Podcasts about Schiaparelli

Matthew Shindell discusses the Scientific Revolution, nineteenth-century theories about Martian canals by Schiaparelli and Lowell, and H.G. Wells using Mars to satirize British imperialism.

En este episodio repasamos los looks más comentados de los Grammy. De Lady Gaga a Billie Eilish, pasando por Bad Bunny, que hizo historia con Schiaparelli para hombre. Un recorrido por la moda que marcó la noche más importante de la industria musical.

Koncepcję wnętrza nowego butiku Schiaparelli w Hongkongu dyrektor kreatywny marki Daniel Roseberry rozwijał wspólnie z duetem projektowym Hallerod. Szwedzkie studio o międzynarodowej renomie w portfolio ma już butiki takie jak Totême, Acne Studios, Byredo, Arket, Alaïa. Dla Schiaparelli Christian i Ruxandra z Halleroed zaprojektowali już wcześniej przestrzeń butiku w Londynie. Autorka: Barbara Siemianowska-Aniol Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/schiaparelli-butik-hongkong-duet-halleroed

Por primera vez la moda internacional se cuela en "Moda se escribe con Ñ". Nuevo formato y nuevo contenido que ahora, no solo puedes escuchar, sino también puedes ver en nuestro canal de YouTube. ¿Y quién mejor que Daniel Roseberry y Schiaparelli para comenzar? Disfrutamos y comentamos este desfile y algún otro en el primer episodio de esta nueva aventura...The Fashion Taupe

Sukienka tiulowa z rozłożystym dołem odeszła w zapomnienie na rzecz niezwykle zmysłowych, dopasowanych kreacji bliskich ciału. Jednak za sprawą najnowszej kolekcji Schiaparelli fason ten ma szansę powrócić do łask. Obok niej dyrektor kreatywny Daniel Roseberry bawi się formą i iluzją w projektach sukienek koronkowych, dodając do nich surrealistyczne akcenty znamienne dla domu mody. Jak te fantazje odbiją się na naszych szafach? Autorka: Ewelina Kołodziej Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/schiaparelli-haute-couture-wiosna-lato-2026-tiulowa-sukienka-rozkloszowana

Are you arguing or just disagreeing? Yo Aunteas Kerel, Dawon, and Jerrell dive into the nuances of relationship communication, triggers, and the "death by 1,000 paper cuts" that leads to a blowout... all while Dawon deal with his Bali Internet (sorry for the crunchiness)! In the News: Yo Aunteas don't hold  back on the recent viral comments from Matt Rogers and Bowen Yang. They discuss the responsibility of large platforms when it comes to Black political candidates and why "bad phrasing" isn't a sufficient apology for devaluing a qualified resume. On the Carpet: The Golden Globes 2026 brought the fashion, but did it bring the joy? Yo Aunteas review the best and worst looks, including Teyana Taylor's winning Schiaparelli gown, Colman Domingo's sophisticated restraint, and J.Lo being, well, J.Lo. Communitea Matters: Yo Aunteas close with a critical conversation on the recent ICE raids and the importance of knowing your rights and standing with your neighbors in 2026. Follow the Communitea: Instagram: @MinoriteaReport YouTube: @MinoriteaReport Subscribe and leave a 5-star review to help the Aunteas grow! Tea Stamps: 00:00 Introduction and Technical Difficulties 04:36 Celebrating MLK Day and Community Engagement 11:22 Bali Experience and Cultural Insights 13:19 Discussion on Relationships and Arguments 21:14 Communication and Conflict Resolution 24:33 Navigating Disagreements and Acceptance 27:56 The Impact of Podcasting on Personal Growth 30:50 Self-Awareness and Emotional Regulation 32:16 Matt Rogers & Bowen Yang 44:18 Community Vigilance during ICE 52:55 Exposing the Agents of Oppression 53:25 Fashion at the Golden Globes 2026 01:18:22 Benediction

Lauren's guest is Who What Wear co-founder, Future Publishing S.V.P., and Substacker Hillary Kerr. They discuss the best and worst of the Golden Globes red carpet, and what the lineup portends about the rest of the awards season, and the fashion industry at large. They also get into the Guccissance and the future of Saks Global. Mentioned in this episode: Dior, Chanel, Rose Byrne, Matthieu Blazy, Jessie Buckley, Valentino, Colman Domingo, Teyana Taylor, Schiaparelli, Jonathan Anderson, Kate Young, Jamie Mizrahi, Mia Goth, Jennifer Lawrence, Ryan Hastings, Justine Lupe, Rebecca Ramsey, and plenty of other fashion people. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Gdy huczne oklaski i głośne wiwaty powoli cichną, a zza wzgórz Beverly Hills nieśmiało wyłania się poranne słońce, 83. ceremonia rozdania Złotych Globów dobiega końca. Zanim jednak czerwony dywan w hotelu The Beverly Hilton zostanie zwinięty na dobre, jak co roku z uwagą przyglądam się modowym wyborom gwiazd. Wśród moich osobistych faworytek stylu minionej nocy bezsprzecznie znalazły się Teyana Taylor w spektakularnej kreacji Schiaparelli oraz Jennifer Lawrence w naked dress od Givenchy, zaprojektowanej przez Sarah Burton. Choć na czerwonym dywanie dominowała klasyczna czerń – niekwestionowana arbitra elegancji – moją uwagę przykuły przede wszystkim odważniejsze, barwne eksperymenty. Oto pięć najmodniejszych kolorów – od ponadczasowych po te o wyrazistym charakterze – które zdefiniują modę uliczną (i oczywiście wieczorową) w sezonie wiosna–lato 2026. Autor: Viktor Zimmermann Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/zlote-globy-2026-modne-kolory-wiosna-od-raven-black-po-opaque-pink

During the late 19th and early 20th centuries, it was erroneously believed that there were "canals" on the planet Mars. These were a network of long straight lines in the equatorial regions from 60° north to 60° south latitude on Mars, observed by astronomers using early telescopes without photography. They were first described by the Italian astronomer Giovanni Schiaparelli during the opposition of 1877, and attested to by later observers. Schiaparelli called these canali ("channels"), which was mistranslated into English as "canals". The Irish astronomer Charles E. Burton made some of the earliest drawings of straight-line features on Mars, although his drawings did not match Schiaparelli's.

Idag ska vi bege oss in i filmens och sagornas värld för att titta närmare på hur man klär sagofigurer för bästa effekt. Inte minst de häxlika. Lyssna på alla avsnitt i Sveriges Radios app. I fantasyfilmmusikalen ”Wicked”, och uppföljaren, ”Wicked: For Good” har man inte sparat på krutet, utan tittarna bombarderas med den ena extravaganta och färgsprakande utstyrseln efter den andra.Även de som inte sett filmerna har antagligen inte kunnat undgå att se de två huvudrollsinnehavarna, Ariana Grande och Cynthia Erivo, posera på bilder under olika PR-evenemang för filmerna. För de har varit spektakulärt klädda, eller utklädda. Alltid i plagg som anspelar på deras karaktärer i filmerna, så kallad ”method dressing”.Och den konsekventa stilen har gett resultat. Inte minst i form av ökat intresse för de modehus som står bakom deras olika klänningar – som Schiaparelli, Thom Browne, Ralph Lauren, Versace, Prada och Givenchy.Häxans stil är en look som formats, förändrats och återskapats sedan skrockens begynnelse. Sanna Nyström har arbetat som kostymdesigner i 20 år och har bra koll på karaktärsbyggande genom kläder.Den moderna häxan hör inte bara hemma i populärkulturen och fiktionens värld. Hella Nathorst-Böös är författare och fotograf – och häxa. Hon håller bland annat kurser, leder stadsvandringar och ceremonier, med en tydlig mission: att sprida kunskap och inspiration om magi, häxhistoria och läkeväxter.Häxan Elphaba i Wicked kan kännas igen på sina långa och häxlika naglar, även skådespelaren bakom rollen, Cynthia Erivo, har uppmärksammats i intervjuer, och på röda mattan, för sina –om ännu mer – spektakulära nagelkreationer. Vi pratar med nagelkonstnären Danielle Lundgren om de långa naglarnas status i samtiden.

