Podcast appearances and mentions of gil scott heron

Iran targets Bahrain and Kuwait after renewed US strikes. We speak to a former Kuwaiti minister as the American-Iranian stalemate continues. Also in the programme, India's Cockroach Janta Party takes to the streets to demand the resignation of the education minister; and the African-American musician Brian Jackson on his work and collaboration with Gil Scott-Heron.(Photo: CCTV image of Iranian drone above Kuwait airport on 3rd of June. Credit: Reuters)

John Murillo is an acclaimed poet. He is the author of the collections “Up Jump the Boogie”, his debut work, “Kontemporary Amerikan Poetry”, a meditation on racism and institutional violence in America, and “Variation On A Theme By Gil Scott-Heron”. His honors include the Kingsley Tufts Poetry Award, the North American Book Award, and the Four Quartets Prize. His poetry has appeared in Prairie Schooner,  American Poetry Review, Ploughshares, Poetry, and Prairie Schooner as well as Best American Poetry. And he's been a professor at several major colleges. My featured song is “Constable On Patrol” from the album East Side Sessions by my band, Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JOHN:www.johnmurillo.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Recorded live in Leeds, United Kingdom, during Dr. André Benito Mountain's April 2026 masterclass tour at the Institute for Contemporary Music Performance (ICMP), this episode of Out to Lunch with Dr. Paul Nataraj explores Hip Hop as a global cultural movement, educational force, and vehicle for storytelling.The conversation traces the influence of Gil Scott-Heron and poetry, examines the artistry and social commentary embedded in Hip Hop, and reflects on classic works such as Nas' I Gave You Power. Dr. Mountain also discusses the importance of preserving the culture's authenticity, the vision behind The Hip Hop Museum in the Bronx, and the growing international connections linking Hip Hop communities across London, Liverpool, Leeds, Lisbon, and beyond.Listeners will also hear about the award-winning Hip Hop Literacy Laboratory and how Hip Hop continues to inspire new approaches to teaching, learning, and youth development around the world.Recorded on the campus of the Institute for Contemporary Music Performance (ICMP) in Leeds, this conversation offers a unique perspective on Hip Hop's past, present, and future—from the Bronx to the world.10:02 – Gil Scott-Heron and discovering poetry through Hip Hop10:30 – Artistry and message in Hip Hop18:04 – Nas' perspective on I Gave You Power and how Hip Hop reveals lived realities often left unexamined18:47 – The ongoing tension within the culture to remain untethered, unbought, and unboxed26:15 – The vision of The Hip Hop Museum and its role as a global cultural institution36:46 – Connecting globally through Hip Hop, with reflections on London, Liverpool, Leeds, and Lisbon47:55 – The Hip Hop Literacy Laboratory and the role of Hip Hop in education

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur. Aujourd'hui, Gil Scott-Heron - The BottleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El Sonido: Cancioneros viajó a la Ciudad de México para encontrarse con Cypress Hill horas antes de su presentación en Vive Latino. En medio de un momento histórico para la música latina global, el grupo habló sobre representación, identidad bicultural y el significado detrás de Dios Bendiga, su primer álbum completamente en español y su primer disco de larga duración en más de cuatro años que se lanzará oficialmente el 24 de julio de 2026. En este episodio, B-Real, Sen Dog, Eric Bobo y DJ Lord abren su cancionero personal para compartir la música que habita sus auriculares actualmente: desde el rap chicano de Coyote hasta la psicodelia rebajada de Amantes del Futuro, el legado eterno de Chalino Sánchez y la poesía política de Gil Scott-Heron. Nuestro episodio cuatro de nuestra nueva temporada es un retrato íntimo de una banda que sigue entendiendo la música como resistencia cultural y comunidad. Puedes ver el video podcast en el canal de YouTube KEXP Podcasts, con subtítulos en inglés y español. Cancionero curado por Cypress Hill: “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Créditos: Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonido El Sonido: Cancioneros traveled to Mexico City to meet Cypress Hill just hours before their performance at Vive Latino. In the middle of a historic moment for global Latino music, the group spoke about representation, bicultural identity, and the meaning behind Dios Bendiga — their first fully Spanish-language album and their first full-length release in more than four years, officially arriving on July 24, 2026. In this episode, B-Real, Sen Dog, Eric Bobo, and DJ Lord open their personal cancionero to share the music currently living in their headphones: from the Chicano rap of Coyote to the slowed-down psychedelic sound of Amantes del Futuro, the timeless legacy of Chalino Sánchez, and the political poetry of Gil Scott-Heron. Episode four of our new season becomes an intimate portrait of a group that continues to understand music as cultural resistance and community. You can watch the full video podcast on the KEXP Podcasts YouTube channel, with subtitles available in English and Spanish. “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Credits Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Hoy os dejamos un programa de La Gran Travesía donde repasamos algunos de los discos esenciales de 1971, uno de los grandes años de la historia del rock. Hoy podréis escuchar a Black Sabbath, Gil Scott Heron, Elton John, Yes, Flaming Groovies, The Allman Brothers Band, E.L.O, Deep Purple... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

