Podcasts about George Eliot

Episode: 1599 Urban archaeology: a privy provides a window to the past.  Today, history in a trash bin.

Quando uma escritora que admiras escreve sobre o marido que também admiravas (Paul Auster), a conversa ganha outra profundidade. O seu novo livro de memórias, “Fantasmas”, fala sobre a história de amor de ambos, e muito mais. Queridos ouvintes, sejam bem‑vindos a este episódio em homenagem ao casal e aos livros que partilharam com o mundo.When a writer you admire writes about the husband you also admired (Paul Auster), the conversation gains a different depth. Her new memoir, Ghost Stories, revisits their love story, and much more. Dear listeners, welcome to this episode in honor of the couple and the books they shared with the world.Siri's books:The Blindfold (De Olhos Vendados);The Enchantment of Lily Dahl (Fantasias de Uma Mulher);What I Loved (Aquilo que Eu Amava);The Sorrows of an American (Elegia para um Americano);The Summer Without Men (Verão Sem Homens);The Blazing World (O Mundo Ardente);Memories of the Future (Recordações do Futuro);Ghost Stories (Fantasmas).Outros livros referidos (mentioned books):Paul Auster's:New York trilogy:City of Glass (Cidade de Vidro);Ghosts (Fantasmas);The Locked Room (O Quarto Fechado).Moon Palace;Brooklyn Follies (As Loucuras de Brooklyn);Oracle Night;4321;Winter Journal (Diário de Inverno);The Invention of Solitude (A Invenção da Solidão);Sunset Park;Oracle Night.The year of Magical Thinking (O Ano do Pensamento Mágico), Joan Didion;Middlemarch, George Eliot;To The Lighthouse, Virginia Woolf.O que ofereci (I gifted Siri with):This is a Love Story, Jessica Soffer.Os livros aqui:www.wook.pt

The idea that a river is a living being has important legal consequences. But it also has imaginative consequences, which can, in George Eliot's words, ‘enlarge the imagined range for self to move in'. In ‘Is a River Alive?' (2025), Robert Macfarlane travels with the lawyers, Indigenous people, scientists and others who are working to protect rivers in Ecuador, India and Quebec, and challenges himself to see rivers in a way that widens the category of life. In this episode, Meehan and Peter assess Macfarlane's quest and look at the different kinds of writing he deploys along the way, including adventure story, biography and philosophy. They also look back to the origins of the rights of nature movement at the University of Southern California in the 1970s and consider whether the choice between seeing a river as either a resource or a fellow being is a false one. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture Read more in the LRB: Rebecca Solnit on water: https://lrb.me/nicep601 Kathleen Jamie of Robert Macfarlane: https://lrb.me/nicep602 Learn more about your ad choices. Visit megaphone.fm/adchoices