Fashion, interiors, and storytelling come alive through the visionary lens of designer Danielle Balanis. Join us as Danielle, steeped in a rich tapestry of inspiration from architectural magazines and cinematic interiors, shares her journey from a childhood fascination with beautiful spaces to her thriving design career. Her work is a harmonious dance of the unexpected and the timeless, fueled by a love for fashion silhouettes, vintage charm, and the essence of music. Discover how she uses her Birmingham home as a canvas for experimentation and growth, bringing her editorial eye and maximalist spirit to life.Explore the myriad sources of design inspiration, where the ordinary transforms into the extraordinary. We uncover how bold design choices, like revamping Ikea furniture with creative wallpaper, breathe new life into spaces. Danielle emphasizes the art of editing, balancing soulful spaces without overwhelming clutter, and the excitement of blending old with new. From the thrill of uncovering treasures in local spots to the commitment required for memorable design moments, her stories underscore the dynamic and cinematic nature of personal interiors.Redefining luxury in design, our conversation reveals how it now embodies enhanced quality of life and authentic personal expression. We journey through the worlds of fashion and interior design, drawing from iconic figures like Chanel and Schiaparelli, while Danielle shares personal anecdotes about finding unique accessories that bridge the gap between style and identity. Dream client fantasies take center stage as we envision projects with Chloe Sevigny and Mick Jagger, and playful spaces like musician meditation rooms. With an invitation to stay bold and creative, join us for this inspiring episode that celebrates the courage to color outside the lines in the ever-evolving world of design.

Barrel jeans jeszcze do niedawna uchodziły za jeden z najbardziej awangardowych fasonów jeansów, goszcząc w szafach miłośniczek modowych eksperymentów i eklektycznych stylizacji. Z czasem zaczęły pojawiać się na wybiegach, m.in. domu mody Schiaparelli hołdującemu elegancji spod znaku haute couture. Tym sposobem coraz częściej zaczęły występować w stylizacjach na specjalne okazje. Dziś najmodniejsze modele barrel jeans znajdziemy w szafach wszystkich miłośniczk denimu, w tym it-girls i gwiazd. Jak je nosić i gdzie kupić najmodniejsze modele?Autorka: Ewelina KołodziejArtykuł przeczytasz pod linkiem: https://www.vogue.pl/a/jak-nosic-barrel-jeans-jakich-bledow-unikac-stylizujac-barrel-jeans

In their final episode of the "Revisting" series, Big Dipper and Meatball are joined by the icon Sasha Velour! They talk about her prolific drag career, what inspires her art, and the Schiaparelli earrings she's worn for two years. Plus they plug her amazing book “The Big Reveal,” and make her listen to some voicemails about douching and spit.Don't forget to Subscribe to our new YouTube Channel @sloppysecondsshowListen to Sloppy Seconds Ad-Free AND One Day Early on MOM Plus⁠Call us with your sex stories at 213-536-9180!Or e-mail us at ⁠sloppysecondspod@gmail.com⁠⁠FOLLOW SLOPPY SECONDS⁠⁠FOLLOW BIG DIPPER⁠⁠FOLLOW MEATBALL⁠⁠SLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Il y a des trajectoires linéaires, rassurantes, faciles à raconter. Et puis il y a celles, plus fascinantes encore, faites de tension, de contrastes assumés. Celles où deux mondes se rencontrent sans jamais totalement se rejoindre. Celles qui forcent à penser.Mariam en est l'incarnation. Dans la mode, on la connaît sous le nom de Mariam de Vinzelle, visage des défilés Chanel, Louis Vuitton, Schiaparelli etc. Dans la recherche, elle signe Mariam Beaure d'Augères, doctorante à l'École des Mines, au sein du Centre de Sociologie de l'Innovation, où elle mène une thèse sur… la durabilité du jean.Deux univers qui ne fonctionnent ni sur les mêmes codes, ni sur les mêmes temporalités. D'un côté, l'urgence, les émotions visuelles, le culte de l'instant. De l'autre, la rigueur, la lenteur méthodologique, le doute scientifique. Deux mondes qui ne se parlent presque jamais. Et pourtant, elle les habite tous les deux.Mais vivre cette double vie, c'est aussi vivre une dissonance cognitive permanente. Comment participer à une industrie qui clame la durabilité tout en produisant sans relâche ? Comment observer scientifiquement un système dont on fait partie ? Comment concilier l'échelle du podium — immédiate, esthétique — et celle du temps long de la recherche ?Car Mariam connaît la mode de l'intérieur. Les studios où l'on parle d'allure plus que d'impact. Les défilés où l'on évoque l'« urgence créative » plus que les ressources. Les conversations où l'on rêve d'innovation, mais où l'on oublie parfois ce que signifie vraiment fabriquer. Elle voit la réalité derrière la narration — et elle choisit de ne pas détourner le regard.Dans cet épisode, on parle : de double identité et de fidélité à soi, de durabilité sans slogans, de recherche appliquée au réel, d'éthique, de contradictions.Entre lucidité et sincérité, Mariam pose une question rare et nécessaire :peut-on transformer un système sans le quitter ?Un épisode dense extrêmement humain, au coeur de nos contradictions.Bonne écoute et retrouvez le podcast sur instagram @decousupodcast pour partager vos impressions !