LISTEN TO THE WHOLE WONDERFUL EPISODE: www.patreon.com/dopeypodcast Dave and Ray kick off a weird “Christmas in May” Dopey Tuesday with an old Ray parody song before diving into stories about Chelsea in the ‘90s, addiction nostalgia, Andy Dick, and the destruction of a longtime neighborhood building. Dave talks about working on a Andy Dick interview for Rolling Stone, while Ray reflects on drinking alone, avoiding chaos in public, and their old neighborhood's transformation from rough-and-dangerous to luxury real estate heaven.   The episode spirals into hilarious listener reactions to Selby's heavy breathing during the Patreon Reddit Roundup episode, with fans comparing him to Darth Vader, a dying pug, and someone “pleasuring himself at a men's shelter.” Dave and Ray also talk about recovery shame, missing teeth, NYU dental clinics, old LA drug days, soft-core SLA emails, and the weirdness of getting older in recovery. The episode ends with Dave teasing a big TV pitch meeting and playing “Good So Bad.”   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Réécoutez FG Chic Café Mulot by DJ' PYL du dimanche 03 mai 2026FG CHIC avec DJ' PYL se posent pour une pause Brunch, Déjeuner ou Goûter pour une instant de douceurs de gustatives pour vivre un moment suspendu entre le sucré ou le salé. Au cœur de Paris, dans un endroit magique d'une ancienne cour d'école qui a été transformée en paisible terrasse. DJ' PYL sera au platine avec un son Funk, Disco, Soul & Groove avec une sélection de remix rare. L'espace Café MULOT, Place des Vosges s'étend le long du jardin, transition lumineuse, colorée et végétalisée, entre la sortie du musée, la cour et l'entrée. Dans la cour intérieure, la fontaine y chante jour et nuit pour apporter sa douceur et son énergie. Un écrin romantique, chic et serein comme un hommage à celui qui deviendra le chantre du mouvement littéraire romantique français au XIXe siècle, Victor Hugo.

Music fan Brian Koppen chats with music critic Callum McLean as they discuss Hall of Fame artists:Buddy Holly's “Everyday” vs. Stevie Wonder's “Golden Lady”Kraftwerk's “Home Computer” vs. LL Cool J's “Around the Way Girl”Bruce Springsteen's “Tenth Avenue Freeze Out” vs. Gil Scott-Heron's “New York is Killing Me”Tom Waits' “Anywhere I Lay My Head” vs. James Brown's “It's a Man's Man's World (Live)”Lovin' Spoonful's “Daydream” vs. David Bowie's “Sound and Vision”Donna Summer's  “I Feel Love” vs. Dave Clark Five's “Glad All Over”Tom Petty & the Heartbreakers' “Learning to Fly” vs. Talking Heads' “Cities” They also discuss Hot Chip, Mamas & Papas' “Creeque Alley,” RHCP vs. Buckethead, and DMX. Check out Callum McLean at https://callummclean.me/! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic E.R. Pulgar as they discuss Hall of Fame artists: Def Leppard's “Animal” vs. Fleetwood Mac's “Silver Springs”The Doors' “L.A. Woman” vs Queen's “Good Old-Fashioned Lover Boy”Janet Jackson's “Again” vs. David Bowie's “Life on Mars?”Neil Young's “Powderfinger” vs The Velvet Underground's “Venus In Furs”Alice Cooper's “Poison” vs. Gil Scott-Heron's “I'll Take Care Of You” They also discuss harps, poetry, and Gerard Malanga. Follow E.R. Pulgar's work athttps://www.instagram.com/er_pulgar/https://erpulgar.com/https://elunderground.substack.com/ Intro music is from Jussy's Down Open Roads — check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1! Support the show

In 1968, a group of young Indianapolis broadcasters made history — they built their own radio station from scratch, without a license, and dared the FCC to stop them. For four years, Radio Free Naptown brought underground music to the city, from Captain Beefheart to Gil Scott-Heron, broadcasting from makeshift locations that at one point even included a horse pasture. They didn't call it pirate radio; they called it bootleg. Co-founders Steve Everitt and Don Worsham tell the inside story of Radio Free Naptown.

Episode 067: The 24-hour news cycle is spinning faster than a scratched 45, and this week on Six Picks Music Club, Geoff, Russ, and Dave are feeling the vertigo. We're putting down the remote and picking up the needle to discuss how the media is failing us—turning information into infotainment and reality into a ratings game. From the "if it bleeds, it leads" mentality to the era of alternative facts, the guys look for the truth hidden between the headlines. The playlist is a front-page spread of sonic skepticism, kicking off with the legendary Gil Scott-Heron reminding us that the real movement happens in the streets, not on the screen. Hüsker Dü provides the frantic energy of a world obsessed with the broadcast, while Public Enemy delivers a scathing "letter" to the tabloids and Bad Religion offers battle-weary reflections from the front lines. Between the cynical satire of Gorillaz and the surreal parody of "Weird Al" Yankovic, it's an episode for the skeptics, the truth-seekers, and anyone who's ever wanted to throw their television out the window—just make sure you keep your speakers on.     Apple Podcasts Instagram Spotify Playlist Official Site

Aldon Lynn Nielsen says the time is right to say it straight, Gil Scott-Heron should be recognized as an important writer. As the George and Barbara Kelly Professor Emeritus of American Literature at Penn State University, specializing in, among other things, African American poetry and poetics, Aldon Lyn Nielsen has published several books of his own poetry, along with scholarly books and anthologies such as Black Chant: Languages of African-American Postmodernism, and his recent essay: Choruses for Gil Scott Heron. Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website. To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Send us Fan MailThis week's title comes from Gil Scott-Heron's cutting question: “Was all that money I made last year, for whitey on the moon?” It is the kind of line that survives because the contradiction it names never really dies. It forces us to ask a hard question about priorities, power, and progress. Who gets the glory? Who gets the investment? And who is still down here waiting for basic human needs to matter?That tension runs through this entire episode. We live in a society that can produce astonishing technological achievement, stage grand performances of patriotism and progress, and still leave ordinary people undereducated, underpaid, unhoused, and untreated. It can celebrate symbolic breakthroughs while refusing structural justice. It can market spectacle as advancement and expect us not to notice the difference.So tonight I want to sit with that contradiction. I want to deal with the gap between image and reality, between symbolic inclusion and material justice, between what this country says it values and what it actually funds. Because if we are going to think seriously about democracy, power, religion, race, or progress, then we have to start by asking a simple question: progress for whom?Intro: Quote of the Week: Amílcar Cabral Unmasking the News: Democracy Watch: When the Government Can Ignore the Court, the Law is no longer a shield—it's a prop When the System Cannot Beat You at the Ballot Box, It Tries to Erase the Ballot Credibility Is the Real Issue Good News With Caveats: Artemis II, Black Progress, and Earthly Priorities  Strategies for Black Power: AI, Power, and the New Digital Color Line Reflections and Call to Action: Closing/Outro:Sources:https://apnews.com/article/f5ab5110336be20773e8aa8d5b484879?https://apnews.com/article/d247677aa601a85cac604645d50fc739?https://www.euronews.com/video/2026/04/16/pope-leo-xiv-visits-cameroon-as-biya-faces-unrest-and-separatist-war?https://www.theguardian.com/commentisfree/2026/apr/07/the-guardian-view-on-artemis-ii-the-light-and-dark-sides-of-the-moon?Power Concedes Nothing without a Demand...

