Podcast appearances and mentions of Dinah Birch

In North and South (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters.Dinah Birch joins Clare Bucknell to discuss Gaskell's rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrnaIn other podcast apps: https://lrb.me/closereadingsnaRead more in the LRB:Dinah Birch: The Unwritten Fiction of Dead Brothershttps://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothersRosemarie Bodenheimer: Secret-keepinghttps://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keepingJohn Bayley: Mrs Ghttps://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g Hosted on Acast. See acast.com/privacy for more information.

This week, Toby Lichtig goes to see the latest Roald Dahl adaptations, junior critic in tow; and Dinah Birch celebrates the enduring power of Ebenezer Scrooge.'The Witches', at the National Theatre, London, until 27 January 2024'Wonka', on general release'A Christmas Carol', by Charles DickensProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

This week, Lucy Dallas and Alex Clark are joined by Dinah Birch to discuss Elizabeth Finch, the new novel by Julian Barnes, and find themselves in a world of charismatic teachers and forgotten Roman emperors. Also, the sports historian David Goldblatt explores a global survey of sport through the ages from the ancient Chinese game of cuju to the glories of Bristol Rovers.‘Elizabeth Finch' by Julian Barnes‘Games People Played: A Global History of Sport' by Wray VamplewProduced by Sophia Franklin See acast.com/privacy for privacy and opt-out information.

This week, Thea Lenarduzzi and Lucy Dallas are joined by Dinah Birch, Professor of English Literature at the University of Liverpool, to consider the work of Angela Thirkell, a kind of (but not really...) Anthony Trollope for the twentieth-century; the writer and audio documentarist Maria Margaronis considers the transformation of London’s Royal Court Theatre into a radical and moving “living newspaper”; plus, a library of the world’s literature that no censor can get to‘Angela Thirkell: A writer’s life’ by Anne Hall‘Living Newspaper’, Editions 6 and 7, Royal Court Theatre and royalcourttheatre.comThis episode of The TLS podcast is sponsored by Curtis Brown Creative. Go to www.curtisbrowncreative.co.uk to find out more about their creative writing courses.Use code YOURWRITINGSUMMER for £20 off any six-week course.A special subscription offer for TLS podcast listeners: www.the-tls.co.uk/buy/podProducer: Ben Mitchell See acast.com/privacy for privacy and opt-out information.

Dinah Birch, professor of English literature at the University of Liverpool, presents at the "John Ruskin: 19th-Century Visionary, 21st-Century Inspiration" conference.

Today's special edition of Beyond Belief comes from the library in the Bronte Parsonage Museum at Haworth on the edge of the Yorkshire moors. It was here that Charlotte Bronte conceived the plot of her best known work, 'Jane Eyre'. Religion features large in this novel - which isn't surprising as Charlotte was the daughter of Irish priest Patrick Bronte, the curate for many years of St Michael and All Angel's Church in Haworth. What is surprising though, is that some critics at the time described 'Jane Eyre' as an anti-religious work. Queen Victoria begged to differ and described it as "A really wonderful book with fine religious feeling." Joining Ernie Rea to discuss the religious content of Jane Eyre are Dinah Birch, Professor of English Literature at the University of Liverpool, John Bowen, Professor of Nineteenth Century Literature at the University of York and Rosemary Mitchell, Professor of Victorian Studies at Leeds Trinity University. Producer: Helen Lee Series Producer: Amanda Hancox.

Today's special edition of Beyond Belief comes from the library in the Bronte Parsonage Museum at Haworth on the edge of the Yorkshire moors. It was here that Charlotte Bronte conceived the plot of her best known work, 'Jane Eyre'. Religion features large in this novel - which isn't surprising as Charlotte was the daughter of Irish priest Patrick Bronte, the curate for many years of St Michael and All Angel's Church in Haworth. What is surprising though, is that some critics at the time described 'Jane Eyre' as an anti-religious work. Queen Victoria begged to differ and described it as "A really wonderful book with fine religious feeling." Joining Ernie Rea to discuss the religious content of Jane Eyre are Dinah Birch, Professor of English Literature at the University of Liverpool, John Bowen, Professor of Nineteenth Century Literature at the University of York and Rosemary Mitchell, Professor of Victorian Studies at Leeds Trinity University. Producer: Helen Lee Series Producer: Amanda Hancox.

With Stig Abell and Thea Lenarduzzi – The American author and cultural critic Naomi Wolf explores connections between Oscar Wilde and Edith Wharton, taking us from gay rights to "strong" women; Dinah Birch turns to John Ruskin, the great polymath of his age – and ours?; finally, continuing the theme of Victorian excellence, Charles Darwin is the subject of a number of recent books, including an excoriating criticism by A. N. Wilson – Clare Pettitt sets the record straight See acast.com/privacy for privacy and opt-out information.

On Start the Week Andrew Marr talks to David Bellos about Victor Hugo's Les Misérables. Bellos argues that this 19th century masterpiece is the novel of the century, which demonstrates the drive to improve human life both morally and materially. Dinah Birch compares what was happening in literature on the other side of the channel, reflecting the breadth of society in Britain. Simon Callow makes the case for the composer of the century, Richard Wagner, while the singer Barbara Hannigan explains how a 12th century legend has been given a contemporary twist in the opera Written On Skin. Producer: Katy Hickman.

With Stig Abell and Thea Lenarduzzi – Ruth Scurr on Beryl Bainbridge's life, love and works; Jessica Loudis on two memoirs, of New York City and the Chelsea Hotel; ruthless and high-minded or likeable and good-natured? Dinah Birch on the ever-enigmatic J. M. W. Turner; and finally, we're joined by the TLS's resident Shakespearean Michael Caines to talk us through a new compendium of writing on the playwright. Just don't call him the Bard. Find out more: www.the-tls.co.uk See acast.com/privacy for privacy and opt-out information.

As a young man, Benjamin Franklin drew up a "plan for attaining moral perfection" based on a list of 13 virtues. Half a century later he credited the plan for much of his success in life. In this episode of the Futility Closet podcast we'll explore Franklin's self-improvement plan and find out which vices gave him the most trouble. We'll also learn how activist Natan Sharansky used chess to stay sane in Soviet prisons and puzzle over why the Pentagon has so many bathrooms. Sources for our segment on Benjamin Franklin's 13 virtues: Benjamin Franklin, Autobiography, 1791. Gordon S. Wood, The Americanization of Benjamin Franklin, 2005. Dinah Birch, ed., The Oxford Companion to English Literature, 2009. Here's Franklin's list of virtues: Temperance. Eat not to dullness; drink not to elevation. Silence. Speak not but what may benefit others or yourself; avoid trifling conversation. Order. Let all your things have their places; let each part of your business have its time. Resolution. Resolve to perform what you ought; perform without fail what you resolve. Frugality. Make no expense but to do good to others or yourself; i.e., waste nothing. Industry. Lose no time; be always employ'd in something useful; cut off all unnecessary actions. Sincerity. Use no hurtful deceit; think innocently and justly; and, if you speak, speak accordingly. Justice. Wrong none by doing injuries, or omitting the benefits that are your duty. Moderation. Avoid extreams; forbear resenting injuries so much as you think they deserve. Cleanliness. Tolerate no uncleanliness in body, cloaths, or habitation. Tranquillity. Be not disturbed at trifles, or at accidents common or unavoidable. Chastity. Rarely use venery but for health or offspring, never to dullness, weakness, or the injury of your own or another's peace or reputation. Humility. Imitate Jesus and Socrates. And here's a sample page from his "little book":   Related: As an exercise in penmanship, the teenage George Washington copied out "110 rules of civility and decent behavior in company and conversation," and Thomas Jefferson once sent a "decalogue of canons for observation in practical life" to the new father of a baby boy. Listener mail: Human rights activist Natan Sharansky's use of mental chess to keep himself sane in Soviet prisons is detailed in his 1988 memoir Fear No Evil and in this BBC News Magazine article. Greg's research queries: The authority on jumping up steps at Trinity College, Cambridge, seems to be G.M. Trevelyan, who became Master there in 1940. In his Trinity College: An Historical Sketch (1972), he writes: It is a well-authenticated Trinity tradition that Whewell, when Master, jumped up the hall steps at one leap, a feat that is very seldom accomplished even by youthful athletes. Sir George Young told his son Geoffrey Young that he had actually witnessed this performance; Sir George said that the master, in cap and gown, found some undergraduates trying in vain to accomplish the feat. He clapped his cap firmly on his head, took the run, and reached the top of the steps at one bound. In a letter to the Times on March 16, 1944, he writes, "On a recent visit to Cambridge, General Montgomery, on entering the Great Court at this college, pointed to the hall steps and said to me, ‘Those were the steps my father jumped up at one bound.’ The general’s father, Henry Hutchinson Montgomery, afterwards Bishop, was an undergraduate at Trinity from 1866 to 1870. He came here from Dr Butler’s Harrow with a great reputation as a runner and jumper." He adds, "Now we have a fully authenticated case of which I had not heard. Bishop Montgomery himself told his son the general, and the story was often told in the family. The general has asked me to send the facts to you in the hope that publication may elicit further facts." I don't know whether he ever received any. As far as I can tell, Swiss criminologist Karl-Ludwig Kunz's essay "Criminal Policy in Duckburg" was published only in a 2009 collection titled Images of Crime 3: Representations of Crime and the Criminal, which I can't seem to get my hands on. The fullest discussion I've been able to find in English is this brief 1998 article from the Independent. The program to distribute bananas to Icelandic children in 1952 is mentioned in science writer Willy Ley's 1954 book Engineers' Dreams. The credit "Diversions by Irving Schwartz" in the 1966 movie The Sand Pebbles is mentioned (but not really explained) in this 2007 Telegram obituary of character actor Joseph di Reda. MIT historian T.F. Peterson's 2003 book Nightwork: A History of Hacks and Pranks at MIT says that the legend IHTFP ("I hate this fucking place") "has been unofficially documented in both the U.S. Air Force and at MIT as far back as the 1950s." This MIT page traces it as far back as 1960 and gives dozens of euphemistic variants. This week's lateral thinking puzzle was submitted by listener Paul Kapp. You can listen using the player above, download this episode directly, or subscribe on iTunes or via the RSS feed at http://feedpress.me/futilitycloset. Please consider becoming a patron of Futility Closet -- on our Patreon page you can pledge any amount per episode, and all contributions are greatly appreciated. You can change or cancel your pledge at any time, and we've set up some rewards to help thank you for your support. You can also make a one-time donation via the Donate button in the sidebar of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

Melvyn Bragg and guests Rosemary Ashton, Dinah Birch and Valentine Cunningham discuss George Eliot's novel Silas Marner.Published in 1861, Silas Marner is by far Eliot's shortest and seemingly simplest work. Yet beneath the fairytale-like structure, of all her novels it offers the most focused expression of Eliot's moral view. Influenced by the deconstruction of Christianity pioneered by leading European thinkers including Auguste Comte and Ludwig Feuerbach, Silas Marner is a highly sophisticated attempt to translate the symbolism of religion into purely human terms.The novel tells the story of Silas, a weaver who is thrown out of his religious community after being falsely charged with theft. Silas is embittered and exists only for his work and his precious hoard of money - until that money is stolen, and an abandoned child wanders into his house.By the end of her lifetime, George Eliot was the most powerful female intellectual in the country. Her extraordinary range of publications encompassed novels, poetry, literary criticism, scientific and religious texts. But beneath her fierce intellecualism was the deep convinction that for society to continue, humans must connect with their fellow humans. And it is this idea that forms the core of her writing.Rosemary Ashton is Quain Professor of English Language and Literature at University College, London; Dinah Birch is Professor of English at Liverpool University; And Valentine Cunningham is Professor of English Language and Literature at Corpus Christi, University of Oxford.

Melvyn Bragg and guests Rosemary Ashton, Dinah Birch and Valentine Cunningham discuss George Eliot's novel Silas Marner.Published in 1861, Silas Marner is by far Eliot's shortest and seemingly simplest work. Yet beneath the fairytale-like structure, of all her novels it offers the most focused expression of Eliot's moral view. Influenced by the deconstruction of Christianity pioneered by leading European thinkers including Auguste Comte and Ludwig Feuerbach, Silas Marner is a highly sophisticated attempt to translate the symbolism of religion into purely human terms.The novel tells the story of Silas, a weaver who is thrown out of his religious community after being falsely charged with theft. Silas is embittered and exists only for his work and his precious hoard of money - until that money is stolen, and an abandoned child wanders into his house.By the end of her lifetime, George Eliot was the most powerful female intellectual in the country. Her extraordinary range of publications encompassed novels, poetry, literary criticism, scientific and religious texts. But beneath her fierce intellecualism was the deep convinction that for society to continue, humans must connect with their fellow humans. And it is this idea that forms the core of her writing.Rosemary Ashton is Quain Professor of English Language and Literature at University College, London; Dinah Birch is Professor of English at Liverpool University; And Valentine Cunningham is Professor of English Language and Literature at Corpus Christi, University of Oxford.

Melvyn Bragg and guests discuss sensation, a Victorian literary phenomenon. The Archbishop of York fulminated against them in his sermons, they spread panic through the pages of The Times and in a famous review the Oxford Professor of Philosophy, Henry Mansel, called them “unspeakably disgusting” with a “ravenous appetite for carrion”: in the 1860s the novels of Sensation took the Victorian world by storm.Bigamy. Secrecy. Murder and Madness. Detectives and surprise plot twists - all in a genteel domestic setting. It was a compelling concoction that propelled sales of the genre into millions, and for the first time ever got those above stairs reading the same stories as their servants.How did Sensation achieve such an incredible popularity so fast? What did the ensuing moral panic reveal about the society in which the novels were set? And in terms of its literary reputation, does this racy genre deserve to languish so far behind Victorian Realism, its rather steadier cousin?With John Mullan, Senior Lecturer in English at University College London; Lyn Pykett, Professor of English and Pro-Vice Chancellor at the University of Wales, Aberystwyth; Dinah Birch, Professor of English at the University of Liverpool.

Melvyn Bragg and guests discuss sensation, a Victorian literary phenomenon. The Archbishop of York fulminated against them in his sermons, they spread panic through the pages of The Times and in a famous review the Oxford Professor of Philosophy, Henry Mansel, called them “unspeakably disgusting” with a “ravenous appetite for carrion”: in the 1860s the novels of Sensation took the Victorian world by storm.Bigamy. Secrecy. Murder and Madness. Detectives and surprise plot twists - all in a genteel domestic setting. It was a compelling concoction that propelled sales of the genre into millions, and for the first time ever got those above stairs reading the same stories as their servants.How did Sensation achieve such an incredible popularity so fast? What did the ensuing moral panic reveal about the society in which the novels were set? And in terms of its literary reputation, does this racy genre deserve to languish so far behind Victorian Realism, its rather steadier cousin?With John Mullan, Senior Lecturer in English at University College London; Lyn Pykett, Professor of English and Pro-Vice Chancellor at the University of Wales, Aberystwyth; Dinah Birch, Professor of English at the University of Liverpool.

Melvyn Bragg and guests discuss Victorian realism. Henry James said “Realism is what in some shape or form we might encounter, whereas romanticism is something we will never encounter”. A reaction against Romanticism, the realist novel presented life as it was in urbanized, industrial Britain. Attacked as ordinary, mundane, overly democratic and lacking the imaginative demands of poetry, its defendants argued that the ordinariness of life contained a complexity and depth previously unseen and unconsidered. At its best the realist novel was like life itself - complex in appearance, rich in character, diverse in outlook, teeming with ideas and operating on several levels. It was a forum for the confusions of the Victorian age over Christianity and Darwinism, economics, morality and psychology, yet it was also a domestic novel concerned with the individuality of human relationships. From the provincialism of George Eliot's Middlemarch to Hardy's bleak and brutal Wessex, Victorian Realism touched all the great Victorian authors, but can it truly be the touchstone of an age which produced the fantasy of Alice in Wonderland, the escapism of Tthe Waterbabies and the abundant grotesquerie of Dickensian London? With Philip Davis, Reader in English Literature at the University of Liverpool and author of The Victorians, a volume of the New Oxford English Literary History; A.N. Wilson,novelist, biographer and author of The Victorians; Dinah Birch; Fellow and tutor in English at Trinity College, Oxford.

Melvyn Bragg and guests discuss Victorian realism. Henry James said “Realism is what in some shape or form we might encounter, whereas romanticism is something we will never encounter”. A reaction against Romanticism, the realist novel presented life as it was in urbanized, industrial Britain. Attacked as ordinary, mundane, overly democratic and lacking the imaginative demands of poetry, its defendants argued that the ordinariness of life contained a complexity and depth previously unseen and unconsidered. At its best the realist novel was like life itself - complex in appearance, rich in character, diverse in outlook, teeming with ideas and operating on several levels. It was a forum for the confusions of the Victorian age over Christianity and Darwinism, economics, morality and psychology, yet it was also a domestic novel concerned with the individuality of human relationships. From the provincialism of George Eliot’s Middlemarch to Hardy’s bleak and brutal Wessex, Victorian Realism touched all the great Victorian authors, but can it truly be the touchstone of an age which produced the fantasy of Alice in Wonderland, the escapism of Tthe Waterbabies and the abundant grotesquerie of Dickensian London? With Philip Davis, Reader in English Literature at the University of Liverpool and author of The Victorians, a volume of the New Oxford English Literary History; A.N. Wilson,novelist, biographer and author of The Victorians; Dinah Birch; Fellow and tutor in English at Trinity College, Oxford.