Podcast appearances and mentions of corey henry

A conversation with Hungarian born, German based producer, musician and composer - Leslie Mandoki (Mandoki Soulmates with Ian Anderson, Al Di Meola, Mike Stern, Corey Henry and Simon Phillips).

Our celebration of Pentecost will lift up the wild disrupting design of the Holy Spirit which crosses boundaries in unexpected ways as we read Acts 2 alongside the life of Mary Reynolds with music by Corey Henry and Solabel. Worship online with thetable.live. CCLI #805699 / CCLI Streaming #094804

Cole WIlliams of the Greater New Orleans Citizen's Relief Team talks with host Max Rameau about liberating homes owned by the city of New Orleans, renovating them, and moving in unhoused people.Described as having ​“the heart of Bob Marley, soul of Sam Cooke and grit of Etta James”,​ New Orleans-based Cole Williams and The Cole Williams Band (CWB) has rooted their sound in the tradition of ​Gil Scott-Heron​, creating songs that reflect the everyday experiences and hopes of Black people all around the world. Their new album, ​“Give Power to the People''​ are anthems of the Movement for Black Lives and certainly for people struggling to make sense out of this dangerous and hopeful moment.Over the course of her career, Cole has provided vocals and percussion for Joey Bada$$, Chiddy Bang, Beats By The Pound, Aloe Blacc, Little Jackie, Diane Birch, Somi, Lisa Lisa and the Cult Jam, Kaissa, Dana Fuchs, Pimps Of Joytime, Holy Warriors (Harold Brown, Bill Summers, Bruce “Sunpie” Barnes), and commercial/tv recordings for CoverGirl, JCPenney, Suave, Smash, and Khloe and Kourtney Take Miami. CWBs' live performance highlights include The New Orleans Jazz and Heritage Festival, Joshua Tree Music Festival, French Quarter Festival, Blue Note NYC and opened for India Arie, Emily King, Ozomatli, The Wild Magnolias, Corey Henry and Treme Funktet, and Lauryn Hill.Following frequent street demonstrations at New Orleans' City Hall, Williams and T​he Greater New Orleans Citizens Relief Team​ organized and succeeded in getting the City to provide emergency housing in empty hotels in August 2020, and now they are renovating City-owned blighted houses with the presently unhoused people that will live in them. “We are calling all creatives to action. Now is the time for musicians, artists, dancers, rappers, poets, actors and actresses to unite and design a culture where we share our gifts, skills, talents and resources with the least of ours, specifically in the unhoused community, to create a world where wealth is shared equally, and white supremacy cannot survive”    The bedrock of The Cole Williams Band's new album and community organizing follows the course civil rights veteran, Ella Baker, taught that created a successful and historic freedom movement. ​“Give Power To The People”,​ articulates the core of their organizing: go to the poorest people, create a shared plan for advancement, raise the spirits and awareness of our people, gain broad support and make it happen. “We believe the practice of humanity is the blueprint for freedom and equality”.See more of the work of host Max Rameau at pacapower.org. Stay subscribed to The Next World for more news from the frontlines of movements for justice and liberation. You can read more about the issues we explore on our podcast and much more at dignityandrights.org, the website of Partners for Dignity & Rights.Please subscribe, spread the word, and support the show.Support the show (https://dignityandrights.org/donate/)

Part one of a special Easter episode, wherein we discuss any and all organ music related to the Gospel, including a brief history of the Hammond organ as it relates to the church and a 'Musical Trip Around the World" with the Sound Of Suddard. A lot of time is spent with some of the great - living and deceased - black gospel B3 players.Musicians discussed: Stephanie McDee, Corey Henry, Lorin Whitney, Ralph Platt, Alfred Bolden, Timmy Thomas, Twinkie Clark, Terry Bradford, and more.NOTE: you will hear occasional "dinging" noises throughout the episode. That is because this was recorded during a live stream via YouTube and we neglected to mute all APP alerts. Whoops....there are not many. Won't happen again.