In this episode, we welcome back none other than the “Freud of Fashion” herself, Dr. Valerie Steele, to discuss the Museum at FIT's latest exhibition, Dress, Dreams, and Desire: Fashion and Psychoanalysis. Dr. Steele walks us through central theories on mirrors, masquerade, and eroticism, exploring the deep-seated fears and fantasies that drive what we wear. We dissect how the theories of Lacan and Freud play out on the bodies dressed by Schiaparelli, McQueen, Versace, and many more fashion history greats. Links: Visit Dress, Dreams, and Desire: Fashion and Psychoanalysis at the Museum at FIT (up until January 4, 2026)!Register for the Fashion and Psychoanalysis Symposium at the Museum at FIT, Friday November 14th!Audio Analysis for Dress, Dreams, and Desire (four items) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Mientras trabajaba en el Observatorio Vaticano durante la oposición de Marte en 1858, el astrónomo italiano Angelo Secchi notó una gran característica triangular de color azul, a la que él llamó el «Escorpión Azul». Esta misma formación nubosa estacional fue vista por el astrónomo inglés Joseph Norman Lockyer en 1862, y ha sido vista por otros observadores. Durante la oposición de 1862, el astrónomo holandés Frederik Kaiser se dedicó a hacer dibujos de Marte. Al comparar sus ilustraciones con las de Huygens y el filósofo natural inglés Robert Hooke, pudo refinar aún más el período de rotación de Marte. Su valor de 24 horas 37 minutos y 22'6 segundos es preciso dentro de una décima de segundo. En agosto de 1877, el astrónomo estadounidense Asaph Hall descubrió las dos lunas de Marte utilizando un telescopio de 660 mm en el Observatorio Naval de los Estados Unidos.​ Los nombres de los dos satélites, Fobos y Deimos, fueron escogidos por Hall basado en una sugerencia de Henry Madan, un instructor de ciencias en el Eton College en Inglaterra. Durante la oposición de 1877, el astrónomo italiano Giovanni Schiaparelli utilizó un telescopio de 22 cms para ayudar a producir el primer mapa detallado de Marte. Estos mapas contenían características notables a las que llamó canali, que más tarde se demostró que eran una ilusión óptica. Estos canali eran supuestamente rectas largas en la superficie de Marte a las que dio nombres de ríos famosos de la Tierra. Su término canali fue mal traducido en inglés como canales. En 1886, el astrónomo inglés William Frederick Denning observó que estas características lineales eran de naturaleza irregular y mostraban concentraciones e interrupciones. En 1895, el astrónomo inglés Edward Walter Maunder se convenció de que las características lineales eran meramente la suma de muchos detalles más pequeños. Camille Flammarion escribió en su obra La Planète Mars et Ses Conditions d'Habitabilité de 1892, acerca de cómo estos canales se asemejaban a los canales artificiales, y que una raza inteligente podría usarlos para redistribuir el agua a través de un mundo marciano agonizante. Abogó por la existencia de tales habitantes, y sugirió que podían ser más avanzados que los humanos. Comenzando 1901, el astrónomo estadounidense A. E. Douglass intentó fotografiar las características de los canales de Marte. Estos esfuerzos parecían tener éxito cuando el astrónomo estadounidense Carl O. Lampland publicó fotografías de los supuestos canales en 1905. Aunque estos resultados fueron ampliamente aceptados, luego fueron cuestionados por el astrónomo griego Eugène Antoniadi, el naturalista inglés Alfred Russel Wallace y otros como simples rasgos imaginados. A medida que se usaban telescopios más grandes, se observaron menos canali largos y rectos. Durante una observación realizada en 1909 por Flammarion con un telescopio de 84 cm, se observaron patrones irregulares, pero no se observó ningún canali. En la década de 1870 Schiaparelli observó un oscurecimiento superficial causado por nubes amarillas. En 1909, Antoniadi descubrió que Marte parecía más amarillo durante las oposiciones cuando el planeta estaba más cerca del Sol. Sugirió que la causa de las nubes eran arena o polvo soplado por el viento. En 1894, el astrónomo estadounidense William Wallace Campbell encontró que el espectro de Marte era idéntico al espectro de la Luna, poniendo en duda la creciente teoría de que la atmósfera de Marte era similar a la de la Tierra. Las detecciones previas de agua en la atmósfera de Marte fueron explicadas por condiciones desfavorables, y Campbell determinó que la firma del agua provenía enteramente de la atmósfera terrestre. Aunque estuvo de acuerdo en que las capas de hielo indicaban que había agua en la atmósfera, no creía que las capas fueran suficientemente grandes para permitir que se detectara vapor de agua.​ En ese entonces, los resultados de Campbell fueron considerados polémicos y fueron criticados por los miembros de la comunidad astronómica. Aun así, el astrónomo americano Walter Sydney Adams confirmó los resultados en 1925. Utilizando un termopar de vacío conectado al Telescopio Hooker de 2'54 m en el Observatorio del Monte Wilson, en 1924 los astrónomos estadounidenses Seth Barnes Nicholson y Edison Pettit fueron capaces de medir la energía térmica que irradiaba la superficie de Marte. Determinaron que la temperatura variaba desde –68°C en el polo hasta 7°C en el ecuador.​ A partir del mismo año, las medidas de energía radiada de Marte fueron hechas por el físico estadounidense William Coblentz y el astrónomo estadounidense Carl Otto Lampland. Los resultados mostraron que la temperatura nocturna en Marte descendía a –85°C, lo que indica una «enorme fluctuación diurna» en las temperaturas.​ La temperatura de las nubes marcianas se midió en –30°C. En 1926, al medir las líneas espectrales de los movimientos orbitales de Marte y la Tierra, el astrónomo estadounidense Walter Sydney Adams fue capaz de medir directamente la cantidad de oxígeno y vapor de agua en la atmósfera de Marte. Determinó que «las condiciones extremas de desierto» eran frecuentes en Marte.​ En 1934, Adams y el astrónomo americano Theodore Dunham, Jr. encontraron que la cantidad de oxígeno en la atmósfera de Marte era menor de un uno por ciento de la cantidad que hay en una misma área en la tierra. En 1927, el estudiante holandés Cyprianus Annius van den Bosch hizo una determinación de la masa de Marte basada en los movimientos de las lunas marcianas, con una precisión del 0'2%. Este resultado fue confirmado por el astrónomo holandés Willem de Sitter y publicado en 1938. La emisión de rayos X de Marte fue observada por primera vez por los astrónomos en 2001 utilizando el Observatorio Chandra de Rayos X, y en 2003 se demostró que tenía dos componentes. El primer componente es causado por rayos X del Sol que se dispersan en la atmósfera superior de Marte; el segundo proviene de interacciones entre iones que dan lugar a un intercambio de cargas. En 1983, el análisis del grupo de meteoritos de shergottita, nakhlita y chassignita (SNC) mostró que podrían haberse originado en Marte.​ Se cree que el meteorito ALH84001, descubierto en la Antártida en 1984, se originó en Marte, pero tiene una composición totalmente diferente a la del grupo SNC. En 1996, se anunció que este meteorito podría contener evidencia de fósiles microscópicos de bacterias marcianas. Sin embargo, este hallazgo sigue causando controversia. El análisis químico de los meteoritos marcianos encontrados en la Tierra sugiere que la temperatura ambiente cercana a la superficie de Marte ha estado muy probablemente por debajo del punto de congelación del agua durante gran parte de los últimos cuatro mil millones de años. Michael Neil, Galactic Sound Station, Dreamscapist, Liquid Mind, Terminus Void, Airwaves, Astelyon, Hollan Holmes, InDi0ne-X, Isostatic. 🎧 El playlist detallado: lostfrontier.org/space.html#1060Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

ชมวิดีโอ EP นี้ใน YouTube เพื่อประสบการณ์การรับชมที่ดีที่สุด https://youtu.be/UyIgfA8s6FA . ในช่วงสัปดาห์กูตูร์ที่ปารีส คนก็จะตั้งตารอโชว์เปิดอย่าง Schiaparelli แบรนด์ระดับตำนานที่ขึ้นชื่อเรื่องการผสมศิลปะแบบ Surrealism เข้ากับการตัดเย็บชั้นเลิศ นำโดยครีเอทีฟไดเรกเตอร์อย่าง Daniel Roseberry . แต่นอกจากคอลเล็กชันสุดอลังการเหนือจินตนาการ และลุคพรมแดงที่ดาราชอบใส่ แบรนด์สามารถขายได้จริงไหม และสถานการณ์ตอนนี้เป็นอย่างไร ติดตามได้ในรายการ 7 Things We Love About Schiaparelli ได้ในวันจันทร์ เวลา 19.00 น. ทุกช่องทางสตรีมมิ่งและ YouTube ของ THE STANDARD POP . #7ThingsWeLoveAbout #7ThingsWeLoveAboutxSchiaparelli #Schiaparelli #DanielRoseberry #FashionPodcast #TheStandardPop

durée : 00:55:43 - Histoire de femmes, histoire de fringues - par : Stéphanie DUNCAN - Dior, Fath, Molyneux, Schiaparelli, Balenciaga, Patou...: en 1956, Paris compte 54 maisons de couture, qui s'accordent à façonner une femme idéale, maquillée, gantée, chapeautée, chaussée d'escarpins, la taille prise dans une gaine, vêtue dans une somptueuse robe décolletée, en tulle ou mousseline. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

There's this weird circular structure near the pyramids that nobody really paid attention to for years—until recently. It looks like some kind of ancient bathtub, totally sealed and preserved. What's wild is that it hadn't been officially recorded or recognized as something important before. Historians are kind of stumped because they don't know exactly what it was used for. There are a bunch of theories, but nothing solid—it's all just educated guesses for now. It's one of those “wait… how did we miss this?” moments in archaeology! Credit: ojosdelostigres / Reddit sheizdza / Reddit TN_Egyptologist / Reddit Lloydwrites / Reddit MrLectromag / Reddit CC0 1.0 ⁠https://creativecommons.org/publicdom...⁠ Giza complex: by Drummyfish, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Schiaparelli's excavations: by Museo di Antropologia ed Etnografia, ⁠https://archiviofotografico.museoegiz...⁠, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Temple of Hathor: by Museo di Antropologia ed Etnografia, ⁠https://archiviofotografico.museoegiz...⁠, ⁠https://commons.wikimedia.org/wiki/Fi...⁠ Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: ⁠https://thesoul-sound.com/⁠ Check our Bright Side podcast on Spotify and leave a positive review! ⁠https://open.spotify.com/show/0hUkPxD...⁠ Subscribe to Bright Side: ⁠https://goo.gl/rQTJZz⁠ ---------------------------------------------------------------------------------------- Our Social Media: Facebook: ⁠ ⁠⁠⁠⁠ / brightside  ⁠ Instagram: ⁠ ⁠⁠⁠⁠ / brightside.official  ⁠ TikTok: ⁠https://www.tiktok.com/@brightside.of...⁠ Telegram: ⁠https://t.me/bright_side_official⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the SheerLuxe Podcast, Nana Acheampong is joined by Louise Roe and Josh Smith. Together, the three discuss the recent celebrity appearances at Wimbledon – from Leonardo DiCaprio to Stormzy and Nicole Kidman. They also chat about the viral Zara dress and Nana shares her excitement about the upcoming Schiaparelli exhibition at the V&A. The three then share their recent fashion finds, including some amazing sustainable brands and summer staples, before moving onto Josh's new book, ‘Great Chat', and specifically the challenges of social interactions and the importance of confidence. Finally, they tackle some listener dilemmas – from dealing with a colleague's overpowering fragrance to addressing family drama over stolen baby names. Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup PANEL GUESTSNana Acheampong | @styledbynana | https://www.instagram.com/styledbynana/?hl=en ASOS Design Tall Sleeveless Waisted Midi Dress | https://asos.bbgqo9.net/DyMYbo Next Zebra Signature Premium Leather Suede Mules | https://www.next.co.uk/style/su582590/ap7233Tilly Sveaas Large Gold Curb Chain | https://tinyurl.com/mttnfym3 Josh Smith | @joshsmithhosts | https://www.instagram.com/joshsmithhosts/?hl=en Zara Cutwork Embroidered Shirt | https://tidd.ly/4lWTIym Octobre Editions Marcio Casual Pants | https://tinyurl.com/4v4wm5n7 M&S Suede Corkbed Mule | https://tidd.ly/3GMV8Nc Louise Roe | @louiseroe | https://www.instagram.com/louiseroe/?hl=en DISSH April White Knit Ramie Dress (Similar) | https://tinyurl.com/bdcmy4we Maria Luca Rafia August Ballet Flats | https://tinyurl.com/hcf36xbp Anine Bing Quinn Blazer | https://tinyurl.com/5n6hxwcx Hosted on Acast. See acast.com/privacy for more information.

Alessandra Avagliano"elsa avant elsa"Elsa Schiaparelli. Roma, New York, ParigiGallerie Nazionali Barberini CorsiniElectawww.electa.it"Elsa avant Elsa" a cura di Francesco Pastore, Alessandra AvaglianoE' un libro-mondo, ideato dalle Gallerie Nazionali di Arte Antica insieme all'Accademia dei Lincei e alla Maison Schiaparelli, in cui per la prima volta è ricostruito l'ambiente di formazione e di successiva ispirazione della rivoluzionaria creatrice di arte e di moda Elsa Schiaparelli: la Roma classica, i suoi monumenti, i suoi giardini, la biblioteca “di casa” a Palazzo Corsini. Per la prima volta vengono così rintracciati e restituiti al lettore echi e rimandi antichi, vere e proprie citazioni della Roma classica e rinascimentale nella sua produzione di stilista, che si mescoleranno e in parte mitigheranno l'esuberanza e la vitalità del surrealismo. In una parola, il libro disegna la sua costellazione formativa: in copertina è raffigurata l'Orsa Maggiore che l'amato zio Giovanni, celebre astronomo, sosteneva fosse disegnata nei suoi nei del viso e che divenne una immagine talismano per Elsa. Inoltre, nelle pagine spicca il contrappunto cromatico del colore rosa, il “marchio di fabbrica” della sua produzione artistica.La prima sezione del volume analizza l'ambiente familiare e culturale della prima giovinezza di Elsa, nella Roma nei primi del Novecento. Le persone e i libri che la circondano nutrono la sua attrazione per i mondi lontani, in particolare per l'Oriente, suggestioni continue che riemergeranno nei suoi processi creativi.La seconda sezione, dedicata a New York, rappresenta il capitolo successivo del viaggio della stilista e segna il passaggio dalla tradizione europea alla modernità e al dinamismo americano. L'intreccio tra avanguardia e humor, il gusto per il travestimento e il radicalismo glamour di questo periodo rimarranno sempre con lei.La terza parte del libro riguarda il soggiorno a Parigi, dove Elsa raggiunge la sua consacrazione fondando la Maison Schiaparelli. Grazie anche alle collaborazioni con artisti del calibro di Salvador Dalì e Jean Cocteau, Schiaparelli trasforma la moda in un'esperienza unica e creativa, definendo un linguaggio estetico che continua a ispirare stilisti e designer.Testi di Alessandra Avagliano, Ebe Antetomaso, Flaminia Gennari Santori, Francesco Pastore e Luca Scarlini.Progetto grafico di Irene Bacchi e Leonardo Sonnoli, Studio Sonnoli.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Med hjälp av en stickad tröja med trompe l'il-rosett i halsen lade Elsa Schiaparelli grunden för sin karriär som surrealistisk modeskapare. Lyssna på alla avsnitt i Sveriges Radio Play. I veckans Samtal med Stil pratar Susanne Ljung och Samanda Ekman om modeskaparen Elsa Schiaparelli som var först med trompe l'œil i modet – en trend som är extra aktuell just nu när många modemärken tycker om att skapa optiska illusioner.

There's this weird circular structure near the pyramids that nobody really paid attention to for years—until recently. It looks like some kind of ancient bathtub, totally sealed and preserved. What's wild is that it hadn't been officially recorded or recognized as something important before. Historians are kind of stumped because they don't know exactly what it was used for. There are a bunch of theories, but nothing solid—it's all just educated guesses for now. It's one of those “wait… how did we miss this?” moments in archaeology! Credit: ojosdelostigres / Reddit sheizdza / Reddit TN_Egyptologist / Reddit Lloydwrites / Reddit MrLectromag / Reddit CC0 1.0 https://creativecommons.org/publicdom... Giza complex: by Drummyfish, https://commons.wikimedia.org/wiki/Fi... Schiaparelli's excavations: by Museo di Antropologia ed Etnografia, https://archiviofotografico.museoegiz..., https://commons.wikimedia.org/wiki/Fi... Temple of Hathor: by Museo di Antropologia ed Etnografia, https://archiviofotografico.museoegiz..., https://commons.wikimedia.org/wiki/Fi... Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightside.official   TikTok: https://www.tiktok.com/@brightside.of... Telegram: https://t.me/bright_side_official Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me ---------------------------------------------------------------------------------------- This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information in this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgement, care and precaution if you plan to replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad Goreski is a celebrity stylist whose impressive client list includes the legendary Demi Moore. Over the last 15 years, he's created countless stunning looks for her, but as she promoted her film The Substance over the last year, Goreski and Moore took things to a whole new level. From the Cannes Film Festival last May through to the Oscars earlier this year, Goreski curated a suite of looks that pushed boundaries and reflected the themes of the movie while still evoking Old Hollywood glamour. This week, he joins Hillary Kerr, Who What Wear's co-founder and chief content officer, to break down the inspirations and origins of Moore's biggest red carpet moments, his methodology for sourcing pieces, and the true magic of a perfect collaboration.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Goreski is a celebrity stylist whose impressive client list includes the legendary Demi Moore. Over the last 15 years, he's created countless stunning looks for her, but as she promoted her film The Substance over the last year, Goreski and Moore took things to a whole new level. From the Cannes Film Festival last May through to the Oscars earlier this year, Goreski curated a suite of looks that pushed boundaries and reflected the themes of the movie while still evoking Old Hollywood glamour. This week, he joins Hillary Kerr, Who What Wear's co-founder and chief content officer, to break down the inspirations and origins of Moore's biggest red carpet moments, his methodology for sourcing pieces, and the true magic of a perfect collaboration.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Dinner for Shoes episode 67, host Sarah Wasilak invites Austin-based voice actor Morgan Taylor onto the podcast to talk about her career slipping in and out of character for different roles — and how that's impacted her personal sense of style. Morgan shares how fashion relates to her job, whether she's in the studio recording or attending red carpet events and award ceremonies. Sarah complements the discussion with a rundown of the most stylish animated characters — at least in her own opinion — that she grew up watching. She also tries Morgan's favorite meal, sushi and dumplings.Whether you're in need of outfit advice or in the midst of a style dilemma, the Shoe Therapy hotline is open for your anonymous texts and voicemails. Message 917-336-2057 with fashion questions and funny stories, or tag #ShoeTherapy on Instagram and TikTok so I can “heel” ya — you just may hear your message on the podcast.THIS DINNERCalifornia roll and Yasai Gyoza from Okinawa in Hoboken, NJTHESE SHOESMar Soreli Anna Mary Jane in RossoTHIS OUTFITShop my look      VRG GRL skirt set8 Other Reasons necklaceVintage heart ringGold hoop earringsTHESE CHAPTERS0:00 - INTRO2:49 - THE OUTFIT BEHIND THE SHOES9:09 - MORGAN TAYLOR INTERVIEW43:31 - STYLISH ANIMATED CHARACTERS53:33 - SUSHI AND DUMPLINGSTHIS PRODUCTIONis created, written, hosted, and produced by Sarah Wasilak.is creative directed and executive produced by Megan Kai.is tech supervised by Nick.includes photos and videos in chronological order by Sarah Wasilak, Sailor Moon Fandom, Ellie Williams, Morgan Taylor, Rent the Runway, Nuuly, Cynthia Erivo, Ariana Grande, Schiaparelli, Society Voice Arts, Tara Strong, Debi Derryberry, Debi Mae West, DPN Talent, PS, Johnny Knoxville Fandom, Johnny Bravo Fandom, Debbie Thornberry Fandom, Roxanne A Goofy Movie Fandom, Daphne Blake Wikipedia, Ariel The Little Mermaid Fandom, Reggie Rocket Fandom, Marge Simpson Wikipedia, Wendy Darling Fandom, Crysta Ferngully: The Last Rainforest Fandom, and Monique Kim Possible Fandom.is made with love.Dinner for Shoes is a fashion podcast for people who love food, hosted by editor Sarah Wasilak. With appearances by her cats, Trish and Kit, and agendas that almost always go to shit, we aim to dive into a discussion about fashion and style and break some bread in each episode. Dinner for Shoes podcast episodes are released weekly on YouTube, Spotify, and Apple. You can follow along for updates, teasers, and more on TikTok, Instagram, and Facebook. If there are any fashion topics you've been pondering or good eats you think Sarah should try, don't hesitate to send a DM or an email.Dinner for Shoes is an original by The Kai Productions.Follow Dinner for Shoes: @dinnerforshoes on Instagram, TikTok, Facebook, and YouTube Follow host Sarah Wasilak: @slwasz on Instagram Follow producer Megan Kai: @megankaii on Instagram Get in touch: dinnerforshoes@gmail.comTo make this video more accessible, check out YouDescribe, a web-based platform that offers a free audio description tool for viewers who are blind or visually impaired.

After a month of nonstop fashion shows, Who What Wear Editorial Director Lauren Eggertsen and Associate Director of Special Projects Kristen Nichols are back home and ready to break it all down. This week, they cover the biggest stories and buzziest collections from New York, London, Milan, and Paris; their favorite pieces; and what they're expecting to see on the red carpet and in editorials in the coming months. Plus, they discuss the larger energy of each fashion week and check in on the trend predictions they made during their New York Fashion Week episode to see what stuck.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After a month of nonstop fashion shows, Who What Wear Editorial Director Lauren Eggertsen and Associate Director of Special Projects Kristen Nichols are back home and ready to break it all down. This week, they cover the biggest stories and buzziest collections from New York, London, Milan, and Paris; their favorite pieces; and what they're expecting to see on the red carpet and in editorials in the coming months. Plus, they discuss the larger energy of each fashion week and check in on the trend predictions they made during their New York Fashion Week episode to see what stuck.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week I'm mostly talking about the most beautiful shows at Paris Fashion Week but I'm also popping over to Milan to discuss the Prada AW25 show because it needs to be discussed.As well as talking you through some of my favourite hair and beauty moments from the shows, I'm also taking you through some of the best bits from my recent visit to Paris, from checking out some stunning exhibitions at Dior, Saint Laurent and Alaïa to eating some of the best coffee and pastries Paris has to offer!Artwork images via @instagram/lucyjbridgeLinksPhyllis Cohen episode 292: https://open.spotify.com/episode/7aKjIEvaNphCPJgHclIHRV?si=b60a83cb70a04260Haider Ackermann on Fashion Neurosis: https://www.youtube.com/watch?v=2rpAVTWXBUoHotel Panache: https://hotelpanache.com/en/Noir Coffee: https://www.instagram.com/parallel.coffeeParallel Coffee: https://www.instagram.com/parallel.coffeeThe French Bastards: https://www.instagram.com/the_french_bastardsMusee Yves Saint Laurent: https://museeyslparis.com/en/Fondation Azzedine Alaïa: https://fondationazzedinealaia.org/Peter Lindbergh at La Galerie Dior: https://www.galeriedior.com/enWHERE TO FIND MESubstack: https://beautymenotes.substack.comThreads: https://www.threads.net/@charisse_kenion/Instagram: https://www.instagram.com/charisse_kenion/TikTok: https://www.tiktok.com/@charissekenionCheck me out on ShopMy: https://shopmy.us/beautyme Business inquiries: info@charissekenion.com

Apologies for the delay, Chelsea has had yet another rough week, but we are back to discuss Hollywood's biggest night and all of the best Karla Sofía Gascón jokes. Topics discussed include the deeply healing The Color Purple reunion, Anora's shocking sweep, Demi Moore's life-imitating-art moment, the sensational Wizard of Oz tribute, David Lynch erasure, and Adrian Brody's deeply annoying acceptance speech.  P.S. this episode was recorded before we knew the deeply f**ked up and unbelievably tragic details of Gene Hackman's death. R.I.P. King. Let's watch The Birdcage in his honor

Lauren is joined by the brilliant Hillary Kerr of Future Publishing, Who What Wear, podcasting, and newsletter fame, for their annual unpacking of Hollywood's most important night…of red carpet fashion. They cover it all, from the unexpected endurance of the man-brooch trend, to the rise of archival replicas, to pervasiveness of veneers. They also discuss which fashion brands hit it big on Sunday, from Timothée Chalamet's (almost-glowing) yellow suit to Ariana Grande's Schiaparelli twofer. Plus, they reveal how VIP publicists and celebrity stylists make it all happen, from the contracts to the dress designs. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Textilný dizajnér Juraj Straka navrhol látky pre značky ako Schiaparelli, Dries van Noten či Jason Wu. Objavili sa v nich aj slávne ženy Lady Gaga, Madonna, Cate Blanchett či Anna Wintour. Nehovorili sme však len o triumfoch či práci textilného dizajnéra, ale aj o tom, aká bola Jurajova cesta za úspechom a vlastným štúdiom, ktoré má v Antverpách. Prebrali sme jeho najobľúbenejšie techniky, ale aj prácu s počítačom tému či nástup technológií a umelej inteligencie do oblasti odevného dizajnu. Juraj s humorom hovoril aj o tom, že ho profesionálna deformácia vedie k tomu hodnotiť vzory na ľuďoch na ulici či pred televízorom doma v obývačke.  Čo si myslí o odlive mozgov a kariére v zahraničí? Ako vníma zmeny v umení a kultúre na Slovensku a čo podľa neho môžu priniesť? A aká je budúcnosť odevného dizajnu? To všetko sa dozviete v novej epizóde relácie Ide o nás.

Fabriano Fabbri"La voce del diavolo"L'arte contemporanea e la moda.Einaudi Editorewww.einaudi.itNel lungo arco della contemporaneità, l'arte del vestire ha sedotto il corpo per liberarlo da disagi e inibizioni, lo ha accarezzato per divorarne le energie, lo ha spinto oltre i suoi limiti per urlare al mondo «la voce del diavolo», come scriveva William Blake: lo ha protetto con cura per reciderlo dai lacci della morale e del perbenismo. Fabriano Fabbri rilegge la storia dell'arte dalla fine del Settecento agli anni Duemila usando come metronomo le funamboliche evoluzioni del guardaroba di ieri e di oggi, fra i tumulti della tecnologia e le tempeste della rivoluzione sessuale.Moda e arte vivono di intrecci senza fine, di trame a doppio filo, di storie nelle storie che incantano, che sorprendono, che illudono e divertono. Nelle sue frenetiche rapsodie creative, ogni stile indumentale ha stretto da sempre un accordo di alleanza con i movimenti artistici piú noti al grande pubblico, dal Neoclassicismo alla Pop art. Eppure, in pochi conoscono le spinte sotterranee che animano moda, pittura e scultura, in pochi afferrano le ragioni profonde che spingono le une fra le braccia dell'altra. Quante volte abbiamo incontrato la parola «Minimalismo » curiosando fra rete e riviste? Quante volte abbiamo sentito parlare di Dalí e Schiaparelli o di Mondrian e Saint Laurent? E i colorati parei di Gauguin, quanto li abbiamo visti fra le pitture tropicali del simbolista francese e la sua impudica «casa del piacere»? E poi, ancora, chi non ha presente le danzatrici di Canova o la Madame Récamier di David in provocanti «vesti di velo», per rubare le parole al «Divin marchese» de Sade?«Vèstiti, cosí alla sdrucciola, potrebbe suonare come un imperativo, un invito piú o meno scoperto a dare un tocco di ricercatezza agli ingredienti del nostro stile. Oppure potrebbe essere un sostantivo: vestíti intesi come abiti, come capi d'abbigliamento, come divise, come fogge. Infine, vestíti, participio passato di vestire. Sia quel che sia, quando ci copriamo di tessuti non stiamo avvolgendo il corpo per semplice necessità di decoro e protezione: stiamo indossando le forme – le tele? – di Picasso e di Chanel, se ci infiliamo in un rettangolo; ci stiamo abbigliando con le visioni di Turner o Pollock quando i tessuti sono sdruciti, grinzosi e caotici; siamo invece avvolti dall'ironia di Duchamp se il nostro look è sofisticato, insolito, a volte street – come ci insegna Virgil Abloh. E siccome la storia dell'arte e del costume è sempre una storia di spazio e di volumi, partiremo proprio dall'amplesso mai interrotto fra gli artisti e gli stilisti del nostro tempo. Sia chiaro, è fin troppo ovvio mettere le mani in avanti, spiegare a mo' di preambolo che il primo impatto con un'opera d'arte o con un'opera vestimentaria coinvolge l'interezza della nostra sfera emotiva, del gusto e della personalità, delle cose che semplicemente “ci piacciono” cosí, in via istintiva; ma se vogliamo entrare nel merito dei valori che favoriscono uno stile piuttosto che un altro per capirne a fondo il senso culturale, spazio e volume sono le materie prime di un approccio obiettivo, il piú fedele possibile al nostro oggetto di interesse. E nel farlo sarà fondamentale tenere ben salda la distinzione tra le forme della modernità e le forme del contemporaneo».Fabriano Fabbri insegna Stili e arti del contemporaneo, Forme della moda contemporanea e Contemporary fashion all'Università di Bologna. È autore di numerose monografie su arte e moda, tra cui Sesso arte rock'n'roll, Atlante, Bologna 2006; Lo zen e il manga, Bruno Mondadori, Milano 2009; Boris Bidjan Saberi. 11, Atlante, Bologna 2013; L'orizzonte degli eventi, Atlante, Bologna 2013; Angelo Marani, Atlante, Bologna 2015. Per Einaudi ha pubblicato La moda contemporanea. Arte e stile da Worth agli anni Cinquanta (2019), La moda contemporanea. Arte e stile dagli anni Sessanta alle ultime tendenze (2021) e La voce del diavolo. L'arte contemporanea e la moda (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ohio-based Avation Medical has developed a bioelectric wearable device for at-home treatment of overactive bladder, promising improved quality of life for patients suffering from the most common cause of incontinence and urinary urgency.In Episode #38 of the MedTech Speed to Data Podcast, Andy Rogers discusses the Vivally System, entrepreneurship, and more with Avation Medical co-founder Jill Schiaparelli.Need to KnowBioelectric medicine is an alternative to pharmaceuticals and surgery — Selectively stimulating the nervous system can enhance, control, or fix a function without the tradeoffs of other treatments. Overactive bladder is a prime candidate for bioelectric solutions — Forty-five million Americans have overactive bladder, with nine million preferring adult diapers to traditional treatments.Nitty GrittyAlthough not fully understood, overstimulation of nerves in the bladder wall produces spasms, creating an urge to urinate as often as thirty times a day in extreme cases.Few sufferers choose sacral nerve stimulation, the gold standard treatment, which requires a device implanted near the spine to stimulate nerves regulating bladder behavior.“The moment you say surgery, it complicates things.” Schiaparelli explains. “You need a physician who knows how to do it, you need a patient who's willing to have what could be a very extensive surgery, and you need a payer who's willing to pay for the surgery.”Drugs for overactive bladder have unwelcome side effects that cause most patients to drop out of the care pathway. “When you look at those dynamics,” Schiaparelli says, “it screams a need. Patients want something that takes surgery out of the equation, doesn't have the side effects of drugs, and is convenient.”Avation Medical's Vivally System is an ankle-worn device that indirectly stimulates the sacral nerve through the tibial nerve without surgery. The device measures responses to adjust its stimulation automatically in real-time.“This physiologic closed loop allows the patient to have personalized, effective therapy in just thirty minutes once a week,” Schiaparelli says.Data that made a differenceAs a serial entrepreneur, Schiaparelli has learned that success requires understanding and meeting the needs of three key stakeholders: the patient, the physician, and the payer:Overactive bladder patients dissatisfied with traditional treatments are an enormous market. Most physicians can only offer prescriptions for imperfect drug therapies that do not generate revenue for their practices. Payers don't like either option since surgery costs reach $40,000 while drugs require lifetime prescriptions.“Every area we checked into, it made sense. This technology in this market checked all those boxes to say there's a need. We thought this was a real opportunity to disrupt the market.”But success requires addressing the needs of other stakeholders, including regulators and investors.Regulators' expectations, for example, drove Avation Medical's decision to implement quality control processes while starting its first clinical trial. “We knew that was going to be very important because we planned to use the clinical trial with our FDA submission.”Aligning Avation Medical's investors' expectations was just as important, with each investment round supporting the next stage in development and commercialization.Schiaparelli takes a holistic perspective on a Med Tech startup's data strategy.“It's speed, absolutely,” Schiaparelli says, “but it's also intelligent data that speaks to the needs of all the people that you'll need to demonstrate to down the line.”

Schiaparelli Haute Couture SS2025 Live Reaction & Review with Personal Fashion Stylist Mikara ReidBrand, Be & Wear a Better You.Subscribe to Play Up Your Fashion!|| WARDROBE STYLING CONSULTANCYhttps://www.miien.co|| SIGNUP TO EMAIL NEWSLETTER:https://miien.kit.com/tribe|| THE MOST PRACTICAL PERSONAL STYLE BOOK:https://bit.ly/3YYZret|| SHOP OUR CLOSET AT MIIENhttps://bio.site/ourclosetatmiien|| SUPPORT MIIEN CONTENT:https://miien.kit.com/products/support-miien-contentWhat is MIIEN ? MIIEN (pronounced mean) founded and owned by Mikara Reid, is a personal style & fashion consultancy that helps you in everyday fashion clothing to be and wear your best. And equip RTW fashion fashion brands with influential marketing visuals, to brand and showcase their best. WBENC-certified consultancy.

Several fashion month favorites honed their craft at FIT, including Michael Kors himself, Calvin Klein himself and Schiaparelli creative director Daniel Roseberry.  So, for this week's New York Fashion Week episode of the Glossy Podcast, Glossy sat down with Dr. Joyce Brown, who will wrap up a 26-year run as the president of the Fashion Institute of Technology this year. Dr. Brown shares the evolving ways the school has set its designers up for industry success. She also weighs in on the role of a fashion show in today's fashion landscape. Throughout New York Fashion Week, from February 6-11, check back for more daily podcast episodes featuring influential fashion insiders, from brand CEOs to designers.

En este episodio hacemos un buen repaso al desfile de Jacquemus y los primeros de la Semana de la Moda de Alta Costura; Dior, Schiaparelli o Chanel. Además, hacemos un consultorio del amor, que tanto nos gusta.

Paris is bursting with fashion energy and star power this January as celebrities and fashionistas descend upon the city of lights for Haute Couture Week. This is the twice-yearly celebration of an ultra-French institution – a dazzling mix of timeless tradition and cutting-edge innovation. Fashion journalist Samantha Tse speaks to Eve Jackson about the highlights, including shows from Schiaparelli, Dior and Valentino. We also visit the Paris Louvre for the museum's first ever fashion exhibition and go through the best-dressed celebrities at the runway shows.

Hear the extraordinary life of Elsa Schiaparelli. From her rebellious youth and surrealist collaborations to her iconic designs like the lobster dress and shocking pink, discover how Schiaparelli redefined fashion as art and left a legacy of daring innovation, with guest and fashion enthusiast, Darrian Wright._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Shocking: The Surreal World of Elsa Schiaparelli by Marie-Sophie Carron de la Carrierehttps://www.schiaparelli.comPodcast —  Dressed: The History of Fashion on SchiaparelliAbout ElsaElsa Schiaparelli was the ultimate rebel of fashion, a designer who turned shocking ideas into art. Born in 1890 to an aristocratic family in Rome, Elsa's life was anything but conventional. As a child, she released a box of fleas under her parents' dinner table and later staged a hunger strike to escape a Swiss convent. After a whirlwind marriage to a charming con man, she found herself as a single mother in New York, scraping by while mingling with avant-garde artists like Marcel Duchamp and Man Ray. It wasn't until she moved to Paris and met legendary designer Paul Poiret that she discovered her true calling: inventing fashion. From surrealist collaborations with Salvador Dalí to creating her signature shocking pink, Schiaparelli defied norms, blending wit, art, and bold femininity. She gave us iconic designs like the lobster dress, the shoe hat, and the first wrap dress. A pioneer who refused to play by the rules, Elsa didn't just make clothes—she made statements.Follow Darrian@iamdarrian ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Sub to the PPM Patreon to access the entire 3 hour runtime of CULT OF CAGE PT. II: ⁠patreon.com/ParaPowerMapping⁠ (Full notes viewable via the link) An impromptu Halloween session w/ Orion St. Peter gave birth to this Nicolas Cage dbl feature—in which we discuss occult, cultic, & PTK themes in the loosely defined horror films "Longlegs" & "Mandy", tentpoles of the late Cage capitalism debt-induced “renaissance”. We dig deep into the interplay between the "Longlegs" narrative and director Oz Perkins's personal esoteric & intergenerational familial trauma history, sussing out the sources of inspiration in his own highly strange, quasi-aristocratic pedigree. For ex, his great-grandpa "Count" Wilhelm de Wendt de Kerlor, a psychic detective cum spy in the mold of PPM usual suspects Aleister Crowley or Erik Jan Hanussen who was a member of the Theosophical Society, an avid spiritualist, and supposedly the medium who prophesied tabloid journo & anti sex trafficking crusader W.T. Stead's death on the Titanic... We discuss his Italian great-gma, world-conquering designer (aka Chanel's rival) Elsa Schiaparelli & her affiliations with Dadaists & Surrealists like Dalí and Man Ray, not to mention the fact the de Gaulle government suspected her of collaborating with the 3rd Reich. We unpack how psychic detective de Kerlor appeared on the scene in New Hampshire to "investigate" a murder that two BOI agents linked to German espionage in the Northeast during WWI, and we discuss how de Kerlor & Schiaparelli would be surveilled & interviewed, Wilhelm seemingly under suspicion of serving as a foreign agent. These fascinating, little known histories re Oz Perkins's ancestors are an obvious touchpoint for the clairvoyant FBI agent Lee Harker in the glam Satanic serial-killing-by-sympathetic-magick-or-mind-control flick "Longlegs". We also talk about how it's conceivably 9/11 as Mass Ritual pilled, seeing as Oz's mom Berry Berenson died on Flight 11 on 9/11, which gives one a headrushing vertiginous feeling indeed... Seeing as she's descended from this Theosophist spy. Her BDay is repeatedly woven into the sigilistic & algorithmic subtext of the film. And we also discuss how, on the patrilineal side of Oz's family, his Dad Anthony Perkins's confessed childhood Oedipal complex, the early wished-for death of his father, his lifelong closeted life, and his ultimate succumbing to AIDs... How all of this informed the emotionally-charged, cathartic film & its unspoken traumatic seeds... As we go, our analysis of the film begins to force us to confront a theory where a kind of unstated CSA blackhole is the source of the the Longlegs mystery's gravitational pull. We talk: Mandy dir. Cosmatos's father George Pan Cosmatos's final film “The Shadow Conspiracy” which concerns a pres assassination by drone; both Panos & his Dad having Pan in their names; the Mansonian failed songwriter vibes of both villains Jeremiah Sands & Longlegs; the Mandy scene where a planned ritualized orgy lubricated with “the chemist's best batch” & hallucinogenic wasp injections derails when Mandy openly clowns on the cult leader; Longlegs's character obvs nodding at glam Satanism, Marc Bolan, & David Bowie's infamous “Station to Station”, Dion Fortune-informed exorcism of his possessed indoor pool in what was once stripper & burlesque dancer Gypsy Rose Lee's LA manse; Longlegs's cinematic influences - Fincher fare like Se7en, Zodiac, etc; Silence of the Lambs; Don't Look Now; Altman; Twin Peaks; The Omen; New French Extreme; Gaspar Noe; & Phantasm Many thanks to Orion for jumping on for this spooky dbl feature at such short notice. His death/doom outfit Ilsa are back in the studio as we speak—sound engineering doesn't come cheap. Help them lay down their new record by purchasing their most recent LP "Preyer" on Bandcamp! Songs: | Ilsa - Enter the Void | | Matt Akers - Hunting Ground | | Matt Akers - Urge to Kill |

Pls support the show by subbing to the Patreon: patreon.com/ParaPowerMapping (Full notes viewable via the link) An impromptu Halloween session w/ Orion St. Peter gave birth to this Nicolas Cage dbl feature—in which we discuss occult, cultic, & PTK themes in the loosely defined horror films "Longlegs" & "Mandy", tentpoles of the late Cage capitalism debt-induced “renaissance”. We dig deep into the interplay between the "Longlegs" narrative and director Oz Perkins's personal esoteric & intergenerational familial trauma history, sussing out the sources of inspiration in his own highly strange, quasi-aristocratic pedigree. For ex, his great-grandpa "Count" Wilhelm de Wendt de Kerlor, a psychic detective cum spy in the mold of PPM usual suspects Aleister Crowley or Erik Jan Hanussen who was a member of the Theosophical Society, an avid spiritualist, and supposedly the medium who prophesied tabloid journo & anti sex trafficking crusader W.T. Stead's death on the Titanic... We discuss his Italian great-grandma, world-conquering designer (aka Chanel's rival) Elsa Schiaparelli & her affiliations with Dadaists & Surrealists like Dalí and Man Ray, not to mention the fact the de Gaulle government suspected her of collaborating with the 3rd Reich. Oh, and that she had multiple Egyptologist & "Orientalist" academic relatives. We unpack how psychic detective de Kerlor appeared on the scene in New Hampshire to "investigate" a murder that two BOI agents linked to German espionage in the Northeast during WWI, and we discuss how de Kerlor & Schiaparelli would be surveilled & interviewed, Wilhelm seemingly under suspicion of serving as a foreign agent. These fascinating, little known histories re Oz Perkins's ancestors are an obvious touchpoint for the clairvoyant FBI agent Lee Harker in the glam Satanic serial-killing-by-sympathetic-magick-or-mind-control flick "Longlegs". We also talk about how it's conceivably 9/11 as Mass Ritual pilled, seeing as Oz's mom Berry Berenson died on Flight 11 on 9/11, which gives one a headrushing vertiginous feeling indeed... Seeing as she's descended from this Theosophist spy. Her BDay is repeatedly woven into the sigilistic & algorithmic subtext of the film. And we also discuss how, on the patrilineal side of Oz's family, his Dad Anthony Perkins's confessed childhood Oedipal complex, the early wished-for death of his father, his lifelong closeted life, and his ultimate succumbing to AIDs... How all of this doubtlessly informed the emotionally-charged, cathartic film & its unspoken traumatic seeds... As we go, our analysis of the film begins to force us to confront a theory where a kind of unstated CSA blackhole is the source of the the Longlegs mystery's gravitational pull. We talk: Mandy dir. Cosmatos's father George Pan Cosmatos's final film “The Shadow Conspiracy” which concerns a pres assassination by drone; both Panos & his Dad having Pan in their names; the Mansonian failed songwriter vibes of both villains Jeremiah Sands & Longlegs; the Mandy scene where a planned ritualized orgy lubricated with “the chemist's best batch” & hallucinogenic wasp injections derails when Mandy openly clowns on the cult leader; Longlegs's character obvs nodding at glam Satanism, Marc Bolan, and David Bowie's infamous “Station to Station”, Dion Fortune-informed exorcism of his possessed indoor pool in what was once stripper & burlesque dancer Gypsy Rose Lee's LA manse; Longlegs's cinematic influences - Fincher fare like Se7en, Zodiac, etc; Silence of the Lambs; Don't Look Now; Altman; Twin Peaks; The Omen; New French Extreme; Gaspar Noe; & Phantasm Many thanks to Orion for jumping on for this appropriately spooky dbl feature at such short notice. His death/doom outfit Ilsa are back in the studio as we speak—sound engineering doesn't come cheap. Help them lay down their new record by purchasing their most recent LP "Preyer" on Bandcamp! Songs: | Ilsa - "Poor Devil" | | Matt Akers - "Kill Kit" | | Ilsa - "Shibboleth" |

Last night, Daniel Roseberry, the American designer who has reinvigorated Schiaparelli since taking over as creative director in 2019, was honored with the CFDA International Designer of the Year Award. The Texas born-and-raised designer joined Vogue's Nicole Phelps a few days earlier for a refreshingly frank, wide-ranging conversation about his journey from Texas, where he grew up, to Paris where he now resides full time.  

This week, Who What Wear associate director of fashion news Erin Fitzpatrick is here to talk about her latest feature on the past, present, and future of women's watches. The category has been exploding over the past few years, and there are so many It-girl pieces on the market. Join Kat and Erin as they break down the top brands and styles, upcoming trends, and watch recommendations for any price point. Plus, they talk their dream watches and how the first-known wristwatch was actually commissioned by a queen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Who What Wear associate director of fashion news Erin Fitzpatrick is here to talk about her latest feature on the past, present, and future of women's watches. The category has been exploding over the past few years, and there are so many It-girl pieces on the market. Join Kat and Erin as they break down the top brands and styles, upcoming trends, and watch recommendations for any price point. Plus, they talk their dream watches and how the first-known wristwatch was actually commissioned by a queen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Stauney introduces us to one of Coco Chanel's fiercest rivals and a name experiencing a resurgence in the fashion world: Elsa Schiaparelli. Stauney and Sadie dive into Schiaparelli's strict and unconventional upbringing, her tumultuous marriage to a con artist, her journey as a single mother, and her deep connections with surrealist artists of her time. They also explore the rise and fall of her iconic fashion house and the lasting legacy she built—one that is being rediscovered and celebrated today. From surrealist collaborations to daring, imaginative designs, Schiaparelli's influence continues to shape modern couture unexpectedly. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Stauney introduces us to one of Coco Chanel's fiercest rivals and a name experiencing a resurgence in the fashion world: Elsa Schiaparelli. Stauney and Sadie dive into Schiaparelli's strict and unconventional upbringing, her tumultuous marriage to a con artist, her journey as a single mother, and her deep connections with surrealist artists of her time. They also explore the rise and fall of her iconic fashion house and the lasting legacy she built—one that is being rediscovered and celebrated today. From surrealist collaborations to daring, imaginative designs, Schiaparelli's influence continues to shape modern couture unexpectedly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fashion historian, FIT professor, author, documentation, Space Trash PATRON and Molly's former roommate Natalie Nudell (Taurus rising, Taurus moon, Sag sun) joins Molly Mulshine & Sara Armour to analyze the 2024 Met Gala red carpet which happened to be divinely scheduled on the eve of the Taurus New Moon!2024's Met Gala Theme was “Sleeping Beauties reawakening beauty” and the dress code is “The Garden of Time” inspired by JG Ballard 1962 short story about the inevitable fall of aristocracy and the inability of of money and beauty to stop death … HOW DID THE CELEBS FASHION FARE AND HOW DOES IT RELATE TO THE COSMOS!?What is the costume institute and the history of the Met Gala as a public facing yet highly exclusive fundraising event? What is the value of celebrity at the Met Galaand when did that start? How does the Met Gala red carpet compare to the MET costume's institutes exhibit? What role do the Taurean sensory pleasures, scorpionic decay, and the integration of Aquarian technology play into the curation of this year's exhibit?MET Gala fashion analysis & cultural context of:-Tyla's “best of the fest” sands of time dress -Gigi Haddid in Thom Brown -Amelia Gray's “straight from the exhibit” Undercover lewk -Zendaya crushing in Galliano -Kim K in Margiela (with no waist!)-Divine Joy Randolph in denim by Zac Posen (now of The Gap)-Doja Cat in wet tee-shirt-contest couture by Dilara Findikoglu-Lana Delray in re-interpreted “antler” Alexander McQueen-Lizo with big-clock-from-Beauty-and-the-Beast energy by Victor Weinsanto-Sydney Sweeney in Miu Miu and brown hair -Serena Williams in Balenciaga -Venus Williams in Marc Jacobs-Nicole Kidman in Balenciaga -Bad Bunny in bespoke “floppy cap” Maison Margiela lewk-Kendall Jenner in archival Alexander McQueen -Sarah Jessica Parker in Richard Quinn escorted by Andy Cohen -Jeff Goldblum in and the awkward gen-Z Emma Chamberlain red-carpet interview that went over her head -Zoe Saldana, Greta Gerwig in Chloe -Pamela Anderson in Oscar de la Renta -Elle Fanning in Balmain-Ariana Grande in Loewe-Lea Michelle in baby-bump It's-a-boy couture by Rodarte-Khloe Kardashian in absentia -Alex Edelman giving comedians hope in S.S. Galey- co-chair Jennifer Lopez in custom Schiaparelli by Daniel Roseberry- Rihanna reliably showing up last no matter what - Mindy Kailing finally looking good in Gaurav Gupta-Demi Moore in Harris Reed-Sofia Coppola in funeral Chanel -Gabrielle Union in mermaid Michael Kors-Kaia Gerber giving zzzzz's in Prada -Kelsey Ballerini in Michael Kors-Shakira in Carolina Herrera -Jordan Roth in -Rita Ora in and post-gala at 5am with full boobs out -J Harrison Ghee in -Erika Badyu -Chloë Sevigny in Dilara Findikoglu-Sarah Paulson & more! Check out Natalie's documentary Calendar Girl on Amazon Video!Join the Patreon!Patreon.com/SpaceTrashPodcastSubscribe & leave a 5-star review!! Hosted on Acast. See acast.com/privacy for more information.

Big Dipper and Meatball are joined by the iconic Sasha Velour to talk about her prolific drag career, what inspires her art, and the Schiaparelli earrings she's worn for two years. Plus they get the scoop on the new season of “We're Here” on HBO, her book “The Big Reveal,” and her upcoming tour “The Big Reveal Live Show!” And it wouldn't be Sloppy Seconds without some voicemails about douching and spit. Enjoy!Listen to Sloppy Seconds Ad-Free AND One Day Early on MOM PlusCall us with your sex stories at !Or e-mail us at sloppysecondspod@gmail.comFOLLOW SLOPPY SECONDSFOLLOW BIG DIPPERFOLLOW MEATBALLSLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Big Dipper and Meatball are joined by the iconic Sasha Velour to talk about her prolific drag career, what inspires her art, and the Schiaparelli earrings she's worn for two years. Plus they get the scoop on the new season of “We're Here” on HBO, her book “The Big Reveal,” and her upcoming tour “The Big Reveal Live Show!” And it wouldn't be Sloppy Seconds without some voicemails about douching and spit. Enjoy! Listen to Sloppy Seconds Ad-Free AND One Day Early on MOM Plus Call us with your sex stories at ! Or e-mail us at sloppysecondspod@gmail.com FOLLOW SLOPPY SECONDS FOLLOW BIG DIPPER FOLLOW MEATBALL SLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices