Podcast appearances and mentions of Barbara Hannigan

I fredags stoppade polisen en mordplan mot honom och arrangörerna av Brännbollsyran valde att ställa in hans konsert som skulle bli den första på 9 år i Sverige. Lyssna på alla avsnitt i Sveriges Radio Play. Han är en av de mest omskrivna, kontroversiella och omdebatterade artisterna i Sverige idag som kritiseras för att glorifiera en kriminell livsstil. Men han har också försvarare som menar att han och hans låtar används som ett slagträ i en större debatt som inte har med musiken att göra.Men vad är det Yasin berättar om i sina låtar egentligen?Vi får besök av musikjournalisterna Petter Hallén och Hasan Ramic som kommer att fördjupa detta artistskap.MUSIKTIPSDet blir mer samtal om musik, om en av årets polarpristagare, den kanadensiska sopranen och dirigenten Barbara Hannigan.Musikrevyn i P2s Karin Birgersson har lyssnat på hennes senaste kritikerrosade skiva Electric Fields och kommer berätta om det galna konceptet bakom musiken och varför det är så bra.REPORTAGEKorsordskonstruktören HC Nygårdh har fyllt 75 år men har inga planer på att sluta göra sina kluriga korsord. Istället växlar han upp och debuterar nu som deckarförfattare.Vi möter honom där handlingen utspelar sin i ett gammalt gruvområde i de sörmländska skogarna och självklart finns det ett pussel att lösa för läsaren även här.KRITIKSAMTALI helgen var det premiär för filmen Mountainhead, en satirisk dramakomedi av Sucession skaparen Jesse Armstrong. Där fyra tech-miljardärer, spelade av Steve Carell, Jason Schwartzman, Cory Michael Smith och Ramy Youssef, samlas i en lyxig bergsvilla för en grabbhelg, samtidigt som världen är på väg att kollapsa.Filmkritikern Björn Jansson har sett den och kommer berätta om det går att skratta åt det som utspelas i filmen utan att börja fundera allt för mycket om hur det ser ut i verkligheten.SERIEOBS har sommaruppehåll och istället sänder vi serien Da Vinci - Avkodad en serie av Cecilia Blomberg och Fredrik Wadström.En serie om världsberömda konstverk som fortfarande tolkas och omges av mysterier.Nationalmuseums Martin Olin, en Sveriges främsta Leonardo-kännare, berättar om målningarna som lyft fram Leonardo Da Vinci som ett av konsthistoriens största och mest omsusade genier.Programledare: Lisa WallProducent: Saman Bakhtiari

Barbara Hannigan, Herbie Hancock et Queen primés. Du nouveau à lʹAriana Les prix de lʹAcadémie romande décernés.

Barbara Hannigan er margverðlaunuð sópransöngkona og hljómsveitarstjóri, tónlistarkona í framlínu þess áhugaverðasta og vandaðasta sem gerist í klassíska tónlistarheiminum í dag. Hún er þekkt fyrir hugrekki og frumlegheit í efnisvali og sérlega vandaðar tónleikaefnisskrár, þar sem hún blandar saman gömlu og nýju á músíkalskan og áhrifaríkan hátt. Hannigan er án efa meðal hæfileikaríkustu og eftirsóttustu tónlistarmanna í heiminum og það því sannarlega stórfrétt þegar tilkynnt var að Hannigan myndi taka við stöðu aðalhljómsveitarstjóra og listræns stjórnanda Sinfóníuhljómsveitar Íslands frá haustinu 2026. Og nú styttist í að Barbara Hannigan stígi á Eldborgarsviðið næst, því hún mun stýra og syngja með Sinfóníuhljómsveit Íslands á lokatónleikum tónleikaársins, þann 5. júní næstkomandi. Svipmynd dagsins er tileinkuð Barböru Hannigan. Í útsendingu ljáði Gígja Hólmgeirsdóttir Barböru rödd sína en einnig má finna ódöbbaða útgáfu viðtalsins með enskum svörum Hannigan hér í spilara RÚV, með því að leita að "Svipmynd - Barbara Hannigan - ensk útgáfa"

In this episode, we discuss recordings of “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) by Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel, A Nocte Temporis & Chœur de Chambre de Namur / Reinoud Van Mechelen, “Alexander Scriabin: Vers La Flamme” (BIS) by Yevgeny Sudbin, “Electric Fields” (Alpha) by Barbara Hannigan, Katia Labèque, Marielle Labèque & David Chalmin, “The Man I Love” (Alys Jazz) by The Gabriel Latchin Trio, “ASH” (AlfaMusic) by Alessandro Altarocca, and “Resilience” (SFÄR) by Landæus Trio.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 213 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel A Nocte Temporis, Chœur de Chambre de Namur / Reinoud Van Mechelen https://open.spotify.com/album/3kITS98BQIa4cFBjT1NSnH https://music.apple.com/us/album/clérambault-te-deum-histoire-de-la-femme-adultère/1799108129 https://music.amazon.com/albums/B0DYNNF76N   “Alexander Scriabin: Vers La Flamme” (BIS) Yevgeny Sudbin https://open.spotify.com/album/3wYDp7bi9o73xbr9ZzWLrk https://music.apple.com/us/album/scriabin-vers-la-flamme/1803174467 https://music.amazon.com/albums/B0F1Z3KHWL   “Electric Fields” (Alpha) Barbara Hannigan, Katia Labèque, Marielle Labèque, David Chalmin https://open.spotify.com/album/2ceVeuhEHhpWmonDa48miQ https://music.apple.com/us/album/electric-fields/1798627186 https://music.amazon.com/albums/B0DYVJ78KP   “The Man I Love” (Alys Jazz) The Gabriel Latchin Trio https://open.spotify.com/album/4fnnKNM1jhOzlT403JMcvv https://music.apple.com/us/album/the-man-i-love/1798555899 https://music.amazon.com/albums/B0DYGGYRYV   “ASH” (AlfaMusic) Alessandro Altarocca https://open.spotify.com/album/1HJJRRjvDuqhgWU8PbxKs7 https://music.apple.com/us/album/ash-feat-horacio-el-negro-hernandez/1811674139 https://music.amazon.com/albums/B0F6ZMQMX3   “Resilience” (SFÄR) Landæus Trio No Spotify https://music.apple.com/us/album/resilience-feat-cornelia-nilsson-johnny-åman-mathias/1807074514 https://music.amazon.com/albums/B0F3XS84WR

