Podcast appearances and mentions of Grace Paley

Notes and Links to Hannah Pittard's Work        Hannah Pittard is the author of six books, including the memoir WE ARE TOO MANY and the novel out as of today, IF YOU LOVE IT, LET IT KILL YOU. She is a winner of the Amanda Davis Highwire Fiction Award, a MacDowell fellow, and a professor of English at the University of Kentucky. She lives with her boyfriend and stepdaughter in Lexington. Much of her family lives nearby. Buy If You Love It, Let It Kill You   Hannah Pittard's Website   If You Love It, Let It Kill You Excerpt with Recommendation from Maggie Smith for Electric Literature   “Two Writers Fell in Love, Married, Then Divorced. Who Gets the Story?” from The New York Times At about 1:50, Hannah describes the evolution of her last name's pronunciation  At about 3:00, Hannah talks about the cover for If You Love It, Let it Kill You and describes her mindset in the leadup to her book's publication  At about 4:50, Pete shouts out Rachel Yoder's Nightbitch, both the book and movie, and asks Hannah to cast a possible future movie for If You Love It, Let it Kill You At about 7:20, Pete compliments the “snappy dialogue” of the book in asking Hannah about her family background and early intellectual life At about 8:45, Hannah discusses the book as “100% fiction” while talking about her sister and family as “muses” At about 9:55, Public urination is discussed, both within the book, and without  At about 10:50, Hannah traces her early reading life and how she “fell in love with books” and shouts out Faulkner, Flannery O'Connor, and Tim O'Brien (In the Lake of Woods) At about 14:30, Pete brings up James Frey in discussing the fine line between fiction and nonfiction, as discussed by Hannah with regard to In the Lake of the Woods' brilliance At about 15:30, Ann Beattie, Grace Paley, Alice Munro, are referenced as big influences on Hannah's writing and reading in college and right after, as she traces her semi-accidental foray into MFA At about 17:20, Hannah talks about updating her contemporary reading as she entered MFA, including her early reading of Infinite Jest!  At about 19:15, Alice Munro's “upsetting” story is discussed as is Claire Deder's Monsters, in the larger discussion about problematic and damaging authors  At about 22:50, Hannah discusses her current reading, including Honor Jones' Sleep, and Lynn Stever Strong's , and the series Storybook ND At about 25:40, Hannah shouts out the book's publisher and places to buy the book, including Good Neighbor Books in upstate NY and Exile in Bookville in Chicago  At about 27:40, the two discuss Margaret Atwood's “cameo” in the book and Atwood's epigraph At about 28:55, Pete takes another opportunity to shout out Jess Walter, Beautiful Ruins, and Edoardo Ballerini At about 33:00, Hannah shouts out “Dog Heaven” by Stephanie Vaughn in a beautiful audio form read by Tobias Wolff, and the two fanboy/girl about Wolff's “Bullet in the Brain” At about 34:40, Pete lays out the book's opening and Hannah replies to Pete's question about her original and full chapter titles At about 36:35, The two discuss the book's exposition and plotline and how “Today I am restless” sets the scene for the book's ethos At about 40:00, Hannah shares some funny real-life stories from which she took pieces for her book's characters At about 41:55, Pete playfully laments the incredible veracity of Hannah's writing  At about 44:40, The two lay out a sort of “existential crisis” and an anxiety about contentment at the book's beginning; Hannah notes the protagonist's “place of privilege” At about 47:10, Pete remarks on the book's subtlety and Hannah on the protagonist's “distanc[ing]” based on a past trauma  At about 49:35, Hannah responds to Pete's asking about the vagaries of memory and its connections to the protagonist's actions and busy thoughts At about 52:05, The two discuss the protagonist's ennui  At about 53:15, Hannah responds to Pete's questions about the book's choral/allegorical nature At about 58:55, Hannah talks about the dynamic between the protagonist and her students, and Hannah's own evolution in teaching more flexibly  At about 1:02:05, Hannah responds to Pete's wonderings and musings of “The Irishman” and the character's implications  At about 1:07:00, Hannah reflects on various iterations of scenes involving a threatening student  At about 1:09:10, Pete cites Jess Walter's ending for Beautiful Ruins, in raving about Hannah's wonderful last line and skill in bringing the storyline full circle You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah will be up in the next week or two at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of writing projects that got away, as Pete discusses a particular writing project that had so much potential but is now unfinishable-at least he thinks so. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 287 with Jordan Harper, whose 2017 novel She Rides Shotgun is being adapted and released through Lionsgate Studios on August 1, which is also when the episode airs.

Sin que sirva de precedente, arrancamos ADC hablando BIEN de un hombre blanco cishetero occidental de mediana edad: Chris Ware, que protagoniza la expo del CCCB ‘Dibujar es pensar'. A partir de su monumental ‘Fabricar historias' hablamos de las vidas que pasan en vertical en las obras de Georges Perec, Vivian Gornick, Grace Paley y los nuevos autores de la narrativa del Toldo Verde. Además, charlamos con la gran Nadia Hafid, autora de ‘Mala olor', ‘Chacales' y ‘El buen padre', que es fan de Chris Ware y creció en un bloque de Terrassa. Artículos Por qué no necesitamos nuevos bloques: Por qué llenar España de grúas no solucionará la crisis de la vivienda (Marcos Bartolomé en El orden mundial)  ‘¿Y si los pisos del futuro no tuviesen cocina? Una arquitecta catalana becada en Harvard aboga por los comedores comunitarios'. Artículo de Bego en S Moda sobre la arquitecta Anna Puigjaner y las cocinas comunitarias  La mentira del desarrollismo: La moraleja de las hijas de los toldos verdes (columna de Noe en El País) Orgullo feminista y de barrio obrero. Raquel Peláez en El País. Por qué el sonido de la gentrificación es el silencio:  Why Do Rich People Love Quiet? Xotil Gonzalez, The Atlantic. Privilegios y contradicciones del silencio en Barcelona, por Noe (Quadern). ¿Qué aspecto tendría una ciudad no sexista?, Por Mariola Cubells (S MODA).   Dolores Hayden (1945), historiadora urbana y profesora emérita de arquitectura y urbanismo en la Universidad de Yale, fue pionera en hablar sobre los espacios con una óptica feminista y en lanzar esta pregunta: ¿qué aspecto tendría una ciudad no sexista?  Y en responder: “Tendría espacios comunes y de cooperación (bloques de viviendas levantadas alrededor de patios comunitarios o barrios en los que sea posible compartir coche) calles y parques seguros, es decir, accesibles y bien iluminados, redes de transporte público (metro, autobús, bici) con horarios organizados y diseñados pensando en las vidas de las mujeres que suelen desplazarse más veces a lo largo del día, todavía son ellas que habitualmente se encargan de las tareas domésticas y de los cuidados” Por que nos gusta Chris Ware El hombre bueno: Jimmy Corrigan las cinco horas que se invertían en la lectura equivalían al tiempo que él había pasado con su padre ausente. El volumen era igual al de la urna funeraria (invitación del padre infancia)

Disfruta de la narración completa de Catedral, de Raymond Carver, el cuento que le da título a uno de los libros más influyentes de la narrativa breve norteamericana, y que compartiremos durante Junio en nuestro  @CLUBDELECTURA_ALTOVIAJE  Súmate al club de lectura para conversar sobre los libros que te encantan, desde cualquier parte del mundo. Consulta cómo funciona y cómo unirte a nuestro club: ➡️ CLUB DE LECTURA ON LINE ➡️ CLUB DE LECTURA EN CÓRDOBA, ARGENTINARaymond Carver es uno de los grandes maestros del cuento.Su estilo seco, contenido, lleno de silencios y atmósferas apenas insinuadas, cambió para siempre la manera de narrar lo cotidiano.El propio autor lo dijo con claridad:“Pienso que es bueno que en un relato haya un leve aire de amenaza… Debe haber tensión, una sensación de que algo es inminente.”Y esa tensión está presente en Catedral, un relato donde lo que no se dice, grita.Carver —junto a nombres como Alice Munro, John Cheever, Grace Paley o Lorrie Moore— redefinió el cuento moderno como un arte de lo mínimo, de lo implícito, de lo emocionalmente contenido.

Disfruta de la narración completa de Catedral, de Raymond Carver, el cuento que le da título a uno de los libros más influyentes de la narrativa breve norteamericana, y que compartiremos durante Junio en nuestro  @CLUBDELECTURA_ALTOVIAJE  Súmate al club de lectura para conversar sobre los libros que te encantan, desde cualquier parte del mundo. Consulta cómo funciona y cómo unirte a nuestro club: ➡️ CLUB DE LECTURA ON LINE ➡️ CLUB DE LECTURA EN CÓRDOBA, ARGENTINARaymond Carver es uno de los grandes maestros del cuento.Su estilo seco, contenido, lleno de silencios y atmósferas apenas insinuadas, cambió para siempre la manera de narrar lo cotidiano.El propio autor lo dijo con claridad:“Pienso que es bueno que en un relato haya un leve aire de amenaza… Debe haber tensión, una sensación de que algo es inminente.”Y esa tensión está presente en Catedral, un relato donde lo que no se dice, grita.Carver —junto a nombres como Alice Munro, John Cheever, Grace Paley o Lorrie Moore— redefinió el cuento moderno como un arte de lo mínimo, de lo implícito, de lo emocionalmente contenido.

Host Meg Wolitzer presents four stories in which characters give, and get, a little assistance, from friends, strangers and family. A daughter copes with a cantankerous parent in “How to Take Dad to the Doctor” by Jenny Allen, performed by Jennifer Mudge. A woman moves to a new town and makes a strange new friend in Laura van den Berg's “Friends,” performed by Roberta Colindrez. A Tyrolean café improbably situated in South America is home to mysterious strangers and new and old romances, in Isabel Allende's “The Little Heidelberg.” It's performed by Kathleen Turner. And a budding singer and socialist gets unwelcome help from Mom in Grace Paley's “Injustice,” performed by Jackie Hoffman.

In this very short episode I read Grace Paley's short story: Mother. Theme: Mother/Daughter, Loss, RegretHappy Mother's Day!

The unique, unquenchable writer and activist Grace Paley would have turned 100 in 2022. On this Selected Shorts, host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker who was a great friend of the series. Paley's emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It's read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf. And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason. Featuring commentary from novelist Lauren Groff.

For the latest podcast Ali caught up with writer and academic Dr Rodge Glass to learn about his extraordinary new book, Joshua In The Sky: A Blood Memoir. It's a slightly different interview as Ali picks certain texts which are referenced throughout, allowing Rodge to talk about the book in a different way. Before that he explains who Joshua is and the reasons for writing Joshua In The Sky, and talks about HHT (Hereditary hemorrhagic telangiectasia) the rare genetic disorder they share. The two then go on to talk about the work of Caroline Bird, Jenny Offill, Tom Leonard, Hassan Blasim, and Grace Paley, among others. They also discuss the life and work of Alasdair Gray and Michel Faber, both of whom Rodge has written biographies of, which raises the subject of memoir, the differing ways to approach the form, and how both these writers, and writing about them, feed into this one. Fittingly for a book which defies easy explanation, this is an insightful and honest conversation which touches upon just some of the themes in Joshua In The Sky and which will hopefully lead to you wanting to know more. For full details, including all the ways to listen, head to https://www.scotswhayhae.com Photos of Rodge Glass - credit Alan Dimmick

Amanda Holmes reads Grace Paley's “The Poet's Occasional Alternative.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

In this fourth episode of How to Write a Book, Elizabeth Day's new podclass series, hosts Sara Collins, Sharmaine Lovegrove and Nelle Andrew continue their discussion about finding your voice. What constitutes an authorial voice? And how does it differ from a narrative voice, or a character's voice? Do they require vulnerability to cultivate? And how can they come together, like a perfectly pitched  symphony? Our expert podclass provides answers to all of this, as well as how to make your voice stand out; and even where to find it. Together, Sara, Sharmaine and Nelle are your on-hand writing community giving you the push you need to get started on that novel, memoir, or piece of non fiction you've always dreamed of writing. And, at the end, Elizabeth provides her final reflections. We hope you enjoyed this week's episode on voice. Stay tuned for next week's conversation on…CHARACTER. Books and authors discussed in these episodes include: •  The Confessions of Frannie Langton by Sara Collins •  Rainbow Milk by Paul Mendez •  Gone Girl by Gillian Flynn •  Lolita by Vladimir Nabokov •  The Bonfire of the Vanities, Tom Wolfe •  Vanity Fair, William Thackeray •  Bronte sisters •  Jane Fallon We also talk about: Margaret Atwood, James Baldwin, Tony Morrison, Marian Keyes, Jojo Moyes, John le Carré, Emily Henry, Jane Fallon, Dorothy Koomson, Beth O'Leary, Kit de Waal, Grace Paley and the Brontes. Executive produced by Elizabeth Day for Daylight Productions and Carly Maile for Sony Music Entertainment. Produced by Imogen Serwotka. Please do get in touch with us, your writing community, with thoughts, feedback and more at: howtowriteabook.daylight@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this third episode of How to Write a Book, Elizabeth Day's new podclass series, hosts Sara Collins, Sharmaine Lovegrove and Nelle Andrew discuss finding your voice. What constitutes an authorial voice? And how does it differ from a narrative voice, or a character's voice? Do they require vulnerability to cultivate? And how can they come together, like a perfectly pitched  symphony? Our expert podclass provides answers to all of this, as well as how to make your voice stand out; and even where to find it. Together, Sara, Sharmaine and Nelle are your on-hand writing community giving you the push you need to get started on that novel, memoir, or piece of non fiction you've always dreamed of writing. Books and authors discussed in these episodes include: •  The Confessions of Frannie Langton by Sara Collins •  Rainbow Milk by Paul Mendez •  Gone Girl by Gillian Flynn •  Lolita by Vladimir Nabokov •  The Bonfire of the Vanities, Tom Wolfe •  Vanity Fair, William Thackeray •  Bronte sisters •  Jane Fallon We also talk about: Margaret Atwood, James Baldwin, Tony Morrison, Marian Keyes, Jojo Moyes, John le Carré, Emily Henry, Jane Fallon, Dorothy Koomson, Beth O'Leary, Kit de Waal, Grace Paley and the Brontes. Executive produced by Elizabeth Day for Daylight Productions and Carly Maile for Sony Music Entertainment. Produced by Imogen Serwotka. Please do get in touch with us, your writing community, with thoughts, feedback and more at: howtowriteabook.daylight@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jordan chats with Emma Copley Eisenberg (Housemates) about a ghostly encounter that led to her new novel, the opposing worldviews of Grace Paley and Ottessa Moshfegh, and the choice to make art in difficult times.MENTIONED:Jazz by Toni MorrisonFleishman is in Trouble by Taffy Brodesser-AknerAmerican Pastoral by Philip RothTerrace Story by Hilary Leichter"Why I Write" by George OrwellEmma Copley Eisenberg is the author of the nationally bestselling novel Housemates and the narrative nonfiction book The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, which was named a New York Times Notable Book and was nominated for an Edgar Award, a Lambda Literary Award, and an Anthony Award, among other honors. Her fiction has appeared in Granta, McSweeney's, VQR, American Short Fiction, and other publications. Raised in New York City, she lives in Philadelphia, where she co-founded Blue Stoop, a community hub for the literary arts. Hosted on Acast. See acast.com/privacy for more information.

Emma Copley Eisenberg discusses her debut novel, Housemates, Philadelphia, BODIES, the spectrum of Ottessa Moshfegh to Grace Paley, structure, road trips, the historical figures who inspired the novel, and more! Emma Copley Eisenberg is the author of the novel Housemates and the narrative nonfiction book The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, which was named a New York Times Notable Book and was nominated for an Edgar Award, a Lambda Literary Award, and an Anthony Award, among other honors. Her fiction has appeared in Granta, McSweeney's, VQR, American Short Fiction, and other publications. Raised in New York City, she lives in Philadelphia, where she co-founded Blue Stoop, a community hub for the literary arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Meg Wolitzer presents two stories about complex characters and the many different roles they play in each other's lives and in the world around us.  Cherline Bazile's “Tender,” which guest editor Min Jin Lee included in Best American Short Stories 2023, reflects the contradictory nature of friendship.  It's read by Anna Uzele. The show features Min Jin Lee's on-stage remarks about the story and contemporary fiction. Our second story, Grace Paley's “The Contest,” reflects the contradictory nature of courtship, as the bewildered narrator is alternatively flattered and bullied by a girl with way more on the ball than he has.  He tells us so himself, in the voice of actor Justin Bartha.

Libri: Francesca Coin, Le grandi dimissioni (Einaudi); Grace Paley, Una donna ha inventato il fuoco e l'ha chiamato ruota (trad. I. Zani e P. Cognetti, BigSur). Musica: Nick Cave and the Bad Seeds, Alessandro Adelio Rossi, Mick Jagger, Gia Margaret, Giant Sand.

George Saunders is one of literary fiction's most acclaimed living writers. Along with his many collections of short stories, he also published the Booker Prize-winning novel Lincoln in the Bardo. In this episode, from Schwartz Media's podcast Read This, Michael chats with him about his life and career, and George reveals the three words that made him a writer. (This episode was first published in September 2023) Reading list: CivilWarLand in Bad Decline, George Saunders,1996 Pastoralia, George Saunders, 2000 In Persuasion Nation, George Saunders, 2006 Tenth of December: Stories, George Saunders, 2013 Lincoln in the Bardo, George Saunders, 2017 A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life, George Saunders, 2021 Liberation Day: Stories, George Saunders, 2022 A Portrait of the Artist as a Young Man, James Joyce, 1916 To Have and Have Not, Ernest Hemingway, 1937 The Old Man and the Sea, Ernest Hemingway, 1952 The Little Disturbances of Man, Grace Paley, 1959 Ordinary Gods and Monsters, Chris Womersley, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books. Socials: Stay in touch with Read This on Instagram and Twitter Guest: George Saunders

Peter Orner and Yvette Benavides discuss two stories by Grace Paley—"Goodbye and Good Luck" and "Living."

George Saunders is one of literary fiction's most acclaimed living writers. Along with his many collections of short stories, he also published the Booker Prize-winning novel Lincoln in the Bardo. This week, Michael chats with him about his life and career, and George reveals the three words that made him a writer.Reading list:CivilWarLand in Bad Decline, George Saunders,1996Pastoralia, George Saunders, 2000In Persuasion Nation, George Saunders, 2006Tenth of December: Stories, George Saunders, 2013Lincoln in the Bardo, George Saunders, 2017A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life, George Saunders, 2021Liberation Day: Stories, George Saunders, 2022A Portrait of the Artist as a Young Man, James Joyce, 1916To Have and Have Not, Ernest Hemingway, 1937The Old Man and the Sea, Ernest Hemingway, 1952The Little Disturbances of Man, Grace Paley, 1959Ordinary Gods and Monsters, Chris Womersley, 2023You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books.Socials: Stay in touch with Read This on Instagram and TwitterGuest: George SaundersSee omnystudio.com/listener for privacy information.

George Saunders is one of literary fiction's most acclaimed living writers. Along with his many collections of short stories, he also published the Booker Prize-winning novel Lincoln in the Bardo. This week, Michael chats with him about his life and career, and George reveals the three words that made him a writer. Reading list: CivilWarLand in Bad Decline, George Saunders,1996 Pastoralia, George Saunders, 2000 In Persuasion Nation, George Saunders, 2006 Tenth of December: Stories, George Saunders, 2013 Lincoln in the Bardo, George Saunders, 2017 A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life, George Saunders, 2021 Liberation Day: Stories, George Saunders, 2022 A Portrait of the Artist as a Young Man, James Joyce, 1916 To Have and Have Not, Ernest Hemingway, 1937 The Old Man and the Sea, Ernest Hemingway, 1952 The Little Disturbances of Man, Grace Paley, 1959 Ordinary Gods and Monsters, Chris Womersley, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books. Socials: Stay in touch with Read This on Instagram and Twitter Guest: George Saunders

In this episode, novelist and essayist Leora Skolkin-Smith reads from her novel Stealing Faith and chats about her relationship with Grace Paley, understanding celebrity, feminism in the 1970s, depression, and so much more with co-hosts Heather Fowler and Reine Dugas.  The recipe for The Comfort Tea Cocktail, the custom cocktail for this book, is on the Hot Redhead Media blog. Grab your copy of Stealing Faith now, make a cuppa, and have a listen.

Episode 4 brings us the incredible writing talent that is Ann Patchett, an "auto-buy" author for our hosts and the 2023 National Humanities Medal recipient for "putting into words the beauty, pain and complexity of human nature." The three start their conversation by diving into Elin and Ann's respective years at the Iowa Writers' Workshop before exploring  Ann's writing process, her friendship with Lucy Grealy, and her ability to nail human relationships on the page. They also discuss the release of Ann's latest novel Tom Lake, as well as Ann's favorite writers and what it's like owning Parnassus Books in Nashville.A special thank you to our Episode Sponsors:Nantucket Looms - limited time, 15% off with code BOOKS15Triple Eight DistilleryAnn Patchett Reading List:The Magician's Assistant by Ann PatchettBel Canto by Ann PatchettTruth & Beauty by Ann PatchettState of Wonder by Ann PatchettThese Precious Days by Ann PatchettCommonwealth by Ann PatchettThe Dutch House by Ann PatchettTom Lake by Ann PatchettWhat else are we reading in this episode:The Kite Runner by Khaled HosseiniThen We Came to the End by Joshua FerrisAutobiography of a Face by Lucy GrealyOur Town by Thornton WilderOther authors mentioned:Jane Smiley, Anna Quindlen, Tim Winton, Stephen King, Jodi Picoult, Frank Conroy, Allan Gurganus, Russel Banks, Grace Paley, John Irving, Lucy Grealy, Colson Whitehead, Colleen Hoover, Joyce Carol Oates, Tom Hanks, Kate DiCamillo, Elizabeth McCracken, Louise Erdrich, Elizabeth Strout, Harlan Coben, Andrew Sean Greer, Zadie Smith, Margaret Atwood, and V, formerly Eve Ensler. Follow/Subscribe to the 'Books, Beach, & Beyond' podcast now to stay current on new episodes.And find us on Instagram at @booksbeachandbeyondHappy Reading!

Lee Klein https://www.litfunforever.com/about/ @leeklein0 twitter @lee.klein_ Instagram Buy Chotic Good here: @saggingmeniscus https://www.saggingmeniscus.com/catalog/chaotic_good/ Gateway Books Peter Pan. Where the Wild Things Are. The Big Book of Jokes and RiddlesBlack Stallion series. D'Aulaires' Book of Greek Myths. Gary Gygax (D&D)  Judy Blume's ForeverNarnia/LOTRs (competitively read)Sherlock HolmesThe Bounty Trilogy (Mutiny on the Bounty)Count of Monte Cristo  Gatsby, Prufrock, The WastelandBorges (in Spanish)Crime and Punishment (2x)Narcissus and Goldmund   Steppenwolf, Demian, Siddhartha, Journey to the EastKafka storiesKerouac (Subterraneans, Dharma Bums, Big Sur)One Flew Over the Cuckoo's NestFear and Loathing in Las Vegas, Electric Kool Aid Acid Test, The Doors of Perception, Island Another Roadside Attraction and Still Life with Woodpecker by Tom Robbins Vonnegut (Slaughterhouse Five, Cat's Cradle, Deadeye Dick)The Crying of Lot 49Red-Dirt Marijuana and Other Stories by Terry SouthernThe Beat Reader – Burroughs, Corso, Ginsberg >> Blake  BelovedLight in AugustSee Under: Love (Grossman -> Bruno Schulz)Maus (graphic novels, Raw vols 1 and 2, Richard McGuire, Here)Portrait of the Artist as a Young Dog/Adventures in the Skin Trade (Dylan Thomas) The Tin Drum, A Personal Matter, The Box Man, Carver, Steinbeck short novels, Hamsun (Hunger), Cheever stories, Auster, Beckett, Kafka, Handke, Artaud, Barthelme, Maupassant, Chekhov, TC Boyle, Philip Roth, Sontag essays, Ulysses, Moby Dick DFW essays, Mark Leyner, DeLillo, Moody, The Recognitions, George Saunders, Pnin, The Last Samurai, Bernhard, Sebald, Gogol stories, Salinger stories, Geoff Dyer, Philip Pullman (His Dark Materials)    War and Peace, Proust, Musil, Mann, Hamsun Bolano (Between Parentheses) Knausgaard, Rachel Cusk, Houellebecq, Enard, Gracq, Perec, Zweig, Grace Paley, Hrabal, Aira, The Waves   Currently reading Ute Av Verden, Knausgaard (in Norsk)  Reader's Block, Markson Henri Cartier-Bresson interviews Ubik, Philip K. Dick Looking forward to Middlemarch, Trollope The Wolves of Eternity, KOK MJ Nicholls stories  Steinbeck (shorter novels)  The rest of Hrabal in English (four books) Cormac McCarthy (his first four books) BTZ-inspired purchases: Monument Maker (David Keenan), The Salt Line (Shimoni), The Logos (Mark de Silva), Traveler of the Century and How to Travel Without Seeing (Andreas Neuman), The Kindly Ones (Littel), Too Much Life (Lispecter), Kafka Diaries Recently read All of Us Together in the End, Matthew Vollmer Bang Bang Crash, Nic Brown All Dag Solstad in English (Novel 11, Book 18) All Tomas Espedal in English (Love, Tramp) I Served the King of England, Hrabal  The Belan Deck, Matt Bucher Annie Ernaux (Happening, A Man's Place, I Remain in Darkness) Philip Roth (Zuckerman Unbound, Patrimony, The Facts, The Counterlife) The Magus, John Fowles Desert Island Books   The Birds, Tarjei Vesaas (Archipelago)Weight of the World, Handke  A Time to Live and a Time to Die, Erich Maria Remarque Garden, Ashes, Danilo Kis A Balcony in the Forest, Julien GracqA Musical Offering, Luis Sagasti (Charco, Fionn Petch)Atomik Aztex, Sesshu Foster (Grove Press)Amazons, Cleo Birdwell (DeLillo)A Time for Everything, KOK (Archipelago)Joseph and His Brothers, Thomas Mann (John E. Woods translation; Modern Library)  

Host Meg Wolitzer presents four stories in which characters give, and get, a little assistance, from friends, strangers and family. A daughter copes with a cantankerous parent in “How to Take Dad to the Doctor,” by Jenny Allen, performed by Jennifer Mudge. A woman moves to a new town and makes a strange new friend in Laura van den Berg's “Friends,” performed by Roberta Colindrez. A Tyrolean café improbably situated in South America is home to mysterious strangers and new and old romances, in Isabel Allende's “The Little Heidelberg.” It's performed by Kathleen Turner. And a budding singer and socialist gets unwelcome help from Mom in Grace Paley's “Injustice,” performed by Jackie Hoffman.

Host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker Grace Paley, who would have turned 100 in 2022.  Her emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It's read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf.  And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason.  Backstage interviews with Wolf and Gleason are featured. 

Today's iMMERSE podcast is even more unusual than many of the others. I interviewed Elke and Peter Schumann in February of 2020 in their Glover, Vermont home along with Jay Walbert, the archivist for my Archive in nearby Barton, Vermont. The octagenarian Schumanns immigrated from Germany to New York in 1961 and have led the Bread and Puppet Theater since 1963.  In this podcast, they share their history and artistic politics and bread. As Peter says here: We went around and gave them pieces of bread to eat and found they were a better audience when they were chewing – we liked them better…" In the beginning of our chat, Peter turns to Elke and says, "When I don't remember something, you will". "I will" she says. This happy conversation is ever so dear to me because Elke passed away on August 1, 2021. I first met Peter in New York in the 1970s through public events maker, Karin Bacon. I first came to the Northeast Kingdom of Vermont in 1968 to work with Fluxus artists Dick Higgins and Alison Knowles. In the years that followed, I bought some land from them and built a house there in the 1990, the house where I now live and am recording this introduction. Since 1990, my relationship with Bread and Puppet and the Schumann in the neighboring town of Glover continued to grow.  The Bread and Puppet Theater engages people, after filling them with hand-milled sourdough bread. They work environmentally and for many decades now, they've been making amazing use of the landscape, natural light changes and natural acoustics.  Puppets from tiny to gigantic, signs, banners and hand-made art have always animated their events. Their roadside museum is filled with decades worth of their fanciful performance objects from their local, national and international pageants.  The tradition of handing-out bread always guarantees good spirits and an enthusiastic audience ready to be entertained by the humor, irony, politics, pageantry and their deep concerns for humanity. But let's just let them tell their own story. Topics covered in podcast John Cage, Merce Cunningham, Claes Oldenberg, anti-Vietnam war protests, Judson Church, Living Theatre, Red Grooms, Stefan Brecht, Tompkins Square Park, Lower Eastside, Daily street muggings of the Bread & Puppet performers, street performances, Grace Paley, volunteerism, Burning Man, War Resisters League, Strike for Peace, Vermont, Barton, Glover, Northeast Kingdom, Socialist pageants, searching for clay, puppet historian, John Bell, Alison Knowles, Dick Higgins, Earth People Park, Burke, pianist Karl Schwartz, Sheffield, baking rye bread, summer Bread & Puppet performances in Vermont, homemade clay bread oven, May Day, Pageant Park, Crystal Lake, Peter Schumann's sculptures, the Bread & Puppet Museum, Sheffield River clay wall, The Charlie Morrow Archive ... Samples playlist: Insurrection Oratorio • Charlie Morrow / Strange Circus • Lee Volfoni / Carnival Of Souls • Verne Langdons / Wonder Bread Commercial 1950s / Bread and Puppet Theater 2021 • Tetsuro Hoshii / Brother Bread Sister Puppet • Grace Paley / Grosse Fuge • Charlie Morrow / Fellini's Circus • Daniele Benati / Kiddie Land • Prelude to a Nightmare

This Thursday on Killer Women Podcast, our guest is Jillian Medoff. Jillian's fifth novel, WHEN WE WERE BRIGHT AND BEAUTIFUL, is a story about privilege, power, consent and dirty, sexy money. It garnered many accolades; it was a Book of the Month Club selection, an Apple Books Best of the Month, an Audible Editor's Pick, a PEOPLE Pick of the Week, a Town and Country Magazine and O Daily favorite and a Publishers Marketplace Buzz Book, among others. She is the author of four other novels including the national bestseller, I COULDN'T LOVE YOU MORE, the acclaimed workplace novel THIS COULD HURT, and HUNGER POINT, which was made into an original Lifetime movie starring Christina Hendricks and Barbara Hershey and directed by Joan Micklin Silver in 2003. A former fellow at MacDowell, Blue Mountain Center and VCCA, Jillian has an MFA from NYU. She studied with Mona Simpson (her thesis advisor) and Jonathan Dee; and took master classes with Toni Morrison, Grace Paley, and Joyce Carol Oates. In addition to writing novels, Jillian has a long career in corporate consulting. Since her early days at Max Factor and American Home Goods, she's worked for a wide range of employers, including Deloitte and Aon. Now with Segal Benz, she advises clients on communication strategies for all aspects of the employee experience. Jillian lives with her husband, Keith Dawson and three adult daughters, who come and go. She reviews novels for the New York Times Book Review, and is currently working on a new book called THE COMMITTEE, a story about medical ethics and race in Seattle, circa 1961. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jillianmedoff #whenwewerebrightandbeautiful #harpercollinspublishing #harpercollins

Today's guest on Killer Women Podcast is Jillian Medoff. Jillian's fifth novel, WHEN WE WERE BRIGHT AND BEAUTIFUL, is a story about privilege, power, consent and dirty, sexy money. It garnered many accolades; it was a Book of the Month Club selection, an Apple Books Best of the Month, an Audible Editor's Pick, a PEOPLE Pick of the Week, a Town and Country Magazine and O Daily favorite and a Publishers Marketplace Buzz Book, among others. She is the author of four other novels including the national bestseller, I COULDN'T LOVE YOU MORE, the acclaimed workplace novel THIS COULD HURT, and HUNGER POINT, which was made into an original Lifetime movie starring Christina Hendricks and Barbara Hershey and directed by Joan Micklin Silver in 2003. A former fellow at MacDowell, Blue Mountain Center and VCCA, Jillian has an MFA from NYU. She studied with Mona Simpson (her thesis advisor) and Jonathan Dee; and took master classes with Toni Morrison, Grace Paley, and Joyce Carol Oates. In addition to writing novels, Jillian has a long career in corporate consulting. Since her early days at Max Factor and American Home Goods, she's worked for a wide range of employers, including Deloitte and Aon. Now with Segal Benz, she advises clients on communication strategies for all aspects of the employee experience. Jillian lives with her husband, Keith Dawson and three adult daughters, who come and go. She reviews novels for the New York Times Book Review, and is currently working on a new book called THE COMMITTEE, a story about medical ethics and race in Seattle, circa 1961. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jillianmedoff #whenwewerebrightandbeautiful #harpercollinspublishing #harpercollins

Today's guest on Killer Women Podcast is Jillian Medoff. Jillian's fifth novel, WHEN WE WERE BRIGHT AND BEAUTIFUL, is a story about privilege, power, consent and dirty, sexy money. It garnered many accolades; it was a Book of the Month Club selection, an Apple Books Best of the Month, an Audible Editor's Pick, a PEOPLE Pick of the Week, a Town and Country Magazine and O Daily favorite and a Publishers Marketplace Buzz Book, among others. She is the author of four other novels including the national bestseller, I COULDN'T LOVE YOU MORE, the acclaimed workplace novel THIS COULD HURT, and HUNGER POINT, which was made into an original Lifetime movie starring Christina Hendricks and Barbara Hershey and directed by Joan Micklin Silver in 2003. A former fellow at MacDowell, Blue Mountain Center and VCCA, Jillian has an MFA from NYU. She studied with Mona Simpson (her thesis advisor) and Jonathan Dee; and took master classes with Toni Morrison, Grace Paley, and Joyce Carol Oates. In addition to writing novels, Jillian has a long career in corporate consulting. Since her early days at Max Factor and American Home Goods, she's worked for a wide range of employers, including Deloitte and Aon. Now with Segal Benz, she advises clients on communication strategies for all aspects of the employee experience. Jillian lives with her husband, Keith Dawson and three adult daughters, who come and go. She reviews novels for the New York Times Book Review, and is currently working on a new book called THE COMMITTEE, a story about medical ethics and race in Seattle, circa 1961. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jillianmedoff #whenwewerebrightandbeautiful #harpercollinspublishing #harpercollins

★ Support this podcast ★

Die amerikanische Schriftstellerin Grace Paley «gehört zu einer seltenen Gattung von Schriftstellern mit einer Stimme, wie niemand sonst sie hat: komisch, traurig, bescheiden, energisch, genau». So schwärmte einst Susan Sontag von der 2007 gestorbenen und in den USA hoch angesehenen Autorin. Grace Paley kam am 11. Dezember 1922 in New York als Tochter jüdischer Einwanderer zur Welt. Berühmt wurde die Autorin mit ihren Kurzgeschichten, in denen sie – fast immer aus weiblicher Perspektive – von den «kleinen Widrigkeiten des Lebens» erzählt. Paley war engagierte Feministin, Friedensaktivistin und eine der prägenden Autorinnen der amerikanischen Frauenbewegung. In den vergangenen Jahren wurden ihre Short Stories in neuen deutschen Übersetzungen wiederentdeckt und damit eine literarische Stimme, welche die absurden Wendungen des Alltags ins Zentrum rückt.

Alejandra Costamagna escritora chilena y una de las autoras más relevantes de la literatura contemporánea escrita en español, lee y comenta el cuento: “Conversación con mi padre”, de la escritora norteamericana Grace Paley.

Glenn Armstrong reads his poems, "One Step from Madness" and "Sunyata," in our Autumn issue. Glenn Armstrong has been a journalist, art model, and monk. While attending Bates College he studied with Grace Paley. He lives in San Diego. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support

Writers direct years of effort to language's possibilities, so when you listen to a podcast devoted to writers speaking (which is this one) you can expect an appropriate range of possibility. You might hear something unforgettable—something that changes how you think, or reinforces a hunch you had, or confuses you in the most liberating way. On The Writers Institute, we seek those moments in the New York State Writers Institute's overbrimming audio archives, guided by writers in 2022 who join that archival exploration. In this series premiere, Susan Choi—author of novels including Trust Exercise and My Education—listens with host Adam Colman to literary giants Grace Paley and Raymond Carver. Along the way, she talks about writers in the world, off the page. “One thing I really like about writers,” Choi says, is that “writers are really curious about other people . . . I'm constantly amazed by how often I meet people who have no curiosity at all, about anything. It's really disturbing to me, actually.” On this episode: Susan Choi (in conversation with Adam Colman). Books: Trust Exercise and My Education. Raymond Carver (from the archives). Books: Cathedral and Will You Please Be Quiet, Please? Grace Paley (from the archives). Books: Enormous Changes at the Last Minute and Later the Same Day. Jamaica Kincaid (from the archives). Books: Lucy and A Small Place. William Kennedy (in conversation with Adam Colman). Books: Ironweed and The Ink Truck. Find out more about the New York State Writers Institute at https://www.nyswritersinstitute.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer Jillian Medoff joins Rhett to discuss her upcoming book release, balancing her career with the creative obstacles of being a writer, and persevering through adversity. Jillian shares the story behind becoming a writer, and explains why her work is a ‘life-sustaining force'. Jillian Medoff is the author of four (soon to be 5) acclaimed novels including Hunger Point, which was made into an original movie in 2003. A former fellow at MacDowell, Blue Mountain Center, VCCA and Fundacion Valparaiso in Spain, Jillian has been taught by some of the best, and received her MFA from NYU. She studied with Mona Simpson and Jonathan Dee, and took master classes with Toni Morrison, Grace Paley, and Joyce Carol Oates. In addition to writing novels, Jillian has a long career in corporate consulting, advising clients on communication strategies for all aspects of the employee experience. Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Matt Dwyer. Production Assistance by Matt Bavuso. Music by OLD 97's. Episode artwork by Katherine Boils. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Please leave us a rating or review on iTunes. Revisit previous episodes of Wheels Off with Rosanne Cash, Rob Thomas, Will Forte, Lydia Loveless, Allison Moorer, Ted Leo, Paul F. Tompkins, Jen Kirkman, and more. See acast.com/privacy for privacy and opt-out information.

Gish Jen joins Deborah Treisman to read and discuss “Friends,” by Grace Paley, which was published in The New Yorker in 1979. Jen is the author of nine books, including the novel “The Resisters” and the story collection “Thank you, Mr. Nixon,” which was published in February.

Libri: Anne Carson, Eros il dolceamaro (trad. P. Ceccagnoli, Utopia)..Grace Paley, Volevo scrivere una poesia… (trad. I. Zani, P. Cognetti, SUR)..Kerri Arsenault, Mill Town (trad. U. Manuini, Black Coffee)..Musica: Antonio Vivaldi, Le quattro stagioni..Eels, A Line in the Dirt..Passengers, Original Soundtracks, 1..The Byrds, Turn, Turn, Turn..Cave, Ellis, I segreti di Wind River, colonna sonora..Martha Wainwright, Factory..Arcade Fire, Keep the Car Running

Welcome to a new year and a new season of Your Favorite Book! Our inaugural guest this season is Jami Attenberg, most well known for her fiction (All This Could Be Yours, The Middlesteins, and others) but she's here to talk about her memoir, I Came All This Way to Meet You: Writing Myself Home. Jami shares her insights on book events, travel in the midst of COVID, setting boundaries with social media, and so much more. We also chat about a collection of short stories for the first time on this show, in this case the collected works of Grace Paley. We discuss her unique voice and eschewing of formal conventions, along with avoiding sentiment and cliche in writing domesticity. It's a great episode and definitely avoids spoilers, hope you all enjoy! Jami's virtual event at Women and Children First: https://www.womenandchildrenfirst.com/event/virtual-conversation-jami-attenberg-ada-lim%C3%B3n Buy Jami's Book: https://bookshop.org/books/i-came-all-this-way-to-meet-you-writing-myself-home-9798200851348/9780063039797 Follow the podcast on instagram and twitter @yfbpodcast

Today's program continues my consideration of the end of the calendar year and is the second of several programs that focus on poets born in December. I read poets who were born in the second week of December, during various decades and in various countries: Bjornstjerne Bjornson, Padraic Colum, Delmore Schwartz, Emily Dickinson, Nelly Sachs, and Grace Paley.

“The best training is to read and write, no matter what…Write what will stop your breath if you don't write.” -- Grace Paley (born 1922).

Bei der legendären 48. PEN Konferenz 1986 in New York waren unter den 117 Teilnehmern, die dort das Wort ergriffen, nur 16 Frauen. PEN-Präsident Norman Mailer begründete das damals damit, dass es sich bei den Rednern um wirkliche Schriftsteller handeln müsse, dass außerdem das Thema des Kongresses intellektuell sei und dafür nur Susan Sonntag in Frage käme. Nach dieser Rechtfertigung ergriff die Schriftstellerin das Wort, um die es in unserer Reihe DIE ÜBERLESENEN heute gehen soll: Grace Paley. In der Folge unterschrieben zweihundert Schriftstellerinnen eine Petition gegen den PEN – und verlangten das Rederecht. Manuela Reichart stellt Grace Paley vor.

A new book from Lauren Groff is always a hit with us, from her early novels, The Monsters of Templeton and Arcadia, to her massive 2015 bestseller, Fates and Furies, and her story collections, Delicate Edible Birds and Florida. We can't get enough of her gorgeous sentences, evocative details, and the worlds she conjures. We'll follow Lauren anywhere, and now that includes a 12th Century Abbey; her fabulous new novel, Matrix, is out today, and it's our September Barnes & Noble Book Club selection. Lauren joins us on the show to talk about how the past and present collide in Matrix, her love of research, the joy of reading, and more. Featured books: Matrix by Lauren Groff, Mariette in Ecstasy by Ron Hansen, Middlemarch by George Elliott and Don Quixote by Miguel de Cervantes. Featured poets and writers: Emily Dickinson, Anne Carson, James Salter, Dennis Johnson, Grace Paley and Alice Munro. Produced/Hosted by Miwa Messer and engineered by Harry Liang. Follow us here for new episodes every Tuesday and Thursday.

There are many pleasures to discover in this fine anthology of the past 50 years, performed by some of the most gifted narrators working today. Host Jo Reed and AudioFile's Alan Minskoff discuss the diversity and power of the collection, which includes works by Raymond Carver, Stephen King, Grace Paley, Karen Russell, Lauren Groff, and Edwidge Danticat. Some of the finest narrators working today read the stories, including Cassandra Campbell narrating Susan Sontag's powerful “The Way We Live Now,” which you can hear on the episode. Read the full review of the audiobook on AudioFile's website. Published by Penguin Audio. Find more audiobook recommendations at audiofilemagazine.com Today's episode is sponsored by Graphic Audio, A Movie in Your Mind featuring dramatized adaptations of Fantasy and Sci-Fi Novels by Brandon Sanderson, Peter V. Brett, Brent Weeks, Elizabeth Moon, C.J. Cherryh, Simon R. Green and more. Save 55% Off your first order with coupon 55LISTEN only at GraphicAudio.net Learn more about your ad choices. Visit megaphone.fm/adchoices

A mini-masterclass on character, point of view, narrative time and ‘weight in fiction' with the acclaimed American writer, Joan Silber. Joan was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied with the renowned teacher and writer Grace Paley. Joan has published nine books of fiction. Her new novel, Secrets of Happiness, has just been released in Australia. Her previous book, Improvement, won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award. She also received the PEN/Malamud Award for Excellence in the Short Story. Joan's other works of fiction include Fools, The Size of the World, Ideas of Heaven, Lucky Us, In My Other Life, In the City, and Household Words, which have almost all won or been finalists for many prestigious awards. Joan has taught fiction writing for many years, in the Warren Wilson College MFA Program, Sarah Lawrence College, also Boston University, the 92nd Street Y and New York University as well as writers' conferences at places like Bread Loaf and Aspen. I met Joan at Adelaide Writers' Week in 2020, days before the pandemic cancellations and closures began in Australia, and kept in touch periodically throughout the strange year that followed. As soon as I began reading Improvement I knew I was in the company of one of those artists whose every work I now needed to read. I ordered all the books I could get my hands on, and loved them all. This recording took place over Zoom, in a conversation joined by some of my writer friends – a kind of mini-masterclass. Joan spoke to us from her apartment on the Lower East Side of Manhattan, where she lives with her dog Lucille.

Ryan Ruff Smith is the Tickner Writing Fellow at Gilman School. He has published both fiction and literary nonfiction in journals such as Ploughshares, Subtropics, Green Mountains Review, and New Ohio Review. One of his short stories, "The Disturbance," was listed in the Best American Short Stories 2017. Ryan's a native of Minneapolis, MN. He holds an MFA from the University of Florida and a Ph.D. in Creative Writing from the University of Cincinnati. // In Episode #29 of the Path to Follow Podcast, Jake and Ryan discuss the process of creative writing, Ryan's short story "The Disturbance," ideas drawn from experience, reasons humans enjoy storytelling, the continual process of revision, the challenges of beginning a story versus ending one, "showing versus telling," the short fiction of Flannery O'Connor, Anton Chekhov, and John Cheever, the Writers at Work Series, Paragon (Gilman's award-winning literary magazine), and Ryan's book recommendation: The Collected Stories by Grace Paley. // Enjoy the episode? Please subscribe, share, and follow the Path to Follow Podcast on all platforms: https://linktr.ee/Pathtofollowpod​​. // Many thanks to the all-powerful Cesare Ciccanti for his work on production.

Relatos, ensayos y otros textos, narrados para aliviar o profundizar el insomnio. En este segundo episodio, "Un hombre me contó la historia de su vida", por Grace Paley.

To support our work and listen to additional content, see here: https://patreon.com/yourshelf and follow us on social media @_yourshelf_. In our latest, fifth episode of The YourShelf Podcast, Everything Is Both, our chief curator Juliano Zaffino (Jay) sits down with author Rebecca Dinerstein Knight to discuss books, Norway, screenplays, Jenny Slate, and Rebecca's second novel, Hex. For full show notes, see here: https://podcast.yourshelf.uk/episodes/5. Thanks for listening.  LinksPatreonInstagramTwitterPodcastYourShelfEpisode NotesJay asks Rebecca about her bookshelves, the books that made her, and which authors she'd invite to a dinner party. (from 1:35)Rebecca begins the discussion with her first novel, The Sunlit Night, and the process involved in writing the screenplay for the film adaptation due out later in 2020. Rebecca and Jay discuss Rebecca's wide-ranging writing career, the impetus behind her latest novel Hex, creative friendships, obsession, the sophomore slump, and the doubleness of everything. (from 10:24)Finally, Rebecca hints at what her next projects are going to look like. (from 48:21)Jay recommends signing up to our Patreon for access to exclusive content, including a short bonus episode with more content from the interview, where Jay and Rebecca play a game of "Celebs Read Nice Tweets", and Rebecca answers some extra questions from Jay.Jay wraps up with all the books that were discussed in the episode and a few other books he recommends. Some of the books and authors we discussed in our latest episode include Kafka, Mark Strand, Louise Glück, Wallace Stevens, Frank O'Hara, Nicole Sealey, Noah Warren; All The King's Men by Robert Penn Warren, To The Lighthouse by Virginia Woolf, Independent People by Halldór Laxness, Changing by Liv Ullmann; Dante, George Eliot, Gustave Flaubert; Little Weirds by Jenny Slate, Anne of Green Gables by LM Montgomery, The Moomins by Tove Jansson, the short stories of Grace Paley, The Edwardians by Vita Sackville-West, Sweet Days of Discipline by Fleur Jaeggy, Pond by Claire-Louise Bennett; Michael Chabon, Walter Pater; Parakeet by Marie-Helene Bertino, A Burning by Megha Majumdar, and Riding With The Ghost by Justin Taylor. If you're looking for even more recommendations, especially in the age of social distancing, Jay has you covered. Recently, he's read and enjoyed Olivia Laing's Funny Weather, Seán Hewitt's Tongues of Fire, Martha Sprackland's Citadel, Sam Riviere's After Fame, and Deborah Levy's memoirs Things I Don't Want to Know and The Cost of Living.Also, Jay reminds that you can order a copy of his book of poems, the debut publication of The YourShelf Press, on yourshelf.uk/press.Rebecca Dinerstein Knight closes with a reading of the stunning 'Pharmakon' chapter in her new second novel Hex. (from 58:49)Buy, read and review Hex online now, available from most bookstores! Rebecca's first novel The Sunlit Night is also available for purchase, and her debut poetry collection Lofoten is available digitally.Thanks for listening and tune in again soon for Episode Six!

Lynne Segal and Susie Orbach in conversation Feminist writer and activist, Lynne Segal, discusses her recently published Out of Time: The Pleasures and Perils of Ageing with psychotherapist, psychoanalyst, social critic and writer Susie Orbach - author of many celebrated books, amongst them Bodies and On Eating, and recently co-edited Fifty Shades of Feminism, with Lisa Appignanesi and Rachel Holmes. In her autobiography Making Trouble (2007), Segal described herself as ‘a reluctantly ageing woman', and mused about the need for ‘a feminist sexual politics of ageing'. Out of Time is her answer to these issues. Fears of ageing, Segal argues, are fed to us from childhood in stories and fairy tales full of monstrous, quintessentially female, figures. She confronts the simplistic attributions of generational blame frequently named as causes of the economic crisis, the growing erotic invisibility for ageing women as well as the expectations of gender and ageing that inevitably constrain ambition and political engagement.  Out of Time also examines the representation of ageing in the work of other writers (many of them feminists) including Simone de Beauvoir, Alice Walker, Adrienne Rich, Philip Roth, Diane Athill, Joyce Carol Oates, John Berger, Grace Paley, Jo Brand, Jacques Derrida and John Updike. Out of Time: The Pleasures and Perils of Ageing (Novemeber 2013) Verso 

If you want to write good dialogue, you need good ears. Listen to all the little idiosyncrasies of an individual voice: the cadences, elisions, flourishes. With an extended reading from short-story writer and poet, Grace Paley.

I See You Made An Effort: Compliments, Indignities and Survival Stories from the Edge of 50 (Blue Rider Press) Is 50 the new 40 or is 50 still 50? Maybe. In this wickedly funny new collection of essays, I See You Made An Effort, actress and writer Annabelle Gurwitch explores the hazards of turning 50, outsourcing your endocrine system, and falling in lust at the Genius bar. From the woman the Washington Post calls “hilarious,” this new book is the ultimate coming-of middle-age story and a must-read for women everywhere. The panic began to set in when Annabelle turned 49. The solicitations from the AARP began flooding her mailbox as she weighed going back to school, getting divorced and raising llamas. She couldn't afford a vacation, so she was taking a lot of naps. A visit to her gynecologist ended not with one of his usual benign send-offs—stay healthy, stay happy, stay hydrated—but instead with the slightly ominous: "Stay funny." In this new collection of essays, Annabelle Gurwitch has taken her gynecologist's advice to heart. Whether she's navigating the extensive anti-aging offerings in the department store beauty counter or negotiating the ins and outs of acceptable behavior with her teenage son, Gurwitch bravely turns an unflinching eye towards the myriad of issues women can expect to encounter in their middle years.  For tonight's reading Annabelle Gurwitch will be joined by members of the Suite 8 Writer's Collective, Jillian Lauren, Heather Havrilesky and Joshua Wolf Shenk. Annabelle Gurwitch is an actress and author of You Say Tomato, I Say Shut Up, a self-hurt marital memoir co-written with her husband, Jeff Kahn, now a theatrical play in its third national tour; and Fired! Tales of the Caned, Canceled, Downsized & Dismissed. Her Fired! documentary premiered as a Showtime Comedy Special and played film festivals around the world. Gurwitch gained a loyal comedic following during her numerous years co-hosting the cult favorite, Dinner & a Movie; her acting credits include Dexter, Boston Legal, Seinfeld, Melvin Goes to Dinner, The Shaggy Dog and Not Necessarily The News on HBO. Most recently, she starred in the adaptation of Grace Paley's A Coney Island Christmas by Pulitzer Prize winning playwright Donald Margulies at The Geffen Playhouse. Live appearances include New York Comedy Festival, 92nd St Y, Upright Citizens Brigade and story salons in both New York and Los Angeles. She has served as a regular commentator on NPR and a humorist for TheNation.com. Her writing has appeared in More, Marie Claire, Men's Health, Los Angeles Times and elsewhere. Gurwitch is a passionate environmentalist, a reluctant atheist, and lives with her husband and son in Los Angeles. Jillian Lauren is the author of the novel Pretty and the New York Times bestselling memoir Some Girls: My Life in a Harem. Her writing has appeared in The Paris Review Daily, The New York Times, Vanity Fair, Los Angeles Magazine, Salon, The Rumpus and The Moth Anthology, among others. She lives in Los Angeles with her husband and son. Heather Havrilesky is a regular contributor to the New York Times Magazine, The Awl and Bookforum, and is the author of the memoir Disaster Preparedness. You can also follow her on Twitter at @hhavrilesky. Joshua Wolf Shenk is an essayist, author, and creative strategist based in New York City. He is a correspondent for Slate.com, and a contributor to The Atlantic Monthly, Time, Harper's Magazine, The New Yorker, The New York Times, and the national bestseller Unholy Ghost: Writers on Depression, edited by Nell Casey. 

Send Me Work: Stories (Triquarterly Books) Katerine Karlin will read and sign her new collection, Send Me Work: Stories (Triquarterly Books). Karlin has worked in oil refineries in Pennsylvania and Texas, a New Orleans shipyard, and a New York printshop, and she draws on her experiences to give voice to the unique experiences of women in the trades. Her narrators, who must daily negotiate the "man's world" of blue collar work, are keenly observant and attuned to the humor that arises when life doesn't turn out as planned. But even more remarkable is the fullness with which she renders characters who make us wonder how they've escaped the notice of other writers. In unadorned prose that evokes complete worlds with deceptive ease, Karlin shows us people immersed in the negotiations of survival, just at the edge of being able to make sense of their lives. "Karlin's stories are rich and deep, so fully lived you would think that each of her characters walks and breathes among us. A truly remarkable achievement."  --T. C. Boyle "These are such beautifully crafted stories, so satisfyingly nailed to time and place they begin to form like memories to a reader; Karlin's prose has hints of Philip Roth and Grace Paley, but the ringing specificity is all her own."  --Aimee Bender Katherine Karlin's stories have appeared in One Story, North American Review, ZYZZYVA, Alaska Quarterly Review, L.A. Weekly, and elsewhere. Her work has been selected for the Pushcart Prize and New Stories from the South. Her short story "Muscle Memory" was read as part of the "Stories on Stage" series at the Denver Performing Arts Center, and her essay "Corn" appears in One Word from Sarabande Press. Karlin currently lives in Manhattan, Kansas, with her dog, Rusty, and her husband, Chris. She teaches creative writing and literature at Kansas State University. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS NOVEMBER 16, 2011.