Podcasts about Arcangelo Corelli

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-SA-3.021 Hungarian Dances (Orchestra), WoO 1 by Johannes Brahms, perf. by Fulda Symphonic Orchestra (edited)CC-BY-4.0Choro das Terras Baixas, written & performed by Bert Alink Requiem a voce sola, written & performed by Carlotta Ferrari (edited)CC-BY-3.0Impromptu in G♭ major by Schubert, per. Chiara Bertoglio (edited)Serenade for String Orchestra, Op. 16 ny Emanuel Moór, perf. Steve's Bedroom Band  (edited)De buen humor, written and performed by Bert Alink (edited)EFF Open Audio License 1.0.1 which is compatible with CC-BY-SA-2.0(O) Concerto grosso in D major, Op.6 No.4, by Arcangelo Corelli, perf. by Advent Chamber Orchestra (edited)

No, we're not mad! This is yet ANOTHER La Folia theme and variations, this time from Corelli. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Violin_Sonata_in_D_minor_'La_Folia'%2C_Op.5_No.12_(Corelli%2C_Arcangelo) https://creativecommons.org/licenses/by-nc-sa/3.0/legalcode

Arcangelo Corelli - Trio Sonata No. 12 “Ciacona”Adam LaMotte, violin Lisa Grodin, violin El MundoMore info about today's track: Naxos 8.574295Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Christmas Eve Worship December 24, 2024, from Queen Anne Lutheran Church in Seattle, our 11 PM service—Pastor Dan Peterson; Cantor Kyle Haugen; Choir and String Quartet Pre-service Music: Organ—Lo, How a Rose, Johannes Brahms (1833-1897);Congregational Carol—The First Noel, ELW 300; Choir—Come, Thou Long-Expected Jesus, Kyle S. Haugen (b. 1973); String Quartet—Selections from Christmas Concerto, Arcangelo Corelli (1653–1713), arr. Lynn Latham; Congregational Carol—O Little Town of Bethlehem, ELW 279; Congregational Carol—What Child Is This, ELW 300; String Quartet—Sinfonia from Christmas Oratorio, Johann Sebastian Bach (1685–1750), arr. Dave Prudon • Processional Carol—O Come, All Ye Faithful, ELW 283 • Hymn of Praise—Angels We Have Heard on High , ELW  289 • First Reading—Isaiah 9:2-7 • Second Reading—Titus 2:11-14 • Gospel—Luke 2:1-20  • Sermon "The Gift of Grace"—Pastor Dan Peterson • Hymn—Love Is Come, ELW 292 • Carols at the Distribution—Go, Tell It on the Mountain , ELW 290; It Came Upon the Midnight Clear, ELW 282; Infant Holy, Infant Lowly, ELW 276 • Hymn (candlelight)—Silent Night, Holy Night, ELW 281 • Recessional Hymn—Hark! The Herald Angels Sing, ELW 270 • Postlude—Chorale prelude on IN DULCI JUBILO, BWV 729, J.S. Bach (1685–1750) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠⁠

Arcangelo Corelli (1653-1713) -  Concerto Grosso Op. 6, No. 8 in sol minore “Fatto per la Notte di Natale”1.       Grave - Vivace2.       Allegro3.       Adagio - Allegro - Adagio4.       Vivace5.       Allegro6.       Pastorale. Largo ________________12:38Alessandro Scarlatti (1660-1725) -  Cantata pastorale per la nascita di Nostro Signore1.       Sinfonia2.       Recitativo “O di Betlemme altera povertà”3.       Aria “Dal bel seno d'una stella”4.       Recitative “Presa d'uomo la forma”5.       Aria “L'autor d'ogni mio bene”6.       Recitative “Fortunati, fortunati pastori!”7.       Aria “Toccò la prima sorte” Ilse Eerens, sopranoMusica AmphionPieter-Jan Belder, conductor 

Der Komponist Georg Muffat (1653-1704) war ein Mensch, dem das Überwinden von Grenzen ein zentrales Anliegen war. Geboren wurde er in der französischen Haute-Savoie, er erlernte die Kunst der Musik bei Jean-Baptiste Lully in Paris, aber auch bei Arcangelo Corelli in Rom.  Georg Muffat wusste, was Ländergrenzen sind (er lebte in einer von Kriegen geplagten Zeit und floh wegen einem Krieg in seinen jüngeren Jahren auch aus dem Elsass), er verbrachte zudem viele Jahre seines Lebens in Prag, Salzburg und Passau.. Und Muffat wusste, dass Ländergrenzen auch stilistische Grenzen in der Musik bedeuten. Als einer der wenigen seiner Zeit kannte er die Musik Frankreichs, Italiens und Deutschlands und brachte deren Elemente in seinen Werken zusammen, exemplarisch in der Sammlung «Armonico tributo», die aus fünf Sonaten besteht und 1682 in Salzburg gedruckt wurde. Dass auch ein Komponist eine aussermusikalische Aufgabe wahrnehmen kann, formulierte Muffat selbst so: «Mein Beruf ist weit entfernt vom Lärm der Waffen und der Staatsraison, die zu denselben ruft. Ich verstehe etwas von Noten, Akkorden und Klängen. Ich übe mich darin, eine liebliche Symphonie zu ersinnen: Wenn ich französische Weisen mit denen der Deutschen und Italiener vermische, so geschieht dies nicht, um einen Krieg heraufzubeschwören; vielmehr suche ich damit, der Eintracht all dieser Völker den Weg zu bereiten, dem köstlichen Frieden.» Die 2. Sonate aus der Sammlung in der Tonart g-Moll steht im Zentrum dieser Sendung; Norbert Graf diskutiert über Aufnahmen dieses Stücks zusammen mit der Barockgeigerin Eva Saladin und dem Blockflötisten Michael Form. Erstausstrahlung: 17.04.2023

Music for Meditation, Pastorale (Arcangelo Corelli: 1653-1713)

durée : 01:28:22 - En pistes ! du mardi 18 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce sont les compositeurs choisis par Emilie et Rodolphe ce matin : Francis Poulenc, Franz Schubert, Arcangelo Corelli, Georg Friedrich Haendel, Maurice Ravel, Claude Gervaise, Didier Lupi Second, Ottorino Respighi et Giuseppe Verdi. En pistes !

Die Musikgeschichte ist reich an Ohrwürmern, aber kaum einer hat so viele Komponisten inspirert wie "La Follia" - von Barock bis Pop. Am prominentesten: Arcangelo Corelli. Der Italiener schrieb 23 Variationen über den Tanz, der alle verrückt macht. Dabei ist seine Follia-Version von 1700 eigentlich nur der letzte Satz einer Violinsonate. Von Volker Sellmann.

«Cuando regreso a mí, a mi sendero, a leer y estudiar, escuchando a los grandes del pasado, me basta una sonata de Corelli para maravillarme de la creación». El 18 de mayo de 2021 moría, a los 76 años, Franco Battiato.  Sonata No. 12 in D minor Follia, Op. 5: I. Tema - Variazione 1 (Adagio) + Sonata Da Chiesa No. 1 in D Major, Op. 5: IV. Adagio + Sonata Da Chiesa No. 5 in G minor, Op.5: III. Adagio de Arcangelo CorelliOttavio Dantone, Stefano Montanari Corelli: Violin Sonatas Op. 5, Nos. 1-12L'Ombra Della Luce Franco Battiato Come Un Cammello In Una Grondaia (2008 Remastered Edition)Torneremo ancora Franco Battiato y Royal Philharmonic Concert Orchestra Torneremo AncoraBayaty + Chant from a Holy Book de G. I. Gurdjieff  Anja Lechner y Vassilis Tsabropoulos Gurdjieff, Tsabropoulos: Chants, Hymns And DancesHaiku Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Aria Di Neve Franco Battiato FleursLa Quiete Dopo Un Addio Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Secondo Imbrunire Franco Battiato UnprotectedL'animale Franco Battiato Last Summer Dance - LiveI Treni Di Tozeur Franco Battiato y Alice Collezione ItalianaLa Cura Franco Battiato  L'ImboscataEscuchar audio

durée : 01:27:44 - En pistes ! du vendredi 01 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous terminons la semaine aux côtés de Giacomo Puccini, Edvard Grieg, Jean-Sébastien Bach, mais également Franz Schubert et Arcangelo Corelli, sans oublier le compositeur tchécoslovaque Jan Novák. En pistes !

Yule 2023 13th-21st Centuries This week we hear anonymous and traditional works and works by Nicolas Gombert, Jean Titelouze, Arcangelo Corelli, Johann Sebastian Bach, Georg Philipp Telemann, Alexander Kastalsky, Arthur Honegger, Heinrich Kaminski, Leroy Anderson, Einojuhani Rautavaara, Agustín Barrios, John Rutter, Harold Darke, Mel Tormé, and David Foster. 206 Minutes – Week of 2023 December 25

0:00 Intro 0:36 Start 1:29 Refinements in approach to teaching with "Harmony, Counterpoint, Partimento" since last interview 6:21 Understanding the patterns in the book as "pure sounds" 9:59 Domenico Scarlatti: Sonata K. 82 10:25 Thinking of cadences as schema and things that are polyphonic rather than modern terminology like PAC or IAC 16:58 Joseph Haydn: "Surprise" Symphony No. 94 18:41 Thinking of 3-part harmony as complete instead of 4-part harmony missing a voice? 26:52 Antonio Vivaldi: La Primavera 39:32 Where do you typically take your musical examples from in the book? 41:08 Joseph Haydn: Symphony No. 43 ("Mercury"), 4th mvt 47:09 How does someone learn the different ways to accompany a melody line? 50:16 Francesco Durante partimento 52:28 Francesco Durante partimento realized as a duo live example 55:35 Arcangelo Corelli: tempo di gavotta 56:41 Arcangelo Corelli: tempo di gavotta, live example 1:01:16 In the early 18th-century, nobody spoke of "half cadences", which was a term that didn't exist 1:03:39 Did they think in terms of modes in the early 18th-century for composition? 1:04:43 The Discant Cadence 1:06:43 Job plays Bach BWV928 excerpt live 1:10:47 On the fluidity of voices dropping in and out versus strictly having 4-voices SATB "chorale-style" 1:13:13 Richard Wagner: Tristan Vorspiel 1:18:58 Richard Wagner was a musical great-grandchild of Padre Martini 1:24:13 Robert Schumann 1:25:29 Johannes Brahms  1:26:47 Tchaikovsky 1:29:52 How do new conservatory students react to your method? 1:32:29 How have other colleagues and professors reacted to your method? 1:34:20 Some conservatories have taken HCP as a compulsory book for 1st and 2nd year students 1:36:55 EXCLUSIVE: New Renaissance Counterpoint Book announced! 1:39:07 Wrapping Up 1:39:35 Outro

Libri: Bob Dylan, Tarantula (trad. A. D'Anna, Feltrinelli); Carlo Emilio Gadda, Quer pasticciaccio brutto de via Merulana (Adelphi). Musica: The War on Drugs, John Coltrane, Bob Dylan, Arcangelo Corelli, John Grant

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durée : 01:27:39 - En pistes ! du jeudi 26 octobre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine aux côtés d'Emilie et Rodolphe avec, ce matin, une programmation éclectique mêlant la musique de Domenico Scarlatti, Reynaldo Hahn, Jean-Baptiste Lully, Arcangelo Corelli, sans oublier Francis Poulenc et André Caplet. En pistes !

In this episode of Reviving Virtue, host Jeffrey Anthony engages in a profound conversation with esteemed musicologist Susan McClary on the intricate relationship between music, culture, and society, including the influence of cultural norms and capitalist structures on tonality. Drawing on his experiences as a music analyst at Pandora Radio, Jeffrey provides a nuanced perspective on the Music Genome Project's role in democratizing music discovery and the potential unforeseen drawbacks. The discourse takes a deeper turn as they address the controversial subject of cultural appropriation in music, with McClary offering keen insights into the ethical implications. They further examine the link between the Enlightenment's rationality and the evolution of musical tonality, underlining the era's significant impact, epitomized by Arcangelo Corelli around 1700. This episode serves as a thought-provoking exploration and reevaluation of music's socio-cultural dimensions, making it an essential listen for those intrigued by the confluence of music, culture, and society.Topics covered in the podcast: The cultural analysis of music The impact of societal norms and practices on musical forms and genres The Music Genome Project and its role in democratizing music discovery The contentious topic of cultural appropriation in music The relationship between the Enlightenment, its rationality, and the evolution of tonality The cultural constructiveness of music The role of the black church and music in maintaining community identity The dynamic between the individual and the group in the communal expression of music The creation of a shared moral narrative through music The impact of music on our bodies, our emotions, and almost everything Book recommendations based on this episode: "Conventional Wisdom: The Content of Musical Form" by Susan McClary https://bookshop.org/a/94644/9780520232082 "Feminine Endings: Music, Gender, and Sexuality" by Susan McClary https://bookshop.org/a/94644/9780816641895 "Love & Theft" by Eric Lott https://bookshop.org/a/94644/9780195320558Further Info:Twitter: https://twitter.com/Reviving_VirtuePatreon page: https://www.patreon.com/RevivingVirtueBookshop page: https://bookshop.org/shop/RevivingVirtueContact: revivingvirtue@gmail.comMusic by Jeffrey Anthony

In diretta dalla Chiesa di S. Maria della Passione a Milano, Radio Popolare ha trasmesso il concerto inaugurale di Milano Arte Musica 2023. Conduzione: Ira Rubini "L'Orfeo del violino - Concerti grossi" con Accademia Bizantina direzione e clavicembalo: Ottavio Dantone concertmaster: Alessandro Tampieri Il programma: Arcangelo Corelli (1653 – 1713) Concerto Grosso op. 6 n. 4 in Re maggiore Adagio – Allegro, Adagio – Vivace, Allegro – Allegro Francesco Geminiani (1687 – 1762) Concerto Grosso op. 3 n. 3 in Mi minore Adagio e staccato, Allegro, Adagio, Allegro Georg Friedrich Händel (1685 – 1759) Concerto Grosso op. 6 n. 2 in Fa maggiore HWV 320 Andante Larghetto, Allegro, Largo, Allegro, ma non troppo Arcangelo Corelli (1653 – 1713) Concerto Grosso op. 6 n. 6 in Fa maggiore Adagio – Allegro, Largo – Vivace, Allegro Francesco Geminiani (1687 – 1762) Concerto Gros so op. 3 n. 4 in Re minore Largo e staccato – Allegro – Largo, Vivace Georg Friedrich Händel (1653 – 1713) Concerto Grosso op. 6 n. 7 in Si b maggiore HWV 325 Largo, Allegro, Largo e piano, Andante, Hornpipe

For the latest See the Music episode, host and Associate Music Director Andrews Sill do-si-dos with George Balanchine's Square Dance. Sills demonstrates with recordings of traditional square dance calls and excerpts from the Vivaldi and Corelli score the ways in which the fiddlers of the former connect with the solo violins of the latter, and how this 1957 ballet contributed to the choreographer's efforts to build a trusting American audience for the classical art form. (15:14) Edited by Emilie Silvestri Music:  Symphony in Three Movements (1945) by Igor Stravinsky. Square Dance (1969) by Al Brundage Concerto Grosso in B Minor, op. 3, no. 10; Concerto Grosso in E Major, op. 3, no. 12 [first movement] by Antonio Vivaldi. Badinerie and Giga from Sarabanda, Badinerie, and Giga by Arcangelo Corelli.  Performed by New York City Ballet Orchestra.  Sarabanda, Giga e Badinerie (Suite for String Orchestra) by Ettore Pinelli (after Corelli). Performed by Zagrebački Solisti. Concerto in B minor, RV 580 by Antonio Vivaldi. Performed by I Solisti Italiani.

Synopsis On today's date in 1994, at Orchestra Hall in Chicago, the Chicago Symphony and conductor Daniel Barenboim gave the world premiere performance of Partita by the American composer Elliott Carter, specially commissioned in honor of the composer's 85th birthday. It was a major work, and a major occasion – but, as the Chicago Tribune's music critic John von Rheim put it, that date “will forever be known as the Night the Lights Went Out on Elliott Carter.” Just as the orchestra was playing the final pages of Carter's complex score, the house lights went out. The audience gasped. The orchestra stopped playing. Not sure what to do, the audience started applauding. Then, after a moment or two the lights came back on. After breathing a sigh of relief, Barenboim and the orchestra prepared to pick up where they had left off – and then the lights went out again! Turning to the audience, Barenboim quipped, "It's a good thing we and Mr. Carter are not superstitious." Well, eventually the lights came back on – and stayed on, enabling the Orchestra to finish the premiere of Carter's Partita. But, perhaps as a kind of insurance policy – later on Barenboim and the Chicago Symphony also made a live recording of the new work. Music Played in Today's Program Elliott Carter (1908 – 2012) Partita Chicago Symphony; Daniel Barenboim, conductor. (live recording) Teldec CD 81792 On This Day Births 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola); 1820 - Belgian composer Henri Vieuxtemps, in Verviers; 1862 - English composer Edward German (Jones) in Whitechurch; 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg); 1920 - American composer Paul Fetler, in Philadelphia; 1926 - Austrian composer Friedrich Cerha, in Vienna; 1926 - American composer Lee Hoiby, in Madison, Wis.; Deaths 1732 - French composer and organist Louis Marchand, age 63, in Paris; 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris; 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti; 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles; 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.; Premieres 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King's Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio; 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London; 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting; 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo; 1889 - Franck: Symphony in d, in Paris; 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting; 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala; 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist; 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York; 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City; 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony; 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano); 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater; 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City; 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting; 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode. Links and Resources On Carter

Un día como hoy, 17 de febrero. Nace: 1653: Arcangelo Corelli, violinista y compositor italiano. 1836: Gustavo Adolfo Bécquer, poeta y escritor español. 1965: Michael Bay, cineasta, productor y actor estadounidense. Fallecen: 1673: Molière, escritor francés. 1854: John Martin, pintor británico. 1856: Heinrich Heine, poeta alemán. Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Bienvenida y bienvenido a La música desde el atril, el espacio que te ofrece la mejor música de concierto de diversos compositores, bajo la compañía de Magda Rey. Te esperamos cada domingo de 17:00 a 20:00 horas. En esta emisión disfruta de piezas musicales de compositores como Antonio de Salazar; Arcangelo Corelli; Jean-Féry Rebel; Tomaso Giovanni Albinoni; Antonio Lucio Vivaldi; Johannes Chrysostomus Wolfgangus Theophilus Mozart​; Mauro Giuliani; Ludwig van Beethoven​; César Franck; Johannes Brahms; Robert Schumann​; Edvard Hagerup Grieg; Claude Debussy​; entre otros. Henry Purcell fue un compositor británico del periodo Barroco que incorporó elementos estilísticos franceses e italianos y generó un nuevo estilo musical para su época.  Escuchemos "Se equivoco la paloma", composición de Carlos Gustavino, interpretado por el coro de Cámara de la Universidad Autónoma de Puebla   bajo la dirección de la maestra Gisela Crespo.

Synopsis If the late 18th century is the “Classical Age,” and the 19th “The Romantic,” then perhaps we should dub our time “The Eclectic Age” of music. These days, composers can—and do—pick and choose from a wide variety of styles. The American composer William Bolcom was loath to rule anything out when he approached the task of setting William Blake's Songs of Innocence and of Experience to music. Bolcom calls for a large orchestra, multiple choruses, and more than a dozen vocal soloists versed in classical, pop, folk, country, and operatic styles. There are echoes of jazz, reggae, gospel, ragtime, country and rock idioms as well. As Bolcom put it: "At every point Blake used his whole culture, past and present, high-flown and vernacular, as sources for his many poetic styles. All I did was use the same stylistic point of departure Blake did in my musical settings.” The massive work received its premiere performance in Stuttgart, Germany, on today's date in 1984. Most of the work was completed between 1973 and 1982, after Bolcom joined the faculty of the University of Michigan in Ann Arbor, and it was there that the work received its American premiere a few months following its world premiere in Germany. Music Played in Today's Program William Bolcom (b. 1938) Songs of Innocence and of Experience Soloists; Choirs; University of Michigan School of Music Symphony; Leonard Slatkin, conductor. Naxos 8.559216/18 On This Day Births 1792 - American composer and educator Lowell Mason, in Medford, Massachusetts; 1812 - Swiss composer and pianist Sigismond Thalberg, in Pâquis, near Geneva; 1896 - Czech composer Jaromir Weinberger, in Prague; 1899 - Russian-born American composer Alexander Tcherepnin (Gregorian date: Jan. 21); 1905 - Italian composer Giacinto Scelsi, in La Spezia; 1924 - Russian-American composer Benjamin Lees (née Lysniansky), in Harbin, Manchuria; 1924 - Austrian-born American composer Robert Starer, in Vienna; 1935 - The charismatic rock 'n' roll performer Elvis Presley is born in Tupelo, Miss.; 1937 - American composer Robert Moran, in Denver; Deaths 1713 - Italian composer and violinist Arcangelo Corelli, age 59, in Rome; 1831 - Moravian-born composer and violinist Franz Krommer, age 71, in Vienna; 1998 - British composer Sir Michael Tippett, age 93, in London; Premieres 1705 - Handel: opera "Almira" in Hamburg; This was Handel's first opera (see also Dec. 5 & 30 for related contemporary incidents); 1720 - Handel: opera "Radamisto" (2nd version), in London (Julian date: Dec. 28, 1720); 1735 - Handel: opera "Ariodante" in London at the Covent Garden Theater (Gregorian date: Jan. 19); 1843 - Schumann: Piano Quintet in Eb, Op. 44, at Leipzig Gewandhaus with pianist Clara Schumann; 1895 - Brahms: Clarinet Sonata, Op. 120, no. 1 (first public performance), in Vienna, by clarinetist Richard Mühlfeld, with the composer at the piano, as part of the Rosé Quartet's chamber music series; The first performance ever of this work occurred on September 19, 1894, at a private performance in the home of the sister of the Duke of Meiningen at Berchtesgaden, with the same performers; Brahms and Mühlfeld also gave private performances of both sonatas in Frankfurt (for Clara Schumann and others) on November 10-13, 1894; at Castle Altenstein (for the Duke of Meiningen) on Nov. 14, 1894; and on Jan. 7, 1895 (for members of the Vienna Tonkünstler Society); 1911 - Florent Schmitt: "La tragédie de Salomé" for orchestra, in Paris; 1927 - Berg: "Lyric Suite" for string quartet, in Vienna, by the Kolisch Quartet; 1928 - Hindemith: "Kammermusik" No. 7, Op. 46, no. 2, in Frankfurt, with Ludwig Rottenberg conducting and Reinhold Merten the organist; 1940 - Roger Sessions: Violin Concerto, by the Illinois Symphony conducted by Izler Solomon, with Robert Gross as soloist; The work was to have been premiered by Albert Spalding with the Boston Symphony under Koussevitzky in January of 1937, but did not take place); 1963 - Shostakovich: opera "Katerina Izmailova" (2nd version of "Lady Macbeth of the Mtsensk District"), in Moscow at the Stanislavsky-Nemirovich-Dachenko Music Theater; 1971 - Shostakovich: Symphony No. 15, in Moscow, by the All-Union Radio and Television Symphony, with the composer's son, Maxim, conducting; 1987 - Christopher Rouse: "Phaethon" for orchestra, by the Philadelphia Orchestra, Riccardo Muti conducting; 1988 - Schwantner: "From Afar . . . " (A Fantasy for Guitar and Orchestra), by guitarist Sharon Isbin with the St. Louis Symphony, Leonard Slatkin conducting; Others 1923 - First broadcast in England of an opera direct from a concert hall, Mozart's "The Magic Flute" via the BBC from London; Links and Resources More on Wiiliam Bolcom More on William Blake

Un día como hoy, 8 de enero: 1830, nace Hans von Bülow. 1836, nace Lawrence Alma-Tadema. 1905, nace Giacinto Scelsi. 1906, nace Ígor Moiséyev. 1935, nace Elvis Presley. 1942, nace Stephen Hawking. 1947, nace David Bowie. 1324, fallece Marco Polo. 1337, fallece Giotto. 1642, fallece Galileo Galilei. 1713, fallece Arcangelo Corelli. 1896, fallece Paul Verlaine. 1986, fallece Pierre Fournier. 1998, fallece Michael Tippett. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023.

In this second Christmas special, the host talks about Christmas while listening to Arcangelo Corelli's Christmas Concerto.

Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I.        Vivace - GraveII.      AllegroIII.    Adagio - Allegro - AdagioIV.    VivaceV.      AllegroVI.    Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttore Starts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttore Starts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI.    Largo (Pastorale per il Santissimo Natale)II.  LargoIII.    AllegroLucerne Festival Strings Rudolf Baumgartner, direttore Starts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I.   Allegro II.  MenuettoIII. FinaleKammerorchester BerlinHelmut Koch, direttore

Cada mañana nuestro programa “Obras de Cámara” les invita a escuchar una selección del amplio repertorio de composiciones para conjuntos instrumentales escritas por destacados músicos a lo largo de la historia.  Producción y selección realizada por Carolina Valdés.  Lunes a viernes a las 9:30 hrs. en el 95.1 FM y www.radioudec.cl

Im Exil fern der russischen Heimat schrieb Rachmaninow seine sogenannten Corelli-Variationen op. 42. Tatsächlich stammt das Thema aber gar nicht von Arcangelo Corelli. Unter dem Namen "La Folia" war es im Barock ein weit verbreiteter, populärer Tanz. Folia heißt eigentlich Wahnsinn. Gemeint war damit überdrehtes, ausgelassenes Feiern. Viele Komponisten schrieben in der Barockzeit Variationen über dieses Thema, auch Corelli, von dem es Rachmaninow übernahm. Der aber macht aus dem barocken Tanz eine melancholische Reise durch spätromantische Gefühlwelten - virtuos, klangverliebt und schwelgerisch. Für Igor Levit war das Stück übrigens Anlass zu einem ziemlich heftigen Streit mit seinem Lehrer ...

¡Cerramos el año 2021 con un programa cargado de contenidos! Después de hacernos eco de la actualidad cultural y científica de la mano de Aroa Velasco, nos adentramos en los orígenes de la folía barroca con José Manuel Gil de Gálvez. Nuestro colaborador nos invita a conocer esta danza popular que alcanza su esplendor en el barroco. Para ello realizamos audiciones de Jean-Baptiste Lully, Arcangelo Corelli , Francesco Germiniani, Georg Friedrich Händel y Johann Sebastian Bach. Seguidamente, en "Desde la General", Aitor Fernández nos acerca a la historia del Recreativo de Huelva. Aitor realiza una radiografía de los hitos más importantes de un club histórico. Finalmente, Javier Castillo nos indica las noticias científicas más positivas y esperanzadoras que se han realizado durante el año 2021. Entre ellas tenemos el desarrollo de las vacunas españolas contra la Covid 19, el lanzamiento del telescopio espacial James Webb y el hallazgo de una gigante reserva de agua hallada en Marte. Tramo del audio: Editorial: 4'39 Noticias:10'04 Folía barroca: 19'46 Historia del Recreativo de Huelva: 1'06'13 Noticias científicas de 2021: 1'31'18 ¿Te gustan nuestros contenidos? ¡Te necesitamos! Hazte socio/a de El Café de la Lluvia para permitir que nuestro medio de comunicación sea sostenible en el tiempo. Descubre todos los beneficios que tiene hacerse miembro de nuestra comunidad en: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ -- Todo esto y mucho más en mucho más en nuestra web: https://elcafedelalluvia.com/ Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia - Enlace de telegram: https://t.me/cafelluvia - Newsletter: https://elcafedelalluvia.com/suscripcion-newsletter/ - Canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia - Twitch: https://www.twitch.tv/elcafedelalluvia

Pastorale | Arcangelo Corelli (Louvor Perene, 10 jan. 2022) A vida campestre possui, sem dúvida, traços peculiares de graciosidade e encanto. Colinas verdejantes, rebanhos de animais, regatos de água corrente, uma incomparável tranquilidade... são estas algumas das notas da vida no campo, tão diversa daquela com a qual os habitantes das megalópoles contemporâneas se habituam. O compositor italiano Arcangelo Corelli, nesta bela composição chamada “Pastorale”, destinada originalmente a bailes campestres e aqui interpretada pela orquestra dos Arautos do Evangelho, evoca aspectos e imponderáveis bucólicos, próprios a nos afastar das preocupações e nos transportar a um ambiente calmo, agradável e repousante. ---------------------- Nesta música podemos apreciar os acordes do primeiro órgão dos Arautos do Evangelho construído primorosamente pelo mestre organeiro Edson Groth. --- Send in a voice message: https://anchor.fm/jlio4/message

If you want a change from Christmas pop, Christmas baroque is the way to go - here's a sparkling little gem from Arcangelo Corelli - a great 15 minute way to reset, reflect and energise - it manages all these things! (17 mins: podcast 3', music 14')   Music here on Spotify or Youtube with pictures. Officially it's Concerto Grosso in G minor op.6 no.8 "Fatto per la notte di Natale" Happy Christmas! What do you think? I really want to know, so please tell me with a comment at Cacophonyonline.com.   You can support Cacophony here, by 'buying me a ko-fi'.   Please share the podcast with everyone you know - start by sharing this episode or the 100 second trailer!   Thanks for listening!      

Arcangelo Corelli, fue una figura capital en la evolución del concierto barroco. Hombre modesto al que le resultaba mejor jugar en equipo que individualmente, solía componer música sin mayores complicaciones pero siempre de gran encanto. Esto último podría ser el motivo que lo llevo a ser considerado uno de los compositores más famosos de su época y que aún en el siglo XXI siga siendo interpretado. Para muchos intérpretes tocas sus conciertos es divertidísimo, pues es como hacer música colectiva del modo más democrático y placentero. Hoy escucharemos, acercándonos a las festividades navideñas de la pieza de Corelli conocida como el Concierto de Navidad ya que en su manuscrito se lee “Fatto per la notte di Natale”, el Vivace - Grave – Allegro de manos de la Filarmónica de Berlín dirigida por Herbert von Karajan.

Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I.Vivace - GraveII.AllegroIII.Adagio - Allegro - AdagioIV.VivaceV.AllegroVI.Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttoreStarts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttoreStarts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI.Largo (Pastorale per il Santissimo Natale)II.LargoIII.AllegroLucerne Festival Strings Rudolf Baumgartner, direttoreStarts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I.Allegro II.MenuettoIII.FinaleKammerorchester BerlinHelmut Koch, direttore

O menino carregava água na peneira e era chegado em despropósitos. Um poema divertido, que integra o primeiro livro infantil de um poeta cheio de imaginação. De Manoel de Barros Ilustrações: Fernanda Massotti e Kammal João Editora: Cia das Letrinhas Música: Arcangelo Corelli, 12 Concerti Grossi em F maior, Op. 6. execução, The Milan Baroque Soloists (www.musopen.org) ____ O Histórias de Pai Para Filha é um podcast que agrada a pais e filhos, com histórias produzidas, escritas ou adaptadas por mim, um pai coruja que quer ensinar à sua filha o gosto pelas histórias e pela língua portuguesa. Os episódios saem a cada duas semanas. Acompanhe o podcast no Youtube, onde eu conto algumas histórias por trás das histórias que você escuta aqui! --- Send in a voice message: https://anchor.fm/depaiparafilha/message

Upcoming Performances: Italian Concerti Famous Baroque solo concerti from Bologna and Venice to London. Works by: Antonio Vivaldi, Arcangelo Corelli, Giuseppe Torelli, Allesandro Stradella, George Frideric Handel. LEARN MORE ABOUT THE PROGRAM > October 29, 2021 – 7:30pm Saint James Place, Great Barrington, MABUY TICKETS (10/29) October 30, 2021 – 4:00pm Trinity Church Lakeville, Lakeville, CTBUY TICKETS (10/30) Crescendo's mission is to give its audience and performers classical music experiences that are emotionally alive and personally meaningful.

Upcoming Performances: Italian Concerti Famous Baroque solo concerti from Bologna and Venice to London. Works by: Antonio Vivaldi, Arcangelo Corelli, Giuseppe Torelli, Allesandro Stradella, George Frideric Handel.  LEARN MORE ABOUT THE PROGRAM > October 29, 2021 – 7:30pmSaint James Place, Great Barrington,... Read More ›

¡Vaya programón el que tienes ante ti! En primer lugar nos hacemos eco de la actualidad cultural y científica de la mano de Aroa Velasco. Seguidamente conocemos a la civilización etrusca gracias a Manuel Olcina, director del MARQ Alicante, museo que acoge estos días la exposición: Etruscos. El amanecer de Roma. Nuestro invitados nos hablará de esta sociedad orientalziante de la que beberá Roma. De este modo conoceremos su legado principesco mediante sus tumbas, sus creencias religiosas y su actividad comercial en la cuenca mediterránea. A continuación buscamos los orígenes del antiguo Egipto en el yacimiento de Tell el-Farkha. Este yacimiento nos muestra una sociedad en pleno desarrollo en tiempos predinásticos. Laura di Nóbile, directora de El Centro Elba, será la encargada de mostrarnos los vestigios de una sociedad en la que cabe destacar su labor en el campo artesano con unas piezas espectaculares. Como colofón final, José Manuel Gil de Gálvez en su sección, Hispania Música, nos invitará a conocer un capítulo de la Historia de la música italiana, en concreto nos ilustrará sobre el legado musical de Arcangelo Corelli. El violinista y compositor italiano fue una de las figuras claves en el barroco y del concierto grosso. También conoceremos a sus discípulos como Locatelli y su impacto en España. Tramo del audio: Editorial:4'25. Noticias: 11'20 Etruscos:22'50 Tell el Farkha: 46'15 Arcangelo Corelli: 1'22'23 ¿Te gustan nuestros contenidos? ¡Te necesitamos! Hazte socio/a de El Café de la Lluvia para permitir que nuestro medio de comunicación sea sostenible en el tiempo. Descubre todos los beneficios que tiene hacerse miembro de nuestra comunidad en: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ -- Todo esto y mucho más en mucho más en nuestra web: https://elcafedelalluvia.com/ Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia - Enlace de telegram: https://t.me/cafelluvia - Newsletter: https://elcafedelalluvia.com/suscripcion-newsletter/ - Canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia - Twitch: https://www.twitch.tv/elcafedelalluvia

Join two old friends for more Baroque Now, as Hugh Ronzani shares the microphone with his Sydney Conservatorium chum and brilliant Baroque violinist Matthew Greco to talk about The Hague, rhetoric, and lessons we can all learn from Arcangelo Corelli. All Recording & Editing by Hugh Ronzani

a cura di Massimiliano Samsa.Arcangelo Corelli (1653-1713)- Concerto No.11 in La bemolle I.Preludio : Andante Largo II.Allemanda : Allegro III.Adagio (1:54:24) IV.Andante Largo V.Sarabanda : Largo VI.Giga : Vivace Concerto No.12 in Fa maggioreI.Preludio : Adagio II.Allegro III.Adagio IV.Sarabanda : Vivace V.Giga : Allegro The English Concert Basso continuo e direttore: Trevor PinnockGeorg Friedrich Händel (1685-1759)- Concerto n. 3 in Sol maggiore HWV 314 [Largo, e staccato-Allegro/Adagio/Allegro] - Concerto n. 4 in Fa maggiore HWV 315 [-/Andante/Allegro/Allegro] Academy of Ancient MusicBasso continuo e direttore: Richard Egarr