Podcasts about victorians

Hard to imagine but fad diets go back as much as 5000 years. It was took the Victorians to make it a massive business. These days we all want the new and very expensive weight loss injections, but they used everything from arsenic, to tapeworms, to rubber underwear to get that svelte shape.See omnystudio.com/listener for privacy information.

This week on The Broski Report, Fearless Leader Brittany Broski explores Victorian history (again), talks curio shops, and reads your ghost stories.  The OFFICIAL Songs of The Week Playlist: https://open.spotify.com/playlist/3ULrcEqO2JafGZPeonyuje?si=061c5c0dd4664f01 

State Nationals Leader Danny O'Brien says he's saddened to hear how Victorians have been impacted by the increase to their rates.See omnystudio.com/listener for privacy information.

Western metro MP Legalise Cannabis Party David Ettershank revealed new feedback from Victorians exposing the 'unreliability' of Public Buses. See omnystudio.com/listener for privacy information.

Acknowledgement of Country//Headlines//Responses to Labor gov's plans to recognise the state of PalestineGaza and West Bank updateVictoria's proposed anti-protest laws to be scaled backEnvironment groups condemn Vic gov's decision to invite applications for two new petroleum exploration licences in Gippsland and the OtwaysVictoria recorded its highest number of fatal drug overdoses in a decade in 2024Inez read martyred Gazan Journalist Anas Al-Sharif final message, translated into English. Read the full message here.//Take action to support Gaza today via Gaza Mutual Aid Collective & The Sameer Project.// Shorna Moore - Melbourne City Mission//Please note that the following segement briefly discusses themes such as family violence, suicide, and systemic violence for young people. If this is distressing, you can get support through Kids Helpline 24/7 on 1800 55 1800 and Suicide Call Back Service 24/7 on 1300 659 467.// Shorna Moore, Head of Policy, Advocacy and Government Relations at Melbourne City Mission (MCM) joined Inez yesterday to discuss MCM's and Social Ventures Australia 2025 Victorian Youth Homelessness Snapshot which paints a stark picture of the deep and intersecting challenges faced by young people experiencing homelessness in Victoria. The snapshots reveal that most young Victorians are losing their homes due to family violence (83%), and many before the age of 16 (31%), with many marginalised demographics overrepresented. We discuss the importance of the snapshot, the Home Time Coalition, and where to from here. If you're looking for support, check out Ask Izzy for local service providers. // Hank - Public Housing Resident// On Monday 4th of August, Hank, a public housing tenant, locked himself to a drill taking samples for demolition at Flemington public housing estate. Hank successfully delayed works for over two hours, and was supported by a community picket to save the 44 housing towers scheduled for demolition. Flemington residents have been told that they must leave their homes by the end of September. Public housing tenants and advocates are urgently calling on the Victorian Government to halt demolition immediately. Find out more about how to get involved in one of the most important local fights by visiting https://linktr.ee/savepublichousing. You can show your support and sign the petition to save public housing by going to https://chuffed.org/project/save-public-housing.// Tom Studans - Unlawful Welfare Debt Recalculations// We replayed Monday Breakfast's segment where Rob spoke to welfare rights activist Tom Studans about the Federal Court case Chaplin V Secretary. The court ruled that the Federal Government will need to recalculate over four-billion dollars worth of debts issued using a method known as ‘income apportionment' which was in use from the early 90's until 2020. In this conversation, Tom Studans unpacks the history of ‘income apportionment' debt calculations, and its legislative overlaps with Robodebt. Catch the rest of the interview and more from 3cr.org.au/monday-breakfast, tune in live Mondays from 7am - 8:30am on 3CR 855AM.// Elijah McDonald & Rosie Kalina - Blaktasia Game// Lastly, Elijah McDonald (Noongar, Pitta Pitta, Yamatji) Tech Artist, Junior Programmer and Rosie Kalina (Wemba Wemba, Gundjitmara) Art and Culture Producer from Blaktasia, this continent's first ever Aboriginal mobile game, joined us in the studio to discuss the making of the game, art, inspiration, and the everyday work it takes make a game by Mob for Mob, where you restore the bush & defeat the corrupting force of The Murk.//Elijah is a multi-award winning, highly creative multi-disciplinary creative technologist with specialisations in programming, human-computer interaction, digital 3D animation and technical art (SFX). Rosie is a multidisciplinary Artist and Producer, specialising in Visual Art and Curating, Rosie has been involved in several Community Led Art Projects, such as the Blak to the Future & YIRRAMBOI Festival.//Free to play, releasing at the end of 2025. Catch Blaktasia at PAX 10-12 October 2025 at the Melbourne Convention & Exhibition Centre (MCEC)// Footscray Safety Forum Tonight 6pm//Thu 14 Aug 6pmSt John's 30A Pickett St FootscrayAccessible & Child Friendly EventPlease consider COVID SafetyIn response to Maribyrnong Council's recent decision to use security and law officers for foot patrol, to respond to social, health and community issues in Footscray. More info here//

This is the second in a two-part mini series on forensic taphonomy centres or body farms. This week Lynda and Cass are meeting Dr Anna Williams, Professor of Forensic Science at the University of Central Lancashire.  At present there are only a dozen body farms established around the world and none in the UK, but Anna has been advocating for establishing one in the UK for over a decade. In this episode we look at the reasons why Anna has found it so challenging to establish a UK body farm and what value it might bring to our forensic sciences.  Forensic taphonomy is the study of what happens to a body between death and discovery. It's one of the oldest forensic disciplines and one of the most controversial. Why? Because to properly study forensic taphonomy you need bodies. The Victorians took them from graveyards, these days we have body farms.  Body farms have proved to be a vital resource for forensic scientists to learn more about how and why bodies decompose in certain conditions. It's a hugely complex subject which brings in factors like climate, soil, insects, scavengers, diet and many more.  To learn more about Anna's work on Forensic Taphonomy in the UK, visit: https://htf4uk.blogspot.com and http://www.forensicanna.com —— Lynda La Plante's new book The Scene of the Crime, featuring a team of forensic scientists, is out on the 31st July 2025 in all formats. To find out more about upcoming episodes of Listening to the Dead and Lynda's other books, visit www.lyndalaplante.com Credits: This podcast was made by Bonnier Books UK Hosts: Lynda La Plante, Cass Sutherland and Jon Watt Director: Jon Watt Producer: Laura Makela Theme Music: Game Over by Magic in the Other 

It can be a case of damned if you do and damned if you don't when it comes to women returning to work after childbirth. Seven's AFL commentator Abbey Holmes was recently trolled after announcing she would be returning to work seven weeks after having a baby. So why does society judge, and what can the potential impact of that judgement be?Also in this edition, more Victorians died of drug overdoses last year compared to any other year in the past decade, according to findings from the Coroners Court of Victoria. We explore what role Naloxalone, a drug that can temporarily reverse the effects of an opioid overdose, could play in reducing these deaths.Plus, we also talk why cuts to US Scientific agencies could put Australia's long range weather forecasting at risk and a curious death notice that appeared in the paper today.

On the Matt Heath and Tyler Adams Afternoons Full Show Podcast for the 8th of August 2025 - From next year, Victorians will have the legal right to work from home for two days every week - Matt and Tyler didn't have much time for the idea but some callers put up a good fight for it. Then some great chat around getting a degree versus working in a trade when it comes to financial stability. And a lighter finish to the day and week as listeners tell us their best live experiences, music, comedy, sport and all sorts. Get the Matt Heath and Tyler Adams Afternoons Podcast every weekday afternoon on iHeartRadio, or wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Cooo-eee Adventurers! Roles were reversed this week with TOC heading west to the South and Mel in the West and then staying west. The office is looking cleaner, the Big Apple is ripe for the picking but a cancellation closer to home brings discussion. There are roving reports from Downsview in Canada, Billericay in the UK plus a magical report and celebration from Trentham Gardens. Reginald champions Ireland and with that, the office door is locked up as the Victorians head North.

Forensic taphonomy is the study of what happens to a body between death and discovery. It's one of the oldest forensic disciplines and one of the most controversial. Why? Because to properly study forensic taphonomy you need bodies. The Victorians took them from graveyards, these days we have Body Farms.  Body Farms have proved to be a vital resource for forensic scientists to learn more about how and why bodies decompose in certain conditions. It's a hugely complex subject which brings in factors like climate, soil, insects, scavengers, diet among other things.  This week Lynda and Cass meet Dr Daniel J. Wescott, Professor of Anthropology and Director of the Forensic Anthropology Center at Texas State University. The Texas Body Farm where Danny works is largest in the world and has helped to further the knowledge of scientists and law enforcement around the world.  This is the first in a two-part mini series on Body Farms. Next week we're looking at the picture in the UK.  To learn more about the Texas Forensic Anthropology Center visit: https://www.txst.edu/anthropology/facts.html  IG: @factxstate  FB: @forensicanthcenterTXST  ------------ Lynda La Plante's new book The Scene of the Crime, featuring a team of forensic scientists, is out on the 31st July 2025 in all formats. To find out more about upcoming episodes of Listening to the Dead and Lynda's other books, visit www.lyndalaplante.com     Credits: This podcast was made by Bonnier Books UK Hosts: Lynda La Plante, Cass Sutherland and Jon Watt Director: Jon Watt Producer: Laura Makela Theme Music: Game Over by Magic in the Other 

Communities across regional and rural Victoria are set to lose access to piped gas, and it has Tom Elliott warning it will eventually happen to all Victorians.See omnystudio.com/listener for privacy information.

The Victorian Government wants to make work-from-home legal in Victoria. Their plan is to allow all Victorians to work from home for at least two days a week. See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Mistrust, fear and systematic barriers, these are the reasons why Victorians experiencing racism are hesitant to report the incidents, according to a new study by Victoria University. It also found that almost eight in ten people didn't know where or how to report racism, while nine in ten people believe that reporting would result in no change. What could be done to encourage people to speak up against racism? Wing Kuang spoke to Associate Professor Mario Peucker from the research team.

