Podcasts about Middlemarch

In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Jeremy Deller for a wide-ranging conversation about how art uncovers the contradictions, radical traditions, and hidden stories that shape contemporary England.Jeremy and Josephine reflect on why Englishness remains so slippery to define; how popular culture, folk traditions, and street art reveal who we really are.Dash Arts has been digging into landscape and language — from reimagining George Eliot's Middlemarch in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We've been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?In 2026 Albion will culminate with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-houseOur intro music is Fakiiritanssi by Marouf MajidiThis podcast is marked explicit for language only. Hosted on Acast. See acast.com/privacy for more information.

Ahead of her new book What's So Great About the Great Books? coming out in April, Naomi Kanakia and I talked about literature from Herodotus to Tony Tulathimutte. We touched on Chaucer, Anglo-Saxon poetry, Scott Alexander, Shakespeare, William James, Helen deWitt, Marx and Engels, Walter Scott, Les Miserables, Jhootha Sach, the Mahabharata, and more. Naomi also talked about some of her working habits and the history and future of the Great Books movement. Naomi, of course, writes Woman of Letters here on Substack.TranscriptHenry Oliver: Today, I am talking with Naomi Kanakia. Naomi is a novelist, a literary critic, and most importantly she writes a Substack called Woman of Letters, and she has a new book coming out, What's So Great About the Great Books? Naomi, welcome.Naomi Kanakia: Thanks for having me on.Oliver: How is the internet changing the way that literature gets discussed and criticized, and what is that going to mean for the future of the Great Books?Kanakia: How is the internet changing it? I can really speak to only how it has changed it for me. I started off as a writer of young adult novels and science fiction, and there's these very active online fan cultures for those two things.I was reading the Great Books all through that time. I started in 2010 through today. In the 2010s, it really felt like there was not a lot of online discussion of classic literature. Maybe that was just me and I wasn't finding it, but it didn't necessarily feel like there was that community.I think because there are so many strong, public-facing institutions that discuss classic literature, like the NYRB, London Review of Books, a lot of journals, and universities, too. But now on Substack, there are a number of blogs—yours, mine, a number of other ones—that are devoted to classic literature. All of those have these commenters, a community of commenters. I also follow bloggers who have relatively small followings who are reading Tolstoy, reading Middlemarch, reading even much more esoteric things.I know that for me, becoming involved in this online culture has given me much more of an awareness that there are many people who are reading the classics on their own. I think that was always true, but now it does feel like it's more of a community.Oliver: We are recording this the day after the Washington Post book section has been removed. You don't see some sort of relationship between the way these literary institutions are changing online and the way the Great Books are going to be conceived of in the future? Because the Great Books came out of a an old-fashioned, saving-the-institutions kind of radical approach to university education. We're now moving into a world where all those old things seem to be going.Kanakia: Yes. I agree. The Great Books began in the University of Chicago and Columbia University. If you look into the history of the movement, it really was about university education and the idea that you would have a common core and all undergraduates would read these books. The idea that the Great Books were for the ordinary person was really an afterthought, at least for Mortimer Adler and those original Great Books guys. Now, the Great Books in the university have had a resurgence that we can discuss, but I do think there's a lot more life and vitality in the kind of public-facing humanities than there has been.I talked to Irina Dumitrescu, who writes for TLS (The Times Literary Supplement), LRB (The London Review of Books), a lot of these places, and she also said the same thing—that a lot of these journals are going into podcasts, and they're noticing a huge interest in the humanities and in the classics even at the same time as big institutions are really scaling back on those things. Humanities majors are dropping, classics majors are getting cut, book coverage at major periodicals is going down. It does seem like there are signals that are conflicting. I don't really know totally what to make of it. I do think there is some relation between those two things.Ted Gioia on Substack is always talking about how culture is stagnant, basically, and one of the symptoms of that is that “back list” really outsells “front list” for books. Even in 2010, 50 percent of the books that were sold were front-list titles, books that had been released in the last 18 months. Now it's something like only 35 percent of books or something like that are front-list titles. These could be completely wrong, but there's been a trend.I think the decrease in interest in front-list books is really what drives the loss of these book-review pages because they mostly review front-list books. So, I think that does imply that there's a lot of interest in old books. That's what our stagnant culture means.Oliver: Why do you think your own blog is popular with the rationalists?Kanakia: I don't know for certain. There was a story I wrote that was a joke. There are all these pop nonfiction books that aim to prove something that seems counterintuitive, so I wrote a parody of one of those where I aim to prove that reading is bad for you. This book has many scientific studies that show the more you read, the worse it is because it makes you very rigid.Scott Alexander, who is the archrationalist, really liked that, and he added me to his blog roll. Because of that, I got a thousand rationalist subscribers. I have found that rationalists at least somewhat interested in the classics. I think they are definitely interested in enduring sources of value. I've observed a fair amount of interest.Oliver: How much of a lay reader are you really? Because you read scholarship and critics and you can just quote John Gilroy in the middle of a piece or something.Kanakia: Yeah. That is a good question. I have definitely gotten more interested in secondary literature. In my book, I really talk about being a lay reader and personally having a nonacademic approach to literature. I do think that, over 15 years of being a lay reader, I have developed a lot of knowledge.I've also learned the kind of secondary literature that is really important. I think having historical context adds a lot and is invaluable. Right now I'm rereading Les Miserables by Victor Hugo. When I first read it in 2010, I hardly knew anything about French history. I was even talking online with someone about how most people who read Les Miserables think it's set in the French Revolution. That's basically because Americans don't really know anything about French history.Everything makes just a lot more sense the more you know about the time because it was written for people in it. For people in 1860s France, who knew everything about their own recent history, that really adds a lot to it. I still don't tend to go that much into interpretive literature, literature that tries to do readings of the stories or tell me the meaning of the stories. I feel like I haven't really gotten that much out of that.Oliver: How long have you been learning Anglo-Saxon?Kanakia: I went through a big Anglo-Saxon phase. That was in 2010. It started because I started reading The Canterbury Tales in Middle English. There is a great app online called General Prologue created by one of your countrymen, Terry Richardson [NB it is Terry Jones], who loved Middle English. In this app, he recites the Middle English of the General Prologue. I started listening to this app, and I thought, I just really love the rhythms and the sounds of Middle English. And it's quite easy to learn. So then, I got really into that.And then I thought, but what about Anglo-Saxon? I'm very bad at languages. I studied Latin for seven years in middle school and high school. I never really got very far, but I thought, Anglo-Saxon has to be the easiest foreign language you can learn, right? So, I got into it.I cannot sight read Anglo-Saxon, but I really got into Anglo-Saxon poetry. I really liked the Anglo-Saxon Chronicle. Most people probably would not like the Anglo-Saxon Chronicle because it's very repetitive, but that makes it great if you're a language learner because every entry is in this very repetitive structure. I just felt such a connection. I get in trouble when I say this kind of stuff, because I'm never quiet sure if it's 100 percent true. But it's certainly one of the oldest vernacular literatures in Europe. It's just so much older than most of the other medieval literature I've read. And it just was such a window into a different part of history I never knew about.Oliver: And you particularly like “The Dream of the Rood”?Kanakia: Yeah, “The Dream of the Rood” is my favorite Anglo-Saxon poem. “The Dream of the Rood” is a poem that is told from the point of view of Christ's cross. A man is having a dream. In this dream he encounters Christ's cross, and Christ's cross starts reciting to him basically the story of the crucifixion. At the end, the cross is buried. I don't know, it was just so haunting and powerful. Yeah, it was one of my favorites.Oliver: Why do you think Byron is a better poet than Alexander Pope?Kanakia: This is an argument I cannot get into. I think this is coming up because T. S. Eliot felt that Alexander Pope was a great poet because he really exemplified the spirit of the age. I don't know. I've tried to read Pope. It just doesn't do it for me. Whereas with Byron, I read Don Juan and found it entertaining. I enjoyed it. Then, his lyric poetry is just more entertaining to read. With Alexander Pope, I'm learning a lot about what kind of poetry people wrote in the 18th century, but the joy is not there.Oliver: Okay. Can we do a quick fire round where I say the name of a book and you just say what you think of it, whatever you think of it?Kanakia: Sure.Oliver: Okay. The Odyssey.Kanakia: The Odyssey. Oh, I love The Odyssey. It has a very strange structure, where it starts with Telemachus and then there's this flashback in the middle of it. It is much more readable than The Iliad; I'll say that.Oliver: Herodotus.Kanakia: Herodotus is wild. Going into Herodotus, I really thought it was about the Persian war, which it is, but it's mostly a general overview of everything that Herodotus knew, about anything. It's been a long time since I read it. I really appreciate the voice of Herodotus, how human it is, and the accumulation of facts. It was great.Oliver: I love the first half actually. The bit about the Persian war I'm less interested in, but the first half I think is fantastic. I particularly love the Egypt book.Kanakia: Oh yeah, the Egypt book is really good.Oliver: All those like giant beetles that are made of fire or whatever; I can't remember the details, but it's completely…Kanakia: The Greeks are also so fascinated by Egypt. They go down there like what is going on out there? Then, most of what we know about Egypt comes from this Hellenistic period, when the Greeks went to Egypt. Our Egyptian kings list comes from the Hellenistic period where some scholar decided to sort out what everybody was up to and put it all into order. That's why we have such an orderly story about Egypt. That's the story that the Greeks tried to tell themselves.Oliver: Marcus Aurelius.Kanakia: Marcus Aurelius. When I first read The Meditations, which I loved, obviously, I thought, “being the Roman emperor cannot be this hard.” It really was a black pill moment because I thought, “if the emperor of Rome is so unhappy, maybe human power really doesn't do it.”Knowing more about Marcus Aurelius, he did have quite a difficult life. He was at war for most of his—just stuck in the region in Germany for ages. He had various troubles, but yeah, it really was very stoic. It was, oh, I just have to do my duty. Very “heavy is the head that wears the crown” kind of stuff. I thought, “okay, I guess being Roman emperor is not so great.”Oliver: Omar Khayyam.Kanakia: Omar Khayyam. Okay, I've only read The Rubaiyat of Omar Khayyam by Edward Fitzgerald, which I loved, but I cannot formulate a strong opinion right now.Oliver: As You Like It.Kanakia: No opinions.Oliver: Boswell's Life of Samuel Johnson.Kanakia: Boswell's Life of Samuel Johnson. I do have an opinion about this, which is that they should make a redacted version of Boswell's Life