Hosts: Jill Winkowski and Prue SalaskyDate: April 10, 2026Length: 37 minutesPublication Frequency: Fourth Friday (approx) of each monthIn this episode we explore African American English, its history, features, and variations, including in Hampton Roads, aka the 757. We interview three black academics in the region to learn about AAE and what defines it. We talk to Dr. Iyabo Osiapem, teaching professor of Africana Studies and Linguistics at the College of William and Mary in Williamsburg. Founded in 1693, It's the only university in the state to offer an undergraduate major in linguistics. At Hampton University in Hampton, the city where the first African indentured servants and slaves arrived in North America in 1619, we speak to Dr. Darylyn Dance, a specialist in rhetoric and composition. We also talk to Dr. Travis Harris, a hip hop scholar who teaches at Norfolk State University in Norfolk. From them we learned about the distinctive syntactical and pronunciation features of the AAE dialect; various theories of its development, including from West African languages; some distinctive local vocabulary; the influence of hip hop in its evolution; and its controversial history related to education, including the 1979 Ann Arbor case and the 1997 Oakland decision.We learn about its labels over the years, including “non-standard Negro English” used by white linguist William Labov, “the father of sociolinguistics,” who pioneered research into AAE in the 1960s, We learn about the work of African American linguist John Baugh in exposing linguistic profiling and the development of the ebonics label by educational psychologist Robert Williams,     inventor of the BITCH test which highlighted cultural bias in standardized testing. Finally, we discuss attitudes to language variation. Here are some of the books and authors the three professors recommended for AAE: Olaudah Equiano (18th century)(enslaved, freed, went to UK) slave narratives, letters, poems;essayist and journalist Charles Chesnutt (turn of the 20th century) The Goophered Grapevine;Poetry by Frances Ellen Watkins (19th century); by Paul Laurence Dunbar (19th century); by Countee Cullen (early 20th century); by Langston Hughes (20th century); George Schuyler journalist, columnist, critic (20th century); Phyllis Wheatley, born in Africa, writing in second language; Imami All Mine by Connie Porter (This American Girl series); Zora Neale Hurston,  Their Eyes are Watching God; Alice Childress, Rainbow Jordan;  The Color Purple by Alice Walker;  Dutchman (1964 play) by Amiri Baraka; Sonia Sanchez (20th century) poet, playwright, professor; Maya Angelou; Toni Morrison;Gil Scott-Heron, “The Revolution will not be Televised” (“godfather of rap”); academic articles by Vershawn Ashanti Young (contemporary); Bernice McFadden, “Sugar” (2000)For those interested in hip-hop, the W&M Hip Hop Collection, started in the 1980s,  is part of Swem Library's Special Collections and includes recordings, publications, and ephemera from Virginia based hip hop artists. Local stars include Pharell and Clipse (the brothers Pusha T and No Malice).Send your questions and feedback to languagingHR@gmail.com; and for more information and to listen to previous episodes, check out our website, www.languaginghr.wordpress.com.

As broadcast @ www.totallywiredradio.com Tues 31.03.26Hours one and two with D.J A.K.A (Alan Kenny Arscott)01. Muriel Grossmann - Golden Rule (Radio Edit) (Jazzman 2019)02. Don Cunningham Quartet - Tabu (Oldays Japan 2018)03. Letta Mbulu - What's Wrong With Groovin' (Jazzman 2000)04. Espen Horne - Bakeren (Wah Wah 45 2023)05. Chris Harwood - Wooden Ships (Finders Keepers 2006)06. Judy Roberts Band - Fantasy (Dynamite Cuts 2018)07. Gil Scott-Heron & Brian Jackson - Your Daddy Loves You (Charly 2013)08. General Lee & The Space Army Band - We Did It Baby (Numero 2026)09. Terea - Pretty Bird (Jazzman 2005)10. Grover Washington Jr - Masterpiece Pt.1 (Kudu 1973)11. Penny Goodwin - Too Soon You're Old (Athens Of The North 2016)12. Tarika Blue - Truth Is The Key (Athens Of The North 2015)13. Jimmy Messina - Love Is Here (Dynamite Cuts 2024)14. Jorge Navarro - Funk Yourself (Mukatsuku 2019)15. James Brown - Eyesight (Polydor 1978)16. A.A.B.B - Pick Up The Pieces One by One (Identify 1975)17. Jerline & Friends - Joy Trip Pt.1 (Street Soul 2010)18. Magnum - Evolution (Edit) (Jamie Record Co 2017)19. Pleasure - Thoughts Of Old flames (Fantasy 1979)20. The Blackbyrds - The Baby (Fantasy 1974)21. Switch - Keeping Secrets (Total Experience 1984)22. Margie Joseph - Come On Back To Me Lover (Expansion 2018)23. Donny Hathaway - Make It On your Own (Atlantic 2022)24. Dave & Maurissa - Look At The Stars (2-Step Soul Mix) (Z Records 2023)25. The Real Thing - Children Of The Ghetto (Pye 1978)26. Jaye P Morgan - Can't Hide Love (Regal Beagle 2018)

Vlad Dobrescu sparks underground mixshow magic with fresh drops from Chedda Bang, Dookie Bros, Indie Tribe, Domo Genesis and many more. Plus tough funk by the Young Gents and Cleveland Eaton, a deep freedom shout from Gil Scott-Heron and a new chapter in Common's classic hiphop saga from J Cole. View the full playlist for this show at https://www.wefunkradio.com/show/1286 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

The live music venue "The Bottom Line" closed in 2004, 30 years after being a go-to place for everyone from Bruce Springsteen to Gil Scott-Heron. Co-founder Allan Pepper has teamed up with journalist Billy Altman talk about their new book Positively Fourth & Mercer: The Inside Story of New York's Iconic Music Club, and listeners call in to share their Bottom Line memories. Photo by David Gahr/Getty Images: Bruce Springsteen and the E Street Band at The Bottom Line

En este programa recorremos un Mediterráneo lejos de la postal turística: un espacio atravesado por memoria, violencia y resistencia. A partir de la exposición Como piedras bajo las palmas, brasas y llama, en la Fabra i Coats – Centre d’Art Contemporani de Barcelona, conversamos con su comisaría, Chiara Cartuccia, sobre ruinas activas, colonialismo, infraestructuras y responsabilidad europea. Un ensayo radiofónico con músicas que cruzan fronteras y activan historias sin resolver. Porque las ruinas no son solo restos del pasado, sino territorios donde imaginar el futuro que podría haber sido. Porqué por un segundo de libertad pura ya valía la pena luchar. Suena en Mediterráneo:Crystalline — Omar Souleyman remixBjörk & Omar SouleymanYalla chantNatacha AtlasThe revolution will not be televisedGil Scott-HeronEderleziGoran BregovićOunadikomAhmad KaabourToumast tinchaTinariwenYuh yuhSelda BağcanImidiwan takyadamTinariwen & José GonzálezLe beirutFairuzTaqsim (kanun)Jordi Savall & Waed BouhassounTodo lo que me gusta es ilegalPata NegraKaharebEl KanabaEscuchar audio

DJ Lee Ochoa from San Antonio, Texas (@djthegeneralsa) made a quick trip to Louisville, and he brought some of his favorite records to spin on That Driving Beat. You'll hear rare, in-demand Chicano soul from the Royal Jesters, Sunny & The Sunliners, Dimas Garza, the Commands, and more, plus some Northern Soul, funk, Latin, and R&B favorites from the likes of the Festivals, Joe Bataan, Frank Beverly, Gil Scott-Heron, Ruby Andrews, and more! -Originally broadcast February 22, 2026- Willie Mitchell / That Driving BeatDimas III / So FunnyRocky Gil and the Bishops / Soul PartyThe Royal Jesters / Use Your HeadThe Royal Jesters / Take Me for a Little WhileThe Intruders / (Love Is Like a) Baseball GameThe Delfonics / La La Means I Love YouThe Festivals / You've Got the Makings of a LoverThe Commands / Hey It's LoveThe Commands / Don't Be Afraid to Love MeDimas III / You've SucceededT.S.U. Toronadoes / The GooseWilbur Bascom and The Zodiact / Just a Groove in "G"The Topics / She's So FineCommunity Effort / "Shake" Your Funky ButtThe Ghetto Brothers / The Ghetto Brothers PowerJoe Bataan / Young Gifted and BrownThe Majestics / (I Love Her So Much) It Hurts MeThe Specials / Everybody Say YeaChoice of Colour / Your LoveLittle Carl Carlton / Competition Ain't Nothin'Gil Scott-Heron / The BottleDolly Parton / Control YourselfThe Supremes / Stoned LoveBob Kuban & The In-Men / The CheaterJay and The Techniques / Apple, Peaches, Pumpkin PieThe Epitome Of Sound / You Don't Love MeRuby Andrews / Just Loving YouCreations / A DreamFrank Beverly & The Butlers / If That's What You WantedSunny & The Sunliners / If I Could See You NowThe Constellations / I Didn't Know How ToThe Gospel Artistics / Time Shall Be No MoreHarold Melvin & The Blue Notes / Get OutThe Turnpikes / Cast A Spell Hosted on Acast. See acast.com/privacy for more information.

Una nueva entrega dedicada a recordar canciones que abrían icónicos álbumes de la cosecha de 1971.Playlist;CURTIS MAYFIELD “Get down” (Roots)MARVIN GAYE “What’s going on” (What’s going on)SMOKEY ROBINSON and THE MIRACLES “No wonder love’s a wonder” (One dozen roses)JANIS JOPLIN “Move over” (Pearl)JIMI HENDRIX “Freedom” (The cry of love)SLY and THE FAMILY STONE “Luv n’haight” (There’s a riot goin’ on)GIL SCOTT-HERON “The revolution will not be televised” (Pieces of a man)CAROLE KING “I feel the Earth move” (Tapestry)LEON RUSSELL “Stranger in a strange land” (Leon Russell and The Shelter People)DON McLEAN “American pie” (American pie)NICK DRAKE “Introduction and Hazey Jane II” (Bryter Layter)JONI MITCHELL “All I want” (Blue)Escuchar audio

New music this week from Irreversible Entanglements, Modha, Jill Scott, Galliano, Kurt Elling, Shake Stew, Orchestra Of The Upper Atmosphere, Momoko, and more, plus our 50-year rewind featured David Bowie, Average White Band, Lonnie Liston Smith, and Gil Scott-Heron. All in all, not bad for a rain-soaked morning in the Bay!Playlist: https://kxsf.fm/schedule/Click on Tuesday's 10-noon slot> FreeFall w/David Bassin This program has been edited from the original broadcast.

Explore the work of the Princeton, Indiana producer and engineer Robert Hosea Williams (also known as R. José Williams) best known for his work with Gil Scott-Heron. Williams was born in 1936 in Princeton, Indiana, the county seat of Gibson County in the state's far southwestern corner. While his career would eventually take him far from southern Indiana, his family's roots in the region ran deep.  His mother, Martha Alice Stewart, came from one of Gibson County's long-established Black families. Her father, Hosea Henry Stewart, was born in Lyles Station, Indiana, one of the most significant Black settlements in the state.  Founded in the 1840s by free Black landowners, Lyles Station grew into a self-sustaining farming community with its own school, churches, businesses, and railroad access. For decades, it served as a center of Black life in the region.  Gibson County was home to several early Black settlements, formed by free Black families migrating from the South in the early 19th century. These communities emphasized land ownership, education, spiritual life, and mutual support—values passed down across generations, even as many rural settlements declined in the 20th century due to flooding, economic change, and migration into towns like Princeton.  Williams' family left Princeton in the late 1940s, but the values of self-determination and cultural pride rooted in Gibson County found their way into Williams' production work, reflected in the socially conscious music he produced for artists like Gil Scott-Heron and Father's Children.  In the early 1970s, Williams established himself as a recording engineer and producer in the Washington, D.C. area, building a career that placed him at the center of the city's vibrant but often overlooked soul and R&B scene. In D.C., Williams founded Red, Black and Green Productions, named after the Pan-African flag. Under that banner, he worked with many R&B and funk musicians clustered around the nation's capital, including Father's Children, The Summits, and Dyson's Faces. In 1973, Williams came to the attention of poet and singer-songwriter Gil Scott-Heron, who had been teaching at Federal City College in D.C. Scott-Heron had gained national prominence with his 1971 recording The Revolution Will Not Be Televised. Along with his musical collaborator Brian Jackson, Scott-Heron secured Williams as producer and engineer for his classic 1974 release, Winter in America. Join us for music featuring the engineer and producer Robert Hosea Williams.

Explore music featuring the Princeton, Indiana producer and engineer Robert Hosea Williams (also known as R. José Williams), best known for his work with Gil Scott-Heron.

Went back into the stacks to play a few classics, create a certain soundtrack for the time. Needed to come back to prescient voices of Nina, Gil, and others. Don't let these nazi stormtroopers instill fear in your soul, and at the same time, stay safe! Tracklist: Eugene McDaniels, The Middlebrooks Musical Ensemble, Ashton Gardner, Gil Scott-Heron and Brian Jackson, dia prometido, Mandrill, Nina Simone, Lou Bond, Blackalicious

Send us a text Welcome to Rational Black Thought. I'm your host, Neo Griot. This week's theme: Is about moving beyond survival, it is time for us to stop “living to fight another day” and to start fighting to win…for good.  Our title today comes from Gil Scott-Heron from his song “Winter in America” the words seem even more apropos today, it feels like a “nuclear winter in America”:  The Constitution, a noble piece of paper Would free society. It struggled but then died in vain And now Democracy is ragtime on the corner Hoping for some rain And looks like it's hoping Hoping for some rain  It's winter in AmericaAnd ain't nobody fighting ‘Cause nobody knows what to save  This is exactly how I feel sometimes, I feel that resistance is futile, but I cannot allow myself to wallow and die in that ideology, I have to get the fuck up and figure it out. AgendaIntro: Quote of the Week: Maya Angelou Unmasking the News: From “…of the people” to “…of the party that can rig the system” Only one in five support Trump's Greenland stunt. That's supposed to stop him? Cute The Gospel of PR Good News:  Howard's “AI-native” MoveBible Study with an Atheist: Christianity: the biggest MLM in human history: Reflections and Call to Action:Closing/Outro: Sources:https://www.theguardian.com/us-news/2026/jan/15/justice-department-voter-information?https://www.reuters.com/world/europe/just-one-five-americans-support-trumps-efforts-acquire-greenland-reutersipsos-2026-01-14/https://www.fox23.com/news/former-claremore-pastor-enters-guilty-plea-in-peeping-tom-case/article_c6a005df-a2cc-473f-8873-e47230c78a26.htmlhttps://www.blackenterprise.com/howard-university-ai-engineering-course/Power Concedes Nothing without a Demand...

Lee and Daniel talk about their favourite film from last year, Paul Thomas Anderson's "One Battle After Another" (2025). They also cover what else they've watched recently. Have a few small beers, join the revolution, and hear what they have to say about this series of moving pictures, you filthy semen demons. "One Battle After Another" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "The Revolution Will Not Be Televised" by Gil Scott-Heron & "We Shall Overcome" by Pete Seeger.

It's the fifth anniversary of the Capitol Riot. As Trump part two has been in power for a year and he's begun a new era of American empire, we're re-posting our take on this defining moment in American history. From the 2021 episode: And we thought 2020 was bumpy. In this rush episode, we talk about the shocks happening in the liberal democratic capitalist system. How the ruling class is destabilized by Trump and the far right actions at Capitol Hill this week, and how they are responding to maintain order and their own power as quickly as possible. Last week, we saw organized by war criminal and former Veep and Secretary of Defense Dick Cheney(!) all ten living Secretaries of Defense to call on Trump and officials in the military establishment to ensure an orderly transition of power (he didn't). We saw the National Association of Manufacturers, a notorious anti-worker anti-liberal Democratic institution, issue a statement calling for the swift enactment of the 25th Amendment of Donald Trump over inciting riots at the Capitol. And we saw lots more anger and outrage in the political and corporate spheres aimed at Trump and his supporters. Between the crises of COVID-19, a crashing economy, the climate crisis, a growing far right clearly willing to use deadly violence and these shocks to the system, there are many forces vying for what kind of world is next for us. As the great Gil Scott-Heron told us, “America leads the world in shocks. Unfortunately, America does not lead the world in deciphering the cause of shock.” That's what Green and Red Podcast will be doing. -----------

The Brothers discuss Paul Thomas Anderson's 'One Battle After Another,' a movie well worth discussing and probably worth a rewatch or two. They discuss the amazing performances of Benicio Del Toro, Sean Penn, Leonardo DiCaprio, Teyana Taylor, and Chase Infiniti. They also celebrate Gil Scott Heron's 'The Revolution will not be Televised."   Housekeeping starts at 48:24 during which they talk about travelling on Christmas Day, a Drew medical story, and the power of avoidance.   File length 1:15:34 File Size 54.7 MB   Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

We're back and this week we are covering Paul Thomas Anderson's One Battle After Another, a film that has a little something for everyone. We're talking revolution, vaping, Leonardo DiCaprio, modern western motifs, comfy robes, white supremicists that LOVE Santa Claus, Sean Penn's induction into the Ministry of Silly Walks, and of course, a few small beers. So, remember to breathe, and tune in to find out if PTA televised the revolution or if Gil Scott-Heron was right all along!

Gil Scott-Heron 是一位美国爵士诗人、歌手、音乐家和作家，以其在20世纪70年代和80年代的说唱表演而闻名。他被认为是嘻哈音乐的重要先驱之一，尽管他自己并不是一位传统的说唱歌手。Gil Scott-Heron的音乐和诗歌不仅记录了他的个人经历，也反映了他所生活的时代，他的作品至今仍被广泛传唱和研究。Lady Day and John ColtraneThe Get Out Of The Ghetto BluesPieces of a ManSave The ChildrenDid You Hear What They SayWhen You Are Who You AreI Think I'll Call It MorningFree WIllThe Middle of Your Day17th StreetTomorrow's TraneIt's Your World

Gil Scott-Heron 是一位美国爵士诗人、歌手、音乐家和作家，以其在20世纪70年代和80年代的说唱表演而闻名。他被认为是嘻哈音乐的重要先驱之一，尽管他自己并不是一位传统的说唱歌手。Gil Scott-Heron的音乐和诗歌不仅记录了他的个人经历，也反映了他所生活的时代，他的作品至今仍被广泛传唱和研究。Lady Day and John ColtraneThe Get Out Of The Ghetto BluesPieces of a ManSave The ChildrenDid You Hear What They SayWhen You Are Who You AreI Think I'll Call It MorningFree WIllThe Middle of Your Day17th StreetTomorrow's TraneIt's Your World

On this episode of Reelin' In The Years... The Featured Five Theme is "You Say You Want A Revolution": Songs titles that include "revolution" in the title... A song by Squeeze that's loosely based on "White Punks On Dope" by The Tubes... What's the connection between the late actress - Carrie Fisher - and Elvis?... An Ike & Tina Turner song that was written by Tina's sister, Alline Bullock... An Eric Clapton song that features members of The Crickets & Stephen Stills... Gil Scott-Heron shares the actual meaning behind "The Revolution Will Not Be Televised"... Deep tracks from Van Morrison, Coco Montoya, Otis Redding, Squeeze, Gary Wright, Gregg Allman, and more! For more info, visit reelinwithryan.com

Gil Scott-Heron byl angažovaným bojovníkem za lidská práva, kritikem apartheidu i zbrojení. Ale také bohémem, kterého závislosti přivedly do vězení a k HIV pozitivitě. Ve speciálu Portrétů o hudebních rebelech o něm hovoří publicista Karel Veselý.

Gil Scott-Heron byl angažovaným bojovníkem za lidská práva, kritikem apartheidu i zbrojení. Ale také bohémem, kterého závislosti přivedly do vězení a k HIV pozitivitě. Ve speciálu Portrétů o hudebních rebelech o něm hovoří publicista Karel Veselý.Všechny díly podcastu Portréty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Podcaster and writer, Blindboy talks Brendan through the soundtrack to his life, including songs by Stevie Wonder, Randy Newman and Gil Scott-Heron.

durée : 00:59:57 - The Magnificent - par : Nathalie Piolé -

Recentemente nominata direttrice artistica e didattica di Siena Jazz, di cui era già insegnante (e di cui è stata allieva), la contrabbassista Silvia Bolognesi è una delle figure di punta e più dinamiche della nostra scena jazzistica, e con significativi rapporti a livello internazionale (che già diversi anni fa l'hanno portata per esempio ad essere cooptata nella versione allargata e rinnovata dell'Art Ensemble of Chicago). Con l'etichetta Caligola, Silvia Bolognesi quest'anno ha pubblicato un bel lavoro su Ellington, una grande ispirazione che ha sempre tenuto presente: Jungle Duke vuole essere un omaggio al momento in cui Ellington inventa un suono unico, uno dei momenti più "avanguardistici" del Duca, e quello in cui Ellington si afferma come un bandleader-compositore di assoluta e imprescindibile originalità. Con il suo settetto Silvia Bolognesi riesce a creare una rimarchevole dimensione orchestrale, al tempo stesso rispettosa degli originali di Ellington e contemporanea, e con un sensibile impiego di campionamenti dell'inconfondibile, affascinante parlato del Duca. Anche il cantante e poeta afroamericano Gil Scott Heron è stato ed è una grande ispirazione per Silvia Bolognesi: Gil Scott Heron è in questi ultimi anni oggetto di una meritata riscoperta e di rivisitazioni e omaggi, fra i quali si inserisce degnamento l'album - su cui chiudiamo la puntata - Is That Jazz?, pubblicato da Fonterossa e cointestato a Silvia Bolognesi e a Eric Mingus, voce e poetry. A cura di Marcello Lorrai.

This week on RITY, the Featured Five Theme is A Rock And A Hard Place: The Between Theme... Plus, the song D'yer Mak'er: it's meaning and how it's pronounced?... The tragic story of how a fallen Vietnam soldier inspired a big Motown hit... Burton Cummings and the origin of the Guess Who song, American Woman... A song by The Beatles that was inspired by hippies and Brian Epstein's wealth... Speaking of The Beatles, an American who was described as the "one-man Beatles"... Gil Scott-Heron will answer the question - Will the revolution be televised?... Deep cuts from The Hold Steady, Todd Rundgren, Tommy Castro & The Painkillers, Shuggie Otis, Albert King, Allen Toussaint, and much more! For more information on the show, visit reelinwithryan.com

Nesta edição do podcast cinematório café, nós analisamos o filme "Uma Batalha Após a Outra" (One Battle After Another, 2025), de Paul Thomas Anderson. Estrelado por Leonardo DiCaprio, Teyana Taylor, Sean Penn, Chase Infiniti, Benicio Del Toro e Regina Hall, o longa é um dos melhores lançamentos do ano e forte candidato ao Oscar 2026. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Inspirado no livro "Vineland", de Thomas Pynchon (mesmo autor de "Vício Inerente"), "Uma Batalha Após a Outra" conta a história de Bob Ferguson (DiCaprio), um antigo revolucionário que é arrastado de volta a um mundo de perigos e conspirações quando sua filha, Willa (Infiniti), é colocada em risco. Em meio a confrontos intensos e situações imprevisíveis, ele precisa desafiar seu próprio passado para tentar salvá-la, em uma história marcada por ação incessante e reviravoltas inesperadas. Quem se senta à mesa conosco neste podcast é Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder". O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. Este episódio contém trechos meramente ilustrativos das músicas "One Battle After Another" (2025), de Jonny Greenwood; "The Revolution Will Not Be Televised" (1971), de Gil Scott-Heron; e "Dirty Work" (1971), de Steely Dan. Todos os direitos reservados aos artistas.    

Send us a textIntro: Feedback: Quote of the Week: Malcolm X, “Message to the Grassroots.” Strategies for Black Power: Nation-Building the Nation Within a Nation Unmasking the News: First They Come for Us: Who is winning the Game: All in the Family: Not a Sacrifice, a Strategy: Bible Study with an Atheist: Heaven Can Wait: Reflections and Call to Action:Outro: Sources:https://teachingamericanhistory.org/document/message-to-grassroots/https://www.marxists.org/subject/africa/cabral/1966/weapon-theory.htm?https://freedomhouse.org/article/find-authoritarian-just-follow-scapegoathttps://www.nytimes.com/2025/09/02/opinion/ezra-klein-podcast-kate-shaw.htmlhttps://www.thebanner.com/community/criminal-justice/greater-grace-world-outreach-abuse-eric-anderson-arrest-L3BO4FTOMBAQTK2OEZRIPSS3AA/https://www.ebony.com/black-in-business-chef-bobby-andersons-non-profit-f-bites-kids-restaurant-biz/Power Concedes Nothing without a Demand...

Long ago and far away, around 1970, there was a smoldering rage that permeated through every strata of American society. Following a flurry of assassinations in the mid sixties, the Manson murders in ‘69, riots in Detroit, the Motor City in '67, and in Chicago at the 1968 Democratic Convention, at Kent State in ‘70 with the murder of four protesting students - it seemed that the whole fabric of society was coming apart due to the country being mired in the Viet Nam war and the never ending specter of racism.  Step up to the mic Gil Scott-Heron and the MC5. In “The Revolution Will Not Be Televised,” Mr. Scott-Heron, in a performance that has earned him the title “The Godfather of Rap” in some quarters - eviscerates those couch potatoes who are watching it all unfold on tv, and that expect things to right themselves between commercial interruptions. And he does it with jazzy flair that made the absurdity of the whole situation crystal clear.. And, then there was the  Motor City 5, those scruffy provocateurs whose manager, John Sinclair was jailed for two joints, who fought the good fight the only way they knew how: by “Kicking out the Jams, Motherfucker!”GIL SCOTT-HERONScott-Heron's combination of spoken word poetry with soul-jazz is a style which has made him influential throughout the decades. So much so that he was inducted as an influence in the Rock and roll Hall of Fame. In “The Revolution Will Not Be Televised” he melds the two strains  - one melodic, one verbal - together to deliver an unassailable message: there will be no change without intentional activism. It's word play may be humorous, but it's deadly serious. Now we have the internet and social media and people are less inclined to believe what they see, or even commit to any action because their attention is being relentlessly consumed. In 1970, despite the horrendous condition of the political scene, Gil Scott-Heron still believed that societal change was possible.MC5The same optimism resounds in Kick out the Jams by the MC5. These were kids who saw the wrong headed direction of their government, and tried, by assuming the outlaw stance of revolutionaries, to influence the youth. However, the enterprise was hobbled from the start by drugs, their association with White Panther Party founder, John Sinclair, - and, the radio censorship by their label of their most famous song because of the introduction's unacceptable word “motherfucker!” They were a great live band of proto-punks, home-town heroes in Detroit, who never achieved the national prominence they deserved. It's not the lyrics of Kick out the jams that are dangerous - it's the exuberant energy of the offending word - that, ironically, created history.

Enjoy a playlist that bridges past, present and future—celebrating two decades of boundary-pushing music from Burnt Sugar the Arkestra Chamber and Quite Sane, honoring the legacy of Gil Scott-Heron, and spotlighting rising voices like Paul Cornish and Alessio Cazzetta. The playlist features Burnt Sugar the Arkestra Chamber; Silvia Bolognesi, Eric Mingus; Quite Sane; Paul Cornish [pictured]; Joshua Redman; and Alessio Cazzetta. Detailed playlist at https://spinitron.com/RFB/pl/20978795/Mondo-Jazz [from "Back Pain" to "Highway 58"]. Happy listening!

Two new books explore how culture shapes our identity. First, Lawrence Burney's essay collection, No Sense in Wishing, is an appreciation of the arts and artists that shaped him as he grew up in Baltimore. In today's episode, he speaks with NPR's Juana Summers about his influences, from Gil Scott Heron to local Baltimore rappers. Then, Nora Princiotti's Hit Girls takes a serious look at the impact of female pop stars from the 2000s. In today's episode, she talks with NPR's Ayesha Rascoe about her obsession with millennial pop culture.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Uma semana intensa de ativações e brindes.Tudo das minas e nada deles, Molly e Lulu consertaram o que seria um evento pra ser esquecido.Vitória incontestável de um misógino que, entre Dennis Rodman e Luke Egan, parece escolher o primeiro.O genial argentino Lalo Schifrin em dois temas aqui nas trilhas da semana e no obituário.A trilha é com,Tema do filme Operação Dragão (Enter The Dragon), Free Ride do Dizzy Gillespie & Lalo Schifrin, encerrando com Gil Scott-Heron e B Movie.

     Get ready to unlock another deep dive into the soundwaves of underground culture with Air Tight Episode 142, hosted by the ever-eclectic Alex from Green Coast Radio.  This episode is a sonic journey through underground hits, eclectic music, and counter-culture soundscapes, featuring artists who challenge the mainstream and move the margins. Expect soul-stirring rhythms from Gil-Scott Heron, the cerebral lyricism of Del the Funky Homosapian, psychedelic fuzz from Ghostwoman, vintage funk by One Way, gritty anthems from The Animals, and more.      Beyond the beats, The Alex breaks into altered states of mind and street-level headlines.  Is Pennsylvania really trying to legalize fortune telling?  Could 70 percent of Americans really want cannabis dispensaries in casinos?  And across the Atlantic, the Mayor of London is calling to decriminalize cannabis—tune in for the full breakdown.      Don't miss the visual side of our movement—check out Unknown Airwaves on YouTube for visuals, deep cuts, and commentary. Searching for exclusive streetwear and underground art?  Hit up GreenCoastRadio.com and visit the Station Gear page—your next favorite t-shirt or gift idea is waiting. This is where music discovery, counter-culture commentary, and fringe futurism live. Tune in, turn it up, and ride the vibe. Here's the playlist out of order: https://open.spotify.com/playlist/6Ms71xDx1m4Ej50aUjvSHJ?si=9e10e5b1dc9d41ea 

Langston Hughes, the great African American poet, said decades ago, “Fascism is a new name for that kind of terror the Negro has always faced in America.” Fascism can and has led to genocide. Progressive African American intellectuals, writers, poets, and musicians have had a long tradition and history of solidarity and resisting fascism and genocide, from Frederick Douglass to Gil Scott-Heron, from Sojourner Truth to Angela Davis, from W.E.B. Du Bois to John Lewis, from Paul Robeson to Amiri Baraka, from Ida B. Wells to Malcolm X, from Ella Baker to Dr. King, from Harry Belafonte to Sonny Rollins, from James Baldwin to Cornel West and up to the present moment where Robin D. G. Kelley warns “We're witnessing the consolidation of a fascist police state.” Recorded at the University of Massachusetts.

This was a terrific Tuesday crossword by Enrique Henestroza Anguiano, featuring -- of course -- a terrific theme and a strong supporting cast of "other clues". As an example of the latter, we have 60A, Ocean, poetically, MAIN; 70A, They need a push to get started, PEDALS; and the indisputable 1D, Crossword construction, e.g., CRAFT.Wrapping it up, we have a great Triplet Tuesday™ segment, in which Mike demonstrates that stalling, too, is a CRAFT

Podcast Overview: In this conversation, Will Clarke and Yanis aka Dr. Dubplate discuss the evolution of the UK dance music scene, the influence of iconic venues like Plastic People, and the challenges faced by smaller venues in the current climate. Yanis shares his journey in music, the founding of his record label EC2A, and the innovative strategies he employed to build a community and support emerging artists. The discussion highlights the importance of grassroots culture in music and the impact of commercialism on the industry. In this engaging conversation, Yanis and Will Clarke explore the evolving landscape of the music industry, focusing on the importance of community, the resurgence of vinyl, and the innovations in music distribution. They discuss the pressures artists face in the digital age, the significance of supporting local economies, and theneed for genuine connections between fans and artists. The conversation emphasizes the importance of passion, persistence, and the value of tangible music experiences in a streaming-dominated world.Who Is Dr Dubplate: Be it viral moments during DJ sets or breaking down barriers for the new generation with his label ec2a, Dr Dubplate and the UK's new underground run closely alongside one another. Dr Dubplate's entry into dance music came as a teenager. Heavily influenced by his father – then manager of London institution Plastic People – he grew up absorbing Afrobeat, Rare Groove, House and Funk. Working the cloakroom on Thursday nights at Plastic People he was exposed to residencies and performances from some of the most esteemed artists – Theo Parrish, Four Tet and Floating Points to name a few- which paved the way for an education in and appreciation of UK Sound system and club culture. Dr Dubplate's DJ stripes were earned in Bristol, as promoter and resident for party series Piff where he played alongside artists such as Mall Grab, DJ Seinfeld and Hodge. In 2020 he established ec2a – a more personal project referencing his inspiration and upbringing. Emerging during the height of the new UK Garage scene, Yanis's debut as Dr Dubplate soon followed. With label and DJ projects running side by side, a following quickly formed, leading to bookings up and down the country when clubs re-opened, and a breakthrough year in 2021. A memorable headline B2B set with Interplanetary Criminal for Keep Hush, at their sold out summer festival, catapulted him into the eyes and ears of post-pandemic clubbers as did an ec2a Fabric RM3 takeover later that year. With a rich musical upbringing, it's no coincidence that Dr Dubplate's sets reflect his character; a positive, multi-genre taste with gun fingers as part of the blueprint and treating his crowds to everything from Gil Scott Heron to Kwengface, Dubstep to UK Funky and Trap.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

Linktree: https://linktr.ee/AnalyticAnalytic Dreamz dives deep into Kendrick Lamar's groundbreaking Super Bowl LIX halftime performance, spotlighting key moments from his historic show at the Caesars Superdome. Lamar, the first solo hip-hop artist to headline, delivered a setlist rich with cultural and political commentary, starting with an unreleased track nod to Gil Scott-Heron and ending with a controversial flag incident. His performance included hits like "HUMBLE." and "DNA.," alongside guest appearances by SZA and DJ Mustard, and a surprise dance by Serena Williams. The segment explores the political undercurrents, from Lamar's symbolic use of the American flag to subtle jabs at Drake with his choice of jewelry and song selection, reflecting on the ongoing feud. Analytic Dreamz discusses the mixed fan reactions, the impact of Lamar's messages on social issues, and how the performance might be remembered in Super Bowl history.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy