Podcasts about barenboim

Manuel de Falla (1876 - 1946) - Noches en los jardines de EspañaImpressioni sinfoniche per pianoforte e orchestraEn el Generalife - Allegretto tranquillo e misterioso (00:00)Danza Lejana - Allegro giusto (10:37)En los Jardines de la Sierra de Córdoba – Vivo (15:30) Chicago Symphony OrchestraDaniel Barenboim - pianoPlácido Domingo - conductor

RAVEL: Ma mère l’oye (Suite para piano, arr. para p.) (18.09). K. Labèque (p.), M. Labèque (p.). Don Quichotte a Dulcinèe (7.09). J. Van Dam (bar.), D, Baldwin (p.). Pavana para una infanta difunta (arr. para orq.) (7.45). Orq. de París. Dir.: D. Barenboim. DEBUSSY: Les collines d’Anacapri (Preludios, Libro I) (3.22). J.-P. Armengaud (p.).Escuchar audio

“A inclusão produtiva, se bem-feita e baseada em evidências, pode mudar a trajetória de um país e de sua população”. A declaração que você acaba de ouvir é de Iana Barenboim, sócia da MUVA. Com mais de 12 anos de experiência como economista, Iana fundou e gerenciou vários negócios e uma ONG no Brasil. Ela é autora do primeiro livro de finanças comportamentais em português, “Decisões financeiras e o comportamento humano”. A MUVA é uma instituição do sul global que trabalha em prol da inclusão de jovens e mulheres no Brasil e em Moçambique. No Podcast, Iana detalha a atuação da MUVA e explica por que as chamadas soft skills são importantes para a proposta da organização. Você confere tudo isso e muito mais no episódio que começa logo a seguir.

Intro:  One More Night – Can 1. Eisiger Wind – LiLiPUT (3:26) 2.  Steal Softly Thru' Snow – Captain Beefheart & his Magic Band (2:16) 3.  Fifteen Feet of Pure White Snow – Nick Cave & the Bad Seeds (5:31)                                                                               4.  NY Snow Globe – Rachel's (2:22)                                                                                                 5.  Frozen Warnings – Nico (4:02)                                                                                                                                       6.  Des Pas sur la Neige (Footprints in the Snow) – Debussy, Barenboim (4:31)                                                                    7.  January Hymn – Decemberists (3:10)                                                                             8. Footprints in the Snow – Bill Monroe & his Blue Grass Boys (2:38) 9.  Frosty the Snowman – Leon Redbone & Dr John (1:54)                                                               10.  20 Years of Snow – Regina Spektor (3:28)                                                                           11.  Snowy Morning Blues – James P. Johnson (2:41)                                                                                                               12.  La Nevada – Gil Evans Orchestra (15:31)                                                                                                                                                13. Cold Rain and Snow – Grateful Dead (2:28)                                                                                                                       14.  Snow in San Anselmo – Van Morrison (4:34)                                                                                                                     15.  Under Ice – Kate Bush (2:22)                                                                                                         16.  The Snows – Pentangle (3:43)                           17.  Neuschnee – Neu! (4:03)                                                                                                                                                   18.  Snow Jumper's Harp – 75 Dollar Bill (8:56)                                                                                                                       19.  When the Frost is on the Pumpkin – Fred Jordan (1:17) 20. Cold, Cold, Cold – Little Feat (3:58)                                       21.  Cold Weather Blues – Muddy Waters (4:40)                                       22.  First Snow – Dave Holland Quartet (6:29)                                                                                                                      23.  The Snow Abides – Michael Cashmore (4:35)                                                                                                              24.  Blanche comme la Neige – Kate & Anna McGarrigle (3:45)                                  25.  A-Rovin' on a Winter's Night – Peter Bellamy (3:29)                                                                                                         Outro: Pogles Walk – Vernon Elliott Ensemble

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Barenboim i "L'Emperador". Daniel Barenboim

Auch wenn Barenboim bei den Konzerten teilweise nur mit sehr sparsamen Gesten dirigiert haben soll - das Resultat ist kraftvoll wie eh und je.

La chronique musique de Frédéric Hutman

durée : 01:29:12 - Daniel Barenboim à Berlin - par : Aurélie Moreau - Pour Daniel Barenboim, célèbre chef d'orchestre, pianiste et humaniste « Le miracle se produit lorsque le chef et l'orchestre partagent la même réaction émotionnelle et ne font plus qu'un » (Le Monde). Aujourd'hui Schumann, Mahler, Wagner, Brahms…

durée : 00:03:56 - Le Bach du matin du lundi 07 octobre 2024 - En ce 7 octobre, notre Bach du matin est en la mémoire des 1205 morts de l'attaque terroriste perpétrée par le Hamas en Israël, pour les 97 otages détenus à Gaza, les dizaines de milliers de civils tués à Gaza depuis le début de l'offensive militaire lancée par Israël en représailles.

durée : 00:03:56 - Le Bach du matin du lundi 07 octobre 2024 - En ce 7 octobre, notre Bach du matin est en la mémoire des 1205 morts de l'attaque terroriste perpétrée par le Hamas en Israël, pour les 97 otages détenus à Gaza, les dizaines de milliers de civils tués à Gaza depuis le début de l'offensive militaire lancée par Israël en représailles.

Armando Besio"Zelbio Cult"www.zelbiocult.itLetteratura, arte, memoir, musica, teatro, fotografia di viaggio: in arrivo gli incontri d'autore di Zelbio Cult diretti e curati da Armando BesioTornano gli appuntamenti culturali a Zelbio, dal 14 luglio al 17 agosto: sette serate all'insegna della cultura a tutto tondo in uno dei borghi più suggestivi del lago di Como. Gli appuntamenti di Zelbio Cult 2024, quest'anno alla sua diciottesima edizione, che riconfermano la formula ben riuscita che, dal 2008 porta a 800 metri di altezza, tra il lago e i monti di Como, voci, figure e storie protagoniste del panorama culturale italiano e noti a livello internazionale.   Armando Besio, curatore della rassegna, con gli amici del Comitato cultura di Zelbio e con il sostegno della Pro Loco e della Biblioteca comunale, propone per la XVIII edizione un variegato calendario di incontri su quell'altro ramo del lago di Como.   Zelbio Cult 2024 inizia domenica 14 luglio con uno dei più grandi e talentuosi interpreti di viola al mondo, Danilo Rossi, che presenterà il suo libro Viola d'amore(Baldini+Castoldi), insieme alla curatrice del volume, Paola Zonca, e proponendo al pubblico racconti di vita uniti a una performance di brani musicali selezionati. Viola d'amore è la storia del suo percorso umano e della sua carriera artistica, dagli inizi nelle balere romagnole al decollo a soli 19 anni quando diventa il più giovane strumentista a ricoprire il ruolo di Prima Viola Solista dell'Orchestra della Scala di Milano, che ripercorre oltre 40 anni di musica e importanti collaborazioni con direttori d'orchestra di fama internazionale come Abbado, Barenboim, Harding e Bernstein, tra grandi teatri ma anche contesti insoliti come carceri e boschi. Il racconto da vicino di un musicista appassionato, «un ribelle positivo» innamorato della vita, amante del liscio, del jazz, del pop e del buon cibo.  Venerdì 19 luglio l'appuntamento è con la fotografa e giornalista Valentina Tamborrainsieme alla sua ultima pubblicazione I nascosti (minimumfax), un libro fotografico che racconta il viaggio di quattro anni tra i ghiacci del Circolo Polare Artico alla scoperta del popolo nomade dei Sami, detto anche “il popolo delle renne”. L'autrice ci accompagnerà tra le terre del nord con uno sguardo profondo e intenso sulla vita dei Sami che da sempre vivono in simbiosi con la natura, spostandosi tra i paesaggi innevati di Norvegia, Svezia, Finlandia e Russi: tra storie, tradizioni e sfide quotidiane di questo popolo, che lotta per mantenere la propria identità culturale di fronte alla modernità e ai cambiamenti climatici.  Protagonista della serata di sabato 27 luglio è la Famiglia Campari che ha segnato un pezzo della storia di Milano. Silvia Cinelli, autrice e sceneggiatrice, presenterà il suo ultimo libro L'Elisir dei sogni. La saga dei Campari e l'invenzione del “Bitter perfetto” (Rizzoli): la storia del giovane liquorista, Gaspare Campari, e dei suoi discendenti, arrivato a Milano con il sogno di realizzare il Bitter perfetto e creando, da lì in poi, un'icona del rito pre-dinner in Italia. Un viaggio emozionante tra tradizione e innovazione, narrato con maestria dall'autrice attraverso un affascinante affresco della società milanese di fine Ottocento, in un periodo di grandi cambiamenti culturali, politici e sociali.   Domenica 28 luglio si conferma l'appuntamento con la musica classica in collaborazione con il Festival di Bellagio e del Lago di Como con il concerto Canti di Boemia diretto dal Maestro Alessandro Calcagnile, con musiche di Antonín Dvořák e Josef Suk, nella Chiesa di San Paolo Converso di Zelbio (ore 17:00).    Il primo appuntamento di agosto, sabato 3, è dedicato al teatro con lo spettacolo teatrale "ALDST (Al Limite Dello Sputtanamento Totale)" con la regia di Matteo Gatta e Viola Marietti.  Viola Marietti,  figlia d'arte dell'attrice Lella Costa, protagonista sul palco di questo spettacolo, sfida le convenzioni del teatro tradizionale in un mix tra una stand-up comedy e il flusso di coscienza tragico di Sarah Kane, conducendo il pubblico in un viaggio tra auto-diffamazione inquieta e comica dissacrazione. «ALDST – dice Viola Marietti – è un piano sequenza di tutti i casini, a partire dal pranzo di Natale in famiglia ai tanti “pit-stop” emotivi di ogni giorno, per cui si lotta grossolanamente contro quell'indefinita zavorra che trascina sempre in basso, passando per il baratro della depressione. Sappiamo tutto di questa ragazza: l'amore, il lavoro, la solitudine, la religione, la malattia, tutto quel che le restituisce sempre e con gli interessi il dolore senza nome che si porta dentro»   Sabato 10 agosto, appuntamento con un pezzo della storia dello spettacolo italiano: ospite della serata sarà Aurelio “Cochi” Ponzoni e il suo libro La versione di Cochi(Baldini+Castoldi) scritto con la collaborazione di Paolo Crespi. Un memoir che ripercorre, da una prospettiva inedita, la vita e la carriera di Cochi a partire dai ricordi d'infanzia e della guerra fino all'esperienza con il socio Renato Pozzetto e alle avventure artistiche più recenti. Sessant'anni di spettacolo, teatro, cabaret, cinema, tv scolpiti indelebilmente nell'immaginario degli italiani e racchiusi in un libro per i lettori di tutte le generazioni, dagli amanti del mitico Derby Club ai giovani spettatori delle sue ultime avventure teatrali.  Chiude il programma dell'edizione di Zelbio Cult 2024 l'appuntamento di domenica 17 agosto con Marco Carminati, storico dell'arte e giornalista professionista, per anni caporedattore responsabile dell'inserto culturale "Domenica" del "Sole 24 Ore", che condurrà una lectio con proiezioni dal titolo “L'insostenibile leggerezza del marmo”, dedicata a uno dei monumenti dell'arte italiana: Gian Lorenzo Bernini, artista poliedrico e multiforme, protagonista della cultura figurativa barocca, la cui arte scultorea caratterizzata da potenti virtuosismi tecnici e da una scenografica espressività continua a influenzare artisti di tutto il mondo.    Il curatore della manifestazioneArmando Besio:   Genovese di nascita, giornalista, laureato in Storia dell'Arte con il professor Corrado Maltese, è stato cronista del Secolo XIX, inviato speciale del Lavoro, caposervizio del Venerdì di Repubblica, con cui collabora,  e delle pagine culturali milanesi di Repubblica.   Ha scritto per Epoca, Arte, Antiquariato, l'Illustrazione italiana. Ha pubblicato guide storico-artistiche di Genova, Sanremo, Bordighera. Ha collaborato con La Milanesianadi Elisabetta Sgarbi e ha ideato e dirige i festival “Zelbio Cult - incontri d'autore su quell'altro ramo del lago di Como” e "Il bello dell'Orrido. Spavento, stupore e meraviglia" a Bellano (LC). IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it   Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Mit der Initiative "Make Freedom Ring" macht Geiger Michael Barenboim auf die humanitäre Katastrophe in Gaza aufmerksam. Viele Landsleute kritisieren ihn dafür. Ende Juli veranstaltet die Initiative ein Benefizkonzert in München.

Or “The Woman Who Was Cool”. The boys sit down with good friend of the show Gus to remind you that Todd Field invented Big League Chew and also that his movie Tár absolutely rules. We dare to ask “is Cate Blanchette good at conducting?”, spot ghosts, trying to enjoy Monster Hunter, playing the triangle right and “what this movie is actually about?” Watching the End of History will return next along with Hollywood Tim as we tackle another deeply weird Stephen Spielberg/Tom Cruise 00s sci-fi movie. This time though, a movie that is almost as obsessed with 9/11 as our show is: 2005's War of the Worlds.   Transition bits include: Bernstein obsessing over the triangle section in rehearsal: https://youtu.be/ebf6_7nHciw?si=4Pf9cuzYp9r7raGh Bernstein lecturing on Mahler 5 from the piano: https://youtu.be/A7O5zcQPRQQ?si=OcB-xcprNZe9I_4P Bernstein conducting Mahler 5 with Vienna Philharmonic: https://youtu.be/Bj6KLv7kv2Q?si=6C_RBoOoJdR6pcu1 Jacqueline du Pre playing the Elgar Cello Concerto under Barenboim: https://youtu.be/OPhkZW_jwc0?si=8_s1VcrFi288l03n

BRUCKNER: Sinfonía nº 4 en Mi bemol mayor WAB 104: Romántica (Tercer y cuarto movimientos: Scherzo, Finale) (35.22). Orq. Fil. de Berlín. Dir.: S. Rattle. WAGNER: Preludio y Cabalgata de las valquirias (La Valquiria, Acto III) (8.40). N. Secunde (sop.), A. Evans (sop.), P. elming (ten.), J. Tomlinson (baj.), Orq. del Festival de Bayreuth. Dir.: D. Barenboim. Fantasía nº 4 en Fa mayor (1.27). C. Eggner (fortep.).Escuchar audio

Die Musik wurde ihm quasi in die Wiege gelegt: Sein Vater, Daniel Barenboim, ist ein weltbekannter Dirigent, seine Mutter, Elena Bashkirova, eine angesehene Pianistin. Und auch Michael Barenboim hat als Kind zunächst Klavier gespielt, bevor er mit sieben Jahren zur Geige wechselte. Mit 18 war er als Violinist so gut, dass er Konzertmeister des West-Eastern Divan Orchestra wurde. Das von seinem Vater und dem palästinensisch-amerikanischen Literaturkritiker Edward Said vor 25 Jahren gegründete Symphonieorchester hat sich zum Ziel gesetzt, für ein friedliches und gleichberechtigtes Zusammenleben von Juden und Arabern im Nahen Osten zu werben. Bei den Konzerten treten israelische und arabische Musiker gemeinsam auf. Doch nach dem Überfall der Hamas und den Vergeltungsaktionen Israels hat sich manches verändert.

Nadia Boulanger ha estat una de les pedagogues musicals m

SMETANA: Libuṧe (Ópera festiva en tres actos) (Acto II, frag.II) (13.55). G. Benackova (sop.), V. Zitek (bar.), A. Svorc (baj.), L.-M. Vodicka (ten.), Coro y Orq. del Teatro Nac. de Praga. Dir.: Z. Kosler. El Moldava (Mi Patria) (13.03). Orq. Sinf. de Chicago. Dir.: D. Barenboim. Viola (Ópera incompleta, frag.) (14.04). M. Vesela (mez.), D. Drobkova (mez.), D. Jedlicka (baj.), J. Horacek (baj.), M. Svejda (ten.), K. Hanus (bar.), Coro y Orq. del Teatro Nacional de Praga. Dir.: Z. Kosler.Escuchar audio

Vor 25 Jahren gründeten Daniel Barenboim und Edward Said ein Orchester mit Musiker:innen aus Israel, Palästina und anderen arabischen Ländern. Die Situation im Nahen Osten überschattet das Jubiläum. Aber für Michael Barenboim, Sohn des Gründers, ist die Friedensvision wichtiger denn je. Moderation: Ralph Erdenberger. Von WDR 5.

Die geplante Antisemitismus-Klausel in der Berliner Kulturförderung hat viele Kritiker. Auch der Geiger Michael Barenboim zählt dazu: Wenn Kritik an Israel mit Antisemitismus gleichgesetzt werde, sei das problematisch und verenge den Diskurs. Fischer, Karinwww.deutschlandfunk.de, Kultur heute

Anfang und Ende liegen nah beieinander: Berlin etwa feierte Joana Mallwitz 2023 als neuen Pultstar, während Nürnberg ihr wehmütig hinterherblickt. München freut sich über Simon Rattles Einstand und auf Lahav Shani. Und Thielemann folgt auf Barenboim ...

Leijala, Linawww.deutschlandfunkkultur.de, Fazit

DUTILLEUX: Sarabande et cortège (6.55). B. Boganyi (fg.), B. Engelhard (p.). Sinfonía nº 2 “La Double” (28.17). Orq. de París. Dir.: D. Barenboim. 3 Sonetos de Jean Cassou (8.24). V. Le Texier (bar.), Orq. Nacional des Pays de la Loire. Dir.: P. Rophe.Escuchar audio

durée : 00:26:03 - Disques de légende du jeudi 16 novembre 2023 - Janet Baker et Daniel Barenboim se rencontrent au milieu des années 1960. Il faut attendre juillet 1976 pour que ces deux musiciens légendaires s'unissent sur un disque. Au programme de cette collaboration inédite : le cycle de lieder L'amour et la vie d'une femme de Robert Schumann.

As his new album Letter(s) to Erik Satie is set to be released, the French pianist Bertrand Chamayou talks to presenter Tom Service about the connections he sees between the visionary composers it features, including John Cage, James Tenney and Erik Satie, and how the project took him to places he'd never been before. He tells Tom how collaborating with the soprano Barbara Hannigan opened the door for this Satie project, about the unpredictability of the recording process, and how he'd like classical music performance to become more like visual art. Tom travels to Bristol's The Galleries shopping centre, home of Bristol's Eye Hospital Assessment centre, to visit a new installation featuring the testimony of 100 voices from across 12 NHS hospitals - including doctors, porters, nurses, consultants, and patients - which have been curated into an hour-long immersive experience. Providing a therapeutic space for contributors to express themselves, and an opportunity for audiences to contemplate the lived experience of hospital communities, Tom learns how the project's composer, Hannah Conway, and librettist, Hazel Gould, created four arias around common themes they encountered, and hears how they've become creatively projected into a bespoke structure that will tour Bristol, London, Preston and Addenbrooke over the coming weeks. With contributions, too, from Manager at NHS Lancashire Teaching Hospitals, Dipa Dave, and Head of Arts at Cambridge University Hospitals NHS Foundation Trust, Natalie Ellis. Also today, as the West-Eastern Divan Ensemble prepares to perform a concert including Mendelssohn, Beethoven and Carter at the Queen Elizabeth Hall in London this weekend, the violinist Michael Barenboim tells Music Matters how, despite the situation in the Middle-East, the collaborative principles behind his father's and Edward Said's orchestra – which seek to bring together Arab, Palestinian and Israeli musicians – are more important than ever. And the composer Jack van Zandt - author of a new book, Alexander Goehr, Composing a Life - speaks to Tom about the ongoing teacher-pupil relationship he's developed under the tutelage of Alexander - Sandy - Goehr, and how Olivier Messiaen, Pierre Boulez, and among others, Richard Hall, have in turn provided tuition and inspiration across Sandy's musical life.

Support me by becoming wiser and more knowledgeable – check out Edward Said's collection of books for sale on Amazon here: https://amzn.to/4cvSMND If you purchase a book through this link, I will earn a 4.5% commission and be extremely delighted. But if you just want to read and aren't ready to add a new book to your collection yet, I'd recommend checking out the ⁠⁠⁠Internet Archive⁠⁠⁠, the largest free digital library in the world. If you're really benevolent you can buy me a coffee or donate over at ⁠https://ko-fi.com/theunadulteratedintellect⁠⁠. It would be seriously appreciated! __________________________________________________ Edward Wadie Said (1 November 1935 – 24 September 2003) was a Palestinian American academic, literary critic and political activist. A professor of literature at Columbia University he was among the founders of postcolonial studies. Born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran. Educated in the Western canon at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli–Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno. As a cultural critic, Said is known for the book Orientalism (1978), a critique of the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. Said's model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle Eastern studies—how academics examine, describe, and define the cultures being studied. As a foundational text, Orientalism was controversial among scholars of Oriental studies, philosophy, and literature. As a public intellectual, Said was a controversial member of the Palestinian National Council, due to his public criticism of Israel and the Arab countries, especially the political and cultural policies of Muslim régimes who acted against the national interests of their peoples. Said advocated the establishment of a Palestinian state to ensure equal political and human rights for the Palestinians in Israel, including the right of return to the homeland. He defined his oppositional relation with the status quo as the remit of the public intellectual who has "to sift, to judge, to criticize, to choose, so that choice and agency return to the individual" man and woman. In 1999, with conductor Daniel Barenboim, Said co-founded the West–Eastern Divan Orchestra, based in Seville. Said was also an accomplished pianist, and, with Barenboim, co-authored the book Parallels and Paradoxes: Explorations in Music and Society (2002), a compilation of their conversations and public discussions about music held at New York's Carnegie Hall. Original videos ⁠here⁠⁠ and here Full Wikipedia entry ⁠here⁠ Edward Said's books ⁠here --- Support this podcast: https://podcasters.spotify.com/pod/show/theunadulteratedintellect/support

Nach einem Danger Dan Konzert hat Igor Levit es Jan in die Hand versprochen: Er kommt zu Reflektor. Jetzt ist es soweit. Den Star-Pianisten kennen vermutlich auch die Reflektor Hörer, die ansonsten mit klassischer Musik nur wenig zu tun haben. Mit seinen Hauskonzerten während der Pandemie brachte er vielen Menschen die klassische Musik auf eine ganz wundervolle und bewegende Art nah. Aber er machte auch durch sein politisches Engagement auf sich aufmerksam und spielte z.B. im Dannenröder Forst für Umweltaktivisten und bei Kundgebungen für Fridays for Future. Jan wollte von ihm wissen, was ihn antreibt. Und wie er sein großes und anspruchsvolles Pensum bewältigt. Wo bleibt da eigentlich das Privatleben? Wo sind Gemeinsamkeiten und die Unterschiede zwischen klassischer Musik und Popmusik? Alle Songs, die im Gespräch genannt werden, findet ihr in der Reflektor Playlist. Exklusive Bonusfolgen und alle Folgen werbefrei und früher gibt's für Mitglieder im Klub Reflektor. Und hier findet ihr Jan bei Instagram Links: Playlist https://open.spotify.com/playlist/36jTYrUgLwryNyMOHaa0go Klub Reflektor https://steadyhq.com/de/reflektor/about Instagram https://www.instagram.com/janklaasmueller/

SynopsisIn September 2001, American composer Elliott Carter was just a few months shy of his 93rd birthday, but still busy composing new works both large and small.On today's date that year, Carter's Cello Concerto received its premiere in Chicago with cellist Yo-Yo Ma and Daniel Barenboim conducting the Chicago Symphony.Now, Carter's music is technically challenging for performers, and its complexity can make it equally challenging for audiences, especially at first hearing. Despite all that, Carter's comments on his music were usually quite straightforward:“In this score I have tried to find meaningful, personal ways of revealing the cello's vast array of wonderful possibilities,” he wrote. “My Concerto is introduced by the soloist alone, playing a frequently interrupted cantilena that presents ideas later to be expanded into movements.”A month after its premiere, Ma, Barenboim, and the Chicago Symphony brought the new work to Carnegie Hall, and the New York Times reviewer Anthony Tommasini wrote:“For all its complexities … the cello part has a rhapsodic, improvisatory quality …. At its conclusion, when Mr. Carter, who is 92, climbed the steps to the stage with a cane to steady him, he received a prolonged standing ovation.”Music Played in Today's ProgramElliott Carter (1908 – 2012) Cello Concerto Alisa Weilerstein; Staatskapelle Berlin; Daniel Barenboim cond. Decca 478 2735

Daniel Barenboim has been conductor of the Orchestra of Paris and musical director of the Chicago Symphony Orchestra, as well as the Berlin State Opera, a position he held for three decades. Along with the Palestinian-American intellectual Edward Said, Barenboim created the West-Eastern Divan Orchestra, bringing together young musicians from the Middle East, especially Israel and the Arab world. Speaking to Eleanor Wachtel from Milan in 2008, he talked about the orchestra's historic 2005 concert in Ramallah, growing up on Bach and the meaning of music in his life. This episode originally aired on Wachtel on the Arts on IDEAS in 2008.

Synopsis On today's date in 1994, at Orchestra Hall in Chicago, the Chicago Symphony and conductor Daniel Barenboim gave the world premiere performance of Partita by the American composer Elliott Carter, specially commissioned in honor of the composer's 85th birthday. It was a major work, and a major occasion – but, as the Chicago Tribune's music critic John von Rheim put it, that date “will forever be known as the Night the Lights Went Out on Elliott Carter.” Just as the orchestra was playing the final pages of Carter's complex score, the house lights went out. The audience gasped. The orchestra stopped playing. Not sure what to do, the audience started applauding. Then, after a moment or two the lights came back on. After breathing a sigh of relief, Barenboim and the orchestra prepared to pick up where they had left off – and then the lights went out again! Turning to the audience, Barenboim quipped, "It's a good thing we and Mr. Carter are not superstitious." Well, eventually the lights came back on – and stayed on, enabling the Orchestra to finish the premiere of Carter's Partita. But, perhaps as a kind of insurance policy – later on Barenboim and the Chicago Symphony also made a live recording of the new work. Music Played in Today's Program Elliott Carter (1908 – 2012) Partita Chicago Symphony; Daniel Barenboim, conductor. (live recording) Teldec CD 81792 On This Day Births 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola); 1820 - Belgian composer Henri Vieuxtemps, in Verviers; 1862 - English composer Edward German (Jones) in Whitechurch; 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg); 1920 - American composer Paul Fetler, in Philadelphia; 1926 - Austrian composer Friedrich Cerha, in Vienna; 1926 - American composer Lee Hoiby, in Madison, Wis.; Deaths 1732 - French composer and organist Louis Marchand, age 63, in Paris; 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris; 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti; 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles; 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.; Premieres 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King's Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio; 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London; 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting; 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo; 1889 - Franck: Symphony in d, in Paris; 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting; 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala; 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist; 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York; 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City; 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony; 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano); 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater; 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City; 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting; 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode. Links and Resources On Carter

Happy Valentine's Day! In celebration of the holiday, we're going to be diving deep into three real-life love stories of composers. The first one is a perfectly lovely, normal romance. The second one is a tragic love triangle. The third one is...well...more of a stalker situation than a love story. But it resulted in a musical masterpiece. This episode is filled with beautiful excerpts from songs that were inspired by these real-life romances. Be sure to check out the playlist below to hear the music from the episode in its entirety!     Links Mentioned in this Episode: Parent-Child Piano 101 Workshop: Everything You Need to Know to Play Your 1st Song at the Piano Music Heard in this Episode: Anna Magdalena Bach Notebook (complete) P. Barton, FEURICH harmonic pedal piano Schumann - Bunte Blätter, Op. 99 - Grigory Sokolov, Geneva 12.12.2020 Brahms: Variations on a Theme by Schumann, Op.9 (Barenboim, Biret) Berlioz : Symphonie Fantastique (Fantastical Symphony) Music Listening Schedule for Episode 90 I've created a YouTube playlist for you that includes a variety of incredible music inspired by the romances you learned about today. Many of these songs are lengthy, so I suggest using the playlist as background music while you complete other activities! Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!  

Voormalig minister van Justitie en Veiligheid Ferd Grapperhaus wordt zwaar beveiligd vanwege 'ernstige dreigingen' uit de onderwereld. De voortvluchtige crimineel 'Bolle Jos' Leijdekkers zou achter de bedreigingen zitten. Misdaadverslaggever Jan Meeus schetst wie deze Bolle Jos is en waarom een voormalig minister bedreigd wordt. 1 februari is het 70 jaar geleden dat de Watersnoodramp plaatsvond. Tijdens de ramp zette een groep van ruim 300 oester- en mosselschippers uit Yerseke een reddingsactie op touw. Gek genoeg is er weinig over deze helden bekend. Anneke Jumelet tekende hun verhalen op in het boek Het water is kwaad. Ze vertelt onder andere over haar vader, die één van de redders was. De 80-jarige pianist en dirigent Daniel Barenboim stopt na dertig jaar als chef-dirigent bij de Berlijnse Staatsopera. Zijn gezondheid is zo achteruit gegaan, dat hij zijn werk niet meer kan uitvoeren. Dirigent Jurjen Hempel bespreekt het muzikale werk van de fenomenale pianist. Henk Swinnen, manager bij de Belgische pianobouwer Maene vertelt over de speciale piano die ze maakten voor de Barenboim. Jazz-musicus, drummer, acteur én presentator Edwin Rutten is jarig: 80 jaar werd hij deze week. Hij blikt terug op zijn veelzijdige en bijzonder lange carrière.  

durée : 00:28:09 - Actualités de l'orchestre : le départ de Daniel Barenboim - par : Christian Merlin - Actualités de l'orchestre. La nomination de Philibert Perrine comme hautbois solo de l'Orchestre National de Lyon, un disque de la bassoniste Lola Descours, et la démission de Daniel Barenboim de l'Opéra de Berlin figurent au programme des actualités du jour. - réalisé par : Taïssia Froidure

Daniel Barenboims Rücktritt als Generalmusikdirektor der Berliner Staatsoper unter den Linden markiere das Ende einer Ära, bilanziert der Opernkritiker Uwe Friedrich. Für die Zukunft wünscht er dem Haus mehr Mut zu Abseitigem. Friedrich, Uwewww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

durée : 01:58:12 - Daniel Barenboim et ses orchestres - par : Christian Merlin - Lorsque l'Orchestre de Paris l'a nommé directeur musical en 1975, il avait surtout une réputation de pianiste. Il s'est imposé depuis comme chef : alors qu'il fête ses 80 ans, retour sur ses rapports avec les orchestres, de Paris à Berlin en passant par Chicago et le Divan. - réalisé par : Marie Grout

durée : 00:28:17 - Daniel Barenboim et ses orchestres (4/4) : Citoyen du monde - par : Christian Merlin - Lorsque l'Orchestre de Paris l'a nommé directeur musical en 1975, il avait surtout une réputation de pianiste. Il s'est imposé depuis comme chef : alors qu'il fête ses 80 ans, retour sur ses rapports avec les orchestres, de Paris à Berlin en passant par Chicago et le Divan. - réalisé par : Marie Grout

durée : 01:28:42 - Daniel Barenboim, pianiste et chambriste (4/4) : le XXème siècle - par : François-Xavier Szymczak - Daniel Barenboim a 80 ans ! Pendant quatre émissions, nous évoquons sa carrière de pianiste et chambriste, aux côtés de Jacqueline du Pré, Dietrich Fischer-Dieskau, Itzhak Perlman, Pinchas Zukerman, Janet Baker, Emmanuel Pahud, Martha Argerich, Radu Lupu, ou de son fils violoniste Michael Barenboim.

Deutsche Grammophon is proud to be honoring the supreme artistry of Daniel Barenboim as he approaches his 80th birthday on 15 November. The great pianist and conductor's remarkable legacy of recordings for the Yellow Label remains the focus of a major campaign comprising three albums, two DG Stage concerts, and a series of e-video releases. Today, DG will release Barenboim's latest readings of Schumann's four symphonies, recorded live with the Staatskapelle Berlin over three evenings at the Staatsoper Berlin and Philharmonie Berlin. The album will be available as a 3-CD set and in digital format, including a Dolby Atmos version.Purchase the music (without talk) at Itunes or Amazon.Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

durée : 00:28:11 - Daniel Barenboim et ses orchestres (3/4) : De Chicago à Berlin - par : Christian Merlin - Lorsque l'Orchestre de Paris l'a nommé directeur musical en 1975, il avait surtout une réputation de pianiste. Il s'est imposé depuis comme chef : alors qu'il fête ses 80 ans, retour sur ses rapports avec les orchestres, de Paris à Berlin en passant par Chicago et le Divan. - réalisé par : Marie Grout

durée : 01:28:09 - Daniel Barenboim, pianiste et chambriste (3/4) : Liszt, Brahms, Tchaïkovski - par : François-Xavier Szymczak - Daniel Barenboim a 80 ans ! Pendant quatre émissions, nous évoquons sa carrière de pianiste et chambriste, aux côtés de Jacqueline du Pré, Dietrich Fischer-Dieskau, Itzhak Perlman, Pinchas Zukerman, Janet Baker, Emmanuel Pahud, Martha Argerich, Radu Lupu, ou de son fils violoniste Michael Barenboim.

durée : 00:28:07 - Daniel Barenboim et ses orchestres (2/4) : De Paris à Chicago - par : Christian Merlin - Lorsque l'Orchestre de Paris l'a nommé directeur musical en 1975, il avait surtout une réputation de pianiste. Il s'est imposé depuis comme chef : alors qu'il fête ses 80 ans, retour sur ses rapports avec les orchestres, de Paris à Berlin en passant par Chicago et le Divan. - réalisé par : Marie Grout

durée : 01:27:29 - Daniel Barenboim, pianiste et chambriste (2/4) : Schubert, Chopin, Schumann, Mendelssohn - par : François-Xavier Szymczak - Daniel Barenboim a 80 ans ! Pendant quatre émissions, nous évoquons sa carrière de pianiste et chambriste, aux côtés de Jacqueline du Pré, Dietrich Fischer-Dieskau, Itzhak Perlman, Pinchas Zukerman, Janet Baker, Emmanuel Pahud, Martha Argerich, Radu Lupu, ou de son fils violoniste Michael Barenboim.

durée : 00:25:17 - Daniel Barenboim, portrait d'un boulimique de musique - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur la vie et l'œuvre du pianiste et chef d'orchestre israélo-argentin, Daniel Barenboim ! - réalisé par : Philippe Petit

durée : 00:28:22 - Daniel Barenboim et ses orchestres (1/4) : De Londres à Paris - par : Christian Merlin - Lorsque l'Orchestre de Paris l'a nommé directeur musical en 1975, il avait surtout une réputation de pianiste. Il s'est imposé depuis comme chef : alors qu'il fête ses 80 ans, retour sur ses rapports avec les orchestres, de Paris à Berlin en passant par Chicago et le Divan. - réalisé par : Marie Grout

durée : 01:28:13 - Daniel Barenboim, pianiste et chambriste (1/4) - par : François-Xavier Szymczak - Daniel Barenboim a 80 ans ! Pendant quatre émissions, nous évoquons sa carrière de pianiste et chambriste, aux côtés de Jacqueline du Pré, Dietrich Fischer-Dieskau, Itzhak Perlman, Pinchas Zukerman, Janet Baker, Emmanuel Pahud, Martha Argerich, Radu Lupu, ou de son fils violoniste Michael Barenboim.

Violinist Florence Schwartz has played with the Chicago Symphony Orchestra for over 30 years. Her tenure spans the eras of the eras of Solti, Barenboim, and Muti. She began her training at a very young age. It only intensified as she entered the world of Interlochen, Aspen, and the Eastman School of Music. Florence is also a mother of three children. She paints, she gardens, and spoils her dogs. What’s not to like? Also in the episode, I remember Hollis Resnik. Besides being one of the brightest stars of the Chicago musical theatre world for over 40 years, she was also my friend.

In Part 2, we continue our discussion of the West-Eastern Divan Orchestra and how she got the idea to use individual stories to bring out the meaning and feeling of the orchestra and its members. I then ask Elena to talk about her career, which began at the age of 4 when she got a cello for Christmas, and later continued her studies at the Juilliard School of Music, first in pre-school and then as a bachelors student. Finally, she tells me why she decided to move to Germany after a summer at the Schleswig-Holstein Musik Festival... and why she does weight training!

We begin the Bonus Room by asking Elena about her first job, principal cello with the Deutsche Oper Berlin, which was followed by her principal position at the Staatskapelle Berlin... but not before a year in and out of Los Angeles playing electric cello in her brother's rock band! She now plays with the Hegel String Quartet and is Professor of Cello at the Freiburg Musik Hochschule, where in addition to teaching cello she also explores new ways of creative teaching.

Cellist Elena Cheah has had a marvelous and broad career. After graduating from Juilliard, she was appointed principal cello of the Deutsche Oper Berlin and later was principal of the Staatskapelle Berlin under Daniel Barenboim. She is currently a professor at the Freiburg Musik Hochschule in Germany and a member of the Hegel String Quartet. In addition, she was a member of the West-Eastern Divan Orchestra, an ensemble consisting of Israelis, Palestinians and people from other Arab countries. She has written a beautiful and moving book about the experiences and views of a number of the orchestra's members.In Part 1 of our conversation, we discuss how she first entered the Divan orchestra and then focus on the experiences of several people in the orchestra.