Ben Ellman joined the show on April 19, 2018, the eve of the release of Walter ‘Wolfman’ Washington’s most recent album ‘My Future is My Past’. Ben talked about producing the album, working with Cha Wa, how he came to New Orleans, and the beginnings of his music career in NOLA, including Little Rascals Brass Band, Lump, and of course Galactic. Shout outs during the show included Corey Henry, Ben Shank, Willie Green, Neville Brothers, Kid Koala, Kermit Ruffins, Whitney Houston, Klezmer All-Stars, Gypsyphonic Disko, Danny Barker, James Singleton, Muddy Waters, Adam Shipley, Anti Records, Tom Waits, Stanton Moore, Jonathan Freilich, Rob Cambre, and more.Thanks for listening and sharing…

When I first learned I was a medium. What IS A MEDIUM anyway? James From Summit Hill writes: Can I change my Karma? And a Stevie Wonder cover by Corey Henry dedicated to my late mentor Arlene Duggan. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/orphicfrequency/message

Corey Henry, Smokey Robinson en de Teskey Brothers! Allemaal en nog veel meer in deze podcast van Licence 2 Chill. Cooling Down, New York-Style. Met Jeroen Kijk in de Vegte.

Musician Corey Henry has made some controversial statements. Let's put them in perspective and discuss them... --- Support this podcast: https://anchor.fm/terence-fisher/support

This week I spend some time speaking with RC Williams. A Dallas musician who has held down the weekly DFW Jam Sessions for many years; a place where world class musicians get together and explore. It was at one of these sessions that young UNT students with a band named Snarky Puppy met cats like RC, Sput Searight, Shaun Martin, and Corey Henry. RC & The Gritz is best known as Erykah Badu's band, and their new album, Analog World, hit this year. The band starts with a pickup band vibe, but soon you can tell they've got their own groove. Catch the new RC & The Gritz record "Analog World" upon its release on March 8, 2019. https://rcandthegritz.bandcamp.com/album/analog-world Produced by Nick Perri. Engineered by Steve Eshewsky. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Met deze aflevering onder anderen die prachtige uitvoering van 'Purple Rain' door Corey Henry en het Metropole Orkest. (Thnx voor alle verzoekjes!!!) en natuurlijk vooral Cooling Down - New York-style. Soul, Disco, Funk & een vleugje Jazz. U gebracht door Jeroen Kijk in de Vegte