“To explain the lives of people living in this moment, to look at the historical forces that are shaping all of us, you have to look at business and technology. In our period, what is it that's shaping us? I would suggest it's the long fallout from the 2008 financial crisis and the technology revolution that's been happening in California.” — Alexander Starritt How to write a novel about our times? For Alexander Starritt, it means juxtaposing friendship and ambition alongside the grand historical forces of the age. Just as George Eliot did in Middlemarch. Whereas for Eliot, those forces were the 1832 Reform Acts and the industrial revolution, Starritt's forces are the 2008 financial crisis and the digital revolution. His novel, Drayton and Mackenzie, longlisted for the Financial Times Business Book of the Year, follows two ambitious Gen X'ers through the first two decades of the twenty-first century. The 2008 crash, Starritt says, ruined the lives of many of his generation. Rather than being in a Gramscian interregnum, our brave new 21st century world is already visible. But in contrast with many progressive critics of our neo-liberalism age, Starritt isn't apocalyptic about the future. Think of Drayton and Mackenzie as Middlemarch and McKinsey. Revolutions will come and go, but, for Alexander Starritt, friendship and ambition are unchanging. Five Takeaways •       The First Novel on the FT Business Book List in 15 Years: The Financial Times and Schroders Business Book of the Year longlist typically features books on China, AI, and tech giants. In 2025, for the first time in fifteen years, it included a novel. Starritt's reading of why: there's a gap. The literary and cultural worlds have become so estranged from the business world that very few writers are even attempting to write seriously about the forces that actually shape people's lives. That gap, he says, says as much about the cultural moment as any quality the book itself might have. •       George Eliot's Method: Historical Forces as the Engine of Fiction: When George Eliot wrote Middlemarch, the historical forces she was dramatising were the Reform Acts and the industrial revolution. Starritt's equivalent: the 2008 financial crisis and the California tech revolution. His method is Eliot's — use a closely observed relationship (in his case, a male friendship rather than a marriage) as the engine through which the reader experiences history. The friendship gives the historical canvas an emotional charge. The historical canvas gives the friendship its full weight. Neither works without the other. •       Male Friendship: The Most Important Relationship Nobody Writes About: We've all read too many books and seen too many films about romantic and sexual relationships. Starritt's observation: there is another type of relationship — friendship — that is incredibly important to almost all of us, and that gets almost no literary attention. Drayton and Mackenzie is his attempt to take it seriously. The friendship between James (straight-lined, disciplined, brilliant) and Roland (impulsive, self-sabotaging, charming) evolves from incomprehension to something described by the Financial Times as “unbreakable” — and the reviewer admitted that by the end, their vision wasn't the clearest. •       The Post-Liberal World Is Already Here: Everyone quotes Gramsci's interregnum — the old world is dying, the new one hasn't been born yet. Starritt's counter: the new world has already been born. You can see it everywhere across the Western world. British jobs for British workers. Reshoring manufacturing. Keeping out undesirable foreigners. There is, he notes, quite a lot of consensus about these things, even if the discourse around them is contested. The post-liberal world is already here. The question is not whether it will arrive but what we do with it. •       European Optimism: The Separation From America May Be for Europe's Own Good: Starritt's closing optimism, which he acknowledges may not be welcome news for American listeners: the painful separation from America that America is forcing upon Europe is probably, in the long run, for Europe's own good. Rather than relying on the White House, Europeans can take responsibility for themselves. David Runciman's idea: democracy needs to be renewed every generation. The external pressure of China, Russia, and an America that no longer wants to help may be the forcing function that produces that renewal. Maybe we can get some agency back. About the Guest Alexander Starritt is a Scottish novelist and entrepreneur. He was born in 1985 and is the author of Drayton and Mackenzie (Atlantic Monthly Press, June 2, 2026), We Germans (winner of the Dayton Literary Peace Prize), and The Beast (a 2017 Spectator book of the year). He was a founding team member of the policy platform Apolitical. He lives in London. References: •       Drayton and Mackenzie by Alexander Starritt (Atlantic Monthly Press, June 2, 2026). •       George Eliot, Middlemarch — Starritt's primary literary model, referenced explicitly. •       Adrian Wooldridge, “Bring Back the Big Business Novel,” Bloomberg — the piece referenced at the opening. •       David Runciman — referenced for his argument about democratic renewal. •       Michael Chabon, The Amazing Adventures of Kavalier & Clay — the Financial Times comparison. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: (00:31) - Introduction: the FT Business Book longlist and the first novel in 15 years (02:03) - The gap in culture: literary and business worlds estranged (02:50) - Adrian Wooldridge: bring back the big business no...

What do we mean by a “good book”? Some people choose a holiday read that demands time and attention. Others pick rip-roaring novels that require little thought. Our bookworms discuss whether art has to be improving to be praiseworthy, and give genre fiction some much-needed air time. This is a full list of the books mentioned in the show:“Pride and Prejudice” by Jane Austen“Red Rising” by Pierce BrownJack Reacher series by Lee Child“The Hunt for Red October” by Tom Clancy“Riders” and the other Rutshire chronicles by Jilly CooperDungeon Crawler Carl series by Matt Dinniman“Middlemarch” by George Eliot“Ulysses” by James Joyce“Wolf Hall” by Hilary Mantel“The Diamond Age” by Neal StephensonThe Murderbot series by Martha Wells “The Martian” by Andy Weir“American Wife” by Curtis SittenfeldGuests and host:Catherine Nixey, culture and Britain correspondentTom Standage, Economist deputy editorAlexandra Suich Bass, culture editorAlex Hern, AI writerRosie Blau, host of “The Intelligence”Topics covered: Fiction, romance, sci-fi, crime, thrillers, fantasy, romantasyJane Austen, Jilly Cooper, Curtis Sittenfeld, Lee ChildMatt Dinniman, Pierce Brown, Neal StephensonListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

What do we mean by a “good book”? Some people choose a holiday read that demands time and attention. Others pick rip-roaring novels that require little thought. Our bookworms discuss whether art has to be improving to be praiseworthy, and give genre fiction some much-needed air time. This is a full list of the books mentioned in the show:“Pride and Prejudice” by Jane Austen“Red Rising” by Pierce BrownJack Reacher series by Lee Child“The Hunt for Red October” by Tom Clancy“Riders” and the other Rutshire chronicles by Jilly CooperDungeon Crawler Carl series by Matt Dinniman“Middlemarch” by George Eliot“Ulysses” by James Joyce“Wolf Hall” by Hilary Mantel“The Diamond Age” by Neal StephensonThe Murderbot series by Martha Wells “The Martian” by Andy Weir“American Wife” by Curtis SittenfeldGuests and host:Catherine Nixey, culture and Britain correspondentTom Standage, Economist deputy editorAlexandra Suich Bass, culture editorAlex Hern, AI writerRosie Blau, host of “The Intelligence”Topics covered: Fiction, romance, sci-fi, crime, thrillers, fantasy, romantasyJane Austen, Jilly Cooper, Curtis Sittenfeld, Lee ChildMatt Dinniman, Pierce Brown, Neal StephensonListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Why is self-awareness so difficult?In this teaching on Psalm 19, John Ortberg explores self-deception, blind spots, hidden faults, and the surprising difficulty of honestly seeing ourselves.The Psalmist asks: “Who can discern their own errors?”That question launches a fascinating exploration of:- Freud and the unconscious mind- Cognitive bias and self-deception- Why humans protect their image- The role of feedback and mirrors- Spiritual growth through honesty- Grace, confession, and healingThis episode explores how Scripture and modern psychology intersect around one central truth: human beings are remarkably good at hiding truth from themselves.And yet real freedom begins when we become willing to see.Scriptures:- Psalm 19:12–14- Romans 1- Obadiah 1:3Resources mentioned:- Freud- George Eliot- Gregg Ten Elshof- Awakenings#psalm19  #JohnOrtberg #SelfAwareness #SpiritualFormation #ChristianFaith #Psychology #Prayer #BibleStudy #BlindSpots #Psalms

“Poemas existenciais” eram uma frequência de escrita de Emily Dickinson (1830-1886), que completa neste 15 de maio um século e quatro décadas de morte. Neste aniversário de 140 anos produzimos 48 poemas dela, que encontrou na liberdade do seu quarto toda a liberdade para criar. Para ela, a poesia como forma de expressão, era o próprio viver. Ela nunca intitulava seus poemas, mas nestes de hoje há clássicos os versos de: “Não é preciso ser um quarto, para ser assombrado”, "Porque eu não pude parar para a Morte”, "A esperança é uma coisa com penas”; "Sou Ninguém! Quem é você?”, "Esta é minha carta ao Mundo”, entre outros. Maior conservador do legado da poetisa, o Museu Emily Dickinson explica as maiores características literárias da autora em cinco macro estruturas e nove abordagens: tema e tom; forma e estilo; metro e rima; pontuação e sintaxe; dicção. Este assunto e muitos outros foram debatidos no Clube Leitura de Ouvido da véspera de publicação deste episódio. Mergulhamos no mundo Dickinsoniano. Ela foi contemporânea das Irmãs Bronte, George Sand, George Eliot e Elizabeth Barret Browning. Na parede do seu quarto havia o retrato dos dois últimos, seus poetas preferidos. Amherst, Massachusetts, foi o lar de Emily Dickinson ao longo da vida e o pano de fundo para sua visão poética. Em especial, a janela de seu quarto. Boa leitura!✅ Indique o Leitura de Ouvido no Prêmio Jabuti na categoria “Fomento à leitura - mídias digitais “: ⁠⁠⁠⁠https://www.premiojabuti.com.br/jabuti/indicacao-incentivo-a-leitura-cultura-digital/⁠⁠⁠⁠✅ Torne-se MEMBRO do CLUBE LEITURA de OUVIDO: encontros virtuais mensais, com notas de rodapé ao vivo e interação entre os leitores e Daiana Pasquim. Para isso, faça um apoio a partir de R$ 20 mensais:

"Den enda engelska romanen för vuxna"

Författarna Christoffer Carlsson och Lina Wolff gästar Lundströms Bokradio för att bokcirkla om klassikern Middlemarch av George Eliot i Hans-Jacob Nilssons prisade översättning. Lyssna på alla avsnitt i Sveriges Radios app. Den viktorianska romanen Middlemarch har utsetts till den bästa romanen på engelska någonsin. Virginia Woolf kallade den på sin tid, i ett berömt citat, ”en av de få romanerna på engelska skrivna för vuxna”.Författaren heter George Eliot, en pseudonym för Mary Anne Evans. Född 1819 i en engelsk småstad bosatte hon sig i London 1850, där hon blev självförsörjande. Hon levde med en filosof och kritiker som redan hade fru och barn. I samtiden var hon en mycket läst författare, hennes böcker sålde och hon jämfördes med Charles Dickens. Romanen Middlemarch publicerades i åtta delar åren 1871 och 1872.Tillsammans med författarna Christoffer Carlsson och Lina Wolff dyker vi ner i denna kända klassiker. Tiden i berättelsen är 1830-tal och i förgrunden står två systrar i 20-årsåldern, Dorothea och Celia Brooke, som båda är ”giftasmogna”. De har förlorat sina föräldrar i tidig ålder och lever med sin farbror. Middlemarch gestaltar bland annat tidens syn på äktenskap, kärleksrelationer och familjeliv.Boken är översatt till svenska av Hans-Jacob Nilsson och det är en översättning från 2024 som har hyllats och prisats.Programmet sändes första gången i oktober 2024.Skriv till oss! bokradio@sverigesradio.seProgramledare: Marie Lundström

In this episode Paul and Gwyn chat about things created 150 years ago in 1876 including the publication of the Dewey Decimal Classification system; Daniel Deronda by George Eliot and The Hunting of the Snark by Lewis Carroll. Gwyn also steps through the wardrobe into the land of Narnia.In the episode we mention Mike Batt's musical version of the Hunting of the Snark which you can find here https://open.spotify.com/album/0OmmGKeU2rnPx45RXRBOEd?si=8V-Qg3K6RGWaVQ1O2nG7aQWe also mention The Book Club episode on Phillip Pullman's Northern Lights which you can listen to here https://open.spotify.com/episode/4vlzvFxlb1QnqsrIrwH4k7?si=f56a7c8408534468And here is our bookshelf of some of the books we mention in this episode https://uk.bookshop.org/lists/bookylicious-series-5-episode-6-dewey-deronda-and-narnia?&new-list-page=true

Dr. Alessandro de Franciscis, “The Miracle Doctor” of Lourdes, talks about his 17 years as the director of the Office of Medial Observations at the Lourdes Sanctuary in France. Fr. George Eliot, the vice postulator for the cause of canonization for Venerable Antonio Margil joins the show to talk about the – hopefully – future saint known as the “Apostle of the Americas”.

This week's book guest is Middlemarch by George Eliot.In this episode we discuss soap operas, love stories, socialism, Nietzsche and Cariad getting angry.Thank you for reading with us. We like reading with you!Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclubProduced by Naomi Parnell Recorded by Naomi Parnell and edited by Aniya Das for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

How do you know your life is worthwhile? How do connect to the world around you? What sort of life is worth living?In her new book, Transcendence for Beginners, the philosopher and biographer Clare Carlisle works through answers to these questions, answers inspired by the philosopher Spinoza and the novelist George Eliot. And those answers, rather than pointing to something beyond, point us to transcendence in the here and now. Plus we talk about tradwives.Here's the link to the book at the publisher's website: https://www.nyrb.com/products/transcendence-for-beginners

