass intentó fotografiar las características de los canales de Marte. Estos esfuerzos parecían tener éxito cuando el astrónomo estadounidense Carl O. Lampland publicó fotografías de los supuestos canales en 1905. Aunque estos resultados fueron ampliamente aceptados, luego fueron cuestionados por el astrónomo griego Eugène Antoniadi, el naturalista inglés Alfred Russel Wallace y otros como simples rasgos imaginados. A medida que se usaban telescopios más grandes, se observaron menos canali largos y rectos. Durante una observación realizada en 1909 por Flammarion con un telescopio de 84 cm, se observaron patrones irregulares, pero no se observó ningún canali. En la década de 1870 Schiaparelli observó un oscurecimiento superficial causado por nubes amarillas. En 1909, Antoniadi descubrió que Marte parecía más amarillo durante las oposiciones cuando el planeta estaba más cerca del Sol. Sugirió que la causa de las nubes eran arena o polvo soplado por el viento. En 1894, el astrónomo estadounidense William Wallace Campbell encontró que el espectro de Marte era idéntico al espectro de la Luna, poniendo en duda la creciente teoría de que la atmósfera de Marte era similar a la de la Tierra. Las detecciones previas de agua en la atmósfera de Marte fueron explicadas por condiciones desfavorables, y Campbell determinó que la firma del agua provenía enteramente de la atmósfera terrestre. Aunque estuvo de acuerdo en que las capas de hielo indicaban que había agua en la atmósfera, no creía que las capas fueran suficientemente grandes para permitir que se detectara vapor de agua.​ En ese entonces, los resultados de Campbell fueron considerados polémicos y fueron criticados por los miembros de la comunidad astronómica. Aun así, el astrónomo americano Walter Sydney Adams confirmó los resultados en 1925. Utilizando un termopar de vacío conectado al Telescopio Hooker de 2'54 m en el Observatorio del Monte Wilson, en 1924 los astrónomos estadounidenses Seth Barnes Nicholson y Edison Pettit fueron capaces de medir la energía térmica que irradiaba la superficie de Marte. Determinaron que la temperatura variaba desde –68°C en el polo hasta 7°C en el ecuador.​ A partir del mismo año, las medidas de energía radiada de Marte fueron hechas por el físico estadounidense William Coblentz y el astrónomo estadounidense Carl Otto Lampland. Los resultados mostraron que la temperatura nocturna en Marte descendía a –85°C, lo que indica una «enorme fluctuación diurna» en las temperaturas.​ La temperatura de las nubes marcianas se midió en –30°C. En 1926, al medir las líneas espectrales de los movimientos orbitales de Marte y la Tierra, el astrónomo estadounidense Walter Sydney Adams fue capaz de medir directamente la cantidad de oxígeno y vapor de agua en la atmósfera de Marte. Determinó que «las condiciones extremas de desierto» eran frecuentes en Marte.​ En 1934, Adams y el astrónomo americano Theodore Dunham, Jr. encontraron que la cantidad de oxígeno en la atmósfera de Marte era menor de un uno por ciento de la cantidad que hay en una misma área en la tierra. En 1927, el estudiante holandés Cyprianus Annius van den Bosch hizo una determinación de la masa de Marte basada en los movimientos de las lunas marcianas, con una precisión del 0'2%. Este resultado fue confirmado por el astrónomo holandés Willem de Sitter y publicado en 1938. La emisión de rayos X de Marte fue observada por primera vez por los astrónomos en 2001 utilizando el Observatorio Chandra de Rayos X, y en 2003 se demostró que tenía dos componentes. El primer componente es causado por rayos X del Sol que se dispersan en la atmósfera superior de Marte; el segundo proviene de interacciones entre iones que dan lugar a un intercambio de cargas. En 1983, el análisis del grupo de meteoritos de shergottita, nakhlita y chassignita (SNC) mostró que podrían haberse originado en Marte.​ Se cree que el meteorito ALH84001, descubierto en la Antártida en 1984, se originó en Marte, pero tiene una composición totalmente diferente a la del grupo SNC. En 1996, se anunció que este meteorito podría contener evidencia de fósiles microscópicos de bacterias marcianas. Sin embargo, este hallazgo sigue causando controversia. El análisis químico de los meteoritos marcianos encontrados en la Tierra sugiere que la temperatura ambiente cercana a la superficie de Marte ha estado muy probablemente por debajo del punto de congelación del agua durante gran parte de los últimos cuatro mil millones de años. Michael Neil, Galactic Sound Station, Dreamscapist, Liquid Mind, Terminus Void, Airwaves, Astelyon, Hollan Holmes, InDi0ne-X, Isostatic. 🎧 El playlist detallado: lostfrontier.org/space.html#1060Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/UyIgfA8s6FA . ในช่วงสัปดาห์กูตูร์ที่ปารีส คนก็จะตั้งตารอโชว์เปิดอย่าง Schiaparelli แบรนด์ระดับตำนานที่ขึ้นชื่อเรื่องการผสมศิลปะแบบ Surrealism เข้ากับการตัดเย็บชั้นเลิศ นำโดยครีเอทีฟไดเรกเตอร์อย่าง Daniel Roseberry . แต่นอกจากคอลเล็กชันสุดอลังการเหนือจินตนาการ และลุคพรมแดงที่ดาราชอบใส่ แบรนด์สามารถขายได้จริงไหม และสถานการณ์ตอนนี้เป็นอย่างไร ติดตามได้ในรายการ 7 Things We Love About Schiaparelli ได้ในวันจันทร์ เวลา 19.00 น. ทุกช่องทางสตรีมมิ่งและ YouTube ของ THE STANDARD POP . #7ThingsWeLoveAbout #7ThingsWeLoveAboutxSchiaparelli #Schiaparelli #DanielRoseberry #FashionPodcast #TheStandardPop

