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5 episodes with nineteenth century literature
5 episodes with nineteenth century literature
3 episodes with nineteenth century literature
3 episodes with nineteenth century literature
2 episodes with nineteenth century literature
2 episodes with nineteenth century literature
2 episodes with nineteenth century literature
Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Man-made gems are the subject of research being undertaken by jeweller Sofie Boons. She joins presenter Nandini Das alongside Matthew Winterbottom, the curator of an exhibition at the Ashmolean Museum in Oxford which explores the explosion of colour in design, textiles, paintings and jewellery in the Victorian period. Dinah Roe has been looking at the the way colour infuses the pages of Victorian literature and in 1773, Birmingham Assay Office was founded to provide testing and hallmarking of precious metal items - Chris Corker from the University of York has been researching that history. Colour Revolution at the Ashmolean Museum in Oxford runs until 18 Feb 2024 and Matthew Winterbottom is its co-curator and Assistant Keeper, Curator of Decorative Arts and Sculpture at the Ashmolean. You can find out more about "the alchemical jeweller" at https://sofieboons.com/ Dr Chris Corker lectures at the School for Business and Society at the University of York and you can hear more about his research in a previous episode of Free Thinking called Tin cans, cutlery and sewing https://www.bbc.co.uk/programmes/m001jcr0 Dinah Roe is Reader in Nineteenth Century Literature at Oxford Brookes University. You can hear her discussing the writing and artwork of the Rosetti family which was displayed in an exhibition at Tate Britain in a previous episode of Free Thinking. Nandini Das is a historian and New Generation Thinker based at the University of Oxford. She is the author of a book called Courting India and has presented Essays and Sunday Features for BBC Radio 3 including Rainsong in Five Senses and A Jig Into History about a bet undertaken by Shakespeare's former clown Will Kemp https://www.bbc.co.uk/programmes/m001j4rz
In this episode I'm joined by Dr Danielle Dove, whose research focuses on dress and fashion history, material culture, and literary celebrity. We consider how dress can be linked to the uncanny, utilising new materialism and object-oriented ontology theories to explore the idea that objects (such as items of dress) have a form of agency, and how neo-Victorian sartorial objects seem to have an impact or effect on the protagonists. Particularly, they often have a form of memory (physical or psychological) of past wearers. We think about how second hand or vintage clothes evoke memories of the Victorian period, and the wearers who came before us. We consider the continued fascination with period dress, despite the impracticalities of wearing some of those outfits today, and the enduring legacy of the 19th century in relation to dress and material culture.About my guest: Dr Danielle Dove is Lecturer in Nineteenth-Century Literature at the University of Surrey. Her research and publications centre on Victorian and neo-Victorian literature with a specific emphasis on dress and fashion history, material culture, and literary celebrity. She is the co-editor of Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film (2022, Palgrave Macmillan) and is currently working on her monograph provisionally titled Victorian Dress in Contemporary Historical Fiction (forthcoming with Bloomsbury).For more information on Danielle's work, check out the details below:https://www.ed.ac.uk/profile/celeste-callenCheck out Danielle's suggestions:Richard Flanagan - WantingDiana Souhami - Gwendolen: A NovelBarbara Ewing - The Petticoat MenEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com
In this episode I'm joined by Dr Eleanor Dobson, who researches into the reception of ancient Egypt during the 19th and 20th centuries. We discuss the centenary of Howard Carter and Lord Carnarvon's discovery of Tutankhamun's tomb in 1922, and the stories around the famous 'curses'. We consider what 19th and 20th century Egyptologists were reading, and how they wrote their own stories. We consider how perceptions of the curses developed or changed in the 19th century onwards, and how ancient Egypt and curses are represented in 20th and 21st century films. About my guest: Dr Eleanor Dobson is Associate Professor of Nineteenth-Century Literature at the University of Birmingham. Her first book, Writing the Sphinx: Literature, Culture and Egyptology came out with Edinburgh University Press in 2020, and her second book, Victorian Alchemy: Science, Magic and Ancient Egypt, is out with UCL Press later this yearFor more information on Ellie's work, check out the details below:Check out Ellie's suggestions:The Extraordinary Adventures of Adèle Blanc-Sec (2010 movie)Louisa May Alcott - Lost in a Pyramid, or the Mummy's CurseEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com
In this episode, we read Chapters 22 to 25 of Mansfield Park. We talk about the friendship between Fanny and Mary, the tension between Mary and Edmund, Henry's plan to make Fanny fall in love with him (and Mary's reaction), William's view of Fanny, the tour de force of Chapter 25 (the Speculation chapter), and Ellen's articulation of why she cares about what happens to Fanny.We discuss Dr and Mrs Grant, then Harriet's partner Michael talks about the navy, with a focus on the process of passing from midshipman to lieutenant. Harriet talks about how adaptations and modernisations treat these chapters.Things we mention: General and character discussion:John Wiltshire [Editor], The Cambridge Edition of the Works of Jane Austen: Mansfield Park (2005)Pam Perkins, “A Subdued Gaiety: The Comedy of Mansfield Park“, Nineteenth-Century Literature, Vol. 48, No. 1 (Jun., 1993).Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) Barbara Pym, Excellent Women (1952) Mary Grant Bruce, Back to Billabong (1921) [NB Goodreads has put up a quite misleading cover illustration.]Charlotte Brontë, Jane Eyre (1847)Charles Dickens, Oliver Twist (1838)Charles Dickens, David Copperfield (1850) Kate Douglas Wiggin, Rebecca of Sunnybrook Farm (1903) L.M. Montgomery, Anne of Green Gables (1908)Eleanor H. Porter, Pollyanna (1913)J.K. Rowling, Harry Potter and the Philosopher's Stone (1997)Frances Burney (Burneyesque heroine)Elizabeth Goudge, Henrietta's House (1942)Historical discussion:Brian Southam, Jane Austen and the Navy (2003) Samantha Cavell, Playing at command: midshipmen and quarterdeck boys in the Royal Navy, 1793-1815 (2006) [Master's thesis] and A Social History of Midshipmen and Quarterdeck Boys in the Royal Navy, 1761-1831 (2010) [Ph.D. thesis] For a list of other references and music used, see this episode on our website.
This week, Alix shares the choose-your-own adventure tale of the HMS Wager, an 18th century British ship on a mission to annoy the Spanish. At any cost. Did you know Casting Lots now has merch? Find us on Redbubble: https://www.redbubble.com/people/CastingLotsPod/shop TRANSCRIPT https://castinglotspod.home.blog/2022/01/13/s3-e12-sea-part-iv---the-hms-wager/ CREDITS With thanks to Emily for transcription help. Written, hosted and produced by Alix Penn and Carmella Lowkis. Theme music by Daniel Wackett. Find him on Twitter @ds_wack and Soundcloud as Daniel Wackett. Logo by Riley. Find her on Twitter and Instagram @tallestfriend. Casting Lots is part of the Morbid Audio Podcast Network. Network sting by Mikaela Moody. Find her on Bandcamp as mikaelamoody1. BIBLIOGRAPHY Byron, G.G. (2021). Don Juan. Urbana, IL: Project Gutenberg. Available at: https://www.gutenberg.org/files/21700/21700-h/21700-h.htm Craciun, A. (2011). ‘Writing the Disaster: Franklin and Frankenstein', Nineteenth-Century Literature, 65(4), pp. 433-480. Available at: https://www.jstor.org/stable/10.1525/ncl.2011.65.4.433 Cusack, T. (ed.) (2017). Framing the Ocean, 1700 to the Present. London: Routledge. Harvey, I. (2016). ‘The gruesome tale of ‘HMS Cannibal' shipwrecked, murder & crew being eaten by shipmates', Vintage News, 25 May. Available at: https://www.thevintagenews.com/2016/05/24/the-gruesome-tale-of-hms-cannibal-shipwrecked-murder-crew-being-eaten-by-shipmates/ Layman, C.H. (2015). The Wager Disaster. Luton: Andrews UK. Robertson, J.A. (2016). Selfhood, Boundaries, and Death in Maritime Literature, 1768-1834. Pd. D Thesis. University of Leeds. Available at: https://etheses.whiterose.ac.uk/16343/1/Selfhood%20Boundaries%20and%20Death%20in%20Maritime%20Literature%201768-1834.pdf Stallings, A.E. (2017). ‘Shipwreck Is Everywhere', Hudson Review, 70(3), pp. 365-399. Available at: https://www.jstor.org/stable/44786322 Trifilo, S.S. (1960). ‘British Travel Accounts on Argentina before 1810', Journal of Inter-American Studies, 2(3), pp. 239-256. Available at: https://www.jstor.org/stable/165039 Venning, A. (2015). ‘The terrible tale of HMS Cannibal: Forgotten for centuries, it's a saga, told in a new book, of shipwreck, mutiny and murder that scandalised Britain…', Daily Mail, 16 April. Available at: https://www.dailymail.co.uk/news/article-3041028/The-terrible-tale-HMS-Cannibal-Forgotten-centuries-s-saga-told-new-book-shipwreck-mutiny-murder-scandalised-Britain.html
This latest episode marks something of a departure for the Poetry Centre podcast. If you're a regular or just occasional listener to this podcast, you'll know that it normally features a poet in conversation about two or three of their poems. This episode is the first of a series in which Niall Munro talks with colleagues at Oxford Brookes University and showcases some of the very exciting research that they have been doing into poets and poetry. In this episode, Niall Munro talks with Dr Dinah Roe, Reader in Nineteenth-Century Literature here at Oxford Brookes. Dinah is an expert on Christina Rossetti, Victorian poetry, and the Pre-Raphaelites. During this past semester Dinah has run discussion groups and contributed an introduction to a Weekly Poem featuring Rossetti's work that you can still find on our website, and we're releasing this podcast on Sunday 5 December - Christina Rossetti's birthday. In the discussion with Dinah, we focus on three poems by Rossetti: 'The heart knoweth its own bitterness', 'Love understands the mystery', and ‘Goblin Market' and explore how Dinah came to be interested in Rossetti, the poet's reputation, and the place of religion in Rossetti's work. We also consider how Dinah's view of Rossetti has changed during her time working with her poetry and prose and in the course of writing a book about her family, and how Rossetti's experience as a carer affected her writing. Dinah received her BA from Vassar College and a PhD in English Literature from University College London. She is the author of Christina Rossetti's Faithful Imagination: The Devotional Poetry and Prose (Palgrave Macmillan, 2007) and The Rossettis in Wonderland: A Victorian Family History (Haus, 2011), and the editor of Christina Rossetti: Selected Poems (Penguin Classics, 2008) and The Pre-Raphaelites: From Rossetti to Ruskin (Penguin Classics, 2010). Dinah is currently writing a monograph on the interactions of literary and visual arts in Pre-Raphaelite art, taking into account the influence of nineteenth-century literature on book illustration, painting and the decorative arts from 1848 to the turn of the century. She is also editing a three volume edition of The Complete Poems of Christina Rossetti (Longman Annotated English Poets), due for publication in 2025. You can find out more about Dinah's work on her profile page on the Brookes website, and follow her on Twitter - find the links on our Podcasts page.
Melvyn Bragg and guests discuss Anne Bronte's second novel, published in 1848, which is now celebrated alongside those of her sisters but which Charlotte Bronte tried to suppress as a 'mistake'. It examines the life of Helen, who has escaped her abusive husband Arthur Huntingdon with their son to live at Wildfell Hall as a widow under the alias 'Mrs Graham', and it exposes the men in her husband's circle who gave her no choice but to flee. Early critics attacked the novel as coarse, as misrepresenting male behaviour, and as something no woman or girl should ever read; soon after Anne's death, Charlotte suggested the publisher should lose it for good. In recent decades, though, its reputation has climbed and it now sits with Jane Eyre and Wuthering Heights as one of the great novels by the Bronte sisters. The image above shows Tara Fitzgerald as Helen Graham in a 1996 BBC adaptation. With Alexandra Lewis Lecturer in English and Creative Writing at the University of Newcastle (Australia) Marianne Thormählen Professor Emerita in English Studies, Lund University And John Bowen Professor of Nineteenth Century Literature at the University of York Producer: Simon Tillotson
Melvyn Bragg and guests discuss Anne Bronte's second novel, published in 1848, which is now celebrated alongside those of her sisters but which Charlotte Bronte tried to suppress as a 'mistake'. It examines the life of Helen, who has escaped her abusive husband Arthur Huntingdon with their son to live at Wildfell Hall as a widow under the alias 'Mrs Graham', and it exposes the men in her husband's circle who gave her no choice but to flee. Early critics attacked the novel as coarse, as misrepresenting male behaviour, and as something no woman or girl should ever read; soon after Anne's death, Charlotte suggested the publisher should lose it for good. In recent decades, though, its reputation has climbed and it now sits with Jane Eyre and Wuthering Heights as one of the great novels by the Bronte sisters. The image above shows Tara Fitzgerald as Helen Graham in a 1996 BBC adaptation. With Alexandra Lewis Lecturer in English and Creative Writing at the University of Newcastle (Australia) Marianne Thormählen Professor Emerita in English Studies, Lund University And John Bowen Professor of Nineteenth Century Literature at the University of York Producer: Simon Tillotson
Listen to this nordics.info podcast on the social, political and literary movement from around 1870 to 1900 in Scandinavia! Dubbed the Modern Breakthrough, it was a backlash against conservatism, both culturally and politically, and led to countless challenging and fascinating pieces of fictional and non-fictional literature and art. Authors were like celebrities, propounding social justice for the poor, emancipation and rights for women, taking up naturalist ideas post-Darwin, and kicking against the overriding religion. Spoiler alert!: If you listen to this podcast, several endings of famous Scandinavian novels will be disclosed!Sound credits from freesound.org including oboe horn tune & audience r.aif by IEDlabs and Historical Museum lounge area ambience.wav by Halfofthesky.
Laura Wood, author of Vote for Effie and Effie the Rebel chatted with me about the importance of taking a stand and making your voice heard. It's a great message for International Women's Day... or ver any other day of the year.About Laura WoodLaura Wood is a British writer and academic. As well as writing for children and young adults, she has a PhD in Nineteenth-Century Literature.In 2014 Laura won the Montegrappa Scholastic Prize for New Children's Writing. Her first children's book ‘Poppy Pym and the Pharaoh's Curse was published the following. This was followed by further adventures for Poppy. Since then Laura has written a YA novel A Sky Painted Gold . This book was followed by Under a Dancing Star, a Much-Ado About Nothing Prequel set in 1930's Italy. Most recently Laura has written Effie the Rebel, the second story about Effie Kostas. The first book about Effie, titled Vote for Effie was shortlisted for the Blue Peter Book award. These books were inspired by the Women's Marches and by the incredible young activists who are fighting for a better world and making their voices heard.
An 'in conversation' with Dr Clare Clarke (School of English) hosted by Professor Eve Patten, Director of the Trinity Long Room Hub. Dr Clarke will discuss her career and her latest publication, with a selected reading performed by a special guest. About Dr Clare Clarke Clare Clarke is Assistant Professor in Nineteenth Century Literature, specialising in crime and detective fiction. Her first book Late Victorian Crime Fiction in the Shadows of Sherlock was awarded the HRF Keating award in 2015. Her second monograph, British Detective Fiction, 1891-1901: The Successors to Sherlock Holmes was published by Palgrave Macmillan in July 2020.
Dr. Felicity James Associate Professor in Eighteenth and Nineteenth Century Literature at the University of Leicester and one of the chairs of the Charles Lamb Society joins Sean on the show.
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Melvyn Bragg and guests discuss the life and works of Hopkins (1844-89), a Jesuit priest who at times burned his poems and at others insisted they should not be published. His main themes are how he, nature and God relate to each other. His friend Robert Bridges preserved Hopkins' poetry and, once printed in 1918, works such as The Windhover, Pied Beauty and As Kingfishers Catch Fire were celebrated for their inventiveness and he was seen as a major poet, perhaps the greatest of the Victorian age. With Catherine Phillips R J Owens Fellow in English at Downing College, University of Cambridge Jane Wright Senior Lecturer in English Literature at the University of Bristol and Martin Dubois Assistant Professor in Nineteenth Century Literature at Durham University Producer: Simon Tillotson
Melvyn Bragg and guests discuss the life and works of Hopkins (1844-89), a Jesuit priest who at times burned his poems and at others insisted they should not be published. His main themes are how he, nature and God relate to each other. His friend Robert Bridges preserved Hopkins' poetry and, once printed in 1918, works such as The Windhover, Pied Beauty and As Kingfishers Catch Fire were celebrated for their inventiveness and he was seen as a major poet, perhaps the greatest of the Victorian age. With Catherine Phillips R J Owens Fellow in English at Downing College, University of Cambridge Jane Wright Senior Lecturer in English Literature at the University of Bristol and Martin Dubois Assistant Professor in Nineteenth Century Literature at Durham University Producer: Simon Tillotson
A Book at Lunchtime seminar with Michele Mendelssohn, literary critic and cultural historian. Dr Sos Eltis (Brasenose, Oxford), Dr Charles Foster (Green Templeton, Oxford), Chaired by Professor Dame Hermione Lee (Wolfson, Oxford). Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other. About the Author Michele Mendelssohn is a literary critic and cultural historian. She is Associate Professor of English Literature at Mansfield College, Oxford. She earned her doctorate from Cambridge University and was a Fulbright Scholar at Harvard University. Her previous books include Henry James, Oscar Wilde, and Aesthetic Culture and two co-edited collections of literary criticism, Alan Hollinghurst and Late Victorian Into Modern (shortlisted for the 2017 Modernist Studies Association Book Prize). She has published in The New York Times, The Guardian, African American Review, Journal of American Studies, Nineteenth Century Literature, and Victorian Literature and Culture. She is joined by Dr Sos Eltis (Brasenose, Oxford), Dr Charles Foster (Green Templeton, Oxford), Chaired by Professor Dame Hermione Lee (Wolfson, Oxford).
In this episode of Knowing Animals I am joined by Dr. John Miller. John is Senior Lecturer in Nineteenth-Century Literature at the University of Sheffield. We will discuss John’s journal article ‘In Vitro Meat: Power, Authenticity and Vegetarianism’ which appeared in the journal 'Critical Animal Studies' in 2012. This episode of Knowing Animals is brought to you by AASA. AASA is the Australasian Animal Studies Association. You can find AASA on Facebook here: https://www.facebook.com/AASA-Australasian-Animal-Studies-Association-480316142116752/. Join AASA today! This episode of Knowing Animals is also brought to you by MC Pony. MC Pony brings you Mindful Rhymes for Kinder Times. Check out MC Pony at www.veganthused.com.
Today's special edition of Beyond Belief comes from the library in the Bronte Parsonage Museum at Haworth on the edge of the Yorkshire moors. It was here that Charlotte Bronte conceived the plot of her best known work, 'Jane Eyre'. Religion features large in this novel - which isn't surprising as Charlotte was the daughter of Irish priest Patrick Bronte, the curate for many years of St Michael and All Angel's Church in Haworth. What is surprising though, is that some critics at the time described 'Jane Eyre' as an anti-religious work. Queen Victoria begged to differ and described it as "A really wonderful book with fine religious feeling." Joining Ernie Rea to discuss the religious content of Jane Eyre are Dinah Birch, Professor of English Literature at the University of Liverpool, John Bowen, Professor of Nineteenth Century Literature at the University of York and Rosemary Mitchell, Professor of Victorian Studies at Leeds Trinity University. Producer: Helen Lee Series Producer: Amanda Hancox.
Today's special edition of Beyond Belief comes from the library in the Bronte Parsonage Museum at Haworth on the edge of the Yorkshire moors. It was here that Charlotte Bronte conceived the plot of her best known work, 'Jane Eyre'. Religion features large in this novel - which isn't surprising as Charlotte was the daughter of Irish priest Patrick Bronte, the curate for many years of St Michael and All Angel's Church in Haworth. What is surprising though, is that some critics at the time described 'Jane Eyre' as an anti-religious work. Queen Victoria begged to differ and described it as "A really wonderful book with fine religious feeling." Joining Ernie Rea to discuss the religious content of Jane Eyre are Dinah Birch, Professor of English Literature at the University of Liverpool, John Bowen, Professor of Nineteenth Century Literature at the University of York and Rosemary Mitchell, Professor of Victorian Studies at Leeds Trinity University. Producer: Helen Lee Series Producer: Amanda Hancox.
Melvyn Bragg and guests discuss what Virginia Woolf called 'one of the few English novels written for grown-up people'. It was written by George Eliot, the pen name of Mary Anne Evans (1819-80), published in 8 parts in 1871-72, and was originally two separate stories which became woven together. One, 'Middlemarch', focused on a doctor, Tertius Lydgate and the other, 'Miss Brooke', on Dorothea Brooke who became the central figure in the finished work. The events are set in a small town in the Midlands, surrounded by farmland, leading up to the Reform Act 1832, and the novel explores the potential to change in matters of religion, social status, marriage and politics, and is particularly concerned with the opportunities available to women to lead fulfilling lives. The image above shows Rufus Sewell and Juliet Aubrey in the BBC adaptation, from 1994 With Rosemary Ashton Emeritus Quain Professor of English Language and Literature at University College London Kathryn Hughes Professor of Life Writing at the University of East Anglia And John Bowen Professor of Nineteenth-Century Literature at the University of York Producer: Simon Tillotson.
Melvyn Bragg and guests discuss what Virginia Woolf called 'one of the few English novels written for grown-up people'. It was written by George Eliot, the pen name of Mary Anne Evans (1819-80), published in 8 parts in 1871-72, and was originally two separate stories which became woven together. One, 'Middlemarch', focused on a doctor, Tertius Lydgate and the other, 'Miss Brooke', on Dorothea Brooke who became the central figure in the finished work. The events are set in a small town in the Midlands, surrounded by farmland, leading up to the Reform Act 1832, and the novel explores the potential to change in matters of religion, social status, marriage and politics, and is particularly concerned with the opportunities available to women to lead fulfilling lives. The image above shows Rufus Sewell and Juliet Aubrey in the BBC adaptation, from 1994 With Rosemary Ashton Emeritus Quain Professor of English Language and Literature at University College London Kathryn Hughes Professor of Life Writing at the University of East Anglia And John Bowen Professor of Nineteenth-Century Literature at the University of York Producer: Simon Tillotson.
Tiny Tim's "God Bless Us, Every One!" is the rousing conclusion to Charles Dickens' festive fable A Christmas Carol. But what is the Christian message behind this enduring story? Joining Ernie to discuss Charles Dickens' faith and the religious themes in his work are three fans, all of whom have written books about him: actor Simon Callow, author Claire Tomalin and John Bowen - Professor of Nineteenth-Century Literature at the University of York. Also interviewed is Rev Cheryl Kincaid, an American Presbyterian minister author of "Hearing the Gospel through A Christmas Carol". She has a deep affection for Dickens and the plight of Tiny Tim in particular. Producer: Helen Lee.
Tiny Tim's "God Bless Us, Every One!" is the rousing conclusion to Charles Dickens' festive fable A Christmas Carol. But what is the Christian message behind this enduring story? Joining Ernie to discuss Charles Dickens' faith and the religious themes in his work are three fans, all of whom have written books about him: actor Simon Callow, author Claire Tomalin and John Bowen - Professor of Nineteenth-Century Literature at the University of York. Also interviewed is Rev Cheryl Kincaid, an American Presbyterian minister author of "Hearing the Gospel through A Christmas Carol". She has a deep affection for Dickens and the plight of Tiny Tim in particular. Producer: Helen Lee.
In a programme first broadcast in 2017, Melvyn Bragg and guests discuss Emily Bronte (1818-1848) and her only novel, published in 1847 under the name 'Ellis Bell' just a year before her death. It is the story of Heathcliff, a foundling from Liverpool brought up in the Earnshaw family at the remote Wuthering Heights, high on the moors, who becomes close to the young Cathy Earnshaw but hears her say she can never marry him. He disappears and she marries his rival, Edgar Linton, of Thrushcross Grange even though she feels inextricably linked with Heathcliff, exclaiming to her maid 'I am Heathcliff!' On his return, Heathcliff steadily works through his revenge on all who he believes wronged him, and their relations. When Cathy dies, Heathcliff longs to be united with her in the grave. The raw passions and cruelty of the story unsettled Emily's sister Charlotte Bronte, whose novel Jane Eyre had been published shortly before, and who took pains to explain its roughness, jealousy and violence when introducing it to early readers. Over time, with its energy, imagination and scope, Wuthering Heights became celebrated as one of the great novels in English. The image above is of Laurence Olivier as Heathcliff and Merle Oberon as Cathy on the set of the Samuel Goldwyn Company movie 'Wuthering Heights', circa 1939. With Karen O'Brien Professor of English Literature at the University of Oxford John Bowen Professor of Nineteenth Century Literature at the University of York and Alexandra Lewis Lecturer in English Literature at the University of Aberdeen Producer: Simon Tillotson.
In a programme first broadcast in 2017, Melvyn Bragg and guests discuss Emily Bronte (1818-1848) and her only novel, published in 1847 under the name 'Ellis Bell' just a year before her death. It is the story of Heathcliff, a foundling from Liverpool brought up in the Earnshaw family at the remote Wuthering Heights, high on the moors, who becomes close to the young Cathy Earnshaw but hears her say she can never marry him. He disappears and she marries his rival, Edgar Linton, of Thrushcross Grange even though she feels inextricably linked with Heathcliff, exclaiming to her maid 'I am Heathcliff!' On his return, Heathcliff steadily works through his revenge on all who he believes wronged him, and their relations. When Cathy dies, Heathcliff longs to be united with her in the grave. The raw passions and cruelty of the story unsettled Emily's sister Charlotte Bronte, whose novel Jane Eyre had been published shortly before, and who took pains to explain its roughness, jealousy and violence when introducing it to early readers. Over time, with its energy, imagination and scope, Wuthering Heights became celebrated as one of the great novels in English. The image above is of Laurence Olivier as Heathcliff and Merle Oberon as Cathy on the set of the Samuel Goldwyn Company movie 'Wuthering Heights', circa 1939. With Karen O'Brien Professor of English Literature at the University of Oxford John Bowen Professor of Nineteenth Century Literature at the University of York and Alexandra Lewis Lecturer in English Literature at the University of Aberdeen Producer: Simon Tillotson.
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Balzac, Literary Sociologist (Palgrave Macmillan, 2016), Allan H. Pasco explores the talents of the writer whose reputation has been primarily based on his extraordinary gift to compose captivating stories. In his meticulously conducted research, Allan Pasco argues that Honor de Balzac was not only a storyteller: he was “a sociologist avant l’heure” (113) and “a competent historian” (234). Balzac, Literary Sociologist offers a detailed analysis of more than ten literary pieces. While emphasizing Balzac’s mastery in managing plots and narratives, Allan Pasco invites his readers to pay close attention to the aspects that help reconstruct historical and sociocultural environments of nineteenth-century France. Undergoing a tumultuous period that involved a number of deep, drastic and dramatic changes, France was struggling with the rudiments of the past that were holding back the development of the country; at the same time, new developments did not effectively contribute to the construction of a stable society: a vision of the future was blurry. A conflict of the old and the young, involving a wide array of themes and motives, appears to epitomize the disruptions defining nineteenth-century French society. Poverty, corruption, ambitions of the aristocracy, despair of the poor signaled the old’s inability (and lack of willingness and desire) to implement new and productive changes; the young, on the other hand, more often than not lacked knowledge and experience to overcome stagnation. Moreover, disruptions were augmented by the loss of moral virtues: honesty, benevolence, dignity, kindness, love were often sacrificed for money that became a new god. In his analysis, Allan Pasco offers a new reading of Balzac’s works which can be considered acute and insightful commentaries on the phenomena outlining a transformational period in the history of French society. In addition to the predictable topics (class, aristocracy, church and religion, the rich and the poor, etc.), Balzac, Literary Sociologist includes insightful explorations of topics which appear to be rather symptomatic in terms of the society’s crises: suicide, failed marriages, fatherless children, the stagnation of the province and the hardships of the city life. Allan Pasco also draws attention to Balzac’s comments on life in Paris: Paris is presented as a significant locus epitomizing struggles of the country and of the individual. Undoubtedly, historical and sociocultural permutations involve not only society but the individual as well. As Allan Pasco’s research demonstrates, Balzac through his individual stories, which, at a larger scale, constitute an extensive vision of the society and the world, was responding to the historical environment that was shaping the individuals inner world. From this perspective, Balzac’s works highlight the interconnectedness of the inside and outside worlds: captivating stories are pretexts to sociological and philosophical speculations and observations. In his book, Allan Pasco states that Balzac was a sociologist and a historian: in this interview, the author adds that Balzac was “a great historian.” Balzac, Literary Sociologist proves inexhaustible potential and power of literature. Allan H. Pasco is the Hall Distinguished Professor of Nineteenth-Century Literature at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices
Institute of English Studies Alice in Cableland Anne Chapman (PhD Candidate, KCL) Caroline Arscott (Professor of Art History, The Courtauld Institute of Art) Clare Pettitt (Professor of Nineteenth-Century Literature and Culture, KCL) Natalie H...
Institute of English Studies Alice in Cableland Anne Chapman (PhD Candidate, KCL) Caroline Arscott (Professor of Art History, The Courtauld Institute of Art) Clare Pettitt (Professor of Nineteenth-Century Literature and Culture, KCL) Natalie H...
David Bradshaw, John Bowen and Ann Pasternak Slater join Melvyn Bragg to discuss Evelyn Waugh's comic novel Decline and Fall. Set partly in a substandard boys' public school, the novel is a vivid, often riotous portrait of 1920s Britain. Its themes, including modernity, religion and fashionable society, came to dominate Waugh's later fiction, but its savage wit and economy of style were entirely new. Published when Waugh was 24, the book was immediately celebrated for its vicious satire and biting humour.With:David Bradshaw Professor of English Literature at Worcester College, OxfordJohn Bowen Professor of Nineteenth-Century Literature at the University of YorkAnn Pasternak Slater Senior Research Fellow at St Anne's College, Oxford.Producer: Thomas Morris.
David Bradshaw, John Bowen and Ann Pasternak Slater join Melvyn Bragg to discuss Evelyn Waugh's comic novel Decline and Fall. Set partly in a substandard boys' public school, the novel is a vivid, often riotous portrait of 1920s Britain. Its themes, including modernity, religion and fashionable society, came to dominate Waugh's later fiction, but its savage wit and economy of style were entirely new. Published when Waugh was 24, the book was immediately celebrated for its vicious satire and biting humour. With: David Bradshaw Professor of English Literature at Worcester College, Oxford John Bowen Professor of Nineteenth-Century Literature at the University of York Ann Pasternak Slater Senior Research Fellow at St Anne's College, Oxford. Producer: Thomas Morris.
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