Podcasts about Gar

Dieses Mal geht es nicht um den Namen einer Person, sondern eines Hauses aus dem Hunsrück: Annekette. Gar nicht so leicht für den Namenforscher, die Lösung zu finden. Doch ein pfälzisches Wörterbuch hilft weiter. Es geht ums Murmeln spielen ... Ihr wolltet schon immer wissen, was euer Nachname eigentlich bedeutet? Es gibt fast keinen Namen, den unser Professor Udolph nicht kennt. Schreibt uns über unser Formular unter http://x.swr.de/s/namenforscher.

Garçon un kir, c'est vendredi à l'auditorium de Lure

Nú er tími útivista og gönguferða, fólkið í landinu reimar á sig gönguskóna og nýtur fegurðar íslenskrar náttúru. Yfirleitt þarf ekki að leita langt yfir skammt til að finna skemmtilegar gönguleiðir, en það getur þó verið erfitt að vita hvar skal byrja og hvar þær er að finna. Jónas Guðmundsson, gönguleiðsögumaður, landvörður og ferðamálafræðingur hefur varið ótal stundum á fjöllum og á göngu um náttúru landsins og nú hefur hann gefið út nýja bók, Gönguleiðir á höfuðborgarsvæðinu, þar sem hann fjallar um 30 gönguleiðir einmitt á höfuðborgarsvæðinu og nágrenni. Jónas kom í þáttinn í dag og sagði okkur betur frá þessum leiðum og bókinni. Sumartónleikar í Skálholti hafa verið starfandi frá árinu 1975 og staðið fyrir tónleikahaldi í Skálholtskirkju á hverju sumri síðan. Hátíðin er sú elsta og jafnframt stærst sinnar tegundar á landinu og einn stærsti menningarviðburður sem fram fer á Suðurlandi yfir sumartímann. Benedikt Kristjánsson söngvari sagði betur frá hátíðinni í þættinum. Lesandi vikunnar í Mannlega þættinum í þetta sinn var Sigrún Blöndal, kennari og deildarstjóri. Hún sagði okkur frá því hvaða bækur hún hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft mest áhrif á hana í gegnum tíðina. Sigrún sagði frá eftirfarandi bókum og höfundum: Ann Cleves og Shetland seríu hennar og sögupersónunni Veru Stanhope. Lee Child og bækurnar um Jack Reacher Stig Larsson og bækurnar um Lisbeth Salander Det forsömte forår e. Hans Scherfig Fornaldarsögur Norðurlanda Hrólfssaga Kraka Tónlist í þættinum í dag: Sól mín sól / Anna Pálína Árnadóttir (Aðalsteinn Ásberg Sigurðsson) Styttur bæjarins / Spilverk þjóðanna (Egill Ólafsson, Valgeir Guðjónsson og Sigurður Bjóla Garðarsson) Don't Stop Me Now / Philharmonix (Freddie Mercury) UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Alles außer Politik: Peter Filzmaier und Generalleutnant Bruno Hofbauer über die größten Risiken für die Sicherheit Österreichs und Europas. Ein Podcast vom Pragmaticus. Das Thema:Bruno Hofbauer ist von Berufs wegen täglich mit Risikoabschätzungen für Europa und Österreich betraut. Aus der Gesamtschau der aktuellen und zukünftigen Gefahren und Krisen sticht für den stellvertretenden Generalstabschef des österreichischen Bundesheeres eine Bedrohung besonders hervor: Desinformation. In ihrem Gefolge das Desinteresse an Aufklärung. Aber: „Österreich muss und kann sich wehren“. Im Gespräch mit Peter Filzmaier erklärt der Militär wie.Unser Gast in dieser Folge: Bruno Hofbauer stammt aus Graz und ist Generalleutnant im Österreichischen Bundesheer, dem er seit 1988 dient. Sein Karriereweg führte ihn nach dem Abschluss der Theresianischen Militärakademie in Wiener Neustadt über die Garde in Wien in Führungspositionen im Bundesministerium für Landesverteidigung: Er leitete dort die Generalstabsabteilung und wurde 2017 Leiter der Gruppe Grundsatzplanung im Generalstab, 2021 Planungschef des Bundesheeres. Seit 2023 ist Hofbauer stellvertretender Generalstabchef und weiterhin Mitglied der Wissenschaftskommission im Verteidigungsministerium. Der Podcast Alles außer Politik mit Peter FilzmaierIn „Alles außer Politik“ vollzieht der Politikwissenschaftler und Polit-Analyst Peter Filzmaier den Drahtseilakt im Gespräch mit Wissenschaftlern und Experten alles zu bereden und doch nicht bei der Politik anzustreifen. Gar nicht so leicht. Und doch ein weites Feld: Jeden 3. Donnerstag im Monat also Gespräche über Alltag, Leben, Philosophie, Kultur und neue Ideen abseits des Politzirkus.Was bisher besprochen wurde: Das Geld mit Gabriel FelbermayrDie Gesundheit mit Katharina Reich Der Marathon mit Julia Mayer Das Land mit Lisz Hirn Die Demokratie mit Oliver RathkolbDer Host, Peter FilzmaierPeter Filzmaier stammt aus Wien und ist der Politanalyst des Landes. Die Frequenz seiner Auftritte in den Nachrichtensendungen des ORF kann als Indikator für die Intensität einer politischen Krise dienen. Filzmaier formuliert dann im berühmten Schnellsprech präzise Einschätzungen zur Lage der Parteien und zum Urteil der Wähler. Der Politikwissenschaftler forscht und lehrt ansonsten an den Universitäten Graz und Krems, wo er Professuren für Politische Kommunikation sowie Politikforschung innehat. Und er ist Leiter des Instituts für Strategieanalysen (ISA) in Wien. Alles außer Politik ist der einzige Podcast, in dem er nicht über Politik spricht.Dies ist ein Podcast von Der Pragmaticus. Sie finden uns auch auf Instagram, Facebook, LinkedIn und X (Twitter).

Schreibe mir auf Instagram ▶ https://www.instagram.com/djmikehoffmannDeine kostenlose DJ-Beratung ▶ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.djmikehoffmann.de ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hallo, ich bin Mike, DJ mit über 20 Jahren Erfahrung. Ich helfe Menschen dabei, ihren Wunsch vom DJing anzugehen und erfolgreicher auf Partys aufzulegen, regelmäßige Auftritte zu bekommen und damit gutes Geld zu verdienen (2000€+ pro Auftritt).Das Leben vieler DJs hat in den letzten Jahren eine 180-Grad Wende genommen. Einst arme DJs, verdienen sie heute 10.000 € und mehr pro Monat mit dem Auflegen von Musik und können teils nicht nur komplett davon leben, sondern auch ihre Familien dadurch ernähren. Das Geheimnis dahinter? Gar nicht so kompliziert, wie man vielleicht denkt.Melde dich für eine kostenfreie DJ-Beratung, und wir zeigen dir, wie du zukünftig mehr Aufträge bekommst und ein noch besserer DJ wirst.Vielen Dank, dass du mit dabei bist. Gefällt dir dieser Podcast? Dann empfehle ihn gerne weiter.Mike