of Samuel Johnson. I normally am not a big believer in abridgements because I feel like whatever is there is there. But, Boswell's Life of Samuel Johnson, first of all, has a long portion before Boswell even meets Johnson. That portion drags; it's not that great. Then it has all these like letters that Johnson wrote, which also are not that great. What's really good is when Boswell just reports everything Johnson ever said, which is about half the book. You get a sense of Johnson's conversation and his personality, and that is very gripping. I've definitely thought that with a different presentation, this could still be popular. People would still read this.Oliver: The Communist Manifesto.Kanakia: The Communist Manifesto. It's very stirring. I love The Communist Manifesto. It has very haunting, powerful lines. I won't try to quote from it because I'll misquote them.Oliver: But it is remarkably well written.Kanakia: Oh yeah, it is a great work of literature.Oliver: Yeah.Kanakia: I read Capital [Das Kapital], which is not a great work of literature, and I would venture to say that it is not necessarily worth reading. It really feels like Marx's reputation is built on other political writings like The Eighteenth Brumaire of Louis Bonaparte and works like that, which really seem to have a lot more meat on the bone than Capital.Oliver: Pragmatism by William James.Kanakia: Pragmatism. I mean, I've mentioned that in my book. I love William James in general. I think William James was writing in this 19th-century environment where it seemed like some form of skepticism was the only rational solution. You couldn't have any source of value, and he really tried to cut through that with Pragmatism and was like, let's just believe the things that are good to believe. It is definitely at least useful to think, although someone else can always argue with you about what is useful to believe. But, as a personal guide for belief, I think it is still useful.Oliver: Major Barbara by George Bernard Shaw.Kanakia: No strong opinions. It was a long time ago that I read Major Barbara.Oliver: Tell me what you like about James Fenimore Cooper.Kanakia: James Fenimore Cooper. Oh, this is great. I have basically a list of Great Books that I want to read, but four or five years ago, I thought, “what's in all the other books that I know the names of but that are not reputed, are not the kind of books you still read?”That was when I read Walter Scott, who I really love. And I just started reading all kinds of books that were kind of well known but have kind of fallen into literary disfavor. In almost every case, I felt like I got a lot out of these books. So, nowadays when I approach any realm of literature, I always look for those books.In 19th-century American literature, the biggest no-longer-read book is The Last of the Mohicans by James Fenimore Cooper, which was America's first bestseller. He was the first American novelist that had a high reputation in Europe. The Last of the Mohicans is kind of a historical romance, à la Walter Scott, but much more tightly written and much more tightly plotted.Cooper has written five novels, the Leatherstocking Tales, that are all centered around this very virtuous, rough-hewn frontiersman, Natty Bumppo. He has his best friend, Chingachgook, who is the last of the Mohicans. He's the last of his tribe. And the two of these guys are basically very sad and stoic. Chingachgook is distanced from his tribe. Chingachgook has a tribe of Native Americans that he hates—I want to say it's the Huron. He's always like, “they're the bad ones,” and he's always fighting them. Then, Natty Bumppo doesn't really love settled civilization. He's not precisely at war with it, but he does not like the settlers. They're kind of stuck in the middle. They have various adventures, and I just thought it was so haunting and powerful.I've been reading a lot of other 19th-century American literature, and virtually none of it treats Native Americans with this kind of respect. There's a lot of diversity in the Native American characters; there's really an attempt to show how their society works and the various ways that leadership and chiefship works among them. There's this very haunting moment in The Last of the Mohicans, where this aged chief, Tamenund, comes out and starts speaking. This is a chief who, in American mythology, was famous for being a friend to the white people. But, James Fenimore Cooper writing in the 1820s has Tamenund come out at 80 years old and say, “we have to fight; we have to fight the white people. That's our only option.” It was just such a powerful moment and such a powerful book.I was really, really enthused. I read all of these Leatherstocking Tales. It was also a very strange experience to read these books that are generally supposed to be very turgid and boring, and then I read them and was like, “I understand. I'm so transported.” I understand exactly why readers in the 1820s loved this.Oliver: Which Walter Scott books do you like?Kanakia: I love all the Walter Scott books I've read, but the one I liked best was Kenilworth. Have you ever read Kenilworth?Oliver: I don't know that one.Kanakia: Yeah, it's about Elizabeth I, who had a romantic relationship with one of her courtiers.Oliver: The Earl of Essex?Kanakia: Yeah. She really thought they were going to get married, but then it turned out he was secretly married. Basically, I guess the implication is that he killed his wife in order to marry Queen Elizabeth I. It's a novel all about him and that situation, and it just felt very tightly plotted. I really enjoyed it.Oliver: What did you think of Rejection?Kanakia: Rejection by Tony Tulathimutte? Initially when I read this book, I enjoyed it, but I was like, “life cannot possibly be this sad.” It's five or six stories about these people who just have nothing going on. Their lives are so miserable, they can't find anyone to sleep with, and they're just doomed to be alone forever. I was like, “life can't be this bad.” But now thinking back over it, it is one of the most memorable books I've read in the last year. It really sticks with you. I feel like my opinion of this book has gone up a lot in retrospect.Oliver: How antisemitic is the House of Mirth?Kanakia: That is a hotly debated question, which I mentioned in my book. I think there has been a good case made that Edith Wharton, the author of House of Mirth, who was from an old New York family, was herself fairly antisemitic and did not personally like Jewish people. What she portrays in this book is that this old New York society also was highly suspicious of Jewish people and was organized to keep Jewish people out.In this book there is a rich Jewish man, Simon Rosedale, and there's a poor woman, Lily Bart. Lily Bart's main thing is whether she's going to marry the poor guy, Lawrence Selden, or the rich guy, Percy Gryce. She can't choose. She doesn't want to be poor, but she also is always bored by the rich guys. Meanwhile, through the whole book, there's Simon Rosedale, who's always like, “you should marry me.” He's the rich Jewish guy. He's like, “you should marry me. I will give you lots of money. You can do whatever you want.”Everybody else kind of just sees her as a woman and as a wife; he really sees her as an ally in his social climbing. That's his main motivation. The book is relatively clear that he has a kind of respect for her that nobody else does. Then, over the course of the book, she also gains a lot more respect for him. Basically, late in the book, she decides to marry him, but she has fallen a lot in the world. He's like, “that particular deal is not available anymore,” but he does offer her another deal that—although she finds it not to her taste—is still pretty good.He basically is like, “I'll give you some money, you'll figure out how to rehabilitate your reputation, and later down the line, we can figure something out.” So, I think with a great author like Edith Wharton, there's power in these portrayals. I felt it hard to come away from it feeling like the book is like a really antisemitic book.Oliver: Now, you note that the Great Books movement started out as something quite socially aspirational. Do you think it's still like that?Kanakia: I do think so. Yeah. For me, that's 100 percent what it was because I majored in econ. I always felt kind of inadequate as a writer against people who had majored in English. Then I started off as a science fiction writer, young adult writer, and I was like, “I'm going to read all these Great Books and then I'll have read the books that everybody else has read.” In my mind, that's also what it was—that there was some upper crust or literary society that was reading all these Great Books.That's really what did it. I do think there's still an element of aspiration to it because it's a club that you can join, that anyone can join. It's very straightforward to be a Great Books reader, and so I think there's still something there. I think because the Great Books movement has such a democratic quality to it, it actually doesn't get you to the top socially, which has always been the true, always been the case. But, that's okay. As long as you end up higher than where you started, that's fine.Oliver: What makes a book great?Kanakia: I talk about it this in the book, and I go through many different authors' conceptions of what makes a book great or what constitutes a classic. I don't know that anyone has come up with a really satisfying answer. The Horatian formulation from Horace—that a book is great or an author is great if it has lasted for a hundred years—is the one that seems to be the most accurate. Like, any book that's still being read a hundred years after it was written has a greatness.I do think that T. S. Eliott's formulation—that a civilization at its height produces certain literature and that literature partakes of the greatness of the civilization and summarizes the greatness of the civilization—does seem to have some kind of truth to it.But it's hard, right? Because the greatest French novel is In Search of Lost Time, but I don't know that anyone would say that the France in the 1920s was at its height. It's not a prescriptive thing, but it does seem like the way we read many of these Great Books, like Moby Dick, it feels like you're like communing with the entire society that produced it. So, maybe there's something there.Oliver: Now, you've used a list from Clifton Fadiman.Kanakia: Yes.Oliver: Rather than from Mortimer Adler or Harold Bloom or several others. Why this list?Kanakia: Well, the best reason is that it's actually the list I've just been using for the last 15 years. I went to a science fiction convention in 2009, Readercon, and at this science fiction convention was Michael Dirda, who was a Washington Post book critic. He had recently come out with his book, Classics for Pleasure, which I also bought and liked. But he said that the list he had always used was this Clifton Fadiman book. And so when I decided to start reading the Great Books, I went and got that book. I have perused many other lists over time, but that was always the list that seemed best to me.It seemed to have like the best mix. There's considerable variation amongst these lists, but there's also a lot of overlap. So any of these lists is going to have Dickens on it, and Tolstoy, and stuff like that. So really, you're just thinking about, “aside from Dickens and Tolstoy and George Eliot and Walt Whitman and all these people, who are the other 50 authors that you're going be reading?”The Mortimer Adler list is very heavy on philosophy. It has Plotinus on it. It has all these scientific works. I don't know, it didn't speak to me as much. Whereas, this Clifton Fadiman and John Major list has all these Eastern works on it. It has The Tale of Genji, Romance of the Three Kingdoms, Story of the Stone, and that just spoke to me a little bit more.Oliver: What modern books will be on a future Great Books list, whether it's from someone alive or someone since the war.Kanakia: Have you ever heard of Robert Caro?Oliver: Sure.Kanakia: Yeah. I think his Lyndon Johnson books are great books. They have changed the field of biography. They're so complete, they seem to summarize an entire era, epoch. They're highly rated, but I feel like they're underrated as literature.What else? I was actually a little bit surprised in this Clifton Fadiman-John Major book, which came out in 1999, that there are not more African Americans in their list. Like, Invisible Man definitely seemed like a huge missed work. You know, it's hard. You would definitely want a book that has undergone enough critical evaluation that people are pretty certain that it is great. A lot of things that are more recent have not undergone that evaluation yet, but Invisible Man has, as have some works by Martin Luther King.Oliver: What about The Autobiography of Malcolm X?Kanakia: I would have to reread. I feel like it hasn't been evaluated much as a literary document.Oliver: Helen DeWitt?Kanakia: It's hard to say. It's so idiosyncratic, The Last Samurai, but it is certainly one of the best novels of the last 25 years.Oliver: Yeah.Kanakia: It is hard to say, because there's nothing else quite like it. But I would love if The Last Samurai was on a list like this; that would be amazing.Oliver: If someone wants to try the Great Books, but they think that those sort of classic 19th-century novels are too difficult—because they're long and the sentences are weird or whatever—what else should they do? Where else should they start?Kanakia: Well, it depends on what they're into, or it depends on their personality type. I think like there are people who like very, very difficult literature. There are people who are very into James Joyce and Proust. I think for some people the cost-benefit is better. If they're going to be pouring over some book for a long time, they would prefer if it was overtly difficult.If they're not like that, then I would say, there are many Great Books that are more accessible. Hemingway is a good one and Grapes of Wrath is wonderful. The 19th-century American books tend to be written in a very different register than the English books. If you read Moby Dick, it feels like it's written in a completely different language than Charles Dickens, even though they're writing essentially at the same time.Oliver: Is there too much Freud on the list that you've used?Kanakia: Maybe. I know that Interpretation of Dreams is on that list, which I've tried to read and have decided life is too short. I didn't really buy it, but I have read a fair amount of Freud. My impression of Freud was always that I would read Freud and somehow it would just seem completely fanciful or far out, like wouldn't ring true. But then when I started reading Freud, it was more the opposite. I was like, oh yeah, this seems very, very true.Like this battle between like the id and the ego and the super ego, and this feeling that like the psyche is at war with itself. Human beings really desire to be singular and exceptional, but then you're constantly under assault by the reality principle, which is that you're insignificant. That all seemed completely true. But then he tries to cure this somehow, which does not seem a curable problem. And he also situates the problem in some early sexual development, which also did not necessarily ring true. But no, I wouldn't say there's too much. Freud is a lot of fun. People should read Freud.Oliver: Which of the Great Books have you really not liked?Kanakia: I do get asked this quite a bit. I would say the Great Book that I really felt like—at least in translation—was not that rewarding in an unabridged version was Don Quixote. Because at least half the length of Don Quixote is these like interpolated novellas that are really long and tedious. I felt Don Quixote was a big slog. But maybe someday I'll go back and reread it and love it. Who knows?Oliver: Now you wrote that the question of biography is totally divorced from the question of what art is and how it operates. What do you think of George Orwell's supposition that if Shakespeare came back tomorrow, and we found out he used to rape children that we should—we would not say, you know, it's fine to carry on to doing that because he might write another King Lear.Kanakia: Well, if we discovered that Shakespeare was raping children, he should go to prison for that. No. It's totally divorced in both senses. You don't get any credit in the court of law because you are the writer of King Lear. If I murdered someone and then I was hauled in front of a judge and they were like, oh, Naomi's a genius, I wouldn't get off for murder. Nor should I get off for murder.So in terms of like whether we would punish Shakespeare for his crime of raping children, I don't think King Lear should count at all, but it's never used that way. It's never should someone go to prison or not for their crimes, because they're a genius. It's always used the other way, which is should we read King Lear knowing that the author raped children, but I also feel like that is immaterial. If you read King Lear, you're not enabling someone to rape children.Oliver: There's an almost endless amount of discussion these days about the Great Books and education and the value of the humanities, and what's the future of it all. What is your short opinion on that?Kanakia: My short opinion is that the Great Books at least are going to be fine. The Great Books will continue to be read, and they would even survive the university. All these books predate the university and they will survive the university. I feel like the university has stewarded literature in its own way for a while now and has made certain choices in that stewardship. I think if that stewardship was given up to more voluntary associations that had less financial support, then I think the choices would probably be very different. But I still think the greatest works would survive.Oliver: Now this is a quote from the book: “I am glad that reactionaries love the Great Books. They've invited a Trojan horse into their own camp.” Tell us what you mean by that.Kanakia: Let's say you believed in Christian theocracy, that you thought America should be organized on explicitly Christian principles. And because you believe in Christian theocracy, you organize a school that teaches the Great Books. Many of these schools that are Christian schools that have Great Books programs will also teach Nietzsche. They definitely put some kind of spin on Nietzsche. But they will teach anti-Christ, and that is a counterpoint to Christian morality and Christian theology. There are many things that you'll read in the Great Books that are corrosive to various kinds of certainties.If someone who I think is bad starts educating themselves in the Great Books, I don't think that the Great Books are going to make them worse from my perspective. So it's good.Oliver: How did reading the Mahabharata change you?Kanakia: Oh yeah, so the Mahabharata is a Hindu epic from, let's say, the first century AD. I'm Indian and most Indians are familiar with the basic outline of the Mahabharata story because it's told in various retellings, and there's a TV serial that my parents would rent from the Indian store growing up and we would watch it tape by tape. So I'm very familiar with it. Like there's never been a time I have not known this story.But I was also familiar with the idea that there is a written version in Sanskrit that's extremely long. It is 10 times as long as the Iliad and the Odyssey combined. This Mahabharata story is not that long. I've read a version of it that's about 800 pages long. So how could something that's 10 times this long be the same? A new unabridged translation came out 10 years ago. So I started reading it, and it basically contains the entire Sanskrit Vedic worldview in it.I had never been exposed to this very coherently laid-out version of what I would call Hindu cosmology and ethics. Hindus don't really get taught those things in a very organized way. The book is basically about dharma, the principle of rightness and how this principle of rightness orders the universe and how it basically results in everybody getting their just deserts in various ways. As I was reading the book, I was like, this seems very true that there is some cosmic rebalancing here, and that everything does turn out more or less the way it should, which is not something that I can defend on a rational level.But just reading the book, it just made me feel like, yes, that is true. There is justice, the universe is organized by justice. It took me about a year to read the whole thing. I started waking up at 5:00 a.m. and reading for an hour each morning, and it just was a really magical, profound experience that brought me a lot closer to my grandmother's religious beliefs.Oliver: Is it ever possible to persuade someone with arguments that they should read literature, or is it just something that they have to have an inclination toward and then follow someone's example? Because I feel like we have so many columns and op-eds and “books are good because of X reason, and it's very important because of Y reason.” And like, who cares? No one cares. If you are persuaded, you take all that very seriously and you argue about what exactly are the precise reasons we should say. And if you're not persuaded, you don't even know this is happening.And what really persuades you is like, oh, Naomi sounds pretty compelling about the Mahabharata. That sounds cool. I'll try that. It's much more of a temperamental, feelingsy kind of thing. Is it possible to argue people into thinking about this differently? Or should we just be doing what we do and setting an example and hoping that people will follow.Kanakia: As to whether it's possible or not, I do not know. But I do think these columns are too ambitious. A thousand-word column and the imagined audience for this column is somebody who doesn't read books at all, who doesn't care about literature at all. And then in a thousand-word column, you're going to persuade them to care about literature. This is no good. It's so unnecessary.Whereas there's a much broader range of people who love to read books, but have never picked up Moby Dick or have never picked up Middlemarch, or who like maybe loved Middlemarch, but never thought maybe I should then go on and read Jane Austen and George Eliot.I think trying to shift people from “I don't read books at all; reading books is not something I do,” to being a Great Books card-carrying lover of literature is a lot. I really aim for a much lower result than that, which is to whatever extent people are interested in literature, they should pursue that interest. And as the rationalists would say, there's a lot of alpha in that; there's a lot to be gained from converting people who are somewhat interested into people who are very interested.Oliver: If there was a more widespread practice of humanism in education and the general culture, would that make America into a more liberal country in any way?Kanakia: What do you mean by humanism?Oliver: You know, the old-fashioned liberal arts approach, the revival of the literary journal culture, the sort of depolitical approach to literature, the way things used to be, as it were.Kanakia: It couldn't hurt. It couldn't hurt is my answer to that question.Oliver: Okay.Kanakia: What you're describing is basically the way I was educated. I went to Catholic school in DC at St. Anselm's Abbey School, in Northeast, DC, grade school. Highly recommend sending your little boys there. No complaints about the school. They talked about humanism all the time and all these civic virtues. I thought it was great. I don't know what people in other schools learn, but I really feel like it was a superior way of teaching.Now, you know, it was Catholic school, so a lot of people who graduated from my school are conservatives and don't really have the beliefs that I have, but that's okay.Oliver: Tell us about your reading habits.Kanakia: I read mostly ebooks. I really love ebooks because you can make the type bigger. I just read all the time. They vary. I don't wake up at 5:00 a.m. to read anymore. Sometimes if I feel like I'm not reading enough—because I write this blog, and the blog doesn't get written unless I'm reading. That's the engine, and so sometimes I set aside a day each week to read. But generally, the reading mostly takes care of itself.What I tend to get is very into a particular thing, and then I'll start reading more and more in that area. Recently, I was reading a lot of New Yorker stories. So I started reading more and more of these storywriters that have been published in the New Yorker and old anthologies of New Yorker stories. And then eventually I am done. I'm tired. It's time to move on.Oliver: But do you read several books at once? Do you make notes? Do you abandon books? How many hours a day do you read?Kanakia: Hours a day: Because my e-reader keeps these stats, I'd say 15 or 20 hours a week of reading. Nowadays because I write for the blog, I often think as I'm reading how I would frame a post about this. So I look for quotes, like what quote I would look at. I take different kinds of notes. I'll make more notes if I'm more confused by what is going on. Especially with nonfiction books, I'll try sometimes to make notes just to iron out what exactly I think is happening or what I think the argument is. But no, not much of a note taker.Oliver: What will you read next?Kanakia: What will I read next? Well, I've been thinking about getting back into Indian literature. Right now I'm reading Les Miserables by Victor Hugo. But there's an Indian novel called Jhootha Sach, which is a partition novel that is originally in Hindi. And it's also a thousand pages long, and is frequently compared to Les Miserables and War and Peace. So I'm thinking about tackling that finally.Oliver: Naomi Kanakia, thank you very much.Kanakia: Thanks for having me. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

On Saturday Iran's Supreme Leader Ayatollah Ali Khamenei was killed after Israel and the US launched a "massive" and ongoing attack against Iran's leadership and military. US President Donald Trump urged Iranian forces to lay down their arms, and for Iran's people to rise up against its government. Iran has responded by firing ballistic missiles and drones at US assets and allies across the region. Whilst huge questions still remain about what will happen next in this conflict, on Woman's Hour today we ask what this moment might mean for women in Iran. Nuala McGovern is joined by BBC Persian reporter Ghoncheh Habibiazad and international human rights lawyer Azadeh Zabeti, Co-President of the Committee of Anglo-Iranian Lawyers.Mary Ann Evans is better known by her pseudonym George Eliot. She's the author of many important novels including Middlemarch, Silas Marner, and Mill on the Floss, which brings the issue of women's education to the fore. A new play, Bird Grove, the name of George Eliot's home, has just opened at the Hampstead Theatre in London. When we meet Mary Ann she has not yet started writing fiction, but beginning to have her mind opened to progressive new ideas. Nuala finds out more with the play's director, Anna Ledwich, and actor Elizabeth Dulau who plays Mary Ann Evans. According to the NGO International Justice Mission, child sexual abuse that takes place on social media and other online platforms is one of the fastest‑growing yet least‑detected types of child abuse globally. Offenders pay to direct the real‑time sexual exploitation of children via any internet‑connected, camera‑enabled device. Most identified victims are in the Philippines and the UK is among the top three countries consuming this material, with the United States at number one. Nuala is joined by Molly Hudson from the International Justice Mission, and Sharon Pursey, co‑founder of SafeToNet, a British online safety technology company.Kate Pickett is Professor of Epidemiology at the University of York. Her new book is The Good Society and How We Make It and in it she looks at ideas she believes will build a better society and says we “can't afford to nibble” when it comes to solving some of the big issues we are facing. Presenter: Nuala McGovern Producer: Andrea Kidd

Welcome to Albion - our exploration of what it means to be English, and what we mean by England.In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Caroline Lucas for a thoughtful and urgent conversation about Englishness - beyond flags and nostalgia.Drawing on her book Another England, Caroline shares her thoughts on how land, belonging and identity shape our politics and our culture; how England's stories have been constructed and contested; and why reclaiming a generous, complex vision of England matters now.Since 2022, Dash Arts has been digging into landscape and language - from reimagining Middlemarch by George Eliot in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We've been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?Albion will culminate in 2026 with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-house Our intro music is Fakiiritanssi by Marouf Majidi Hosted on Acast. See acast.com/privacy for more information.

Is the real crisis today economic — or architectural? In this episode, we challenge the idea that loneliness and despair come from a broken ladder of upward mobility. What if the problem isn't that we can't climb… but that we were taught to measure our worth by climbing in the first place? Drawing from Middlemarch, modern work culture, and personal experience, this conversation explores why craftsmanship, authorship, and daily building may be the antidote to vertical despair.In this episode:Why the “career ladder” mindset fuels anxiety and comparisonThe difference between climbing and buildingHow craftsmanship creates internal pride (and hunger)What Lydgate's crisis in Middlemarch teaches us about collapsed ambitionWhy being seen — not promoted — can save a lifeThe power of asking: “Am I actually in danger right now?”Moving from passive consumption to generative actionHow to build meaning even when the system feels unstable

How Do We Shape Future Generations Well?   Nancy French returns to The Good Faith Podcast with host Curtis Chang for a heartfelt, funny, and surprisingly practical conversation about how grandparenting reshapes your view of hope, kids and screens, grief, and what's worth doing with the time you have—even is that just means "robbing a bank with a Barbie." This conversation isn't just for grandparents: it's for anyone mentoring, parenting, teaching, or influencing the next generation, with practical wisdom on choosing connection, naming loss honestly, and creating space for kids to grow "analog" and resilient. Nancy also explains why legacy and being remembered aren't the point—what matters is faithfully loving the people in front of you and passing on stability, courage, and hope that outlasts you.   02:05 - Why Did Nancy Choose a Year as Primary Caregiver To Her Grandpkids? 07:44 - No screens and the value of analog, imaginative play. 13:15 - Preserving Children's Natural Hope  14:26 - Navigating Difficult Topics with Children  17:14 - The Value of Letting Children Experience Loss  23:09 - Creativity and Storytelling with Grandchildren  25:51 - Introducing Real-World Conflicts in Play  29:19 - Grandparents as Links to Family Legacy  34:53 - George Eliot: The Value of Unremembered Acts  36:18 - Living with Cancer and Embracing the Present  42:30 - Grandparenting from a Distance  45:27 - Encouragement to Focus on fun, connection, and Presence Rather Than Legacy   Episode Companion: A Guide for Grandparents & All Those Influencing The Next Generation   Mentioned In This Episode: Demographic research: Grandchildren's spatial proximity to grandparents and intergenerational support in the United States Jennifer F. Cross, M.D.: Why screen time should be limited for kids  The Child Mind Institute: The Power of Pretend Play for Children Chicago's Harold Washington Library Curtis Chang's The Anxiety Opportunity: How Worry Is the Doorway to Your Best Self Nancy French & Curtis Chang's The After Party: Toward Better Christian Politics Nancy French's Ghosted: An American Story George Eliot's Middlemarch (epubs) More about Secretary of State Cordell Hull More From Nancy French: Nancy French's website Nancy French on instagram Nancy French on Threads   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.

This is a "re-air," since economic uncertainty continues this year-end giving season."...for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs..."This week, I am reflecting a quote from George Eliot's Middlemarch, published in 1871 to ask the question, "will donor give during uncertainty?"Reflection QuestionsWhen was the last time you did a temperature check with your donors? Asked them how they are feeling in the uncertainty?  Asked them how they are keeping the darkness at bay? And, just listen.Then consider, will your vision inspire donors to give to a capital campaign?Reflection for Capital CampaignsOne common question I receive is “is this the right time for a campaign because of … the fill-in-the-blank economic or societal uncertainty?”  Will donors give?During uncertain times, the ordinary people who are our donors often feel overwhelmed.  When there is increased division, enmity, and strife, it's easy to feel powerless and to focus inward. We begin to feel as though nothing will change and, for some, this can lead to a decrease in their giving. And, yet, neuroscience has proven that the act of giving boosts a donor's mood and their feelings of agency.  When we give donors a concrete way that they can help their community, they no longer feel as powerless.  Their donations become the small acts of kindness and love that they can do to push back against the enmity.  Through giving, we empower them to partner with us to keep the uncertainty in check.  We empower them to grow the good in each of our communities through these unhistoric acts.  A well-planned capital campaign can cast a vision that becomes a visible reminder of the good they can do in the community.  What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop

In this episode of Quakers Today, co-hosts Sweet Miche (they/them) and Peterson Toscano (he/him) invite you to learn more about the sometimes baffling practice of silent worship. Whether you're a long-time Friend or someone who has never stepped into a mostly silent meeting, we are pulling back the curtain to explore what happens in our hearts, minds, and bodies when we sit together in worship. The Purpose of Ministry We speak with author Rhiannon Grant about her book, Speaking in Quaker Meeting for Worship: What, When, How, and Why. Rhiannon helps us understand the purpose of spoken ministry in the silent meeting, explaining how speech that deepens silence is a vital part of our shared spiritual practice.  Quote: "The purpose of ministry then might be understood as deepening the silence of meeting for worship." Read a review of Speaking in Quaker Meeting for Worship by Paul Buckley at FriendsJournal.org.  Learn more about Rhiannon Grant's book and other Quaker Quicks at QuakerBooks.org/Collections/Quaker-Quicks. Our First Meetings for Worship Peterson and Sweet Miche share their first experiences in Quaker worship: Peterson's search for community after 9/11 and Sweet Miche's feeling of guidance at Pendle Hill. We also hear from Paula Christophersen, a Quaker in Germany, who shared her first experience of ministry. You can watch the full video of Paula Christophersen on YouTube or at QuakerSpeak.com. Meeting for Worship with Attention to Worship Peterson introduces a new format for meeting for worship he's been experimenting with: Meeting for Worship with Attention to Worship. This model of worship uses the meeting's existing structure to guide newcomers by making the internal work of worship visible and conversational. Quaker Fiction We explore how writers use fiction and poetry to make the internal, mystical experience of worship visible. Anne E.G. Nydam's story, “The Conduits”, reveals the flow of connection in meeting through glowing lines of light. Peterson shares two of his short stories! “Penn's Spring”, uses a mysterious, unexplained wet patch on a meetinghouse wall to represent a spiritual movement in a "stagnant and dry" meeting. “What Is Actually There” features a high-schooler named Jordan reflecting on the enduring effort of the Quaker path. “A Fine Showing for the Court of Owls” by Jonathan Doering is a story about the radical Quaker abolitionist Benjamin Lay. Read Quaker-themed fiction and poetry in the November 2025 issue of Friends Journal. Listener Responses Who is someone you've encountered in fiction that embodies Quakerness? The character could be from a book or movie. They could be a hero or even a minor character, and they do not need to be Quaker.  This month's fictional “Quakers” include: Pooh Bear, Maisie Dobbs, Gumby, Ted Lasso, Dorothy from The Wizard of Oz, WALL-E, Stevens from The Remains of the Day, and Dorothea from George Eliot's Middlemarch. Next Month's Question We want to hear from you! What do you believe now that you didn't believe before becoming a friend or before encountering Quakerism?  Leave us a voice memo with your name and town at 317-QUAKERS (317-782-5377). (+1 if outside the U.S.) You can also reply by email at podcast@FriendsJournal.org or on our social media channels. Sponsors Quakers Today is the companion podcast to Friends Journal and other Friends Publishing Corporation content. It is written, hosted, and produced by Peterson Toscano and Sweet Miche. Season Five of Quakers Today is sponsored by the American Friends Service Committee and Friends Fiduciary. For over a decade, the American Friends Service Committee has provided technical and strategic support for divestment campaigns around the world. Today, AFSC's Action Center for Corporate Accountability aims to expose and reduce corporate complicity in mass incarceration, immigrant detention, border militarization, and the Israeli military occupation. Visit investigate.afsc.org and find resources to help you divest from corporate-sponsored state violence. Friends Fiduciary is a Quaker non-profit offering cost-effective, professional investment services to Friends meetings, churches, schools, and organizations. We offer five value-aligned portfolios, managed by 12 SEC-registered firms. We screen every holding for Quaker values, engage in shareholder advocacy, and in 2024, distributed $16 million to our constituents. Learn more about us at FriendsFiduciary.org. Music in this episode comes from Epidemic Sound. For the extended video version of this episode, visit the Friends Journal YouTube channel (insert hyperlink). For a full transcript, visit QuakersToday.org.

Ask yourself: can you? It is a question that George Eliot asks over and over through her characters in Middlemarch, a 19th-century novel that speaks to our own fractious age. Eliot highlights how important it is to see the world from the point of view of others — even characters we don't like. *This is second episode in our two-part series. It originally aired on April 7, 2002.We'd love to hear from you! Complete our listener survey here.

Virginia Woolf called George Eliot's novel, Middlemarch “one of the few English books written for grownups.” It's a book full of characters asking: is it a good thing to live a life of duty, or is it ridiculous? Even after 150 years since the book was published, it provides up-to-date lessons in how to live a modern life. *This is part one or two-part series. It originally aired on April 6, 2022.

What happens when the romance of perfume meets the reality of child labor?In this episode, Tanya speaks with BBC producer Natasha Cox, director of Perfume's Dark Secret — a documentary uncovering the supply chain behind Egyptian jasmine and the hidden cost of luxury fragrance.We cover:• What 3 weeks in the jasmine fields revealed• Why audits and “tick-box” ethics don't protect workers• How perfumer Christophe Laudamiel helped break the silence • And why stories like this matter — even when change is slowPlus, Natasha shares:

"...for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs..."This week, I am reflecting a quote from George Eliot's Middlemarch, published in 1871 to ask the question, "will donor give during uncertainty?"Reflection QuestionsWhen was the last time you did a temperature check with your donors? Asked them how they are feeling in the uncertainty?  Asked them how they are keeping the darkness at bay? And, just listen.Then consider, will your vision inspire donors to give to a capital campaign?Reflection for Capital CampaignsOne common question I receive is “is this the right time for a campaign because of … the fill-in-the-blank economic or societal uncertainty?”  Will donors give?During uncertain times, the ordinary people who are our donors often feel overwhelmed.  When there is increased division, enmity, and strife, it's easy to feel powerless and to focus inward. We begin to feel as though nothing will change and, for some, this can lead to a decrease in their giving. And, yet, neuroscience has proven that the act of giving boosts a donor's mood and their feelings of agency.  When we give donors a concrete way that they can help their community, they no longer feel as powerless.  Their donations become the small acts of kindness and love that they can do to push back against the enmity.  Through giving, we empower them to partner with us to keep the uncertainty in check.  We empower them to grow the good in each of our communities through these unhistoric acts.  A well-planned capital campaign can cast a vision that becomes a visible reminder of the good they can do in the community.  What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop

In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Great Hearts Academies' Dr. Helen Baxendale interview Dr. Kathryn Hughes, academic historian and award-winning author of George Eliot: The Last Victorian. Dr. Hughes discusses the significance of 19th-century novelist Mary Ann Evans, better known by her pen name George Eliot, in […]

In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Great Hearts Academies' Dr. Helen Baxendale interview Dr. Kathryn Hughes, academic historian and award-winning author of George Eliot: The Last Victorian. Dr. Hughes discusses the significance of 19th-century novelist Mary Ann Evans, better known by her pen name George Eliot, in shaping British literature and capturing the societal tensions of the Victorian era. She highlights Eliot's formative years in rural Warwickshire, her intellectual and scandalous personal relationship with the philosopher George Henry Lewes, and how her unconventional experiences shaped her writing. Additionally, she delves into Eliot's most celebrated works, including Adam Bede, Silas Marner, and Middlemarch. Dr. Hughes reflects on recurring themes of marriage, women's roles, and political reform, solidifying her reputation as one of the greatest writers of the 19th century and ensuring her lasting impact on modern readers. She concludes the interview with an excerpt from her book, George Eliot: The Last Victorian.

Eindelijk... we openen seizoen 13 met Middlemarch van George Eliot! In Engeland geldt het als een van de belangrijkste Engelstalige boeken ooit geschreven, voor Boeken FM-luisteraars geldt het als het boek dat ze al heel lang een keer besproken zouden willen hebben. In Middlemarch beschrijft Eliot het leven van een aantal mensen uit de Engelse middenklasse, en hoe ze met elkaar omgaan, in het provinciestadje Middlemarch rond 1830. George Eliot was het pseudoniem van Mary Ann Evans. Onlangs is Middlemarch opnieuw gedrukt met een nawoord van onze Ellen, in een vertaling van Annelies Roeleveld en Margret Stevens. Wat heeft Middlemarch betekend voor het volwassen leven van het Boeken FM-panel? Is het eigenlijk een historische roman? Waarom zijn klassiekers van alle tijden? En wie is de vertelstem precies? Een luisteraar vraagt ons of we wel eens graven van schrijvers bezoeken. Voor welke graven zijn we omgelopen? SPONSOR - Brabants Boek Present Het Brabants Boek Present is een initiatief van literair productiehuis Tilt en CultuurfondsNoord-Brabant en wordt dit jaar geschreven door Leonieke Baerwaldt. Meer info lees je opwww.brabantsboekpresent.nl See omnystudio.com/listener for privacy information.

Tonight's reading comes from Middlemarch. Written by George Eliot (the pen name of Mary Ann Evans) and first published in 1871, this story is part of a series that explores live in a provincial English town. My name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep.For those new to the podcast, it started from my own struggles with sleep. I wanted to create a resource for others facing similar challenges, and I'm so grateful for the amazing community we've built together.

Fort Zumwalt West (MO) Percussion Director and Chapter President for the Missouri Percussive Arts Society Neil Flannigan stops by to talk about his teaching position (03:25), the MOPAS Presidency (21:40), growing up in STL, his percussion and guitar background, the band Rush, Southwind Drum and Bugle Corps, and working at Dierberg's Grocery Store (31:00), attending St. Louis CC and the University of Missouri-St. Louis for undergrad, and meeting his eventual wife Jessie (47:30), his early teaching jobs, his decision not to follow the band director path, and landing his current position during COVID lockdown (01:00:00), and finishes with the Random Ass Questions, including discussions about setting boundaries, Indian food, Jurassic Park, puppetry, bourbon, and great visual art (01:27:00).Finishing with a Rave on the classic George Eliot novel Middlemarch (02:03:20).Neil Flannigan links:Neil Flannigan's Innovative Percussion pageNeil Flannigan's SABIAN Cymbals pagePrevious Podcast Guests mentioned:Jessie Flannigan in 2025Alex Smith in 2018Alexandros Fragiskatos in 2021Megan Arns in 2016Josh Knight in 2017Ivan Trevino in 2017Matt Henry in 2017Patricia Islas in 2021Eric Willie in 2022Other Links:MMPATNicole HackelSebastian BuhtsSt. Louis Wind SymphonyMichael Burritt“Tom Sawyer” - Rush“Smells Like Teen Spirit” - Nirvana“When Doves Cry” - Prince Southwind Drum and Bugle CorpsJim Widner“Fix You” - ColdplayJurassic Park trailerThe Martian trailerThe Martian - Andy WeirGhost Rider - Neil Peart“I Want it That Way” - Backstreet BoysWater Lilies - Claude MonetRaves:Middlemarch - George Eliot

Summer is slipping away and we are on break this week. But we have a fantastic rerun for you — our conversation with Min Jin Lee from last summer, when her book "Pachinko" was named one of the "100 Best Books of the 21st Century" by a New York Times Book Review panel. She spoke about her novel as well as the book she's read the most times — George Eliot's "Middlemarch."“I'm willing to say it's the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.” Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Our classic literature correspondent Kat Weaver joins us for a look at George Eliot's masterpiece about small towns and bad marriages. We find some wizards in it.

Send us a textWhat if we told you that there was an ingenious retelling of Emily Bronte's Wuthering Heights set in post-war Japan that also has shades of Middlemarch and The Great Gatsby? Minae Mizumura's A True Novel, first published in 2002, checks all those boxes and more. Joining us to discuss A True Novel is Lavanya Krishnan, co-founder of the literary book subscription Boxwalla. (This episode originally aired in 2023).Discussed in this episode: A True Novel by Minae Mizumura Lavanya Krishnan, BoxwallaAlexander CheeWuthering Heights by Emily BronteThe Great Gatsby by F. Scott FitzgeraldMiddlemarch by George Eliot “Why I Write What I Write” by Minae MizumuraWriting Routines with Minae MizumuraThe Brothers Karamazov by Fyodor DostoyevskyLight and Darkness, Continued by Minae MizumuraAn I Novel from Left to Right by Minae MizumuraA Heart So White by Javier Marías Autobiography of Red by Anne CarsonThe Diary of an Invasion by Andrey KurkovTime Shelter by Georgi GospodinovSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Welcome to the 200th episode of Sarah's Bookshelves Live with a very special celebration with both co-hosts: Susie (@NovelVisits) and Catherine of Gilmore Guide to Books. Today, they are answering listener-submitted questions all about their reading journeys, their podcast journeys, and some about their pre-podcast blogging days! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Their early reading lives. The most surprising things about their reading history. Susie's secret endeavor! How much they talk about books in their day-to-day lives. What their friends outside of the book world think about what they do. Would Susie or Catherine ever want to do an author interview? How their feelings about the podcast have changed over the years. Topic Highlights Key Moments in Their Reading Lives [1:59] A few of the questions answered: Have you always been a reader, and do you have a distinct memory of when you truly fell in love with reading? [2:11]  Was there a time in your life when you were not reading very much? [6:34]  What parts of your reading tastes have changed dramatically over the course of your reading life and what parts have stayed consistent? [10:56]  Currently, what is your reading “why”? What's the primary reasoon you read? [29:35] Their Professional Reading Journeys [34:17] A few of the questions answered: Why did you start your blogs? [34:26]  Is there anything you miss from the time when you only blogged? Anything you don't miss? [40:35]  What is your relationship like off mic? [44:49]  How has social media changed your reading life? [53:04] Anything you wish you had known about podcasting before you got involved? [1:03:13]  Books Mentioned Dick and Jane Reading Collection  [2:41] Ant and Bee and the ABC  (1950) [4:31]  The Secret of the Old Clock by Carolyn Keene (1930) [4:59] Kristy's Great Idea (The Baby-Sitters Club, 1) by Ann M. Martin (1986) [5:02]  Goodnight Moon by Margaret Wise Brown (1947) [5:29]  The Interestings by Meg Wolitzer (2013) [9:47]  Double Love (Sweet Valley High, 1) by Francine Pascal (1983)  [16:09]  Great Expectations by Charles Dickens (1861)  [16:49]  Tell Me Lies by Carola Lovering (2018)  [17:42]  Normal People by Sally Rooney (2019)  [17:43]  Bitter Sweet by Hattie Williams (2025)  [17:44]  Madame Bovary by Gustave Flaubert (1857) [18:46]  Middlemarch by George Eliot (1872) [18:54]  Out of Africa by Isak Dinesen (1937) [19:17] 

“The subject of affairs, I think it's of interest to everybody. We have all had an Oedipal experience - we've all been babies who have at some point realized that we are not the only person. We're not perfectly fused with our mother, and she has other things to do, and there may be a father. We've all known what rejection feels like, and probably betrayal, and I think that affairs are in our unconscious. I think that's sort of evident in the way that most great novels, most great films, or at least many, have an affair at their heart. From Anna Karenina to Madame Bovary to Fatal Attraction, I think this is something that is just interesting. I wanted to write about affairs because I think they are a way of showing what psychoanalysis can do in a field in which everyone has an opinion on, and probably most people, in some way, have been indirectly or directly affected by. That was really the sort of the genesis for wanting to write about affairs.” Episode Description: We consider the challenge of writing about dynamic treatments in a manner that is accessible to the non-clinical reader. Juliet's book about affairs opens up this widely recognized experience and adds intrapsychic insights without using emotionally - distancing jargon. She introduces us to individuals who have been involved in affairs, with carefully protected confidentiality, who generally reveal the power of past experiences to influence adult choices. Some end happily, and some end in agony. Juliet demonstrates the usefulness of bringing a dynamic listening to both accepting and deepening each individual's lifelong search for love.   Our Guest: Juliet Rosenfeld is a psychoanalyst and a member of the British Psychoanalytical Society, London. She studied at Oxford before a 15-year career in advertising and marketing, ending up in Government Communications. During this time, she began a Master's at the Tavistock and Portman Trust in Organizational Consultancy and started training as a psychotherapist a year later. She qualified as an integrative psychotherapist in 2012. Juliet was an elected trustee of the UK Council of Psychotherapy for four years, and is presently one of two clinician Trustees at the Freud Museum London, Sigmund Freud's final home. Juliet is the author of two books, The State of Disbelief ( 2020) and Affairs, True Stories of Love, Lies, Hope and Desire. Juliet's broader interest is in how psychoanalysis might be more accessible, and its ideas put into non-clinical language for audiences who may never be able to access psychotherapy themselves but are curious about what the unconscious means and what goes on in the consulting room. Recommended Readings: Creativity and Perversion by Janine Chasseguet-Smirgel (W. W. Norton & Co., Inc., 1984)   Dreams of Love and Fateful Encounters by Ethel S. Person (American Psychiatric Association Publishing, 2006)   Home Is Where We Start From by D. W. Winnicott (Penguin, 1990)   Love in the Time of the Internet by Martina Burdet (underbau, 2020)   Sex, Death and the Super Ego by Ronald Britton (Routledge, 2020)   Sexual Attraction in Therapy edited by Maria Luca (Wiley-Blackwell, 2014)   Sexuality and Attachment in Clinical Practice edited by Joseph Schwartz and Kate White (Routledge, 2019)   The Bonds of Love by Jessica Benjamin (Knopf Doubleday Publishing Group, 1988)   The New Sexual Landscape and Contemporary Psychoanalysis by Danielle Knafo and Rocco Lo Bosco (Confer Books, 2020)   Novels about Affairs Anna Karenina by Leo Tolstoy (Penguin Classics, 2003)   A Very English Scandal by John Preston (Penguin, 2017)   Deception by Philip Roth (Vintage, 1991)   Getting Lost by Annie Ernaux (Fitzcarraldo Editions, 2022)   Madame Bovary by Gustave Flaubert (Wordsworth Editions, 1993)   Middlemarch by George Eliot (Wordsworth Editions, 1993)   The End of the Affair by Graeme Green (Vintage Classics, 2004)     

Virginia Woolf once described Middlemarch as one of the few English novels 'for grown ups'

'El verano de Cervantes' es el último libro de Antonio Muñoz Molina (Seix Barral)  y nos lo ha presentando en la biblioteca de Hoy por Hoy. El autor nos lleva a sus lecturas veraniegas del gran clásico de las letras españolas. Es un libro que lee desde niño y a través de sus lecturas nos cuenta episodios de su vida y la relación de Don Quijote de la Mancha con la cultura española y universal. También nos descubre como es un libro donde siempre es verano, solo llueve una vez  o que Cervantes nunca describe el paisaje. Un ensayo apasionante en el que siempre que te pones frente a una obra de Antonio Muñoz Molina aprendes, y no sólo de literatura. Más allá de 'El verano de Cervantes' nos regalo otros dos libros para nuestras estanterías: 'Middlemarch' de George Eliot (Alba Editorial) y 'Antología poética' de Vicent Andrés Estellés (Visor).  Nuestro bibliotecario Antonio Martínez Asensio nos trajo tres libros que relaciona con la crisis de la inmigración en Estados Unidos : 'Genealogía' de María Teresa Andruetto y Santiago Guevara (Libros del zorro rojo) , 'Americanah' de Chimamanda Ngozi Adiche (Random House) y 'Solito' de Javier Zamora ( Random House). A estos tres libros Martínez Asensio sumó el libro que nos contará en 'Un libro, una hora', un clasicazo "Celia en la revolución' de Elena Fortún (Renacimiento). Las novedades las trajo Pepe Rubio , dos : 'Aquellas noches eternas' de Silvia Grijalba (Ediciones B)  y 'Apuntes para una despedida" de Javier Serena  (Almadía) . Pascual Donate rescató de nuevo un libro abandona en la redacción de la SER, bueno tres 'Mapas del tesoro' (I, II y III)  de j. Miguel Espinosa Infante (Caligrama). Tres tomos en el que el autor deja en herencia todo su saber a sus hijos. Por último las donaciones de los oyentes que fueron: 'La vida exagerada de Martín Romaña" de Alfredo Bryce Echenique (Anagrama) , 'Tinta invisble' de Javier Peña (Blackie Books) y 'Cometas en el cielo" de Kalhed Hosseini (Salamandra) 