Greg Clark Jr had played with everyone from Cody Simpson to Snarky Puppy to Leann Rimes. On this episode he discusses the art of cultivating your own sound and wisdom for being in the music industry. He shares his experiences from playing at the white house for Obama to being asked to sit behind Dennis Chambers kit, mid gig.   Born and Raised in Washington DC, Greg started playing drums in church around 3 or 4 years old as a left handed drummer who was forced into learning to play right handed. Then an opportunity arose to switch over to setting up the kit left handed and he's never looked back. "I love that drums are a never ending challenge” are words echoed by Greg in so many ways throughout this podcast.   While young in his career Greg was on his first big travel date in Aruba and had his eyes opened by the uniqueness of Mary J Blige drummer Rex Hardy Jr's playing. This furthered Greg's desire to begin cultivating his own sound and sharing how others could do the same.   How to go about cultivating your own sound - find musicians older or more experienced than you      - taught greg respect and how to listen to other musicians      - our main job is to keep the time, while paying attention to others - find your favourite musicians, then discover their influences - Don't listen to the same 3 or 4 drummers - avoid only watching drummers on YouTube - Listen to pianists, bassists and vocalists - Go to clubs and sit in on open mic's - Soak in different environments - “Everybody hears that certain musician, or record, and it turns the light-switch on for them" - You never know when ‘this record will be the record that changed my life.' - patiently take time to figure out the things you're trying to hear on the drums - Finding your own sound is about looking past what's just on YouTube   Episode highlights from Greg Clark Jr: "Listening to busta Rhymes's rhythm helped shape the way I play" "With experience comes experience, not necessarily age." "Sooner or later you hear that one record and think… I understand now." “A lot of musicians feel like they're ready for something… but they're not ready." "You can either do two things - you can be upset about it, or you can pull out your pen and pad and start taking notes." “Dennis (Chambers) has been in the game a really long time, but he's still aware of everything that is current." "Dennis Chambers will tell you he's not going to come to your show and not to put him on the guest list, just so he can buy a ticket to your show and come support… That's the type of person he is." "Will Kennedy is another guy I've watched forever. Will has some of the, consistently, best sounding drums in the business. He can make an odd time sound like a super easy, even time groove." "It turned out, I was fortunate enough for things to happen. I'm blessed, I must say." "When you can accurately hit a drum, or tune a drum, it gives the engineer less work to do. They respect you more because they know they can call you and you'll sound solid, providing great tone. You save them time and money and they'll keep you in their favourite 5"   People Mentioned: - Dennis Chambers - Vinnie Colaiuta - Carlos Vega - Louie Bellson - Steve Gadd - Jay Williams - Aaron Spears - Steve Johnson - Jamal Moore - Greg Granger - Calvin Rogers - Brian Frasier Moore - Robert Sput Searight || - Gergo Borlai - Justin Brown - chris colemans - Thomas Pridgen - Ronald Brunner Jr - Chris Leech - Piano Player who does Tracks - Dave Weckl - Chick Corea Elektric Band - Carlos Vega - Corey Henry - Leann Rimes - Mary J Blige - Rex Hardy Jr   Greg Clark Jr also shares: - Stories on Calvin Rogers and Robert Sput Searight - How he was asked to fill in for Snarky Puppy - How Dennis Chambers took Greg under his wing - How Will Kennedy also took Greg under his wing   Drummers Dennis has mentioned frequently      - Gergo Borlai      - Justin Brown      - Chris Coleman      - Thomas Pridgen      - Ronald Bruner Jr   Greg Clark Jr on Mom: About 3 years ago I realized just how good she was, transcribing a challenging piece she was site reading on the fly. She's one of my biggest influences.   Greg Clark Jr on drum tuning: - Calvin Rogers, Dave Weckl and Will Kennedy's drum tuning - drum tuning is an unusual thing because of the variables - they take a lot of time tuning their drums - there's a different spectrum of drum sounds - Use dampening for specific reasons, but start with open sounding drums - There's a place, and a balance to figure out, for all tunings - What does the venue acoustically call for? - Taking the drum heads completely off and starting from scratch - measuring up your drum sounds to records - ask people for help “my tuning sucks, can you help me?" - Everybody who's tuning I enjoy, I've sat down and asked them to help me, or snuck in to watch them tune - Every drum is different, the trick is figuring out how to get your sound out of the drum - No matter what happens, people should be saying those drums sounded good because you got your point across and sounded like yourself. That's the key. - Stand on your kick drum head to stretch the head out - When you put the heads on the rack tom, tune everything super tight to play it in. - Floor toms, semi tighter on the bottom than the top head. - Understand how to play on a bebop drum set and get your sound out of it just the same. - Snare drum, clockwise tuning always. Super tight bottom head. Coated 2 ply batter. - Clear heads, single ply on bottom, two ply on tops of toms   What are you listening to while playing with a band? It all depends on who I'm playing with, what artist is singing, who's in the band. Some people have bad time and you have to be aware of that. For the most part I'm listening to the bass so the music is locked and doesn't fall apart. No matter what happens, if anything goes wrong on the foundation, the drummer gets the blame. It's mainly the bass player I'm listening to, but I'll ask for a mix of a little of everyone in my monitor.   What's one of the best ways to improve feel and time: Sense of time is easy: I got a metronome or MPC track and turn the track super low in volume and practice playing to it. You have to train your ear and body to hear the pulse and feel the click. When you get comfortable with what you're playing to, turn it down really really low and try to chop over it. It's an easy answer, but not an easy process. Everyone in the band will be looking to you for comfort (with timing) and if you're not comfortable they won't be either. If you're not comfortable playing off time, simply set up a click to practice to. The click ain't gonna lie, the click will keep you honest.   What drummers / artists do you recommend listening to for Feel? Listen to records and feel. Steve Gadd is the king of feel. Dennis chambers, Will Kennedy, Gary Novak, Carlos Vega with James Taylor… Listen to all these guys. You can't teach feel behind the drum-set, you really have to figure that out on your own.   "Make the music feel good, and the people on the dance floor dance."   "Feel is not a black thing, feel is a human thing. One of my favourite drummers on a couple of Miles Davis' wife record Betty Davis is Greg Errico, a white drummer/ When you hear him play (Greg Errico) you will think this is a 50 year old black dude who knows how to make soul food." "Yogi Horton on I'm coming out, that stuff feels great."   - Carlos Vega - Steve Gadd - Dennis Chambers - Will Kennedy - Gary Novak - Any motown records - James Brown Greg on Antonio Sanchez, "I don't think drummers understand how big a deal it is that a drummer was asked to score the movie bird land."   "Feel is not a thing you figure out in 6 months… it is everything you build on and evolve from. You have to stay current and relevant to what feels good and how people dance."   Parting Advice: "We LEARN so that we can TEACH." "Keep practicing, keep staying current, past to present." "Go out and support artists play because they will be the ones coming to see you play “If Jeff Tain Watts is in town, I'm going to go catch the gig." "Billy Cobham's Spectrum band… Billy was killing it at 70 years old. There's nothing like seeing people play in person." "Stay current, go see people play, buy records, practice tuning, being very aware, work on feel pulse." "Go see Corey Henry playing an organ show." “Hear a show not driven by the drums but the artist" "Go watch Chick Corea Elektric Band play." “Weather report, stanley clark… they shifted music to what it is today." "If you want to grow, don't be afraid to ask drummers to help."

Now more than ever independent artists thirst for an opportunity to be heard. Indie Review Radio is the catalyst to do just that. Each week the show will feature the best and greatest in the world of independent musicians artists and seasoned industry professionals. The show will include new music by indies, the latest in industry trends by seasoned industry professionals and a wealth of information for independent artists that are looking for what's next in their careers. 

Henry himself is perhaps best recognized around the world as the sweet toned trombonist featured in the Rebirth Brass Band, Galactic, and trumpeter Kermit Ruffins’ band, The Barbecue Swingers.  He has also recorded and played with the Dirty Dozen, Treme and New Birth Brass Bands. He has imparted his fiery melodies on stages everywhere from New Orleans neighborhood barrooms to far away festivals before hundreds of thousands in Canada, Japan Australia, Brazil, Hungary, Spain and Thailand and command performances for the ambassadors of Senegal, Morocco, Egypt and Kuwait. Henry has been leading his own band for over 20 years.  Like so many other eager young musicians in the Crescent City, he hung around older musicians to build his skills and develop his style.  In 1985, the legendary musician, Anthony “Tuba Fats” Lacen, encouraged the 10-year-old prodigy, suggesting he put a band together. The Lil’ Rascals Brass Band has been together now for 26 years, still challenging second liners and rival bands with its hot beats.  The ensemble has released two fine, very diverse albums. Since 2008, Henry has been touring with Galactic and has recorded 3 albums with them.In 2011, Henry started a new venture, establishing the Treme Funktet. It’s a funky sextet that’s comfortable moving from jazz to R&B and hip-hop, with an occasional visit to the second-line brass band style. In 2012 Henry won a Grammy Winner with the Rebirth Brass Band for the album Rebirth of New Orleans in the Best Regional Roots Category.  Now working on his solo album, Corey Henry plans to pay tribute to all the veteran New Orleans musicians from whom he learned his craft, absorbing all they had to offer.  

Henry himself is perhaps best recognized around the world as the sweet toned trombonist featured in the Rebirth Brass Band, Galactic, and trumpeter Kermit Ruffins’ band, The Barbecue Swingers. He has also recorded and played with the Dirty Dozen, Treme and New Birth Brass Bands. He has imparted his fiery melodies on stages everywhere from New Orleans neighborhood barrooms to far away festivals before hundreds of thousands in Canada, Japan Australia, Brazil, Hungary, Spain and Thailand and command performances for the ambassadors of Senegal, Morocco, Egypt and Kuwait. Long before teaming up with any these vanguard ensembles however, Henry, now 36, had been leading his own band for over twenty years. Like so many other eager young musicians in the Crescent City, he hung around older musicians to build his skills and develop his style. In 1985, the legendary musician, Anthony “Tuba Fats” Lacen, encouraged the 10-year-old prodigy, suggesting he put a band together. The Lil’ Rascals Brass Band has been together now for 26 years, still challenging second liners and rival bands with its hot beats. The ensemble has released two fine, very diverse albums. In 1998, they demonstrated their respect for traditional brass band music on We Shall Walk Through the Streets of the City which includes such classic numbers as “Paul Barbarin’s Second Line.” And in 2001 they released Buck It Like a Horse, a disc filled with sizzling original material, redefining a new era of brass band music. Since 2008, Henry has been touring with Galactic and has recorded 3 albums with them.In 2011, Henry started a new venture, establishing the Treme Funktet. It’s a funky sextet that’s comfortable moving from jazz to R&B and hip-hop, with an occasional visit to the second-line brass band style. “I wanted to explore something different—do some of my own material and share some of my own ideas,” Henry says of the freedoms offered by Treme Funktet. In 2012, Henry is a Grammy Winner with the Rebirth Brass Band for the album Rebirth of New Orleans in the Best Regional Roots Category. Now working on his solo album, Corey Henry plans to pay tribute to all the veteran New Orleans musicians from whom he learned his craft, absorbing all they had to offer. As a kid, he’d spend hours listening to trombonists like Trummy Young, J.J. Johnson, Al Grey and Jack Teagarden. He hails Fred Wesley as being especially influential to his musical approach. But no matter their style, these masters remain with Henry contributing to his wonderfully uncommon sophistication and tone. For more info: http://www.indiereviewcd.com https://twitter.com/IndieRevue https://www.instagram.com/indie.review https://www.facebook.com/indie.review --- Support this podcast: https://anchor.fm/indie-review/support

Henry himself is perhaps best recognized around the world as the sweet toned trombonist featured in the Rebirth Brass Band, Galactic, and trumpeter Kermit Ruffins' band, The Barbecue Swingers. He has also recorded and played with the Dirty Dozen, Treme and New Birth Brass Bands. He has imparted his fiery melodies on stages everywhere from New Orleans neighborhood barrooms to far away festivals before hundreds of thousands in Canada, Japan Australia, Brazil, Hungary, Spain and Thailand and command performances for the ambassadors of Senegal, Morocco, Egypt and Kuwait. Henry, now 36, had been leading his own band for over twenty years. Like so many other eager young musicians in the Crescent City, he hung around older musicians to build his skills and develop his style.  In 1985, the legendary musician, Anthony “Tuba Fats” Lacen, encouraged the 10-year-old prodigy, suggesting he put a band together.  The Lil' Rascals Brass Band has been together now for 26 years, still challenging second liners and rival bands with its hot beats.  The ensemble has released two fine, very diverse albums. Since 2008, Henry has been touring with Galactic and has recorded 3 albums with them.In 2011, Henry started a new venture, establishing the Treme Funktet. It's a funky sextet that's comfortable moving from jazz to R&B and hip-hop, with an occasional visit to the second-line brass band style. In 2012, Henry is a Grammy Winner with the Rebirth Brass Band for the album Rebirth of New Orleans in the Best Regional Roots Category. Now working on his solo album, Corey Henry plans to pay tribute to all the veteran New Orleans musicians from whom he learned his craft. As a kid, he'd spend hours listening to trombonists like Trummy Young, J.J. Johnson, Al Grey and Jack Teagarden. He hails Fred Wesley as being especially influential to his musical approach.