Podcasts about Purple Rain

Patrick is joined by Prince megafans Erika and Adam Thas to talk about one of the greatest rock movies of all time for Junesploitation Rock and Roll Day. Download this episode here.Subscribe to F This Movie! on Apple Podcasts. Also discussed this episode: American Sniper (2014), Sly Lives (2025), The Surfer (2025), High Fidelity (2000)

The year was 1984. Prince came out with “Purple Rain.” Bruce Springsteen was touring for “Born in the USA.” And on the south side of Milwaukee, America’s polka king, Frankie Yankovic, performed at the Our Lady Queen of Peace parish festival. In attendance that day was six-year-old Mike Schneider. The Yankovic concert changed his life because it inspired Schneider to pick up the accordion. WPR’s Nick Rommel recently talked with the Wisconsin Polka Hall of Famer at a gig in Eagle.

Este mes celebramos el cumpleaños de Prince con una entrega diferente de "Back in the Day". Shockadelica ha preparado una playlist especial en la que podremos escuchar varios temas que Prince o artistas relacionados grabaron o publicaron durante el mes de junio, centrándose especialmente en canciones publicadas o grabadas el 7 de junio. Los temas que escucharéis en este capítulo son: Canción introductoria: “Let's Go Crazy” (Special Dance Remix). 1- Interactive (07/06/1994, publicación del CD-Rom Interactive). 2- Something in the Water (07/06/1984, First Avenue, Minneapolis). 3- Violet the Organ Grinder (07/06/1991, Prince envía el 12” “Gett Off” a DJs 4- para celebrar su cumpleaños). 4- So Blue (07/06/1978, publicación del single “Soft and Wet”). 5- Sexy MF (07/06/1992, Prince envía el 12” “Gett Off” a DJs para celebrar su 7- cumpleaños). 6- Dinner with Delores (07/06/1996, Prince envía cassette con la canción a los suscriptores de su newsletter Prince/O(+> Family). 7- Controversy/Mutiny (07/06/1986, Cobo Arena, Detroit). 8- The One (07/06/1998, Prince y Mayte graban el videoclip de “The One” en Los Ángeles). 9- What's My Name (Prince cambia su nombre a un símbolo impronunciable el 07/06/1993). 10- Jerk Out (28/06/1990, publicación del single, The Time). 11- Electric Chair (06/06/1988, grabación). 12- Ain't Gonna Miss U When U're Gone (12/06/2013, publicación del single). 13- Pink Cashmere (10/06/1988, grabación). 14- Calhoun Square (15/06/1993, grabación). 15- Extraloveable Reloaded (19/06/2013, lanzamiento en 3rdeyegirl.com). 16- Sticky Wicked (11/06/1988, grabación) 17- The Ride (14/06/1988, grabación sesiones “The Undertaker”) 18- Desire (27/06/1984, grabación, The Family). 19- The Beautiful Ones (25/06/1984, publicación del álbum Purple Rain). 20- Feel Better, Feel Good, Feel Wonderful (23/06/2006, grabación). 21- June (publicado en HitNRun Phase One). Síguenos en Instagram! (@purplemusicpodcast), Twitter (@purplemusicpod) y en Youtube (@purplemusic6489) Stay Funky! The Estate of Prince Rogers Nelson is not affiliated, associated, or connected with Purple Music Podcast nor has it endorsed or sponsored Purple Music Podcast. Further, the Estate of Prince Rogers Nelson has not licensed any of its intellectual property to the producers of Purple Music Podcast. NO COPYRIGHT INFRINGEMENT INTENDED. We just want to share our love for Prince music.

In this radical episode of Past Tens: A Top 10 Time Machine, Dave and Milt hop in their DeLorean — flux capacitor fully operational — and set the date for June 16, 1984. They're not just cruising through the Billboard Top 10; they're living it like extras in Footloose. The episode kicks off with a heartfelt and totally tubular tribute to Dave's late father — think The Karate Kid's Mr. Miyagi, but with better dad jokes. From there, it's a parade of parachute pants, popped collars, and personal memories as they discuss the artists who ruled the airwaves: Madonna, Bruce Springsteen, Duran Duran, and Cyndi Lauper — basically the Justice League of 1984 pop. Of course, it wouldn't be Past Tens without a few twists. There's a Playdate Quiz that would stump even The NeverEnding Story's Atreyu, a musical mashup segment that's more chaotic than Gremlins after midnight, and their signature song substitution game — think Indiana Jones swapping the idol for a bag of sand, but with Huey Lewis tracks. Some highlights: 00:54: A heartfelt memorial for Dave's father, complete with more heart than Kevin Bacon dancing alone in a warehouse. 08:33: Pop Culture Highlights: Ghostbusters hit theaters, Purple Rain was on the horizon, and nobody put Baby in a corner (yet — Dirty Dancing was still a few years away). 15:22: Countdown kicks off — Night Ranger's “Sister Christian” taught us all what "motoring" really means (spoiler: it's not what your dad thinks). 38:01: Musical Mashups — imagine Footloose meets Thriller but performed by the cast of Revenge of the Nerds. 39:22: Laura Branigan's “Self Control” — the unofficial soundtrack to sneaking out past curfew in 1984. 44:54: Huey Lewis reminds everyone that the heart of rock and roll is still beating — even if it's wearing leg warmers. 59:33: Steve Perry's “Oh Sherrie,” a ballad so powerful it could get E.T. to phone home twice. 01:19:50: Cyndi Lauper's “Time After Time” — guaranteed to make even the Stay Puft Marshmallow Man misty-eyed. 01:23:15: Cyndi's legendary ties to the wrestling world — she could literally have body-slammed a Goonie. Milt also teases his upcoming trip to Africa, though we're unclear whether he'll be traveling by Toto song or Temple of Doom bridge. It's a journey that's equal parts nostalgia, musicology, and a John Hughes movie montage. Crank up your Walkman and join the ride — just don't feed Milt after midnight.

La tempête cannoise est à peu près passée, les beaux jours sont à peu près là. Nous profitons donc de cette accalmie pour vous proposer un heure en compagnie de la reine Bonnie Banane ! Chanteuse cinéphile apparue plusieurs fois devant la caméra (chez Bonello et Mandico pour des films, chez Mati Diop ou William Laboury pour des clips), musicienne nourrie par le cinéma, elle nous parle de sa passion pour Prince devant la caméra (Purple Rain) ou dans la BO d'un Spike Lee oublié (Girl 6) mais également de sa voix de cinéma préférée, celle de Jean Negroni dans La Jetée (Chris Marker). Femme de scène, elle nous parle de son costume de cinéma préféré mais également de son besoin de rester spectatrice, puis revient sur ce qu'elle fait du regard des metteurs en scène masculins aujourd'hui. En point d'orgue, elle convoque Anouk Grinberg. Puis elle nous remmène dans la salle de cinéma, refuge ultime en toutes circonstances. Évidemment, au détour de la conversation, Bonnie nous a cité une poignée d'autres pépites. Mais pour les découvrir, il faut écouter ! Nous remercions notre invitée Bonnie Banane ainsi qu'Elodie Imbeau et Pierre Senechal sans qui cet entretien n'aurait pu se faire.Nous remercions enfin Hugo Cohen qui par son mix, nous a permis de rendre les pistes à nouveau audibles ! Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 3'24 Un costume de cinéma : La bête dans La belle et la bête (J. Cocteau, 1946) Des prostituées au cinéma : le personnage d'Anouk Grinberg dans Mon Homme (B. Blier, 1996) et Girl 6 (S. Lee, 1996) Une voix au cinéma : la voix de Jean Négroni dans La Jetée (Chris Marker, 1962) LE CINEMA DANS TOUS SES ETATS - 21'59 Des films pour se détourner de la tristesse et de l'angoisse mondiales : Woman on top (Fina Torres, 2000) et Matilda (Danny DeVito, 1997) Un film dans lequel Bonnie aimerait évoluer avec autant de fluidité que dans un jeu : La petite sirène (R. Clements, J. Musker, 1990) CARTE BLANCHE - 33'23Sombre (P. Grandrieux, 1998) CINEMA & TRANSMISSION - 40'18 Un film sexy à transmettre aux jeunes générations : Purple Rain (A. Magnoli, 1985) pour ce que dégage Prince à l'écran - 40'18 Un film à envoyer sur une autre planète : Koyaanisqatsi (G. Reggio, 1983) - 45'41 REFUGE - 49'17 Birth (J. Glazer, 2004) La salle de cinéma EXRTAITS La Jetée, Chris Marker, 1962, Argos Films Just the Two of Us – Interprétée par Bill Withers et Grover Washington Jr.Écrite par Bill Withers, Ralph MacDonald et William Salter℗ 1981 Elektra Records / Warner Music Group Purple Rain – Interprétée par Prince and the RevolutionÉcrite et composée par Prince℗ 1984 Warner Bros. RecordsTous droits réservés aux ayants droit Prologue (Birth) · Alexandre DesplatBirth (Original Score)℗ 2004 Warner Bros. Entertainment Inc. CRÉDITSPatreons : un grand merci à Mahaut, Paul et Clara pour leur soutien !Musique : Gabriel RénierCollaboration au mixage : Hugo CohenGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

In hour four, Hoch is adamant that there is some foul play happening in his Wordle games with friend of the show, Ryan from Funky Buddha. Solana's take on the movie ‘Purple Rain' gets Hoch fuming with anger. Plus, Tyrese Haliburton shows up to the Pacers arena in a questionable outfit.

En juin 2024 Ersin Leibowitch publiait "Prince Xperience, dans la tête du génie". Cette biographie arrivait 8 ans après le décès de l'artiste. Pratiquement un an après la sortie de son livre, Ersin a accepté l'invitation de Schkopi pour un un Live Twitch avec les fans. Il évoque les motivations de cet ouvrage, sa vision de l'œuvre Princière, ses souvenirs...L'audio ayant été enregistré, nous nous sommes dits qu'il ferait un excellent bonus de VIOLETPoursuivre l'expérience de VIOLET sur le web et les réseaux sociaux :Web et contact : www.schkopi.comInstagram : @schkopiFacebook : Schkopi et Violet - Le Podcast  Twitch : www.twitch.tv/schkopiAidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

In this episode of the Board Drill Podcast, we welcome Mitch Wieland, offensive coordinator at Iowa City Liberty High School, to break down the most common quarterback mistakes and how to fix them. From footwork disasters to bad pocket habits, Coach Wieland gives a clinic on practical drills, quarterback development, and how to coach up any QB, regardless of arm talent.We also talk about how to integrate film study into your daily QB routine, fixing overstriding, improving pocket presence, and unlocking the deep ball game at the high school level.Whether you're a QB coach, offensive coordinator, or a defensive coach looking to understand how QBs are taught, this episode is a must-watch.Timestamps:0:00 - Welcome & Midwest Coaching Vibes1:40 - Coach Wieland's background & QB coaching journey3:30 - How to develop efficient QBs of all sizes & styles4:49 - Common Mistake #1: Weak finishing position & drills to fix it9:20 - Filming practice: Why it matters for QB development12:30 - Common Mistake #2: Overstriding & simple fixes15:45 - QB drills should be individualized, not one-size-fits-all17:00 - Common Mistake #3: Eyes on the rush & pocket drills20:50 - How to drill pocket escapes & throwaways (double evade, chaos drills)23:50 - Don't try to outrun the rush: Go against the grain28:50 - Scramble drill chaos & the struggle of WR scramble rules31:30 - Teaching the deep ball with timing, not arm strength36:30 - Throwing with touch: Over/under drills & QB anticipation42:00 - How flight paths drift & adjusting deep balls left vs. right46:00 - Dropping in the bucket drill explained48:50 - Best throw in football? The underthrown deep ball51:30 - Teaching throwing on the run vs. sprinting throws54:00 - QB mechanics on sprint outs & real-world escape drills56:30 - Program tradition: Liberty's Purple Rain & Lightning Jacks59:00 - Final thoughts & Mitch's advice for QB coaches

It's double your O3L pleasure this week with our 4th Annual Cruel World Special! It's that time of year again - on May 17, 2025, the masses will descend upon Brookside at the Rose Bowl in Pasadena, CA, for the 4th installment of what has become a destination, a cultural touchstone for fans of classic alternative, new wave, punk, synth-pop, goth, and dark wave - the Cruel World festival.  Goldenvoice has once again put together a fantastic lineup of legends, younger bands who are carrying the torch, and a couple of surprises thrown in.  This year's lineup includes New Order, Nick Cave & The Bad Seeds, The Go-Go's, Devo, OMD, Death Cult, Garbage, Madness, the first appearance of the original ‘Til Tuesday lineup in 35 years, Midge Ure, Clan of Xymox, Buzzcocks, Stereo MC's, Blancmange, Alison Moyet, and "next generation" acts like Nation of Language and She Wants Revenge. As has become O3L tradition, we celebrate this annual event with an episode where we each pick the five acts that we are, or at least would be, most excited to see at this year's festival.  This year, we've got a special guest Third Lad joining us, a gentleman who can rightfully be called Gen X's DJ - someone who grew up, like us, under the spell of this music and continues to keep it alive to not only our generation, but subsequent generations.  Jake Rudh has hosted Minnesota Public Radio's The Current for 15 years, the weekly Transmission club night in Minneapolis for nearly 25 years, he has been a resident DJ at the famous First Avenue (yes, where a lot of Purple Rain took place) for 15 years, as well as the annual ‘80s music festival '80s in the Sands in Mexico, which is hosted by Richard Blade and many of the classic MTV VJs.  We also have Jake to thank for the amazing content on the Slicing Up Eyeballs Facebook page - album anniversaries, artist birthdays, tour announcements and other news.  Plus, the world can partake in Transmission on Twitch, featuring 5+ hours of classic videos every week.  Jake Rudh Website: ⁠https://transmission-music.com/djs/jake-rudh/⁠ Facebook:⁠ https://www.facebook.com/JakeRudh/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

1984. Prince is at his commercial and creative peak. "Purple Rain" – the album, the soundtrack, and the film – is a sensation. But that's when the backlash sets in. That's when Prince's public persona sours, thanks in part to a tell-all story sold by a former bodyguard for a big drug-money payday. All the while, the world is sinking further into chaos and disorder; guns, gangs, murder, AIDS, earthquakes. In these dark times, can Prince find purpose ... and a musical revolution? Prince's "Sign o' the Times" was a socially conscious record that addressed contemporary issues head on. What artist best met their moment? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors, see the show notes at ⁠⁠⁠www.disgracelandpod.com⁠⁠⁠. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Alexi Wasser discusses a few of her favorite films with hosts Josh Olson and Joe Dante. Movies Referenced In This Episode Messy (2025) Casablanca (1942) - John Landis' trailer commentary Looking For Mr. Goodbar (1977) - Larry Karaszewski's trailer commentary Auto Focus (2002) Gremlins (1984) - Glenn Erickson's Blu-ray review Amadeus (1984) - Allan Arkush's trailer commentary A Clockwork Orange (1971) The Shining (1980) - Adam Rifkin's trailer commentary Sixteen Candles (1984) - Adam Rifkin's trailer commentary, Glenn Erickson's Blu-ray review Innerspace (1987) - Glenn Erickson's Blu-ray review Explorers (1985) - Glenn Erickson's Blu-ray review The 'Burbs (1989) - Ti West's trailer commentary Flashdance (1983) Saturday Night Fever (1977) Lolita (1997) Unfaithful (2003) Let Him Go (2020) A History Of Violence (2005) Desperately Seeking Susan (1985) Purple Rain (1984) - Josh's trailer commentary Fast Times At Ridgemont High (1982) - Karyn Kusama's trailer commentary, Glenn Erickson's Criterion Blu-ray review Almost Famous (2000) - Allan Arkush's trailer commentary The Searchers (1956) - Glenn Erickson's Blu-ray review Junior Miss (1945) Valley Girl (1983) - Karyn Kusama's trailer commentary, Glenn Erickson's Blu-ray review  Clueless (1995) Heathers (1988) - Karyn Kusama's trailer commentary Pretty In Pink (1986) Batman Returns (1992) - Alex Kirschenbaum's review The Adventures of Ford Fairlane (1990) Reality Bites (1994) Monty Python And The Holy Grail (1975) - Adam Rifkin's trailer commentary Dazed And Confused (1993) - Glenn Erickson's Criterion Blu-ray review Pulp Fiction (1994) - Glenn Erickson's Blu-ray reviews Beaches (1987) The Long Goodbye (1973) - Josh's trailer commentary, Glenn Erickson's Blu-ray review Little Murders (1971) - Larry Karaszewski's trailer commentary, Glenn Erickson's Blu-ray review The Devil Wears Prada (2006) Weird Science (1985) - Glenn Erickson's Blu-ray review Zach And Miri Make A Porno (2008) Tie Me Up! Tie Me Down! (1986) An Unmarried Woman (1978) - Glenn Erickson's Blu-ray review Working Girl (1988) - Brian Trenchard-Smith's trailer commentary Withnail & I (1987) - Josh's trailer commentary, Randy Fuller's wine pairings Someone To Love (1987) Before Sunrise (1995) - Glenn Erickson's Blu-ray review Before Sunset (2004) - Glenn Erickson's Blu-ray review Before Midnight (2012) - Glenn Erickson's Blu-ray review Metropolitan (1990) The Last Days Of Disco (1998) Manhattan (1979) Annie Hall (1977) - Robert Weide's trailer commentary Hannah And Her Sisters (1986) Moonstruck (1987) - Glenn Erickson's Criterion Blu-ray review Mandy (2018) - Josh's trailer commentary Pig (2021) Django (1966) Bad Lieutenant: Port Of Call New Orleans (2009) - Josh's trailer commentary Bad Lieutenant (1992) The Unbearable Weight Of Massive Talent (2022) Mermaids (1990) Cat People (1982) Taxi Driver (1976) - Rod Lurie's trailer commentary Hardcore (1979) - Glenn Erickson's Blu-ray review Infested (2002) This list is also available on Movies Unlimited. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It Takes Two is launching the IT TAKES TOUR and our first outing is a trip to Minneapolis to for PURPLE RAIN in it's pre-Broadway debut (tickets in the first five rows!) plus a tour of Paisley Park as well! Get all the details and find out how you can secure your ride on "The Purple Tour"See omnystudio.com/listener for privacy information.

”It's not working and Beca storms off only to be caught by the Ewoks.”How fitting is it that the sequel to The Wizard of Oz was ushered in by Richard's actual birth? And how fitting is it that some other movies that came out in years ending in 5 have lots of music in them? Richard harmony is back with birthmonth movies!0:00 -- Intro3:18 -- Return to Oz38:47 -- The Indian in the Cupboard57:10 -- Pitch Perfect 21:16:54 -- Contact information1:19:03 -- Awards and rankings1:56:55 -- Future business2:02:41 -- Outro {and outtakes (ooo43kt-codaB)}Hey! Be sure to watch Pink Floyd: The Wall, Purple Rain, and A Star Is Born (2018) for next time!Hey! We have a Patreon (Ours, Ours, & Ours))!Hey! DON'T leave us a voicemail at (801) 896-####!Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time!Hey! Hear Richard on Turning Trekkie!Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list!Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!

A bottle of wine carries more than fermented grapes. It embodies intellectual property worth billions in global markets. From the tapas bars of Barcelona to the vineyards of Australia, wine names spark international incidents with real-world consequences.When a small Spanish bar named "Champanillo" (little champagne) faced the wrath of the powerful Comité Champagne, it revealed how geographical indications function like luxury brand protections. No actual champagne was sold, yet the European Court of Justice ruled the mere evocation of champagne's prestige violated EU law. Similarly, Belgian customs officials destroyed thousands of Miller High Life beer cans for daring to call themselves "The Champagne of Beers" despite using the slogan for over 120 years.These battles extend beyond Europe's borders. Croatian winemakers watched helplessly as their traditional Prošek dessert wine, despite being nothing like sparkling Prosecco, was blocked from registration after Italian opposition. Meanwhile, Australia and the EU reached a trade negotiation impasse over whether "Prosecco" refers to a grape variety (as Australians argue) or a protected place name (as Europeans insist). The dispute demonstrates how a single wine term can become geopolitical leverage worth potentially billions in trade.Luxury producers fight equally fierce battles, with Château Petrus winning a €1.2 million judgment against a cheaper wine called "Petrus Lambertini," while even Prince's estate successfully challenged an Ohio winery's "Purple Rain" wine. Counterfeiters face serious consequences too, fake Lafite bottles distributed through nearly 2,000 supermarkets resulted in an $11 million judgment, while Europol's "Operation Epigraphy" dismantled a multinational fake Rioja network spanning three countries.Whether through trademarks, geographical indications, certification marks, or patents (as seen in the competitive synthetic cork industry), wine intellectual property serves as the legal foundation for an industry that blends agriculture, culture, commerce and law. What's inside the bottle is only half the story, the rest lies in who has the right to tell it.Listen now to understand why every sip comes with a side of intellectual property law, and why the words on a wine label can be worth millions in courtrooms worldwide.Send us a text

Amy Walsh, Jimmy Brennan, Craig Forrest and Dan Wong, with JC in the shadows, welcome FP Contributor from Van, Asa Rehman. The Crew break it all down like Prince in Purple Rain. A must-listen before Wednesday's match.GET IN! Laughs Guaranteed.Presenters: James Sharman, Craig Forrest, Jimmy Brennan, Amy Walsh & Dan WongElectric Dreams: Jeff Cole, VO and Editor/ProducerThis podcast has content that may use words and share tales that offend, please feel free to use your best discretion.Parental discretion is advisedwearefootyprime.comX @footy_primeTikTok @FootyPrimePodcastYoutube @FootyPrimePodcastIG FootyPrimeIGFacebook Footy Prime The PodcastEmail footyprimepodcast@gmail.comONE BALL GIN https://www.nickel9distillery.com/products/footy-prime-one-ball-gin Hosted on Acast. See acast.com/privacy for more information.

Las etiquetas de vino esconden más que notas de cata, ocultan batallas legales feroces donde cada nombre, región y corcho pueden ser motivo de demandas millonarias. Al descorchar este episodio de Intangiblia, viajamos desde Barcelona hasta Australia para revelar cómo una pequeña cadena de tapas llamada "Champanillo" enfrentó la ira del poderoso Comité Champagne, y por qué miles de latas de cerveza fueron destruidas simplemente por usar la palabra "Champagne" en su eslogan. Te sorprenderá descubrir que incluso nombres con siglos de historia, como el vino croata Prošek, pueden ser bloqueados por sonar "demasiado similar" a Prosecco italiano.Desentrañamos conflictos comerciales globales donde lo que está en juego no son solo palabras, sino identidades culturales y millones de dólares en exportaciones. Revelamos operaciones internacionales contra falsificadores que replican vinos de élite como Lafite Rothschild y Rioja, demostrando que el fraude vinícola es crimen organizado a escala global. También exploramos las innovaciones en corchos sintéticos y cómo las patentes han transformado silenciosamente la industria.Este viaje por las copas conflictivas y pleitos con aroma a barrica te dejará cinco lecciones claras sobre la propiedad intelectual en el mundo vinícola. Porque, como descubrirás, el vino no solo se bebe y se disfruta, también se protege por ley. ¿Te gustaría conocer más historias donde la creatividad y el comercio colisionan? Suscríbete ahora y comparte este episodio con otros amantes del buen vino y las buenas historias.

No todo el mundo que se adjudica o al que adjudican la palabra Artista lo es. Cantante, músico, bailarin, compositor, productor, Prince Rogers Nelson, más conocido como Prince, 150 millones de discos, los consabidos premios, las multitudinarias actuaciones, representó ese papel. “Purple Rain”, ”Sign of the Times” o "Kiss” entre sus canciones memorables en un personal estilo que mezclaba funk, “dance” o tecno pero cuya última gira -"Microphone & Piano Tour”- podía apostar por el minimalismo. “El Artista antes conocido como Prince”, aún reza Internet, murió un 21 de Abril de 2016 (tres meses después de Bowie) en Paisley Park , solo, pero quizás la soledad la que acredita al verdadero Artista. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

We can never get enough of our favorite AGT spinoffs. We're here with our first edition of The Respinables, where we pick 2 of our favorite America's Got Talent spinoff performances.  Jon Dorenboss - Champions 1 Preliminary Oz Pearlman - Champions 2 Preliminary Alfredo Silva Cage Riders - AGT Extreme Loren Allred - Fantasy League Preliminary SAINTED Trap Choir - Fantasy League Preliminary The Ramadhani Brothers - Fantasy League Finals Summary In this episode, the hosts discuss their experiences with the AGT fan page, the dynamics of team wins, and the significance of various performances from AGT spin-offs. They reflect on their podcast journey, milestones, and the impact of nostalgia on audience experience. The conversation delves into individual performances, production values, and the overall enjoyment of revisiting these acts, culminating in a breakdown of specific performances and their lasting impressions. In this segment, the conversation delves into the performances from AGT Champions 1, focusing on Oz Perlman's return as a mentalist and his engaging performance that combines magic with motivational speaking. The discussion then shifts to Alfredo Silva's extreme stunt act, highlighting the thrilling and dangerous nature of the performance within a steel ball. The hosts reflect on the entertainment value and the unique qualities of each performer, emphasizing their ability to captivate the audience. The conversation delves into various performances from AGT, focusing on the thrill and danger of acts involving drones, the evolution of performance expectations, and the spotlight on Alfredo's unique talents. It highlights Lauren Allred's journey to reclaim her moment with a powerful vocal performance, culminating in a discussion about the standout performance of the group Sainted, who delivered a remarkable rendition of 'Purple Rain.' In this segment, the conversation delves into the performances of various acts on AGT, particularly focusing on the impact of the song 'Purple Rain' and the unique performances of the Ramadani Brothers. The hosts reflect on the significance of pre-recorded performances, Simon Cowell's negotiation strategies for securing iconic songs, and the dynamics of the golden buzzer decisions. The discussion highlights the impressive physical feats of the Ramadhani Brothers and their ability to captivate audiences with their dangerous yet mesmerizing acts. In this segment, the conversation delves into the performances on AGT, focusing on the judges' reactions, the rewatchability of acts, and the unique talents showcased. The hosts discuss the significance of judging moments, the appeal of unique acts, and ultimately rank the performances based on their entertainment value and potential for success in a Vegas setting. In this final segment, the hosts review the performances from America's Got Talent, discussing the judges, the Fantasy League format, and ranking the acts. They also delve into certain performers' Hall of Fame candidacy and tease upcoming rewatchable episodes. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Mr. Christopher and NPG drummer Michael Bland discuss the 40th anniversary of Prince's Purple Rain follow-up, Around the World in a Day. We also discuss how we've dealt with the loss of Prince 9 years later. Plus plenty of rabbit holes.

World Cafe correspondent John Morrison looks back on Prince's daring left turn following the success of Purple Rain.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe

On the April 22 edition of Music History Today, Dave Matthews debuts, Prince releases his follow up to Purple Rain, & the man who opened Woodstock passes away. Also, happy birthday to Glen Campbell & Peter Frampton.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.com

1985 hat Prince mit seiner Band "The Revolution" das Album "Around The World In A Day" herausgebracht, da schwebte er noch auf der Erfolgswelle von "Purple Rain". "Around The World In A Day" ist opulent, bunt und ganz anders als die Musik, die Prince vorher so erfolgreich gemacht hat. Das Album ist auch kommerziell gesehen nicht so erfolgreich geworden wie die Vorgängerplatte "Purple Rain", aber an die Spitze der Charts hat Prince es damit trotzdem geschafft. So unterschiedlich die Songs auf dem Album sind, so unterschiedlich urteilen auch die Kritiker über "Around The World In A Day". An den Erfolg von "Purple Rain" anzuknüpfen war zu diesem Zeitpunkt aber auch gar nicht möglich, suggeriert SWR1 Musikredakteur Stephan Fahrig im Podcast. Mit "Purple Rain" war Prince zu der Zeit vielleicht sogar größer als Michael Jackson oder Madonna, findet Stephan Fahrig. "Von so einem Erfolg (wie "Purple Rain") hätten andere Künstler zwei oder drei Jahre gezehrt", erklärt Stephan Fahrig – Prince nicht. Der hat nach seinem Über-Album direkt diese Platte nachgelegt, zum Unmut seiner Plattenfirma, die das Meisterwerk von Prince gerne noch mehr finanziell ausgequetscht hätten. Nach seinem Welterfolg von "Purple Rain" hatten viele Fans von Prince eine Art Fortsetzung erwartet oder erhofft, als "Around The World In A Day" im April 1985 rausgekommen ist. Die Realität sah ganz anders aus. Statt mit einem kraftvollen Rocksong, wie man es vielleicht als Fan von Prince erwartet hat, startet das Album mit Trommeln und orientalischen Klängen – also ganz anders. Das hat auch unseren Podcastgast Patrick Obrusnik überrascht. "Das ist ja ein mutiger Einstieg", hat er gedacht, als er die Platte damals aus dem Laden nach Hause gebracht hat und zum ersten Mal die Nadel auf die Rille gesetzt hat. Trotzdem ist das Album für den Journalisten vom BR ein tolles Album, erklärt er. Meilensteine-Gast Patrick Obrusnik sagt, für ihn war das Album "Around The World In A Day" von Prince damals eine "Offenbarung", weil das Album zeigt, was der Ausnahmekünstler Prince auch über "Purple Rain" hinaus noch so alles drauf hat. __________ Über diese Songs vom Album "Around The World In A Day" wird im Podcast gesprochen: (13:49) – "Around The World In A Day"(24:13) – "Paisley Park"(35:52) – "Raspberry Beret"(43:32) – "America"(48:14) – "Pop Life"(59:07) – "Temptation"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/prince-around-the-world-in-a-day- __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Four hundred episodes into this project, we gathered together on April 11, 2025 for a live show to celebrate the occasion. On this edition I revealed a new tour, announced a short spring break (with episodes, never fear!), and did some Ask Me Anythings! Pedalshift 400 Live Hey check out the video if that's your bag... https://www.youtube.com/live/EJfDdaQDgeE?si=NruP9cvgb0mgY8ip   Introduction •Tim kicks off Episode 400 live with listeners in the chat •Reflects on 10+ years of podcasting, over 1.3 million downloads •Expresses gratitude to listeners and the broader bike travel community   Shout-Outs & Tributes •Listener shout-outs: •Forrest from Whitehorse on the GAP Trail •Byron and the Sprocket listener crossover poll (results were a 50/50 split) •Tribute to The Sprocket Podcast: •Final episode recently released •Strong influence on Pedalshift's creation •Encourages new listeners to explore the Sprocket back catalog •Shared values and crossover episodes remembered fondly   Tour Reveal: Circumnavigating Lake Ontario •Dedicated to Tim's late father; the lake was important to him •Starting in Western New York, likely near Tim's mother's home •Full loop around Lake Ontario •Using the e-bike with a second battery for extended range •No camping: entirely hotel or Airbnb lodging •Expected duration: under a week •Part of 2025 goals: new route, international travel, expanded e-bike touring   Pedalshift Spring Break •First planned break in podcast history (show remains weekly) •Begins April 24, 2025 •Through May, rebroadcasting selected past mini-tours: •Game of Chance Tour •Cleanup Tour •Fill in the Blanks Tour •New content returns in June with: •Los Angeles Metro Bike Adventure (Episode 401) •Lake Ontario Tour coverage begins with Episode 402   Ask Me Anything (Live Chat Q&A)   Tour Planning and Equipment •Uses RideWithGPS, Google Maps, and Street View for route planning •Recommends overlays like RideWithGPS heatmaps for checking route popularity •Apple Notes is the go-to tool for organizing transit and fast-forward trips •Safari and Brompton are the most used bikes for local/urban riding •Gravel/dirt touring is appealing, especially with proper gear; has done C&O and Erie Canal •Tour terrain preference: tie between forested and coastal routes   C&O Canal Guidance •Cumberland to DC is a favorable direction due to logistics and parking •Recommends Harper's Ferry to Shepherdstown segment for beginners   Tour Ideas and Alternatives •Florida ride likely to be retired after repeated versions •Considering Arizona desert rides, Florida Keys, or San Diego to Phoenix •Airline logistics (especially Southwest policy changes) influence decision-making •Possibility of international touring (Europe later in 2025, Australia someday)   Fun Pop Culture AMA •Favorite Prince songs to bike to: •Let's Go Crazy •Seven (all-time favorite) •Raspberry Beret, Purple Rain, 1999 also mentioned •Brief discussion of cycling music and personal playlist choices   Future Travel Hints •Canada's Lake Ontario loop is Tim's first true international bike tour •Possibility of a short European ride in late summer 2025 •Dreaming of riding in Australia during shoulder seasons   Closing Remarks •Gratitude to listeners and live show participants •Encouragement to get out and ride, share stories, and connect with community •Next live show planned for later in the year •Spring break content begins April 24, new episodes resume in June  

We're one week away from the start of Pearl Jam's 2025 tour, and as we have come to know over recent years, anything can happen at a Pearl Jam show. This show from Amsterdam in 2022 is an excellent example of that. After suffering vocal damage from wildfire smoke in Paris, Eddie was not cleared to sing in the three shows following the incident. Shows in Vienna, Prague and the first night of Amsterdam were canceled, leaving doubt that the planned second show would take place. However, Ed was able to take the stage without being at 100% and still put on a show to remember. You can say that this show was the beginning of a new era for them. There were stools on the stage to open as the band would play the first five songs seated. This was something that the band would bring forth into the next two tour years in order to ease themselves into a set to prevent Ed from over-exhausting his voice. This section proved to set the tone for a night full of surprises and deep cuts as Nothing As It Seems opened the show for the first time since 2000, and W.M.A. made a rare appearance in the set. With Ed needing some vocal help, he sought the rest of the band for respite as we got to hear Stone sing Mankind, Mike and Matt tag team on KISS song Black Diamond, and Josh wailing away on Purple Rain. We invite our friend, Lori Jernberg, on for this episode and hear her stories of attending the show and dealing with the cancelation the night prior. Check out this episode to wet your appetite before the band makes their way out on tour! Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

Send us a textGuitar prodigy Zack Quintana takes us through his remarkable musical journey, from picking up the guitar at age four to fronting bands by eight years old. With footage showing him shredding Hendrix solos as a child, it's no wonder the podcast host introduces him as "one of the best guitarists I ever met."During this intimate conversation, Quintana reveals the profound impact of Pink Floyd's Dark Side of the Moon on his approach to guitar playing. Rather than focusing on technical prowess, he learned to appreciate David Gilmour's "simple but powerful and tasteful" style where "every note is perfectly placed." This watershed moment coincided with his discovery of synesthesia – a condition that allows him to "hear colors" – making the album particularly significant in his development.The spiritual dimension of Quintana's artistry emerges through his discussion of Ram Dass's "Be Here Now," which helped him navigate the tension between artistic expression and ego-driven validation. "Creating for me is now almost meditative than trying to get a hit record," he explains, offering valuable perspective on maintaining authenticity in an industry often focused on external metrics of success.Live performance holds special significance for Quintana, inspired by the Grateful Dead's legendary Europe '72 recordings. He champions the idea that each performance should be unique, a philosophy that extends to his recording approach – prioritizing live energy even in studio settings. With influences ranging from Hendrix's revolutionary guitar techniques to Prince's commanding stage presence, Quintana continues crafting his distinctive musical identity with new releases on the horizon. Follow Zack on Instagram @ZackQuintanaOfficial and don't miss his upcoming projects – a Valentine's Day single and two albums dropping this spring!Follow My Pop Five: @mypopfive on all platforms We'll see you next time. But until then, what's your Pop Five?

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

Susan Rogers in conversation with David Eastaugh American professor, sound engineer, and record producer best known for being Prince's staff engineer during his commercial peak (1983-1987), including on albums like Purple Rain, Around the World in a Day, Parade, Sign o' the Times, and The Black Album. During this time, Rogers laid the foundations for Prince's now-famous vault by beginning the process of collecting and cataloguing all his studio and live recordings.

Comment Prince a-t-il géré le succès planétaire de "Purple Rain" ? À quoi ressemblait sa vie à Paisley Park ? Son domaine où il faisait de la musique jour et nuit. Bosseur en privé, diva en public, que sait-on de cet homme qui avait un besoin absolu de tout contrôler ? "Prince, roi de la musique et de la démesure" (suite et fin), bienvenue dans ce nouvel épisode de "Confidentiel"... Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In what town is Paisley Park, the home to the late singer Prince located? Play. Share. Listen with host of Ride To Work on FOX Nation, Abby Hornacek. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dans la deuxième partie du "Confidentiel Prince", disponible dès vendredi 4 avril, Anthony Martin vous emmène au cœur de l'aventure Purple Rain, le film et l'album qui vont marquer la consécration de l'artiste... Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

As the oldest child of Jimmy and Jane Barnes, music has always been in Mahalia Barnes' blood, so it was no surprise that she inherited her dad's extraordinary set of pipes, and set off on her own path.

Dans le prochain épisode de "Confidentiel", Anthony Martin vous emmène à la rencontre du créateur de Purple Rain, de Kiss, de Crieam... Prince ! Surdoué depuis son plus jeune âge, il a pourtant fallu du temps avant que l'homme natif de Minneapolis ne se révèle au grand jour... Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:55:01 - Very Good Trip - par : Michka Assayas - Jeudi soir dernier, on apprenait stupéfait la mort de Prince Rogers Nelson dit Prince. Peu importe de quoi, peu importe comment, il est parti, et Michka Assayas lui rend hommage. Le 14 avril dernier, Prince se produisait sur la scène d'Atlanta. Artiste prolifique, le «Love Symbol» incarnait la pop des années 80. Il a notamment marqué toute une génération avec ses tubes comme par exemple Purple Rain. Petit par la taille mais grand par le talent, déjà à l'âge de 7 ans il a écrit sa toute première chanson, elle s'intitulait Funk Machine . Tout est dit. - « Sign ‘o' the Times » - « When Doves Cry » - « When You Were Mine » - « Around the World in a Day » - « Endorphinmachine » - « 4 the Tears in My Eyes » - « Purple Rain » - « The Cross » - « Sometimes It Snows in April » - réalisé par : Lilian ALLEAUME

Isma y nuestro invitado, creador de cómics de Sadhaka Studio ("The Fearless Zombie Hunters" y "Rainbow Warriors"), cineasta, y crítico de cine, Manuel Ríos Sarabia, platican sobre 'Mickey 17'

In this episode of the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle and Chad Kennerk discuss this weekend's upcoming releases and the recent re-release of Purple Rain in Dolby Cinema at AMC. Chad talks to Dan Berk and Robert Olson, the directors behind Paramount Pictures' Novocaine, which hits theaters March 14th. Then Daniel is joined by the UK Cinema Association's Phil Clapp to discuss the UKCA's annual conference, taking place on March 18th-19th.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:00 Intro01:00 Off-Peak Movie Success: Purple Rain Re-Release03:00 This Weekend's Movie Releases05:00 The Appeal of Novocaine: A Pain-Free Action Comedy06:07 Interview: Novocaine Directors Dan Burke and Robert Olson14:02 The Return of Character-Driven Action Films16:00 The Deeper Message: Embracing Differences18:05 Experiencing Novocaine in 4DX19:15 The Unexpected Importance of Pie in Novocaine21:10 Reflecting on the Directors' Journey23:20 Formative Moviegoing Experiences25:00 UK Cinema Industry Outlook with Phil Clapp27:05 Addressing Industry Challenges29:10 Engaging Young Audiences32:20 Learning from Wicked's Box Office Success35:00 Cross-Industry Marketing Lessons37:10 Enhancing the Cinema Experience on a Budget40:00 The Future of Cinema Technology42:10 AI in Cinema: A Growing Conversation46:00 Subscription Models for Small Cinemas50:00 Sustainability in the Cinema Industry

The Black History Month Marathon ain't over! Thanks to Markellus from So Wizard Podcast, the three of us finally get to check off a big one. Yes folks, none of us had ever watched Purple Rain before this but we were all familiar with that album. Chris has been dreading this day, but Anita and I were looking forward to it. We review each song as it comes up, Anita gets mad at some hand gestures I made during a certain scene, Chris surprises us both, Anita has thoughts about Prince's kissing style, and I do my best rendition of "Gigolo's get Lonely Too" by Morris Day and The Time. We hope you enjoy the show, we enjoyed recording it! Support The Show On Patreon - https://www.patreon.com/homevideohustle IMDb Page - https://tinyurl.com/324bhrrs Check Out The Show On Goodpods - https://goodpods.app.link/n2LK61w5eEb More Movie Reviews on LetterBoxd - https://letterboxd.com/hvhpodcast/ Check Out Book Reviews on GoodReads - https://www.goodreads.com/.../168422134-home-video-hustle Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Promo - @cult45podcast - https://www.cult45podcast.com/ Music By: @tradevoorhees - http://tradevoorhees.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this dig back into a past Patreon episode, Doug can't wrap his head around why this would be anyone's 'passion project' let alone Prince's, Jamie wonders what movie Thomas thought she was making, and we both agree that this is on-par with Purple Rain...and that's not a good thing. Hope in the tub with your BFF, head down to the Wrecka Stow, and join us as we're nothing but puzzled about Under the Cherry Moon!Under the Cherry Moon is a 1986 film directed by Prince, written by Becky Johnson and starring Prince, Jerome Benton, Steven Berkoff, Emmanuelle Sallet, Alexandra Stewart, Francesca Annis & Kristin Scott ThomasVisit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookVisit our Website

Send us a textIntro song: BambiSong 1: HousequakeSong 2: Little Red CorvetteSong 3: When You Were MineSong 4: Forever In My LifeSong 5: The RideOutro song: Purple Rain

Panthère 1987 by Cartier (1987) + Denise Matthews aka Vanity (1959-2016) + Vanity 6 (1982-83) and Apollonia 6 (1983-85) + Albert Magnoli's Purple Rain (1984) + John Frankenheimer's 54 Pick-Up (1986) with Glen and Psi of Rare Candy 3/4/25 S7E13 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Dearly beloved, we are gathered here today to get through this thing called Life... and learn about one of pop music's biggest icons, Prince! His legendary film and soundtrack album Purple Rain dominated the mid-80s, whether he was tearing up the dance charts with When Doves Cry or triggering a congressional hearing full of parental outrage for Darling Nikki! We'll talk about the creation of the film, the whereabouts of his motorcycle, his legendary halftime show, and the unbelievable amount of music that's still in the vault! The Mixtaper has tales of smells, smoke, and spaghetti... get your toilets ready. Baby, The Artist Formerly Known As Prince (aaaand currently known as Prince, too) is a Star.. so Let's Go Crazy this week!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:55 About Prince12:04 About Purple Rain17:29 Prince Vs. The Parents Music Resource Center20:38 The Artist Formerly Known As Prince25:55 The Prince Vault27:21 Awards & Accolades28:12 Fact Or Spin30:06 He Likes To Smell McDonald's Food33:19 His Music Videos Are Bad For Toilets36:02 His Favorite Meal Is Spaghetti And Orange Juice39:00 Prince Performed At George Lucas' Wedding42:09 Prince Fact Or Spin Vault47:37 Album Art50:25 Let's Go Crazy53:09 Take Me With U55:26 The Beautiful Ones57:42 Computer Blue59:33 Darling Nikki1:02:24 When Doves Cry1:06:08 I Would Die 4 U1:08:08 Baby I'm A Star1:09:49 Purple Rain1:13:48 Final Spin Hosted on Acast. See acast.com/privacy for more information.

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Send us a textHave you ever wondered why certain movie soundtracks stay in our hearts forever? This episode takes you on a delightful journey through the world of cinematic melodies and Oscars surprises. We'll share our rankings of the Oscar-nominated songs, revealing some unexpected favorites, and reminisce about those timeless soundtracks that shaped our love for movies. Throughout our chat, nostalgia fills the air as we celebrate the evolution of movie soundtracks. We dig deep into the power of soundtracks, recalling iconic films like "The Bodyguard," "Forrest Gump," and the legendary beats of "Purple Rain." As we navigate through mixtapes and digital playlists, we also touch on the challenges posed by streaming rights, blending personal memories with the broader cultural impact of these musical treasures.Adding a touch of humor and heart, we recount the highs and lows of our week, including a laundry mishap with red jeans and the joy of receiving unexpected tulips. From family traditions to appreciating the small wonders of life, this episode promises laughter, nostalgia, and a cozy embrace of the moments that make us who we are.Mike Haggerty Buick GMCRight on the corner, right on the price! Head down to 93rd & Cicero & tell them the Noras sent you!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

We talked about some new products on the market like Liberal Tears the new energy drink harvested from caged liberals and the melanoma from Bob Marley's toe which you can hit off a dab nail. Sister cities are a racket. Jimi Hendrix died from inhaling unlit weed flower from the strain Purple Rain from an improperly rolled blunt and they tried to bury him on the moon and it was the Navajo who got mad not the Cherokee; sorry.   Full episode at https://www.patreon.com/posts/122755838

Dave and Milt, alongside special guests Anton and  Joy, dive into the 1984 music scene by conducting a fantasy draft of the best albums from that year. The lively discussion highlights major albums like Prince's 'Purple Rain', Van Halen's '1984', Bruce Springsteen's 'Born in the USA', and Madonna's 'Like a Virgin'. The guests add their unique picks including Bryan Adams' 'Reckless', Talking Heads' 'Stop Making Sense', and Stevie Ray Vaughan's 'Couldn't Stand the Weather'. This engaging episode revisits iconic music and memories from a landmark year in music history.   Topics   01:01 SNL Reunion and 80s Nostalgia 04:44 Rock Fantasy Draft 1984 Begins 06:05 Introducing the Guests 14:01 Drafting the Top Albums of 1984 49:14 Unexpected Choices and Musical Surprises 49:46 Teen Favorites and Canadian Rock 51:31 Concert Stories and Nostalgia 52:54 The Evolution of Music Listening 54:07 Talking Heads and Avant-Garde Music 58:36 The Pretenders and Rock Legends 01:02:30 Michael Jackson's Billie Jean revelation 01:03:50 Run DMC and the Birth of Hip Hop 01:08:47 Tina Turner's Iconic Comeback 01:11:02 Reflecting on 1984's Musical Titans 01:13:25 The Who's Last Live Album 01:16:51 The Cars' Heartbeat City 01:22:22 Spinal Tap's Parody Perfection 01:26:06 Footloose Soundtrack and 80s Dance 01:29:19 REM's College Rock Anthem 01:34:20 Queen's Comeback with 'The Works' 01:35:48 Live Aid and Queen's Iconic Performance 01:37:09 Round 5 Begins: High Fives and Music Trivia 01:38:41 Don Henley's 'Building the Perfect Beast' 01:43:17 The Smiths' Debut Album 01:46:07 Wham! and the Pop Sensation of 1984 01:50:21 Duran Duran's Live Album 01:53:23 Final Round: The Go-Go's and Chicago 02:00:08 Stevie Ray Vaughan and Morris Day 02:06:14 Draft Recap and Final Thoughts

Nikki O'Neill, an R&B/Americana singer-songwriter and guitarist based in Chicago, is releasing her third solo album, Stories I Only Tell My Friends. It's being issued on Blackbird Record Label on March 14, 2025 on 12” LP vinyl, CD, digital download and streaming. This interweaving of Soul, Americana, Rock, Gospel and Blues is an integral part of O'Neill's sound, and likely due to her upbringing. “I was born in L.A., but grew up mostly in Stockholm, Sweden with a Russian grandmother and Polish mother,” she says. “Both of them, and also my father, grew up with war and had a history of constantly moving from one country and one apartment to another. My mom was young when she had me, and music seemed to be her source of joy. She loved listening to all kinds of artists, from Al Green to Santana, Dinah Washington, Stevie Wonder, John Lennon, and the Traveling Wilbury's. I soaked it all up like a sponge. I started making up songs when I was twelve, and first picked up a guitar when I was 16. I loved going to record stores, and when Prince's Purple Rain album came out, I bought it immediately and listened to it religiously. Then a friend and drummer in my first band introduced me to Sly Stone. The way Prince and Sly fused soul and rock, and were leaders of multi-racial bands with male and female musicians was tremendously influential.” O'Neill moved from Stockholm to New York City where she mostly played guitar in other bands. She relocated to Los Angeles after meeting Rich Lackowski at a music trade show. O'Neill became a solo artist, and the couple (now married) eventually became members of L.A.'s small, but supportive Americana artist community. After self-releasing her 2017 solo EP, Love Will Lead You Home (with songs co-written by lyricist Paul Menser), she regularly performed around L.A. with Lackowski in their 4-piece band, and was signed to Blackbird Record Label in August, 2020. In October that same year, she released World is Waiting, her second solo album and label debut. With touring opportunities erased by the pandemic and California becoming unaffordable, they packed up their instruments into her little red Honda Fit and drove to Lackowski's hometown of Chicago. “It took me a while to get rooted in Chicago, meet musicians and start writing again, but I also didn't want my songs to sound like leftovers from the last album,” O'Neill says. “I wanted to find out how Chicago would inspire me.” Stories I Only Tell My Friends is eloquent testimony to the inspiration she found.   Nikki's Info :  https://nikkioneill.com https://www.youtube.com/channel/UC5FA6InY3pide4vE_YFEmYw/featured?view_as=public http://www.instagram.com/nikkioneillguitar http://www.facebook.com/nikkioneillmusic https://nikkioneill.bandcamp.com https://music.apple.com/us/artist/nikki-oneill/274063501 https://open.spotify.com/artist/6AJzwE3ASiLk4z10P3245T?si=KJZg1M00TA-DdVhRCXcr- gSiLk4z10P3245T https://www.bandsintown.com/a/7592729 https://bsky.app/profile/nikkioneill.bsky.social  

In this episode of Screens in Focus, host Diana and returning guest Renee Hansen dive into iconic movie soundtracks that leave lasting impressions. With Renee's deep knowledge of music and pop culture, they explore unforgettable 80s soundtracks and beyond, sharing their top three favorites. Key soundtracks discussed include Rocky IV, Grease, Purple Rain, The Lost Boys, and Top Gun. Plus, TV and movie recommendations, including Getaway, Here, and the final season of Cobra Kai. Join the fun as they celebrate the magic of music in film! Tune in for a nostalgic and fun discussion celebrating the power of music in film! 00:00 Introduction and Hosts 00:27 The Impact of Music 01:11 Unforgettable Movie Soundtracks 01:45 Rocky IV and Patriotic Anthems 03:20 Grease and Childhood Memories 04:04 The Influence of Tommy 05:26 The Role of Movie Soundtracks 06:04 Top Gun and Iconic Songs 07:48 Footloose and Energetic Beats 08:48 John Hughes and New Wave Music 10:36 Purple Rain and Prince's Masterpiece 11:15 The Lost Boys Soundtrack 14:37 Dirty Dancing and Timeless Romance 15:47 Modern Soundtracks: Sing Street 17:18 The Commitments and R&B 18:52 Bohemian Rhapsody and Queen 21:17 The Bodyguard and Whitney Houston 21:57 Forrest Gump and Musical Evolution 23:18 O Brother, Where Art Thou? 24:14 The Muppet Movie Soundtrack 25:24 A Star is Born: Two Generations 26:34 Guardians of the Galaxy 27:54 Hamilton: A Cultural Phenomenon 29:07 Elton John's Resurgence 29:35 School of Rock: A Love Letter to Rock Music 31:59 Titanic's Haunting Soundtrack 35:35 Top Three Movie Soundtracks 41:38 Iconic Songs from Movie Soundtracks 46:13 TV and Movie Recommendations 55:41 Wrapping Up: Music and Memories   Too Much Heaven (Bee Gees):  https://www.youtube.com/watch?v=nREV8bQJ1MA  To Love Somebody (Bee Gees): https://youtu.be/hBvUrchek1I?si=RJC8YATfPI8oGD_J Too Much Heaven is the reaction video I was talking about and I LOVE this song! To Love Somebody is covered by many artists including Michael Buble The Lost Boys • Cry Little Sister • Gerard McMaho: https://youtu.be/G_nesH9k3qo?si=gH0_m5UJpnI2C_Rf   Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  Feedback and TV/Movie Recommendations:    Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com