Amazing as it may seem, our panel of experts came back for a second episode, like they might even be regulars now! Join Talon King, Mrs. Horace "Thingy" Thimbleberger, Dr. Janet Peters, and Shecky Spielberg as they explore Christmas pudding in July. How many Victorians named "John H. Something" with six wives were there? Who does Sherlock Holmes seem more frightened of than Professor Moriarty? And how is this podcast still on the air? You can answer some of those questions right here.

Merriam-Webster's Word of the Day for July 26, 2025 is: embellish • im-BELL-ish • verb To embellish something is to make it more appealing or attractive with fanciful or decorative details. // The gift shop had cowboy shirts and hats embellished with beads and stitching. // As they grew older, the children realized their grandfather had embellished the stories of his travels abroad. See the entry > Examples: "Shell art isn't a new genre; it's been with us for centuries. The Victorians often framed their family photos with shells. ... The medium also came to the fore in the 1970s when everything was embellished with shells, from photo frames and mirrors to trinket boxes and even furniture." — Stephen Crafti, The Sydney Morning Herald, 4 June 2025 Did you know? Embellish came to English, by way of Anglo-French, from the Latin word bellus, meaning "beautiful." It's in good company: modern language is adorned with bellus descendants. Examples include such classics as beauty, belle, and beau. And the beauty of bellus reaches beyond English: its influence is seen in the French bel, a word meaning "beautiful" that is directly related to the English embellish. And in Spanish, bellus is evidenced in the word bello, also meaning "beautiful."

One quarter of employers classify people over the age of 50 as old, that's according to a study into employer attitudes from the Australian Human Rights Age Commissioner and the Human Resources Institute. In this edition of The Conversation Hour we look at what role AI recruitment systems play in age discrimination and speak with a careers coach on the measures some are taking to circumvent the system.Also in this edition, infidelity in the age of social media and how far will additional mental health clinics go in supporting the mental health of Victorians

So who killed privacy? It's the central question of Tiffany Jenkins' provocative new history of private life, Strangers and Intimates. The answer, according to Jenkins, is that we are all complicit—having gradually and often accidentally contributed to privacy's demise from the 16th century onwards. Luther started it by challenging Papal religious authority and the public sacraments, thereby creating the necessity of private conscience. Then came Enlightenment philosophers like Locke and Hobbes who carved out bounded private political and economic spheres establishing the foundations for modern capitalism and democracy. Counter-enlightenment romantics like Rousseau reacted against this by fetishizing individual innocence and authenticity, while the Victorians elevated the domestic realm as sacred. Last but not least, there's Mark Zuckerberg's socially networked age, in which we voluntarily broadcast our private lives to a worldwide audience. But why, I ask Jenkins, should we care about the death of private life in our current hyper-individualistic age? Can it be saved by more or less obsession with the self? Or might it require us to return to the world before Martin Luther, a place Thomas More half satiricizes Utopia, where “private life” was a dangerously foreign idea. 1. Privacy is a Historical Accident, Not a Natural Human Condition"There was a sense in which you shouldn't do anything privately that they wouldn't do publicly... This wasn't a kind of property-based private life." Jenkins argues that before the 17th century, the very concept of leading a separate private life didn't exist—privacy as we understand it is a relatively recent invention.2. Martin Luther Accidentally Created Modern Privacy Through Religious Rebellion"Luther inadvertently... authorized the self as against, in his case, the Catholic Church... if you follow the debates over the kind of beginnings of a private sphere and its expansion, whether you're reading Locke or Hobbes, there's a discussion about... the limits of authority." Luther's challenge to religious authority unintentionally created the need for private conscience, sparking centuries of development toward individual privacy.3. The Digital Age Represents a Return to Pre-Privacy Transparency"I think we do live in a period where there is little distinction between public and private, where the idea that you might keep something to yourself is seen as strange, as inauthentic." Jenkins suggests our current era of social media oversharing resembles pre-modern times more than the Victorian peak of privacy.4. Modern Loneliness Stems From Social Fragmentation, Not Individual Psychology"I sometimes wonder if we're pathologizing, actually, what is a social problem, which is a society where people are fragmented, not quite sure how to go beyond themselves... I would see that as a social problem." Rather than treating loneliness as a personal issue, Jenkins argues it reflects the breakdown of intermediate institutions between family and state.5. Technology Doesn't Determine Our Privacy—We Do"Can't blame the tech, tech isn't the problem... It comes down really to what sort of society we want to live in and how we want to be treated. That's not a technical thing. That has not to do with technology. That's to do humans." Jenkins rejects technological determinism, arguing that privacy's fate depends on human choices about social organization, not inevitable technological forces.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Writing Embodiment in Victorian Microscopy: Beautiful Mechanism (Oxford UP, 2025) by Dr. Meegan Kennedy examines a revolutionary period in microscopical technology and practice. At first considered a mere toy, by 1900 the microscope rivaled the railway and telegraph as an emblem of modernity and enjoyed an astonishing diversity of applications. This technology could drive scientific debates on subjects like cell theory, vitalism, and bacteriology; guide workers in classrooms, laboratories, and businesses; and inspire a personal hobby or a mass entertainment. Victorian microscopy productively cuts across the ostensibly separate domains of science, religion, commerce, art, education, entertainment, and domestic life.Writing Embodiment in Victorian Microscopy reads nineteenth-century microscopy across scientific, literary, religious, and popular texts. It argues that Victorian microscopists saw their vision and cognition as fully embodied experiences, the images emerging through a material entanglement of bodies (observer, instrument, apparatus, object) in a dynamic, unstable system. These ideas echo the work of physiological psychologists, who proposed mind as a system of embodied, distributed, and dynamic processes shaped by automatic or unconscious reflex action, attention, mental training, and fatigue. Striving to regulate this complex system, microscopists circulated tropes of embodiment through the varied forms of nineteenth-century print culture. They adapted existing concepts (such as beauty, the sublime, natural theology, and fairylands), or coined new phrases (such as many-sided comprehension), to promote favored forms of embodiment and enculturate microscopy as a difficult but valuable pursuit. Writing Embodiment draws on important work in book history and periodical studies by emphasizing the circulation of these tropes in intermedial conversations across diverse print forms.Victorians understood wonder and skepticism not as incommensurate approaches to scientific observation but rather as complementary forms of embodiment. Romantic tropes of wonder solicit affective flows from observer to wriggling animalcule and back; while skeptical, realist tropes offer to train the reader's eye, hand, body, and judgment and to formalize microscopical practice. Microscopical narratives may manipulate wonder and skepticism in productive tension or create virtual storyspaces that enlist the reader in virtual witnessing. These tropes shape every level of microscopical interest and proficiency. By analyzing their use and circulation, Writing Embodiment illuminates wider patterns of Victorian thought on embodiment, scientific practice, and community. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

RACV is calling on Victorians to share their insight into the state's most dangerous intersections as they launch the My Melbourne Road survey. See omnystudio.com/listener for privacy information.

Episode 135 - Allan Chapman - The Victorians and the Holy LandIn this episode of Still Unbelievable! Matthew chats with Allan Chapman, who teaches history of science at Oxford University, and has written extensively on history and science, including the relationship between the two. He is a Fellow of the Royal Astronomical Society and a founder member of the Society for the History of Astronomy. He is the author of several books, including the one we will be discussing this episode. If you have any interest in the history of Christianity, then we recommend this book as an enjoyable read. As always, see the show notes to for links to the book and topics that are referenced in the book. There are items in the links that we do not specifically cover in this conversation, so please to check them out for a taste of what the book covers.1) The Victorians and the Holy Land: Adventurers, Tourists, and Archaeologists in the Lands of the Biblehttps://amzn.eu/d/j7QAYC52) Ozymandias By Percy Bysshe Shelley - referenced in Chapter 2https://www.poetryfoundation.org/poems/46565/ozymandias3) A description of the East, and some other countries ... / By Richard Pococke - referenced in Chapter 2https://wellcomecollection.org/works/me6h66jf/items4) Petra by John William Burgon - referenced in chapter 2http://www.poetryatlas.com/poetry/poem/3771/petra.html5) Johann Ludwig Burckhardt - explorer(includes links to his published works)https://en.wikipedia.org/wiki/Johann_Ludwig_Burckhardt6) Lady Amytis, wife of Nebuchadnezzarhttps://www.historyofroyalwomen.com/amytis-of-babylon/amytis-of-babylon-the-queens-hanging-gardens-of-babylon/7) Remarkably preserved shrines recovered at Assyrian temple of Ninurta in Nimrud, Iraqhttps://archaeologymag.com/2024/12/remarkably-preserved-shrines-recovered-in-nimrud/8) Biblical Researches - by Edward Robinson & Eli Smith - referenced in chapter 7https://archive.org/details/biblicalresearc01smitgoog9) Sinai & Palestine - by AP Stanley - referenced in chapter 7https://archive.org/details/sinaipalestinei00stan/page/n9/mode/2up10) A thousand miles up the Nile by Amelia B. Edwards - referenced in chapter 13https://www.gutenberg.org/ebooks/70565To contact us, email: reasonpress@gmail.comour YouTube: https://www.youtube.com/@reasonpress2901Our Theme Music was written for us by Holly, to support her and to purchase her music use the links below:https://hollykirstensongs.com/https://hollykirsten.bandcamp.com/

What does feel like to live helplessly in a world that is coming undone? If you're alive in 2025, you are probably very familiar with this feeling - and if you'd been alive in the age of Victorian literature, you might have felt that way too. In this episode, Jacke talks to author Nathan K. Hensley about his book Action without Hope: Victorian Literature after Climate Collapse, which studies how authors like George Eliot, Emily Brontë, H.G. Wells, Lewis Carroll, and Christina Rossetti used aesthetic strategies to deal with the anxiety and despair of ongoing climate disaster. What did they face? How did they cope? And can we learn from their examples? PLUS Jacke dives into some news from Italian museums, where people have been "losing their brains." What's going on with them? AND two Dickens experts, Stephen Browning and Simon Thomas, co-authors of The Real Charles Dickens, stop by to discuss their choice for the last book will they ever read. Will they choose something by Dickens? Note: The "My Last Book" conversation in this episode was recorded before the untimely passing of Stephen Browning. He was a wonderful guest, and we at the History of Literature Podcast are very grateful to have had the chance to speak with him. Our deepest sympathies are with his friends, family, and loved ones. May he rest in peace. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com ⁠. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature ⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacqui Felgate called out the decision, questioning how Victorians are lumped with tax whilst politicians are being financially rewarded. See omnystudio.com/listener for privacy information.

Tess Hills is an amazing performer - both street performance/immersive theatre and puppeteer. I had the sheer honor of working with Tess on Brainland as puppeteers.  She is the kind of person that elevates the whole quality of the project. Tess is fun to be on set with (we kept trying to hide stage clips on each other when the other one wasn't paying attention) and she also brings professional guidance to the project. I learned SO MUCH just by being around her. It was incredible. Tess owns and runs a company called Curious Cargo which has some fun shows for festivals and live events. They have a sketh/show called The Temperance Society described as, "Then never fear, the Victorians are here to help you mend your ways. They're frightfully proper, sombre and stern, with a terribly stiff upper lip." Truly an incredible performer. And one of those incredibly talented people who is also so so so humble. Her backbone is in play and always connecting. I loved doing this interview.  Hope you enjoy it!

Ancient tombs. Angry mummies. Sudden deaths? In this episode, we drink and break down the legendary Curse of the Pharaohs—aka the reason everyone thought opening King Tut's tomb was a death sentence. And it was. Or was it?!

During the 1800s, the Victorians had the natural world pretty much figured out, or so they thought. Then a 12-year-old discovered the first dinosaur tracks.

Send us a textI'm speaking today with M. A. McLaughlin, author of The Lost Dresses of Italy listed in the Textile Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/rDe_rXrLC2kOverview of the story of The Lost Dresses of Italy as a dual time novel taking place in 1947 and 1864 and inspired by a three-week trip to Italy taken by Victorian poet Christina RossettiPoetry of Christina Rossetti and why it has enduredChristina's sonnet sequence Monna Innominata as inspiration for the plotCombining a costume history and design with the story of Christina's time in ItalyReasons for setting the modern story in post-war VeronaResearching costume design and preservationThe role of pre-Raphaelite Dante Gabriel Rossetti in the novelSome of the challenges of fictionalizing real peopleWhat is it about the Romantics and Victorians that Marty is attracted to?Reading from The Lost Dresses of ItalyThings that Marty learned from writing her novel - the complicated nature of Italy's participation in World War II and its aftermath.Read more about M. A. McLaughlin on her website: https://martyambrose.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

For thousands of years, ancient cuneiform - the script of the ancient Mesopotamians was lost to time, until being dramatically rediscovered in the 19th century by an adventurous group of unlikely Victorians. A dashing archaeologist, an officer turned diplomat and a reclusive clergyman raced to decipher it and unlock the secrets of long-lost empires. Joining us is Joshua Hammer, a former war correspondent and author of 'The Mesopotamian Riddle'. Produced by Mariana Des Forges and James Hickmann, and edited by Tim Arstall.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com.

In our latest episode, Natalie Bekis, Assistant Secretary Health Workforce Planning and Strategies Branch, Australian Government Department of Health and Aged Care, Fiona Notley, Chief Operating Officer, and Vice President, RMIT delve into the pressing issue of the technology skills shortage in Victoria, unpacking the challenges and opportunities that come with building a resilient, future-ready workforce. It explores how partnerships between the tertiary education sector and the public sector can strengthen the talent pipeline, ensuring that Victoria has the right skills to meet its digital demands. Our listeners will also gain insights into how the Victorian Government can build a strong Employee Value Proposition (EVP) that attracts and retains top talent—from crafting compelling job ads to investing in meaningful employee development. Finally, the episode examines how the public sector can strike the right balance between technology and human resources to optimise workflows and deliver better outcomes for Victorians. Natalie Bekis, Assistant Secretary Health Workforce Planning and Strategies Branch, Australian Government Department of Health and Aged Care, Fiona Notley, Chief Operating Officer, and Vice President, RMIT For more great insights head to www.PublicSectorNetwork.co  

Ghosts and Things: The Material Culture of Nineteenth-Century Spiritualism (Cornell University Press, 2025) by Dr. Aviva Briefel argues that Victorians turned to the dead to understand the material culture of their present. With the rise of spiritualism in Britain in the early 1850s, séances invited participants to contact ghosts using material things, from ordinary household furniture to specialized technologies invented to register the presence of spirits. In its supernatural object lessons, Victorian spiritualism was not just a mystical movement centered on the dead but also a practical resource for learning how to negotiate the uncanniness of life under capitalism. Dr. Briefel explores how spiritualism compelled séance participants to speculate on the manufacture of spectral clothing; ponder the hidden histories and energies of parlor furniture; confront the humiliations of consumerism as summoned spirits pelted them with exotic fruits; and comprehend modes of mechanical reproduction, like photography and electrotyping, that had the power to shape identities. Dr. Briefel argues that spiritualist practices and the objects they employed offered both believers and skeptics unexpected frameworks for grappling with the often-invisible forces of labor, consumption, exploitation, and exchange that haunted their everyday lives. Ghosts and Things reveals how spiritualism's explorations of the borderland between life and death, matter and spirit, produced a strange and seductive combination of wonder and discomfort that allowed participants to experience the possibilities and precarities of industrial modernity in novel ways. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why did Victorians value pale skin so highly? And how were black bodies viewed by Victorian society?In this episode Kate is joined by author and historian Dr Rochelle Rowe of the University of Edinburgh.This episode was edited by Tom Delargy. The producer was Stuart Beckwith. The senior producer was Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.

Ghosts and Things: The Material Culture of Nineteenth-Century Spiritualism (Cornell University Press, 2025) by Dr. Aviva Briefel argues that Victorians turned to the dead to understand the material culture of their present. With the rise of spiritualism in Britain in the early 1850s, séances invited participants to contact ghosts using material things, from ordinary household furniture to specialized technologies invented to register the presence of spirits. In its supernatural object lessons, Victorian spiritualism was not just a mystical movement centered on the dead but also a practical resource for learning how to negotiate the uncanniness of life under capitalism. Dr. Briefel explores how spiritualism compelled séance participants to speculate on the manufacture of spectral clothing; ponder the hidden histories and energies of parlor furniture; confront the humiliations of consumerism as summoned spirits pelted them with exotic fruits; and comprehend modes of mechanical reproduction, like photography and electrotyping, that had the power to shape identities. Dr. Briefel argues that spiritualist practices and the objects they employed offered both believers and skeptics unexpected frameworks for grappling with the often-invisible forces of labor, consumption, exploitation, and exchange that haunted their everyday lives. Ghosts and Things reveals how spiritualism's explorations of the borderland between life and death, matter and spirit, produced a strange and seductive combination of wonder and discomfort that allowed participants to experience the possibilities and precarities of industrial modernity in novel ways. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Ghosts and Things: The Material Culture of Nineteenth-Century Spiritualism (Cornell University Press, 2025) by Dr. Aviva Briefel argues that Victorians turned to the dead to understand the material culture of their present. With the rise of spiritualism in Britain in the early 1850s, séances invited participants to contact ghosts using material things, from ordinary household furniture to specialized technologies invented to register the presence of spirits. In its supernatural object lessons, Victorian spiritualism was not just a mystical movement centered on the dead but also a practical resource for learning how to negotiate the uncanniness of life under capitalism. Dr. Briefel explores how spiritualism compelled séance participants to speculate on the manufacture of spectral clothing; ponder the hidden histories and energies of parlor furniture; confront the humiliations of consumerism as summoned spirits pelted them with exotic fruits; and comprehend modes of mechanical reproduction, like photography and electrotyping, that had the power to shape identities. Dr. Briefel argues that spiritualist practices and the objects they employed offered both believers and skeptics unexpected frameworks for grappling with the often-invisible forces of labor, consumption, exploitation, and exchange that haunted their everyday lives. Ghosts and Things reveals how spiritualism's explorations of the borderland between life and death, matter and spirit, produced a strange and seductive combination of wonder and discomfort that allowed participants to experience the possibilities and precarities of industrial modernity in novel ways. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Ghosts and Things: The Material Culture of Nineteenth-Century Spiritualism (Cornell University Press, 2025) by Dr. Aviva Briefel argues that Victorians turned to the dead to understand the material culture of their present. With the rise of spiritualism in Britain in the early 1850s, séances invited participants to contact ghosts using material things, from ordinary household furniture to specialized technologies invented to register the presence of spirits. In its supernatural object lessons, Victorian spiritualism was not just a mystical movement centered on the dead but also a practical resource for learning how to negotiate the uncanniness of life under capitalism. Dr. Briefel explores how spiritualism compelled séance participants to speculate on the manufacture of spectral clothing; ponder the hidden histories and energies of parlor furniture; confront the humiliations of consumerism as summoned spirits pelted them with exotic fruits; and comprehend modes of mechanical reproduction, like photography and electrotyping, that had the power to shape identities. Dr. Briefel argues that spiritualist practices and the objects they employed offered both believers and skeptics unexpected frameworks for grappling with the often-invisible forces of labor, consumption, exploitation, and exchange that haunted their everyday lives. Ghosts and Things reveals how spiritualism's explorations of the borderland between life and death, matter and spirit, produced a strange and seductive combination of wonder and discomfort that allowed participants to experience the possibilities and precarities of industrial modernity in novel ways. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Happy 200th EpisodeThis week we are looking into the biggest disaster in the history of Glasgow shipbuilding, when a relatively small ship designed to ferry people and cargo to Northern Ireland instead became a sunken tomb for over 100 people. Even worse it was a disaster that occurred in front of a large audience, and only a biscuit throw from shore.A tale of cutting corners and entirely predictable consequences the story of the Daphne goes to show that the Victorians were experts at putting profits before people. With a bonus discussion of over 500 years of ship building on the west coast of Scotland that features a cameo from at least two separate King James'Guest Host: Ollie Green Hosted on Acast. See acast.com/privacy for more information.

Would you live with a ghost if it meant getting a mansion at half the price? From cursed Victorians to infamous crime scenes, these haunted houses come with history, mystery… and maybe a few unexpected roommates.Download The FREE PDF For This Episode's WORD SEARCH Puzzle: https://weirddarkness.com/HomeSweetHauntedHomeGet the Darkness Syndicate version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Are you brave enough to live in a haunted house? If so, and you're ready to make a move, you might find a good deal in one of the homes I'm about to tell you about. (They Sold Their Haunted Houses) *** The Nazca Lines of Peru span for miles and are visible only from the sky. These mysterious designs have sparked theories ranging from astronomical markers to extraterrestrial landing strips, challenging our understanding of ancient civilizations. We'll look at the mystery behind them – and consider a few theories for their existence. (Mystery of the Nazca Lines) *** Armin Meiwes placed a personal ad for a volunteer. He was looking for someone to give themselves over to him… to eat. It's one of the most infamous cases of modern cannibalism. (The Cannibal Who Placed a Personal Ad) *** On May 28, 1903, Dr. Francis J. Tumblety, a man with a deep-seated hatred for women and surgical skills, died in St. Louis. Intriguingly, Tumblety was in London during the gruesome Jack the Ripper murders in 1888, sparking speculation that he might be the infamous slasher. (Was Jack The Ripper From St. Louis?) *** Imagine a duel between two women. One a princess, the other a countess. Now picture them dueling topless. It really happened… and the reason for the duel? A disagreement over flower arrangements. (The Topless Duel Between Two Ladies)CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Lead-In00:01:28.929 = Show Open00:3:48.289 = They Sold Their Haunted Houses00:24:27.614 = The Mystery of the Nazca Lines00:33:55.877 = Was Jack The Ripper From St. Louis?00:47:46.731 = The Topless Duel Between Ladies01:00:59.421 = The Cannibal Who Placed a Personal Ad01:05:53.928 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“They Sold Their Haunted Houses” source: Sonja Ska, Graveyard Shift: https://weirddarkness.tiny.us/2ezeefr9“The Mystery of the Nazca Lines” source: Marcus Lowth, UFO Insight: https://weirddarkness.tiny.us/2p9dumsu“The Cannibal Who Placed a Personal Ad” source: The Scare Chamber, https://weirddarkness.tiny.us/3vy977m8“Was Jack The Ripper From St. Louis?” by Troy Taylor (used with permission): https://weirddarkness.tiny.us/yyj892ws“The Topless Duel Between Ladies” source: Genevieve Carlton, Weird History: https://weirddarkness.tiny.us/bdcs6zuk=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June 12, 2024EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HomeSweetHauntedHomeTAGS: haunted houses, haunted homes for sale, real haunted houses, haunted real estate, ghost stories, famous haunted houses, haunted mansions, buy a haunted house, Enslin House, Sowden House, Ackley House, Amityville Horror, Pillars Estate, Conjuring House, Dunsmuir Victorian, Ann Starrett Mansion, Priestley House, Charming Forge Mansion, living with ghosts, paranormal real estate, haunted house history

Chris is thrilled to have completed his first ever 10,000 kilometer race only to have the legs cut out from underneath him. Sunil can hold his breath for ages and James thinks he's great for cycling all the time. Also, can we please stop having a go at the Victorians? Want to see the lads live? Rural Concerns is coming to the London Podcast Show on 20th May. We're also playing Manchester's Fairfield Social Club on 22nd November.  You can watch Chris' Edinburgh Comedy Award nominated show! He's heading to Chorley, Machynlleth, Wells and Newcastle! Check it out on his international website.  Do you have a Rural Concern? Drop us an email at christopher@alovelytime.co.uk. The best way to support this educational podcast is through Patreon. For less than a fiver you can get bonus episodes and access to our Discord community, The Creamery. Our artwork is by Poppy Hillstead, our music is by Sam O'Leary and our legal due diligence is by Cal Derrick, Entertainment Lawyer. Rural Concerns is edited by Joseph Burrows and produced by Egg Mountain for A Lovely Time Productions.

What happened to the fairies?In this episode of Angela's Symposium, we uncover the history of fairy beings—from terrifying, liminal spirits associated with death, illness, and esoteric knowledge to the benign, whimsical figures of children's books and garden ornaments. Drawing on peer-reviewed scholarship and folkloric sources, I trace how fairies were feared as soul-stealing entities, morally ambiguous tricksters, and powerful beings of the Otherworld in Celtic and Germanic traditions. These entities weren't cute—they were cautionary, chthonic, and occasionally divine.But during the Victorian era, spiritualism, Theosophy, and literary romanticism reshaped fairy imagery into something innocent and controllable. This domestication served ideological purposes: reinforcing ideals of childhood, whiteness, femininity, and empire.With insights from Robert Kirk, W.Y. Evans-Wentz, Katharine Briggs, and contemporary scholars such as Sabina Magliocco, Morgan Daimler, and Richard Sugg, this video explores how fairies reflect changing cultural values—and why reclaiming their wilder past matters.CONNECT & SUPPORT

Welcome Spooky Lovelies! The fireplaces are lit, the Hospitality Tray is set, and everything that would make you run in panic is waiting beyond the cordoned-off areas, mostly. We thought it was time to visit our long-dead friends, The Victorians, and to learn to admire their strict and strange mourning customs, some of which are still with us today. From how long your black veil should be, to how to keep mice from burrowing into a corpse, we have all the dirt on their fascinating habits! So, strap on your best black bonnet and join us in The Reading Room! Special Thanks to Sounds Like an Earful Music Supply for the amazing music AND sound design.