Francesca Frigerio"Misia e basta"Manni Editoriwww.mannieditori.comMusa e mecenate di musicisti, pittori, scrittori, pianista dotata e concertista lei stessa, Misia Godebska ha riunito intorno a sé il meglio della scena culturale e salottiera parigina tra la fine dell'Ottocento e la prima metà del Novecento, tra feste, teatri, viaggi a Roma e Venezia, Vienna e la Costa Azzurra, morfina, ménage à trois, amori falliti e successi mondani che delineano i contorni di un'epoca eccezionale. È stata Madame Natanson, poi Edwards e poi Sert, Madame Verdurinska, Misia la snobinette, Comare Ammazzatutto, Ape Regina. Molti nomi per una creatura che sembra aver vissuto altrettante vite: Ravel e Debussy le dedicavano le loro composizioni, Mallarmé i suoi versi, composti spesso mentre la ascoltava suonare. Se Renoir e Toulouse-Lautrec hanno reso il suo volto immortale, per Coco Chanel era, semplicemente, la donna più intelligente che avesse mai conosciuto.  In questo romanzo, intessuto delle tante pagine scritte su di lei, dei suoi diari e carteggi, a raccontare la sua vita è Misia stessa, e lo fa con la voce di una donna forte, appassionata, di enorme fascino, ma anche tormentata e segnata, negli anni, da lutti e abbandoni. Una personalità complessa, sfaccettata, multiforme. Mille Misia o, meglio, Misia e basta.Francesca Frigerio è nata a Milano, dove vive. È traduttrice dall'inglese di Dorothy Edwards, George Eliot, Robert Louis Stevenson, Rebecca West. Ha pubblicato saggi, tra cui Modernismo e modernità. Per un ritratto della letteratura inglese 1900-1940 (Einaudi, 2017) e curato l'antologia di racconti E vissero felici e contenti. Racconti di matrimonio (Einaudi, 2013).  Misia e basta è il suo primo romanzo.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Jeremy Deller for a wide-ranging conversation about how art uncovers the contradictions, radical traditions, and hidden stories that shape contemporary England.Jeremy and Josephine reflect on why Englishness remains so slippery to define; how popular culture, folk traditions, and street art reveal who we really are.Dash Arts has been digging into landscape and language — from reimagining George Eliot's Middlemarch in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We've been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?In 2026 Albion will culminate with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-houseOur intro music is Fakiiritanssi by Marouf MajidiThis podcast is marked explicit for language only. Hosted on Acast. See acast.com/privacy for more information.

On Saturday Iran's Supreme Leader Ayatollah Ali Khamenei was killed after Israel and the US launched a "massive" and ongoing attack against Iran's leadership and military. US President Donald Trump urged Iranian forces to lay down their arms, and for Iran's people to rise up against its government. Iran has responded by firing ballistic missiles and drones at US assets and allies across the region. Whilst huge questions still remain about what will happen next in this conflict, on Woman's Hour today we ask what this moment might mean for women in Iran. Nuala McGovern is joined by BBC Persian reporter Ghoncheh Habibiazad and international human rights lawyer Azadeh Zabeti, Co-President of the Committee of Anglo-Iranian Lawyers.Mary Ann Evans is better known by her pseudonym George Eliot. She's the author of many important novels including Middlemarch, Silas Marner, and Mill on the Floss, which brings the issue of women's education to the fore. A new play, Bird Grove, the name of George Eliot's home, has just opened at the Hampstead Theatre in London. When we meet Mary Ann she has not yet started writing fiction, but beginning to have her mind opened to progressive new ideas. Nuala finds out more with the play's director, Anna Ledwich, and actor Elizabeth Dulau who plays Mary Ann Evans. According to the NGO International Justice Mission, child sexual abuse that takes place on social media and other online platforms is one of the fastest‑growing yet least‑detected types of child abuse globally. Offenders pay to direct the real‑time sexual exploitation of children via any internet‑connected, camera‑enabled device. Most identified victims are in the Philippines and the UK is among the top three countries consuming this material, with the United States at number one. Nuala is joined by Molly Hudson from the International Justice Mission, and Sharon Pursey, co‑founder of SafeToNet, a British online safety technology company.Kate Pickett is Professor of Epidemiology at the University of York. Her new book is The Good Society and How We Make It and in it she looks at ideas she believes will build a better society and says we “can't afford to nibble” when it comes to solving some of the big issues we are facing. Presenter: Nuala McGovern Producer: Andrea Kidd

Art critic Louisa Buck and writer Chris Power giving their verdicts on Tracey Emin: a second life at Tate Modern. This landmark exhibition spans 40 years and includes famous works such as My Bed to recent paintings and bronzes which are on display for the first time.They will also be reviewing the Oscar nominated film Sirât - which tells the story of a father travelling the Moroccan desert with ravers in the hope of finding his missing daughter.And they discuss Bird Grove, a play which tells the story of Mary Ann Evans before she became George Eliot.Plus Tom interviews Linda Tolhurst, the National Theatre's Stage Door Keeper who is receiving the Industry Recognition Award at the Olivier Awards this year.Presenter: Tom Sutcliffe Producer: Claire Bartleet

What if the most powerful response to tragedy isn't professional intervention, but something much simpler and closer to home? Kelly weaves together a George Eliot quote about unhistoric acts, a newsletter from psychiatrist Dr. Samantha Boardman, and decades of research on community resilience to explore a surprising truth: after crisis, your friends and family aren't just holding you until you can get to a therapist—they are the therapy. It's about how natural support systems activate faster and reach more people than formal interventions, why being noticed matters more than we realize, and the quiet power of ordinary people showing up in extraordinary ways. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Welcome to Albion - our exploration of what it means to be English, and what we mean by England.In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Caroline Lucas for a thoughtful and urgent conversation about Englishness - beyond flags and nostalgia.Drawing on her book Another England, Caroline shares her thoughts on how land, belonging and identity shape our politics and our culture; how England's stories have been constructed and contested; and why reclaiming a generous, complex vision of England matters now.Since 2022, Dash Arts has been digging into landscape and language - from reimagining Middlemarch by George Eliot in 1980s Coventry, to running speech-making workshops with more than 600 people across the country. We've been listening to who we are — and who we could be.Join us as we ask: what does Englishness mean to you?Albion will culminate in 2026 with our new touring theatre production, Our Public House. Get your tickets and to find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-house Our intro music is Fakiiritanssi by Marouf Majidi Hosted on Acast. See acast.com/privacy for more information.

Fresh from wowing Disney audiences as Kleya in Andor, Elizabeth Dulau is playing the iconic poet George Eliot in Alexi Kaye Campbell's brand new play Bird Grove, currently in previews at the Hampstead Theatre. We discuss the surprising facets of Eliot's personality as well as the challenges faced with trying to bring such a revered literary figure to the stage. Beyond that, we also touch on Dulau's experiences in the Star Wars universe – and how she imagines Kleya's storyline continued. Hosted on Acast. See acast.com/privacy for more information.

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

When it comes to the condition of Jews in Christian Europe, France was long known as the haven and heartland of integration and of toleration. And yet when things seemed to be going well for Jews in Western Europe and North America generally and France especially, the infamous fin de siècle Dreyfus affair brought to the surface some of the worst kinds of bigotry and animus--like contemporaneous Russian pogroms a premonition of the deadly looming revival of ethnic or religious divisions that had seemed a thing of the past. Our guest today, historian Maurice Samuels, author of many fine books on French history (Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (2010), and The Right to Difference: French Universalism and the Jews (2016))and director of the Yale Program for the Study of Antisemitism has written a crackerjack new book. Alfred Dreyfus: The Man at the Center of the Affair, (Yale 2024) has written a wonderful account of Dreyfus himself and how should we understand what that turmoil has ot tell us how Jews then (and perhaps today) coexisted with a mainstream secular Christian society either by way of assimilation or (not quite the same thing) by peaceful integration that preserved cultural distinctions. The discussion ranges widely, setting the scene in the prior centuries when Jews settled all over France, and then were accorded unusual rights by the universalist vision of the French Revolution. Maurie also explains why succeeding generations in France included the ascension not only of Leon Blum the Jewish socialist (and inventor of the weekend!) who improbably led anti-fascist France during in the 1930's--but also the other Jews who followed him as political leaders in France, right up to the present-day. From Hannah Arendt's Origins of Totalitarianism (1951) forward, Maurie shows, intellectuals have missed the significance of the way Dreyfus and his family integrated without assimilating. The conversation culminating in Maurie introducing John to the fascinating "Franco-French War" about what that coexistence should look like: assimilation which presumes the disappearance of a distinctive Jewish cultural identity, or integration which posits the peaceful coexistence of French citizens of various religions and cultures. Mentioned in the episode Karl Marx, "On the Jewish Question" (1844) George Eliot's (perhaps philosemitic) Daniel Deronda (1876) Why does Yale have a Hebrew motto, אורים ותומים (light and perfection)? The Haitian Revolution in its triumphs and tribulations is an analogy that helps explain jewish Emancipation--and also in some ways a tragic counterexample. The horrifying Great Replacement Theory we have heard so much about in America (eg in Charlottesville in 2017) began in France; Maurie has some thoughts about that. Michael Burns, Dreyfus: A Family Affair. America's racial "one drop" rule. Pierre Birnbaum, Leon Blum: Prime Minister, Socialist, Zionist (Yale, 2015) Marcel Proust, In Search of Lost Time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Dominic welcomes back one of the most celebrated guests of this series Professor Robert Douglas-Fairhurst ... Robert's latest book Look Closer: How to get more out of reading (published by Penguin) is an invitation to all of us to go deeper into our reading, and find greater joy and meaning in the works of great writers from all ages and backgrounds. With examples from Dickens (of course!) but also George Eliot, Shakespeare, Margaret Attwood, Samuel Becket, Jane Austen and many more … Since they last spoke Robert has also published Metamorphosis: A Life in Pieces : a deeply powerful biography of his life and career, set against the backdrop of shock diagnosis of Multiple Sclerosis in 2017.Here are links to purchase Robert's books:Look Closer: How to get more out of readingMetamorphosis: A Life in PiecesThe Turning Point: A Year That Changed Dickens and the World  A Christmas Carol & Other Christmas Books Becoming Dickens: The Invention of a Novelist Support the showIf you'd like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardThank you so much!Host: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!

It is never too late to be what you might have been. - George Eliot Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

A very special Christmas treat for our listeners. Joseph and Jessa discuss George Eliot's Felix Holt: The Radical, which asks the very important question: is the socialist's primary task to yell at people and tell them they are wrong about everything? Set in the 1830s after political reform has granted voting rights to new -- but still very limited -- populations, a small English market town deals with the tumult that follows. A powerfully rich heir returns to stand for public office as "a radical," a young man decides to devote himself to the bettering of the working classes by telling them they are all ignorant drunks, and a young woman must decide which one of these weirdos to marry.  But there is also a strange paternity case and a power struggle over an estate, a satirical storyline about the foolishness of patriarchal lineage, and a few good jokes about atheists.  Join the discussion: http://theculturewedeserve.substack.com

In part two of our “Best Books of the Year” conversation, Hunter and Autumn share their favorite reads as categorized within general interest, children's books, and fiction and literature, reflecting on the stories that stuck with them this year. From critiques of modern discourse and meditations on land and interdependence to novels of grace, friendship, and moral awakening, these books ask what it means to live well and love rightly.Resources mentioned in this episode:General Interest:Summer of our Discontent: The Age of Certainty and the Demise of Discourse by Thomas Chatterton WilliamsA Walk in the Park: The True Story of a Spectacular Misadventure in the Grand Canyon by Kevin FedarkoFrom Strength to Strength by Arthur BrooksChildren's:We Sing! and Pippa and the Singing Tree by Kristyn GettyColorado: 50 Hikes With Kids by Wendy Gorton and Kristin TillackFiction and Literature:Lord of the Rings (3 Vols.) by J.R.R. Tolkien - Fiction and LiteratureTill We Have Faces by C.S. LewisSilas Marner: The Weaver of Raveloe by George EliotOrdinary Grace by William Kent KruegerMaster and Commander by Patrick O'BrianDeath Comes for the Archbishop by Willa CatherSmall Things Like These by Clare Keegan

Merriam-Webster's Word of the Day for December 1, 2025 is: pseudonym • SOO-duh-nim • noun A pseudonym is a name that someone (such as a writer) uses instead of their real name. // bell hooks is the pseudonym of the American writer Gloria Jean Watkins. See the entry > Examples: “Edgar Wright, the filmmaker and genre specialist who has given the world modern gems like Shaun of the Dead, Hot Fuzz, and Baby Driver, estimates he was around 13 years old when he read ‘the Bachman Books,' a collection of four novels that Stephen King published under the pseudonym Richard Bachman during the early years of his career.” — Don Kaye, Den of Geek, 9 Oct. 2025 Did you know? Pseudonym has its origins in the Greek adjective pseudōnymos, which means “bearing a false name.” French speakers adopted the Greek word as the noun pseudonyme, and English speakers later modified the French word into pseudonym. Many celebrated authors have used pseudonyms. Samuel Clemens wrote under the pseudonym “Mark Twain,” Charles Lutwidge Dodgson assumed the pseudonym “Lewis Carroll,” and Mary Ann Evans used “George Eliot” as her pseudonym.

It is never too late to be what you might have been. –George Eliot   Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Catherine Crowe was a wildly acclaimed Victorian novelist, playwright, social critic and …ghost hunter? Her novels were as popular as Charles Dickens,' and Ralph Waldo Emerson, Harriet Martineau, and George Eliot were her ardent fans. And her pioneering catalog of ghosts and the supernatural, The Night Side of Nature, was one of the first and most influential works to be adopted by the up-and-coming Spiritualist movement. So how did this incredibly talented, incredibly famous woman disappear from our collective memory? The answer involves a few misbehaving spirits, a little bit of nudity, and a whole lot of mean-spirited gossip by one very famous frenemy.  For this year's Halloween Special, Professor Ruth Heholt helps Olivia resurrect the wildly famous, wildly fascinating, wildly under-appreciated Catherine Crowe. Selections from Catherine Crowe's works read for us by Matthew Meikle and Emma Porter. Music featured in this episode provided by Amanda Setlik Wilson, Kevin MacLeod, Doug Maxwell, Myuu, Brian Bolger, Jesse Gallagher, and the Weber State University Choirs and Orchestra. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ask yourself: can you? It is a question that George Eliot asks over and over through her characters in Middlemarch, a 19th-century novel that speaks to our own fractious age. Eliot highlights how important it is to see the world from the point of view of others — even characters we don't like. *This is second episode in our two-part series. It originally aired on April 7, 2002.We'd love to hear from you! Complete our listener survey here.

Virginia Woolf called George Eliot's novel, Middlemarch “one of the few English books written for grownups.” It's a book full of characters asking: is it a good thing to live a life of duty, or is it ridiculous? Even after 150 years since the book was published, it provides up-to-date lessons in how to live a modern life. *This is part one or two-part series. It originally aired on April 6, 2022.

Join us on Substack - https://substack.com/@elishaandkatievoetbergThis is a newsletter and deeply personal space for us to share family life, homeschooling, and music with you all. We have been writing on Instagram and email for years, but ever since leaving social media behind with our smart phones a few years ago, we have been looking for another space to connect in a meaningful way. -Get it All Done Club: Stop drowning in motherhood and start thriving! https://www.nowthatwereafamily.com/get-it-all-done-clubIs your life just too complicated to ever feel peaceful? Learn how to create a peacefully productive home in one week. Check out Katie's Free Home Management Masterclass: https://www.nowthatwereafamily.com/peacefully-productive-home-masterclass-Katie's book club books: - “My Dear Hemlock - A Christian Living Book for Women, Guard Against Vices, Grow in Virtue, Christian Book for Women” by Tilly Dillehay - https://amzn.to/46jPoV8 - “In Order to Live: A North Korean Girl's Journey to Freedom” by Yeonmi Park - https://amzn.to/3IEveMm - “Silas Marner” by George Eliot - https://amzn.to/4gFC5BL - “Surprised by Joy: The Shape of My Early Life” by C.S. Lewis - https://amzn.to/429nRmU

Summer is slipping away and we are on break this week. But we have a fantastic rerun for you — our conversation with Min Jin Lee from last summer, when her book "Pachinko" was named one of the "100 Best Books of the 21st Century" by a New York Times Book Review panel. She spoke about her novel as well as the book she's read the most times — George Eliot's "Middlemarch."“I'm willing to say it's the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.” Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.