durée : 00:55:43 - Histoire de femmes, histoire de fringues - par : Stéphanie DUNCAN - Dior, Fath, Molyneux, Schiaparelli, Balenciaga, Patou...: en 1956, Paris compte 54 maisons de couture, qui s'accordent à façonner une femme idéale, maquillée, gantée, chapeautée, chaussée d'escarpins, la taille prise dans une gaine, vêtue dans une somptueuse robe décolletée, en tulle ou mousseline. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

There's this weird circular structure near the pyramids that nobody really paid attention to for years—until recently. It looks like some kind of ancient bathtub, totally sealed and preserved. What's wild is that it hadn't been officially recorded or recognized as something important before. Historians are kind of stumped because they don't know exactly what it was used for. There are a bunch of theories, but nothing solid—it's all just educated guesses for now. It's one of those “wait… how did we miss this?” moments in archaeology! Credit: ojosdelostigres / Reddit sheizdza / Reddit TN_Egyptologist / Reddit Lloydwrites / Reddit MrLectromag / Reddit CC0 1.0 ⁠https://creativecommons.org/publicdom...⁠ Giza complex: by Drummyfish, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Schiaparelli's excavations: by Museo di Antropologia ed Etnografia, ⁠https://archiviofotografico.museoegiz...⁠, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Temple of Hathor: by Museo di Antropologia ed Etnografia, ⁠https://archiviofotografico.museoegiz...⁠, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: ⁠https://thesoul-sound.com/⁠ Check our Bright Side podcast on Spotify and leave a positive review! ⁠https://open.spotify.com/show/0hUkPxD...⁠ Subscribe to Bright Side: ⁠https://goo.gl/rQTJZz⁠ ---------------------------------------------------------------------------------------- Our Social Media: Facebook: ⁠ ⁠⁠⁠⁠ / brightside  ⁠ Instagram: ⁠ ⁠⁠⁠⁠ / brightside.official  ⁠ TikTok: ⁠https://www.tiktok.com/@brightside.of...⁠ Telegram: ⁠https://t.me/bright_side_official⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the SheerLuxe Podcast, Nana Acheampong is joined by Louise Roe and Josh Smith. Together, the three discuss the recent celebrity appearances at Wimbledon – from Leonardo DiCaprio to Stormzy and Nicole Kidman. They also chat about the viral Zara dress and Nana shares her excitement about the upcoming Schiaparelli exhibition at the V&A. The three then share their recent fashion finds, including some amazing sustainable brands and summer staples, before moving onto Josh's new book, ‘Great Chat', and specifically the challenges of social interactions and the importance of confidence. Finally, they tackle some listener dilemmas – from dealing with a colleague's overpowering fragrance to addressing family drama over stolen baby names. Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup PANEL GUESTSNana Acheampong | @styledbynana | https://www.instagram.com/styledbynana/?hl=en ASOS Design Tall Sleeveless Waisted Midi Dress | https://asos.bbgqo9.net/DyMYbo Next Zebra Signature Premium Leather Suede Mules | https://www.next.co.uk/style/su582590/ap7233Tilly Sveaas Large Gold Curb Chain | https://tinyurl.com/mttnfym3 Josh Smith | @joshsmithhosts | https://www.instagram.com/joshsmithhosts/?hl=en Zara Cutwork Embroidered Shirt | https://tidd.ly/4lWTIym Octobre Editions Marcio Casual Pants | https://tinyurl.com/4v4wm5n7 M&S Suede Corkbed Mule | https://tidd.ly/3GMV8Nc Louise Roe | @louiseroe | https://www.instagram.com/louiseroe/?hl=en DISSH April White Knit Ramie Dress (Similar) | https://tinyurl.com/bdcmy4we Maria Luca Rafia August Ballet Flats | https://tinyurl.com/hcf36xbp Anine Bing Quinn Blazer | https://tinyurl.com/5n6hxwcx Hosted on Acast. See acast.com/privacy for more information.

