English novelist, essayist, poet, journalist, and translator
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In this episode of Quakers Today, co-hosts Sweet Miche (they/them) and Peterson Toscano (he/him) invite you to learn more about the sometimes baffling practice of silent worship. Whether you're a long-time Friend or someone who has never stepped into a mostly silent meeting, we are pulling back the curtain to explore what happens in our hearts, minds, and bodies when we sit together in worship. The Purpose of Ministry We speak with author Rhiannon Grant about her book, Speaking in Quaker Meeting for Worship: What, When, How, and Why. Rhiannon helps us understand the purpose of spoken ministry in the silent meeting, explaining how speech that deepens silence is a vital part of our shared spiritual practice. Quote: "The purpose of ministry then might be understood as deepening the silence of meeting for worship." Read a review of Speaking in Quaker Meeting for Worship by Paul Buckley at FriendsJournal.org. Learn more about Rhiannon Grant's book and other Quaker Quicks at QuakerBooks.org/Collections/Quaker-Quicks. Our First Meetings for Worship Peterson and Sweet Miche share their first experiences in Quaker worship: Peterson's search for community after 9/11 and Sweet Miche's feeling of guidance at Pendle Hill. We also hear from Paula Christophersen, a Quaker in Germany, who shared her first experience of ministry. You can watch the full video of Paula Christophersen on YouTube or at QuakerSpeak.com. Meeting for Worship with Attention to Worship Peterson introduces a new format for meeting for worship he's been experimenting with: Meeting for Worship with Attention to Worship. This model of worship uses the meeting's existing structure to guide newcomers by making the internal work of worship visible and conversational. Quaker Fiction We explore how writers use fiction and poetry to make the internal, mystical experience of worship visible. Anne E.G. Nydam's story, “The Conduits”, reveals the flow of connection in meeting through glowing lines of light. Peterson shares two of his short stories! “Penn's Spring”, uses a mysterious, unexplained wet patch on a meetinghouse wall to represent a spiritual movement in a "stagnant and dry" meeting. “What Is Actually There” features a high-schooler named Jordan reflecting on the enduring effort of the Quaker path. “A Fine Showing for the Court of Owls” by Jonathan Doering is a story about the radical Quaker abolitionist Benjamin Lay. Read Quaker-themed fiction and poetry in the November 2025 issue of Friends Journal. Listener Responses Who is someone you've encountered in fiction that embodies Quakerness? The character could be from a book or movie. They could be a hero or even a minor character, and they do not need to be Quaker. This month's fictional “Quakers” include: Pooh Bear, Maisie Dobbs, Gumby, Ted Lasso, Dorothy from The Wizard of Oz, WALL-E, Stevens from The Remains of the Day, and Dorothea from George Eliot's Middlemarch. Next Month's Question We want to hear from you! What do you believe now that you didn't believe before becoming a friend or before encountering Quakerism? Leave us a voice memo with your name and town at 317-QUAKERS (317-782-5377). (+1 if outside the U.S.) You can also reply by email at podcast@FriendsJournal.org or on our social media channels. Sponsors Quakers Today is the companion podcast to Friends Journal and other Friends Publishing Corporation content. It is written, hosted, and produced by Peterson Toscano and Sweet Miche. Season Five of Quakers Today is sponsored by the American Friends Service Committee and Friends Fiduciary. For over a decade, the American Friends Service Committee has provided technical and strategic support for divestment campaigns around the world. Today, AFSC's Action Center for Corporate Accountability aims to expose and reduce corporate complicity in mass incarceration, immigrant detention, border militarization, and the Israeli military occupation. Visit investigate.afsc.org and find resources to help you divest from corporate-sponsored state violence. Friends Fiduciary is a Quaker non-profit offering cost-effective, professional investment services to Friends meetings, churches, schools, and organizations. We offer five value-aligned portfolios, managed by 12 SEC-registered firms. We screen every holding for Quaker values, engage in shareholder advocacy, and in 2024, distributed $16 million to our constituents. Learn more about us at FriendsFiduciary.org. Music in this episode comes from Epidemic Sound. For the extended video version of this episode, visit the Friends Journal YouTube channel (insert hyperlink). For a full transcript, visit QuakersToday.org.
Nous sommes le 22 décembre 1880 au cimetière de Highgate au nord de Londres. C'est là que l'on vient d'inhumer Mary Ann Evans mieux connue sous le nom de George Eliot. Son jeune mari avait rêvé pour dernière sépulture, du « Coin des poètes » dans l'abbaye de Westminster, mais pour une femme ayant transgressé toutes les convenances de la très rigide société victorienne, c'était impensable. Des « scènes de la vie du clergé » à « Daniel Deronda » en passant par « The Mill and the Floss », « Middelmarch » et quelques autres, celle qui s'inventera son nom de plume, George Eliot, n'aura eu cesse de témoigner des grandes questions de son temps : l'industrialisation, la foi, l'éducation , l'antisémitisme et, déjà, les inégalités entre les sexes. Adepte d'un changement de société dans la douceur, elle refusait le progrès rapide et brutal, ce qui déplut au féministe qui la suivront. D'elle, , l'auteur des « Ailes de la Colombe », écrira : « elle était d'une magnifique laideur ; elle avait une tête chevaline , une allure de bas-bleu ; Je ne sais pas en quoi réside son charme, mais dans cette grande laideur réside une beauté puissante. » De cette laideur George Eliot fera sa force. Partons sur les traces d'une femme qui, après avoir connu tous les honneurs et quelques déshonneurs, sera oubliée avant que ne la redécouvre une certaine … Virginia Woolf. Partons sur les traces de George Eliot. Invitée : Myriam Campinaire, traductrice et interprète. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
In this third discussion on Silas Marner, Hunter and Autumn discuss Marner's transformation and the effect of sin and secrecy in Godfrey Cass' life. Eppie's arrival transforms Silas's lonely life and increasingly connects him to the life of Raveloe. George Eliot shows that the effects of sin and redemption are often slow but sure. Godfrey Cass's hidden guilt ripens into regret, while Silas's increasing openness to love and spiritual community blossoms into restoration.Through Dolly Winthrop's steadfast faith, the quiet working of Providence, and the contrast between false and true treasure, Eliot paints a vision of faith, family, and community. The return of Silas's gold and the reappearance of Godfrey remind us that what is hoarded in secrecy turns to emptiness, but what is shared in love endures. The novel closes with a scene in the context of the life of the village — Eppie's marriage, Silas's contentment, and the joy of belonging.
Catherine Crowe was a wildly acclaimed Victorian novelist, playwright, social critic and …ghost hunter? Her novels were as popular as Charles Dickens,' and Ralph Waldo Emerson, Harriet Martineau, and George Eliot were her ardent fans. And her pioneering catalog of ghosts and the supernatural, The Night Side of Nature, was one of the first and most influential works to be adopted by the up-and-coming Spiritualist movement. So how did this incredibly talented, incredibly famous woman disappear from our collective memory? The answer involves a few misbehaving spirits, a little bit of nudity, and a whole lot of mean-spirited gossip by one very famous frenemy. For this year's Halloween Special, Professor Ruth Heholt helps Olivia resurrect the wildly famous, wildly fascinating, wildly under-appreciated Catherine Crowe. Selections from Catherine Crowe's works read for us by Matthew Meikle and Emma Porter. Music featured in this episode provided by Amanda Setlik Wilson, Kevin MacLeod, Doug Maxwell, Myuu, Brian Bolger, Jesse Gallagher, and the Weber State University Choirs and Orchestra. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Ask yourself: can you? It is a question that George Eliot asks over and over through her characters in Middlemarch, a 19th-century novel that speaks to our own fractious age. Eliot highlights how important it is to see the world from the point of view of others — even characters we don't like. *This is second episode in our two-part series. It originally aired on April 7, 2002.We'd love to hear from you! Complete our listener survey here.
Virginia Woolf called George Eliot's novel, Middlemarch “one of the few English books written for grownups.” It's a book full of characters asking: is it a good thing to live a life of duty, or is it ridiculous? Even after 150 years since the book was published, it provides up-to-date lessons in how to live a modern life. *This is part one or two-part series. It originally aired on April 6, 2022.
Critic and opinion writer Christopher Scalia, son of the late Justice Antonin Scalia, recommends 13 novels with conservative themes that, he says, aren't widely known by conservatives. In his book "13 Novels Conservatives Will Love (but Probably Haven't Read," the former English professor discusses books by Walter Scott, George Eliot, P.D. James, Zora Neale Hurston, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices
Critic and opinion writer Christopher Scalia, son of the late Justice Antonin Scalia, recommends 13 novels with conservative themes that, he says, aren't widely known by conservatives. In his book "13 Novels Conservatives Will Love (but Probably Haven't Read," the former English professor discusses books by Walter Scott, George Eliot, P.D. James, Zora Neale Hurston, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textOn this episode we meet Clare Carlisle to discuss Transcendence for Beginners, (Fitzcarraldo Editions). A book written through love and mourning, it is, as the title suggests, explorative, unbound and deeply moving.Ranging widely, from Soren Kierkegaard to George Eliot, The Himalayas to The Isle of Skye, it is a book that offers us devotion and loss as expressions of love. A timely and generative reminder of our own porous and momentary selves and quite simply, a very beautiful book.‘A work of thrilling lucidity and substance,' Clare Harman, author of All Sorts of Lives ‘This is the book of a lifetime's and a book about lifetimes.'Francesca Wade, author of Gertrude Stein: An Afterlife'In an era marked by rampant cruelty and selfishness, Transcendence for Beginners offers its readers various modes of the radiant life.' Siri Hustvedt, author of Mothers, Fathers and OthersOrder your copy here:https://fitzcarraldoeditions.com/books/transcendence-for-beginners/@fieldzine www.fieldzine.comwww.patreon.com/fieldzine
Emily Dickinson (18301886) är berömd för sitt instängda liv och sin vidöppna poesi. Ulf Karl Olov Nilsson tolkar mångtydigheten i hennes slutord. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Det är maj månad 1886 och amerikanska poeten Emily Dickinson ligger på sitt yttersta. Hon har just skrivit sitt livs allra sista brev. Det består av några ynka ord och skickas med postgången till hennes kusiner, systrarna Norcross. Brevet lyder i sin helhet: ”Dear Cousins, Called back, Emily”.Called back, hur översätter man det? ”Kallad tillbaka” kanske, även om det saknar all poetisk finess. Samma två ord är för övrigt inristade på poetens enkla gravsten. Kallad tillbaka till vad? Och från vad? Kände hon sig i ett vitalt ögonblick kallad tillbaka till jordelivet efter att ha närmat sig eftervärlden? Eller ville hon meddela kallelsen tillbaka till oändligheten, det tillstånd som finns innan livet? Till och med i sina sista stunder hade poeten öga för det flertydiga.Men orden Called back har också en populärkulturell förlaga. Det är titeln på en bästsäljande romantisk deckare skriven 1883 av pseudonymen Hugh Conway. Den handlar om en blind man som blir vittne till ett mord och sedan gifter sig med en kvinna som lider minnesförlust. Båda blir called back i bemärkelsen att mannen återfår synen och kvinnan sitt minne. Dessutom löser de i god Sherlock Holmes-anda mordmysteriet. Dickinson läste boken och var, som hon skriver i ett brev, ”mycket imponerad” av denna ”gripande |haunting] berättelse”.Emily Dickinson föddes 1830 i Amherst, Massachusets, och dog på samma plats. Under sitt liv publicerade hon endast nio korta dikter, de flesta mot sin vilja. Efter hennes död hittade systern Lavinia fyrtio häften med Dickinsons poesi i en kista, okänd för omvärlden. Först fyra år efter hennes död publicerades ett första urval av de sammanlagt 1789 dikterna från hennes penna.Dickinson kom från en välbärgad familj med en socialt och politiskt betydelsefull plats i det lilla puritanska samhället. Hon läste exceptionellt mycket: naturvetenskap, King James Bibel, Shakespeare, dagstidningar och samtida skönlitteratur – favoriter var Elizabeth Barrett Browning, systrarna Brontë, George Eliot och Wilkie Collins roman The Woman in White – till en av många myter om den tillbakadragna och excentriska Dickinson hör att hon alltid gick klädd i vitt. Emily Dickinson kom att leva som ogift i sitt fäderneshem, men när hon var i 20-års åldern blev hon djupt fäst vid, och sannolikt förälskad i, sin väninna Susan Gilbert, som emellertid gifte sig med Austin Dickinson, poetens egen bror.Med tiden kom hon att isolera sig alltmer, hon stannade