Stāsta Latvijas Universitātes bibliotēkas darbiniece, filoloģijas doktore Aija Taimiņa. Kāpēc viduslaiku bibliotēkās grāmatām bija stipras dzelzs ķēdes? Kāpēc tika veidotas katenātu (libri catenati, latīņu) jeb ķēžu grāmatu bibliotēkas? Pirmā atbilde vienmēr bijusi – lai nodrošinātos pret zagšanu. Bet varbūt grāmata (proti, tās saturs) ir bīstama, agresīva, tā būtu jāieslēdz, jāpieķēdē, lai nenonāktu nepiederošas personas rokās? (Lai atceramies stāstu par Hariju Poteru un epizodi Cūkkārpas bibliotēkas Slēgtajā nodaļā (Restricted section, angļu). Bet vai patiesi? Vai tam nav cita, racionāla skaidrojuma? Ķēde, kas fiksē grāmatu pie plaukta vai lasāmpults paredzēta drīzāk tam, lai saglabātu kārtību grāmatu skapjos un daudzu lasītāju  apmeklētās lasāmzālēs. Un vēl – grāmatas pieķēdēšana nevis ierobežo lasīt- un studētkāri, bet nodrošina to, lai svarīga grāmata ir visiem (kādam noteiktam lasītāju lokam) un vienmēr pieejama. To norāda pirmās, senākās ziņas par pieķēdētajām grāmatām. Proti, 11. gadsimtā Elzasā, Veisenburgas benediktīniešu klostera baznīcā bijušas četras pieķēdētas psalmu grāmatas; psaltērijs (Psalterium) ir svarīga viduslaiku liturģiskā grāmata, kas garīdzniekiem kalpoja ikdienas aizlūgumiem, tās saturā baznīcas gada ritējumam paredzētie psalmi, litānijas svētajiem. “Klosteris bez grāmatu skapjiem ir kā pilsēta bez ieroču arsenāla” (Claustrum sine armario, quasi castrum sine armamentario, latīņu), teica 12. gs. augustīnietis Žofruā de Breteijs (Geoffroy de  Breteuil, +1149). Viduslaiku bibliotēku daudzus gadu simtus  veidoja lielāki vai mazāki rokrakstu sējumi – pergamenta vai papīra kodeksi ar ādu pārvilktos koka vākos. Klosteriem bija savas bibliotēkas, dažiem izcilas, lielas un bagātas, citiem – pieticīgākas. Lasīšana (lectio monastica, latīņu) bija klauzūrai pakļauto klostera iemītnieku ikdienas dzīves norise. Slēgtajā klostera kopienas dzīvē bija paredzēti gan skaļi liturģiski lasījumi dievkalpojumos, bet visbiežāk brāļi vai māsas kopīgu pusdienu laikā refektorijā (remterī) noklausījās skaļu priekšā lasījumu (collatio ad mensam, latīņu): kādu atbilstošu teoloģisku tekstu, Bībeles vietu, citkārt stāstu par konventa vai ordeņa vēsturi. Monastiskā dzīvesveida sastāvdaļa bija individuāla jeb kontemplatīva lasīšana, lai lasot iedvesmotos lūgšanām un pārdomām. Tad grāmatu klosterbrālis (klostermāsa) lasīja pats vai nu savā guļamtelpā (dormitorijā) vai citā tam paredzētajā vietā. Viduslaiku intelektuālo eliti veidoja dominikāņu un franciskāņu ordeņi, kuru radītajās un uzturētajās mācību iestādēs vismaz kopš 13.gs. nodevās vairākus gadu ilgstošām teoloģijas, filosofijas, dabaszinātņu un mākslu studijām. Sprediķotāju (dominikāņu) un ubagotājmūku (minorītu) ordeņi veidoja vairāku līmeņu skolu tīklojumu, darbojās universitātēs. Visnopietnāko darbu ar grāmatām prasīja studijas, kas prasīja dziļi nodoties sholastiskajai lasīšanai. Ja klosterim bija sava mācību iestāde, tad lasīšana bija neatņemama mācību daļa, grāmatas bija nepieciešamas teoloģijas, tiesību, hagioloģijas, homilētikas studijām. Sholastiskā lasīšana prasīja rūpīgi studēt dažāda satura tekstus, meklēt citātus, salīdzinātu un pārbaudīt formulējumus. Turklāt ordenis gādāja tā deleģētajam augstskolas studentam vajadzīgās grāmatas. Garīgie ordeņi uzturēja plašas klosteru bibliotēkas, tomēr grāmatu krājums bija klostera vai ordeņa īpašums, nevis studenta vai ordeņa garīdznieka personīgā manta. Arī viduslaiku laicīgo universitāšu vidē sholastiskā lasīšana bija obligāta. Tātad grāmatas bija ļoti pieprasītas, nepieciešamas visai plašam lasītāju lokam, kā klosteros, tā augstskolās. Pirmajās jaundibināto universitāšu bibliotēkās noteikti bijuši visai ievērojami ķēžu grāmatu krājumi. Lielākajā vēlo viduslaiku universitātē, Parīzes Sorbonnā (izveidota 1150), 14. gs. vidū bija 1722 rokrakstu kodeksi; Heidelbergas universitātei 15.gs. vidū piederēja 800 manuskripti. Sena gravīra rāda Leidenes universitātes  profesoriem un studentiem pieejamo bibliotēku ar pultīm un pieķēdētām grāmatam, kas ierīkota 1610. gadā un veidota pēc Sorbonnas parauga. Piekļuvi universitāšu bibliotēku krājumiem visai stingri regulēja noteikumi, katrā augstskolā atšķirīgi. Daudzu Vācijas universitāšu bibliotēkās varēja strādāt tikai profesori, kam tika izsniegta bibliotēkas atslēgas. Oksfordas universitātes bibliotēkā 1412. gada drīkstēja lasīt tikai tie absolventi, kas jau 8 gadus bija studējuši filosofiju. Turklāt Sorbonnas un Oksfordas universitāšu bibliotēkas jau 13. gs. bija sadalītas divās daļās: “lielo bibliotēku” (magna libraria, latīņu) jeb  publikas (kopīgo) bibliotēku (bibliotheca publica, latīņu) veidoja uz vietas lasāmie pieķēdētie sējumi, bet grāmatas no plauktos un lādēs glabātās “mazās bibliotēkas”(parva libraria, latīņu) varēja arī aizlienēt un ņemt uz māju. “Mazo bibliotēku” dažviet sauca arī par slēgto (savrupo)  bibliotēku (bibliotheca secreta), to veidoja lielākoties tekstu dublikāti. Gluži tāpat arī klosteru bibliotēkās – viena daļa izcilāko grāmatu glabājās atsevišķi un bija domātas noslēgtam lokam, bet otra daļa bija izkārtota  visiem – garīdzniekiem, klosterbrāļiem un audzēkņiem pieejamos plauktos. Klostera grāmatu krājumam bieži ierādīja kādu atsevišķu telpu, grāmatas tika glabātas lādēs vai skapjos, un lielākoties guļus, kārtotas tematiskās grupās. Tikai vēlajos viduslaikos grāmatas sāka likt plauktos. Smagās un lielās grāmatas visbiežāk turēja uz slīpām pultīm  vai lasāmsoliem, lai lielos un smagos sējumus varētu lasīt stāvus – tā vieglāk strādāt, ērtāk lasīt sīkiem burtiem blīvi rakstīto tekstu, tā tiek optimāli izmantots pieticīgais lasītavas apgaismojums. Tikai lēnam izveidojās ieraša lasīt sēdus.  Smago sējumu pie slīpās pults fiksēja kalta dzelzs ķēde, kuras gredzens tika uzvērts uz metāla stieņa pults augšpusē, bet otrs gals piestiprināts grāmatas vākam. Jāzina, ka viduslaiku kodekss ārēji ir visai ‘mazrunīgs': sējumam ādas vākos nav nav ātri  atpazīstamu  ārējo pazīšanas zīmju (titula uzlīmju, etiķešu, uzrakstu uz muguriņām, šifru, inventāra Nr.). Grāmatai nav izteiksmīga vāka, titullapas, apdrukātas muguriņas. Tikai kāda neliela pergamenta uzlīme ar pāris vārdiem vai numuru uz vāka... vai ar melnu tinti lieliem trekniem burtiem uzrakstīts zīmīgs vārds uz grāmatas griezuma; jo grāmatas plauktos bieži novietoja ar ādas muguriņu uz iekšu... Tāpēc kārtības uzturēšana senā klostera vai universitātes bibliotēkā ar daudziem gandrīz vienādiem brūnas ādas sējumiem ir būtiski svarīga; grāmatai ir tik viegli nomaldīties un pazaudēties starp līdzīgajām. Grāmatniecības vēsturnieks Henrijs Petroski asprātīgi teicis: “Mēs parasti domājam par grāmatām, nevis par to plauktiem. Ielikt grāmatu atpakaļ plauktā ir apmēram tas pats, kas ielikt atpakaļ sardīni konservu kārbā” (Henry Petroski, 1999). Ne velti latīņu valodā viduslaiku  bibliotēkas glabātāja – ‘armarius' apzīmējums atvasināts no vārda ‘armarium' – skapis. Labs bibliotēkas pārzinis jeb ‘skapinieks' darīs visu, lai grāmatas zinātu savu vietu arī tad, ja bibliotēku vēlas lietot daudzi apmeklētāji. Efektīvs viduslaiku risinājums bija ķēde, kas piesaista grāmatu vietai: lasāmpultij vai plauktam. Ķēde var nosargāt bibliotēkas krājumus; tā līdz pret zagšanu – grāmatu nav daudz, un tās ir ievērojama vērtība; pret sajukumu krājumā un pavaļīgi izņemšanu un atvietošanu. Turklāt ķēde pasargā masīvo un vērtīgo kodeksu no kritiena. Grāmatu pieķēdēšanas prakse apsīka līdz ar grāmatiespiešanas straujo progresu: grāmatu skaits strauji pieauga, arī sējumi vairs nebija tik masīvi un smagi. Grāmatu pieķēdēšanas vēsturē slēpjas arī kādi paradoksi. Proti, dažkārt grāmatu pieķēdēja, lai to publiskajā telpā varētu brīvi lasīt visi. Anglijas karlis Henrijs VIII 1537. gadā pavēlējis pieķēdēt Bībeli katrā draudzes baznīcā, lai draudzes locekļi var tai paši piekļūt un lasīt. Citviet līdzīgu iemeslu dēļ ticis pieķēdēts katķisms. Tāpat arī Anglijas karalis Eduards VI 1547. gadā lika turēt baznīcā pieejamā vietā Bībeli angliski un Roterdamas Erasma  Evaņģēliju pārstāstus latīniski (Paraprhrases, 1517). Tā garīdzniekiem un  draudzei ik brīdi bija pieejama stacionāri vienā vietā fiksēta grāmata.  Reformācijas laika prakse bija balstīta protestantisma pamatprincipā sola scriptura (tikai raksti), kas jau agrāk bija tikusi aprobēts viduslaiku klostera baznīcā Veisenburgā. Viduslaiku  atmiņas (memoria) un piemiņas kultūrā iekļaujas senajos testamentos un dāvinājumu dokumentos  izteiktā griba dāvināt kādam klosterim (baznīcai, bibliotēkai) ķēžu grāmatas. Tā līdz ar pieķēdētajām grāmatām ilgstošā piemiņā  tiktu saglabāts arī dāvinātāja vārds. Ir iespējams joprojām apmeklēt vairākas senas bibliotēkas, kas saglabājušas sākotnēji izveidotās ķēžu grāmatu lasītavas: vecākā ir Itālijā, Čezēnas (Cesena) pilsētā netālu no Boloņas. Tur joprojām aplūkojama 15. gs. vidū (1447–1452) izveidotā Malatestu ģimenes  bibliotēka Libraria Malatestiana, kuras sākotne ir  vietējā franciskāņu klostera grāmatu krātuve. Malatestu bibliotēkas lasītavā pie pultīm pieslēgti 343 viduslaiku manuskripti. Anglijā, Oksfordas universitātes Bodleana bibliotēkas ievērojamākā un senākā daļa ir Hamfrija Lankastera, Glosteras hercoga (Humphrey, Duke of Gloucester, 1390–1447) ķēžu grāmatu bibliotēka (281 sējums), ko hercogs bija novēlējis universitātei. Herfordas katedrāles (Hereford Cathedral) ķēžu grāmatu bibliotēka ierīkota 17.gs. vidū un tajā atrodas 229 viduslaiku manuskripti. Holandē,  Zitfenā (Zutphen), Sv. Valbergas baznīcas bibliotēka tikusi pieķēdēta tikai 1546.gadā, jo tad sākuši zust sējumi, un tika pieņemts, ka Sātans zog vērtīgākās grāmatas. Pēc apspriešanās tika pieķēdētas 286 grāmatas. Katra ķēde tika apslacīta ar svētītu ūdeni. Iesējumam piestiprinātā ķēde visdrošāk liecina par grāmatas piederību kāda klostera bibliotēkai. Ķēžu grāmatu bibliotēkas noteikti bija arī Livonijā, Rīgā. Daudzas grāmatas ar 15. gs. pēdējā trešdaļā / 16. gs. sākumā kaltām dzelzs ķēdēm (un ķēžu stiprinājumu paliekām) lielākoties nākušas no diviem nozīmīgākajiem Rīgas klosteriem – no Rīgas Sv. Jāņa Kristītāja dominikāņu klostera un Rīgas Sv. Katrīnas franciskāņu observantu klostera. Tomēr nav zināms, kur Rīgas franciskāņu un dominikāņu klosteros bija ierādīta vieta viņu grāmatu plauktiem un lasāmpultīm. Tāpat nevar ar pārliecību apgalvot, ka klosteru grāmatas iesietas un ķēdes piestiprinātas tieši Rīgā. Pēc reformācijas laika nemieriem daudzas abu klosteru grāmatas nonāca Rīgas pilsētas pārziņā un nogulās Rīgas pilsētas bibliotēkā. Tagad Latvijas Universitātes bibliotēkas krājumā ir visai ievērojams, unikāls  katenātu krājums: 76 kodeksiem ķēde ir saglabājusies (tie ir 15.gs. 70.–90. gadu iespieddarbi, un pāris 16. gs. sākuma (1505–1519) izdevumi); vēl 40 grāmatas savu ķēdi laika gaitā ir zaudējušas, kaut ķēdes stiprinājuma paliekas tās esamību pārliecinoši  apstiprina. Te jāpiebilst, ka racionālisma laikmets pret ķēžu grāmatām bija visai nežēlīgs, daudzas lielās, modernās bibliotēkas lika smagās un neveiklās ķēdes noņemt, lai tās netraucētu. Rīgas katenāti ir lieliska, patiesi autentiska viduslaiku materiālās kultūras liecība, kas stāsta par ļoti senu grāmatniecības tradīciju.