Le groupe de metal Ghost s'apprête à rendre un vibrant hommage à Queen lors de la prestigieuse cérémonie du Polar Music Prize le 27 mai prochain au Grand Hôtel de Stockholm. Le groupe danois Volbeat a sorti un nouveau single intitulé ‘'Time will heal''. C'est la bande originale du film F1 qui se dévoile un peu plus et on apprend qu'Ed Sheeran y chantera le titre « Drive » avec Dave Grohl à la batterie et John Mayer à la guitare. ‘'J'ai toujours aimé chanter en duo avec des artistes talentueux'', a déclaré Barbra Streisand et son prochain album en sera la preuve ! Mots-clés : prix, Herbie Hancock, Barbara Hannigan, légende, rock, jazz, classique, guitariste, Fredrik Åkesson, Opeth, performance, Adam Lambert, héritage musical, optimisme, résilience, album, God Of Angels Trust, trio, tournée, Greatest Of All Tours Worldwide, Anvers, Brad Pitt, tournage, Spa-Francorchamps circuit, F1 The Album, Paul McCartney, Hozier, Bob Dylan, James Taylor, Sting, The Secret of Life : Partners, collaboration, duo, My Valentine --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We update our running list of the year's best songs with a plainspoken but moving story from Chris Staples, a wildly unpredictable piece from soprano Barbara Hannigan, Natalia Lafourcade and more.Featured artists and songs:1. Third Coast Percussion: "Please Be Still," from 'Standard Stoppages'2. Chris Staples: "Two Carat Diamond," from 'Don't Worry'3. Barbara Hannigan, David Chalmin: "Che t'ho fatt'io?," from 'Electric Fields'4. Natalia Lafourcade: "Cocos en la playa," from 'Cancionera'5. Brooklyn Rider: "Tenebrae," from 'The Four Elements''All Songs Considered' 25th anniversary segment: Our No. 1 songs from 2012Weekly reset: Airing out and beating futons on a Saturday morning in Toyohashi, JapanEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear new songs from past episodes in the All Songs Considered playlists in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A Genève, la Cathédrale Saint-Pierre, temple du calvinisme, accueille jusquʹau 18 mai lʹune des œuvres phares de la contre-réforme : le Stabat Mater de Pergolesi, mis en scène par lʹItalien Romeo Castellucci avec le duo chantant Barbara Hannigan et Jakub Józef Orliński. Un événement et un choc esthétique. Chronique de Thierry Sartoretti.

„Electric Fields“ heißt das aktuelle Album von Barbara Hannigan. Hier ranken sich Improvisationen und zeitgenössische Kompositionen um Werke und Texte von Hildegard von Bingen.

durée : 00:14:32 - Le Disque classique du jour du lundi 12 mai 2025 - « Electric Fields » présente de nouveaux arrangements de musique vocale séculaire et des compositions pour soprano, pianos et électronique live.

durée : 01:27:28 - En pistes ! du lundi 12 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un lundi sous le signe des étoiles avec une ribambelle de stars : Katia et Marielle Labèque, Barbara Hannigan ou encore Yo-Yo Ma. Et du côté du répertoire, c'est le concerto qui est la star du jour : piano, violoncelle, hautbois...

durée : 01:27:28 - En pistes ! du lundi 12 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un lundi sous le signe des étoiles avec une ribambelle de stars : Katia et Marielle Labèque, Barbara Hannigan ou encore Yo-Yo Ma. Et du côté du répertoire, c'est le concerto qui est la star du jour : piano, violoncelle, hautbois...

durée : 00:14:32 - Le Disque classique du jour du lundi 12 mai 2025 - « Electric Fields » présente de nouveaux arrangements de musique vocale séculaire et des compositions pour soprano, pianos et électronique live.

La soprano et cheffe dʹorchestre canadienne Barbara Hannigan a laissé sans voix le public des plus grandes salles de concert et opéras du globe avec ses interprétations dʹun engagement physique à la limite du possible. A lʹoccasion de sa présence à Genève pour le spectacle Stabat Mater, mis en scène par Romeo Castellucci, Francesco Biamonte rencontre une artiste hors-norme.

Plus: Canadian soprano and conductor Barbara Hannigan joins Queen and Herbie Hancock at this year's prestigious Polar Music Prize. Also: As Mark Carney begins his time as Prime Minister - the Conservative shadow minister for ethics Michael Barrett says he's being anything but transparent about his financial holdings.

Ellmenreich, Maja www.deutschlandfunk.de, Kultur heute

Hör våra kritiker om varför rockbandet Queen, jazzmusikern Herbie Hancock samt sopranen och dirigenten Barbara Hannigan tilldelas Polarpriset 2025. Lyssna på alla avsnitt i Sveriges Radio Play. Prisas rätt band/artist/dirigent? Panelen består av Lisa Wall, Berit Nygren och Britta Svanholm Maniette.DAG SOLSTADS AVTRYCKHan har kallats Skandinaviens största författare – och har präglat generationer i norsk litteratur. Vad var det Dag Solstad gjorde, i sina säregna romaner om män som hamnar på kant med samhället? Hör litteraturkritikern Ingrid Elam i ett samtal om den norske författaren, som nu gått bort.VARFÖR TRÖTTNAR VI ALDRIG PÅ LA BOHÈME?Puccinis opera spelas i vår av tre operahus - från Malmö till Haparanda. Vad är det som gör La Bohème så älskad? Hör kritikerna Britta Svanholm Maniette och Kristina Lindqvist.ESSÄ: MARGUERITE DURAS MUSAI OBS serie ”Muserna skriver tillbaka” har turen kommit mötet mellan den franska författaren Marguerite Duras och den 38 år yngre Yann Andrea – som förändrade både livet och litteraturen. Hör Elisabeth Hjorths essä.Programledare: Eskil Krogh LarssonProducent: Karin Arbsjö

Edda Moser—1974 Martina Arroyo--1962 Barbara Hannigan--2015 Elsa Dreisig—2022 Barbara Frittoli—2009

durée : 00:10:45 - "Let me tell you" : Hans Abrahamsen - Barbara Hannigan - Composé en 2012-2013, Let me tell you est un monologue dramatique, porté par un personnage qui exige qu'on l'entende. Ce personnage n'est pas tout à fait l'Ophélie de Hamlet de Shakespeare.

durée : 00:10:45 - "Let me tell you" : Hans Abrahamsen - Barbara Hannigan - Composé en 2012-2013, Let me tell you est un monologue dramatique, porté par un personnage qui exige qu'on l'entende. Ce personnage n'est pas tout à fait l'Ophélie de Hamlet de Shakespeare.

durée : 00:10:45 - "Let me tell you" : Hans Abrahamsen - Barbara Hannigan - Composé en 2012-2013, Let me tell you est un monologue dramatique, porté par un personnage qui exige qu'on l'entende. Ce personnage n'est pas tout à fait l'Ophélie de Hamlet de Shakespeare.

In this episode, we're thrilled to welcome back Grammy and Juno Award-winning soprano and conductor Barbara Hannigan! Recently named Musical America's 2025 Artist of the Year, Barbara reflects on her illustrious career, her commitment to contemporary music, and what this prestigious honor means to her. Join us as Barbara shares her insights on the thrilling […]

David Skudlik is the co-founder and CEO of digital agency Sforzato, a company that provides a variety of digital marketing services to the classical music and wider performing arts sector. Their impressive client list to date has included the likes of Nicola Benedetti, Barbara Hannigan, Ray Chen and Alice Sara Ott. David is also known for his weekly newsletter, David's Dearest, a neatly curated pick of his own cultural recommendations. Born into a musical family, David grew up playing the violin, but later ended up following his entrepreneurial instincts instead. In this episode, David talks about setting up his company, then relaunching it one successful decade later; what he's learned along the way in terms of managing people and making decisions; and the valuable friendships that have grown from initially professional relations. He also spoke about starting out with his first fashion accessory business at 17, and was very honest about how much he disliked practising...-------------------David's links:WebsiteInstagramSforzatoDavid's Dearest newsletter-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------This podcast is also available to listen to via The Violin Channel--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

durée : 00:17:25 - Le Disque classique du jour du mardi 04 juin 2024 - La soprano Barbara Hannigan et le pianiste Bertrand Chamayou s'unissent pour enregistrer la musique vocale d'Olivier Messiaen et présentent ses deux principaux cycles vocaux composés dans les années 1930

durée : 01:28:28 - En pistes ! du mardi 04 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ces artistes ont séduit Emilie et Rodolphe : la violoniste Jiska Lambrecht, Alain Altinoglu et l'Orchestre symphonique de la Radio de Francfort, la contrebassiste Laurène Durantel-Helstroffer, Barbara Hannigan en duo avec Bertrand Chamayou, François Lazarevitch et Les musiciens de saint julien

No son muchas las mujeres que han alcanzado la dirección de las grandes orquestas del mundo y hoy te ofrecemos una selección de 6 nombres provenientes de diferentes países. Lorena Jiménez, nuestra musicóloga y periodista musical invitada, las conoce a todas y nos cuenta sus principales puntos fuertes y hasta dónde han llegado en sus fulgurantes carreras. Disfruta de piezas compuestas por Haydn, Bartok, Lehar y otros, dirigidas por Susanna Mälkki, Joana Mallwitz, Emmanuelle Haïm, Barbara Hannigan, Marin Alsop y Simone Young. Son primeras batutas y reconocidas pioneras musicales, las grandes protagonistas de la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

durée : 01:32:54 - Relax ! du jeudi 05 octobre 2023 - par : Lionel Esparza - Barbara Hannigan, cheffe d'orchestre et soprano, est de ces noms qui donnent le sourire aux musiciens et mélomanes. Particulièrement connue pour son répertoire contemporain, redécouvrez aujourd'hui la pluralité de son travail. Disque de légende : Gulda plays bach

Today we're kicking off a brand-new season of interviews and our celebration of Women's History Month by featuring David's conversation with Grammy Award-winning soprano and conductor Barbara Hannigan. Renowned for her exceptional voice, dynamic stage presence, and inspired conducting skills, any of these talents is enough to distinguish Barbara at the forefront of creation. But, when she decided to sing, act, and conduct simultaneously, Barbara found herself forging new ground. She shares where she got the idea to try conducting, how she developed signals to use when simultaneously singing and leading, and why she programs as much Haydn as possible. Barbara reflects on her first teachers, describes how she worked like a professional athlete to overcome performance anxiety, and shares why she feels it's so important to foster the next generation of musicians.Check out Barbara Hannigan on Instagram, Facebook, Twitter, TikTok, YouTube, Spotify, Apple Music, or the web and learn more about Barbara's initiatives Equilibrium Young Artists and Momentum.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph courtesy of Barbara Hannigan.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Barbara Hannigan, a soprano and conductor from Waverley, N.S., is up for a Juno Award this year for her album, Infinite Voyage. She spoke with host Jeff Douglas about the nomination, how she got started and her love for opera.

Jess Gillam meets mezzo-soprano Fleur Barron to swap some of their favourite music.Singaporean-British mezzo-soprano Fleur Barron sings everything from opera to chamber music, from the baroque to the contemporary. She is mentored by Barbara Hannigan and has performed with LSO, Czech Philharmonic, and San Francisco Symphony. She joins Jess ahead of performing Freya Waley-Cohen's Spell Book with Manchester Collective in London. Her music choices include a contralto version of Schubert's Winterreise, a traditional Uyghur folk song, and a toe-tapping melody from the musical Kiss Me, Kate. Jess brings along 'stadium jazz' from saxophonist Donny McCaslin, elegant incidental music from Purcell, and a joyful explosion of sound from indie band Villagers.PLAYLIST: HENRY PURCELL – Abdelazer Z 570 (2nd mvt, Rondeau) [Academy of St Martin in the Fields, Neville Marriner] COLE PORTER - Too Darn Hot (Kiss Me, Kate) [2019 Broadway Cast Recording] OLIVIER MESSIAEN – La mort du nombre [Sholto Kynoch (piano), Kaoru Yamada (violin), Rhona McKail (soprano), Nicky Spence (tenor)] TRADITIONAL UYGHUR – Derdi Tolidur Yarning (Such Pain My Love) [Sanubar Tursun (vocals and dutar)] WILLIAM WALTON – Symphony No 1 in B flat minor (4th mvt) [London Symphony Orchestra, Colin Davis] DONNY MCCASLIN – Stadium Jazz FRANZ SCHUBERT – Gute Nacht (Winterreise, D 911) [Nathalie Stutzmann (contralto), Inger Södergren (piano)] VILLAGERS – The First Day

In this episode, we discuss recordings of “Beyond” (Erato) by Jakub Józef Orliński & Il Pomo d'Oro, “Fauré: The Music for Cello and Piano” (La Dolce Volta) by Xavier Phillips & Cédric Tiberghien, “Infinite Voyage” (Alpha) by Barbara Hannigan, Bertrand Chamayou & The Emerson String Quartet, “Longing” (JazzJazz) by The Martin Sasse Trio, “Inception” (Fresh Sound) by Simon Moullier, and “Everything Is Changing” (BlueArt) by Alessandro Napolitano & Five Vibes.   We'll be taking a week off for the week of November 20 and will be back with a new regular episode on November 27.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 140 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Beyond” (Erato) Jakub Józef Orliński, Il Pomo d'Oro https://open.spotify.com/album/7iIpXazGFhYPeuBwP7kQr5 https://music.apple.com/us/album/beyond/1701972573   “Fauré: The Music for Cello and Piano” (La Dolce Volta) Xavier Phillips, Cédric Tiberghien https://open.spotify.com/album/0W7WWtJXlAUzeq2mdUCm8u https://music.apple.com/us/album/fauré-the-music-for-cello-and-piano/1704883851   “Infinite Voyage” (Alpha) Barbara Hannigan, Bertrand Chamayou, Emerson String Quartet https://open.spotify.com/album/00eEcRfPOPPkBgOdioo65q https://music.apple.com/us/album/infinite-voyage/1697331416   “Longing” (JazzJazz)  Martin Sasse Trio https://open.spotify.com/album/2SXcpOU9zJwr8IIpw0DgpQ https://music.apple.com/us/album/longing/1711596727   “Inception” (Fresh Sound) French vibes, 10/20/2023 Simon Moullier https://open.spotify.com/album/39enGgghe9HiH7ruXEGz2c https://music.apple.com/us/album/inception-feat-luca-alemanno-jongkuk-kim/1710244318   “Everything Is Changing” (BlueArt) Italian drum led with Fabrizio Bosso, 10/27/2023 Alessandro Napolitano & Five Vibes https://open.spotify.com/album/73ld5CdUKcnuW75bJbGBKN Apple Music: TBA   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.  

As his new album Letter(s) to Erik Satie is set to be released, the French pianist Bertrand Chamayou talks to presenter Tom Service about the connections he sees between the visionary composers it features, including John Cage, James Tenney and Erik Satie, and how the project took him to places he'd never been before. He tells Tom how collaborating with the soprano Barbara Hannigan opened the door for this Satie project, about the unpredictability of the recording process, and how he'd like classical music performance to become more like visual art. Tom travels to Bristol's The Galleries shopping centre, home of Bristol's Eye Hospital Assessment centre, to visit a new installation featuring the testimony of 100 voices from across 12 NHS hospitals - including doctors, porters, nurses, consultants, and patients - which have been curated into an hour-long immersive experience. Providing a therapeutic space for contributors to express themselves, and an opportunity for audiences to contemplate the lived experience of hospital communities, Tom learns how the project's composer, Hannah Conway, and librettist, Hazel Gould, created four arias around common themes they encountered, and hears how they've become creatively projected into a bespoke structure that will tour Bristol, London, Preston and Addenbrooke over the coming weeks. With contributions, too, from Manager at NHS Lancashire Teaching Hospitals, Dipa Dave, and Head of Arts at Cambridge University Hospitals NHS Foundation Trust, Natalie Ellis. Also today, as the West-Eastern Divan Ensemble prepares to perform a concert including Mendelssohn, Beethoven and Carter at the Queen Elizabeth Hall in London this weekend, the violinist Michael Barenboim tells Music Matters how, despite the situation in the Middle-East, the collaborative principles behind his father's and Edward Said's orchestra – which seek to bring together Arab, Palestinian and Israeli musicians – are more important than ever. And the composer Jack van Zandt - author of a new book, Alexander Goehr, Composing a Life - speaks to Tom about the ongoing teacher-pupil relationship he's developed under the tutelage of Alexander - Sandy - Goehr, and how Olivier Messiaen, Pierre Boulez, and among others, Richard Hall, have in turn provided tuition and inspiration across Sandy's musical life.

Thomas Moser, Ana Ricci, Dietrich Fischer-Dieskau, Barbara Hannigan, Teresa Stratas o Patricia Wise han estat cantants especialistes en el repertori l

Thomas Moser, Ana Ricci, Dietrich Fischer-Dieskau, Barbara Hannigan, Teresa Stratas o Patricia Wise han estat cantants especialistes en el repertori l

Die Dirigentin und Sängerin Barbara Hannigan ist gerade Teil der Jury von "The Mahler Competition" in Bamberg. Worauf achtet sie bei den jungen Dirigent:innen? Wie steht's um den weiblichen Nachwuchs in der Männerdomäne? Und warum schätzt sie eine Bamberger Lokalspezialität eher weniger?

#diepodcastin mit Körpergefühl: Isabel Rohner & Regula Stämpfli on Island, Barbara Hannigan im sprechenden Denken zu "Gewalt an Frauen" - darunter Rap, Rammstein & Botox

Bandaríski rithöfundurinn Cormac Mccarthy er allur. Tilkynnt var um andlát hans í gær. McCarthy var 89 ára og á hann að baki afskaplega farsælan feril sem skáldsagnahöfundur, einn þekktasti samtímahöfundur Bandaríkjanna. Meðal þekktustu verka hans eru Blood Meridian, The Road og hinn svokallaði landamæraþríleikur - All the pretty horses, The Crossing og Cities of the plain. Hann var alamerískur bókmenntarisi, líkt við Faulkner og Hemingway og það þarf að takast á um þá, eins og Einar Kári Jóhannsson bókmenntafræðingur og útgefandi segir okkur frá í þætti dagsins. Myndlistarkonan Hildur Ásgeirsdóttir Jónsson, sem sýnir um þessar mundir í Hafnarborg. hefur búið meirihluta ævi sinnar í Cleveland í Ohio. Hún kemur reglulega hingað til lands og tekur þá ljósmyndir sem hún vinnur síðan úr þegar heim er komið. Helsta viðfangsefni hennar er náttúra Íslands og sú sérstaka birta sem hér er að finna. Hún tengir viðfangsefni sitt þó ekki endilega við ræturnar eða þjóðernið, heldur vill hún miðla þeirra tilfinningu að vera manneskja í víðáttumikilli veröld. Við ræðum við Hildi og Aldísi Arnardóttur sýningarstjóra í þætti dagsins. Við heyrum líka örsnöggt í kanadísku hljómsveitarstjóranum og söngkonunni Barböru Hannigan sem kemur fram á loka tónleikum Sinfóníuhljómsveitar Íslands annað kvöld.

Bandaríski rithöfundurinn Cormac Mccarthy er allur. Tilkynnt var um andlát hans í gær. McCarthy var 89 ára og á hann að baki afskaplega farsælan feril sem skáldsagnahöfundur, einn þekktasti samtímahöfundur Bandaríkjanna. Meðal þekktustu verka hans eru Blood Meridian, The Road og hinn svokallaði landamæraþríleikur - All the pretty horses, The Crossing og Cities of the plain. Hann var alamerískur bókmenntarisi, líkt við Faulkner og Hemingway og það þarf að takast á um þá, eins og Einar Kári Jóhannsson bókmenntafræðingur og útgefandi segir okkur frá í þætti dagsins. Myndlistarkonan Hildur Ásgeirsdóttir Jónsson, sem sýnir um þessar mundir í Hafnarborg. hefur búið meirihluta ævi sinnar í Cleveland í Ohio. Hún kemur reglulega hingað til lands og tekur þá ljósmyndir sem hún vinnur síðan úr þegar heim er komið. Helsta viðfangsefni hennar er náttúra Íslands og sú sérstaka birta sem hér er að finna. Hún tengir viðfangsefni sitt þó ekki endilega við ræturnar eða þjóðernið, heldur vill hún miðla þeirra tilfinningu að vera manneskja í víðáttumikilli veröld. Við ræðum við Hildi og Aldísi Arnardóttur sýningarstjóra í þætti dagsins. Við heyrum líka örsnöggt í kanadísku hljómsveitarstjóranum og söngkonunni Barböru Hannigan sem kemur fram á loka tónleikum Sinfóníuhljómsveitar Íslands annað kvöld.

durée : 00:17:52 - Disques de légende du vendredi 02 juin 2023 - Si elle se plaît elle-même à dire que la musique est sa première langue, elle ne manque pas de s'afficher en véritable leadeuse, par goût de la mise en scène, jusqu'à parfois diriger un orchestre tout en donnant de la voix.

In a crowded field that sees many gifted performers struggle to stand out at the top, Barbara Hannigan distinguishes herself absolutely and effortlessly—by being herself. "I have to be absolutely authentic," she explains. "I cannot try to be a good girl, I cannot try to be a good conductor, I cannot try to follow the rules—because there are no rules, except to be authentic to oneself. And then, if I'm authentic to myself, 95% of the time the orchestra understands completely.” A true original whose soaring, astonishingly agile soprano voice has adorned many a world premiere, and the extremely rare singer of her calibre who has also become one of the best conductors in the world, Hannigan speaks with Gramophone's James Jolly about the inadequacy of labels; the challenges and delights of working closely with contemporary composers; catching the conducting bug in 2012; her love for Haydn and her late, longtime collaborator Reinbert de Leeuw; the importance of eating well on the road; jumping in ice baths after taxing performances of Lulu; and plenty more. Presented with the generous support of Madame Aline Foriel-Destezet.

durée : 00:10:03 - L'invité de 7h50 du week-end - par : Carine BECARD - Barbara Hannigan, cheffe d'orchestre canadienne, soprano, chambriste, nommée artiste de l'année lors de la remise des Gramophone Classical Music Awards 2022, propose deux concerts exceptionnels avec l'Orchestre Philharmonique de Radio France ce week-end.

durée : 00:58:38 - Barbara Hannigan, soprano et chef d'orchestre - par : Aurélie Moreau - A une carrière de soprano qui fait la part belle aux compositeurs d'aujourd'hui, ainsi qu'au répertoire baroque ou à la mélodie, Barbara Hannigan a ajouté celle de chef d'orchestre où son talent de musicienne a conquis le public comme la critique.

Nicola Campogrande"MiTo Settembre Musica"https://www.mitosettembremusica.it/itUn cartellone comune tra Torino e Milano che esplora le relazioni tra la musica e la luce attraverso grandi capolavori e creazioni inedite. 116 concerti per la sedicesima edizione, con ospiti internazionali, eccellenze nazionali e programmi appositamente impaginati per un Festival sempre più inclusivo. Seguendo il filo conduttore del tema “Luci”, tutti i programmi dei concerti sono impaginati appositamente per proporre al pubblico una nuova esperienza d'ascolto, indagando le relazioni tra la musica e la luce: si tratta di sinestesie tra suoni e immagini che a volte emergono esplicitamente dalle indicazioni scritte dal compositore in partitura, come chiaro, scuro o luminoso, e altre volte sono il frutto di riflessioni suggerite dall'ascolto della musica.«L'idea, il gioco della luce è applicato a un cartellone che, volutamente, propone molti capolavori, pagine fondamentali, capisaldi della musica classica – spiega il direttore artistico Nicola Campogrande. Perché, soprattutto in un periodo complicato e drammatico come quello che stiamo attraversando, ci sembra bello e importante fare una sorta di appello ai brani che hanno segnato la storia, invitandoli metaforicamente ad essere con noi, a manifestarsi in sala da concerto come punti fermi, appigli culturali».Questa edizione intende, quindi, “illuminare” le grandi pagine della storia della musica attraverso accostamenti inediti, interpretazioni originali e nuove chiavi di lettura, anche con brani in prima esecuzione.Alcuni dei pilastri su cui si fonda l'edizione 2022 – ovvero internazionalità, capisaldi della musica classica e novità – sono già evidenti nella serata d'apertura del Festival intitolata “Luci immaginarie”, in programma lunedì 5 settembre all'Auditorium “Giovanni Agnelli” del Lingotto di Torino e martedì 6 settembre al Teatro alla Scala di Milano. Protagonista una grande compagine rinomata nel mondo come la londinese Philharmonia Orchestra diretta per l'occasione da John Axelrod, che propone capolavori come Peer Gynt di Grieg e Shéhérazade di Rimskij-Korsakov, abbinate alla prima esecuzione italiana di The imagined forest della giovanissima e pluri-premiata compositrice inglese Grace-Evangeline Mason. O ancora nel concerto conclusivo tutto mozartiano dal titolo “Cristalli”, sabato 24 settembre al Conservatorio di Torino e domenica 25 settembre al Conservatorio di Milano, dove la Mahler Chamber Orchestra, formazione europea nata nel 1997 sotto l'egida di Claudio Abbado, presenta senza direttore un programma inusuale con Leif Ove Andsnes in veste di solista.Tra gli ulteriori appuntamenti sinfonici da non perdere si segnalano il graditissimo ritorno al Festival, nella doppia veste di direttrice d'orchestra e soprano, della canadese Barbara Hannigan, che sul podio dell'Orchestra dell'Accademia Nazionale di Santa Cecilia propone la Sinfonia Il miracolo di Haydn e la Quarta Sinfonia di Mahler cantando nel Lied finale Das himmlische Leben (La vita celeste), il 16 al Teatro Dal Verme di Milano e il 17 all'Auditorium del Lingotto di Torino. Immancabile l'Orchestra Sinfonica Nazionale della Rai, guidata dal suo Direttore ospite principale, lo statunitense di origini messicane Robert Trevino, che affianca la Symphonie Fantastique di Berlioz alla prima italiana di The wonder of life di Régis Campo, il 9 all'Auditorium Rai di Torino e il 10 al Conservatorio di Milano. Concerto festoso, poi, per celebrare i duecento anni di indipendenza del Brasile con i giovani dell'effervescente Neojiba Orchestra - Orchestra Giovanile dello Stato di Bahia, diretta da Ricardo Castro, insieme a un'istituzione del pianoforte come la portoghese Maria João Pires che suona il Terzo Concerto op. 37 di Beethoven. Ritmi, colori e strumenti sudamericani sono parte della serata grazie alle pagine di Antônio Carlos Gomez, Heitor Villa Lobos e Jamberê Cerqueira, il 13 al Conservatorio di Milano e il 14 all'Auditorium del Lingotto di Torino.Altri attesi ritorni al Festival sono la leggenda del pianoforte Ivo Pogorelich, impegnato nel recital “Luci erranti” con fantasie di Mozart, Chopin e Schumann e con il Prélude di Ravel, il raffinato tenore inglese Ian Bostridge, che canta Les illuminations op. 18 di Britten, e ancora il violista Nils Mönkemeyer, che suona con il Bach Consort Wien in un concerto che esplora il barocco e il Novecento tra Sudamerica ed Europa.Scorrendo il programma di MITO gli amanti della musica barocca, e in particolare di Johann Sebastian Bach, trovano una ricca offerta declinata in concerti con musicisti di prestigio e proposte nelle quali i brani sono accostati in modo inusuale o vengono ripensate alcune pietre miliari del repertorio. Quattro pagine tra le più celebri del grande compositore tedesco sono interpretate dall'Amsterdam Baroque Orchestra diretta da Ton Koopman, mentre è curioso il concerto intitolato “La doppia arte della fuga”, nel quale il compositore Reinhard Febel, col suo Diciotto studi sull'Arte della fuga di Bach, rilegge il capolavoro, di cui si ascoltano tutte le note, in una sorta di remix – che suona molto attuale nell'epoca del digitale – affidato al Duo Tal & Groethuysen. Ed è ancora l'ascolto di un Bach insolito quello delle Variazioni Goldberg eseguite dal fisarmonicista Samuele Telari, così come è un concerto davvero singolare quello con due clavicembali accordati in due modi diversi e suonati da Luca Guglielmi.Tanta è l'attenzione che quest'anno MITO SettembreMusica dedica al pubblico dei più piccoli, ampliando e arricchendo la proposta artistica con novità assolute e grandi interpreti. E lo dimostrano anche i tre melologhi per adulti e bambini che contengono ben due commissioni del Festival 2022 in prima esecuzione assoluta: quella a Carlo Boccadoro, che ha creato Animalia – su testi di Martino Gozzi – per “Luci bestiali” (il 10 a Torino e l'11 a Milano), e quella a Federico Gon, che ha composto Il piccolo Franz e il pifferaio magico per “Monelli” (il 24 a Torino e il 25 a Milano). Sul palco del primo concerto Laura Curino come voce recitante e l'Ensemble Cameristico dell'Orchestra Filarmonica di Torino diretto dallo stesso Boccadoro, e del secondo Elio come voce recitante (al suo ritorno dopo l'edizione dello scorso anno) e l'Orchestra degli allievi dei Conservatori di Torino e Milano diretti da Andreas Gies. Infine, i giovani de LaFil guidati da Marco Seco, con la voce recitante di Licia Maglietta, sono protagonisti dell'appuntamento dal titolo “Elefanti”, che propone un doppio Babar: quello celebre dell' Histoire de Babar le petit éléphant di Poulenc e quello del compositore François Narboni intitolato Le voyage de Babar, creato sfruttando un testo originale di Brunhoff non utilizzato da Poulenc (17 a Torino e 18 a Milano).È in prima esecuzione assoluta, inoltre, la nuova versione da camera del melologo Enoch Arden op. 38 di Richard Strauss realizzata da Ruggero Laganà, impegnato anche al pianoforte, che vede protagonista l'attrice Lella Costa come voce recitante (il 19 a Torino, il 20 Milano). Luce accesa, poi, sulle prime esecuzioni italiane, tra cui spiccano One di James MacMillan e I still dance di John Adams interpretate rispettivamente dall'Orchestra I Pomeriggi Musicali diretta da James Feddeck (l'8 a Torino e il 9 a Milano) e da quella del Teatro Regio di Torino guidata da Stanislav Kochanovsky (il 23 a Torino e il 24 a Milano), impegnate in due programmi tra Inghilterra e Scozia e tra Stati Uniti e Francia.L'edizione 2022 di MITO SettembreMusica introduce altre due importanti novità. La prima è la presenza di un festival nel festival con quattordici pianisti italiani che offrono in luoghi decentrati delle due città altrettanti concerti monografici dedicati a grandi compositori, per approfondirne la cifra stilistica, la poetica e la tecnica pianistica. Dal Beethoven di Andrea Lucchesini al Rachmaninov di Alessandro Taverna, dallo Schubert di Filippo Gorini allo Skrjabin di Mariangela Vacatello, passando per lo Chopin di Gloria Campaner, il Liszt di Maurizio Baglini e il Čajkovskij di Benedetto Lupo, solo per citarne alcuni. L'altra vede – per la prima volta – la nascita di una residenza artistica al Festival. Si tratta del finlandese Meta4 Quartet, già applaudito nella scorsa edizione, che tiene tre concerti in entrambi i capoluoghi: suona in Absolute Jest di John Adams insieme all'Orchestra Sinfonica di Milano (sul podio Patrick Fournillier), pagina che rimanda a Beethoven e alla sua Nona, in programma grazie alla partecipazione del Coro del Teatro Regio di Torino, dopo aver ripercorso l'intera storia del quartetto d'archi, da Boccherini ad Adams, in due diversi appuntamenti. Uno degli aspetti distintivi del Festival è offrire appuntamenti in orari diversi nell'arco dell'intera giornata, da quelli serali in sedi prestigiose, come l'Auditorium "Giovanni Agnelli" del Lingotto, il Teatro alla Scala, l'Auditorium Rai "Arturo Toscanini", il Teatro dal Verme e i rispettivi conservatori delle due città, a quelli diurni, per arrivare a estendersi nei luoghi decentrati. Sono confermate le introduzioni all'ascolto dei concerti, quest'anno curate da Alberto Brunero e Stefano Catucci a Torino e da Gaia Varon, Oreste Bossini e Nicola Pedone a Milano.I prezzi sono ancora una volta molto contenuti: quelli per i concerti serali vanno dai 10 ai 25 euro (ma chi è nato dal 2008 in poi paga solo 5 euro); quelli serali in luoghi decentrati con i 14 pianisti italiani, gli appuntamenti pomeridiani e per i bambini sono invece proposti a 5 euro; non mancano, poi, i concerti gratuiti.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 01:28:46 - VERONIQUE VELLA - Depuis 30 ans à la Comédie Française, Véronique Vella n'aime rien tant que jouer et chanter ! Elle admire les artistes qui allient liberté et virtuosité : Barbara Hannigan, Natalie Dessay, Felicity Lott et Malena Ernman. Des femmes qui mènent de front la prouesse du chant et le jeu théâtral.

Líklega er stærsta einstaka stjarnan sem heimsækir Listahátíð Reykjavíkur að þessu sinni kanadíska sópransöngkonan og hljómsveitarstjórinn Barbara Hannigan sem stjórnar Sinfóníuhljómsveit Íslands á tvennum tónleikum á föstudagskvöld og á laugardag. Sem söngkona þykir Hannigan ekkert minna en undur þegar kemur að tækni og hæfileikum en hún er líka rísandi stjarna í heimi hljómsveitarstjóra á heimsvísu. Efnisskráin er einkar forvitnileg og safarík en Hannigan stjórnar hljómsveitinni og hefur síðan upp rödd sína frá stjórnendapallinum í sumum verkanna. Guðni Tómasson hitti Barböru Hanningan eftir æfingu í vikunni og við helgum henni síðari hluta þáttarins í dag. Víðsjá fer líka á fund við listmálarann Ella Egilsson sem er fæddur og uppalinn í Reykjavík, en hefur starfað síðustu misseri í Los Angeles og Las Vegas, þar sem hann er búsettur. Elli opnaði í Þulu gallerý myndlistarsýninguna NEVADA sem er heimaríki hans þar sem Las Vegas er staðsett í miðri eyðimörkinni. Myndirnar eru unnar eftir ímynduðum myndformum íslenskrar náttúru, eins og hún formast í skapandi hugsun og minningum, pensillinn látinn ráða för og verkin máluð á draumkenndan hátt með heimagerðum olíulitum. Landslagsverkin á sýningunni NEVADA einkennast af nákvæmni í framsetningu áferðar og litameðferðar. Elli leitast við að sýna sterkbyggð form landslagsins, en úr þeim hefur hann þróað samfellda seríu málverka, sem byggir jafnt á stórbrotnu landslagi óbyggða Íslands sem og mýkt og mismunandi áferðum ósnortinnar náttúru. Umsjón: Jóhannes Ólafsson

Líklega er stærsta einstaka stjarnan sem heimsækir Listahátíð Reykjavíkur að þessu sinni kanadíska sópransöngkonan og hljómsveitarstjórinn Barbara Hannigan sem stjórnar Sinfóníuhljómsveit Íslands á tvennum tónleikum á föstudagskvöld og á laugardag. Sem söngkona þykir Hannigan ekkert minna en undur þegar kemur að tækni og hæfileikum en hún er líka rísandi stjarna í heimi hljómsveitarstjóra á heimsvísu. Efnisskráin er einkar forvitnileg og safarík en Hannigan stjórnar hljómsveitinni og hefur síðan upp rödd sína frá stjórnendapallinum í sumum verkanna. Guðni Tómasson hitti Barböru Hanningan eftir æfingu í vikunni og við helgum henni síðari hluta þáttarins í dag. Víðsjá fer líka á fund við listmálarann Ella Egilsson sem er fæddur og uppalinn í Reykjavík, en hefur starfað síðustu misseri í Los Angeles og Las Vegas, þar sem hann er búsettur. Elli opnaði í Þulu gallerý myndlistarsýninguna NEVADA sem er heimaríki hans þar sem Las Vegas er staðsett í miðri eyðimörkinni. Myndirnar eru unnar eftir ímynduðum myndformum íslenskrar náttúru, eins og hún formast í skapandi hugsun og minningum, pensillinn látinn ráða för og verkin máluð á draumkenndan hátt með heimagerðum olíulitum. Landslagsverkin á sýningunni NEVADA einkennast af nákvæmni í framsetningu áferðar og litameðferðar. Elli leitast við að sýna sterkbyggð form landslagsins, en úr þeim hefur hann þróað samfellda seríu málverka, sem byggir jafnt á stórbrotnu landslagi óbyggða Íslands sem og mýkt og mismunandi áferðum ósnortinnar náttúru. Umsjón: Jóhannes Ólafsson

Líklega er stærsta einstaka stjarnan sem heimsækir Listahátíð Reykjavíkur að þessu sinni kanadíska sópransöngkonan og hljómsveitarstjórinn Barbara Hannigan sem stjórnar Sinfóníuhljómsveit Íslands á tvennum tónleikum á föstudagskvöld og á laugardag. Sem söngkona þykir Hannigan ekkert minna en undur þegar kemur að tækni og hæfileikum en hún er líka rísandi stjarna í heimi hljómsveitarstjóra á heimsvísu. Efnisskráin er einkar forvitnileg og safarík en Hannigan stjórnar hljómsveitinni og hefur síðan upp rödd sína frá stjórnendapallinum í sumum verkanna. Guðni Tómasson hitti Barböru Hanningan eftir æfingu í vikunni og við helgum henni síðari hluta þáttarins í dag. Víðsjá fer líka á fund við listmálarann Ella Egilsson sem er fæddur og uppalinn í Reykjavík, en hefur starfað síðustu misseri í Los Angeles og Las Vegas, þar sem hann er búsettur. Elli opnaði í Þulu gallerý myndlistarsýninguna NEVADA sem er heimaríki hans þar sem Las Vegas er staðsett í miðri eyðimörkinni. Myndirnar eru unnar eftir ímynduðum myndformum íslenskrar náttúru, eins og hún formast í skapandi hugsun og minningum, pensillinn látinn ráða för og verkin máluð á draumkenndan hátt með heimagerðum olíulitum. Landslagsverkin á sýningunni NEVADA einkennast af nákvæmni í framsetningu áferðar og litameðferðar. Elli leitast við að sýna sterkbyggð form landslagsins, en úr þeim hefur hann þróað samfellda seríu málverka, sem byggir jafnt á stórbrotnu landslagi óbyggða Íslands sem og mýkt og mismunandi áferðum ósnortinnar náttúru. Umsjón: Jóhannes Ólafsson

Singen und Dirigieren gleichzeitig - eine nicht unkomplizierte Kunst, die Barbara Hannigan aber voll und ganz beherrscht. In Poulencs "La voix humaine" schlüpft sie in beide Rollen. Im Interview verrät sie, wie sie das macht und was sie unter dem Stück versteht.

If there is such a thing as a superstar in the world of contemporary classical music, soprano and conductor Barbara Hannigan ranks at the top of a very short list. With her quicksilver voice, charismatic personality and the striking physicality she brings to each performance, she has done what most people considered impossible - making the music of Ligeti, Boulez and Schoenberg irresistible to the many. Add to that her growing fame in the still male-dominated filed of orchestral conducting, and you have Barbara Hannigan, one of today's truly transformative musical forces. From her beginnings in Waverley, Nova Scotia to the great stages of the world, we talked with Barbara about her meteoric rise, her work with today's greatest composers and the joys of bringing modern masterpieces to life.

If there is such a thing as a superstar in the world of contemporary classical music, soprano and conductor Barbara Hannigan ranks at the top of a very short list. With her quicksilver voice, charismatic personality and the striking physicality she brings to each performance, she has done what most people considered impossible - making the music of Ligeti, Boulez and Schoenberg irresistible to the many. Add to that her growing fame in the still male-dominated filed of orchestral conducting, and you have Barbara Hannigan, one of today's truly transformative musical forces. From her beginnings in Waverley, Nova Scotia to the great stages of the world, we talked with Barbara about her meteoric rise, her work with today's greatest composers and the joys of bringing modern masterpieces to life.

In this special "feature-length" episode, I chat with Barbara Hannigan - conductor, mentor, soprano and all-round musical polymath. I find out how she first started to conduct, how working with the greatest conductors in the world has helped her and that both of our lives have been influenced by meeting the "Yoda" of the conducting world! This was a real joy and an honour to chat with her.