på sitt rum för att läsa och skriva och gick endast ut på nätterna för att vattna blommor i trädgården. Samtidigt upprätthöll hon en omfattande korrespondens – förunderligt vackra och förtätade brev – med vänner och litterärt betydelsefulla personer i trakten, tidskriftsredaktörer, präster, politiker, författare.Emily Dickinson levde ytterligare en vecka efter sitt allra sista brev. Hennes syster satt troget med henne vid dödsbädden. Brodern kom och gick. Hennes läkare Dr Bigelow gav henne den förmodligen felaktiga diagnosen Brights disease, en diffus njursjukdom. Sannolikt dog Dickinson av högt blodtryck vilket bland annat ledde till stroke. Enligt hennes brorsdotter Martha Dickinson Bianchi blev hennes sista ord: ”I must go in; the fog is rising”. ”Jag måste gå in; dimman stiger, dimman väller in.”Dessa slutord är vid närmare betraktelse nästan ordagrant hämtade ur ett brev som Dickinson skrev till samma kusiner, systrarna Norcross, två år tidigare. Där berättar hon om hur hon svimmat för första gången i sitt liv. Hon skriver: ”För åtta lördagkvällar sedan bakade jag en kaka med Maggie när ett stort mörker kom över mig. När jag vaknade stod Lavinia och Austin och en underlig läkare böjda över mig och jag antog att jag höll på att dö, eller att jag redan var död. Alla var snälla och vördnadsfulla och doktorn sa att sjukdomen var 'nervernas hämnd'.”Men sedan byter Dickinson helt utan förklaring spår i brevet och skriver: ”Den lille pojken vi la i jorden viker aldrig från min sida, hans dunkla sällskap är med mig, ännu. Men daggen kommer och jag måste gå in. Minnets dimma väller in.” Här kan vi alltså höra hennes slutord. ”I must go in. Memory's fog is rising.” Och omständigheterna är inte oviktiga.Den lille pojke som omtalas i brevet hette Gilbert och var son till brodern Austin och den älskade Susan Gilbert Dickinson. Dickinson själv var på intet sätt känd för att ha varit speciellt intresserad av barn, inte ens sina syskonbarn, men just lille Gilbert kom hon att älska djupt. Men det ohyggliga inträffar, gossen insjuknar åtta år gammal, i tyfoidfeber och natten han dör lyckas den hembundne Emily med en enorm kraftansträngning ta sig till huset där Susan och Austin bor. Trots att de är grannar har hon inte varit där på femton år! På natten drabbas hon av ohygglig huvudvärk och kräks. Efter pojkens död blir hon sängliggande i två månader och får diagnosen ”nervös utmattning”. Hon är förkrossad, hennes hälsa återhämtar sig aldrig.Varför kom den lille gossen att betyda så mycket för henne? Och hur kunde hans död så till den grad bryta ned hennes livskraft? Den lika freudianske som amerikanske psykiatern John Cody föreslår i en psykobiografi från 1971, After great pain, the inner life of Emily Dickinson, att det hade med poetens egen mor att göra: Gilbert föddes i samband med att modern fick en förlamande hjärnblödning och moderns hjälplöshet och behov av omvårdnad, argumenterar Cody, gjorde att Dickinson själv för första gången kunde känna moderliga känslor. Själv vill jag snarare tro att det, förutom gossens omvittnat obestridliga charm, också hade med hans namn att göra, alltså Gilbert, som alltså var den älskade Susan Gilberts flicknamn.I de sista orden ”I must go in; the fog is rising”, som jag tolkar det, ligger alltså en hälsning fylld av kärlekssorg till pojken och hans mor. I sin tillgivenhet till gossen fick Dickinson utrymme för en ren, och denna gång enklare, kärlek till den adressat som hon skrivit så många förtätade brev, och skickat så många dikter. Ja, till Susan Gilbert skickade hon fler dikter än till någon annan, 276 stycken. Och i ett brev från 1875 fick Gilbert den kanske största kärlekshyllning som överhuvudtaget går att tänka sig, åtminstone om man är poet på allvar: ”Med undantag av Shakespeare, har du skänkt mig mer kunskap än någon levande varelse”.Ulf Karl Olov Nilssonförfattare, psykoanalytiker och översättare av bland annat Emily Dickinsons poesi
By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers' preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne's exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers' preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne's exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers' preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne's exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers' preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne's exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael Rectenwald discusses his newly founded Anti-Zionist America PAC (AZAPAC) which exists to end America's political, financial, and military entanglement with Israel. He explains what has gone wrong with Zionist influence, how its mask has come off under the Trump administration, the attack on civil liberties, the devastation of Gaza, and more. He also gives an update on where we're at with the globalist project for a technocratic world state. Watch on BitChute / Brighteon / Rumble / Substack / YouTube Geopolitics & Empire · Michael Rectenwald: Disentangling the Zionist Lobby Through AZAPAC #572 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Expat Money Summit 2025 (20% off VIP with EMPIRE) https://2025.expatmoneysummit.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Michael Rectenwald https://www.michaelrectenwald.com AZAPAC https://www.aza-pac.com Substack https://mrectenwald.substack.com X https://x.com/RecTheRegime About Michael Rectenwald Dr. Michael Rectenwald is the author of twelve books, including The Great Reset and the Struggle for Liberty: Unraveling the Global Agenda (Jan. 2023), Thought Criminal (Dec. 2020); Beyond Woke (May 2020); Google Archipelago: The Digital Gulag and the Simulation of Freedom (Sept. 2019); Springtime for Snowflakes: “Social Justice” and Its Postmodern Parentage (an academic's memoir, 2018); Nineteenth-Century British Secularism: Science, Religion and Literature (2016); Academic Writing, Real World Topics (2015, Concise Edition 2016); Global Secularisms in a Post-Secular Age (2015); Breach (Collected Poems, 2013); The Thief and Other Stories (2013); and The Eros of the Baby-Boom Eras (1991). (See the Books page.) Michael was a distinguished fellow at Hillsdale College and a Professor of Liberal Studies and Global Liberal Studies at NYU. He also taught at Duke University, North Carolina Central University, Carnegie Mellon University, and Case Western Reserve University. His scholarly and academic essays have appeared in The Quarterly Journal of Austrian Economics, Academic Questions, Endeavour, The British Journal for the History of Science, College Composition and Communication, International Philosophical Quarterly, the De Gruyter anthologies Organized Secularism in the United States and Global Secularisms in a Post-Secular Age, and the Cambridge University Press anthology George Eliot in Context, among others (see the Academic Scholarship page). He holds a Ph.D. in Literary and Cultural Studies from Carnegie Mellon University, a Master's in English Literature from Case Western Reserve University, and a B.A. in English Literature from the University of Pittsburgh. (See his C.V. for details.) Michael's writing for general audiences has appeared on The Mises Institute Wire, Newsweek, The Epoch Times, RT.com, Campus Reform, The New English Review, The International Business Times, The American Conservative, Quillette, The Washington Post, Pittsburgh Post-Gazette, CLG News, LotusEaters.com, Chronicles, and others. (See the Essays and Presentations page.) Michael has appeared on major network political talk shows (Tucker Carlson Tonight, Tucker Carlson Originals, Fox & Friends, Fox & Friends First, Varney & Company, The Ingraham Angle, Unfiltered with Dan Bongino, The Glenn Beck Show), on syndicated radio shows (Coast to Coast AM, Glenn Beck, The Larry Elder Show, and many others),
Join us on Substack - https://substack.com/@elishaandkatievoetbergThis is a newsletter and deeply personal space for us to share family life, homeschooling, and music with you all. We have been writing on Instagram and email for years, but ever since leaving social media behind with our smart phones a few years ago, we have been looking for another space to connect in a meaningful way. -Get it All Done Club: Stop drowning in motherhood and start thriving! https://www.nowthatwereafamily.com/get-it-all-done-clubIs your life just too complicated to ever feel peaceful? Learn how to create a peacefully productive home in one week. Check out Katie's Free Home Management Masterclass: https://www.nowthatwereafamily.com/peacefully-productive-home-masterclass-Katie's book club books: - “My Dear Hemlock - A Christian Living Book for Women, Guard Against Vices, Grow in Virtue, Christian Book for Women” by Tilly Dillehay - https://amzn.to/46jPoV8 - “In Order to Live: A North Korean Girl's Journey to Freedom” by Yeonmi Park - https://amzn.to/3IEveMm - “Silas Marner” by George Eliot - https://amzn.to/4gFC5BL - “Surprised by Joy: The Shape of My Early Life” by C.S. Lewis - https://amzn.to/429nRmU
At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and the ‘agonising evidence of freedom' it presents, along with the opportunity it creates for continual self-definition. In this episode Jonathan and James discuss these arguments and Beauvoir's warnings against trying to evade the responsibilities imposed upon us by this ambiguity. They also look at the ways in which Beauvoir developed these ideas in The Second Sex and her novels, and her remarkable readings of George Eliot, Virginia Woolf and E.M. Forster. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrcip In other podcast apps: https://lrb.me/closereadingscip Read more in the LRB: Joanna Biggs: https://lrb.me/cipbeauvoir1 Toril Moi: https://lrb.me/cipbeauvoir2 Elaine Showalter: https://lrb.me/cipbeauvoir3 Audiobooks from the LRB Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': https://lrb.me/audiobookscip
"...for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs..."This week, I am reflecting a quote from George Eliot's Middlemarch, published in 1871 to ask the question, "will donor give during uncertainty?"Reflection QuestionsWhen was the last time you did a temperature check with your donors? Asked them how they are feeling in the uncertainty? Asked them how they are keeping the darkness at bay? And, just listen.Then consider, will your vision inspire donors to give to a capital campaign?Reflection for Capital CampaignsOne common question I receive is “is this the right time for a campaign because of … the fill-in-the-blank economic or societal uncertainty?” Will donors give?During uncertain times, the ordinary people who are our donors often feel overwhelmed. When there is increased division, enmity, and strife, it's easy to feel powerless and to focus inward. We begin to feel as though nothing will change and, for some, this can lead to a decrease in their giving. And, yet, neuroscience has proven that the act of giving boosts a donor's mood and their feelings of agency. When we give donors a concrete way that they can help their community, they no longer feel as powerless. Their donations become the small acts of kindness and love that they can do to push back against the enmity. Through giving, we empower them to partner with us to keep the uncertainty in check. We empower them to grow the good in each of our communities through these unhistoric acts. A well-planned capital campaign can cast a vision that becomes a visible reminder of the good they can do in the community. What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop
In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Great Hearts Academies' Dr. Helen Baxendale interview Dr. Kathryn Hughes, academic historian and award-winning author of George Eliot: The Last Victorian. Dr. Hughes discusses the significance of 19th-century novelist Mary Ann Evans, better known by her pen name George Eliot, in […]
In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Great Hearts Academies' Dr. Helen Baxendale interview Dr. Kathryn Hughes, academic historian and award-winning author of George Eliot: The Last Victorian. Dr. Hughes discusses the significance of 19th-century novelist Mary Ann Evans, better known by her pen name George Eliot, in shaping British literature and capturing the societal tensions of the Victorian era. She highlights Eliot's formative years in rural Warwickshire, her intellectual and scandalous personal relationship with the philosopher George Henry Lewes, and how her unconventional experiences shaped her writing. Additionally, she delves into Eliot's most celebrated works, including Adam Bede, Silas Marner, and Middlemarch. Dr. Hughes reflects on recurring themes of marriage, women's roles, and political reform, solidifying her reputation as one of the greatest writers of the 19th century and ensuring her lasting impact on modern readers. She concludes the interview with an excerpt from her book, George Eliot: The Last Victorian.
Eindelijk... we openen seizoen 13 met Middlemarch van George Eliot! In Engeland geldt het als een van de belangrijkste Engelstalige boeken ooit geschreven, voor Boeken FM-luisteraars geldt het als het boek dat ze al heel lang een keer besproken zouden willen hebben. In Middlemarch beschrijft Eliot het leven van een aantal mensen uit de Engelse middenklasse, en hoe ze met elkaar omgaan, in het provinciestadje Middlemarch rond 1830. George Eliot was het pseudoniem van Mary Ann Evans. Onlangs is Middlemarch opnieuw gedrukt met een nawoord van onze Ellen, in een vertaling van Annelies Roeleveld en Margret Stevens. Wat heeft Middlemarch betekend voor het volwassen leven van het Boeken FM-panel? Is het eigenlijk een historische roman? Waarom zijn klassiekers van alle tijden? En wie is de vertelstem precies? Een luisteraar vraagt ons of we wel eens graven van schrijvers bezoeken. Voor welke graven zijn we omgelopen? SPONSOR - Brabants Boek Present Het Brabants Boek Present is een initiatief van literair productiehuis Tilt en CultuurfondsNoord-Brabant en wordt dit jaar geschreven door Leonieke Baerwaldt. Meer info lees je opwww.brabantsboekpresent.nl See omnystudio.com/listener for privacy information.
Since the publication of John Milton's epic poem Paradise Lost in 1667, readers and critics have noted the relationship between the poem and the author's political and personal struggles. What has been less prominent - at least until now - is how the poem came to haunt various political struggles over the next four centuries. In this episode, Jacke talks to author Orlando Reade about his book What in Me Is Dark, which looks at twelve readers - including Malcolm X, Thomas Jefferson, George Eliot, and Hannah Arendt - to see how Paradise Lost was understood and used by people immersed in their own revolutionary battles against tyranny and oppression. PLUS author Jodi Picoult (By Any Other Name) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
A Truce That is Not Peace by Miriam Toews is a heartfelt and hopeful memoir about life and art. Miriam joins us to talk about why she writes, silence, language, living in translation and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): A Truce That is Not Peace by Miriam Toews Fight Night by Miriam Toews Sandwich by Catherine Newman Crime and Punishment by Fyodor Dostoevsky The Grapes of Wrath by John Steinbeck The Bell Jar by Sylvia Plath Pride and Prejudice by Jane Austen Middlemarch by George Eliot
In this episode, Hunter and Autumn consider what Proverbs teaches us about how to work wisely—commending diligence, urging careful planning, and calling us to seek wise counsel. While Proverbs and various New Testament passages emphasize the immediate reward of diligent, thoughtful work, Jesus also emphasizes the eternal nature of our work and the necessity of working wisely in and for his kingdom.Resources mentioned in this episode:Silas Marner by George EliotWisdom for Today's Issues: A Topical Arrangement of the Proverbs by Stephen Voorwinde
Tonight's reading comes from Middlemarch. Written by George Eliot (the pen name of Mary Ann Evans) and first published in 1871, this story is part of a series that explores live in a provincial English town. My name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep.For those new to the podcast, it started from my own struggles with sleep. I wanted to create a resource for others facing similar challenges, and I'm so grateful for the amazing community we've built together.
Fort Zumwalt West (MO) Percussion Director and Chapter President for the Missouri Percussive Arts Society Neil Flannigan stops by to talk about his teaching position (03:25), the MOPAS Presidency (21:40), growing up in STL, his percussion and guitar background, the band Rush, Southwind Drum and Bugle Corps, and working at Dierberg's Grocery Store (31:00), attending St. Louis CC and the University of Missouri-St. Louis for undergrad, and meeting his eventual wife Jessie (47:30), his early teaching jobs, his decision not to follow the band director path, and landing his current position during COVID lockdown (01:00:00), and finishes with the Random Ass Questions, including discussions about setting boundaries, Indian food, Jurassic Park, puppetry, bourbon, and great visual art (01:27:00).Finishing with a Rave on the classic George Eliot novel Middlemarch (02:03:20).Neil Flannigan links:Neil Flannigan's Innovative Percussion pageNeil Flannigan's SABIAN Cymbals pagePrevious Podcast Guests mentioned:Jessie Flannigan in 2025Alex Smith in 2018Alexandros Fragiskatos in 2021Megan Arns in 2016Josh Knight in 2017Ivan Trevino in 2017Matt Henry in 2017Patricia Islas in 2021Eric Willie in 2022Other Links:MMPATNicole HackelSebastian BuhtsSt. Louis Wind SymphonyMichael Burritt“Tom Sawyer” - Rush“Smells Like Teen Spirit” - Nirvana“When Doves Cry” - Prince Southwind Drum and Bugle CorpsJim Widner“Fix You” - ColdplayJurassic Park trailerThe Martian trailerThe Martian - Andy WeirGhost Rider - Neil Peart“I Want it That Way” - Backstreet BoysWater Lilies - Claude MonetRaves:Middlemarch - George Eliot
Summer is slipping away and we are on break this week. But we have a fantastic rerun for you — our conversation with Min Jin Lee from last summer, when her book "Pachinko" was named one of the "100 Best Books of the 21st Century" by a New York Times Book Review panel. She spoke about her novel as well as the book she's read the most times — George Eliot's "Middlemarch."“I'm willing to say it's the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.” Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Our classic literature correspondent Kat Weaver joins us for a look at George Eliot's masterpiece about small towns and bad marriages. We find some wizards in it.
The Mill on the Floss is George Eliot's most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape' version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life. Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book's submerged sexuality, its questioning of conventional gender roles, and the way Eliot's satirical impulse is counterbalanced by the complexity of her characters. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrna In other podcast apps: https://lrb.me/closereadingsna Further reading in the LRB: Rachel Bowlby on reading George Eliot: https://www.lrb.co.uk/the-paper/v35/n07/rachel-bowlby/waiting-for-the-dawn-to-come Dinah Birch on Eliot's journals: https://www.lrb.co.uk/the-paper/v21/n10/dinah-birch/no-wonder-it-ached Rosemary Ashton on Eliot and sex: https://www.lrb.co.uk/the-paper/v05/n03/rosemary-ashton/two-velvet-peaches Gordon Haight's speech on Eliot at Westminster Abbey: http://lrb.co.uk/the-paper/v02/n14/gordon-haight/gordon-haight-s-speech-in-westminster-abbey-on-21-june-when-a-memorial-stone-to-george-eliot-was-unveiled Next episode: ‘Our Mutual Friend' by Charles Dickens.
It is never too late to be what you might have been. –George Eliot Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com
What does feel like to live helplessly in a world that is coming undone? If you're alive in 2025, you are probably very familiar with this feeling - and if you'd been alive in the age of Victorian literature, you might have felt that way too. In this episode, Jacke talks to author Nathan K. Hensley about his book Action without Hope: Victorian Literature after Climate Collapse, which studies how authors like George Eliot, Emily Brontë, H.G. Wells, Lewis Carroll, and Christina Rossetti used aesthetic strategies to deal with the anxiety and despair of ongoing climate disaster. What did they face? How did they cope? And can we learn from their examples? PLUS Jacke dives into some news from Italian museums, where people have been "losing their brains." What's going on with them? AND two Dickens experts, Stephen Browning and Simon Thomas, co-authors of The Real Charles Dickens, stop by to discuss their choice for the last book will they ever read. Will they choose something by Dickens? Note: The "My Last Book" conversation in this episode was recorded before the untimely passing of Stephen Browning. He was a wonderful guest, and we at the History of Literature Podcast are very grateful to have had the chance to speak with him. Our deepest sympathies are with his friends, family, and loved ones. May he rest in peace. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the 200th episode of Sarah's Bookshelves Live with a very special celebration with both co-hosts: Susie (@NovelVisits) and Catherine of Gilmore Guide to Books. Today, they are answering listener-submitted questions all about their reading journeys, their podcast journeys, and some about their pre-podcast blogging days! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Their early reading lives. The most surprising things about their reading history. Susie's secret endeavor! How much they talk about books in their day-to-day lives. What their friends outside of the book world think about what they do. Would Susie or Catherine ever want to do an author interview? How their feelings about the podcast have changed over the years. Topic Highlights Key Moments in Their Reading Lives [1:59] A few of the questions answered: Have you always been a reader, and do you have a distinct memory of when you truly fell in love with reading? [2:11] Was there a time in your life when you were not reading very much? [6:34] What parts of your reading tastes have changed dramatically over the course of your reading life and what parts have stayed consistent? [10:56] Currently, what is your reading “why”? What's the primary reasoon you read? [29:35] Their Professional Reading Journeys [34:17] A few of the questions answered: Why did you start your blogs? [34:26] Is there anything you miss from the time when you only blogged? Anything you don't miss? [40:35] What is your relationship like off mic? [44:49] How has social media changed your reading life? [53:04] Anything you wish you had known about podcasting before you got involved? [1:03:13] Books Mentioned Dick and Jane Reading Collection [2:41] Ant and Bee and the ABC (1950) [4:31] The Secret of the Old Clock by Carolyn Keene (1930) [4:59] Kristy's Great Idea (The Baby-Sitters Club, 1) by Ann M. Martin (1986) [5:02] Goodnight Moon by Margaret Wise Brown (1947) [5:29] The Interestings by Meg Wolitzer (2013) [9:47] Double Love (Sweet Valley High, 1) by Francine Pascal (1983) [16:09] Great Expectations by Charles Dickens (1861) [16:49] Tell Me Lies by Carola Lovering (2018) [17:42] Normal People by Sally Rooney (2019) [17:43] Bitter Sweet by Hattie Williams (2025) [17:44] Madame Bovary by Gustave Flaubert (1857) [18:46] Middlemarch by George Eliot (1872) [18:54] Out of Africa by Isak Dinesen (1937) [19:17]
Edward Whitley OBE is a financier, philanthropist, author and conservationist whose work has helped protect some of the planet's rarest species. He's raised over £24 million for more than 220 conservation projects in 80+ countries, encountering everything from golden-headed tamarins to monkey-eating eagles. He's also written on subjects ranging from Gerald Durrell and Nick Leeson, to Indira Gandhi, Sir John Betjeman, and even Jane Austen vs George Eliot—all while running his own investment firm for over two decades. In this wide-ranging conversation, we explore endangered wildlife, financial scandals, 19th-century literature, and a closing note from Sir David Attenborough. Informative, surprising, and inspiring—listen now. Related links: The Whitley Fund for Nature Gerald Durrell's Army The Graduates Rogue Trader Jane Austen and George Eliot The Lady and The Radical
Welcome to Episode 237 where we DO NOT talk about the scheduled ghost story, “Thrawn Janet” by Robert Louis Stevenson due to human error. We'll discuss it on the next episode along with “The Open Door” by Margaret Oliphant. Now, on to what we DID discuss. What we're currently reading: THE GARDEN by Clare Beams, SILAS MARNER by George Eliot, and COOKING IN REAL LIFE by Lidey Heuck. What we've just read: THE SHINING by Stephen King, MEMORIAL DAYS by Geraldine Brooks, and SO FAR GONE by Jess Walter. There are Biblio Adventures: Chris talked about attending the very first Bloomsday celebration at the Guilford Free Library and watching the 1980 film adaptation of The Shining. Emily shares her stop at the Montclair Public Library in New Jersey on the way to Princeton, and recaps the excitement of attending the 2025 Aspen Food & Wine Classic and fan-girling over Nancy Silverton whose book, THE COOKIE THAT CHANGED MY LIFE, is a longtime favorite. We had a wonderful discussion at our monthly Reading Salon with Patreon supporters about short books (the flip side of last month's big books). As always we wrapped with upcoming jaunts and reads, and a reminder about our third quarter readalong in our year of reading Ghost Stories – THE UPSTAIRS HOUSE by Julia Fine with a companion read of “The Yellow Wallpaper” by Charlotte Perkins Gilman. Happy Reading! https://www.bookcougars.com/blog-1/2025/episode237
Virginia Woolf once described Middlemarch as one of the few English novels 'for grown ups'
In a world competing for our attention, our guest this week admits: “It's probably harder to read novels now than it ever was.” But their value cannot be overstated. The novel's unique humanity, its careful and open treatment of the human experience, helps us to develop a sympathetic imagination, tuning our hearts and minds in a way that non-fiction argument simply cannot. Christopher Scalia, author of 13 Novels Conservatives Will Love (but Probably Haven't Read), makes the case that it is a distinctly conservative interest to explore the Western tradition through fiction. Recommendations in hand, he invites adults to refresh their reading list with novels—from the very inception of the form up to the present. Chapters: 1:47 The great book rut 4:11 Novels: the medium of recent Western tradition 5:30 The 18th-century bildungsroman 9:47 “Conservative” themes 16:18 The American dream in My Ántonia 22:39 Miraculous realism in Peace Like a River 29:02 Acknowledging the existence of evil 31:44 Wonder and encounter over strict interpretation 37:03 Revisiting works from your school years 38:47 Why narrative works 42:01 Books that nearly made the cut Links: 13 Novels Conservatives Will Love (but Probably Haven't Read) by Christopher Scalia Christopher J. Scalia at American Enterprise Institute The History of Rasselas by Samuel Johnson (1759) Evelina by Frances Burney (1778) Waverley by Sir Walter Scott (1814) The Blithedale Romance by Nathaniel Hawthorne (1852) Daniel Deronda by George Eliot (1876) My Ántonia by Willa Cather (1918) Their Eyes Were Watching God by Zora Neale Hurston (1937) The Girls of Slender Means by Muriel Spark (1963) The Children of Men by P. D. James (1992) Peace Like a River by Leif Enger (2001) Gilead by Marilynne Robinson (2004) The Road by Cormac McCarthy (2006) How I Won a Nobel Prize: A Novel by Julius Taranto (2023) Also on the Forum: Heights Forum Book Reviews On Reading Literature by Joseph Bissex Some Summer Reading Recommendations for Teachers by Tom Cox Modern Literature: On Curating the Contemporary featuring Mike Ortiz Guiding Our Boys through Modern Literature featuring Joe Breslin and Lionel Yaceczko Featured opportunities: Teaching Essentials Workshop at The Heights School (June 16-20, 2025) Convivium for Teaching Men at The Heights School (November 13-15, 2025)
Headteachers are gathering today in Harrogate for the annual conference of the National Association of Head Teachers. The negative effects on their students of smartphones and social media access has become a national conversation in recent months, with differing views on who should take the lead in protecting children; the Government, schools, parents, or tech companies. Anita Rani talks to secondary head Emma Mills. Her school, Birchwood High in Warrington, attracted national attention two years ago when teenager Brianna Ghey was murdered. Emma joins Anita to explain why she implemented the ban and what the effects have been so far.Barrister and campaigner Charlotte Proudman first came to prominence ten years ago when she called out a lawyer on LinkedIn who praised her profile picture. Never afraid to speak her mind, she talks to Anita about her new book ‘He said, She Said: Truth, Trauma and the Struggle for Justice in Family Court'.Writer George Eliot is brought to life in a new stage setting, accompanied by contemporary music by British female singer songwriters and using mainly her own words to tell her story. Author of seven novels, a poet and translator, George Eliot - real name Mary Ann Evans - was ahead of her time, befriended pioneering feminists and at one point became the second richest woman in England after Queen Victoria. Performers SuRie and Hermione Norris join Anita to discuss their celebration of her extraordinary and ground breaking life. Presenter: Anita Rani Producer: Laura Northedge
"The next person I want to present to you is Andrew Leslie. I'm fairly certain none of you know that name. But I hope that after several episodes, his “hidden life” and “unvisited tomb”, to use George Eliot's phrases from the last line of her novel “Middlemarch”, will be honored." For more information, visit CBTSeminary.org
The next person I want to present to you is Andrew Leslie. I'm fairly certain none of you know that name. But I hope that after several episodes, his “hidden life” and “unvisited tomb”, to use George Eliot's phrases from the last line of her novel “Middlemarch”, will be honored.For more information, visit CBTSeminary.org
Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Back in 2021, John and Elizabeth sat down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?” The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot's own take on collective biography, Middlemarch. Discussed in this episode: Richard Rhodes Making of the Atomic Bomb Ann Finkbeiner, The Jasons: The Secret History of Science's Postwar Elite James Gleick, The Information Jon Gertner, The Idea Factory: Bell Labs and the Great Age of American Innovation Black Hole photographs win giant prize Adam Jaffe, “Geographic Localization of Knowledge Spillovers as Evidenced by Patent Citations“ Jamie Cohen-Cole, The Open Mind Julian Steward et al., The People of Puerto Rico Paul Steinbeck, Message to Our Folks Jenny Uglow, Lunar Men George Eliot, Middlemarch Listen to and Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight, we'll read the opening to “Middlemarch, A Study of Provincial Life” written by English author George Eliot, and originally published in 1871. George Eliot is the pen name of Mary Ann Evans. The novel is set in a fictional English Midlands town in the early 1800s, following many separate characters whose lives intersect at times. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Initial reviews were mixed, but it is now seen widely as her best work and one of the great English novels. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode, Tony Brueski digs into one of London's most hauntingly beautiful—and paranormally charged—cemeteries: Highgate. Established in 1839, this sprawling Victorian burial ground became a resting place for some of history's greatest minds, including Karl Marx and George Eliot. But beneath its towering tombstones and weathered statues lies a far darker legend—one filled with ghostly figures, chilling whispers, and even tales of a vampire said to stalk its pathways. Join Tony as he uncovers the strange history of Highgate Cemetery, from its days as a grand garden burial ground to its descent into ruin and rebirth as a paranormal hotspot. With firsthand accounts, historical records, and expert theories, this episode digs into whether Highgate's hauntings are the product of environmental triggers, psychological suggestion—or something far more sinister.
On this episode, Tony Brueski digs into one of London's most hauntingly beautiful—and paranormally charged—cemeteries: Highgate. Established in 1839, this sprawling Victorian burial ground became a resting place for some of history's greatest minds, including Karl Marx and George Eliot. But beneath its towering tombstones and weathered statues lies a far darker legend—one filled with ghostly figures, chilling whispers, and even tales of a vampire said to stalk its pathways. Join Tony as he uncovers the strange history of Highgate Cemetery, from its days as a grand garden burial ground to its descent into ruin and rebirth as a paranormal hotspot. With firsthand accounts, historical records, and expert theories, this episode digs into whether Highgate's hauntings are the product of environmental triggers, psychological suggestion—or something far more sinister.
Recorded by staff of the Academy of American Poets for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 30, 2025. www.poets.org
In this episode of The Mookse and the Gripes Podcast, we're joined by Rohan Maitzen to explore the multifaceted world of historical fiction. Rohan guides us through the genre, unpacking its many layers and surprising complexities. From timeless classics to unexpected gems, we share some of our favorite examples from the genre and discuss how historical fiction challenges our perceptions of the past and sparks conversations about the present, all while whisking us away to another time. Whether you're drawn to sweeping epics or intimate character studies, tune in for a thought-provoking discussion that will enhance the way you think about historical fiction!Join the Mookse and the Gripes on DiscordWe're creating a welcoming space for thoughtful, engaging discussions about great novellas, starting with First Love by Ivan Turgenev in April. Whether you want to share insights, ask questions, or simply follow along, we'd love to have you. The discussion will unfold gradually, so you can read at your own pace and jump in whenever you're ready. It's a great way to connect with fellow readers, explore new works together, and deepen your appreciation for the novella form.For the first book, the schedule will be as follows:* April 6: Start of the book through Section 9* April 9: Section 10 through Section 16* April 13: Section 17 through the endShownotesBooks* Widening the Skirts of Light: Essays on George Eliot, by Rohan Maitzen* Middlemarch for Book Clubs, by Rohan Maitzen* Middlemarch, by George Eliot* Daniel Deronda, by George Eliot* Pride and Prejudice, by Jane Austen* The Lymond Chronicles, by Dorothy Dunnett* My Lady Jane, by Cynthia Hand* Stone Yard Devotional, Charlotte Wood* All Fours, by Miranda July* Mrs. Death Misses Death, by Salena Godden* Telephone, by Percival Everett* Jane Austen's Bookshelf: A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend, by Rebecca Romney* Evelina, by Frances Burney* Northanger Abbey, by Jane Austen* The Mysteries of Udolpho, by Ann Radcliffe* The Snow Child, by Eowyn Ivey* Lonesome Dove, by Larry McMurtry* Waverley; or, 'Tis Sixty Years Since, by Walter Scott* Adam Bede, by George Eliot* Romola, by George Eliot* The Cater Street Hangman, by Anne Perry* The Whitechapel Conspiracy, by Anne Perry* Kindred, by Octavia Butler* An Unsuitable Job for a Woman, by P.D. James* The Count of Monte Cristo, by Alexandre Dumas* Burial Rites, by Hannah Kent* The Young Mary Queen of Scots, by Jean Plaidy* Murder Most Royal, by Jean Plaidy* Lives of the Queens of England, by Agnes and Elizabeth Strickland* Year of Wonders, by Geraldine Brooks* Siege of Krishnapur, by J.G. Farrell* Troubles, by J.G. Farrell* The Singapore Grip, by J.G. Farrell* Hamnet, by Maggie O'Farrell* A Long Long Way, by Sebastian Barry* Tree of Smoke, by Denis Johnson* Birdsong, by Sebastian Faulks* The Killer Angels, by Michael Shaara* Train Dreams, by Denis Johnson* My Lady Of Cleves, by Margaret Campbell Barnes* Child of the Morning, by Pauline Gedge* The Eagle and the Raven, by Pauline GedgeOther* Episode 64: Victorian LiteratureThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe
What should great fiction do for us? That's the question asked by Edwin Frank, editorial director of New York Review Books and author of Stranger than Fiction: Lives of the Twentieth-Century Novel. Good books—and there were many written during the past hundred years—can entertain, just as they can give us pleasure. But great ones have the ‘power to breach,' that is, to upset and provoke us, shattering our illusions about the world. On this episode, Frank speaks with Commonweal contributor and literary critic Tony Domestic about authors like Dostoevsy, Proust, and Virginia Woolf, among others. For further reading: Fiction by Alice McDermott Mollie Wilson O'Reilly on George Eliot's double life Tony Domestico's latest books column
The stories we tell ourselves shape the lives we live. If you've ever felt stuck in who you've been, remember—you're the author, not just the character. Your past may have built you, but it doesn't have to confine you. You can rewrite your narrative at any moment.George Eliot once said, "It's never too late to be who you might have been." You are not bound by old habits, past mistakes, or outdated beliefs. The pen is in your hands. So, what story do you want to tell next?More from Eddie Pinero:Monday Motivation Newsletter: https://www.eddiepinero.com/newsletterInstagram - @your_world_within and @IamEddiePineroTikTok - your_world_withinFacebook - https://www.facebook.com/YourworldwithinTwitter - https://www.twitter.com/IamEddiePineroBusiness Inquiries - http://www.yourworldwithin.com/contact#liveinspired #yourworldwithin #motivation
Relax and fall asleep tonight to the continuation of this classic story. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.
How to Sleep at Night is a tender and timely novel telling a heartfelt story about marriage, love and politics. Harris joined us live to talk about writing about people who are challenging their values, how her characters surprised her, the effects of being a journalist on pacing and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): How to Sleep at Night by Elizabeth Harris Fates and Furies by Lauren Groff Middlemarch by George Eliot