On this episode of the SheerLuxe Podcast, Nana Acheampong is joined by Louise Roe and Josh Smith. Together, the three discuss the recent celebrity appearances at Wimbledon – from Leonardo DiCaprio to Stormzy and Nicole Kidman. They also chat about the viral Zara dress and Nana shares her excitement about the upcoming Schiaparelli exhibition at the V&A. The three then share their recent fashion finds, including some amazing sustainable brands and summer staples, before moving onto Josh's new book, ‘Great Chat', and specifically the challenges of social interactions and the importance of confidence. Finally, they tackle some listener dilemmas – from dealing with a colleague's overpowering fragrance to addressing family drama over stolen baby names. Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup PANEL GUESTSNana Acheampong | @styledbynana | https://www.instagram.com/styledbynana/?hl=en ASOS Design Tall Sleeveless Waisted Midi Dress | https://asos.bbgqo9.net/DyMYbo Next Zebra Signature Premium Leather Suede Mules | https://www.next.co.uk/style/su582590/ap7233Tilly Sveaas Large Gold Curb Chain | https://tinyurl.com/mttnfym3 Josh Smith | @joshsmithhosts | https://www.instagram.com/joshsmithhosts/?hl=en Zara Cutwork Embroidered Shirt | https://tidd.ly/4lWTIym Octobre Editions Marcio Casual Pants | https://tinyurl.com/4v4wm5n7 M&S Suede Corkbed Mule | https://tidd.ly/3GMV8Nc Louise Roe | @louiseroe | https://www.instagram.com/louiseroe/?hl=en DISSH April White Knit Ramie Dress (Similar) | https://tinyurl.com/bdcmy4we Maria Luca Rafia August Ballet Flats | https://tinyurl.com/hcf36xbp Anine Bing Quinn Blazer | https://tinyurl.com/5n6hxwcx Hosted on Acast. See acast.com/privacy for more information.

Med hjälp av en stickad tröja med trompe l'il-rosett i halsen lade Elsa Schiaparelli grunden för sin karriär som surrealistisk modeskapare. Lyssna på alla avsnitt i Sveriges Radio Play. I veckans Samtal med Stil pratar Susanne Ljung och Samanda Ekman om modeskaparen Elsa Schiaparelli som var först med trompe l'œil i modet – en trend som är extra aktuell just nu när många modemärken tycker om att skapa optiska illusioner.

There's this weird circular structure near the pyramids that nobody really paid attention to for years—until recently. It looks like some kind of ancient bathtub, totally sealed and preserved. What's wild is that it hadn't been officially recorded or recognized as something important before. Historians are kind of stumped because they don't know exactly what it was used for. There are a bunch of theories, but nothing solid—it's all just educated guesses for now. It's one of those “wait… how did we miss this?” moments in archaeology! Credit: ojosdelostigres / Reddit sheizdza / Reddit TN_Egyptologist / Reddit Lloydwrites / Reddit MrLectromag / Reddit CC0 1.0 https://creativecommons.org/publicdom... Giza complex: by Drummyfish, https://commons.wikimedia.org/wiki/Fi... Schiaparelli's excavations: by Museo di Antropologia ed Etnografia, https://archiviofotografico.museoegiz..., https://commons.wikimedia.org/wiki/Fi... Temple of Hathor: by Museo di Antropologia ed Etnografia, https://archiviofotografico.museoegiz..., https://commons.wikimedia.org/wiki/Fi... Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightside.official   TikTok: https://www.tiktok.com/@brightside.of... Telegram: https://t.me/bright_side_official Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me ---------------------------------------------------------------------------------------- This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information in this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgement, care and precaution if you plan to replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad Goreski is a celebrity stylist whose impressive client list includes the legendary Demi Moore. Over the last 15 years, he's created countless stunning looks for her, but as she promoted her film The Substance over the last year, Goreski and Moore took things to a whole new level. From the Cannes Film Festival last May through to the Oscars earlier this year, Goreski curated a suite of looks that pushed boundaries and reflected the themes of the movie while still evoking Old Hollywood glamour. This week, he joins Hillary Kerr, Who What Wear's co-founder and chief content officer, to break down the inspirations and origins of Moore's biggest red carpet moments, his methodology for sourcing pieces, and the true magic of a perfect collaboration.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Goreski is a celebrity stylist whose impressive client list includes the legendary Demi Moore. Over the last 15 years, he's created countless stunning looks for her, but as she promoted her film The Substance over the last year, Goreski and Moore took things to a whole new level. From the Cannes Film Festival last May through to the Oscars earlier this year, Goreski curated a suite of looks that pushed boundaries and reflected the themes of the movie while still evoking Old Hollywood glamour. This week, he joins Hillary Kerr, Who What Wear's co-founder and chief content officer, to break down the inspirations and origins of Moore's biggest red carpet moments, his methodology for sourcing pieces, and the true magic of a perfect collaboration.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Dinner for Shoes episode 67, host Sarah Wasilak invites Austin-based voice actor Morgan Taylor onto the podcast to talk about her career slipping in and out of character for different roles — and how that's impacted her personal sense of style. Morgan shares how fashion relates to her job, whether she's in the studio recording or attending red carpet events and award ceremonies. Sarah complements the discussion with a rundown of the most stylish animated characters — at least in her own opinion — that she grew up watching. She also tries Morgan's favorite meal, sushi and dumplings.Whether you're in need of outfit advice or in the midst of a style dilemma, the Shoe Therapy hotline is open for your anonymous texts and voicemails. Message 917-336-2057 with fashion questions and funny stories, or tag #ShoeTherapy on Instagram and TikTok so I can “heel” ya — you just may hear your message on the podcast.THIS DINNERCalifornia roll and Yasai Gyoza from Okinawa in Hoboken, NJTHESE SHOESMar Soreli Anna Mary Jane in RossoTHIS OUTFITShop my look      VRG GRL skirt set8 Other Reasons necklaceVintage heart ringGold hoop earringsTHESE CHAPTERS0:00 - INTRO2:49 - THE OUTFIT BEHIND THE SHOES9:09 - MORGAN TAYLOR INTERVIEW43:31 - STYLISH ANIMATED CHARACTERS53:33 - SUSHI AND DUMPLINGSTHIS PRODUCTIONis created, written, hosted, and produced by Sarah Wasilak.is creative directed and executive produced by Megan Kai.is tech supervised by Nick.includes photos and videos in chronological order by Sarah Wasilak, Sailor Moon Fandom, Ellie Williams, Morgan Taylor, Rent the Runway, Nuuly, Cynthia Erivo, Ariana Grande, Schiaparelli, Society Voice Arts, Tara Strong, Debi Derryberry, Debi Mae West, DPN Talent, PS, Johnny Knoxville Fandom, Johnny Bravo Fandom, Debbie Thornberry Fandom, Roxanne A Goofy Movie Fandom, Daphne Blake Wikipedia, Ariel The Little Mermaid Fandom, Reggie Rocket Fandom, Marge Simpson Wikipedia, Wendy Darling Fandom, Crysta Ferngully: The Last Rainforest Fandom, and Monique Kim Possible Fandom.is made with love.Dinner for Shoes is a fashion podcast for people who love food, hosted by editor Sarah Wasilak. With appearances by her cats, Trish and Kit, and agendas that almost always go to shit, we aim to dive into a discussion about fashion and style and break some bread in each episode. Dinner for Shoes podcast episodes are released weekly on YouTube, Spotify, and Apple. You can follow along for updates, teasers, and more on TikTok, Instagram, and Facebook. If there are any fashion topics you've been pondering or good eats you think Sarah should try, don't hesitate to send a DM or an email.Dinner for Shoes is an original by The Kai Productions.Follow Dinner for Shoes: @dinnerforshoes on Instagram, TikTok, Facebook, and YouTube Follow host Sarah Wasilak: @slwasz on Instagram Follow producer Megan Kai: @megankaii on Instagram Get in touch: dinnerforshoes@gmail.comTo make this video more accessible, check out YouDescribe, a web-based platform that offers a free audio description tool for viewers who are blind or visually impaired.

After a month of nonstop fashion shows, Who What Wear Editorial Director Lauren Eggertsen and Associate Director of Special Projects Kristen Nichols are back home and ready to break it all down. This week, they cover the biggest stories and buzziest collections from New York, London, Milan, and Paris; their favorite pieces; and what they're expecting to see on the red carpet and in editorials in the coming months. Plus, they discuss the larger energy of each fashion week and check in on the trend predictions they made during their New York Fashion Week episode to see what stuck.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After a month of nonstop fashion shows, Who What Wear Editorial Director Lauren Eggertsen and Associate Director of Special Projects Kristen Nichols are back home and ready to break it all down. This week, they cover the biggest stories and buzziest collections from New York, London, Milan, and Paris; their favorite pieces; and what they're expecting to see on the red carpet and in editorials in the coming months. Plus, they discuss the larger energy of each fashion week and check in on the trend predictions they made during their New York Fashion Week episode to see what stuck.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Apologies for the delay, Chelsea has had yet another rough week, but we are back to discuss Hollywood's biggest night and all of the best Karla Sofía Gascón jokes. Topics discussed include the deeply healing The Color Purple reunion, Anora's shocking sweep, Demi Moore's life-imitating-art moment, the sensational Wizard of Oz tribute, David Lynch erasure, and Adrian Brody's deeply annoying acceptance speech.  P.S. this episode was recorded before we knew the deeply f**ked up and unbelievably tragic details of Gene Hackman's death. R.I.P. King. Let's watch The Birdcage in his honor

Lauren is joined by the brilliant Hillary Kerr of Future Publishing, Who What Wear, podcasting, and newsletter fame, for their annual unpacking of Hollywood's most important night…of red carpet fashion. They cover it all, from the unexpected endurance of the man-brooch trend, to the rise of archival replicas, to pervasiveness of veneers. They also discuss which fashion brands hit it big on Sunday, from Timothée Chalamet's (almost-glowing) yellow suit to Ariana Grande's Schiaparelli twofer. Plus, they reveal how VIP publicists and celebrity stylists make it all happen, from the contracts to the dress designs. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Several fashion month favorites honed their craft at FIT, including Michael Kors himself, Calvin Klein himself and Schiaparelli creative director Daniel Roseberry.  So, for this week's New York Fashion Week episode of the Glossy Podcast, Glossy sat down with Dr. Joyce Brown, who will wrap up a 26-year run as the president of the Fashion Institute of Technology this year. Dr. Brown shares the evolving ways the school has set its designers up for industry success. She also weighs in on the role of a fashion show in today's fashion landscape. Throughout New York Fashion Week, from February 6-11, check back for more daily podcast episodes featuring influential fashion insiders, from brand CEOs to designers.

Last night, Daniel Roseberry, the American designer who has reinvigorated Schiaparelli since taking over as creative director in 2019, was honored with the CFDA International Designer of the Year Award. The Texas born-and-raised designer joined Vogue's Nicole Phelps a few days earlier for a refreshingly frank, wide-ranging conversation about his journey from Texas, where he grew up, to Paris where he now resides full time.  

This week, Who What Wear associate director of fashion news Erin Fitzpatrick is here to talk about her latest feature on the past, present, and future of women's watches. The category has been exploding over the past few years, and there are so many It-girl pieces on the market. Join Kat and Erin as they break down the top brands and styles, upcoming trends, and watch recommendations for any price point. Plus, they talk their dream watches and how the first-known wristwatch was actually commissioned by a queen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.