Podcasts about Gaskell

Ep. 680: Cranford | Chapter 2 Book talk begins at 6:13. This week's chapter is a sobering reminder that small towns sometimes carry the heaviest stories. Also, we get another battle over Dickens vs. Johnson (yep, that again). --------------------------------------------------------------- • 02:40 - : Listen to “The Blog” (4 min vs 19 min on “The Gist—yes, he titled them in reverse). This is one of the Long-Covid papers we've been waiting for. PEM—post-exertional malaise is “feeling tired/sore a day after a workout” on crack. • PEM pain and brain fog can last up to two weeks after exertion…The Rank Study he mentions is the group saying “duh m'dude. If you've been in bed for a year yer gonna be tired after a workouta. You gotta get back on your exercise routine and qitcherbellyaching” —a theory that's led to permanent patient paralysis. The other study is big because it indicates that the damage is mitochondrial, not systematic (i.e., we're getting plenty of blood to our muscles. The muscles just can't do anything WITH that oxygen) • —and from the People who created the Visible app that has saved my life (MakeVisible.com) • 03:20 Snake Oil!!! • 04:03 RAFFLE of "Knitting Companion," the amazing ergonomic book. Join the raffle here: • 06:13 BOOK TALK BEGINS • 06:40 - Re-hash Ch 1 • 09:35 - Humor and Gaskell • 10:40 - I'm drinking Plum Deluxe Bookshop Blend White. To pick your own from The CraftLit Collection of Plum Deluxe Teas, visit bit.ly/craftlit-pdtea to learn more. • 11:20 - Who's the narrator?! • 12:26 - Bakehouses • 14:20 - Flints haberdashery in London (UPDATE - apparently NOT a real place! But the meaning is the same.) • 15:15 - Biblical DebORah (the pronunciation that should be used ahem) read about her in Judges 4:4. • 15:36 - “Strong minded” women - yeah, that was an insult. Kinda like “She was warned. She was given an explanation. Nevertheless, she persisted…” when Elizabeth Warren tried to read a letter from Coretta Scott King into the Congressional Record in February 2017. See Mary Wollstonecraft on masculine women on • 17:50 - - this is not the one I remembered (they haven't digitised their entire collection) but it DOES have a shocking poem in it—by a 14 year old girl. • 18:50 - Just a heads up: Gaskell sort of doesn't really quote things accurately—at this time code she's sort of quoting Hamlet, she also makes up words like Brunonian • 20:02 - Sort of quoting Alexander Pope “Imitations of Horace” 1733 • 20:17 - Sort of quoting/sub-referencing Spenser's “The Faerie Queene” IV:3;32, 1596 • 20:55 - Nasty cruel Railroads. Yup. • 22:17 - The guy who got a railroad spike through his head - Phineas Gage () • 23:13 - Bonnet as helmet • In fashion in 1820. Not in fashion by the 1840s: • 24:50   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

Ep. 679: Cranford | Chapter 1 Book talk begins at 16:10. We're diving into a brand-new book, and this one's got all the charm, wit, and genteel gossip you could ask for! The reigning queen of propriety, Miss Deborah Jenkyns, has thoughts about everything—from how to properly serve dinner to why men are mostly unnecessary. But when a certain Captain Brown dares to disrupt the delicate social balance, will Cranford's ladies be able to keep their composure? --------------------------------------------------------------- • 03:20 - Actually, we announced the raffle on 4/4/25. More info and entry information here: • 04:50 - • and • 05:50 - • 06:07 - • 06:37 - • 06:44 - Other books of Elizabeth Gaskell: , , and • 07:31 - • 07:50 - and the • 10:25 - • 10:42 - • 12:34 - • 12:41 - • 16:20 - • 16:43 - and • 17:39 - and • 20:00 - • 21:00 - • 23:26 - • 24:00 - • 25:05 - by • 25:43 - • 25:52 - designed by THE Brenda Dayne • • • • How to play Whist and • • • • • and •   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

00:00 Raffle Announcement & Cranford Start Date  00:21 Special Book Raffle: Knitting Comfortably - 04:17 Personal Update: Long Covid and Lecture Gigs 08:01 CraftLit Podcast Updates and Future Plans 12:14 Technical Issues and App Information - 14:51 Upcoming Events and Watch Parties -   16:45 Final Thoughts and Farewell

Our guest, Tiffany Gaskell, a seasoned executive coach, emphasizes the importance of asking powerful questions, creating a learner-centric environment, and resisting the urge to provide all the answers. We explore the power of curiosity in feedback conversations, the detrimental impact of blame on learning, and the need for psychological safety to foster open communication. Discover how co-creating agreements with your team and empowering individuals with choice can lead to a truly transformational leadership experience. Tune in to unlock the secrets of impactful coaching and elevate your leadership skillsGet the Podcast Notes and Subscribe to our weekly newsletter!  https://www.tocculture.com/newsletter Listen to the Culture Builders Podcast: Youtube | SpotifyInterested in booking TOC for a team meeting/consultation? Click here→ https://www.tocculture.com/contactTOC Coaching & Culture Certification Learn More about TOC and how we can help enhance your coaching experience https://www.tocculture.com/tocculture Learn More about Besty Butterick and her work with coaches! https://betsybutterick.com/Follow Us On Social MediaSubstack: https://substack.com/@jpnerbuntocInstagram- https://www.instagram.com/tocculture/ TikTok- https://www.tiktok.com/@tocculture Youtube- https://www.youtube.com/@tocculture

In this episode we're joined by Tiffany Gaskell, an expert in performance coaching and leadership development from Performance Consultants. We delve into the fascinating evolution of coaching, tracing its roots back to sports and the groundbreaking work of Sir John Whitmore and Tim Gallwey. Tiffany debunks common misconceptions about coaching, highlighting the power of facilitating self-discovery over simply telling people what to do. We explore the "Inner Game Equation" and its implications for unlocking potential in both individuals and organizations. Tiffany also shares insights on the link between organizational culture and performance, emphasizing the importance of creating an interdependent, collaborative environment. We discuss the characteristics of transformational leaders and how they can effectively navigate the challenges of today's workplace, including generational differences and the shift to hybrid work models. Tune in to gain valuable perspectives on leadership, coaching, and creating high-performing teams in the modern era.Get the Podcast Notes and Subscribe to our weekly newsletter!  https://www.tocculture.com/newsletter Listen to the Culture Builders Podcast: Youtube | SpotifyInterested in booking TOC for a team meeting/consultation? Click here→ https://www.tocculture.com/contactTOC Coaching & Culture Certification Learn More about TOC and how we can help enhance your coaching experience https://www.tocculture.com/tocculture Learn More about Besty Butterick and her work with coaches! https://betsybutterick.com/Follow Us On Social MediaSubstack: https://substack.com/@jpnerbuntocInstagram- https://www.instagram.com/tocculture/ TikTok- https://www.tiktok.com/@tocculture Youtube- https://www.youtube.com/@tocculture

Well it was apparently “take a friend to work day” today at WKXL's NH Unscripted as I had the privilege of sitting with Gary Locke and Greg Gaskell. Topics covered ranged from the tv show “Severance” to a fundraiser for the Hatbox Theatre happening in April to Gary trying to convince us he was once a body double for Roger Moore. (We had a hard time believing it as well.) Greg is a crazy talented writer, especially comedic, and we talked a lot about what he's currently invested in and then he asks Gary and I what roles or types of roles we still be interested in taking on. Some other friends get honorably mentioned as well: Aaron Compagna, Alex Picard, Wayne Asbury, Emily Karel and more!

Well it was apparently "take a friend to work day” today as I had the privilege of sitting with Gary Locke and Greg Gaskell. Topics covered ranged from the tv show “Severance” to a fundraiser for the Hatbox Theatre happening in April to Gary trying to convince us he was once a body double for Roger Moore. (We had a hard time believing it as well.) Greg is a crazy talented writer, especially comedic, and we talked a lot about what he's currently invested in and then he asks Gary and I what roles or types of roles we still be interested in taking on. Some other friends get honorably mentioned as well: Aaron Compagna, Alex Picard, Wayne Asbury, Emily Karel and more!

In this episode of the Connected Leadership Bytes, Andy Lopata looks back at his interview with Kevin Gaskell, serial entrepreneur, author, and adventurer. Kevin discusses his record-breaking row across the Atlantic, focusing on the lessons learnt that are applicable to business, particularly how smaller businesses can compete with larger giants. Kevin shares how his initial reluctance to row transformed into a world-record attempt, driven by a serendipitous conversation and the desire to explore new challenges. He emphasises the critical importance of team chemistry over paper qualifications, noting how a strong bond and mutual trust were paramount to their success. Kevin highlights the balance between encouraging people to stretch and respecting their boundaries. He emphasises creating a vision of success that inspires rather than imposing targets. He describes their intense preparation, including a rigorous training regime and specialised courses. He reveals how they managed the grueling demands of the race, covering two-hour shifts of rowing and maintaining discipline through clear communication, whilst balancing the need to remain focused and also to take in and appreciate the overall experience. The importance of a strong culture was central to their success. Kevin also shares how they dealt with difficult moments using a designated ‘release word,' which allowed for individual time but open discussions to solve problems. He concludes by stressing the importance of enjoying the journey whatever your goal, viewing challenges as opportunities, and creating an environment of trust and openness. Key Takeaways Team Chemistry is Crucial: Prioritise a strong connection and trust among team members over traditional qualifications. Inspire with Vision, Not Just Targets: Motivate your team with an extraordinary vision, not just by setting financial goals. Commitment Requires Choice: Empower individuals with the freedom to choose, but expect full commitment once they buy in. Discipline and Balance: Find the balance between rigorous discipline and the need to have a positive culture, where people feel they can contribute and make an impact. Culture is the Foundation: Create an open and honest culture built on kindness and mutual respect. Enjoy the Journey: Embrace the challenges and difficulties as learning opportunities, and find joy in the pursuit of your goals.   SELECTED LINKS FROM THE EPISODE Connect with Andy Lopata: Website | Instagram | LinkedIn | X/Twitter | YouTube Connect with Kevin Gaskell: Website |LinkedIn | The Financial Times Guide to Mentoring Episode 139 Featuring Kevin Gaskell

Once upon a time, I found myself trapped in a tumultuous marriage, isolated by society's prejudice against divorce. It was an upsetting period filled with emotional upheaval, but it was also the catalyst that led me to a path of self-discovery and healing. This episode explores these challenging moments and the transformative journey that followed. We're joined by author Deborah Gaskell, who shares her wisdom and insights from her enlightening book, 'Single and Sublime.' We also examine life transformations, societal taboos, and the power of self-governance, using our personal stories to illustrate these themes. As we open our hearts to each other, we discuss the significance of self-control and explore the concept of the "love zone." We share how we navigated the murky waters of self-pity and emerged stronger and more self-aware. Together, we uncover the possibilities of redemption amidst adversity and highlight the importance of introspection in relationships. This is an episode about overcoming personal struggles and finding the will to set faith-based goals as opposed to chasing fantasies. As the episode draws to a close, we dive into the importance of writing down and pursuing a vision. We share our experiences on how we overcame the numbing effects of pain and rediscovered our sense of self. Finally, we remind ourselves and you, our listeners, to share the wisdom gained and the positive messages we've learned along the way. So join us for this heartfelt conversation and let's explore together the importance of emotional health, self-governance, and living an extraordinary life. Where to dive in: (0:00:00) - Introducing Deborah Gaskell (0:03:59) - Life Transformations and Defying Taboos (0:15:03) - Governing Yourself (0:20:00) - Self-Governing and the Love Zone (0:23:56) - Overcoming Challenges and Taking Personal Responsibility (0:30:46) - Discovering the Power to Overcome Challenges (0:46:27) - Examining Fear, Red Flags, and Self-Improvement (0:56:53) - Faith vs. Fantasy in Setting Goals (1:08:00) - Navigating Pain and Finding Purpose (1:12:43) - Importance of Writing and Pursuing Vision (1:21:30) - Finding Vision and Overcoming Numbness (1:34:34) - Share and Spread the Message About your host: Jaime Luce' testimony has daunting personal mountains and treacherous financial valleys. She was trapped in day-to-day stress and couldn't see a way forward. But how she started is not how she finished! And she wants you to know God has a plan for your life too, no matter how tough it seems. Today, Jaime has been married to the love of her life for almost three decades, owns two companies, and has become an author and podcaster. God's way is always the blessed way! Free chapter of Jaime's new book: You Don't Need Money, You Just Need God: https://jaimeluce.com/book/ Connect: - Website: https://jaimeluce.com - Facebook: https://www.facebook.com/jaime.luces.page - Instagram: https://www.instagram.com/jaime_luce/ - LinkedIn: https://www.linkedin.com/in/jaime-luce-00395691/

Who else in literature today could be more interesting to interview than Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans, as well as the author of popular reviews and the sweater weather Substack? We talked about so much, including: Chopin and who plays him best; why there isn't more tennis in fiction; writing fiction on a lab bench; being a scientific critic; what he has learned working as a publisher; negative reviews; boring novels; Jane Austen. You'll also get Brandon's quick takes on Iris Murdoch, Jonathan Franzen, Lionel Trilling, György Lukács, and a few others; the modern critics he likes reading; and the dead critics he likes reading.Brandon also talked about how his new novel is going to be different from his previous novels. He told me:I no longer really want to be starting my books, quote unquote, in media res. I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation.I have enjoyed Brandon's fiction (several people I recommend him to have loved Real Life) and I think he's one of the best critics working today. I was delighted to interview him.Oh, and he's a Dickens fan!Transcript (AI produced, lightly formatted by me)Henry: Today I am talking to Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans. Brandon is also a notable book reviewer and of course he writes a sub stack called Sweater Weather. Brandon, welcome.Brandon: Yeah, thanks for having me.Henry: What did you think of the newly discovered Chopin waltz?Brandon: Um, I thought, I mean, I remember very vividly waking up that day and there being a new waltz, but it was played by Lang Lang, which I did not. I don't know that, like, he's my go-to Chopin interpreter. But I don't know, I was, I was excited by it. Um, I don't know, it was in a world sort of dominated by this ethos of like nothing new under the sun. It felt wonderfully novel. I don't know that it's like one of Chopin's like major, I don't know that it's like major. Um, it's sort of definitively like middle of the road, middle tier Chopin, I think. But I enjoyed it. I played it like 20 times in a row.Henry: I like those moments because I like, I like it when people get surprised into realizing that like, it's not fixed what we know about the world and you can even actually get new Chopin, right?Brandon: I mean, it felt a little bit like when Beyonce did her first big surprise drop. It was like new Chopin just dropped. Oh my God. All my sort of classical music nerd group texts were buzzing. It felt like a real moment, actually.Henry: And I think it gives people a sense of what art was like in the past. You can go, oh my God, new Chopin. Like, yes, those feelings are not just about modern culture, right? That used to happen with like, oh my God, a new Jane Austen book is here.Brandon: Oh, I know. Well, I mean, I was like reading a lot of Emile Zola up until I guess late last year. And at some point I discovered that he was like an avid amateur photographer. And in like the French Ministry of Culture is like digitized a lot of his glass plate negatives. And one of them is like a picture that Zola has taken of Manet's portrait of him. And it's just like on a floor somewhere. Like he's like sort of taken this like very rickety early camera machinery to this place where this portrait is and like taken a picture of it. It's like, wow. Like you can imagine that like Manet's like, here's this painting I did of you. And Zola's like, ah, yes, I'm going to take a picture to commemorate it. And so I sort of love that.Henry: What other of his photos do you like?Brandon: Well, there's one of him on a bike riding toward the camera. That's really delightful to me because it like that impulse is so recognizable to me. There are all these photos that he took of his mistress that were also just like, you can like, there are also photographs of his children and of his family. And again, those feel so like recognizable to me. He's not even like a very good photographer. It's just that he was taking pictures of his like daily life, except for his kind of stunt photos where he's riding the bike. And it's like, ah, yes, Zola, he would have been great with an iPhone camera.Henry: Which pianists do you like for Chopin?Brandon: Which pianists do I love for Chopin? I like Pollini a lot. Pollini is amazing. Pollini the elder, not Pollini the younger. The younger is not my favorite. And he died recently, Maurizio Pollini. He died very recently. Maybe he's my favorite. I love, I love Horowitz. Horowitz is wonderful at Chopin. But it's obviously it's like not his, you know, you don't sort of go to Horowitz for Chopin, I guess. But I love his Chopin. And sometimes Trifonov. Trifonov has a couple Chopin recordings that I really, really like. I tend not to love Trifonov as much.Henry: Really?Brandon: I know it's controversial. It's very controversial. I know. Tell me why. I, I don't know. He's just a bit of a banger to me. Like, like he's sort of, I don't know, his playing is so flashy. And he feels a bit like a, like a, like a keyboard basher to me sometimes.Henry: But like, do you like his Bach?Brandon: You know, I haven't done a deep dive. Maybe I should do a sort of more rigorous engagement with Trifonov. But yeah, I don't, he's just not, he doesn't make my heart sing. I think he's very good at Bach.Henry: What about a Martha Argerich?Brandon: Oh, I mean, she's incredible. She's incredible. I bought that sort of big orange box out of like all of her, her sort of like masterwork recordings. And she's incredible. She has such feel for Chopin. But she doesn't, I think sometimes people can make Chopin feel a little like, like treacly, like, like a little too sweet. And she has this perfect understanding of his like rhythm and his like inner nuances and like the crispness in his compositions. Like she really pulls all of that out. And I love her. She has such, obviously great dexterity, but like a real sort of exquisite sensitivity to the rhythmic structures of Chopin.Henry: You listen on CD?Brandon: No, I listen on vinyl and I listen on streaming, but mostly vinyl. Mostly vinyl? Yeah, mostly vinyl. I know it's very annoying. No, no, no, no, no.Henry: Which, what are the good speakers?Brandon: I forget where I bought these speakers from, but I sort of did some Googling during the pandemic of like best speakers to use. I have a U-Turn Audio, U-Turn Orbital record player. And so I was just looking for good speakers that were compatible and like wouldn't take up a ton of space in my apartment because I was moving to New York and had a very tiny, tiny apartment. So they're just from sort of standard, I forget the brand, but they've served me well these past few years.Henry: And do you like Ólafsson? He's done some Chopin.Brandon: Who?Henry: Víkingur Ólafsson. He did the Goldbergs this year, but he's done some Chopin before. I think he's quite good.Brandon: Oh, that Icelandic guy?Henry: Yeah, yeah, yeah. With the glasses? That's right. And the very neat hair.Brandon: Yes. Oh, he's so chic. He's so chic. I don't know his Chopin. I know his, there's another series that he did somewhat recently that I'm more familiar with. But he is really good. He has good Beethoven, Víkingur.Henry: Yeah.Brandon: And normally I don't love Beethoven, but like—Henry: Really? Why? Why? What's wrong with Beethoven? All these controversial opinions about music.Brandon: I'm not trying to have controversial opinions. I think I'm, well, I'm such a, I'm such, I mean, I'm just like a dumb person. And so like, I don't, I don't have a really, I feel like I don't have the robust understanding to like fully appreciate Beethoven and all of his sort of like majesty. And so maybe I've just not heard good Beethoven and I need to sort of go back and sort of get a real understanding of it. But I just tend not to like it. It feels like, I don't know, like grandma's living room music to me sometimes.Henry: What other composers do you enjoy?Brandon: Oh, of course.Henry: Or other music generally, right?Brandon: Rachmaninoff is so amazing to me. There was, of course, Bach. Brahms. Oh, I love Brahms, but like specifically the intermezzi. I love the intermezzi. I recently fell in love with, oh, his name is escaping me now, but he, I went to a concert and they sort of did a Brahms intermezzi. And they also played this, I think he was an Austrian composer. And his music was like, it wasn't experimental, but it was like quite, I had a lot of dissonance in it. And I found it like really interesting and like really moving actually. And so I did a sort of listening to that constantly. Oh, I forget his name. But Brahms, Chopin, Rachmaninoff, love Rachmaninoff. I have a friend who says that Rachmaninoff writes Negro spirituals. And I love that theory that Rachmaninoff's music is like the music of the slaves. It just, I don't know. I really, that really resonates with me spiritually. Which pieces, which Rachmaninoff symphonies, concertos? Yeah, the concertos. But like specifically, like I have a friend who said that Rach II sounded to her like the sort of spiritual cry of like the slaves. And we were at like a hangout with like mostly Black people. And she like stopped playing like Juvenile, like the rapper. And she put on Rach II. And we just like sat there and listened. And it did feel like something powerful had entered the room. Yeah, but he's my guy. I secretly really, really love him. I like Liszt, but like it really depends on the day and the time for him. He makes good folk music, Liszt. I love his folky, his folk era.Henry: What is it that you enjoy about tennis?Brandon: What do I enjoy about tennis? I love the, I love not thinking. I love being able to hit the ball for hours on end and like not think. And like, it's the one part of my life. It's the one time in my life where my experience is like totally unstructured. And so like this morning, I went to a 7am drill and play class where you do drills for an hour. Then you play doubles for an hour. And during that first hour of drills, I was just like hitting the ball. I was at the mercy of the guy feeding us the ball. And I didn't have a single thought about books or literature or like the status of my soul or like the nature of American democracy. It was just like, did I hit that ball? Well, did I hit it kind of off center? Were there tingles in my wrist? Yes or no. Like it was just very, very grounding in the moment. And I think that is what I love about it. Do you like to watch tennis? Oh, yeah, constantly. Sometimes when I'm in a work meeting, the Zoom is here and the tennis is like playing in the background. Love tennis, love to watch, love to play, love to think about, to ponder. Who are the best players for you? Oh, well, the best players, my favorite players are Roger Federer, Serena Williams, Stanislas Wawrinka, love Wawrinka. And I was a really big Davydenko head back in the day. Nikolai Davydenko was this Russian player who had, he was like a metronome. He just like would not miss. Yeah, those are my favorites. Right now, the guy I'm sort of rooting for who's still active is Kasper Rud, who's this Norwegian guy. And I love him because he just looks like some guy. Like he just looks like he should be in a seminary somewhere. I love it. I love, I love his normalness. He just looks like an NPC. And I'm drawn to that in a tennis player.Henry: It's hard to think of tennis in novels. Why is that?Brandon: Well, I think a lot of people don't, well, I think part of it is a lot of novelists. Part of it is a lot of novelists don't play sports. I think that they, at least Americans, I can't speak for other parts of the world, but in America, a lot of novelists are not doing sports. So that's one. And I think two, like, you know, like with anything, I think that tennis has not been subjected to the same schemes of narrativization that like other things are. And so like it's, a lot of novelists just like don't see a sort of readily dramatizable thing in tennis. Even though if you like watch tennis and like listen to tennis commentary, they are always erecting narratives. They're like, oh yeah, she's been on a 19 match losing streak. Is this where she turns it around? And to me, tennis is like a very literary sport because tennis is one of those sports where it's all about the matchup. It's like your forehand to my backhand, like no matter how well I play against everyone else, like it's you and me locked in the struggle. And like that to me feels incredibly literary. And it is so tied to your individual psychology as well. Like, I don't know, I endlessly am fascinated by it. And indeed, I got an idea for a tennis novel the other day that I'm hopefully going to write in three to five years. We'll see.Henry: Very good. How did working in a lab influence your writing?Brandon: Well, somewhat directly and materially in the case of my first book, because I wrote it while I was working in the lab and it gave me weirdly like time and structure to do that work where I would be pipetting. And then while I was waiting for an assay or a experiment to run or finish, I would have 30 minutes to sit down and write.Henry: So you were writing like at the lab bench?Brandon: Oh, yeah, absolutely. One thousand percent. I would like put on Philip Glass's score for the hours and then just like type while my while the centrifuge was running or whatever. And and so like there's that impression sort of baked into the first couple books. And then I think more, I guess, like spiritually or broadly, it influenced my work because it taught me how to think and how to organize time and how to organize thoughts and how to sort of pursue long term, open ended projects whose results may or may not, you know, fail because of something that you did or maybe you didn't do. And that's just the nature of things. Who knows? But yeah, I think also just like discipline, the discipline to sort of clock in every day. And to sort of go to the coalface and do the work. And that's not a thing that is, you know. That you just get by working in a lab, but it's certainly something that I acquired working in a lab.Henry: Do you think it's affected your interest in criticism? Because there's there are certain types of critic who seem to come from a scientific background like Helen Vendler. And there's something something about the sort of the precision and, you know, that certain critics will refuse to use critical waffle, like the human condition. And they won't make these big, vague gestures to like how this can change the way we view society. They're like, give me real details. Give me real like empirical criticism. Do you think this is — are you one of these people?Brandon: Yeah, yeah, I think I'm, you know, I'm all about what's on the page. I'm all about the I'm not gonna go rooting in your biography for not gonna go. I'm not I'm not doing that. It's like what you brought to me on the page is what you've brought to me. And that is what I will be sort of coming over. I mean, I think so. I mean, very often when critics write about my work, or when people respond to my work, they sort of describe it as being put under a microscope. And I do think like, that is how I approach literature. It's how I approach life. If there's ever a problem or a question put to me, I just sort of dissect it and try to get down to its core bits and its core parts. And and so yeah, I mean, if that is a scientific way of doing things, that's certainly how I but also I don't know any other way to think like that's sort of that's sort of how I was trained to think about stuff. You've been to London. I have. What did you think of it? The first time I didn't love it. The second and third times I had a good time, but I felt like London didn't love me back. London is the only place on earth I've ever been where people have had a hard time understanding me like I like it's the only place where I've like attempted to order food or a drink or something in a store or a cafe or a restaurant. And the waiters like turned to my like British hosts and asked them to translate. And that is an entirely foreign experience for me. And so London and I have like a very contentious relationship, I would say.Henry: Now, you've just published four classic novels.Brandon: Yes.Henry: George Gissing, Edith Wharton, Victor Hugo and Sarah Orne Jewett. Why did you choose those four writers, those four titles?Brandon: Oh, well, once we decided that we were going to do a classics imprint, you know, then it's like, well, what are we going to do? And I'm a big Edith Wharton fan. And there are all of these Edith Wharton novels that Americans don't really know about. They know Edith Wharton for The Age of Innocence. And if they are an English major, they maybe know her for The House of Mirth. Or like maybe they know her for The Custom of the Country if they're like really into reading. But then they sort of think of her as a novelist of the 19th century. And she's writing all of these books set in the 1920s and about the 1920s. And so it felt important to show people like, oh, this is a writer who died a lot later than you think that she did. And whose creative output was, you know, pretty, who was like a contemporary of F. Scott Fitzgerald in a lot of ways. Like, these books are being published around the same time as The Great Gatsby. And to sort of, you know, bring attention to a part of her over that, like, people don't know about. And like, that's really exciting to me. And Sarah Orne Jewett, I mean, I just really love The Country of the Pointed Furs. I love that book. And I found it in like in a 10 cents bin at a flea market one time. And it's a book that people have tried to bring back. And there have been editions of it. But it just felt like if we could get two people who are really cool to talk about why they love that book, we could sort of have like a real moment. And Sarah Orne Jewett was like a pretty big American writer. Like she was a pretty significant writer. And she was like really plugged in and she's not really read or thought about now. And so that felt like a cool opportunity as well to sort of create a very handsome edition of this book and to sort of talk about a bit why she matters. And the guessing of it all is we were going to do New Grub Street. And then my co-editor thought, well, The Odd Women, I think, is perhaps more relevant to our current moment than New Grub Street necessarily. And it would sort of differentiate us from the people, from the presses that are doing reissues of New Grub Street, because there's just been a new edition of that book. And nobody in America really knows The Odd Women. And it's a really wonderful novel. It's both funny and also like really biting in its satire and commentary. So we thought, oh, it'll be fun to bring this writer to Americans who they've never heard of in a way that will speak to them in a lot of ways. And the Victor Hugo, I mean, you know, there are Hugos that people know all about. And then there are Hugos that no one knows about. And Toilers of the Sea was a passion project for my co-editor. She'd read it in Guernsey. That's where she first discovered that book. And it really meant a lot to her. And I read it and really loved it. I mean, it was like Hugo at his most Hugo. Like, it's a very, it's a very, like, it's a very abundant book. And it's so wild and strange and changeful. And so I was like, oh, that seems cool. Let's do it. Let's put out Toilers of the Sea. So that's a bit of why we picked each one.Henry: And what have you learned from being on the other side of things now that you're the publisher?Brandon: So much. I've learned so much. And indeed, I just, I was just asked by my editor to do the author questionnaire for the novel that I have coming out next. And I thought, yes, I will do this. And I will do it immediately. Because now I know, I know how important these are. And I know how early and how far in advance these things need to be locked in to make everyone's life easier. I think I've learned a bit about the sometimes panicked scramble that happens to get a book published. I've learned about how hard it is to wrangle blurbs. And so I think I'm a little more forgiving of my publishers. But they've always been really great to me. But now I'm like, oh, my gosh, what can I do for you? How can I help you make this publication more of a success?Henry: Do you think that among literary people generally, there's a lack of appreciation of what business really involves in some of the senses you're talking about? I feel like I see a lot of either indifferent or hostile attitudes towards business or commerce or capitalism, late stage capitalism or whatever. And I sometimes look at it and I'm like, I don't think you guys really know what it takes to just like get stuff done. You know what I mean? Like, it's a lot of grind. I don't think it's a big nasty thing. It's just a lot of hard work, right?Brandon: Yeah, I mean, 1000%. Or if it's not a sort of misunderstanding, but a sort of like disinterest in like, right, like a sort of high minded, like, oh, that's just the sort of petty grimy commerce of it all. I care about the beauty and the art. And it's just like, friend, we need booksellers to like, sell this. I mean, to me, the part of it that is most to me, like the most illustrative example of this in my own life is that when I first heard how my editor was going to be describing my book, I was like, that's disgusting. That's horrible. Why are you talking about my race? Why are you talking about like my sexuality? Like, this is horrible. Why can't you just like talk about the plot of the book? Like, what is the matter with you? And then I had, you know, I acquired and edited this book called Henry Henry, which is a queer contemporary retelling of the Henry ad. And it's a wonderful novel. It's so delightful. And I had to go into our sales conference where we are talking to the people whose job it is to sell that book into bookstores to get bookstores to take that book up. And I had to write this incredibly craven description of this novel. And as I was writing it, I was like, I hope Alan, the author, I hope Alan never sees this. He never needs to hear how I'm talking about this book. And as I was doing it, I was like, I will never hold it against my editor again for writing this like, cheesy, cringy copy. Because it's like you, like, you so believe in the art of that book, so much that you want it to give it every fighting chance in the marketplace. And you need to arm your sales team with every weapon of commerce they need to get that book to succeed so that when readers pick it up, they can appreciate all of the beautiful and glorious art of it. And I do think that people, you know, like, people don't really kind of, people don't really understand that. And I do think that part of that is publishing's fault, because they are, they've been rather quick to elide the distinctions between art and commerce. And so like publishing has done a not great job of sort of giving people a lot of faith in its understanding that there's a difference between art and commerce. But yeah, I think, I think there's a lot of misapprehension out there about like, what goes into getting bookstores to acquire that book.Henry: What are the virtues of negative book reviews?Brandon: I was just on a panel about this. I mean, I mean, hopefully a negative book review, like a positive review, or like any review, will allow a reader or the audience to understand the book in a new way, or to create a desire in the reader to pick up the book and see if they agree or disagree or that they, that they have something to argue with or push against as they're reading. You know, when I'm writing a negative review, when I'm writing a review that I feel is trending toward negative, I should say, I always try to like, I don't know, I try to always remember that like, this is just me presenting my experience of the book and my take of the book. And hopefully that will be productive or useful for whoever reads the review. And hopefully that my review won't be the only thing that they read and that they will in fact, go pick up the book and see if they agree or disagree. It's hopefully it creates interesting and potentially divergent dialogues or discourses around the text. And fundamentally, I think not every critic feels this way. Not every piece of criticism is like this. But the criticism I write, I'm trying to create the conditions that will refer the reader always back to the text, be it through quotation, be it through, they're so incensed by my argument that they're going to go read the book themselves and then like, yell at me. Like, I think that that's wonderful, but like, always keeping the book at the center. But I think a negative review can, you know, it can start a conversation. It can get people talking about books, which in this culture, this phase of history feels like a win. And hopefully it can sort of be a corrective sometimes to less genuine or perceived less genuine discourses that are existing around the book.Henry: I think even whether or not it's a question of genuine, it's for me, it's just a question of if you tell people this book is good and they give up their time and money and they discover that it's trash, you've done a really bad thing to that person. And like, there might be dozens of them compared to this one author who you've been impolite to or whatever. And it's just a question of don't lie in book, right?Brandon: Well, yeah. I mean, hopefully people are honest, but I do feel sometimes that there is, there's like a lack of honesty. And look, I think that being like, well, I mean, maybe you'll love this. I don't love it, you know, but at least present your opinion in that way. At least be like, you know, there are many interpretations of this thing. Here's my interpretation. Maybe you'll feel differently or something like that. But I do think that people feel that there have been a great number of dishonest book reviews. Maybe there have been, maybe there have not been. I certainly have read some reviews I felt were dishonest about books that I have read. And I think that the negative book review does feel a bit like a corrective in a lot of ways, both, you know, justified or unjustified. People are like, finally, someone's being honest about this thing. But yeah, I think it's interesting. I think it's all really, I think it's all fascinating. I do think that there are some reviews though, that are negative and that are trying to be about the book, but are really about the author. There are some reviews that I have read that have been ostensibly about reviewing a text, but which have really been about, you don't like that person and you have decided to sort of like take an axe to them. And that to me feels not super productive. I wouldn't do it, but other people find it useful.Henry: As in, you can tell that from the review or you know that from background information?Brandon: I mean, this is all projection, of course, but like there have been some reviews where I've read, like, for example, some of the Lauren Oyler reviews, I think some of the Lauren Oyler reviews were negative and were exclusively about the text. And they sort of took the text apart and sort of dissected it and came to conclusions, some of which I agreed with, some of which I didn't agree with, but they were fundamentally about the text. And like all the criticisms referred back to the text. And then there were some that were like projecting attitudes onto the author that were more about creating this sort of vaporous shape of Lauren Oyler and then sort of poking holes in her literary celebrity or her stature as a critic or what have you. And that to me felt less productive as like a book review.Henry: Yes. Who are your favorite reviewers?Brandon: Ooh, my favorite reviewers. I really love Christian Lawrence. And he does my, of the critics who try to do the sort of like mini historiography of like a thing. He's my favorite because he teaches me a lot. He sort of is so good at summing up an era or summing up a phase of literary production without being like so cringe or so socialist about it. I really love, I love it when he sort of distills and dissects an era. I really like Hermione Hobie. I think she's really interesting. And she writes about books with a lot of feeling and a lot of energy. And I really love her mind. And of course, like Patricia Lockwood, of course, everyone, perhaps not everyone, but I enjoy Patricia Lockwood's criticism. You don't?Henry: Not really.Brandon: Oh, is it because it's too chatty? Is it too, is it too selfie?Henry: A little bit. I think, I think that kind of criticism can work really well. But I think, I think it's too much. I think basically she's very, she's a very stylized writer and a lot of her judgments get, it gets to the point where it's like, this is the logical conclusion of what you're trying to do stylistically. And there are some zingers in here and some great lines and whatever, but we're no longer, this is no longer really a book review.Brandon: Yeah.Henry: Like by the, by the end of the paragraph, this, like, we didn't want to let the style go. We didn't want to lose the opportunity to cap that off. And it leads her into, I think, glibness a lot of the time.Brandon: Yeah. I could see that. I mean, I mean, I enjoy reading her pieces, but do I understand like what's important to her at a sort of literary level? I don't know. I don't, and in that sense, like, are they, is it criticism or is it closer to like personal essay, humorous essay? I don't know. Maybe that's true. I enjoy reading them, but I get why people are like, this is a very, very strong flavor for sure.Henry: Now you've been reading a lot of literary criticism.Brandon: Oh yeah.Henry: Not of the LRB variety, but of the, the old books in libraries variety. Yes. How did that start? How did, how did you come to this?Brandon: Somewhat like ham-fistedly. I, in 2021, I had a really bad case of writer's block and I thought maybe part of the reason I had writer's block was that I didn't know anything about writing or I didn't know anything about like literature or like writing. I'd been writing, I'd published a novel. I was working on another novel. I'd published a book of stories, but like, I just like truly didn't know anything about literature really. And I thought I need some big boy ideas. I need, I need to find out what adults think about literature. And so I went to my buddy, Christian Lorenzen, and I was like, you write criticism. What is it? And what should I read? And he gave me a sort of starter list of criticism. And it was like the liberal imagination by Lionel Trilling and Guy Davenport and Alfred Kazin who wrote On Native Grounds, which is this great book on the American literary tradition and Leslie Fiedler's Love and Death in the American Novel. And I, and then Edmund Wilson's Axel's Castle. And I read all of those. And then as each one would sort of refer to a different text or person, I sort of like followed the footnotes down into this rabbit hole of like literary criticism. And now it's been a sort of ongoing project of the last few years of like reading. I always try to have a book of criticism on the go. And then earlier this year, I read Jameson's The Antimonies of Realism. And he kept talking about this Georg Lukács guy. And I was like, I guess I should go read Lukács. And so then I started reading Lukács so that I could get back to Jameson. And I've been reading Lukács ever since. I am like deep down the Lukács rabbit hole. But I'm not reading any of the socialism stuff. I told myself that I wouldn't read any of the socialism stuff and I would only read the literary criticism stuff, which makes me very different from a lot of the socialist literary critics I really enjoy because they're like Lukács, don't read in that literary criticism stuff, just read his socialism stuff. So I'm reading all the wrong stuff from Lukács, but I really, I really love it. But yeah, it sort of started because I thought I needed grown up ideas about literature. And it's been, I don't know, I've really enjoyed it. I really, really enjoy it. It's given me perhaps terrible ideas about what novels should be or do. But, you know, that's one of the side effects to reading.Henry: Has it made, like, what specific ways has it changed how you've written since you've acquired a set of critical principles or ideas?Brandon: Yeah, I mean, I think part of it is, part of it has to do with Lukács' idea of the totality. And, you know, I think that the sort of most direct way that it shows up in a sort of really practical way in my novel writing is that I no longer really want to be starting my books, quote unquote, in media res. Like, I don't want, I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation and stuff like that. And so like that, that's sort of, that's sort of abstract, but like in a concrete way, like what I'm kind of trying to resolve in my novel writing these days.Henry: You mentioned Dickens.Brandon: Oh, yes.Henry: Which Dickens novels do you like?Brandon: Now I'm afraid I'm going to say something else controversial. We love controversial. Which Dickens? I love Bleak House. I love Bleak House. I love Tale of Two Cities. It is one of the best openings ever, ever, ever, ever in the sweep of that book at once personal and universal anyway. Bleak House, Tale of Two Cities. And I also, I read Great Expectations as like a high school student and didn't like it, hated it. It was so boring. But now coming back to it, I think it, honestly, it might be the novel of our time. I think it might accidentally be a novel. I mean, it's a novel of scammers, a novel of like, interpersonal beef taken to the level of like, spiritual conflict, like it's about thieves and class, like it just feels like like that novel could have been written today about people today, like that book just feels so alive to today's concerns, which perhaps, I don't know, says something really evil about this cultural stagnation under capitalism, perhaps, but I don't know, love, love Great Expectations now.Henry: Why are so many modern novels boring?Brandon: Well, depends on what you mean by boring, Henry, what do you mean? Why?Henry: I mean, you said this.Brandon: Oh.Henry: I mean, I happen to agree, but this is, I'm quoting you.Brandon: Oh, yes. I remember that. I remember that review.Henry: I mean, I can tell you why I think they're boring.Brandon: Oh, yes, please.Henry: So I think, I think what you said before is true. They all read like movies. And I think I very often I go in, I pick up six or seven books on the new book table. And I'm like, these openings are all just the same. You're all thinking you can all see Netflix in your head. This is not really a novel. And so the dialogue is really boring, because you kind of you can hear some actor or actress saying it. But I can't hear that because I'm the idiot stuck in the bookshop reading your Netflix script. Whereas, you know, I think you're right that a lot of those traditional forms of storytelling, they like pull you in to the to the novel. And they and they like by the end of the first few pages, you sort of feel like I'm in this funny place now. And to do in media res, like, someone needs to get shot, or something, something weird needs to be said, like, you can't just do another, another standard opening. So I think that's a big, that's a big point.Brandon: Well, as Lukasz tells us, bourgeois realism has a, an unholy fondness for the, the average, the merely average, as opposed to the typical. And I think, yeah, a lot of it, a lot of why I think it's boring echoes you, I think that for me, what I find boring, and a lot of them is that it feels like novelists have abandoned any desire to, to have their characters or the novels themselves integrate the sort of disparate experiences within the novel into any kind of meaningful hole. And so there isn't this like sense of like things advancing toward a grander understanding. And I think a lot of it is because they've, they are writing under the assumption that like the question of why can never be answered. There can never be like a why, there can never be a sort of significance to anything. And so everything is sort of like evacuated of significance or meaning. And so you have what I've taken to calling like reality TV fiction, where the characters are just like going places and doing things, and there are no thoughts, there are no thoughts about their lives, or no thoughts about the things that they are doing, there are no thoughts about their experiences. And it's just a lot of like, like lowercase e events in their lives, but like no attempt to organize those events into any sort of meaningful hole. And I think also just like, what leads to a lot of dead writing is writers who are deeply aware that they're writing about themes, they're writing about themes instead of people. And they're working from generalities instead of particularities and specificities. And they have no understanding of the relationship between the universal and the particular. And so like, everything is just like, like beans in a can that they're shaking around. And I think that that's really boring. I think it's really tedious. Like, like, sure, we can we can find something really profound in the mundane, but like, you have to be really smart to do that. So like the average novelist is like better off like, starting with a gunshot or something like do something big.Henry: If you're not Virginia Woolf, it is in fact just mundane.Brandon: Indeed. Yeah.Henry: Is there too much emphasis on craft? In the way, in the way, in like what's valued among writers, in the way writers are taught, I feel like everything I see is about craft. And I'm like, craft is good, but that can just be like how you make a table rather than like how you make a house. Craft is not the guarantor of anything. And I see a lot of books where I think this person knows some craft. But as you say, they don't really have an application for it. And they don't. No one actually said to them, all style has a moral purpose, whether you're aware of it or not. And so they default to this like pointless use of the craft. And someone should say to them, like, you need to know history. You need to know tennis. You need to know business. You need to know like whatever, you know. And I feel like the novels I don't like are reflections of the discourse bubble that the novelist lives in. And I feel like it's often the continuation of Twitter by other means. So in the Rachel Kong novel that I think it came out this year, there's a character, a billionaire character who comes in near the end. And everything that he says or that is said about him is literally just meme. It's online billionaire meme because billionaires are bad because of all the things we all know from being on Twitter. And I was like, so you just we literally have him a character as meme. And this is the most representative thing to me, because that's maybe there's craft in that. Right. But what you've chosen to craft is like 28 tweets. That's pointless.Brandon: 28 tweets be a great title for a book, though, you have to admit, I would buy that book off the new book table. 28 tweets. I would. I would buy that. Yeah, I do think. Well, I think it goes both ways. I think it goes both ways. I somewhat famously said this about Sally Rooney that like she her books have no craft. The craft is bad. And I do think like there are writers who only have craft, who are able to sort of create these wonderfully structured books and to sort of deploy these beautiful techniques. And those books are absolutely dead. There's just like nothing in them because they have nothing to say. There's just like nothing to be said about any of that. And on the other hand, you have these books that are full of feelings that like would be better had someone taught that person about structure or form or had they sort of had like a rigorous thing. And I would say that like both of those are probably bad, like depending on who you are, you find one more like, like easier to deal with than the other. I do think that like part of why there's such an emphasis on craft is because not to sort of bring capitalism back in but you can monetize craft, you know what I mean? Like, craft is one of those things that is like readily monetizable. Like, if I'm a writer, and I would like to make money, and I can't sell a novel, I can tell people like, oh, how to craft a perfect opening, how to create a novel opening that will make agents pick it up and that will make editors say yes, but like what the sort of promise of craft is that you can finish a thing, but not that it is good, as you say, there's no guarantor. Whereas you know, like it's harder to monetize someone's soul, or like, it's harder to monetize like the sort of random happenstance of just like a writer's voice sort of emerging from from whatever, like you can't turn that into profit. But you can turn into profit, let me help you craft your voice. So it's very grind set, I think craft has a tendency to sort of skew toward the grind set and toward people trying to make money from, from writing when they can't sell a book, you know. Henry: Let's play a game. Brandon: Oh dear.Henry: I say the name of a writer. You give us like the 30 second Brandon Taylor opinion of that writer.Brandon: Okay. Yeah.Henry: Jonathan Franzen.Brandon: Thomas Mann, but like, slightly more boring, I think.Henry: Iris Murdoch.Brandon: A friend of mine calls her a modern calls her the sort of pre Sally Rooney, Sally Rooney. And I agree with that.Henry: When I'm at parties, I try and sell her to people where I say she's post-war Sally Rooney.Brandon: Yes, yes. And like, and like all that that entails, and so many delightful, I read all these like incredible sort of mid century reviews of her novels, and like the men, the male critics, like the Bernard Breganzis of the world being like, why is there so much sex in this book? It's amazing. Please go look up those like mid-century reviews of Iris Murdoch. They were losing their minds. Henry: Chekhov.Brandon: Perfect, iconic, baby girl, angel, legend. Can't get enough. 10 out of 10.Henry: Evelyn Waugh.Brandon: So Catholic, real Catholic vibes. But like, scabrously funny. And like, perhaps the last writer to write about life as though it had meaning. Hot take, but I'll, I stand by it.Henry: Yeah, well, him and Murdoch. But yeah, no, I think I think there's a lot in that. C.V. Wedgwood.Brandon: Oh, my gosh. The best, a titan, a master of history. Like, oh, my God. I would not be the same without Wedgwood.Henry: Tell us which one we should read.Brandon: Oh, the 30 Years War. What are you talking about?Henry: Well, I think her books on the English Civil War… I'm a parochial Brit.Brandon: Oh, see, I don't, not that I don't, I will go read those. But her book on the 30 Years War is so incredible. It's, it's amazing. It's second to like, Froissart's Chronicles for like, sort of history, history books for me.Henry: Northrop Frye.Brandon: My father. I, Northrop Frye taught me so much about how to see and how to think. Just amazing, a true thinker in a mind. Henry: Which book? Brandon: Oh, Anatomy of Criticism is fantastic. But Fearful Symmetry is just, it will blow your head off. Just amazing. But if you're looking for like, to have your, your mind gently remapped, then Anatomy of Criticism.Henry: Emma Cline.Brandon: A throwback. I think she's, I think she's Anne Beattie meets John Cheever for a new era. And I think she's amazing. She's perfect. Don't love her first novel. I think her stories are better. She's a short story writer. And she should stay that way.Henry: Okay, now I want you to rank Jane Austen's novels.Brandon: Wait, okay. So like, by my preference, or by like, what I think is the best?Henry: You can do both.Brandon: Okay. So in terms, my favorite, Persuasion. Then Mansfield Park. Sense and Sensibility. Pride and Prejudice. And then Emma, then Northanger Abbey. Okay.Henry: Now, how about for which ones are the best?Brandon: Persuasion. Pride and Prejudice. Mansfield Park. Emma,.Sense and Sensibility. Northanger Abbey.Henry: Why do people not like Fanny Price? And what is wrong with them?Brandon: Fanny Price is perfect. Fanny Price, I was just talking to someone about this last night at dinner. Fanny Price, she's perfect. First of all, she is, I don't know why people don't like her. She's like a chronically ill girl who's hot for her cousin and like, has deep thoughts. It seems like she would be the icon of literary Twitter for like a certain kind of person, you know? And I don't know why they don't like her. I think I'm, I am becoming the loudest Mansfield Park apologist on the internet. I think that people don't like Fanny because she's less vivacious than Mary Crawford. And I think that people are afraid to see themselves in Fanny because she seems like she's unfun or whatever. But what they don't realize is that like Fanny Price, Fanny Price has like a moral intelligence and like a moral consciousness. And like Fanny Price is one of the few Austen characters who actually argues directly and literally about the way the world is. Like with multiple people, like the whole, the whole novel is her sort of arguing about, well, cities are this and the country is this. And like, we need Parsons as much as we need party boys. Like, like she's arguing not just about, not just about these things like through the lens of like marriage or like the sort of marriage economy, but like in literal terms, I mean, she is so, she's like a moral philosopher. I love Fanny Price and she's so smart and so sensitive and so, and I guess like maybe it's just that people don't like a character who's kind of at the mercy of others and they view her as passive. When in fact, like a young woman arguing about the way the world should be, like Mary Crawford's, Mary Crawford's like kind of doing the above, not really, not like Fanny. But yeah, I love her. She's amazing. I love Fanny Price. And I also think that people love Margaret Hale from North and South. And I think that when people are saying they hate Fanny Price, what they're picturing is actually how Margaret Hale is. Margaret Hale is one of the worst heroines of a novel. She's so insufferable. She's so rude. She's so condescending. And like, she does get her comeuppance and like Gaskell does sort of bring about a transformation where she's actually able to sort of like see poor people as people first and not like subjects of sympathy. But Margaret is what people imagine Fanny is, I think. And we should, we should start a Fanny Price, like booster club. Henry, should we? Let's do it. It begins here. I just feel so strongly about her. I feel, I love, I love Fanny.Henry: She's my favorite of Austen's characters. And I think she is the most representative Austen character. She's the most Austen of all of them, right?Brandon: Yeah, I mean, that makes great deal of sense to me. She's just so wonderful. Like she's so funny and so observant. And she's like this quiet little girl who's like kind of sickly and people don't really like her. And she's kind of maybe I'm just like, maybe I just like see myself in her. And I don't mind being a sort of annoying little person who's going around the world.Henry: What are some good principles for naming literary characters?Brandon: Ooh, I have a lot of strong feelings about this. I think that names should be memorable. They should have like, like an aura of sort of literariness about them. I don't mean, I mean, taken to like hilarious extremes. It's like Henry James. Catherine Goodwood, Isabelle Archer, Ralph Touchett, like, you know, Henry had a stack pole. So like, not like that. But I mean, that could be fun in a modern way. But I think there's like an aura of like, it's a name that you might hear in real life, but it sort of add or remove, it's sort of charged and elevated, sort of like with dialogue. And that it's like a memorable thing that sort of like, you know, it's like, you know, memorable thing that sort of sticks in the reader's mind. It is both a name, a literary, a good literary name is both a part of this world and not of this world, I think. And, yeah, and I love that. I think like, don't give your character a name like you hear all the time. Like, Tyler is a terrible literary name. Like, no novel has ever, no good novel has ever had a really important character named Tyler in it. It just hasn't. Ryan? What makes a good sentence? Well, my sort of like, live and let live answer is that a good sentence is a sentence that is perfectly suited to the purpose it has. But I don't know, I like a clear sentence, regardless of length or lyric intensity, but just like a clear sentence that articulates something. I like a sentence with motion, a sense of rhythm, a sense of feel without any bad words in it. And I don't mean like curse words, I mean like words that shouldn't be in literature. Like, there's some words that just like don't belong in novels.Henry: Like what?Brandon: Squelch. Like, I don't think the word squelch should be in a novel. That's a gross word and it doesn't sound literary to me. I don't want to see it.Henry: I wouldn't be surprised if it was in Ulysses.Brandon: Well, yes.Henry: I have no idea, but I'm sure, I'm sure.Brandon: But so few of us are James Joyce. And that novel is like a thousand bodily functions per page. But don't love it. Don't love it.Henry: You don't love Ulysses?Brandon: No, I don't… Listen, I don't have a strong opinion, but you're not going to get me cancelled about Ulysses. I'm not Virginia Woolf.Henry: We're happy to have opinions of that nature here. That's fine.Brandon: You know, I don't have a strong feeling about it, actually. Some parts of it that I've read are really wonderful. And some parts of it that I have read are really dense and confusing to me. I haven't sort of given it the time it needs or deserves. What did you learn from reading Toni Morris? What did I learn? I think I learned a lot about the moral force of melodrama. I think that she shows us a lot about the uses of melodrama and how it isn't just like a lesion of realism, that it isn't just a sort of malfunctioning realism, but that there are certain experiences and certain lives and certain things that require and necessitate melodrama. And when deployed, it's not tacky or distasteful that it actually is like deeply necessary. And also just like the joy of access and language, like the sort of... Her language is so towering. I don't know, whenever I'm being really shy about a sentence being too vivid or too much, I'm like, well, Toni Morrison would just go for it. And I am not Toni Morrison, but she has given me the courage to try.Henry: What did you like about the Annette Benning film of The Seagull?Brandon: The moment when Annette Benning sings Dark Eyes is so good. It's so good. I think about it all the time. And indeed, I stole that moment for a short story that I wrote. And I liked that part of it. I liked the set design. I think also Saoirse Ronan, when she gives that speech as Nina, where she's like, you know, where the guy's like, what do you want from, you know, what do you want? Why do you want to be an actress? And she's like, I want fame. You know, like, I want to be totally adored. And I'm just like, yeah, that's so real. That's so, that is so real. Like Chekhov has understood something so deep, so deep about the nature of commerce and art there. And I think Saoirse is really wonderful in that movie. It's a not, it's not a good movie. It's maybe not even a good adaptation of The Seagull. But I really enjoyed it. I saw it like five times in a theater in Iowa City.Henry: I don't know if it's a bad adaptation of The Seagull, because it's one of the, it's one of the Chekhov's I've seen that actually understands that, like, the tragic and the and the comic are not meant to be easily distinguishable in his work. And it does have all this lightheartedness. And it is quite funny. And I was like, well, at least someone's doing that because I'm so sick of, like, gloomy Chekhov. You know what I mean? Like, oh, the clouds and the misery. Like, no, he wants you, he wants you to laugh and then be like, I shouldn't laugh because it's kind of tragic, but it's also just funny.Brandon: Yeah. Yes, I mean, all the moments were like, like Annette Bening's characters, like endless stories, like she's just like constantly unfurling a story and a story and a story and a story. Every scene kind of was like, she's in the middle of telling another interminable anecdote. And of course, the sort of big tragic turn at the end is like, where like, Kostya kills himself. And she's like, in the middle of like, another really long anecdote while they're in the other room playing cards. Like, it's so, it's so good. So I love that. I enjoy watching that movie. I still think it's maybe not. It's a little wooden, like as a movie, like it's a little, it's a little rickety.Henry: Oh, sure, sure, sure, sure. But for someone looking to like, get a handle on Chekhov, it's actually a good place to go. What is the best make of Fountain Pen?Brandon: That's a really good, that's a really, really, really good question. Like, what's your Desert Island Fountain Pen? My Desert Island Fountain Pen. Right now, it's an Esterbrook Estee with a needlepoint nib. It's like, so, I can use that pen for hours and hours and hours and hours. I think my favorite Fountain Pen, though, is probably the Pilot Custom 743. It's a really good pen, not too big, not too small. It can hold a ton of ink, really wonderful. I use, I think, like a Soft Fine nib, incredible nib, so smooth. Like, I, you could cap it and then uncap it a month later, and it just like starts immediately. It's amazing. And it's not too expensive.Henry: Brandon Taylor, thank you very much.Brandon: Thanks for having me. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

Mrs. Gaskell's tale of neighbors at odds at Christmas. --- Support this podcast: https://podcasters.spotify.com/pod/show/miss-retro-reads/support

In this episode, I'm joined by Chris from MopTops Hair, and together, we dive into her incredible journey from founding a children's hair salon to running a successful business for nearly two decades. Chris and I reminisce about our first meeting when she cut my son's hair as a toddler, and we explore how her salon became a haven for families. We also discuss the highs and lows of entrepreneurship, the importance of building community, and why understanding your customers is key. Whether you're a parent, a business owner, or just someone looking for inspiration, there's something here for you! Key Takeaways: Specialising in a niche can set your business apart. Building strong customer relationships is invaluable. Serving families requires a unique approach to customer care. Perseverance and passion are essential for business growth. Always adapt to changing customer needs.   https://www.facebook.com/moptopshaircare?mibextid=LQQJ4d https://linktr.ee/moptops101 https://www.instagram.com/chris_gaskell_moptopshaircare/

"As she was coached during a 15-minutes conversation, she put down each of those worries and at the end of it she was standing there in her full potential and I was like, wow, that's amazing. I want to learn how to do that." If there's a foundational text of executive coaching it's Coaching for Performance by Sir John Whitmore, first published in 1992. Sadly John died in  2017 and so Tiffany Gaskell, who co-founded Performance Consultants with John and worked with him on the 5th edition in 2017, became the driving force behind the new, post-pandemic 6th edition.  She talks to me about the power of coaching, its evolution since 1992, and how it has become so foundational for organizational and personal growth. We also explore the link between coaching and writing, and how embracing coaching principles can help you fulfil your full potential as a writer. And we're all here for that, right?

EP 337 - Former CEO of Porsche, BMW and Lamborghini, Kevin Gaskell jumps in the quiz seat to discuss and debate various business practices - from TikTok to corporate gifting, from metaverse offices to B Corp certifications, Kevin shares his wise and candid views.NDAs, alternative investment markets, and physical meetings vs. virtual ones also make the shortlist.Chapters:00:00 Business or Bullshit with Kevin Gaskell00:37 TikTok: Business or Bullshit?01:07 Corporate Gifting: Building Relationships01:39 Metaverse Office Spaces: Real or Fake?02:27 Understanding B Corp and ESG03:42 Sweat Equity: The Entrepreneur's Dilemma04:58 NDAs: Necessary or Not?05:35 Alternative Investment Markets (AIM)06:17 Christmas Bonuses08:14 Asking Favours: The Right Way10:03 E-Meetings: The Future of Work?12:13 Wrap Upbusinesswithoutbullshit.meWatch us on YouTubeFollow us:InstagramTikTokLinkedinTwitterIf you'd like to be on the show, get in contact - mail@businesswithoutbullshit.meBWB is powered by Oury Clark

EP 336 - Kevin was CEO of Porsche, Lamborghini and BMW in the UK who led the companies to hugely successful turnarounds and business growth. He remains actively involved in numerous companies worldwide, as both a founder investor and chairman, currently including the UK's fastest-growing fibre network provider.To date, Kevin and his teams have created over £4 billion in shareholder value, making him one of the UK's Top 40 leaders.We discuss Kevin's remarkable journey, both personal and professional: from transforming luxury brands into thriving enterprises to becoming the oldest man to row the Pacific Ocean at age 66!Kevin reflects on his career challenges, his hands-on business strategies, and his commitment to fostering entrepreneurship through his initiative, Smarter Britain.We recount Kevin's thrilling experiences of rowing the Atlantic, drawing parallels between his survival endeavours and business strategies. Kevin also explains why government inefficiencies qualify for the big bin of bullshit.Chapters:00:00 BWB with Kevin Gaskell01:27 Kevin's Current Ventures02:14 The State of UK Fibre Infrastructure03:40 Kevin's Business Philosophy04:34 From Civil Engineer to Business Leader05:23 Turning Around Porsche16:39 BMW's Transformation22:44 Managing Corporate Culture and Unions41:07 Acquiring and Building Epics41:44 A Business Failure in South Africa44:01 Lessons Learned from Business Failures45:04 Current Ventures and Future Plans45:35 Introducing Smarter Britain48:37 Supporting Small Businesses and Entrepreneurs56:51 Frustrations with Government and Taxes01:08:46 Fun Questions and Personal Insights01:14:51 Adrenaline Junkie: Adventures and Challenges01:24:42 Wrap Upbusinesswithoutbullshit.meWatch us on YouTubeFollow us:InstagramTikTokLinkedinTwitterIf you'd like to be on the show, get in contact - mail@businesswithoutbullshit.meBWB is powered by Oury Clark

 Tiffany, Founder and Co-CEO of Performance Consultants, is a leading expert in performance coaching and cultural transformation. With 20 years of experience advising Fortune 500 and FTSE 100 executives, she has developed tools like Coaching for Performance ROI and Impact 360 to quantify coaching benefits and leadership impact. She co-authored "Coaching for Performance" and frequently speaks on transformational leadership and corporate culture evolution. Tiffany has appeared in the Financial Times, The Guardian, BBC Radio 4, and Michael Lewis's podcast, "The Coach in Your Head."   Key Takeaways    Cultural Maturity Model: Organizations progress through four stages of cultural maturity, from low to high performance: impulsive, hierarchical, independent, and interdependent. The highest-performing cultures are interdependent, where values and vision unite people, and they believe they're truly successful together. Mindset Shift for Leaders: A transformational leadership mindset views people as being on a learning journey and as perfectly capable, resourceful, and whole. This shift from seeing people as problems to seeing their potential can significantly impact leadership effectiveness and organizational culture. Importance of Trust and Authenticity: High-trust, high-reliability organizations are better equipped to navigate extreme risks and uncertainties. Authenticity in leadership is crucial for "rehumanizing" the workplace and creating an environment where people can fulfill their potential. Coaching for Performance: The GROW model (Goal, Reality, Options, Will) is a widely used coaching framework, but the magic happens in the underpinning skills - like holding someone as full of potential and capable of achieving anything they set their heart on. Effective coaching often involves helping people remove obstacles and shift from fear to trust.   Sponsors and Promotions   Defender  Ready for adventure? With a family of vehicles to choose from, you'll have the space, technology, and performance to go further than ever before. Explore the Defender lineup at https://www.LandRoverUSA.com/Defender      Wild Health  Visit WildHealth.com/UNBEATABLE and enter the promo code UNBEATABLE for an exclusive 20% discount on membership.  Embrace this opportunity to prioritize your health. Start your journey to wellness today.    Magic Spoon Dive into a delicious bowl of Magic Spoon's new high-protein Treats, now available at your nearest grocery store.   Bespoke Post Get a free Mystery Gift with your first monthly shipment when you sign up at boxofawesome.com and enter the code DIVINE at checkout.    SealFit ElectroGreens: Fuel your body and conquer your limits with SealFit ElectroGreens - a USDA organic superfood packed with over 25 organic fruits, vegetables, and electrolytes. Head to Amazon, search for "SealFit ElectroGreens," and use code SEALGREENS25 at checkout for 25% off your order.    Links for Tiffany Website LinkedIn  

Send us a Text Message.The Trouble with Mrs. Montgomery Hurst out 18 July!Katie brings to life her new novel, The Trouble with Mrs. Montgomery Hurst, set in a small Victorian town driven by the gossip and secrets of its inhabitants. We explore how classic literature influenced her narrative and how the early Victorian period and the impact of industrialisation provide a vivid backdrop to the story of this small town.Katie passionately discusses the importance of authentic representation, both of the era's history and LGBTQA+ narratives like the forbidden love story of Amelia and Clara, and the pressures on women in this era and today to fit a mold, as seen in characters like Falcia.She also shares how her initial passion for the Brontës' Jane Eyre evolved into a deep appreciation for nuanced storytelling, leading her to Dickens, Austen, and Gaskell. From her academic pursuits to her fascinating tenure at the Jane Austen Centre in Bath, we explore how her love of writing has blossomed from her love of reading and the origins of Jane Austen July which Katie started with fellow bookish content creators a few years back. The Trouble with Mrs. Montgomery Hurst out 18 July! The Genius of Jane Austen: Her Love of Theatre and Why She Is a Hit in Hollywood Paperback – 18 May 2017 by Paula Byrne (Author)Hook Norton Brewery: https://www.hooky.co.uk/Challenge Jane Austen July, hosted by @katiejlumsden, @misa1404, and @spinsterslibrary. Goodreads group. Where can you find Katie? Instagram: @katiejlumsden #janeaustenjuly Youtube: @katiejlumsden | Books and ThingsPenguin Katie Lumsden, other books: The Secrets of Hartwood HallBuzzsprout - Let's get your podcast launched!Start for FREEPURE pet food 50% off your box! Love this food for Hoggy it's easy to store and has all the nutrients he needs! PlumInvest and save easily with plum! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the Show.Where can you find your host (Izzy)? Website: www.whattheausten.com Podcast Instagram: @whattheaustenPersonal Instagram: @izzy_meakinYoutube: What the Austen? Podcast

This week we are sitting down and chatting with Stan Gaskell (Cameraman Stan!!) about his experience adventuring and filming Russ Cook's historic “Project Africa” run across the continent!! A few weeks ago Project Africa wrapped up in Tunisia, the northernmost point on the continent after nearly a year long journey. Stan was a linchpin of this project. From the logistic planning months before Russ set out to the final dip in the ocean, he was responsible for filmmaking, problem solving, and crewing. From “Harry Potter who hit rock bottom” to one of the biggest badasses in the history of badasses, Stan's excursion across Africa is LEGENDARY! Stan, Nelly (their trusted ‘Ship of Theseus'esque van), Russ, and the rest of their amazing team consistently battled problems both small and seemingly insurmountable- including food poisoning, visa issues, border crossings, getting the van on a rickety wooden boat to cross the sea (you truly have to see this to believe it), getting stranded in the middle of the Sahara, and so many more. Project Africa was a Grand Adventure in every sense of the word and I am so honored to be able to sit down and hear all about it from Stan's perspective. Hope you all enjoy!! MORE FROM STAN AND PROJECT AFRICA: Instagram: https://www.instagram.com/cameramanstan_?igsh=MzRlODBiNWFlZA== Support their fundraising: https://givestar.io/gs/PROJECTAFRICA

Marlee and Chris Gaskell join Paul for both the SCOTU and the VA is for Sports podcasts. Marlee is the first high school athlete to be on the podcasts as well as the youngest person Paul has interviewed. Marlee is a junior at Midlothian HS and is a left handed pitcher for their Varsity Softball team. Marlee started playing at a young age and says it's the competition from both the individual and team perspectives that has fueled her passion for the sport of softball. They discussed her schedule which includes travel ball, going to camps, off season training and school ball. The three of them talked about the recruiting process and Marlee told Paul what was important to her when considering both softball and the school itself. Marlee has decided to attend Florida State and is very excited at the prospect of playing for a national championship. Marlee shared the best thing her Dad has taught her during her time playing softball. Paul also got some insight into the pitches that Marlee throws … and how she throws them. He also discovered a little bit about Marlee's teammates at Midlothian HS and what advice she would give her 10 year old self.

In this episode, I'm joined by Dr. Paul Gaskell to discuss early season on the river and talk about the relationship between creativity and science, the writing process, and the importance of environmental awareness and responsibility. We also discuss the role of collaboration and advocacy in improving water quality. We then delve into the approach to early season river fishing with plenty of help and tips.Paul talks about targeting specific hatches, adapting to early season conditions, and transitioning between nymphing and dry fly fishing, and the value of the upstream wet fly. There is plenty of information in this episode that you'll be able to take with you to the river!Paul's River Perspectives (monthly): https://fishingdiscoveries.com/river-perspectives-fly-fishing/USA Amazon Author Page: https://www.amazon.com/stores/author/B07D3FKPZG/allbooksUK Amazon Author Page: https://www.amazon.co.uk/stores/author/B07D3FKPZG/allbooks

Chris Gaskell joins Paul on Stories via knowing Stu Brown (Episode #257). Chris is from the Hampton, VA area and grew up playing sports and working with his step-dad for a couple of summers in the shipyard. Chris learned a valuable life lesson from those summers and ended up attending Wake Forest University where he played offensive line on the football team. He got a masters in Education and put it to use at Varina HS, but we would learn he was just biding his time for his long term career choice. Paul and Chris discussed his job in the United States Secret Service and all that it entails. They covered where he started, how his career progressed and he told Paul several stories about his time working investigations, protecting presidents and traveling the world. They finished by talking about his wife, two daughters and another family member who is an inspiration to Chris.

Virgil (or Vergil) was the most celebrated poet of Ancient Rome - and also one of the most enigmatic. In this episode, Jacke talks to biographer and translator Sarah Ruden about her book Vergil: A Poet's Life. PLUS some thoughts on Charles Darwin's last book, and a chat with acclaimed historian Tom Holland (Pax: War and Peace in Rome's Golden Age) about his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an empowering dialogue with author Deborah Gaskell as we journey through her story of resilience and strength of spirit. Peak into her world full of wisdom as she navigates us towards emotional well-being to readers of all relationship statuses on this episode of the Jaime Luce Podcast.  In this episode, you'll hear:  What the concept of self-governance isHow to overcome challenges and take personal responsibility The line between faith and fantasy while setting goalsHow write down visions and share a positive message with others Where to dive in: (0:00:00) - Interview With Deborah Gaskell Author Deborah Gaskell shares wisdom and humor in her book Single and Sublime, discussing resilience and living an extraordinary life. (0:03:59) - Life Transformations and Defying Taboos Growing up without maternal affection, marrying first partner despite red flags, experiencing abuse, turning to God, and not looking for a project in a partner. (0:15:03) - Governing Yourself Food, alcohol, and drugs as coping mechanisms for emotional pain, emphasizing self-control and interconnectedness of thoughts, feelings, and choices. (0:20:00) - Self-Governing and the Love Zone Self-governing and self-control positively impact us, as our bodies are designed for the "love zone" and there are differences in emotional processing between male and female brains. (0:23:56) - Overcoming Challenges and Taking Personal Responsibility Overcome self-pity by taking action and leading ourselves, avoiding it controlling our thoughts and emotions. (0:30:46) - Discovering the Power to Overcome Challenges Redemption in tough situations, importance of reading, being prepared for challenges, and being kind and wise in circumstances. (0:46:27) - Examining Fear, Red Flags, and Self-Improvement Introspection, communication, counseling, personal growth, and leadership are important for healthy relationships. (0:56:53) - Faith vs. Fantasy in Setting Goals Faith versus fantasy, trusting in God's promises, avoid emotional traps, and stay grounded in faith. (1:08:00) - Navigating Pain and Finding Purpose Discovering our true purpose by surrendering to God, discerning His voice from our pain, and follow passion and plan. (1:12:43) - Importance of Writing and Pursuing Vision Writing down and pursuing a clear and specific vision with a plan leads to success and motivation. (1:21:30) - Finding Vision and Overcoming Numbness Numbness can lead to a lack of self-recognition, but we must acknowledge and process our feelings to avoid staying stagnant. (1:34:34) - Share and Spread the Message Spread our positive message by liking and sharing. About the guest: Debra Gaskill is an author, inspirational speaker, missionary, and has helped others discover their God-given specificity. In Single & Sublime, she shares her own story and the valuable lessons learned along the way, which include becoming strong in spirit and building resilience. Connect with Deborah: Website: www.debragaskill.org    Facebook: https://www.facebook.com/gaskilldebra/     Youtube: @debragaskill  About your host: Jaime Luce' testimony has daunting personal mountains and treacherous financial valleys. She was trapped in day-to-day stress and couldn't see a way forward. But how she started is not how she finished! And she wants you to know God has a plan for your life too, no matter how tough it seems. Today, Jaime has been married to the love of her life for almost three decades, owns two companies, and has become an author and podcaster. God's way is always the blessed way!  Free chapter of Jaime's new book: You Don't Need Money, You Just Need God: https://jaimeluce.com/book/  Connect with Jaime:  Website: https://jaimeluce.com  Facebook:   / jaime.luces.page    Instagram:   / jaime_luce    LinkedIn:   / jaime-luce-00395691   

In this episode of the Priceless Beauty podcast, we had the pleasure of talking to Jennifer Gaskell, a seasoned PR professional and the owner of Pink Palm MarCom and Pink Palm Travel. Jennifer brings over 20 years of experience in the PR industry, where she's collaborated with various businesses, entrepreneurs, and luxury travel brands. She's also the co-founder of Durham's Women's Network, a vibrant group of over 7,500 women in eastern Toronto. Aside from her work, Jennifer is a dedicated traveler, a passionate cook, and a music enthusiast.We delved into the world of email marketing, discussing its importance for those who might not be utilizing it effectively. Jennifer explained why email marketing remains a highly effective tool, even in the face of numerous other platforms. She outlined the key components of a successful email campaign and shed light on the concept of segmentation, which helps target different audience groups effectively, as illustrated by an example involving an artist with multiple services.Jennifer highlighted a common mistake in email campaigns and offered insights into how women entrepreneurs can ensure their email marketing aligns with their brand's voice and values, particularly in female-focused industries like beauty. She also shared techniques and tools to personalize emails and make them more relevant to subscribers. For those looking to grow their email list organically, especially those with a limited online following, Jennifer provided valuable strategies.As a bonus, Jennifer shared a special offer for Priceless Beauty podcast listeners – a 25% discount on Pink Palm's Lead Magnets and Email Sequences workshop, scheduled for October 2. The offer is valid for this workshop and any courses released in 2023 if purchased before December 31, 2023. You can sign up at www.pinkpalm.ca/lead-magnet-workshop using the code PRICELESS25.In this insightful episode, Jennifer Gaskell encouraged entrepreneurs to shine bright in their email marketing efforts and provided practical tips and strategies to do just that. Don't miss out on her expert advice!Connect with Jennifer 

In this heartwarming episode of "The Cozy Christmas Podcast," we invite you to gather 'round and experience the magic of a classic Victorian Christmas tale. Join us as we delve into Elizabeth Gaskell's enchanting story, "Christmas Storms and Sunshine," where we explore the true spirit of the season. Set in a quaint English village, we follow the journey of a young family who, for too long, harbored grudges against their neighbors. Will a near-disaster during the holiday season prompt a transformation in their hearts? Mrs. Gaskell's classic tale offers us a lesson of reconciliation, community, and the power of Christmas goodwill. It's a story that reminds us all that even in the coldest of winters, the warmth of our hearts can melt away any frosty disputes and lead us to a more harmonious, joy-filled holiday season.   Rate and review: https://podcasts.apple.com/us/podcast/a-cozy-christmas-podcast/id1523423375  Buy me a coffee? www.ko-fi.com/cozychristmas  Ornaments, Mugs, and Notebooks: https://www.etsy.com/shop/CozyChristmasPodcast  Logo shirt designs: http://tee.pub/lic/edygC_h4D1c    Contact Me: facebook: https://www.facebook.com/cozychristmaspodcast  instagram: https://www.instagram.com/cozychristmaspodcast/  twitter: https://twitter.com/CozyXmasPod  youtube: https://www.youtube.com/channel/UCCikiozEbu0h9pKeI1Ei5TQ email: cozychristmaspodcast@gmail.com  

On today's episode, we're sitting down with Jen Gaskell, a superstar volunteer of PSI on both the English & Spanish helplines. We'll hear about Jen's lived experience with anxiety, depression, rage and OCD. Oh, it's a good one! Make sure you follow us on social media so you don't miss anything I AM ONE Podcast-related, including our very first blooper reel from this episode! Jen did great. Let's just say it was interviewer error that provided the laughs. So, get comfortable, and enjoy this episode with our friend Jen. Mentioned in today's episode:Components of Care TrainingPSI HelplinePostpartum Planning ClassClimb Out of the Darkness Program Support GroupsPodcasts: Mom & Mind, The Anxious Achiever, Another Mother Runner, What Fresh Hell, HysteriaBooks: The Anxious Achiever, Spare, The Artist's WayContact Jen: tranquilamama@gmail.com; @jenwrenpody (Instagram)Interested in sharing your story?Fill out our podcast interest form here! Questions about the I AM ONE Podcast?Email Dani Giddens - dani@postpartum.net--------------------------------------------------------------------Visit PSI's website: https://www.postpartum.netFind free resources & info on certification, training, and other incredible programs!Call or text 'HELP' to the PSI Helpline: 1-800-944-4773 Not feeling like yourself? Looking for some support? You never need a diagnosis to ask for help.National Maternal Mental Health Hotline (U.S. only): 1-833-943-5746Free and confidential Hotline for Pregnant and New Moms in English and Spanish.Suicide & Crisis Lifeline (U.S. only): 988Free and confidential support for people in distress, prevention and crisis resources for you or your loved ones, and best practices for professionals in the United States.--------------------------------------------------------------------Podcast music:"On The Train To Paris" by Many Moons AgoCourtesy of Epidemic Sound...

This episode is part of the Summer of AI Series, brought to you by SchoolAI, Scrible, and FocalPointK12. Generative AI offers many advantages for educators, for use in and out of the classroom. When I prompt for images of "a focused student," the first three are boys, two are white, the third is an Asian boy, and the fourth is an apparent high school female. If my anecdotal examples haven't convinced you, try for yourself, or refer to a respected resource on this subject, which characterizes how bias is becoming a more obvious concern while producing these realistic images. In essence, this makes collected information static, yet dynamic in how AI returns the content. In the first example, I added one word, "diverse." "Write a song that promotes understanding and empathy between people from different walks of life." Support our SponsorsSchoolAI: The Classroom Operating System: Help your teachers save 10 hours a week. Sign up for a free account and see new AI-generated experiences that will change the way you teach.Scrible: Worried about AI Plagiarism? Take the high road and improve your students' skills before they feel the need to cheat with this modern research and writing platform for schoolFocalPointK12: Manage student portfolios that they can take with them with blockchain technology and AI assisted grading. Listen to our interview with the founder and chief learning officer here.

This episode is part of the Summer of AI Series, brought to you by SchoolAI, Scrible, and FocalPointK12. Episode adapted from this article  The use of AI chat tools has rapidly increased this year. AI chat tools have a difficult time with voice since they lack the emotional context that humans can interpret through the nuances of tone, pitch, expression, and most of all, uniqueness. More significantly, AI chat tools cannot express a person's point of view because they lack the complex beliefs, values, and opinions that form a person's consciousness. Educators should make this clear to people accessing AI chat tools in their schools. While AI chat tools have some limitations such as capturing voice and eyes, it has remarkable productivity opportunities educators can leverage while navigating around imperfections to increase their efficiency and effectiveness. Support our SponsorsSchoolAI: The Classroom Operating System: Help your teachers save 10 hours a week. Sign up for a free account and see new AI-generated experiences that will change the way you teach.Scrible: Worried about AI Plagiarism? Take the high road and improve your students' skills before they feel the need to cheat with this modern research and writing platform for schoolFocalPointK12: Manage student portfolios that they can take with them with blockchain technology and AI assisted grading. Listen to our interview with the founder and chief learning officer here.

This episode is part of the Summer of AI Series, brought to you by SchoolAI, Scrible, and FocalPointK12.AI Edcamp for facultySchools are opening and AI looms as a BIG  question mark. How will teachers and administrators use it? What about students? How can we start to understand the complexity of AI in schools? This brief, chock-full episode offers a prescription for busy administrators and teachers. Use the simple formula of an Edcamp and bring the expertise to your school community today!Concepts adapted from my book:Radical PrincipalsMore info:How to run an Edcamp virtually Listen to Mike, a principal, author, and podcaster, share quick, actionable strategies, bite sized solutions that have sustainable impact. Each episode gives you a take home approach you can use today. You'll hear about a study, a story, and a strategy that are linked together. Educators face more challenges than ever. Stop spinning your wheels and listen to refreshing answers backed by 25 years of experience, interviews, and research. Take the journey with Mike today and start helping children now!Mike's overarching goal: If I can help one child and one adult, this was all worth it! Support our SponsorsSchoolAI: The Classroom Operating System: Help your teachers save 10 hours a week. Sign up for a free account and see new AI-generated experiences that will change the way you teach.Scrible: Worried about AI Plagiarism? Take the high road and improve your students' skills before they feel the need to cheat with this modern research and writing platform for schoolFocalPointK12: Manage student portfolios that they can take with them with blockchain technology and AI assisted grading. Listen to our interview with the founder and chief learning officer here.

Kevin Gaskell is an Entrepreneur, business owner, leadership speaker and adventurer. In the boardroom, Kevin has been responsible for revitalising Porsche on the cusp of collapse in the early 90s. Outside of the business world, he has set the world record for the fastest row across the Atlantic Ocean, has been to both Poles twice and climbed some of the world's highest peaks. In this conversation we cover: The Parallels of mentality needed in the middle of the Atlantic & to revitalise a global Icon How limits exist solely in our head. How cultural bounce helps build the perfect team and How to make your adventures actually happen despite a busy life.

Tonight, we'll read the opening to the social novel “North and South,” published in 1854 and written by Elizabeth Gaskell. The novel's protagonist, Margaret Hale, is forced to leave her home in the tranquil, rural south, to settle with her parents in Milton, a fictional industrial town in the north. Elizabeth Gaskell, often referred to as Mrs Gaskell, was an English novelist, biographer and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society Her work is of interest to social historians as well as readers of literature. This episode first aired August of 2021. — read by V — Support us: Listen ad-free on Patreon Get Snoozecast merch like cozy sweatshirts and accessories

In today's fast-paced and competitive business landscape, effective leadership is crucial for success. It requires not only the ability to inspire and motivate teams but also the skill to navigate through challenges and drive growth. Kevin Gaskell, a renowned leader who has led iconic brands, has mastered the art of leadership. With a track record of turning around struggling companies and creating billions of pounds worth of shareholder value, Gaskell's insights and experiences offer valuable lessons for leaders at all levels. Kevin Gaskell shares his journey from being an engineer to being a leader of global brands like Porsche, Lamborghini, and BMW. Kevin emphasizes the importance of passion in leadership and highlights the key principles of his leadership philosophy: commit, connect, and create. He also discusses the concept of a thousand-day plan and the significance of engaging and inspiring teams to achieve extraordinary results. Leaders must adapt and continuously learn to stay ahead as the business landscape continues to evolve. By embracing these leadership principles, leaders can navigate through challenges, inspire their teams, and drive long-term success. Kevin 'The Business Fixer' Gaskell, a serial entrepreneur, author, and adventurer, is a renowned leadership expert who has transformed iconic brands such as Porsche, BMW, and Lamborghini. He has founded start-ups, led turnarounds, and driven major brands in various sectors, creating over $5 billion in shareholder value and winning global and national awards. In addition to his business achievements, he has climbed Everest, played international cricket, and set a new world record for the fastest row across the Atlantic Ocean in 2020. He will attempt the world record for crossing the Pacific in 2024. Get your Business Growth Secrets SUCCESS PLANNER for FREE and profit like a pro: https://adamstottplanner.com/free-book47315172 Adams website: https://adamstott.com/?el=Pod Watch the Episode on Adam's YouTube Channel: https://www.youtube.com/adamstottcoach?el=Pod Connect with Adam on Instagram: https://www.instagram.com/adamstottcoach/?el=Pod Join Adam's network on LinkedIn: https://www.linkedin.com/in/adam-stott-coach/?el=Pod Business owners: Monetise social media, get more clients, increase your following, and make more sales: https://socialmediamonetisation.com/unlockfb?el=Pod Coaches, Consultants, and Speakers: lower your marketing costs, increase ticket prices, and get more high-ticket clients: https://personalbrandunlocked.com/fb-event-reg?el=Pod

If you are worried or fed up with your teen's digital addiction, this episode is for you. We are all painfully aware of the impact that excessive screen time and constant connectivity has on our teen's mental health, focus, and resiliency. However, we also know that technology is tightly woven into every aspect of our lives and has transformed the way we live, work, learn, and connect. Our job as parents is to find the balance between embracing the benefits of technology and safeguarding our children's mental and emotional well-being. Not an easy line to walk! In this episode, Dr. Cam is joined by school principal Dr. Michael Gaskell to discuss how we can help our teens navigate through the digital noise and reverse its impact on their wellness, focus, and resilience.  Dr. Gaskell has written several articles on the topic of digital disruption and its effects on students. He has also discussed the importance of supporting teachers in dealing with the disruptions caused by technology and how administrators can help them in this regard. He currently writes a monthly column in ASCD Smartbrief, presents at national conferences, and has published three books: Radical Principals, Leading Schools Through Trauma, and Microstrategy Magic.    Thanks for Listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others would appreciate the guidance and encouragement, please take a quick moment to rate and review. Reviews from my listeners are extremely valuable and greatly appreciated. Review on iTunes.   Subscribe to the Podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on iTunes, YouTube, Google, Spotify. You can also subscribe from the podcast app on your mobile device or listen LIVE in my Private Facebook Group.

There's a lot of talk about risk factors in education; but not as much focus on protective factors. That's why I invited Dr. Mike Gaskell to episode 118 of De Facto Leaders to talk about the work he's done helping students and staff build resilience in a way that's feasible for busy educators. Dr. Michael Gaskell is an author, speaker and school principal in East Brunswick, NJ., following experience as a special educator and assistant principal in Paramus, NJ. He models the pursuit of lifelong learning as he serves to mentor new principals through the New Jersey Leaders to Leaders program. An NJPSA Stars recipient, he has been published in over 4 dozen articles in education journals and blogs, including ASCD Smartbrief, Tech & Learning, Education Post, eSchoolNews, NASSP, Edtech, currently writes a monthly column in ASCD Smartbrief, and has made the most-read section of ASCD Smartbrief numerous times. Mike presents at national conferences, including the Learning and the Brain conference, November 2021; FETC January 2022, and FETC, again in January 2023. He has been on numerous podcasts including Larry Ferlazzo's Education Week Classroom Q&A. Mike has published three books: Radical Principals, Leading Schools Through Trauma and Microstrategy Magic. Dr. Gaskell works relentlessly to support instructional excellence and student success, for his school community, and most importantly, for the wellness and equity of all children. In this episode, we cover a wide range of topics, including:✅De-escalation strategies school staff can use for handling emails and social media posts; including Jay Baer's “reply only twice” strategy.✅Three protective factors that increase post-traumatic growth.✅How to “stack” 1-minute interventions to improve resilience, behavior, and performance. ✅Simple but powerful ways to improve attention and engagement; including the “coffeehouse effect” and greeting students at the door. You can connect with Dr. Michael Gaskell on LinkedIn here, on Twitter here, and on Instagram here. His books include Radical Principals, Leading Schools through Trauma,  and MicroStrategy Magic: Confronting Classroom Challenges While Saving Time and Energy.In this episode, I mention the School of Clinical Leadership, my program for related service providers who want to take a leadership role in implementing executive functioning support. You can learn more about the program here. 

With the Everest Ice and Water vending machine business, you're tapping into a unique opportunity that requires minimal initial effort but delivers an excellent return on investment.Join us in this conversation with Ben Gaskill, VP of Sales Everest Ice and Water Systems. Ben is a seasoned expert in this industry, we discuss every intricate detail of this enterprise. Ben has a knack for breaking down complex concepts into easy-to-understand bites of information, which makes this discussion incredibly enlightening.Our chat isn't just about the business side of things; we also explore the cutting-edge technology that makes these machines a market game-changer. The Everest Ice Shield and energy recycling components, proprietary to Everest, drastically reduce the cost of running the machines and enhance the safety of the product. The machines are designed to be durable, efficient, and easy-to-maintain, making them an ideal investment for entrepreneurs looking for a simple yet lucrative business model.The potential of these vending machines is massive, especially in locations where fresh ice and water are in high demand. Whether it's a busy tourist spot, a bustling shopping center, or a thriving catering business, these machines offer a much-needed service that's always in demand. Ben shares some intriguing insights about the most advantageous locations to install these machines and how they can help transform any business.The opportunity Everest offers is not just a side hustle; it's a chance to invest in a sustainable and profitable venture that's built on innovation and commitment to quality. The promising return on investment and the opportunity to contribute positively to the world make it a winning proposition.Join us as we journey through the exciting and rewarding world of ice and water vending machines with Ben Gaskill. His expertise, insights, and unique perspective will inspire you to take a leap and transform this side hustle into a thriving business opportunity. Whether you're an established entrepreneur looking for your next venture, or someone seeking financial independence, our discussion with Ben is a must-listen. Don't miss out on this incredible opportunity to learn from the best and become a part of the ice and water vending machine revolution!As you're inspired to embark on your own side hustle journey after listening to this episode, you might wonder where to start or how to make your vision a reality. That's where our trusted partner, Reversed Out Creative comes in.Specializing in strategic branding and digital marketing, Reversed Out Creative is an advertising agency dedicated to helping you turn your side hustle into your main hustle. With a team of experienced professionals and a track record of helping clients achieve their dreams, they are ready to assist you in reaching your goals.To find out more about how they can elevate your side hustle, visit www.reversedout.com today and start your journey towards success. Our blog is also full of great information that we work hard on to provide you with a leg up on the competition.We also recently launched our YouTube Channel, Marketing Pro Trends,  which summarizes all of our blog posts.Support the showSubscribe to Side Hustle City and join our Community on Facebook

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Tonight, we'll read the opening to “Cranford”, a novel by the English writer Elizabeth Gaskell, first published in 1853. The work slowly became popular and from the start of the 20th century it saw a number of dramatic treatments for the stage, the radio and TV. The fictional town of “Cranford” is based on the author's childhood home town of Knutsford in England. The stories within portray the old-fashioned class snobbery prevalent in country towns at the time. Charles Dickens encouraged Gaskell to turn her stories into the completed novel. If you enjoy this episode, be sure to listen to our August 2021 episode “North and South” from the same author. — read by V — Support us: Listen ad-free on Patreon Get Snoozecast merch like cozy sweatshirts and accessories

Join me as I chat with Finola Austin, author of the award-winning debut novel Brontë's Mistress.Highlights:Origins of Brontë's MistressInvestigating Lydia Robinson, rumored to have had an affair with Branwell Brontë, the n'er-do-well brother of the famous Brontë sistersInspiration from Mrs. Gaskell's biography of Charlotte BrontëContrast between Lydia Robinson and the typical Brontë heroineUsing Reddit for inspirationShades of gray in Lydia Robinson, the main character of Brontë's MistressBad sex scenes--why we need more of themReading from Brontë's MistressTurning real characters into fictional ones--challenges & issuesLydia Robinson & Charlotte Brontë - not a good mixOne thing learning from writing Brontë's MistressAdvice for new authorsPress Play now & be sure to check out  Brontë's Mistress on Art In Fiction.Finola Austin's WebsiteReceive 20% Off ProWritingAidMusic CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonSubscribe to Art In Fiction to find out about upcoming podcast episodes, blog posts, featured authors, and more.This website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases.

Cousin Phillis

Half a Life-Time Ago

An Accursed Race

Cranford

The Doom of the Griffiths

My Lady Ludlow

Round the Sofa

There's something poignant about knowing that you will never see a particular painting again, even if you don't even really like that painting. Today, Katy shares an excerpt from a book she's reading The Victorian and the Romantic, by Nell Stevens (known under the title Mrs. Gaskell and Me in the UK), about a woman in the the Victorian period who had been in Rome for three months, and as she prepares to leave forever, she contemplates the fact that she will never ever see the painting she is looking at again. We muse on the topic of the privilege of living in Rome and being able to see amazing works of art at any moment—or living in Seattle and getting to see the Puget Sound any time you want. And when you travel to a place and fall in love with something there, and know you will never be back, how do you come to terms with the fact that you may never see that thing again? ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Dr. Michael Gaskell is a veteran principal in New Jersey and currently the Principal at Hammarskjold Middle School in East Brunswick.Michael has been actively writing about highly relevant solutions to problems in educational leadership since 2018. His new book, Radical Principals: A Blueprint for Long-Term Equity and Stability at School focuses on disrupting trauma and inequity in learners and is a guidebook for K-12 leaders looking for creative ways, beyond the status quo, to support and nurture school communities in the wake of unprecedented obstacles.His second book, Leading Schools Through Trauma was published in September of 2021 with Routledge's imprint, Eye on Education, after his first book published last fall, Microstrategy Magic.In This Episode:Michael on TwitterMichael on LinkedInMichael on InstagramMichael's emailDeep Work. Cal Newport.---What's new with The Trauma Therapist Project!The Trauma 5: gold nuggets from my 600+ interviewsThe Therapists Teach Workshop: a workshop for therapists who want to create their first online course.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement

Catching Giants Kevin Gaskell, KevinGaskell.com   – The Sharkpreneur podcast with Seth Greene Episode 860 Kevin Gaskell Leading the turnaround of Porsche from close to bankruptcy to market leader saw Kevin Gaskell, at the age of 32, recognized as one of the most capable leaders of his generation. He consolidated that recognition with 4 years as Managing Director of BMW (GB) during which he led the business to record growth and a 500% improvement in profitability. He is a corporate trailblazer who has changed the way that businesses operate.  Since leaving the automotive sector he has founded and led businesses to massive success in the digital, technology, data, brand marketing, market research, construction, retail, professional services and manufacturing sectors. Such flexibility and adaptability have confirmed his position as an extraordinary and inspirational leader.  A highly motivational and engaging speaker, he believes that ordinary people can achieve extraordinary results - and he has the experiences to prove it. He has led global corporations, start-ups, private equity portfolio companies and organizations large and small to create shareholder value in excess of $5 Billion. His companies have won numerous awards, and one was recently recognized as the best private equity investment of the year. He has played international sport, walked to both the north and south poles and climbed the world's highest mountains to fund the construction of a cancer treatment unit. He recently set a new world record for the fastest row across the Atlantic Ocean. For relaxation he plays in a rock band.  He has authored and published the internationally bestselling books ‘Inspired Leadership' and ‘Catching Giants'.    Listen to this illuminating Sharkpreneur episode with Kevin Gaskell about his book, Catching Giants. Here are some of the beneficial topics covered on this week's show: - How you must understand the goal of your business if you're going to fix it. - Why it's vital for everyone on the team to know their role and their importance. - How business owners must have open communication with their team members. - Why everyone in the business needs to be connected to the business plan. - How growing your business quickly requires you to think differently.   Connect with Kevin: Guest Contact Info Twitter @KevinDGaskell Instagram @kevin_gaskell LinkedIn linkedin.com/in/kevin-gaskell Links Mentioned: KevinGaskell.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

North and South is Elizabeth Gaskell's fourth novel and considered by many to be her best. It tells the story of Margaret Hale, a principled young middle-class woman from the rural South whose family are obliged to re-settle in the Northern industrial town of Milton. Joining us to discuss the novel's contemporary relevance, are two new guests: Jennifer Egan, author of A Visit from the Goon Squad and Nell Stevens, author of the memoir, Mrs Gaskell & Me. We cover the books presentation of labour relations at the height of the Industrial Revolution, the changing position of women in society, the reasons for Elizabeth Gaskell's uncertain reputation, her unsentimental treatment of death and – spoiler alert – whether the novel's ending works. Also in this episode, Andy is impressed by No Document, Australian writer Anwen Crawford's ground-breaking work of elegiac non-fiction and John enjoys the exquisite imagination on display in Chloe Ardijis's Dialogue with a Somnambulist, the Mexican novelist's recent collection of stories, essays and pen portraits.

Natasha Webb & Jason Gaskell join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 08/08/22Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.