Anthony Dabbundo (The Ringer) and host Thomas Emerick revisit The 4th-and-2 Game — another great chapter in the annual midseason measuring stick for two perennial contenders and the GOAT QB convo. Peyton Manning and Tom Brady continue wrestling over that GOAT belt here. It's November 2009, Patriots at Colts.Links:Check out Anthony Dabbundo's work at The RingerSome of the episode threads:Colts vs. Patriots, Week 10, 2009: the last time Indy would beat New England for a decadePeyton vs. Brady, midseason tradition — the annual measuring stick for two perennial powersAnthony Dabbundo of The Ringer joins as a lifelong Colts fan to relive the madnessNBC brands it “Rivalry of the Decade” — and it lives up to the billingColts enter 8-0, Patriots 6-2, Manning on an MVP run with comeback magic to spareHall of Fame QBs favor Peyton over Brady, 13-2 — Montana splits the halvesFirst drive: Belichick mixes coverage, forces Manning three-and-out — old-school dominance returns earlyPatriots build 24-7 lead behind Brady bombs and Randy Moss speed that defies physicsColts offense sputters early — Pat McAfee punts five times in the first halfReggie Wayne roasts green Pats corner late in half, cuts it to 24-14Patriots defense doesn't wow on paper, but overperforms early and holds Indy scoreless in 3rdAntoine Bethea and Leigh Bodden trade picks to start the second half — defenses make playsWes Welker 69-yard punt return flips field, Moss scores again to push Pats aheadColts trail by 17 in the 4th — but this is peak clutch PeytonManning to Garçon, Addai touchdown — Colts storm back to 34-28 with 2 mins leftBelichick goes for it on 4th-and-2 from his own 28 — Kevin Faulk catches it just shortAl Michaels and Cris Collinsworth stunned — instant classic and great rewatchReggie Wayne slant near the goal line caps Colts comeback win, 35-34One of the most controversial coaching decisions in NFL history, and ahead of its timeHOSTRotoViz contributor Thomas EmerickGuestThe Ringer's Anthony DabbundoSPONSORSBetterHelp - This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ROTOVIZ and get on your way to being your best self.Underdog Fantasy – Get a 100% deposit match on your first deposit up to $100 when you sign up at Underdogfantasy.com using this link or the promo code ROTOVIZ.Listeners of RotoViz Radio can save 10% on a one-year RotoViz subscription by visiting RotoViz.com/podcast or by using the promotional code "rvradio2025" at the time of purchase.SHOW NOTESRotoViz Radio provides the power for Remember That Game: Subscribe to the RotoViz Radio on YouTubeDirect message: Bluesky @ThomasEmerick | Twitter @ThomasEmerickEmail: emericktc@gmail.comFollow: Apple and SpotifySubscribe: Remember That Game on YouTube

When you think about some of the most disruptive brands on the New York fashion scene over the last decade (Telfar, Luar, Area) and the most legendary parties (Heaven by Marc Jacobs's surprise Deftones concert, for example), they all have something in common: Gia Kuan Consulting was working behind the scenes and front of house to make the magic happen. This week, Alyssa sits down with publicist extraordinaire Gia Kuan to learn all about how she became one of the most sought-after ladies in the world of fashion and beauty comms, which is a “people” business at its core. Tune in for a fascinating conversation about Gia's international upbringing, when she took early style inspiration from The Jetsons and Sailor Moon; how being a teenage mallrat was her first exposure to the fashion industry; how working in hospitality and nightlife in college were training grounds for working the door at fashion events and having grace under pressure; her first PR job at Comme des Garçons; why working with emerging brands at Dover Street Market as their de facto PR was so inspiring; why she sees her agency as a matchmaking business; why subcultures are alive and well if you know where to look and are curious enough; how her obsession with youth culture and pop culture inform her work; the joys of working with your friends, and with people or brands that are different from what's already out there; why guest list curation is an art; how to stay nimble in a communications industry that changes all the time, and much more.This episode was recorded in the podcast studio at The SQ @ 205 Hudson. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thenewgarde.substack.com/subscribe

Duncan, Minou und Jule haben eine Radtour geplant, aber bevor es losgehen kann, müssen noch einige Probleme gelöst werden. Duncan hat sich großzügig mit dem Parfum von Annabelle, Minous Schwester eingesprüht. Während Minou und Duncan das Parfümfläschchen mit Wasser wiederauffüllen, versucht Minou ihrem außerirdischen Austauschschüler das Prinzip Eigentum und Diebstahl zu erklären. Gar nicht so leicht! Und dann ist auch noch Minous Fahrrad verschwunden. Ob das noch was wird mit der Radtour? Von raumstation.

#456 In this episode of Millionaire University, Garr Russell shares his fascinating journey of entrepreneurship from childhood ventures to a successful RV rental business. Garr discusses his setbacks, including a period of drug dealing, and how he turned his life around after finding faith. He highlights the turning points in his career, such as starting a credit counseling company and later transitioning into RV rentals after a personal experience in 2016. Garr explains the advantages of using a franchise model, leveraging other people's RVs, and the extensive opportunities within the RV rental industry. He provides insights into the growth of his business, including the challenges faced during COVID-19, and the strategies that led to a nationwide presence with multiple franchises. Throughout the interview, Gar emphasizes resilience, faith, and the importance of sharing both successes and failures. (Original Air Date - 8/9/24) What we discuss with Garr: + From Credit Counseling to RV Rentals + Scaling the RV Rental Business + Navigating Challenges and Growth + The Impact of COVID-19 + Franchise Model and Expansion + Advice for Aspiring Entrepreneurs + Finding RV Owners and Building a Community + Collaborating with RV Rental Platforms + Appealing to RV Owners + Expanding the Business Model + Marketing Strategies and Customer Retention Thank you, Garr! Check out Garr's business⁠ Fireside RV Rentals HERE!⁠ And Garr's book ⁠My Wheel Estate Story HERE! ⁠ For more information go to⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MillionaireUniversity.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/millionaire⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try it risk-free now with a 30-day money-back guarantee! Want to hear from more incredible entrepreneurs? Check out all of our interviews ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

Laufen bei 30 Grad? Gar kein Problem – wenn du weißt, worauf du achten musst! In dieser Folge verraten wir dir die 5 größten Fehler, die viele beim Sommertraining machen – und geben dir einfache, aber wissenschaftlich fundierte Strategien an die Hand, wie du auch bei Hitze gesund und effektiv läufst. Von cleverer Trainingsplanung über die richtige Kleidung bis zu Hydration & Cooling: So kommst du sicher durch den Sommer. Viel Spaß beim Hören!Musik: No ExcusesFoto: Canva/Andrea PiacquadioHier findet ihr unsere aktuellen Gewinnspiele & Rabatt-Aktionen!Ihr wollt mehr von uns hören? Dann hört hier in den ACHILLES RUNNING Podcast rein! Hosted on Acast. See acast.com/privacy for more information.

Gar nicht so einfach, einen neuen Kinderbuchverlag aus der Taufe zu heben. André Zeugner hat es mit dem Kraus Verlag in der Pandemie gewagt und inzwischen ein respektables Programm aufgebaut. Ein Interview über den nicht immer ganz einfachen Alltag eines Jungverlegers.

En el programa de hoy, Fernando Villegas dedica su reflexión dominical a la novela Moby Dick de Herman Melville, considerándola una de las obras más extraordinarias de la literatura universal. Comenta la vida del autor, su incomprensión en vida y el carácter monumental de la obra, que mezcla narrativa, filosofía, religión, teatro y descripciones técnicas de la caza de ballenas. Villegas explora el simbolismo de la ballena blanca y la obsesión del capitán Ahab, relacionándolos con la soberbia humana y las consecuencias de perseguir fines absolutos. También aborda las interpretaciones críticas de la obra, su influencia en otros autores como Borges, y la dificultad de adaptarla exitosamente al cine. Hacia el final, recomienda el libro Los reemplazantes de Renato Garín como una mirada lúcida y crítica a la generación política que hoy ocupa el poder en Chile. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Segundo paso: Temas principales y sus minutos 00:00:00 - Herman Melville y su vida 00:05:00 - Obsesión del capitán Ahab 00:12:00 - Significados de la ballena blanca 00:17:00 - Influencia de Moby Dick 00:18:30 - Recomendación: Los reemplazantes de Garín

Friedrich Merz wurde diese Woche eine große Ehre zuteil: er durfte aus nächster Nähe den Bruch einer wundervollen Freundschaft beobachten. Elon und Donald drohen sich über ihre jeweiligen Sozialen Netzwerke, Elon wünscht sich plötzlich ein Amtsenthebungsverfahren gegen Donald, damit der J.D. Präsident wird. Donald erklärt, dass Elon mit seinen scheiß E-Autos dem Staat auf der Tasche liege. Elon sagt, dass der Donald in den geheimen Ermittlungsakten gegen den Frauenschänder Jeffrey Epstein auftauche. Was das alles mit Friedrich Merz zu tun hat? Gar nichts. Der deutsche Kanzler bekam in Washington höchstens einen hautnahen Vorgeschmack darauf, was ihm eines Tages noch mit Markus Söder blühen könnte. Im Gegensatz zum spektakulären Bromance Break Up von Donald Trump und Elon Musk, verlief das Treffen von Merz und Trump im Weißen Haus ohne Eklat. Dass das schon eine Meldung ist, sagt viel über das transatlantische Verhältnis und den US-Präsidenten aus. Könnte ein gutes Verhältnis von Merz und Trump der Beginn einer verlässlichen, im besten Fall spannungsarmen deutsch-amerikanischen Beziehung sein? Der Apofika-Presseklub mit diesen Gästen: Christoph von Marschall (Tagesspiegel), Marina Kormbaki (Spiegel), Kerstin Kohlenberg (Zeit) und natürlich unserem Host, Markus Feldenkirchen (Spiegel) Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Barry Murphy fills in for Gar this week where the only goal in Tallaght he got to commentate on was the Walking Football. Baz gives his mid-season report and talks all sorts of topics such as signing for Roddy in 2005 and cheques starting to bounce, a friendly win at Sunderland in 2007 under Pat Scully, Josh Honohan, Don Patricio, and all our potential European opponents in the Conference League draw with the help of Shane Kavanagh and Ryan McDyer.

Kairos i kronos w twórczości - czyli o relacji z czasem, a właściwie dwoma koncepcjami czasu opartymi na mitologii greckiej.

Notre critique du documentaire "Hayao Miyazaki et le héron" réalisé par Kaku Arakawa avec Hayao Miyazaki, Toshio Suzuki.Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast   ---   Titre : Hayao Miyazaki et le héronSortie : 04 juin 2025 (Belgique)Réalisé par Kaku ArakawaAvec : Hayao Miyazaki, Toshio SuzukiSynopsis : Hayao Miyazaki ouvre les portes du Studio Ghibli et dévoile les coulisses de la création du Garçon et le Héron. Neuf années d'une création acharnée, où le réalisateur, poussé par son producteur et complice Toshio Suzuki, repousse jour après jour les frontières de son art. Une véritable plongée dans l'intimité du génie de l'animation.#CINECASTHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Gar nicht weit von dir entfernt, versteckt und doch für jeden, der genau hinsieht, klar zu erkennen, liegt der Zauberladen Schimmer und Schatten. Lass uns eine Weile zwischen seinen prall gefüllten Regalen schmökern und die vielen Kuriositäten, die er beherbergt, genauer betrachten! Bist du bereit? Na dann los... Wir, das sind Nale und Balto, möchten dich auf eine Reise schicken, damit du so die Sorgen des Tages hinter dir lassen kannst. Unsere Geschichten sollen dir dabei helfen, zur Ruhe zu kommen und langsam in einen verdienten und erholsamen Schlaf zu gleiten. Wir wünschen dir eine gute Nacht, schlaf schön! Konnten wir dir beim Einschlafen helfen? Hast du eine Idee, wo die nächste Reise hingehen soll? Dann schreib uns gerne an geschichtenzumeinschlafen@julep.de. Wir freuen uns sehr, von dir zu hören! ***GzE Sternwarte*** Unterstütze unseren Podcast, höre alle Episoden ohne Werbung und freu dich auf viele weitere Vorteile unter www.steadyhq.com/gze ✨ Vielen Dank für deine Unterstützung! ***Werbung*** Informationen zu unseren Werbepartner:innen findet ihr unter: https://linktr.ee/einschlafen Vielen Dank an unsere Partner:innen, die es uns ermöglichen, euch weiterhin beim Einschlafen zu helfen. Host: Nale und Balto Text: Anja Lehmann Musik: Milan Lukas Fey Produktion & Schnitt: Martin Petermann Eine Produktion der Julep Studios

Útvarpsþátturinn Fótbolti.net á X977 laugardaginn 31. maí. Elvar Geir, Valur Gunnars og Benedikt Bóas. Sævar Atli Magnússon, nýjasti leikmaður Brann, kom í upphafi þáttar og svo var farið yfir Lengjudeildina og Bestu deildina. Garðar Ingi frá FH kom, heyrt er í hressum hlustendum og bestu barirnir í Bestu deildinni valdir. Biggi hjá ÍTF ræðir um leiðinlega fólkið sem vill banna bjór á vellinum. Þá er Hannes Þór Halldórsson á línunni og ræðir um Systraslag og íslenska kvennalandsliðið.

Raven's here and Gar's back as we go thru a thick news week including the reveal of Gozyu Polar and some nice Showa figuarts. We discuss the debut of Master Gavv, the second half of Ryugi's backstory arc, and we finally, FINALLY finish the first season of Symphogear.   Casters Present:  Blue Gray Yellow Orange Red  Show Notes: https://www.patreon.com/posts/130323375 Required Viewing: Kamen Rider Gavv 36,  No.1 Sentai Gozyuger 14,  Senki Zesshou Symphogear 11-13  Watch on YouTube: https://www.youtube.com/watch?v=DjEe6-rS7r4   Hungry? Get CA$15 off your first 3 UberEats orders of CA$20 or more! https://ubereats.com/feed?promoCode=eats-christopherm5931ue Get $5 off your first order with SkipTheDishes! https://www.skipthedishes.com/r/6YaJc65HKg

This week hosts Gar and the GarFather welcome in special guest DenBob. Join us this week as we discuss running, pickleball, Chicago software conference, pizza, AI, leadership & management challenges, sports, what we are watching, and of course much, much more!IMPORTANT SHOW LINKSJoin the GarNation family on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

Until 1971, Memorial Day was observed on May 30. That year, the holiday was moved to the last Monday in May. The original date was chosen by Major General John A. Logan, in his General Order No. 11, while he served as Commander-in-Chief of the Grand Army of the Republic, or GAR. He selected the date to ensure access to "the choicest flowers of springtime" across the country.

Saga Garðarsdóttir leikkona var föstudagsgestur Mannlega þáttarins í þetta sinn. Hún leikur eitt aðahlutverkið í nýrri kvikmynd Hlyns Pálmasonar, Ástin sem eftir er sem frumsýnd var í Cannes fyrr í mánuðinum og fékk ljómandi góðar viðtökur. Saga er tiltölulega nýlent eftir viðburðaríka daga í Cannes en hún hefur auðvitað verið á sviðum leikhússanna síðustu ár ásamt því að vera sjálfstætt starfandi gamanleikkona og grínisti um allar trissur. Hún er byrjuð að æfa leikritið ÍBÚÐ 10B eftir Ólaf Jóhann Ólafsson í leikstjórn Baltasars Kormáks sem frumsýnt verður í Þjóðleikhúsinu í haust. Við fórum í ferðalag í gegnum lífið með Sögu Garðarsdóttur í þættinum í dag. Svo var auðvitað matarspjallið með Sigurlaugu Margréti á sínum stað, en hún er stödd í þetta sinn á Krít hvaðan hún var í beinu sambandi. Lambakjöt, sósur, fetaostur, safaríkar melónur, hunang og olía úr fjöllunum er meðal þess sem hún sagði okkur frá í dag. Tónlist í þættinum í dag: Reyndu aftur / Mannakorn (Magnús Eiríksson) Í draumalandinu / Space Station (Björgúlfur Jes Einarsson) Það sem enginn veit / Eysteinn Pétursson (Þórbergur Þórðarson) UMSJÓN GUNNAR HANSSON OG HELGA ARNARDÓTTIR

Michelle O'Dubhda, Aquarist with Dingle Oceanworld and joins Ray to chat about Gar the Penguin and all his Humboldt friends.

Sjónvarpsþáttaröðin Veislan með Michelin matreiðslumanninum Gunnari Karli Gíslasyni og Sverri Þór Sverrissyni er að hefja göngu sína á ný á RÚV um miðjan júní. Þetta er þriðja þáttaröðin sem unnin er og að þessu sinni heimsækja þeir eyjar í kringum landið. Þetta eru eyjarnar Flatey í Breiðafirði og á Skjálfanda, Hrísey, Vigur og Heimaey. Þar hitta þeir fyrir heimamenn og elda með þeim kræsingar úr hráefni frá hverjum stað. Þau Lilja Jónsdóttir, leikstjóri og ein meðframleiðenda þáttanna, og Gunnar Karl sögðu okkur í þættinum frá Veislu sumarsins ásamt því að ræða hvað verður um uppskriftirnar allar sem eru spunnar upp á þessum fallegu stöðum og sögurnar sem þau hafa fengið að heyra á ferðalögunum. Lesandi vikunnar í þetta sinn var Ásta Sigrún Magnúsdóttir, samskiptastjóri Garðabæjar. Við fengum hana til að segja okkur hvaða bækur hún hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft mest áhrif á hana í gegnum tíðina. Ásta talaði um eftirfarandi bækur og höfunda: Julie Chan is dead e. Liann Zhang Kúnstpása e. Sæunni Gísladóttur Bréf úr sjálfskipaðri útlegð e. Gunnlaug Magnússon. Kvika e. Þóru Hjörleifsdóttur Baldintáta e. Enid Blyton, Sitjið Guðs Englar serían e. Guðrúnu Helgadóttur Elías e. Auði Haralds Peð á páhnetunni Jörð e. Olgu Guðrúnu Árnadóttur Tónlist í þættinum í dag: Ég er á leiðinni / Brunaliðið (Magnús Eiríksson) Horfðu til himins / Nýdönsk (Jón Ólafsson, Daníel Ágúst Haraldsson, texti Daníel Ágúst Haraldsson) Heimförin / Ásgeir Trausti (Ásgeir Trausti Einarsson, texti Einar Georg Einarsson) UMSJÓN GUNNAR HANSSON OG HELGA ARNARDÓTTIR

Series 3 Incense: Kyoto by Comme des Garçons (2002) + Hayao Miyazaki's Spirited Away (2001) + Isao Takahata's The Tale of Princess Kaguya (2013) with David 5/23/25 S7E35 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

This week hosts Gar and the GarFather discuss home maintenance, garage clean up, Tom Cruise, school budget votes, twat capital of LI, wedding plans, EPL and Forest, and of course much, much more!IMPORTANT SHOW LINKSJoin the GarNation family on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

In episode 288 of The Just Checking In Podcast we checked back in, for the fourth time, with Gar Lock. Gar Lock is an Irish farmer and one of the biggest characters we've had on the podcast. In our chats over the last two years, we have discussed a whole range of interesting subjects, as well as his fascinating life journey. In our first check-in, in JCIP #196 we discussed his chequered family history, serving prison time, his journey to redemption and helping ex-prisoners turn his life around like he did. In JCIP #225, we discussed the influence that fitness guru David Goggins has had on Gar's life, the loneliness epidemic in men and how and where men can find meaning if the traditional route of a family is out of reach. Finally, in JCIP #263, we had a frank and nuanced conversation about the concept of men crying, the importance of regulating and managing your emotions as a man and when is the right time to cry as a man and the wrong time to cry? We also discussed Gar's approach to his own sons when they have cried in front of him. In this episode we discuss the rise of a concept of ‘mankeeping', which was coined by academics Angelica Puzio Ferrara and Dylan P. Vergara, and published by Stamford University in their study from October 2024 called ‘Theorizing mankeeping: The male friendship recession and women's associated labor as a structural component of gender inequality'. We also discuss the current life juncture he finds himself in, with five children and some of them flying the proverbial nest and the rest getting to that stage soon too. We finish by discussing his programme for ex-prisoners, where it is now and where he potentially sees it going in the future. As always, #itsokaytovent You can listen to all of Gar's previous episodes below: JCIP #196 - Gar Lock: https://soundcloud.com/venthelpuk/jcip-196-gar-lock JCIP #225 - Gar Lock - Part 2: https://soundcloud.com/venthelpuk/jcip-225-gar-lock-part-2 JCIP #263 - Gar Lock - Part 3: https://soundcloud.com/venthelpuk/jcip-263-gar-lock-part-3 Support Us: Patreon: www.patreon.com/venthelpuk GoFundMe: www.gofundme.com/f/help-vent-supp…ir-mental-health Merchandise: www.redbubble.com/people/VentUK/shop Music: @patawawa - Strange: www.youtube.com/watch?v=d70wfeJSEvk

Ganja by Comme des Garçons (2021) + Stanley Kubrick's Full Metal Jacket (1987) with Thaddeus Russell of Unregistered 5/21/25 S7E34 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we while we discuss with DenBob stuck in traffic the GarFather's exciting trip, golf outing highlights, emotional support, listener feedback sponsored by Gary's Mattress, and of course much, much more!IMPORTANT SHOW LINKSJoin the GarNation family on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

We're a little bit late this week despite recording earlier than usual, but hey, we're here and ready to talk want list dreams fulfilled, the new perfume from Orto Parisi, and round of The Game that goes from ice cream to peppery meat. Cocktail Recipe - Jasmine & Cherry(00:00) - - Intro and Le Galion (05:21) - - Quick Want List Thoughts (09:00) - - Talking About Chanel Exclusifs (11:53) - - Risvelium by Orto Parisi and Scents That Don't Quit (17:25) - - Bath Products - Send Us Recs (19:08) - - Spoturno Releases (21:30) - - Scents of the Week (33:22) - - The Game Scents Mentioned in this Episode:L'âme Perdue and L'Astre by Le Galion / Fumabat by Couteau de Poche / Jersey by Chanel / Jasmin, Special for Gentlemen, and Ferveur by Le Galion / Comete, Le Lion, No 19, No 22, Cuir de Russie by Chanel / Rimbaud, Reptile, and Nightclubbing by Celine / Risvelium, Bergamask, Stercus, and Terroni by Orto Parisi / Speed Legends by Ex Nihilo / Coromandel by Chanel / Melodie de L'Amour by Dusita / Moon Bloom by Hiram Green / Mannered Musk, Discernment, and Vocation by Dalegerard / Thumbsucker by Stora Skuggen / Mexican Baroque (Candle) by Arquiste / Sycomore by Chanel /  Hinoki by Comme des Garçon x Monocle /  Incense Kyoto and Avignon by Comme des Garçon / Into The Oud and Mellow Yellow by Astrophil & Stella / Bois d'Encens by Armani / China White and Baraonda by NasomattoThe GameMatcha Soft Serve by  d'Annam / Blackpepper by Comme des Garcons / Gong by January Scent Project / La Chasse aux Papillons by L'Artisan Parfumeur / Vetiverissimo by FZOTIC / Black Afgano by NasomattoPlease feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

¿Adicción al alcohol, drogas…? 🌐 https://centro.neurosalus.com/ Solicita información sobre tratamientos de desintoxicación, precios, disponibilidad de plazas… HA SIDO POSIBLE CREAR EL PROGRAMA “LA REUNIÓN SECRETA” GRACIAS A TU AYUDA COMO GUARDIÁN MECENAS. ***** HAZTE MECENAS EN HTTP://WWW.PATREON.COM/LAREUNIONSECRETA Esta noche vive un nuevo directo de #LaReuniónSecreta​ desde la 22:00​ hora española. Te decimos lo que nadie dice: sin anestesia y sin edulcorantes. ¡La Reunión Secreta somos todos! No se lo digas a nadie… ¡PÁSALO! 🔁💪🤫 🎸 CARLITOS TÍNEZ https://www.youtube.com/channel/UC0eeuxpQ70z-Pe0rHhOq9Fg 🗿 FUROR DOMINI: LA IRA DE DIOS 📖 La 1ª novela del Dr. Gaona que puedes comprar exclusivamente aquí: https://bit.ly/FurorDomini 🍺 ALCOTEST - NEUROSALUS https://play.google.com/store/apps/details?id=com.ejample.productos_app https://apps.apple.com/ie/app/alcotest-neurosalus/id1617249188 Conexiones en directo con: - Alberto Ramírez (Licenciado en Filosofía. CEO en Exaudi Catholic News, agencia de noticias internacional católica) - Juan José Mateos (Guardia civil. Exmiembro del GAR destiando en policía judicial EDOA a desempeñar servicios contra el narcotráfico en el Estrecho) - 🎖️ Alfredo Perdiguero (Subinspector de la Policía Nacional. Delegado de ASP) - Fernando Cocho (Analista de Inteligencia) Con el equipo habitual de La Reunión Secreta: Dr. José Miguel Gaona, Joan Miquel MJ, Carlos Martínez, Lourdes Martínez, Marta Vim y Olga Ralló. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ SÍGUENOS EN REDES Twitter: https://twitter.com/lrsecreta Instagram: https://www.instagram.com/lareunionsecreta/ Facebook: https://www.facebook.com/LRsecreta REDES SOCIALES DEL EQUIPO | DR. JOSÉ MIGUEL GAONA | - https://twitter.com/doctorgaona | DIRECTOR | - Joan Miquel MJ - https://www.instagram.com/official_joan_miquel_mj/ | PRODUCTORA | - Lourdes Martínez - https://twitter.com/chicadelaradio | AYUDANTE DE DIRECCIÓN | - Olga Ralló - https://twitter.com/olgarallo | AYUDANTE DE PRODUCCIÓN | - Carlos Martínez - https://twitter.com/Carlitos_Tinez _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Dr. Arvīds Irmejs šajā sarunā atklāj dzīvību glābjošus faktus par vēzi. Dakteris parāda, kā vēzis attīstās un kā tas kļūst arvien viltīgāks laika gaitā, tāpēc agrīnai diagnostikai un mamogrāfijas metodei ir izšķiroša nozīme, lai glābtu dzīvību un saglabātu dzīves kvalitāti. Pat neliela kavēšanās var dramatiski mazināt izveseļošanās iespējas. Dakteris arī norāda, kā 40% vēža gadījumu ir novēršami ar dzīvesveida izmaiņām.Dr. Arvīds Irmejs ir krūts ķirurģijas virsārsts PSKUS. Viņš ir RSU asociētais profesors, Onkoloģijas un molekulārās ģenētikas institūta direktors. Latvijas ārstu biedrības ceremonijā "Gada balva medicīnā" viņš saņēma balvu "Gada cilvēks medicīnā 2021".Šajā sarunā ārsts stāsta par mūsdienu ārstēšanas iespējām, pateicoties kam 80% sieviešu ar krūts vēzi vairs nav jāuztraucas par krūts zaudēšanu. Dakteris sniedz gan praktisku informāciju par skrīninga iespējām Latvijā, gan emocionālu atbalstu un cerību. Tā ir saruna, kas daudzas sievietes un viņu ģimenes var pasargāt no priekšlaicīgas nāves novēloti konstatēta vēža dēļ.Šīs intervijas saturs ir veidots sociālās kampaņas ietvaros, kas veltīta krūts veselībai. Kampaņa Latvijā tiek organizēta sadarbojoties ar krūts vēža pacientēm, pacientu organizācijām, vēža pacientu atbalsta organizāciju Onkoalianse, vadošajiem ārstiem ķīmijterapeitiem un farmācijas uzņēmumu Novartis.Sarunā pieminētos informācijas avotus un saites atradīsi 228. sarunas lapā.SARUNAS PIETURPUNKTI:00:00 - Agrīnā diagnostika glābj dzīvības00:02 – Iepazīšanās ar Dr. Arvīdu Irmeju00:04 - Krūts slimību centra darbība un komanda00:05 - Darba ikdiena un izmaiņas ārsta karjerā00:06 - Vīriešu krūts vēzis - retāk sastopams, bet tas pastāv00:08 - Ticības loma ārsta darbā, kas Dr. Irmejam dod spēku 00:10 - Pozitīva komunikācija ar pacientiem, kad svarīgi fokusēties uz risinājumiem, nevis sliktākajiem scenārijiem.00:14 - Svarīgi, lai pacients nebūtu viens, saņemot diagnozi.00:19 - Mūsdienu iespējas saglabāt krūti00:22 - Māņticības ietekme uz vēža ārstēšanu00:26 - Komplementārās medicīnas loma - fizisko aktivitāšu, uztura un garīgās veselības nozīme vēža ārstēšanas procesā.00:28 - Dzīvesveida ietekme uz vēža attīstību00:30 - Reproduktīvie faktori un krūts vēža risks00:32 - Garīgās veselības ietekme uz imunitāti un vēža attīstību.00:36 - Traģiskās kavēšanās sekas, kuras var mazināt00:40 - Vēža attīstības process un agrīnas diagnostikas nozīme00:44 - Krūts vēža statistika un jaunāku sieviešu risks, kas jāņem vērā00:45 - Mamogrāfijas pieejamība, valsts apmaksātais skrīnings sievietēm no 50 gadu vecuma un ieteikumi jaunākām sievietēm00:47 - Mamogrāfijas metodes drošības skaidrojums00:48 - Krūts vēža statistika Latvijā00:49 - Agrīna diagnostika var samazināt mirstību par trešdaļu00:51 – Skaidrojums, kādas ir mamogrāfijas priekšrocības pār citām metodēm00:54 - Godīga saruna par mamogrāfijas diskomfortu, kad ieguvumi no šī skrīninga atsver īslaicīgo diskomfortu.01:01 - Kā vīriešiem atbalstīt sievas, māsas, draudzenes krūts veselības pārbaudēs un ārstēšanas procesā01:03 - Pārmantotā vēža risks un ģenētiskās pārbaudes sievietēm01:06 – Interesanti pētījumi par krūšu palielināšanu un vēža risku01:07 - Nākotnes prognozes krūts vēža ārstēšanā, kad prevencija un veselīgs dzīvesveids ir efektīvākie risinājumi01:11 - Kā Dr. Irmejs saglabā līdzsvaru un atjaunojas01:14: Tava svarīgākā fotosesija

Alles außer Politik: Peter Filzmaier und Oliver Rathkolb diskutieren über Ahnungslosigkeit als Todesurteil für Demokratien. Ein Podcast vom Pragmaticus. Das Thema:Der Historiker Oliver Rathkolb hat eine These zu der „nervösen Zeit“ unserer Gegenwart, zu Trump, Putin und zum Erfolg der AfD in Deutschland: Irgendwo und irgendwann in den acht Jahrzehnten Demokratie in Österreich und Deutschland seit 1945 müssen die demokratischen Institutionen ausgelassen haben, bei ihrer Aufgabe, „historisches, kritisches Orientierungswissen“ zu vermitteln. „Wenn ich mir heute die AfD in Deutschland anschaue, muss ich mir schon die Frage stellen: Wo ist die politische Bildung denn geblieben? Hat sie die jungen Menschen nicht erreicht?“, fragt Rathkolb.Wer nichts weiß, wird zur Beute jener, die aus der Vergangenheit den Giftbecher der Demokratie machen und so die demokratische Zukunft klauen – Trump, Putin und die AfD sind für den Historiker die prominentesten Beispiele für die Macht der Geschichtsverdrehung und der schleichenden Abschaffung von Demokratie. Die besteht nicht lediglich darin Mehrheiten regieren zu lassen, sondern im politischen Aushandlungsprozess. Dieser ist ohne Wissen nicht zu haben. Unser Gast in dieser Folge: Oliver Rathkolb wurde im November 1955 in Wien geboren und wuchs in Gmünd im Waldviertel auf. Als Professor für Zeitgeschichte an der Universität Wien prägte er die Charak­terisierung Österreichs als „paradoxe Republik“, deren ­Genese er in vielen Büchern aufzeigt. Er initiierte zahlreiche Ausstellungen zur ­Zeitgeschichte, so auch die aktuelle Ausstellung „Kontrollierte Freiheit. Die Alliierten in Wien“ im Wien Museum. Anlässlich dessen gab er dem Pragmaticus ein Interview über die Wirkung dieser Kulturpolitik. Im Interview zeigt er, dass die vier Besatzungsmächte unterschiedlich agierten, und dass der Ansatz der Sowjetunion erstaunlich restaurativ und rückwärtsgewandt war – was sich mit den Interessen der ersten österreichischen Regierung deckte, aber in überraschendem Gegensatz zur Kulturpolitik der KPÖ stand. Der Podcast Alles außer Politik mit Peter FilzmaierIn „Alles außer Politik“ vollzieht der Politikwissenschaftler und Polit-Analyst Peter Filzmaier den Drahtseilakt im Gespräch mit Wissenschaftlern und Experten alles zu bereden und doch nicht bei der Politik anzustreifen. Gar nicht so leicht. Und doch ein weites Feld: Jeden 3. Donnerstag im Monat also Gespräche über Alltag, Leben, Philosophie, Kultur und neue Ideen abseits des Politzirkus.Was bisher besprochen wurde: Das Geld mit Gabriel FelbermayrDie Gesundheit mit Katharina Reich Der Marathon mit Julia Mayer Das Land mit Lisz Hirn Der Host, Peter FilzmaierPeter Filzmaier stammt aus Wien und ist der Politanalyst des Landes. Die Frequenz seiner Auftritte in den Nachrichtensendungen des ORF kann als Indikator für die Intensität einer politischen Krise dienen. Filzmaier formuliert dann im berühmten Schnellsprech präzise Einschätzungen zur Lage der Parteien und zum Urteil der Wähler. Der Politikwissenschaftler forscht und lehrt ansonsten an den Universitäten Graz und Krems, wo er Professuren für Politische Kommunikation sowie Politikforschung innehat. Und er ist Leiter des Instituts für Strategieanalysen (ISA) in Wien. Alles außer Politik ist der einzige Podcast, in dem er nicht über Politik spricht.Dies ist ein Podcast von Der Pragmaticus. Sie finden uns auch auf Instagram, Facebook, LinkedIn und X (Twitter).

Mýrdalshlaupið hefur tryggt sér sess meðal bestu og stærstu utanvegahlaupaviðburða á Íslandi síðustu ár og fer nú fram í 12. skipti þann 31. maí að Vík í Mýrdal. Allt skipulag og utanumhald hlaupsins er í höndum einnar fjölskyldu frá Vík og hlaupið er ræst í fjörunni í Vík og hlaupa allir keppendur upp á Reynisfjall vestan við þorpið þar sem leiðir skilja. Hlaupið er eitt mest krefjandi utanvegahlaup á Íslandi vegna mikillar hækkunar og lækkunar, mikils bratta og fjölbreytts undirlags. Guðni Páll Pálsson, einn af skipuleggjendunum og meðlimur fjölskyldunnar sem stendur að hlaupinu, kom til okkar í dag og með honum var Þorsteinn Roy Jóhannesson sem er einn besti utanvegahlaupari landsins. Veðrið og margbreytileiki er auðvitað fyrirferðamikið í umræðunni, enda hefur það mikil áhrif á okkar daglega líf hér á eyjunni í Norður-Atlantshafi. Nú hefur opnað nýr veðurvefur á ruv.is og er hann síuppfærður með veðurupplýsingum frá Veðurstofu Íslands. Lögð er áhersla á að greina frá veðurspánni á myndrænan hátt þar sem hægt er að skoða allar veðurstöðvar landsins og nágrenni þeirra og fá langtímaspár og ýmislegt fleira. Við heyrðum í Birgi Þór Harðarsyni vefstjóra ruv.is fengum hann til að segja okkur betur frá þessum nýja vef sem hægt er að finna á www.ruv.is/vedur og á www.vedurspa.is. Í Landnámu er sagt frá landnámsmanninum Bjólfi, sem fyrstur nam Seyðisfjörð. Ekki er mikið meira fjallað um ferðir Bjólfs, en sagan segir að hann sé heygður hátt uppi í fjallinu. Baugur Bjólfs er hringlaga útsýnispallur sem mun sitja á Bæjarbrún, fyrir neðan Baugstind, þar sem er einstakt útsýni yfir Seyðisfjörð og í raun til allra átta. Við slógum á þráðinn austur og töluðum við Aðalheiði Borgþórsdóttur, atvinnu- og menningarmálastjóri hjá Múlaþingi og fyrrum sveitarstjóri Seyðisfjarðar, og fengum hana til að segja okkur betur frá þessu verkefni í dag. Tónlist í þættinum í dag: Dúddi rádd'okkur heilt / Stuðmenn og Eggert Þorleifsson (Sigurður Bjóla Garðarsson, Valgeir Guðjónsson og Egill Ólafsson) Stingum af / Mugison (Örn Elías Guðmundsson) Perlur og svín / Emilíana Torrini (Ólafur Gaukur Þórhallsson, texti Hallgrímur Helgason) Simple pleasures / Blood harmony (Ösp Eldjárn) UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Hoje é dia de Livros em Cartaz Degusta! um programa de indicações de livros, séries, filmes e HQs. Veja abaixo a lista dos quatro temas indicados por Andreia D'Oliveira e Gabi Idealli, além de e alguns bônus

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we discuss enhanced licenses, upcoming golf outing, college decisions Ohio State graduation, rugby alumni weekend, hockey lottery, the NY Knicks, what we are watching, listener feedback sponsored by The Ohio State Fair, and of course much, much more!IMPORTANT SHOW LINKSJoin the GarNation family on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

The crew makes their way to Rovel and the hamlet of Gar's Hollow to check in on Kris' family and make sure his dad got out of the Capitol safe...Special Thanks to:Airgl0w for our theme musicJStewIllustrations for our artworkThe Badventure Club is a Block Party Network podcast

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we discuss DenBob's new mic, FA Cup, face id fiasco, conspiracy theories and office conversations, golf cart accidents, workplace dynamics, safety protocols, what we are watching including #TheLastOfUs and #YourFriends&Neighbors, listener feedback sponsored by Foldgers, Smithtown boat slips, and of course much, much more!IMPORTANT SHOW LINKSJoin the GarNation family on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

We talk the 2-2's, the Pope and Gar's phone battery dying along with everything else happening at the club.

Kanada liegt im Konflikt mit den USA unter Trump. Ex-Außenminister Gabriel hat ins Spiel gebracht, es könne sich doch auf die eine oder andere Weise der EU anschließen. Gar nicht so abwegig, findet Jana Fischer in ihrem satirischen "Wort zum Dienstag". Von Jana Fischer.

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we discuss Jr Prom update, sports, Nassau Coliseum, amazing listener feedback sponsored by Goodyear and much, much more!!IMPORTANT SHOW LINKSJoin the GarNation family on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOWThe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lousy At Gaming Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

Garść dwóch refleksji poświątecznych. W święta wielkanocne następuje zwykle zwiększony przerób jajek. Często ocierający się o ich konsumpcję. W konsekwencji pozostaje nam więcej opakowań po jajkach, tak zwanych wytłaczanek. Bo są wytłaczane w jakiś odpowiednich maszynach. Internet radzi do jakiego pojemnika je wyrzucać. Wytłaczanki po jajkach są wykonane z papieru, plastiku lub styropianu. . z plastiku lub styropianu należy wyrzucać do żółtego kosza. Te z kartonu do niebieskiego. Właśnie dlatego, zanim je wyrzucimy, należy upewnić się, z czego dokładnie są zrobione. Ktoś pochopny, w tym celu uda się do sklepu gdzie jajka nabył i pyta sprzedającego z jakiego materiału są wykonane te o tutaj te wytłaczanki.

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we discuss The Masters, college trips and decisions, new hires and of course, much, much more!!IMPORTANT SHOW LINKSJoin the GarNation family on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOWThe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lousy At Gaming Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

Arbitrators and counsel can use artificial intelligence to improve service quality and lessen work burden, but they also must deal with the ethical and professional implications. In this episode, Rebeca Mosquera, a Reed Smith associate and president of ArbitralWomen, interviews Benjamin Malek, a partner at T.H.E. Chambers and former chair of the Silicon Valley Arbitration and Mediation Center AI Task Force. They reveal insights and experiences on the current and future applications of AI in arbitration, the potential risks of bias and transparency, and the best practices and guidelines for the responsible integration of AI into dispute resolution. The duo discusses how AI is reshaping arbitration and what it means for arbitrators, counsel and parties. ----more---- Transcript: Intro: Hello, and welcome to Tech Law Talks, a podcast brought to you by Reed Smith's Emerging Technologies Group. In each episode of this podcast, we will discuss cutting-edge issues on technology, data, and the law. We will provide practical observations on a wide variety of technology and data topics to give you quick and actionable tips to address the issues you are dealing with every day.  Rebeca: Welcome to Tech Law Talks and our series on AI. My name is Rebeca Mosquera. I am an attorney with Reed Smith in New York focusing on international arbitration. Today we focus on AI in arbitration. How artificial intelligence is reshaping dispute resolution and the legal profession. Joining me is Benjamin Malek, a partner at THE Chambers and chair of the Silicon Valley Arbitration and Mediation Center AI Task Force. Ben has extensive experience in commercial and investor state arbitration and is at the forefront of AI governance in arbitration. He has worked at leading institutions and law firms, advising on the responsible integration of AI into dispute resolution. He's also founder and CEO of LexArb, an AI-driven case management software. Ben, welcome to Tech Law Talks.  Benjamin: Thank you, Rebeca, for having me.  Rebeca: Well, let's dive in into our questions today. So artificial intelligence is often misunderstood, or put it in other words, there is a lot of misconceptions surrounding AI. How would you define AI in arbitration? And why is it important to look beyond just generative AI?  Benjamin: Yes, thank you so much for having me. AI in arbitration has existed for many years now, But it hasn't been until the rise of generative AI that big question marks have started to arise. And that is mainly because generative AI creates or generates AI output, whereas up until now, it was a relatively mild output. I'll give you one example. Looking for an email in your inbox, that requires a certain amount of AI. Your spellcheck in Word has AI, and it has been used for many years without raising any eyebrows. It hasn't been until ChatGPT has really given an AI tool to the masses that question started arising. What can it do? Will attorneys still be held accountable? Will AI start drafting for them? What will happen? And it's that fear that started generating all this talk about AI. Now, to your question on looking beyond generative AI, I think that is a very important point. In my function as the chair of the SAMC AI Task Force, while we were drafting the guidelines on the use of AI, one of the proposals was to call it use of generative AI in arbitration. And I'm very happy that we stood firm and said no, because there's many forms of AI that will arise over the years. Now we're talking about predictive AI, but there are many AI forms such as predictive AI, NLP, automations, and more. And we use it not only in generating text per se, but we're using it in legal research, in case prediction to a certain extent. Whoever has used LexisNexis, they're using a new tool now where AI is leveraged to predict certain outcomes, document automation, procedural management, and more. So understanding AI as a whole is crucial for responsible adoption.  Rebeca: That's interesting. So you're saying, obviously, that AI and arbitration is more than just chat GPT, right? I think that the reason why people think that and relies on maybe, as we'll see in some of the questions I have for you, that people may rely on chat GPT because it sounds normal. It sounds like another person texting you, providing you with a lot of information. And sometimes we just, you know, people, I can understand or I can see why people might believe that that's the correct outcome. And you've given examples of how AI is already being used and that people might not realize it. So all of that is very interesting. Now, tell me, as chair of the SVAMC AI Task Force, you've led significant initiatives in AI governance, right? What motivated the creation of the SVAMC AI guidelines? And what are their key objectives? And before you dive into that, though, I want to take a moment to congratulate you and the rest of the task force on being nominated once again for the GAR Awards, which will be unveiled during Paris Arbitration Week in April of this year. That's an incredible achievement. And I really hope you'll take pride in the impact of your work and the well-deserved recognition it continues to receive. So good luck to you and the rest of the team.  Benjamin: Thank you, Rebeca. Thank you so much. It really means a lot, and it also reinforces the importance of our work, seeing that we're nominated not only once last year for the GAR Award, but second year in a row. I will be blunt, I haven't kept track of many nominations, but I think it may be one of the first years where one initiative gets nominated twice, one year after the other. So that in itself for us is worth priding ourselves with. And it may potentially even be more than an award itself. It really, it's a testament to the work we have provided. So what led to the creation of the SVAMC AI guidelines? It's a very straightforward and to a certain extent, a little boring answer as of now, because we've heard it so many times. But the crux was Mata versus Avianca. I'm not going to dive into the case. I think most of us have heard it. Who hasn't? There's many sources to find out about it. The idea being that in a court case, an attorney used Chad GPT, used the outcome without verifying it, and it caused a lot of backlash, not only from opposing party, but also being chastised by the judge. Now when I saw that case, and I saw the outcome, and I saw that there were several tangential cases throughout the U.S. And worldwide, I realized that it was only a question of time until something like this could potentially happen in arbitration. So I got on a call with my dear friend Gary Benton at the SVAMC, and I told him that I really think that this is the moment for the Silicon Valley Arbitration Mediation Center, an institution that is heavily invested in tech to shine. So I took it upon myself to say, give me 12 months and I'll come up with guidelines. So up until now at the SVAMC, there are a lot of think tank-like groups discussing many interesting subjects. But the SVAMC scope, especially AI related, was to have something that produces something tangible. So the guidelines to me were intuitive. It was, I will be honest, I don't think I was the only one. I might have just been the first mover, but there we were. We created the idea. It was vetted by the board. And we came up first with the task force, then with the guidelines. And there's a lot more to come. And I'll leave it there.  Rebeca: Well, that's very interesting. And I just wanted to mention or just kind of draw from, you mentioned the Mata case. And you explained a bit about what happened in that case. And I think that was, what, 2023? Is that right? 2022, 2023, right? And so, but just recently we had another one, right? In the federal courts of Wyoming. And I think about two days ago, the order came out from the judge and the attorneys involved were fined about $15,000 because of hallucinations on the case law that they cited to the court. So, you know I see that happening anyway. And this is a major law firm that we're talking about here in the U.S. So it's interesting how we still don't learn, I guess. That would be my take on that.  Benjamin: I mean, I will say this. Learning is a relative term because learning, you need to also fail. You need to make mistakes to learn. I guess the crux and the difference is that up until now, at any law firm or anyone working in law would never entrust a first-year associate, a summer associate, a paralegal to draft arguments or to draft certain parts of a pleading by themselves without supervision. However, now, given that AI sounds sophisticated, because it has unlimited access to words and dictionaries, people assume that it is right. And that is where the problem starts. So I am obviously, personally, I am no one to judge a case, no one to say what to do. And in my capacity of the chair of the SVAMC AI task force, we also take a backseat saying these are soft law guidelines. However, submitting documents with information that has not been verified has, in my opinion, very little to do with AI. It has something to do with ethical duty and candor. And that is something that, in my opinion, if a court wants to fine attorneys, they're more welcome to do so. But that is something that should definitely be referred to the Bar Association to take measures. But again, these are my two cents as a citizen.  Rebeca: No, very good. Very good. So, you know, drawing from that point as well, and because of the cautionary tales we hear about surrounding these cases and many others that we've heard, many see AI as a double-edged sword, right? On the one hand, offering efficiency gains while raising concerns about bias and procedural fairness. What do you see as the biggest risk and benefits of AI in arbitration?  Benjamin: So it's an interesting question. To a certain extent, we tried to address many of the risks in the AI guidelines. Whoever hasn't looked at the guidelines yet, I highly suggest you take a look at them they're available on svamc.org I'm sure that they're widely available on other databases Jus Mundi has it as well. I invite everyone to take a look at it. There are several challenges. We don't believe that those challenges would justify not using it. To name a few, we have bias. We have lack of transparency. We also have the issue of over-reliance, which is the one we were talking about just a minute ago, where it seems so sophisticated that we as human beings, having worked in the field, cannot conceive how such an eloquent answer is anything but true. So there's a black box problem and so many others, but quite frankly, there are so many benefits that come with it. AI is an unlimited knowledge tool that we can use. As of now, AI is what we know it is. It has hallucinations. It does have some bias. There is this black box problem. Where does it come from? Why? What's the source? But quite frankly, if we are able to triage the issues and to really look at what are the advantages and what is it we want to get out of it, and I'll give you a brief example. Let's say you're drafting an RFA. If you know the case, you know the parties, and you know every aspect of the case, AI can draft everything head to toe. You will always be able to tell what is from the case and what's not from the case. If we over-rely on AI and we allow it to draft without verifying all the facts, without making sure we know the transcript inside and out, without knowing the facts of the case, then we will always run into certain issues. Another issue we run into a lot with predictive AI is relying on data that exists. So compared to generative AI, predictive AI is taking data that already exists and predicting another outcome. So there's a lesser likelihood of hallucinations. The issue with that is, of course, bias. Just a brief example, you're the president of Arbitral Women, so you will definitely understand. It has only been in the last 30 years that women had more of a presence in arbitration, specifically sitting as an arbitrator. So if we rely on data that goes beyond those 30, 40, 50 years, there's going to be a lot of male decisions having been taken. Potentially even laws that applied back then that were not very gender neutral. So we need, we as people, need to triage and understand where is the good information, where is information that may have bias and counterbalance it. As of now, we will need to counterbalance it manually. However, as I always say, we've only seen a grain of salt of what AI can do. So as time progresses, the challenges, as you mentioned, will become lesser and lesser and lesser. And the knowledge that AI has will become wider and wider. As of now, especially in arbitration, we are really taking advantage of the fact that there is still scarcity of knowledge. But it is really just a question of time until AI picks up. So we need to get a better understanding of what is it we can do to leverage AI to make ourselves indispensable.  Rebeca: No, that's very interesting, Ben. And as you mentioned, yes, as president of ArbitralWomen, the word bias is something I pay close attention. You know, we're talking about bias. You mentioned bias. And we all have conscious or unconscious biases, right? And so you mentioned that about laws that were passed in the past where potentially there was not a lot of input from women or other members of our society. Do you think AI can be trained then to be truly neutral or will bias always be a challenge?  Benjamin: I wish I had the right answer. I think, I actually truly believe that bias is a very relative term. And in certain societies, bias has a very firm and black and white standing, whereas in other societies, it does not. Especially in international arbitration, where we not only deal with cross-border disputes, but different cultures, different laws, laws of the seats, laws of the contract. I think it's very hard to point out one set of bias that we will combat or that we will set as principle for everything. I think ultimately what ensures that there is always human oversight in the use of AI, especially in arbitration, are exactly these type of issues. So we can, of course, try to combat bias and gender bias and others. But I don't think it is as easy as we say, because even nowadays, in normal proceedings, we are still dealing with bias on a human level. So I think we cannot ask from machines to be less biased than we as humans are.  Rebeca: Let me pivot here a bit. And, you know, earlier, we mentioned the GAR Awards. And now I'd like to shift our focus to the recent GAR Life on Technology that took place here in New York last week on February 20th. And to give our audience, you know, some context. GAR stands for Global Arbitration Review, a widely read journal that not only ranks international arbitration practices at law firms worldwide, but also, among other things, organizes live conferences on cutting-edge topics in arbitration across the globe. So I know you were a speaker at GAR Live, and there was an important discussion about distinguishing generative AI, predictive AI, and other AI applications. How do these different AI technologies impact arbitration, and how do the SVAMC guidelines address them?  Benjamin: I was truly honored to speak at the GAR Live event in New York, and I think the fact that I was invited to speak on AI as a testament on how important AI is and how widely interested the community is in the use of AI, which is very different to 2023 when we were drafting the guidelines on the use of AI. I think it is important to understand that ultimately, everything in arbitration, specifically in arbitration, needs human oversight. But in using AI in arbitration, I think we need to differentiate on how the use of AI is different in arbitration versus other parts of the law, and specifically how it is different in arbitration compared to how we would use it on a day-to-day basis. In arbitration specifically, arbitrators are still responsible for a personal or arbitrators are given a personal mandate that is very different to how law works in general. Where you have a lot of judges that let their assistants draft parts of the decision, parts of the order. Arbitration is a little different, and that for a reason. Specifically in international arbitration, because there are certain sensitivities when it comes to local law, when it comes to an international standard and local standards. Arbitrators are held to a higher standard. Using AI as an arbitrator, for example, which could technically be put at the same level as using a tribunal secretary, has its limits. So I think that AI can be used in many aspects, from drafting for attorneys, for counsel, when it comes to helping prepare graphs, when it comes to preparing documents, accumulating documents, etc., etc. But it does have its limits when it comes to arbitrators using it. As we have tried to reiterate in the guidelines, arbitrators need to be very conscious of where their personal mandate starts and ends. In other words, our recommendation, again, we are soft law guidelines, our recommendation to arbitrators are to not use AI when it comes to any decision-making process. What does that mean? We don't know. And neither does the law. And every jurisdiction has their own definition of what that means. It is up for the arbitrator to define what a decision-making process is and to decide of whether the use of AI in that process is adequate.  Rebeca: Thank you so much, Ben. I want to now kind of pivot, since we've been talking a little bit more about the guidelines, I want to ask you a few questions about them. So they were created with a global perspective, right? And so what initiatives is the AI task force pursuing to ensure the guidelines remain relevant worldwide? You've been talking about different legal systems and local laws and how practitioners or certain regulations within certain jurisdictions might treat certain things differently. So what is the AI task force doing to remain relevant, to maybe create some sort of uniformity? So what can you tell me about that?  Benjamin: So we at the SVAMC task force, we continue to gather feedback, of course, And we're looking for global adaptation. We will continue to work closely with practitioners, with institutions, with lawmakers, with government, to ensure that when it comes to arbitration, AI is given a space, it's used adequately, and if possible, of course, and preferential to us, the SVAMC AI guidelines are used. That's why they were drafted, to be used. When we presented the guidelines to different committees and to different law sections and bar associations, it struck us that jurisdictions such as the U.S., and more specifically in New York, where both you and I are based, the community was not very open to receiving these guidelines as guidelines. And the suggestion was actually made to creating a white paper, And as much as it seemed to be a shutdown at an early stage, when we were thinking about it, and I was very blessed to have seven additional members in the Guidelines Drafting Committee, seven very bright individual members that I learned a lot from during this process. It was clear to us that jurisdictions such as New York have a very high ethical standard, and where guidelines such as our guidelines would potentially be seen as doubling ethical rules. So although we advocate for them not being ethical guidelines whatsoever, because we don't believe they are, we strongly suggest that local and international ethical standards are being upheld. So with that in mind, we realize that there is more to a global aspect that needs to be addressed rather than an aspect of law associations in the US or in the UK or now in Europe. Up-and-coming jurisdictions that up until now did not have a lot of exposure to artificial intelligence and maybe even technology as a whole are rising. And they may need more guidance than jurisdictions where technology may be an instinct away. So what the AI task force has created. And is continuing to recruit for, are regional committees for the AI Task Force, tracking AI usage in different legal systems and different jurisdictions. Our goal is to track AI-related legislation and its potential impact on arbitration. These regional committees will also provide jurisdiction-specific insights to refine the guidelines. And hopefully, or this is what we anticipate, these regional committees will help bridge the gap between AI's global development and local legal framework. There will be a dialogue. We will continue, obviously, to be present at conferences, to have open dialogue, and to recruit, of course, for these committees. But the next step is definitely to focus on these regional committees and to see how we, as the AI task force of the Silicon Valley Arbitration Mediation Center, can impact the use of AI in arbitration worldwide.  Rebeca: Well, that's very interesting. So you're utilizing committees in different jurisdictions to keep you appraised of what's happening in each jurisdiction. And then with that, continue, you know, somehow evolving the guidelines and gathering information to see how this field, you know, it's changing rapidly.  Benjamin: Absolutely. Initially, we were thinking of just having a small local committee to analyze different jurisdictions and what laws and what court cases, etc. But we soon came to realize that it's much more than tracking judicial decisions. We need people on the ground that are part of a jurisdiction, part of that local law, to tell us how AI impacts their day-to-day, how it may differ from yesterday to tomorrow, and what potential legislation will be enacted to either allow or disallow the use of certain AI.  Rebeca: That's very interesting. I think it's something that will keep the guidelines up to date and relevant for a long time. So kudos to you, the SVAMC and the task force. Now, I know that the guidelines are a very short paper, you know, and then in the back you have the commentary on them. So I want to, I'm not going to dissect all of the guidelines, but I want to come and talk about one of them in particular that I think created a lot of discussion around the guidelines itself. So for full disclosure, right, I was part of the reviewing committee of the AI guidelines. And I remember that one of the most debated aspects of the SVAMC AI guidelines is guideline three on disclosure, right? So should arbitrators and counsel disclose their AI use in proceedings? So I think that that has generated a lot of debates. And that's the reason why we have the resulting guideline number three, the way it is drafted. So can you give us a little bit more of insight what happened there?  Benjamin: Absolutely. I'd love to. Guideline three was very controversial from the get-go. We initially had two options. We had a two-pronged test that parties would either satisfy or not, and then disclosure was necessary. And then we had another option that the community could vote on where it was up to the parties to decide whether their AI-aided submission could impact the outcome of the case. And depending on that, they would disclose or not disclose whether AI was used. Quite frankly, that was a debate we had in 2023, and a lot changed from November 2023 until April, when we finally published the first version of the AI guidelines. A lot of courts have implemented an obligatory disclosure. I think people have also gotten more comfortable with using AI on a day-to-day. And we ultimately came to the conclusion to opt for a flexible disclosure approach, which can now be found in the guidelines. The reason for that was relatively simple, or relatively simple to us who debated that. Having a disclosure obligation of the use of AI will very easily become inefficient for two reasons. A blanket disclosure for the use of AI serves nobody. It really boils down to one question, which is, if the judge, or in our case in arbitration, if the arbitrator or tribunal knows that AI was used for a certain document, now what? How does that knowledge transform into action? And how does that knowledge lead to a different outcome? And in our analysis, it turned out that a blanket disclosure of AI usage, or in general, an over-disclosure of the use of AI in arbitration, may actually lead to adverse consequences for the parties who make the disclosure. Why? Because not knowing how AI can impact these submissions causes arbitrators not to know what to do with that disclosure. So ultimately, it's really up to the parties to decide, how was AI used? How can it impact the case? What is it I want to disclose? How do I disclose? It's also important for the arbitrators to understand, what do I do with the disclosure before saying, everything needs to be disclosed. During the GAR event in New York, the issue was raised whether documents which were prepared with the use of AI should be disclosed or whether there should be a blanket disclosure. And quite frankly, the debate went back and forth, but ultimately it comes down to cross-examination. It comes down to the expert or the party submitting the document, being able to back up where the information comes from rather than knowing that AI was used. And if you put that in aspect, we received a very interesting question of why we should continue using AI, knowing that approximately 30% of its output are hallucinations and it needs revamping. This was compared to a summer associate or a first-year associate, and the question was very simple. If I have a first-year associate or a summer associate whose output has a 30% error rate, why would I continue using that associate? And quite frankly, there is merit to the question, and it really has a very simple answer. And the answer is time and money. Using AI makes it much faster to receive using AI makes it faster to receive output than using a first year associate or summer associate and it's way cheaper. For that, it's worth having a 30% error margin. I don't know where they got the 30% from, but we just went along with it.  Rebeca: I was about to ask you where they get the 30%. And well, I think that for first-year associates or summer associates that are listening, I think that the main thing will be for them to then become very savvy in the use of AI so they can become relevant to the practice. I think everyone, you know, there's always that question about whether AI will replace all of us, the entire world, and we'll go into machine apocalypses. I don't see it that way. In my view, I see that if we, you know, if we train ourselves, if we're not afraid of using the tool, we'll very much be in a position to pivot and understand how to use it. And when you have, what is the saying, garbage in, garbage out. So if you have a bad input, you will have a bad output. You need to know the case. You need to know your documents to understand whether the machine is hallucinating or giving you, you know, an information that is not real. I like to play and ask certain questions to chat GPT, you know, here and there. And sometimes I, you know, I ask obviously things that I know the answer to. And then I'm like, chat GPT, this is not accurate. Can you check on this? And he's like, oh, thank you for correcting me. I mean, and it's just a way of, you got to try and understand it so you know where to make improvements. But that doesn't mean that the tool, because it's a tool, will come and replace, you know, your better judgment as a professional, as an attorney.  Benjamin: Absolutely. One of the things we say is it is a tool. It does nothing out of its own volition. So what you're saying is 100% right. This is what the SVAMC AI guidelines stand for. Practitioners need to accustom themselves on proper use of AI. AI can be used from paid versions to unpaid versions. We just need to understand what is an open source AI, what is a close circuit AI. Again, for whoever's listening, feel free to look up the guidelines. There's a lot of information there. There's tons of articles written at this point. And just be very mindful of if there is an open AI system, such as an unpaid chat GPT version. It does not mean you cannot use it. First, check with your firm to make sure you're allowed to use it. I don't want to get into any trouble.  Rebeca: Well, we don't want to put confidential information on an open AI platform.  Benjamin: Exactly. Once the firm or your colleagues allow you to use ChatGPT, even if it's an open version, just be very smart about what it is you're putting in. No confidential information, no potential conflict check, no potential cases. Just be smart about what it is you put in. Another aspect we were actually debating about is this hallucination. Just an example, let's say you say this is an ISDS case, so we're talking a little more public, and you ask Chad GPT, hey, show me all the cases against Costa Rica. And it hallucinates, too. It might actually be that somebody input information for a potential case against Costa Rica or a theoretical case against Costa Rica, Chad GPT being on the open end, takes that as one potential case. So just be very smart. Be diligent, but also don't be afraid of using it.  Rebeca: That's a great note to end on. AI is here to stay. And as legal professionals, it's up to us to ensure it serves the interests of justice, fairness, and efficiency. And for those interested in learning more about the SVAMC AI guidelines, you can find them online at svamc.org and search for guidelines. I tried it myself and you will go directly to the guidelines. And if you like to stay updated on developments in AI and arbitration, be sure to follow Tech Law Talks and join us for future episodes where we'll continue exploring the intersection of law and technology. Ben, thank you again for joining me today. It's been a great pleasure. And thank you to our listeners for tuning in.  Benjamin: Thank you so much, Rebeca, for having me and Tech Law Talks for the opportunity to be here.  Outro: Tech Law Talks is a Reed Smith production. Our producers are Ali McCardell and Shannon Ryan. For more information about Reed Smith's Emerging Technologies Practice, please email techlawtalks@reedsmith.com. You can find our podcasts on Spotify, Apple Podcasts, Google Podcasts, reedsmith.com, and our social media accounts.  Disclaimer: This podcast is provided for educational purposes. It does not constitute legal advice and is not intended to establish an attorney-client relationship, nor is it intended to suggest or establish standards of care applicable to particular lawyers in any given situation. Prior results do not guarantee a similar outcome. Any views, opinions, or comments made by any external guest speaker are not to be attributed to Reed Smith LLP or its individual lawyers.  All rights reserved. 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Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. Boston, début des années 1950. Coretta est une jeune femme brillante et indépendante. Née en 1927 à Marion, en Alabama, elle a toujours trouvé dans l'école un lieu d'épanouissement. Musicienne talentueuse, première soprano de la chorale, elle joue aussi du piano et de la trompette. Mais au-delà des arts, Coretta est animée par une autre passion : la justice. Pendant ses études à Yellow Springs, elle rejoint la NAACP et s'engage dans la lutte pour les droits civiques. De son côté, Martin Luther King Jr. grandit à Atlanta, en Géorgie. Garçon précoce et réfléchi, il décroche à 18 ans une licence en sociologie et fait un choix déterminant : il sera pasteur. Pour lui, l'Église est le meilleur moyen de donner du sens à sa vie et de partager de l'humanité. En 1951, il termine sa licence en théologie et part à Boston pour son doctorat. C'est là, sur le campus, que leurs chemins se croisent. Martin demande à une amie si elle connaît une jeune femme à lui présenter. Elle pense immédiatement à Coretta. Une rencontre arrangée qui ne tarde pas à devenir une évidence. Entre eux, tout va très vite. Ils se découvrent, se reconnaissent. Coretta n'avait pas prévu de tomber amoureuse. Martin non plus. Mais ensemble, ils vont écrire l'une des plus grandes histoires d'amour et de lutte du XXe siècle. Un podcast Bababam Originals. Première diffusion : 25 juin 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week hosts Gar and the GarFather welcome our special guest DenBob. Join us as we AirB&B's, Tesla's auto-driving, Floral Park ped, prom season, psychic dream, sports, and of course, much, much more!!IMPORTANT SHOW LINKSJoin the GarNation family on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the GarCast on social media via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thegarcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find all our closing music in a play list on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want, you can send us a voice message by following this link  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/garcast/message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MUSIC CREDITSIntro Music Dead To The World by Clyde⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Video Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Closing Music is ⁠GONECHECK OUT FRIENDS OF THE SHOWThe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lousy At Gaming Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Seal Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to check out Clyde on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

In Episode 180 of "The Marketing Madmen," Nick Constantino and Trip Jobe kick off the show with a heated PSA about driving in snow, highlighting the frustrations of navigating icy roads in Atlanta. Despite the freezing weather, the hosts are live from the Battery and ready to dive into a fascinating discussion on intellectual property. They are joined by Gar Hogan, a general partner at Tribute Management, who brings a wealth of experience from his previous career as an attorney specializing in trademark and intellectual property law. Gar shares his journey from aspiring musician to influential lawyer in the entertainment industry, shedding light on the critical role of intellectual property in music and beyond. Nick, Trip, and Gar explore the complexities of the music industry, from songwriters and performers to the impact of streaming services. They discuss how the digital revolution has flipped the industry on its head and the importance of understanding branding and trademarks in today's landscape. Gar emphasizes the need for education on intellectual property and how it shapes the entertainment world. Gar shifts the focus to Bob Seger, detailing his rise from playing at youth clubs in Detroit to becoming a rock legend. Seger's career was built on relentless touring and live performances, often in small, intimate venues. The episode concludes with insights into Seger's songwriting evolution, his influence on the music industry, and his enduring legacy. Finally, the conversation pivots to the topic of homelessness. Gar passionately explains the complexities of homelessness and the innovative solutions some cities are employing to address this pervasive issue. He highlights the significant burden on city budgets due to overcrowded jails and the high costs of emergency medical treatment for the unhoused population. Gar emphasizes that taking the criminal justice element out of homelessness and focusing on services is crucial. Key Takeaways: The importance of intellectual property in the music industry. The impact of streaming services on traditional music promotion. Bob Seger's rise to fame and songwriting evolution. The challenges posed by changing algorithms on digital platforms. The complexities and costs associated with homelessness. The effectiveness of programs like PAD (Policing Alternatives & Diversion). Hashtags: #MarketingMadmen #IntellectualProperty #MusicIndustry #BobSeger #Homelessness #SupportiveServices Meta Description: Join Nick Constantino, Trip Jobe, and Gar Hogan as they discuss intellectual property, Bob Seger's legacy, and innovative solutions to homelessness. #MarketingMadmen Focus Keyword: Music Industrypatreon.com/TheMarketingMadMen: https://www.nick-constantino.com/See omnystudio.com/listener for privacy information.

Amid the chaos of World War II, a secret project emerged from the depths of military innovation—Project X-Ray. It was an idea so strange, so deceptively simple, it bordered on madness: an army of bats, each carrying a hidden firestorm. Under the cover of night, they would infiltrate enemy cities, vanishing into eaves and rafters—silent and unseen. Without warning, flames would erupt from the shadows, consuming everything in their wake. Designed to spread fear as much as fire, the plan was as terrifying as it was eccentric and most would have been excused for believing it could surely never work. But then, if necessity was the mother of invention, bravery was surely the mother of success, and as the world found out in 1945, the war effort needed something bold.  SOURCES Couffer, Jack (1992) Bat Bomb: World War II's Other Secret Weapon. University of Texas Press, TX, USA. Alperovitz, Gar (1995) The Decision to use the Atomic Bomb. Harper Collins, London, UK. Ham, Paul (2011) Hiroshima Nagasaki. Harper Collins, London, UK. McNichols, Charles L and Carus, Clayton D. (1942) One Way to Cripple Japan: The Inflammable Cities of Osaka Bay. Harper's, June 1942, pp. 29-36. NY, USA. Trimble, William F. & Lewis, David (1988) Lytle S. Adams, the Apostle of Nonstop Airmail Pickup. Technology and Culture, Vol. 29, No. 2 (Apr., 1988), pp. 247-265. The Johns Hopkins University Press, USA. ------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for March 24, 2025 is: garble • GAR-bul • verb To garble something, such as a word, name, message, etc., is to cause it to be unclear or distorted. This type of garbling can be the result of an accident, ignorance, or a transmission error. Garble can also mean "to so alter or distort as to create a wrong impression or change the meaning." // I was so nervous I garbled their names. See the entry > Examples: "Noisy environments and interruptions garbled the audio or led to the services transcribing voices of people in the office who weren't in our meeting." — Danielle Abril, The Washington Post, 17 Aug. 2023 Did you know? Garble is a word with a spicy history, and we're not just saying that to curry favor with gastronomes. It is presumed that this word was passed from Arabic to Mediterranean Europe through trade in Eastern spices, and was first introduced into English from the Anglo-French verb garbeler, used for the action of sifting out impurities—such as dust, dirt, husks, etc.—from spices. In the 15th century, the English garble carried this same meaning as well as "to cull," i.e., to sort or pick out the best parts of something. If these origins seem curious given garble's now more common meanings of "to so alter or distort as to create a wrong impression" and "to cause to be unclear or confusing; to introduce error into," consider that one way of garbling someone's story is to take bits and pieces out of context.