Podcast appearances and mentions of Alice Tully Hall

This week we're excited to present a special episode featuring the star-studded speeches from our recent Chaplin Award Gala. FLC was pleased to honor Pedro Almodóvar as the recipient of the 50th Chaplin Award, presented in partnership with ROLEX, at a Gala evening on April 28. The full house at Alice Tully Hall was treated to a joyful celebration of the celebrated filmmaker's incredible body of work with hilarious and heartfelt tributes by Almodóvar's cast members, friends, admirers, and more, culminating in Dua Lipa presenting the Chaplin Award to Almodóvar himself. The evening's guest speakers included, in order of appearance, Secretary of our Board of Directors Wendy Keys, Former Film at Lincoln Center Programming Director & head of the New York Film Festival Richard Peña, acclaimed filmmaker, writer, & artist John Waters, actress and longtime Almodóvar muse Rossy de Palma, renowned performer & artistic director Mikhail Baryshnikov, Emmy Award–winning actor, director, & writer John Turturro, and global pop powerhouse Dua Lipa.

“Dance Talk” ® with Joanne Carey and special guest, Diana Byer, founding director of the New York Theater Ballet. In this episode of Dance Talk with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Diana Byer, as she shares her life in dance which began from a suggestion made by her pediatrician to exercise. That first class lead to a lifetime career in dance, an art form on which she continues to leave her imprint and is creating a profound and exemplary legacy. Diana discusses her commitment to developing dance artists and her outreach program for homeless and at-risk children. Diana Byer received her principal dance training from Margaret Craske and Antony Tudor. She is the founder of New York Theater Ballet that stages works that are intimate in scale and able to touch audiences in deeply personal ways. Hailed by Dance Magazine as “a miniature American treasure,” NYTB is known for its theatrical inventiveness, high production quality, excellent technique, and accessibility to its audiences. She has been a guest instructor of the Cecchetti Society of America, the Cecchetti Society of Canada (Toronto), Cornell and New York Universities, State University of New York at Purchase, Martha Graham School, and other centers of dance. Ms. Byer conducts master classes in schools and performance settings across the USA and Europe. Ms. Byer received extensive media attention for her ongoing work with homeless and at-risk children, winning special citations from President George Bush, First Lady Hillary Clinton, the National Endowment for the Arts, and the President's Committee on the Arts & the Humanities. The LIFT Community Service program, which provides dance classes, performance opportunities, scholarships, and services for homeless and at-risk children in New York, was initiated at NYTB through her vision and commitment. In 1988, 1990, and 1993, Ms. Byer received the Helen Wieselberg Award of the National Arts Club in recognition for her ongoing work with LIFT. In 1992, Lincoln Center produced, at Alice Tully Hall, a one-hour presentation for children called Dreams On A Shoestring, featuring an original script based on Ms. Byer and LIFT. She received a Humanitarian Hero recognition from Good Housekeeping Magazine for her ongoing work with LIFT and was the 2023 Martha Hill Dance Fund Lifetime Achievement Awardee. The feature-length film LIFT, documenting Ms. Byer's journey of LIFT, was featured in the 2022 Tribeca Festival and recognized with a “Children's Resilience in Film Award” by Shine Global. In December 1996, she was again spotlighted in two features in Dance Magazine. Ms. Byer coached the principals in the Columbia Pictures film, Center Stage. She was a member of the Antony Tudor Centennial Celebration Committee and in 2008 staged Tudor's Judgment of Paris for the American Ballet Theatre Gala at The Metropolitan Opera House. She is a repetiteur for the Antony Tudor Trust and a member of the Board of Directors of the Dance Notation Bureau and The Clive and Valerie Barnes Foundation. In 2010 she assisted Kevin McKenzie in ABT's restaging of Antony Tudor's Jardin Aux Lilas (Lilac Garden) and staged Agnes de Mille's Three Virgins and a Devil for the Alabama Ballet. In 2011 Ms. Byer restaged Antony Tudor's Soiree Musicale and the dances from Agnes de Mille's Carousel, Oklahoma, and Brigadoon for American Ballet Theatre's Studio Company. She continues to direct the NYTB School which she established in 1978. Learn more about The Diana Byer Legacy Project https://www.dancio.com/dianabyerlegacyproject Learn more about New York Theater Ballet ⁠https://nytb.org/about⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance  Follow “Dance Talk” ® with Joanne Carey wherever you get your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

From Siberia to St. Kitts: A Teacher's Journey, A Biography by Ira Sumner SimmondsFollowing the tumultuous and unexpected life of Zenaida Katzen, Simmonds' biography weaves disparate threads from Russia, China, Chile, France, and St. Kitts-Nevis into a vibrant tapestry revealing a surprising and exceptional woman. Stepping outside of the spinster-teacher archetype, Katzen's story is one of a complicated, fiercely independent woman whose decades of unwavering dedication and commitment to the education of children across the globe belie an intriguing, unpredictable and, at times, inexplicable personal life.Ira Sumner Simmonds received a BA in French from St. Francis College, Brooklyn, New York, and M.A. and M.Ed. degrees from Teachers College, Columbia University, New York, NY. After a ten-year stint as House Manager at Alice Tully Hall, Lincoln Center for the Performing Arts, he spent the next twenty-five years in New York City Public Schools as a teacher, Assistant Principal and Acting Principal. He currently works as an educational consultant in the NYC Metropolitan area. His hobbies include biking, birding, practicing the guitar, writing short stories and family genealogy.https://www.amazon.com/Siberia-St-Kitts-Teachers-Journey/dp/0999872400/ref=sr_1_1?crid=KFQGCXXACVC9&dib=eyJ2IjoiMSJ9.N4_fgiXZ946zjJUljzV8T3SUu3OlR9YO2eybu4B8WHet9KwgyDhcAqvsR_im2boxdphUbm140sDxAvkql-ZGU856oXNi6J2FDDpUqgGwHfA.FJNfFhBGO9D73v0BB8jZRf1y-1RZbttSxCzfV9x-aos&dib_tag=se&keywords=From+Siberia+to+St.+Kitts&qid=1723951855&sprefix=from+siberia+to+st.+kitts%2Caps%2C131&sr=8-1https://irasimmonds.com/https://irasimmondsreviews.com/http://www.BookTranceMedia.com   http://www.bluefunkbroadcasting.com/root/twia/9524issbtr.mp3 

I have wondered, in my darker days, whether this portfolio career I love is truly sustainable. Whether I can really keep tweaking and evolving all the way until I stop. This interview gave me an inspiring YES!   Hailed by Fanfare Magazine as "one of the great cellists of our time", Nancy Green is an internationally recognized recording artist, known for her highly acclaimed CDs of previously unrecorded works as well as staples of the cello repertoire.  Her numerous CDs, which include many premieres, are broadcast worldwide and her performances have earned rave reviews internationally.  Her CD recordings on the US label, JRI, and the British labels, Cello Classics and Biddulph Recordings, have received special notice in many major publications, among them Strings Magazine (Editor's Choice), MusicWeb International (CD of the Month), Fanfare Magazine (Want List), and Classical Music Magazine (CD of the Fortnight). Her recording of the Brahms sonatas with duo partner Frederick Moyer was named by Fanfare Magazine as the "hands-down pick" for these standard works which have been recorded, sometimes multiple times, by the most acclaimed cellists in history.  Green has performed as soloist in venues such as the Kennedy Center, Alice Tully Hall, Carnegie Recital Hall, as well as London's Wigmore Hall, St. Martin-in-the-Fields, and Windsor Castle.  She has also performed in major concert halls in Holland, Belgium, and the Far East. International press reviews have likened her to great cellists such as Rostropovich, Yo-Yo Ma, and Jacqueline du Pré.  Since 2015 Ms. Green no longer performs live and is exclusively a recording artist. Follow Nancy's YouTube, Spotify, Apple music, Instagram, or Facebook   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams.You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!    

Guest Bio: Among the most distinguished classical artists of his generation, clarinetist Jon Manasse is internationally recognized for his inspiring artistry, uniquely glorious sound and charismatic performing style. Jon Manasse's solo appearances include New York City performances at Lincoln Center for the Performing Arts' Avery Fisher Hall and Alice Tully Hall, Hunter College's Sylvia & Danny Kaye Playhouse, Columbia University, Rockefeller University and The Town Hall, fourteen tours of Japan and Southeast Asia – all with the New York Symphonic Ensemble, debuts in Jerusalem, Tel Aviv, and Osaka and concerto performances with Gerard Schwarz and the Mostly Mozart Festival Orchestra, both at Lincoln Center's Avery Fisher Hall and at the prestigious Tokyu Bunkamura Festival in Tokyo.  Jon Manasse is a graduate of The Juilliard School, where he studied with David Weber.  Mr. Manasse was a top prize winner in the Thirty-Sixth International Competition for Clarinet in Munich and the youngest winner of the International Clarinet Society Competition. Currently, he is an official “Performing Artist” of both the Buffet Crampon Company and Vandoren, the Parisian firms that are the world's oldest and most distinguished clarinet maker and reed maker, respectively. Mr. Manasse is currently on the faculties of The Juilliard School,The Lynn Conservatory, and The Mannes School of Music. Jon Manasse and his Duo partner, the acclaimed pianist Jon Nakamatsu, serve as Artistic Directors of the Cape Cod Chamber Music Festival, an appointment announced during summer 2006.   Learn more about Jon at https://jonmanasse.com/ Support the show at www.patreon.com/clarineat

Hailed as “a composer many believe to be the best of his generation” by The New York Times. Mikel Rouse's works include forty records, seven films, and a trilogy of media operas: Failing Kansas, Dennis Cleveland, and The End of Cinematics. He has received commissions from the Brooklyn Academy of Music, the Mary Flagler Cary Charitable Trust, and the Meet the Composer/Reader's Digest Commissioning Program. Rouse's compositions have been performed at Lincoln Center, the New York State Theater, and Alice Tully Hall, and throughout the United States and Europe. We chat with him about his work, a new memoir, and upcoming album! Check out more of his work at www.mikelrouse.com

This week we're excited to present a special podcast episode featuring the star-studded speeches from our recent Chaplin Award Gala. FLC was pleased to honor Jeff Bridges as the recipient of the 49th Chaplin Award, presented at a gala evening on April 29. The full house at Alice Tully Hall was treated to a joyful celebration of the actor's incredible body of work with hilarious and heartfelt tributes by Bridges's costars, culminating in Chris Pine presenting the Chaplin Award to the Dude himself. The evening's guest speakers included, in order of appearance, FLC President Lesli Klainberg; Sharon Stone, who starred in two 1999 films with Bridges: Matthew Warchus's Simpatico and Albert Brooks's The Muse; Rosie Perez, who appeared with Bridges in Peter Weir's Fearless, for which Perez received a 1993 Academy Award nomination; Blythe Danner, who starred alongside Bridges in the 1975 film Hearts of the West; and Chris Pine, who co-starred with Bridges in the Oscar-nominated Hell or High Water in 2016.

New York City pianist/keyboardist Alexi Marcelo believes in the power of music as a positive and uplifting force. He studied at the Harlem School of the Arts and then went on to the University of Massachusetts at Amherst, where he focused on African-American Music/Jazz Piano Performance and Composition under the tutelage of renowned saxophonist Yusef Lateef. Alexi and Tim were classmates at UMass, and it was there that they became close friends and musical collaborators. Since those halcyon days in Western Massachusetts, he has performed all over the world, including at the North Sea Jazz Festival, Etnafest in Italy, Alice Tully Hall, and more. Alexi is featured on recordings with Yusef Lateef, Adam Rudolph, Mike Pride, and Malcolm Mooney. Currently, he is working on a new album that should be released in the coming year.

It is a privilege to welcome Emmy, Grammy, and Tony-nominated recording artist and actress N'Kenge to The Jake's Take with Jacob Elyachar Podcast.  The New York Times praised her as “a classically trained diva that can stretch from Broadway to Pop, Soul and Opera.” N'Kenge trained at the Julliard School and the Manhattan School of Music, has five octave vocal range and can sing in 11 different languages. She made her Broadway debut in Sondheim on Sondheim. She slayed the game on Broadway, originating the role of Mary Wells in Motown: The Musical, which garnered a Grammy nomination for Best Musical Theater Album. Motown founder Berry Gordy described N'Kenge as “the most versatile artist I know.” The New York Post called her performance of Mary Wells “Electrifying.” N'Kenge was also a cast member on Broadway in the revival of the Tony Award-nominated and Olivier Award-winning musical Caroline, Or Change. She portrayed “The Moon,” her first aerial role. The show ran from October 27, 2021, to January 9, 2022, at the legendary Studio 54.As a vocal soloist, N'Kenge performed at world-renowned venues, including Carnegie Hall, the Lincoln Center's Alice Tully Hall, and Madison Square Garden. She headlined pop and opera concerts with the Cincinnati Symphony, the Cleveland Orchestra, and the Seattle Symphony. She also sang for many Presidents and foreign dignitaries, including former US Presidents Bill Clinton and Barack Obama.Currently, N'Kenge is immersed in a variety of projects. She is spearheading the Broadway-bound DANDRIDGE, a production that pays tribute to the life and legacy of Dorothy Dandridge. Additionally, she has created and written Forever Summer – a Tribute to Donna Summer. On top of that, she is in the process of developing a new TV musical series called BLACK BUTTERFLY, a project she co-wrote with award-winning writer Mary McCallum and TV producer Gina Goff.  In this edition of The Jake's Take with Jacob Elyachar Podcast, N'Kenge spoke about being mentored by Berry Gordy and receiving high praise from the late Aretha Franklin. She also talked about bringing DANDRIDGE to life.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

World-renowned Opera Singer Sharon Azrieli joins The Art of Kindness with Robert Peterpaul to discuss giving back to arts education, amplifying the Jewish community and more under the kindness sun. Sharon Azrieli is a philanthropist and award-winning opera singer. Born in Montreal, Sharon's voice has soared around the world, gracing Carnegie Hall, the Metropolitan Opera, and the Opéra Bastille de Paris, to name a few. She's recorded a string of albums, including her latest Secret Places: A Tribute to Michel LeGrand. Most importantly, Sharon is a passionate philanthropist for arts education. She sits on the boards of several organizations, including the Azrieli Foundation for which she created the Azrieli Music Prize to celebrate rising stars in music.  Speaking of, the Azrieli Music Prizes, Sharon and the AMP are celebrating a decade of championing exceptional music creation in NYC with a very special concert. See Sharon shine alongside world-renowned talent on Thursday, March 28th at 7:30 PM in the Starr Theater of Alice Tully Hall, which is at the iconic Lincoln Center. More on Sharon: sharonazrieli.com Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

"A highly sought-after pedagogue, violinist Elizabeth Faidley has been hailed as an “amazing and inspiring teacher” by the New York Times. She is the recipient of the American String Teachers' Association 2011 “Studio Teacher of the Year” award for the state of New Jersey. She has also been honored with multiple teaching awards, including ones from the Union City Symphony and the Korean Radio Broadcast Network.In addition to being on the faculty of the Pre-College Division of the Manhattan School of Music, she has a large private studio in the New York City metropolitan area where she teaches violin performance to aspiring players from ages 3 to 23.Her students have won national and international competitions and have performed in such great halls as Carnegie Hall, Alice Tully Hall, Merkin Concert Hall, and the White House. You can find her here: https://www.elizabethfaidley.com/ "

SynopsisHappy Leap Year!Once every four years, we have the opportunity to wish the great Italian opera composer Giacomo Rossini a happy birthday — he was born on Feb. 29 in 1792 — and to note some other musical events that occurred on this unusual but recurring calendar date.The American Bicentennial Year 1976, for example, also was a leap year, and 12 months were cram-packed with specially commissioned works written on a grand scale to celebrate that major anniversary of our nation. But at Alice Tully Hall on Feb. 29, 1976, a more modest celebration was in progress: an afternoon of new chamber works for flute and harp, including the premiere performance of a piece by American composer Ned Rorem.This piece was titled Book of Hours, referring to the prayers that the clergy read at various times of the day. In 1976, when avant-garde composer Pierre Boulez was the music director of the New York Philharmonic and dense, complicated music was considered fashionable by the critics, and the reviewer for the New York Times was struck by Rorem's deceptive simplicity: “Many contemporary composers flaunt their abilities to make music complex,” he wrote, “but Rorem waves an altogether different flag. His Book of Hours seemed determined to be uneventful. Its calculated simplicities and unassertive manner recalled the bare-walls asceticism of Erik Satie, though Mr. Rorem's phrases and colors are more sensuous and do not quite evoke Satie's mood of monastic rigor.”Music Played in Today's ProgramNed Rorem (1923-2022): Book of Hours; Fibonacci Sequence; Naxos 8.559128

 "Dance Talk” ® with Joanne Carey In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Gabriel Chajnik. Joanne and Gabriel go way back as dancers, colleagues, friends.  It's always a treat when Dance Talk welcomes an old friend to the platform! sit back , listen in, laugh a little as they forget they are recording a podcast and chat about their time working together, their thoughts on the power of dance and Gabriels upcoming project "Jungle Book" in collaboration with classical Indian dance choreographer Sudha Shekhar Devulapalli.  Gabriel Chajnik is the founding director of the new Axelrod Contemporary Ballet Theater, Gabriel Chajnik was trained under the tutelage of Maestro Hector Zaraspe and is an alumnus of the Juilliard School. Gabriel is a former dancer with American Repertory Ballet. His teaching credits expand from Argentina to Europe and the United States at Brooklyn Music School, Princeton Ballet, the Academy of Dance Arts and Gotta Dance in New Jersey. Gabriel's work has been featured at Juilliard, the Manhattan School of Music, the Shakespeare Theater in Washington, D.C., Alice Tully Hall, the Clark Theater at Lincoln Center, MMAC, and the Lambs Theater. Gabriel is also the Artistic Director for TranscenDanceGroup, whose TDG Holocaust Awareness performance has reached school students throughout the tri-state area. Gabriel has been honored by the Jewish Federation of Somerset, Hunterdon, & Warren Counties. Find out more ⁠https://www.axcbt.org/about-axcbt⁠ Get tickets to Jungle Book February 2-11, 2024  A new ballet based on Rudyard Kipling's collection of stories about a boy adopted and raised by wolves fulfilling his quest for identity, love and belonging. Directed and choreographed by AXCBT Director Gabriel Chajnik, The Jungle Book is a groundbreaking collaboration with classical Indian dance teacher Sudha Shekhar Devulapalli. This AXCBT production features a fusion of Bharatanatyam and contemporary dance performed by a cast of professional dancers and talented young fellows and trainees, with elaborate costumes designed by José Solis and masks and headpieces designed by Tentacle Studios, whose clients include Lady Gaga, Kesha, and the Royal Ballet. ⁠https://ci.ovationtix.com/35486/production/1160725⁠ ⁠⁠⁠Follow on Instagram @⁠https://www.instagram.com/axelrodarts/⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Tune in. Follow. Like us. And Share. Please leave us review about our podcast  

Works & Process at the Guggenheim presents the Underground Uptown Dance Festival, a festival of commissioned street and social dances taking place in the subterranean Frank Lloyd Wright-designed theater at the Guggenheim from January 10-16, 2024 and at Lincoln Center's Alice Tully Hall on January 12. Our guest is Duke Dang, Works & Process Executive Director. For tickets and more, visit www.worksandprocess.org

Andrew Armstrong is a pianist who has performed for audiences all over the world, including performances at Alice Tully Hall, Carnegie Hall, the Kennedy Center, London's Wigmore Hall, the Grand Hall of the Moscow Conservatory, and Warsaw's National Philharmonic. He has performed with conductors including as Peter Oundjian, Itzhak Perlman, Günther Herbig, Stefan Sanderling, Jean-Marie Zeitouni and Stanislaw Skrowaczewski, and has appeared in solo recitals and in chamber music concerts with a bunch of Quartets and as a member of the Caramoor Virtuosi, Boston Chamber Music Society, Seattle Chamber Music Society, and the Jupiter Symphony Chamber Players.

Hallo Leute! In this, intro episode of Slow Learners, hosts Asher Dark and John Semley lay out their ambition plan, or "plot": to read through Thomas Pynchon's massive 1973 Gravity's Rainbow, discuss it, and talk with experts about its themes and ideas, big and small, smart and stupid. Topics this episode include: Prof. Irwin Corey, literary awards, Alice Tully Hall, preterition (and its meritorious price), being feted, Homer Simpson, Boeing, scrambled eggs, Oyster Bay High School, "The Boys," the character of Robert as played by Brad Garrett on the long-running CBS sitcom Everybody Loves Raymond, They-Systems vs. We-Systems, hating books, etc., etc. Read Proverbs For Paranoids, John's guide to Gravity's Rainbow. E-mail us your questions, queries, and crackpot theories: slowlearnerspod@gmail.com

Nancy Rhodes has served the Arts as an administrator, director, educator and writer. The founding director of Encompass New Opera Theatre, she has staged plays, musicals and operas across the US, Europe and Asia, with performances that include the world premiere of "Tartuffe" for San Francisco Opera, and Virgil Thomson's "Lord Byron" at Alice Tully Hall. Rhodes has also served as Vice President/US Delegate to the International Theatre Institute, and taught Acting for Singer at Manhattan School of Music. A trip to Ephesus led today's guest on the Sunbury Press Books Show into a metaphysical experience: the mother of Jesus is said to have lived in what is now Turkey after her son's death. While visiting Mary's home, Rhodes was asked by Mary to tell her story. Over a ten-year period, Mary told Rhodes her own story, of a lonely childhood, violence against her at the hands of her father, Joseph's devotion and how he saved his family. This interview with Lawrence Knorr discusses Rhodes' ongoing career, and the experience and process that led to the telling of "Mary's Story."      

Welcome to a new episode of the Film at Lincoln Center podcast. This week we're excited to present a special episode featuring the star-studded speeches from our recent 48th Chaplin Award Gala honoring Viola Davis. Having taken place on April 24 at Lincoln Center's Alice Tully Hall, the Gala encompassed a joyful celebration of the actor and producer's incredible body of work, featuring notable speakers and film clips, and culminating in the presentation of the Chaplin Award, an annual honor bestowed upon cinema's most outstanding talents. The evening's guest speakers included, in order of appearance, Jayme Lawson, who starred in THE WOMAN KING, George C. Wolfe, who directed Davis in NIGHTS IN RODANTHE and MA RAINEY'S BLACK BOTTOM, Meryl Streep, who co-starred in DOUBT, Gina Prince-Bythewood, who directed THE WOMAN KING, Jessica Chastain, who co-starred in THE HELP and THE DISAPPEARANCE OF ELEANOR RIGBY with Davis, and, presenting Davis with the Chaplin Award, Steve McQueen, who directed the actor in WIDOWS.

Synopsis At New York's Alice Tully Hall on today's date in 2003 the Avalon Quartet gave the first complete performance of a new four-movement string quartet entitled Sun Threads, by the American composer Augusta Read Thomas. Each movement of the new work has its own evocative title and had been premiered previously as stand-alone pieces by a consortium of ensembles: the first movement, Eagle at Sunrise, by the Ying Quartet; the second, Invocations, by the Miami Quartet; the third, Fugitive Star, by the Avalon Quartet; and the fourth, Rise Chanting, by the Alexander Quartet.As the poetic titles indicate, Thomas is not afraid of emotion in music, but insists on internal logic as well, and says:“I believe my music must be passionate, involving risk and adventure, such that a given musical moment might seem like a surprise right when you hear it but, only a millisecond later, seems inevitable … One of my main artistic credos has been to examine small musical objects–a chord, a motive, a rhythm, a color–and explore them from every possible perspective. The different perspectives reveal new musical elements, which I then transform and which in turn become the musical development.” Music Played in Today's Program Augusta Read Thomas (b. 1964) Eagle at Sunrise, from Sun Threads Walden Chamber Players ART CD 1992007

Synopsis On today's date in 1994, at Orchestra Hall in Chicago, the Chicago Symphony and conductor Daniel Barenboim gave the world premiere performance of Partita by the American composer Elliott Carter, specially commissioned in honor of the composer's 85th birthday. It was a major work, and a major occasion – but, as the Chicago Tribune's music critic John von Rheim put it, that date “will forever be known as the Night the Lights Went Out on Elliott Carter.” Just as the orchestra was playing the final pages of Carter's complex score, the house lights went out. The audience gasped. The orchestra stopped playing. Not sure what to do, the audience started applauding. Then, after a moment or two the lights came back on. After breathing a sigh of relief, Barenboim and the orchestra prepared to pick up where they had left off – and then the lights went out again! Turning to the audience, Barenboim quipped, "It's a good thing we and Mr. Carter are not superstitious." Well, eventually the lights came back on – and stayed on, enabling the Orchestra to finish the premiere of Carter's Partita. But, perhaps as a kind of insurance policy – later on Barenboim and the Chicago Symphony also made a live recording of the new work. Music Played in Today's Program Elliott Carter (1908 – 2012) Partita Chicago Symphony; Daniel Barenboim, conductor. (live recording) Teldec CD 81792 On This Day Births 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola); 1820 - Belgian composer Henri Vieuxtemps, in Verviers; 1862 - English composer Edward German (Jones) in Whitechurch; 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg); 1920 - American composer Paul Fetler, in Philadelphia; 1926 - Austrian composer Friedrich Cerha, in Vienna; 1926 - American composer Lee Hoiby, in Madison, Wis.; Deaths 1732 - French composer and organist Louis Marchand, age 63, in Paris; 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris; 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti; 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles; 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.; Premieres 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King's Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio; 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London; 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting; 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo; 1889 - Franck: Symphony in d, in Paris; 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting; 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala; 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist; 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York; 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City; 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony; 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano); 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater; 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City; 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting; 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode. Links and Resources On Carter

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/live/jcxoW-Qs5xM?feature=share Angel J Fajardo Angel's one true joy lies in the chaotic but collaborative process of filmmaking. You can find him behind the camera designing the shot or calling the shots as an AD or Producer. His directorial debut, Ward, won the Audience Choice for the 2022 Austin Under the Stars Film Festival. Ward will also be screening at the 2023 Garden State Film Festival. Description of the film: Upcoming Film: On his 18th birthday, Peter is forced to leave the safety of his foster home and reconcile with the past. EDWARD B. KESSEL: Composer / Producer / Director Multi-award-winning Composer/Producer/Director, Edward B. Kessel, founded Sound Imagination | Imagination Video, a music, video and audio production company in 1986. Ed was inducted into the NJ Advertising Hall of Fame in 2016 and has been producing music, commercials and entertainment projects for over 30 years. He has composed, orchestrated and produced music for Broadway, movies, TV, songs for major artists, jingles and commercial scores.  Konstantin Soukhovetski: 2019 Innovation Award Winner from Music Academy Of The West Konstantin has a singular artistic voice that communicates with and engages audiences the world over. Konstantin's creative output continuously innovates, frequently involving multidisciplinary projects with dance and film. In 2020 Konstantin joined the adjunct faculty of his alma mater The Juilliard School, where he received his BM, MM, and AD with Jerome Lowenthal. In 2022 Konstantin was named Director of Pedagogy and Narrative Musicianship at Bronx School For Music. This Season Konstantin's performances include return to NYC's Lincoln Center's Alice Tully Hall.

Today we are going to talk about teens and music education. Your daughter has been playing piano since she was seven and now that she is a sophomore in high school and wants to quit piano. Do you let her? Your son wants to play bass so you sign him up for lessons but he doesn't want to practice. Do your force him? Your daughter wants to quit choir and quit taking vocal lessons because she can't sing like Taylor Swift. What should a mom do? Do your force them or let them quit? How can parents motivate their teens to keep pursuing their music. What are the advantages of learning to play instruments in the teenage years? How does music positively impact the developing teen brain? Our guest today is an expert in music education. Dana Vachharajani's multifaceted career has been marked by singing in top venues, founding and teaching in her own private music school, Dana V Music, as well as consulting, and advising to further develop music education. As the teaching advisor for Ensemble Music Schools, she oversees the positive recruitment, retention and development of the many talented and nurturing teachers that are at the heart of our organization as well as oversees the pedagogical growth in each of our schools. A graduate of The Juilliard School and Carnegie Mellon University, she has been a featured soloist in Carnegie Hall, and Alice Tully Hall, as well as a touring artist and soloist with major orchestras around the US. Dana is a mother to three incredible children and also currently teaches voice at Dana V Music, the original Ensemble Music School.  To learn more about Ensemble Music Schools or contact Dana go to https://www.ensembleschools.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest for this special Father's Day Episode is John Cuk, from New York, USA. John is a conductor, musician, music educator and accompanist, and a dad of 2 girls.John started playing the piano at age 5, played the trumpet in a band, sang in choirs, grew up going to the theatre, opera and going to concerts, even though his parents weren't musical he was exposed to the arts. In school he sang in the choir and played in the band. He dreamt of going on to study to be a music teacher, as well as holding on to the desire to be a performer in his own right.He went on to study degrees from Manhattanville College and The Manhattan School of Music as well as post graduate work from Westminster Choir College and gained his Masters in Piano Performance.John juggled being a professional musician with being a full time teacher for many years, enjoying the grounding that being in the class room brought him.John's career in academia spanned 40 years. He has taught at Scarsdale High School, Somers High School, Middle Schools in Chappaqua, New Rochelle, Rye and at The Anglo-American School in New York. He retired from his position as the Director of Choirs at Manhattanville College in Purchase, NY in 2018 after 16 collective years there.John has a varied background as a musician and educator. As a conductor, he's conducted choral and orchestral ensembles in Europe, South America and the United States. He has performed at such prestigious venues as Carnegie Hall, Avery Fisher Hall, Alice Tully Hall, Marmorsaal, Schloss Mirabell (Salzburg, Austria), Teatrului Național de Operă și Balet ‘Oleg Danovski' (Constanța, Romania), Kennedy Library (Boston), Música Sin Edad (Buenos Aires, Argentina), Temppeliauki, (Helsinki, Finland) and The International Youth Orchestra Festival (Lucca, Italy).Active in musical theatre and opera, John has held positions with Music in the Alps International Festival in Austria, Opera Estate in Rome Italy, Utopia Opera and Dell' Arte Opera in New York, New York, Buck Hill/Skytop Festival in Pennsylvania, Westchester Conservatory's Summer Vocal Music Academy in White Plains, New York, as well as Musical Director for countless musical theatre productions both at the high school and college level.Guest conducting includes Ridgefield Symphony (CT), Chorus and Orchestra of Teatrului Național de Operă și Balet ‘Oleg Danovski' Constanța, Romania, Orchestra Sinfonica di Bacau, Romania in Italy, Moldova Radio Symphony in Chisinau Moldova, National Chorale's Annual Messiah-Sing-In at Avery Fisher Hall as well as choral festivals for Western Connecticut, Suffolk, Duchess and Westchester Counties in New York.He is active as a coach, accompanist, pianist and guest conductor. John performs frequently with singers and chamber musicians and is currently a staff pianist for The Bronx Opera.It is always interesting on these occasions to get the male parent perspective on things. I think it is something that many of us are interested in, it certainly comes up as a topic in many of my chats with mums. I'm very grateful for John for allowing me to delve deep and ask the big questions.We also chat a lot about a shared passion of choral music, choral singing and music overall.Connect with JohnConnect with the podcastMusic throughout this episode is taken from the public domain and therefore not subject to copyright.

Tuesday, June 14Take Notice: Amplifying Black StoriesSeason 2, Episode 18: N'KengeIn this episode we talk with Grammy and Emmy-nominated artist, singer, producer, and creator, N'Kenge. Hear about N'Kenge's climb to success from growing up in New York to working in her mother's business while performing on the road to blossoming as a performer while attending graduate school at Julliard. We also discuss a bit about opera, music business, and stereotypes she encountered in casting while auditioning for parts. N'Kenge has performed as a soloist at world-renowned illustrious performance venues such as Carnegie Hall, Lincoln Center's Alice Tully Hall, Madison Square Garden and has headlined Pop and Opera concerts with Seattle Symphony, Jacksonville Symphony, Cincinnati Symphony, Indianapolis Symphony, and Cleveland Orchestra, to name a few.A proud alumni of both The Juilliard School and Manhattan School of Music, N'Kenge made her Broadway debut in Sondheim on Sondheim and most recently was on Broadway in the revival of Caroline, or Change. This energetic, well-rounded singer has performed with jazz greats like Ornette Coleman and Wynton Marsalis and was nominated for Outstanding Lead Actress in a Musical for her portrayal of the leading roles in both the Elton John/Tim Rice Musical  Aida and in Marion Caffey's 3 Mo' Divas by the Helen Hayes Awards and the Arizoni Theater Awards.In addition to her performances, N'Kenge is also a producer and is currently developing a Broadway-bound musical celebrating Dorothy Dandridge's life and music. She is also developing a new TV musical dramedy, Black Butterfly, with TV producer Gina Goff.Mentioned:N'Kenge Website TwitterInstagram FacebookTake Notice WebsiteTake Notice InstagramTake Notice Facebook

Synopsis Today's date marks the anniversary of the first performance of two 20th century chamber works. On April 25, 1931, Russian composer Sergei Prokofiev's String Quartet No. 1 received its premiere performance by the Brosa Quartet at the Library of Congress. Accepting the commission from the Library's Elizabeth Sprague Coolidge Foundation, Prokofiev set about studying pocket scores of the string quartets of Beethoven, which he perused on trains while shuttling between concert engagements. Prokofiev himself described the work's opening as “rather classical,” but when the new quartet was premiered in Moscow, the verdict of the all-powerful Association of Proletarian Musicians was that it was too “cosmopolitan,” a pejorative adjective in Soviet arts criticism in the Stalinist Era that meant something like “unacceptably modern.” Our second chamber music premiere occurred on April 25th in 1980, when the Octet for Winds and Strings by the American composer George Rochberg was performed for the first time at Alice Tully Hall in New York City. The occasion was a concert by the Chamber Music Society of Lincoln Center, who had commissioned the new piece. At the time, Rochberg was a rather controversial figure for shifting from his earlier, strictly atonal style into a more emotionally charged neo-Romantic approach to music making, often referencing earlier composers and musical styles of the past. The music critic of The New York Times thought he heard a touch of Rachmaninoff in Rochberg's new piece – an observation that some at the time would translate as really meaning the work was “unacceptably old-fashioned.” Music Played in Today's Program Sergei Prokofiev (1891-1953) — String Quartet No. 1 (St. Petersburg String Quartet) Delos 3247 George Rochberg (1918-2005) — Octet (A Grand Fantasia) (New York Chamber Ensemble; Stephen Rogers Radcliffe, cond.) New World 80462

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City. She received her Bachelors of Music in Percussion at Rutgers University.Mariana Ramirez broke historic ground in 2018, becoming the first female Mexican percussionist to perform on a Broadway show while subbing on Once On This Island. It led to sub on two more Broadway shows:  Head Over Heels and Ain't Too Proud, The Life and Times of the Temptations. Currently, she is one of just two female Mexican drummer/percussionists performing on Broadway. Off-Broadway shows include subbing Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others.With that solid foundation, Mariana went on tour with the drums/percussion chair of Once on This Island Broadway National Tour.​In addition to Broadway, she has performed in Europe, Asia, and Mexico, playing with Mexican Traditional Music bands, Symphonic Ensembles, Chamber Orchestras, and Pop Bands. ​​Mariana has also performed on TV shows, including the Steven Colbert Late Night Show, and TV series such as Mozart in the Jungle NBC Universal Upfronts at Radio City Music Hall.​Mariana also founded Percussion Quartet Excelsis, praised as “one of the most innovative and exciting percussion ensembles to emerge in the golden age of chamber music that we are presently in” by Jonathan Hass head of the New York University Percussion Department.   Excelsis has performed twice at NPR Radio in From the Top show, the Percussive Arts Society New York Weekend Of Percussion in 2014 and 2015, Brooklyn Bound with So Percussion, Zeltsman's Marimba Festival, Tippet Rise Music Festival in Montana, and most recently presented a Master Class at Salem University in Massachusetts. Sabian Cymbals endorse Excelsis. ​As a symphonic percussionist, Mariana has performed with orchestras in Mexico and the United States, including the National Symphony of Mexico, Orquesta de Minería, Dartmouth Symphony, South Florida Symphony, the first all-Women Orchestra of Mexico, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for Choir and Orchestra at Alice Tully Hall. For more: https://www.marianapercussion.comBroadway Drumming 101 is your one-stop shop for everything you'll need to know about playing drums for broadway musicals. When you subscribe to The Broadway 101 Newsletter, you'll learn about what it takes to be a successful pit musician with content delivered directly to your email inbox two to three times a week.As a paying subscriber, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway. For $5 a month, or $50 a year, you'll have a backstage pass to the world of a broadway drummer playing on a hit show. You'll also be able to read every post (not just the occasional free ones), you'll get access to all newsletter issues in the archives, and have the ability to participate in subscriber-only comments and events.The Broadway Drumming 101 Podcast is on Apple Podcasts, Spotify, or wherever you get your podcasts.The podcast features conversations with my colleagues who currently hold drums chairs, showcases talks with broadway drumming legends and highlights up-and-coming drummers breaking into the scene.There is a lot to learn. Subscribe now, so you don't miss out on the latest posts and podcasts!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HEREThank you for reading Broadway Drumming 101. This post is public, so feel free to share it.​ Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Radha Thomas was born in Tamil Nadu in India. She is The Indian Council for Cultural Relation's worldwide ambassador of jazz. Thomas is one of the country's most beloved jazz vocalists. She writes, arranges, and composes original music. As a teen, she headlined Human Bondage, India's popular rock band in the 1970s. She loved jazz and combined the tonal complexities of jazz with the rhythmic nuances of Indian classical music. Thomas (nee Shottam) represented India at European jazz festivals. In New York, performed for 20 years with musicians Michael Brecker, John Scofield, John Faddis, Alex Blake, Buddy Williams, Harvey Mason, Anthony Jackson, John Abercrombie, Ryo Kawasaki, Joe Farrell, Joe Giglio, and Ron McClure in NYC's jazz clubs, including Sweet Basil, The Bottom Line, and Alice Tully Hall. Mirror of my Mind showcased her talents in the USA time in 1979. Four of her novels have been published. Men On My Mind' and ‘More Men On My Mind (Rupa Publications), The Cauliflower Diet (Penguin/Random House), Dog Tails, donated to a dog shelter. In 2022, she began The Indie Dog, a podcast to tackle the problem of street dogs in India. http://wijsf.org http://radhathomas.com  

I'm a junkie, he's a junkie, she's a junkie, we're a junkie. Wouldn't you like to be a junkie, too? No, and neither do these guys, anymore. Two druggies try to get clean in this final film of Tupac Shakur. But does it still work?  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 WHERE WE WERE ABLE TO WATCH THIS MOVIE: https://fsharetv.co/movie/gridlock%27d-episode-1-tt0119225 Jazz Pulitzer https://www.washingtonpost.com/archive/lifestyle/1997/04/08/pulitzer-prizes-hit-a-new-note/d3c767ff-baa3-4c47-9efc-3d9e74362de8/ Big Train - Jazz at Lincoln Center Orchestra with Wynton Marsalis at Alice Tully Hall https://wyntonmarsalis.org/videos/view/big-train-jazz-at-lincoln-center-orchestra-with-wynton-marsalis Interracial relationships https://www.ascd.org/el/articles/why-are-all-the-black-kids-sitting-together-a-conversation-with-beverly-daniel-tatum Are drug users actually happy? https://www.independent.co.uk/news/habits-most-drug-users-are-happy-successful-people-with-a-taste-for-the-good-life-1292155.html Carroll O'Connor's lawsuit https://www.tampabay.com/archive/1997/07/26/o-connor-cleared-in-lawsuit-brought-by-son-s-drug-supplier/

Synopsis Today's date marks the birthday of a 20th century Czech composer you perhaps have never heard of. Viktor Kalabis was born in 1923 and by age 6, was giving public piano performances. All the signs pointed to a brilliant career. But first Kalabis had to face – and surmount–two major political hurdles. First, his formal musical studies were delayed by the Nazi occupation of his country in 1938, when he was forced into factory work; then, after the war, Kalabis met and married a young harpsichordist named Zuzana Ruzickova, who was a concentration camp survivor. Victor was a Gentile, but in Stalinist Czechoslovakia, anti-Semitism was rampant and marrying a Jew was frowned upon. To make matters worse, both Victor and Zuzana refused to join the Communist Party, hardly what one would call “a smart career move” in those years. Even so, Kalabis began to attract commissions and performances of his music at home and abroad, and following the 1989 Velvet Revolution, Kalabis assumed a more prominent position in his country's musical life. His symphonies, concertos, and chamber works are now regarded as some of the most important contributions to Czech music in the late 20th century. Music Played in Today's Program Viktor Kalabis (1923 – 2006) — Piano Concerto No. 1 (Zuzana Ruzickova, p; Czech Philharmonic; Karel Sejna, cond.) MRS Classics MS-1350 On This Day Births 1848 - English composer (Sir) Hubert Parry, in Bournemouth; Deaths 1887 - Russian composer Alexander Borodin, age 53, at a fancy dress ball in St. Petersburg (Julian date: Feb. 15); Premieres 1729 - Bach: Sacred Cantata No. 159 ("Sehet, wie gehn hinauf gen Jerusalem") probably performed in Leipzig on Estomihi Sunday as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1737 - Handel: opera “Giustino,” in London (Julian date: Feb. 16); 1740 - Handel: oratorio “L'Allegro, il Penseroso, ed il Moderato,” in London at Lincoln's Inn Field, with the premiere of Handel's Organ Concerto in Bb, Op. 7, no. 1 (Gregorian date: Mar. 9); 1814 - Beethoven: Symphony No. 8, in Vienna, with composer conducting; 1908 - Amy Beach: Piano Quintet, at Boston's Potter Hall, with the Hoffmann Quartet and the composer at the piano; 1913 - Walter Damrosch: opera, "Cyrano de Bergerac," at the Metropolitan Opera in New York City; 1915 - Miaskovsky: Symphony No. 3, in Moscow (Julian date: Feb. 14); 1940 - William Schuman: String Quartet No. 3, at Town Hall in New York City, by the Coolidge Quartet; 1945 - Amy Beach: opera "Cabildo," by the Opera Workshop at the University of Georgia in Athens, directed by Hugh Hodgson; The first professional production occurred on May 13, 1995, at Alice Tully Hall in New York City as a "Great Performances" telecast conducted by Ransom Wilson; 1947 - Hindemith: Piano Concerto, by the Cleveland Orchestra, George Szell conducting, with Jesús Maria Sanromá the soloist; 1947 - Peter Mennin: Symphony No. 3, by the New York Philharmonic, Walter Hendel conducting; 1949 - Elliott Carter: Woodwind Quintet, at Times Hall in New York City, at a new music concert of the National Association for American Composers and Conductors, sharing a program with Henry Cowell's Suite for Wind Quintet, Vincent Perischetti's "Pastorale," Richard Franko Goldman's Duo for Tubas, Ingolf Dahl's "Music for Five Brass Instruments," and a revised version of Carl Ruggles; "Angles" for seven brass instruments; 1949 - Wm. Schuman: Symphony No. 6, by the Dallas Symphony, Antal Dorati conducting; 1950 - Elliott Carter: Cello Sonata, at Town Hall in New York, by cellist Bernard Greenhouse and pianist Anthony Markas; 1958 - Peter Mennin: Piano Concerto, by the Cleveland Orchesttra conducted by George Szell, with Eunice Podis the soloist; 1984 - Libby Larsen: "Parachute Dancing" for orchestra, by the American Composers Orchestra, Tom Nee conducting; 1986 - U. Zimmermann: opera "Weisse Rose" (White Rose), in Hamburg by the Opera stabile; 1999 - Peter Lieberson: Horn Concerto, at Carnegie Hall, with soloist William Purvis and the Orpheus Chamber Orchestra. Others 1885 - First documented American performance of Handel's Concerto Grosso in B Minor (op. 6, no.12), by the Boston Symphony, William Gericke conducting. Links and Resources On Viktor Kalabis Kalabis tribute (PDF)

N'Kenge knows what is takes to play an icon - she played Queen of Motown, Mary Wells, on Broadway and is currently working on a TV and Broadway show about the incomparable Dorothy Dandridge. "Becoming an Icon" isn't just about her roles, but the work she is doing as a performer. The Emmy & Grammy-nominated and International Award-winning Songstress, who trained at both The Juilliard School and Manhattan School of Music, has a vocal and musical range  that spans five octaves and 11 languages.  She has performed for audiences in cities around the world - including appearances at Carnegie Hall, Lincoln Center's Alice Tully Hall, Madison Square Garden - and at President Obama's historic Commander-in-Chief Inaugural Ball. Intimidated yet? Wait till you hear her sing a few bars of the 80s classic, Juicy Fruit.

Nancy Rhodes: Called "a champion of American Opera" by Ronald Rand, Nancy Rhodes is the long-time Artistic Director of Encompass New Opera Theatre and the librettist for The Theory of Everything, a new opera inspired by physics' superstring theory of multiple dimensions and alternate universes. At Encompass, she has staged scores of operas, about 70 all told, including Virgil Thomson's The Mother of Us All, Blitzstein's Regina, Britten's Phaedra, Evan Mack's Angel of the Amazon, and The Astronaut's Tale at the Brooklyn Academy of Music. Nancy staged the world premiere of Kirke Mechem's Tartuffe for San Francisco Opera, and Virgil Thomson's Lord Byron at Alice Tully Hall, as well as new operas for the Brooklyn Philharmonic Orchestra and Pittsburgh Opera Theatre. Her acclaimed production of Grigori (Gregory) Frid's opera The Diary of Anne Frank toured Cleveland Opera and was nominated for an Artistic Achievement Award. She has directed operas all over the world, including Stockholm, Finland, Istanbul, and Amsterdam, as well as speaking publicly and conducting workshops in Europe, South America, Russia, among other places. [You might say she is a Rhodes scholar) And 8 years ago, she launched PARADIGM SHIFTS, a Music and Film Festival that brings indigenous cultures, women's wisdom, and social justice/environmental issues in celebration of our planet, oceans, sacred lands, and wildlife. John David Earnest is a composer who has written for orchestra, chamber ensembles, chorus, solo voice, concert band, opera, and film. In addition to several one-acts operas, his first full-length opera, The Theory of Everything, was commissioned by the Encompass New Opera Theatre, a collaboration with Nancy Rhodes, who wrote the libretto. A longtime resident of New York City, Mr. Earnest has taught music composition both privately and as a visiting professor at Whitman College in Washington, as well as adjunct teaching at Lehman College and Rutgers University.Roger Jeff Cunningham is a co-founder of Encompass New Opera Theatre.  He has gone on to teach Psychology in college.  Roger created The Dream Table, which meets weekly and allows his students to discuss their night-time dreams and nightmares.  He has a small private practice and continues to assist in the growth and development of Encompass.

Nightmare Alley is a 2021 American neo-noir psychological thriller film directed by Guillermo del Toro from a screenplay by del Toro and Kim Morgan, based on the 1946 novel of the same name by William Lindsay Gresham, being the second feature film adaptation of Gresham's novel, following the 1947 version. A co-production between Searchlight Pictures, TSG Entertainment, and Double Dare You Productions, the film stars Bradley Cooper as a charming and ambitious carnival worker with a mysterious past who takes big risks to boost his career. Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, and David Strathairn also star. Del Toro announced the film in 2017, and produced alongside J. Miles Dale and Cooper. Frequent collaborator Dan Laustsen was the cinematographer, and Nathan Johnson replaced Alexandre Desplat as its composer. Principal photography began in January 2020 in Toronto, Ontario, but was shut down in March 2020 due to the COVID-19 pandemic. Production resumed in September 2020 and concluded that December. Nightmare Alley premiered at Alice Tully Hall in New York City on December 1, 2021, and was theatrically released in the United States on December 17, 2021 by Walt Disney Studios Motion Pictures. Additionally, a black-and-white version, subtitled Vision in Darkness and Light, was released in select cities starting on January 14, 2022. The film received generally positive reviews from critics, and grossed a total of $14.5 million worldwide with a $60 million production budget. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Episode Notes Shivani Badgi is a New Jersey/New York based dancer with 20 years of dance experience in Kathak, Lavani, and Bollywood. She began her training in dance at the age of five under Guru Padma Khanna at Indianica Academy. She furthered her dance education to learn Ballet, Jazz, and Contemporary at Joffrey Ballet School, Mason Gross School of Arts at Rutgers University, and Broadway Dance Center. She has had the opportunity to perform on reputable stages at Alice Tully Hall in Lincoln Center during the 50th Anniversary of Lincoln Center, at Warwick Castle and Island Gardens for the American Alliance of Performing Arts London Invitational, Theatre for the New City in NYC, Philadelphia Museum of Art, NBA Halftime Show, and Times Square at Diwali. Shivani is currently furthering her Kathak education with Guru Syed Sallauddin Pasha of Ability Unlimited. She currently teaches Kathak and Semi-Classical at her dance studio, The Gurukul Performing Arts in New Jersey. E-MAIL: shivanibadgi@gmail.com WEBSITE: www.shivanibadgi.com YOUTUBE: www.youtube.com/shivanibadgi Show Highlights (0:04:17) Teaching bollywood with a kathak foundation (0:07:04) Deciding what's right for students (0:09:59) Pushback for doing bollywood (0:12:04) Timeline of learning dances (0:16:51) Favorite Dance form (0:18:01) Learning multiple dance forms (0:26:38) Soorpanakha Backstory (0:35:41) Flat feet and Kathak (0:38:09) Teaching Style (0:41:59) Performing Career (0:45:23) Performing at Times Square (0:52:57) Making high quality videos (0:54:34) Pandit Gopi Krishna Ji (0:58:13) Dance Practice

In this episode I talk bubble charts, YouTube view count, and trying to pick THE ONE THING with New Orleans-based vocalist, instrumentalist and composer Aurora Nealand.Nealand appears frequently with her own New Orleans jazz band, The Royal Roses, and works closely with organizations like Found Sound Nation, the Walden School for Young Composers, and Sound Observatory New Orleans. In New Orleans she leads a performance collective of her own original music, The Monocle Ensemble; she's also the front woman for the rock band Rory Danger & the Danger Dangers; a member of Panorama Jazz Band; and member of the New Orleans Klezmer Allstars. Nealand has also performed extensively in New York City at the Lincoln Center Summer Festival, the Blue Note, Barbès, and the Knitting Factory, and has premiered original works at Symphony Space and Alice Tully Hall. Find out more about Aurora Nealand at auroranealand.com.Photo used by permission of the artist.

Chapters00:32 - Introduction02:11 - Cyril Lance / The Claravox16:44 - Dorit Chrysler25:26 - Bruce Woolley32:08 - Katia Isakoff 45:40 - EndingMusic credits:Rachmaninov Vocalise - Clara Rockmore, theremin. Nadia Reisenberg, piano.From: “Clara Rockmore – The Art of the Theremin”. Delos Productions CD. Courtesy of The Nadia Reisenberg / Clara Rockmore FoundationSchneeleichen - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerBeat Monjune - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerTherexotica - by Peg Ming - with kind permission of Dorit Chrysler (a track on the Theremin 100 compilation produced by The NY Theremin Society)Peace Song to Other Worlds (2 extracts) - by Radio Science Orchestra - with kind permission of Bruce WoolleyTheremini solo - by Katia Isakoff - with kind permission of Katia IsakoffClara Rockmore BiogClara (Reisenberg) Rockmore holds a unique place in music history as the star performer of the theremin. Born in Russia, in 1911, at four, she was accepted as the youngest ever violin student at the St. Petersburg Imperial Conservatory. As conditions deteriorated after the Revolution, the Reisenberg family left Russia and travelled across Europe for several years until 1921 when they succeeded in gaining passage on a steamship bound for America. In New York, Clara resumed her studies with Leopold Auer, but shortly before she was to make her American debut (playing the Beethoven Concerto), she developed an arthritic problem with her bow arm, and had to give up the violin.Fortunately, she had met Leon Theremin (an Americanisation of Lev Termen, as he was known in Russia), the inventor of the world's first electronic instrument. “I was fascinated by the aesthetic part of it, the visual beauty, the idea of playing in the air,” Clara recalled, “and I loved the sound. I tried it, and apparently showed some kind of immediate ability to manipulate it. Soon Lev Sergeyevich gave me, for a present, the RCA model theremin.”She convinced Leon Theremin to build her a far more precise and responsive instrument than the RCA model, one with a five-octave range, instead of three. Over the years she performed extensively but it was not until 1977 that she saw the release of her first commercial LP, performances with Nadia Reisenberg (recorded by Robert Moog) titled ‘The Art Of The Theremin'.In 1989, Steve M. Martin, long fascinated by the instrument, embarked upon the documentary Theremin - An Electronic Odyssey, a film including some of Clara's last public performances (videotaped at a 1989 Nadia Reisenberg tribute concert in Merkin Hall), and the New York reunion of Clara and Leon Theremin (then aged 95). Premiered in New York at Alice Tully Hall, the film in large measure revitalised interest in both the theremin itself and Clara Rockmore's unique accomplishments. She died in 1998.Cyril Lance BiogCyril Lance is the Chief Technical Officer at Moog Music and lead designer of the Moog Claravox Centennial Theremin. Cyril first met Bob Moog in January 2005 during an informal visit to Moog factory.  When Bob was diagnosed with cancer in April of 2005, Cyril was asked to come up and take over the engineering effort.  Since then, Cyril has been at the helm of engineering and product development and, along with the dedicated and passionate team at Moog Music, has helped to continue Moog's legacy of designing and producing beautifully crafted electronic instruments aimed at inspiring artists world-wide to explore and expand their personal sonic vocabularies.  Cyril strives daily to continue Bob Moog's legacy and to have a lot of fun along the way.  “It's truly a blessing to have the opportunity to contribute in one small-way to the transformative powers of music to bring joy and connect people on the deepest levels through-out the world”.https://www.moogmusic.com/Dorit Chrysler BiogDorit Chrysler has been dubbed a superior wizard of the theremin. An Austrian-born, New York based composer and performer, Chrysler is the co-founder of the NY Theremin Society and started the first international school for Theremin, KidCoolThereminSchool and L'Ecole Theremine with branches in NY and Paris. She is also one of the most visible Thereminists spreading the gospel of this mysterious sounding instrument. Most recently she finished her analog soundtrack for a remake of “M” by Fritz Lang and was featured on the soundtrack of the HBO documentary “Going Clear”. Chrysler received her master's degree of musicology in Vienna and has notably collaborated with Anders Trentemøller, Cluster, Adult., CERN, Carsten Nicolai, Elliot Sharp and Laurie Spiegel. She has performed with the San Francisco Symphony Orchestra, had her work commissioned by MoMA and the Venice Biennale, and is the founder of “Dame Electric,” a festival dedicated to female | pioneers in Analog Music. As the director of the NY Theremin Society, Chrysler is promoting the application of theremin in different art disciplines and has produced the THEREMIN100 compilation release, commemorating the 100th birthday of the Theremin in 2020.http://www.doritchrysler.com/toc.htmlhttps://www.nythereminsociety.org/Bruce Woolley BiogIn 1969 Bruce Woolley bought a Futurama electric guitar, formed a school band, and dreamed of being a professional musician. After years of experimentation, and unsuccessful attempts at becoming a famous jazz-rock guitarist, he decided to concentrate on writing pop songs. In 1979 he co-wrote “Video Killed the Radio Star”.  After a stint fronting cult New Wave unit The Camera Club, Woolley moved back into songwriting and production, forming a creative partnership with Grace Jones. In 1994, Woolley discovered Exotica and formed The Radio Science Orchestra, a theremin-led group that defined retrofuturism before people were talking about retrofuturism. A sonic time machine travelling along the whole history of electronic music, the Orchestra has collaborated with the world's leading theremin virtuosi including Lydia Kavina, Carolina Eyck and Charlie Draper. Notable guest artists include Grace Jones, Polly Scattergood, Ken Hollings, Dr. Robert Moog, Steve Dub and Thomas Dolby.http://www.brucewoolleyhq.com/https://www.radioscienceorchestra.com/Katia Isakoff BiogKatia Isakoff is a composer and multi-instrumentalist music producer whose compositions, performances and productions first appeared in the Add N To (X) album Loud Like Nature (Mute Records).  She has since collaborated on numerous albums and projects including John Foxx and Steve D'Agostino's Evidence of Time Travel which was composed and produced at her London studio. Having contributed synths and co-mixed EOTT, she went on to join them for a live concert performance at Electri_City Conference Dusseldorf, adding Moog Theremini and synths to the sonic architecture of this ever evolving and expansive Karborn graphic novel, which premiered with a live performance at the British Film Institute UK and Sonic Acts Festival, Amsterdam.  She has since spent much of her time between London and Berlin working on her forthcoming album She's Not Here.In 2019, Katia launched !N_K o L // B a new and innovative composer producer series bringing together pioneering, established and emerging composer producers to collaborate in various iconic studios and pop-up locations. Each series sees a new guest pioneer and group joining her; together, they embark on the journey of making an album through improvisation and exploration of the studio as an instrument, building a global network through musical collaborations – one album and city at a time.The first IN_KoLAB series was hosted by British Grove Studios. The group spent two days recording and filming what would become an immersive four-movement quadrophonic piece called IN_KoLAB Making Waves with Suzanne Ciani.  The album and accompanying short will be released in 2021 and plans are in motion for the next series.https://www.katiaisakoff.com/ | https://inkolab.orgCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. She started making music thanks to being laid up whilst living in a double decker bus and listening to Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

A casual conversation with Dr. Soo Han This episode features a very special guest and my dear friend, Dr. Soo Han. Soo agreed to come on the podcast if we could simply have a conversation rather than an interview, so we did! We discuss teaching during the pandemic, the future of music education, and also engage in some personal conversation including plans for Thanksgiving. I hope you and yours will have a wonderful Thanksgiving! -- Dr. Soo Han is the director of orchestral studies at Baldwin Wallace Conservatory of Music, a member of the Board of Directors of the Midwest International Band and Orchestra Clinic, a contributing editor for Hal Leonard's Essential Elements for Strings, a D'Addario Orchestral Strings Artist, a Conn-Selmer Educational Clinician, program coordinator and faculty member with Los Angeles Philharmonic's summer YOLA program and the former director of orchestras & department chair of the William H. Duke Center for the Performing Arts at Carmel High School in Indiana. As an active conductor, he has appeared with Carmel Symphony Orchestra, Cave Run Symphony Orchestra, Michigan State Opera Theatre, Michigan State Symphony Orchestra, Valparaiso University and Butler University Symphony Orchestra. He is an active conductor for all-state, regional and honor orchestras appearing in over 30 states and has conducted internationally in Austria, China, Thailand and Australia. Han has collaborated with numerous artists, groups, and conductors such as Lynn Harrell, David Kim and the Indianapolis Symphony Orchestra. He has produced multiple recordings of complete symphonies and has premiered several commissioned works for strings and full orchestras. He has presented workshops and clinics internationally and for nearly every major national and state music conference including: Australian String Teacher Conference, Maryborough National Australia Conference, Midwest Clinic, ASTA National Conference, NAfME National Conference and Ohio University Summer String Teacher Workshop. Orchestras under his leadership experienced a great deal of success including nine Indiana State School Music Association (ISSMA) State Championships and being named Grand Champions at the National Orchestra Cup at Lincoln Center's Alice Tully Hall. As a passionate supporter of public school music programs, he continues to remain active in instrumental classrooms throughout the country. Han was previously the president of the Indiana American String Teachers Association and the chapter was awarded the ‘Most Improved Chapter' during his time as president. He recently served as the National American String Teachers Association's K-12 Committee Chair. He received his Bachelor of Instrumental Music Education from Indiana University Jacobs School of Music, Master of Science in Education from Indiana University School of Education and his Doctorate in Orchestral Conducting from the Michigan State University College of Music. Contact Dr. Han: https://www.bw.edu/academics/bios/han-soo -- Background music: Ahrirang, arranged by Soo Han https://www.youtube.com/watch?v=3v4NHMxVehA To purchase print edition or for more info: https://goo.gl/4JLFWw --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/orchestrateacher/support

Pance Pony is a composer, songwriter, cellist, and performer based in New York, New York.After graduating from Ithaca College in 2015, Pance began her career as the Recording Studio Director for a charter school in Brooklyn. There, she founded a fully-functioning student-operated record label, Wolverine Studios.As a cellist, Pance has performed and recorded for NBC's RISE, and has played at Lincoln Center, 92nd Street Y, and Alice Tully Hall. She began songwriting as a hobby by accompanying herself on the cello. In 2017, her song American Millennial Salvation won the Global Music Awards for Best Songwriter.Pance went on to pursue a Masters in Composition from NYU, studying privately with Broadway Music Director Joseph Church, and Grammy-winning songwriter “Swagg” R'celious Harris. She learned to blend her classical training with hip-hop and EDM beats to create a versatile and unique sound.While studying at NYU, Pance has been in the studio with major artists such as Tone Stith, Leo the Kind, JAGMAC, and American Idol's Di and Chi. Additionally, she's written theme songs, for podcasts, and engineered live shows. In 2019, Pance was named the National Songwriters Hall of Fame Scholar. Her debut EP, Metamorphosized, drops on August 28, 2020 on all major streaming platforms. See acast.com/privacy for privacy and opt-out information.

In this episode, violinist and musician's coach Sarah Whitney discusses getting out of her comfort zone, what it's like to overcome an injury that could have ended her career, and how becoming a one-woman-band helped her create a monthly COVID safe live mini-concert series. About Sarah Praised by The Washington Post for her “marvelous violin acrobatics,” Sarah is known for being on the edge of creativity and has developed a successful music career as a performer, teacher and musicians life & business coach. She has appeared on stages worldwide as a soloist and collaborative artist throughout North America, South America, Europe, Asia, and Africa and is fiercely dedicated to bringing fresh new ideas to classical music and empowering musicians to find their own voice.  Sarah is a founding member of the NYC based string quintet SYBARITE5, whose last two albums have reached the top ten on the Billboard Charts. SYBARITE5, the first string quintet to win the Concert Artists Guild Competition, has performed at Carnegie Hall, Lincoln Center, Alice Tully Hall, the Library of Congress, the Aspen, Caramoor, Chautauqua, Grand Teton and Ravinia Festivals. In 2015, Sarah founded Beyond the Notes, an innovative concert series that breaks down the boundaries between the audience and the performers. Entering its sixth season of successful concerts, Beyond the Notes presents concerts around the country in partnership with series and organizations and presents flagship Beyond the Notes concert occurs annually in Concord, MA. Passionate about helping musicians navigate the ever-changing music world, Sarah is a musician's life and business coach and helps musicians craft fulfilling and sustainable careers in music. She has also given entrepreneurship lectures and workshops at the Curtis Institute of Music, the Juilliard School, New England Conservatory, Rice University, University of Arizona, among others. Her reputation and devotion to sound practice techniques led STRINGS magazine to feature Sarah in an article, ‘The Art of Mindful Practice' and her widely-read blog The Productive Musician focuses on health and wellness, productivity, and strategies for developing and maintaining an effective mindset. Sarah holds a Bachelor's degree with honors from the University of Michigan School of Music, as well as a Master of Music and Professional Studies degrees from the Cleveland Institute of Music. Links Sarah's social media info Website: www.sarahwhitney.com  Facebook: The Productive Musician - Sarah Whitney Instagram: @theproductivemusician The Productive Musician Blog: www.theproductivemusician.com Sign up here for my free guide: "4 Secrets to Being Super Successful (that music school didn't teach you)" Other Beyond the Notes: La Despedida by Felipe Gutierrez y Espinosa (solo violin and loop pedal) Honesty Pill Links Free Resource Library Facebook Group Mailing List

BRANDON'S DEBUT ALBUM IS OUT NOW ON ALL PLATFORMS- Apple Music: https://music.apple.com/us/album/j-s-bach-boulez-aho-prokofiev-flute-sonatas-solo-works/1529663533 Spotify: https://open.spotify.com/album/1PjM7pLn3o2kDum6jP6Xqs?si=jmkyXVBnRriWGnPX0HnQ8Q Amazon (hard copy) : https://www.amazon.com/Flute-Sonatas-Brandon-Patrick-George/dp/B08DSZ33WM/ref=sr_1_1?crid=1S4MBANWJHRJ8&dchild=1&keywords=brandon+patrick+george&qid=1600750237&sprefix=Brandon+Patrick+%2Caps%2C190&sr=8-1 Brandon Patrick George is the flutist of the Grammy®-nominated Imani Winds, and has performed with many of the world's leading ensembles including the Los Angeles Philharmonic, Pittsburgh Symphony Orchestra, Orpheus Chamber Orchestra, and the International Contemporary Ensemble (ICE). He has appeared at Alice Tully Hall, Carnegie Hall, Elbphilharmonie, the Kennedy Center, Metropolitan Museum of Art, Dresden Music Festival, and the Prague Spring Festival. An avid chamber musician, Brandon has collaborated with members of the Gryphon Trio, New York Philharmonic, Jasper String Quartet, and has performed live on New York's WQXR with harpist Bridget Kibbey. He has been hailed by The New York Times as “the elegant Brandon Patrick George”, as a “virtuoso” by The Washington Post, and called a “knockout musician with a gorgeous sound” by The Philadelphia Inquirer. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thefortepodcast/message Support this podcast: https://anchor.fm/thefortepodcast/support

The penultimate episode of the Phenomenal 50 features the Sonata for Violin and Cello by Maurice Ravel performed by violinist Paul Huang and cellist Clive Greensmith on January 26, 2020 in Alice Tully Hall.

This week's episode of the Phenomenal 50 features Bach's Concerto in G minor for Keyboard, Strings, and Continuo, BWV 1058 in a performance from December 4, 2012 in Alice Tully Hall given by pianist Jeremy Denk, violinists Kristin Lee, Adam Barnett-Hart, Jessica Lee, Erin Keefe, Sean Lee, and Ani Kavafian, violists Richard O'Neill and Paul Neubauer, cellists Nicholas Canellakis and Fred Sherry, and double-bassist Edgar Meyer.

Today's episode of the Phenomenal 50 features the Piano Quintet in G-minor by Sergei Taneyev performed by pianist Wu Han and the Escher String Quartet (violinists Adam Barnett-Hart and Aaron Boyd, violist Pierre Lapointe, and cellist Dane Johansen) on March 18, 2014 in Alice Tully Hall.

This week, a performance of Jörg Widmann's Jagdquartett for Strings featuring the Danish String Quartet in Alice Tully Hall from February 25, 2018.

Violinists Jaime Laredo and Pinchas Zuckerman, violist Walter Trampler, and cellists Leslie Parnas and Lynn Harrell perform Schubert's Quintet in C major for Two Violins, Viola, and Two Cellos, D. 956, Op. 163 from Alice Tully Hall on February 19, 1978.

This week's episode features the Brentano Quartet in a performance of Haydn's Quartet for Strings in A Major, Hob. III: 36 (Op. 20, No. 6) from 2001 in New York's Alice Tully Hall.

In the first episode of the Phenomenal 50 from the Chamber Music Society of Lincoln Center, we present Johann Gottlieb Goldberg's Trio Sonata for Flute, Violin, and Continuo, BWV 1037 (long attributed to Johann Sebastian Bach) from a 2009 performance in New York's Alice Tully Hall. Featuring Charles Wadsworth on harpsichord, flutist Paula Robison, violinist Jaime Laredo, and cellist Fred Sherry.

Welcome to Secrets of Organ Playing Podcast #114! http://www.organduo.lt/podcast Today's guest is Dr. David Danielson Eaton who is an organist, teacher, and church musician whose performances have been described as ‘world class,' ‘dynamic and consummately musical,' ‘meticulous and powerful,‘ and ‘the zenith of musical talent.' ​His appearances in the great Cathedrals and Churches in Europe, and various venues throughout North America, including Alice Tully Hall in Lincoln Center, The Piccolo Spoleto Music Festival in Charleston, South Carolina, The Concordia Organ Series at Concordia College in Bronxville, New York, The Old West Organ Society Summer Evening Concerts at Old West Church in Boston, and St. Thomas Church in New York City, have been met with great enthusiasm. As church musician, he has held appointments in New York, Boston, Minneapolis, San Antonio, Austin, Wisconsin, Iowa, and South Carolina. Dr. Eaton served as Director of Music at The Church of St. John the Evangelist on Beacon Hill in Boston, and as Director of Music at historic St. Helena's Episcopal Church (founded 1712) in Beaufort, South Carolina. For ten years Dr. Eaton served parishes in Texas, first as Director of Music & OrganistChoirmaster at St. Luke's Episcopal Church in San Antonio, Texas, and then at All Saint's Episcopal Church on the University of Texas at Austin campus. Dr. Eaton is currently Director of Music & Organist at The Parish of the Epiphany in Winchester, Massachusetts. While at St. Luke's, Dr. Eaton reinvigorated a dormant music ministry that became recognized for exhibiting the highest standards of choral and organ music. Dr. Eaton passionately developed a Chorister Training Program based on the Royal School of Church Music model; was Founder and Artistic Director of the Music at St. Luke's Concert Series which hosted over twenty-five musical events annually and focused on partnerships and collaboration with musicians and musical organizations within the community; managed the St. Luke's Friends of Music which emphasized the cultivation of relationships that produced financial support for the music program; and led the Parish Choir on their first ever Pilgrimage to England where they sang in Canterbury, Southwark, St. Albans, Wells and Exeter Cathedrals. In this conversation, David shares his insights about the importance of enjoying yourself when you play the organ, about slow, concentrated and careful practice, and being open for other people's suggestions. ​Enjoy and share your comments below. ​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. And if you like it, please head over to iTunes and leave a rating and review. This helps to get this podcast in front of more organists who would find it helpful. Thanks for caring. Related Link: https://www.daviddanielsoneaton.com

James Mapes is the founder of Quantum Leap Thinking™, creator of The Transformational Coach™, expert on the psychology of “applied imagination,” best- selling author, highly acclaimed business speaker, consultant, seminar leader and personal excellence coach. For over 30 years, James has been an ardent student of human behavior and dedicated to helping individuals, teams and organizations identify and break through barriers to reach their goals and achieve success. He encourages people to be open to new ways of thinking, and his goal is to help everyone make the “quantum leap” toward more creative, productive and confident lives. For both businesses and individuals, his message promotes an innovative, powerful way of thinking and provides a new-found mastery over their imagination and perceptions so that, in his words, “the invisible becomes visible and the impossible becomes possible.” The results have been nothing short of extraordinary, creating key breakthroughs in both organizational and personal excellence.James Mapes' success as a speaker and highly regarded authority on the imagination, creative thinking, communication, managing change, organizational problem-solving, successful teamwork, leadership and coaching is due to his early training as an actor and experience as a theatrical producer. In 1969, he graduated from California State University with a Master of Arts degree in theater and speech. He then worked in repertory theater, off-Broadway and directed two of his own theater companies, amassing dozens of television and movie credits. As a performer, he developed a unique stage presence with a special talent for connecting with his audience. Mapes' work has earned him appearances on CNN, The Today Show, Good Morning America and Fox Family Channel, among other media outlets.As a recognized business speaker and performance coach, James has spoken to hundreds of public and private companies in more than 70 countries. James Mapes has created an ongoing series of self-improvement audio recordings and writes a syndicated newspaper column for Hearst newspapers in Connecticut and The Arizona Reporter. James also enjoys presenting his one-man show, Journey Into the Imagination at performing arts centers and universities around the country. He appeared on Broadway in 2003 and presented A Whirlwind Tour of the Mind at Alice Tully Hall at Lincoln Center in Manhattan in 2007. When not touring, James and his wife divide their time between residences in Westport, Connecticut, and St. Thomas in the U.S. Virgin Islands. LEARN MORE AT http://www.jamesmapes.com