Faith and Una Meredith, Mary Vance, Sara Stanley, Felicity and Cecily King – all of these girls have different relationships with housekeeping and cooking, and PhD candidate Ariel Little is here to tell us all about it! We speculate about how the characters might show up on social media, the way that housekeeping reflects power and authority in Montgomery's work, and why cleanliness was so important to the Victorians.  If you want to read some of Ariel Little's writing, she's published this article, Under the Moon's Healing Influence: George MacDonald's Literary Re-envisioning of Women's Health  and also has a chapter in this new book, Beyond Little Women, edited by Lauren Hehmeyer.   Inspired by: Ragon is inspired by: Fourteen Talks By Age Fourteen by Michelle Icard and Finding The Magic In Middle School by Chris Balme. Kelly is inspired by: Housekeeping by Marilynne Robinson. Ariel is inspired by:  The Sanitary Arts:  Aesthetic Culture and the Victorian Cleanliness Campaign by Eileen Cleere and Architecture in the Family Way by Annmarie Adams, as well as The House Of Many Ways by Diana Wynne Jones. If you want to get a free logo sticker from us, either leave us a review on Apple Podcasts or share your love for the pod on social media!  Send us a photo of your share or review at either our email: kindredspirits.bookclub@gmail.com or on our KindredSpirits.BookClub Instagram. 

A rollicking adventure starring three free-spirited Victorians on a twenty-year quest to decipher cuneiform, the oldest writing in the world—from the New York Times bestselling author of The Bad-Ass Librarians of Timbuktu.It was one of history's great vanishing acts.Around 3,400 BCE—as humans were gathering in complex urban settlements—a scribe in the mud-walled city-state of Uruk picked up a reed stylus to press tiny symbols into clay. For three millennia, wedge shape cuneiform script would record the military conquests, scientific discoveries, and epic literature of the great Mesopotamian kingdoms of Sumer, Assyria, and Babylon and of Persia's mighty Achaemenid Empire, along with precious minutiae about everyday life in the cradle of civilization. And then…the meaning of the characters was lost.London, 1857. In an era obsessed with human progress, mysterious palaces emerging from the desert sands had captured the Victorian public's imagination. Yet Europe's best philologists struggled to decipher the bizarre inscriptions excavators were digging up.Enter a swashbuckling archaeologist, a suave British military officer turned diplomat, and a cloistered Irish rector, all vying for glory in a race to decipher this script that would enable them to peek farther back into human history than ever before.From the ruins of Persepolis to lawless outposts of the crumbling Ottoman Empire, The Mesopotamian Riddle whisks you on a wild adventure through the golden age of archaeology in an epic quest to understand our past.Joshua Hammer is a veteran foreign and war correspondent for Newsweek who has covered conflicts on four continents. He is the author of two previous books, A Season in Bethlehem and Chosen by God: A Brother's Journey. He has contributed articles to The New Yorker, Smithsonian, and many other publications. He lives in Cape Town, South Africa, with his wife and two sons.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Hold onto your corsets and brace yourself for some historical spice, because today we're talking about Victorian nipple rings. Yes, you read that right. The prim and proper era of high collars, afternoon tea, and… pierced nipples? Turns out, the Victorians (and their French counterparts in the Belle Époque) were way freakier than we give them credit for. What's Inside This Episode?

Strange But True: Ancient Egyptians were so into oral sex, they put it in their religion — and religious art, Salon, Matthew Rosza, January 29, 2023 Sex and morality have been tightly controlled by religion throughout history, shaping societal attitudes toward sexuality. The discussion begins with ancient Egypt, where gods were depicted engaging in acts like autofellatio as part of creation myths. While some assume ancient societies were more sexually open, the reality is that Egypt had conservative sexual norms comparable to their neighbors in Israel. The control of sex, particularly by religious institutions, has historically been a tool of power, reinforcing shame and guilt around natural human behavior. Victorian England is often blamed for sexual repression, but it's argued that this is more a product of later interpretations than the reality of Victorian life. The Victorians were far from prudish in private, as demonstrated by explicit personal writings, including Queen Victoria's enthusiastic comments about Prince Albert. More broadly, history shows fluctuating attitudes toward sex, from the uninhibited Greeks and Romans to later societies that sought to regulate and repress it. Religion, particularly Christianity, often attempts to define acceptable sexual behavior, controlling it in ways that reinforce their broader authority. A notable aspect of ancient Egyptian sexuality is their exclusion of homosexuality from their records, raising questions about whether labeling and recognizing sexual identities make societies more tolerant or simply more aware of division. Regardless of historical shifts, the pattern remains: sex is a fundamental human drive, and societies continuously shape and reshape its role based on cultural and religious influences. Ultimately, the gods people create reflect their own desires and societal norms, further proving that human behavior, rather than divine decree, dictates morality. The Non-Prophets, Episode 24.10.2 featuring Jason Sherwood, Aaron Jensen, Richard Firth-Godbehere and Scott Dickie.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-non-prophets--3254964/support.