'El verano de Cervantes' es el último libro de Antonio Muñoz Molina (Seix Barral)  y nos lo ha presentando en la biblioteca de Hoy por Hoy. El autor nos lleva a sus lecturas veraniegas del gran clásico de las letras españolas. Es un libro que lee desde niño y a través de sus lecturas nos cuenta episodios de su vida y la relación de Don Quijote de la Mancha con la cultura española y universal. También nos descubre como es un libro donde siempre es verano, solo llueve una vez  o que Cervantes nunca describe el paisaje. Un ensayo apasionante en el que siempre que te pones frente a una obra de Antonio Muñoz Molina aprendes, y no sólo de literatura. Más allá de 'El verano de Cervantes' nos regalo otros dos libros para nuestras estanterías: 'Middlemarch' de George Eliot (Alba Editorial) y 'Antología poética' de Vicent Andrés Estellés (Visor).  Nuestro bibliotecario Antonio Martínez Asensio nos trajo tres libros que relaciona con la crisis de la inmigración en Estados Unidos : 'Genealogía' de María Teresa Andruetto y Santiago Guevara (Libros del zorro rojo) , 'Americanah' de Chimamanda Ngozi Adiche (Random House) y 'Solito' de Javier Zamora ( Random House). A estos tres libros Martínez Asensio sumó el libro que nos contará en 'Un libro, una hora', un clasicazo "Celia en la revolución' de Elena Fortún (Renacimiento). Las novedades las trajo Pepe Rubio , dos : 'Aquellas noches eternas' de Silvia Grijalba (Ediciones B)  y 'Apuntes para una despedida" de Javier Serena  (Almadía) . Pascual Donate rescató de nuevo un libro abandona en la redacción de la SER, bueno tres 'Mapas del tesoro' (I, II y III)  de j. Miguel Espinosa Infante (Caligrama). Tres tomos en el que el autor deja en herencia todo su saber a sus hijos. Por último las donaciones de los oyentes que fueron: 'La vida exagerada de Martín Romaña" de Alfredo Bryce Echenique (Anagrama) , 'Tinta invisble' de Javier Peña (Blackie Books) y 'Cometas en el cielo" de Kalhed Hosseini (Salamandra) 

This podcast covers episodes 11,585 to 11,590. Sally is shocked when she catches Tim meeting with a social worker to investigate the possibility of fostering. Carl makes some easy cash from Fiona with his dodgy MOT caper while courting a very keen Tracy. Sean worries about Dylan being released from the STC and running into Brody, but for the wrong reasons. Dee Dee is ready to focus on her work when James returns from the US again. Jason suggests to Eileen that she become his business partner and move to Thailand. Millie reads Middlemarch. Abi's mince needs a sniff. Psst — Kev fainted.

In recent years, floodwater and contaminated muck has flowed through homes, businesses and streets in the rural Otago town of Middlemarch. The regional council held a community meeting to update locals on a solution - and Tess Brunton was there.

In a new installment of the Critics at Large advice hotline, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz field calls from listeners on a variety of cultural dilemmas, and offer recommendations for what ails them. Callers' concerns run the gamut from the lighthearted to the existential; several seek works to help ease the sting of the state of the world. “I can't say that we will solve those deeper issues,” Cunningham says. “But to share art with somebody is to offer them a companion.”Read, watch, and listen with the critics:The New York Issue of The New Yorker (May 12 & 19, 2025)“Birds of America,” by Lorrie Moore“Eighth Grade” (2018)“Gilead,” by Marilynne Robinson“Danny, the Champion of the World,” by Roald Dahl“Midnight Diner” (2016-19)“Sentimental Education,” by Gustave Flaubert“Middlemarch,” by George Eliot“My Life in Middlemarch,” by Rebecca Mead“How the Method Made Acting Modern,” by Alexandra Schwartz (The New Yorker)Charles Schulz's “Peanuts”“First Reformed” (2017)“Better Things” (2016-22)“The Functionally Dysfunctional Matriarchy of ‘Better Things,' ” by Alexandra Schwartz (The New Yorker)“Odes,” by Sharon OldsTJ Douglas's “Dying”Mozart's “The Magic Flute”“Peppa Pig” (2004—)Aaron Copland's “Billy the Kid”Dennis Wilson's “Pacific Ocean Blue”Caetano Veloso's “Ofertório”Crosby, Stills & Nash's début albumNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

"The next person I want to present to you is Andrew Leslie. I'm fairly certain none of you know that name. But I hope that after several episodes, his “hidden life” and “unvisited tomb”, to use George Eliot's phrases from the last line of her novel “Middlemarch”, will be honored."   For more information, visit CBTSeminary.org

The next person I want to present to you is Andrew Leslie. I'm fairly certain none of you know that name. But I hope that after several episodes, his “hidden life” and “unvisited tomb”, to use George Eliot's phrases from the last line of her novel “Middlemarch”, will be honored.For more information, visit CBTSeminary.org

"The next person I want to present to you is Andrew Leslie. I'm fairly certain none of you know that name. But I hope that after several episodes, his “hidden life” and “unvisited tomb”, to use George Eliot's phrases from the last line of her novel “Middlemarch”, will be honored."   For more information, visit CBTSeminary.org

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the opening to “Middlemarch, A Study of Provincial Life” written by English author George Eliot, and originally published in 1871. George Eliot is the pen name of Mary Ann Evans. The novel is set in a fictional English Midlands town in the early 1800s, following many separate characters whose lives intersect at times. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Initial reviews were mixed, but it is now seen widely as her best work and one of the great English novels. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Homenatge al traductor Xavier P

A richly woven tapestry of ambition, love, and social change in a provincial English town by George Eliot

Relax and fall asleep tonight to the continuation of this classic story. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Fall asleep tonight to the opening chapters of Middlemarch by George Eliot. We released a shorter episode early in 2022 but I wanted to revisit the book. In this episode, we are introduced to highly religious Dorothea, her sister Celia, and their prospective suitors. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Min Jin Lee joins host Gilbert Cruz to discuss her novel, as well as the book she's read the most times — George Eliot's "Middlemarch."“I'm willing to say it's the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.”

Listen, spending the summer in Paris isn't in the cards for us, but spending an episode with Glynnis MacNicol talking about 1) her summer in Paris 2) her book about it, I'm Mostly Here to Enjoy Myself and 3) her Thingies…a surprisingly close second.Glynnis MacNicol's memoir I'm Mostly Here to Enjoy Myself is out this week! We also love her previous book No One Tells You This and her podcast Wilder, about the life and times and lasting impact (for better and/or worse!) of Laura Ingalls Wilder.Glynnis's Thingies include VIO2 Mouth Tape, not putting moisturizer on after retinol (she likes La Roche-Posay Retinol B3 Serum, ideally purchased in France!), Last Summer directed by Catherine Breillat, and Garnier Ombrelle Face Sun Protection.The books she mentioned: Speedboat by Renata Adler, Middlemarch by George Eliot, The Guest by Emma Cline, Swimming in Paris by Colombe Schneck, and The Cost of Living by Deborah Levy. Re: the golden age of podcasts, we're very excited about A.J. Daulerio's The Small Bow Podcast, Nice Talk with Nikki Ogunnaike, Lemme Say This with Hunter Harris and Peyton Dix, and Fashion People with Lauren Sherman. What are your Thingies? Share ‘em with us at with us at 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva! Prepare your wardrobe for summer with Johnny Was and use the code ATHINGORTWO for 20% off your order.Give your nails polish with Olive & June—20% off your first Mani System when you use our link.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Death March is over, but we still have to do our Plot Line Power Rankings, play a bracing game of Ned, Kitty, El, and slide, gracefully, into Dodo's DMs. Our scintillating Middlemarch content block comes to a scintillating end with the 1994 BBC miniseries! Music credits: “Typewriter Blues,” by AllenGrey "Slow Dance for Classical Strings," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

Our brutal march comes to an end in the forsaken lands where George's murderous schemes make targets of us all. But before we few survivors can rest our broken bodies on the unforgiving ground, we must spin the dread roulette of "Fred, Mary, Will" one last time. And also make a very steamy kissing scene a good deal more family friendly. Music credits: "Prince of Darkness," by Allen Grey "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia "Neoclassica Baroque," by Synthezx "Inspiring Baroque," by Orchestralis “Typewriter Blues,” by AllenGrey "Love Story," by SF Music Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

And now we march through the most dangerous territory yet: The fevered swamps where Emo Will Ladislaw lurks and the weary survivors must play "Fred, Mary, Will" ... or die. Music credits: "Neoclassica Baroque," by Synthezx "Prince of Darkness," by Allen Grey “Sadness,” by Allen Grey "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia “Chopstick Slapstick,” by OurMusicBox Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

The grueling death march through Middlemarch continues at a breakneck pace, and even King George himself has racked up a body count. Music credits: "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia "Inspiring Baroque," by Orchestralis "Baroque," by Gold Tiger "Neoclassica Baroque," by Synthezx "Marching Military Drums," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

Dodo Brooke just rizzed up Casaubon, and that's only the first book. The blistering death march through Middlemarch begins in earnest. Music credits: "Prince of Darkness," by Allen Grey "Baroque," by Gold Tiger "Neoclassica Baroque," by Synthezx "Classical Baroque," by Cinemedia "Baroque Harpsichord," by Cinemedia "Inspiring Baroque," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices