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20 episodes with flamenco guitar
6 episodes with flamenco guitar
2 episodes with flamenco guitar
2 episodes with flamenco guitar
2 episodes with flamenco guitar
2 episodes with flamenco guitar
2 episodes with flamenco guitar
2 episodes with flamenco guitar
The 2025 edition of Hot Docs ran from April 24-May 4th, and we recap six of the films we watched including Ultras, Coexistence, My Ass!, The Flamenco Guitar of Yerai Cortés, The Secret Lives of My Three Men, Always and Writing Hawa. Joining Dakota and Jeff is Pedro Lima, a writer for Contra Zoom Pod. Check out Dakota's reviews of Paul, and The Secret Lives of My Three Men.Check out Jeff's reviews of I Dreamed His Name, Shamed and Endless Cookie.Check out Pedro's reviews of The Flamenco Guitar of Yerai Cortés, Yalla Parkour, Khartoum, Mama and My Boyfriend the Fascist.Watch C. Tangana's music video for the song Oliveira Dos Cen Anos.Follow Pedro on Threads, Instagram and Letterboxd.Follow Jeff's podcast Classic Movies Live on Twitter and Instagram.Follow Contra Zoom on Instagram, Threads and Bluesky.Check out more great Contra Zoom content on That Shelf!Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, Breaker and more!Please rate and review the show on Apple Podcasts or Spotify. For more information, visit contrazoompod.com.Create your podcast today! #madeonzencastr
Want to play Paco de Lucía's "Entre Dos Aguas" like a pro? In this flamenco guitar lesson, I break down Alzapúa—a powerful and percussive thumb technique only found in flamenco!
IL FLAMENCO Flamenco Guitar Solos 01. Almoradi (Farruca) (00:00)02. Falsetta al Bordon (02:35)03. Recuerdo a Sevilla (Serenata) (07:11)04. Alegrias del Alonso (10:22)05. Fantasia Onubense (Fandango) (12:31)06. Sarracena* (16:06)07. Sevillanas - Popular (20:27) Mario Escudero, chitarra
Send us a Text Message.El Amir, a Flamenco guitarist based in Andalusia, Spain, transcends conventional musical boundaries, showcasing not only mastery in Flamenco Guitar, but also versatility across various instruments. Influenced by a diverse cultural background, he seamlessly navigated from the Middle Eastern Oud to the Flamenco Guitar and ultimately to the Rock Guitar, forging a distinctively unique musical identity. In this episode, El Amir recounts his journey, unveiling the inspirations and moments that shaped his artistry. Additionally, he shares invaluable advice to aspiring guitarists, covering everything from mindset, practice routines, and strategic approaches to maximize their full potential and not waste time.El Amir:Website: amirjohnhaddad.com Instagram: @elamirguitarSpotifyFollow David Chiriboga:YoutubeInstagramSpotifyFacebookDavid Chiriboga Music
Flamenco guitarist Ben Phipps explains how he finds meaning, purpose and joy in his life; the support of his family and friends and why he chose not to continue chemo for his brain cancer.
In this episode we talk about how flamenco guitarists had to create new toques throughout the 19th and early 20th centuries as new cantes were integrated into flamenco. For example, it is illustrated with the guajira guitar playing and some of its most characteristic falsetas, which were not created out of thin air and are perhaps based on music from countries thousands of miles away from Spain. --- Send in a voice message: https://podcasters.spotify.com/pod/show/forgottensoundsflamenco/message
Ask The Guitar Coach (International) - Episode Number 302 Today's question: “Why do you prefer to perform LIVE flamenco guitar nowadays as opposed to electric guitar?” Welcome to Ask the Guitar Coach (ATGC), the ONLY podcast where we answer YOUR questions about playing and learning the Electric guitar. Hosted by Ioannis Anastassakis, program director of Elite Guitar Coaching. If you want your question to be featured in an upcoming episode - email it at the email address ioannis@ioannis.org and we will add it to the questions to be covered in a future episode of “Ask The Guitar Coach”!
Topanga Canyon, 2002
This is the first video tutorial in a series titled, "Fretboard Familiarity." In this tutorial, I will show you the chromatic scale; it's called that because fretting finger follows a chromatic path (i.e., C, C#, D, D#, E, F,F#,etc.). After completing this exercise, your fingers become more accustomed to the distance of the frets on the guitar--particularly when you adjust that distance by putting on a cejilla (capo). ...This exercise will also help your left hand endurance, left-hand finger agility, and right hand coordination between your index (i) and middle (m) fingers while alternating. ☎️Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
Although most flamenco palos originated from the Southern portion of Spain in Andalusia, there are some exceptions. The palo (flamenco style) of Farruca is from in the northern region of Spain in Asturias, and was adapted into the flamenco repertoire by flamenco artists. The Farruca can be a solo piece for the guitar, and can also be played for cante (singing) and baile (dancing). In this progressive study for the flamenco guitar, you will learn how to play the basic rhythm of the Farruca, along with some beautiful falsetas (riffs/licks). I don't think I need to say that I hope you will enjoy this piece, because I know you'll love it.
☎️Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
☎️Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
I'm very excited to share with you this mega-ultra-awesome flamenco/Spanish guitar scale in E minor, which is so intense that it will give you HULK HANDS after you've mastered it! What's this scale called? Well, I call it the “Escala de Gerardo” (Gerardo's Scale), because I always heard that it was written by Gerardo Núñez; it may or may not have been written by him, but I think it sounds like his style. Anyhow, follow this lesson along closely. Watch it as many times as you need in order to get this scale in your flamenco guitar toolbox PRONTO! Once you've gotten to the point where you can do this exercise at 120 beats per minute, you'll be a bonafide flamenco guitar beast! …And you will have learned your way through the Aeolian scale like a pro! Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
In this lesson, I want to show you a very popular falseta for the compás of Soleares; it's a rather basic falseta—that is, “basic” to the extent that its a falseta that most flamenco guitar players learn when they are first learning Soleares; it's also basic in the sense that its a bit of a stock falseta, but the truth about this falseta is that it is a very good exercise for the thumb—including rapid movement and alzapua. …But, we are we are going to attempt to make this falseta sound less basic by adding some nuances like rasqueado just before the first beat. We'll also ad a accented golpe on the 3rd and 6th beast to really emphasize the rhythm. Enjoy!
We've got mesmerizing guitar music in the studio as Niki Mukhi, an exceptional self taught guitarist treated us with some real blues and flamenco music. He brought two kinds guitars - a National Guitar and a Flamenco guitar, and you will be captivated by the rhythm! See omnystudio.com/listener for privacy information.
If by chance you are a finger-style guitar player, or have had some experience with finger-style guitar playing, then lesson # 3 for “Danza Mora” will be right up your alley! You will be using octaves between the first and fourth strings for your melody while accompanying that melody with some running eight-notes on the bass strings. (For an introduction to the most effective use of octaves, please watch these two videos: Octaves Video #1 Octaves Video #2 Towards the end of the section, you will repeat some rapid legado movements between fingers one and four while striking those--somewhat haunting--arabesque bass notes. I want you to pay particularly close attention to the aforementioned legado by holding tightly to the first fret before finally letting go to the open position, and make sure to use a metronome while you practice this section! I know you'll really enjoy this one!
Alzapua is a technique for the flamenco guitar that a lot of players ask about; and rightly so…it's a pretty cool technique! I mean, when you listen to it for the first time, you'd swear that you're hearing the work of at least two fingers, but no…alzapua is done with just and upward and downward movement of the thumb! In this two-part lesson, I'll show you how to do alzapua within the compás (rhythm/song form) of Alegrías. This first lesson is at the beginner-level, so if you are new to the flamenco guitar, this lesson will be right up your alley! I hope you enjoy!
This is the only riff I wrote which I liked #shorts If you can, please consider donating to my paypal/patreon to keep these debates and conversations going #shorts To support me on Patreon (thank you): https://www.patreon.com/TJump To donate to my PayPal (thank you): https://www.paypal.me/TomJump CashApp: $TjumpsChair Youtube Membership Link: https://www.youtube.com/channel/UCHXrvsK33VUEcpa4Ar0c0Sg/join Sponsor: Don Fullman, Skeptics of Middle Georgia https://www.facebook.com/groups/591799015097830/?ref=share TJump merch: https://linktr.ee/TJump.Merch (Mugs) https://www.etsy.com/shop/CustomLaserShop?ref=simple-shop-header-name&listing_id=626272860§ion_id=34163225 (Shirts) https://www.amazon.com/s?rh=n:7141123011,p_4:TJump+Merch&ref=bl_sl_s_ap_web_7141123011 -----------------------------------------CONNECT------------------------------------------ My Website: tomjump.org SOCIAL LINKS: Twitch: https://www.twitch.tv/tjump Discord: discord.io/tjump Twitter: http://www.twitter.com/TJump_ Facebook: https://www.facebook.com/tom.jump.982 Instagram: https://www.instagram.com/tjump_/ LinkedIn: www.linkedin.com/in/tjumpschair Tictok: @tjumpschair TJump Gaming: http://www.youtube.com/channel/UCE6PnoL9QDYnkiUvykmlLQQ ----------------------------------------CONTACT------------------------------------------- Business email: tejump@comcast.net ---------------------------------------- Further Goals ------------------------------------- Publish my book on epistemology and morality Publish academic papers on solving problems in these fields Become President of the United States Solve world's biggest problems World domination #Atheism #Secularism #Humanism
I've taught you several falsetas for the rumba now (all at increasing levels of difficulty), but now you're going to enjoy a little break from all the fast picado you saw in the last lesson. …And notice I said that it would be only a “little break.” Trust me. After the last falseta we went through, anything following that would rightfully be considered by most players to be a well deserved “break.” You will be using octaves on the fourth and first strings for this falseta. Octaves are very easy to fret for two reasons. First, the fretting hand naturally forms to the octave shape. Second, no matter where you move your fretting hand, the fretting positions do not change! That's good news, right? As for the right hand, you will strike the fourth string with the thumb (p) while striking the first string with either the index (i) or the middle (m) finger. Remember to alternate between the index and middle each time you play these octaves, which is to say, play like this: p-i, p-m, p-i, p-m, etc.; and NOT like this: p-i, p-i, p-i, p-i, etc. As always, remember to take it slow, paying close attention to what you are doing, which means you should be listening to what you are playing. Enjoy! ☎️Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
In this video lesson for the flamenco guitar, one of our supporters, Yolanda, asks a really good question about the pulgar (thumb), and what to do with it when you are playing in E major. Quite often, we tend to rest our thumb on the E string (sixth string) when playing falsetas and chords, but sometimes our thumb can get in the way when we need to strum the sixth string. So, in this lesson, I will show you exactly how to solve this problem!
For this second lesson of “Danza Mora” for the flamenco guitar, you will be doing an upward arpeggio; it's called an “upward” arpeggio because the plucking pattern runs toward you (the player). The arpeggio pattern is as follows: a&p-m-i, a-m-i, a-m, with a consistent accent on the a&p. The third and fourth fretting fingers will run through some relatively demanding legado (hammer-on) movements and some slides as well. Remember to keep your right hand stable so as to allow for maximum precision while executing the arpeggio. Enjoy!
I invite guests to share personal stories about acts of leadership that help shape their lives. In Episode 70, Amina Alami describes something that teacher said that influenced her. In another story, she then explains how she met the needs of her new class and how doing so increased engagement. Next, Amina advises us about some small changes to help us retain our experiences. 00:00 Prologue Living in Morocco, Amina enjoys her early retirement from instructing while living an entrepreneur's life with a real estate business. As a lifelong learner, she completed many online courses and earned certificates for emotional intelligence, creative writing, business and innovation, and design thinking (to name a few). Amina has learned a great deal from her life experiences and shares her wisdom with others. 01:23 Part 1: When Teachers Believe in Prospective Students In this story, Amina describes how a teacher took an interest in her desire to learn Spanish and shares something meaningful that the teacher said. 07:07 Part 2: Meeting People Where They Are At Amina describes how she met the needs of her new English as a second language class. In doing so, she raised their engagement and achieved some notable results. 11:54 Part 3: Leaning through Observations Amina advises us on becoming more active in our engagement and raising our awareness by making some small changes. She also shares a story that putting health in perspective. _________________________________ How You Can Support the Show Unlabeled Leadership is a free service for people to learn about leadership. If you want to support the show, you can make a $0.99 donation. Your support reduces production expenses. https://anchor.fm/unlabeled-leadership/support No transcript available (future enhancement) Episode links Amina's LinkedIn Profile American Language Center (ALC) Gary DePaul's website Gary's books: What the Heck Is Leadership and Why Should I Care? Nine Practices of 21st Century Leadership Background Music You can find all the musical tracks at Envato Elements. 00:00 Theme music: Uplift Corporate Inspire by OlexandrIgnatov 01:05 Cybersecurity by GentleJammers 06:49 Flamenco Guitar by AudioZen 11:36 Corporate Inspiring by VictoryAudio 16:07 Fun and Flirty by BrownHouseMedia Lead on! --- Send in a voice message: https://anchor.fm/unlabeled-leadership/message Support this podcast: https://anchor.fm/unlabeled-leadership/support
You are now about to begin studying Lesson # 4 for “Entre Dos Aguas.” In this lesson you will learn the second part of the lead guitar section, where you'll be introduced to some rather interesting chords you may have never played before. You will also encounter some insanely high notes on the fretboard—at least for the flamenco guitar—ranging from the 14th to the 17th fret! The apoyado and picado parts will be progressing in speed, which will prepare you for the next lesson, where the notes will figuratively fly off the tablature page! …With all that said, buckle up! Hold on tight to your fretboard because here we go!
You've done it! You've now reached the final part of this lively rumba piece for the flamenco guitar. Bravo! ...Now we will take our basic rumba strumming pattern using a slap on the three-beat while moving some of the other beats around between the neck and the saddle. On the one-beat, go ahead and thump your middle finger (m) and your ring finger (a) along the saddle for a kick-drum effect. Next, while strumming the beats in between, move your right hand over frets 15 and 18 for a slap. Increase your speed and dynamic intensity as you approach the picado section. Finally, finish out the piece with an olé! As always, remember to take it slow, paying close attention to what you are doing, which means you should be listening to what you are playing. Enjoy!
Now that you've been exposed to the basic rumba rhythm (from previous lessons), and now that you've learned at least one or two falsetas for the rumba n A minor, now I want to teach you three fiery falsetas in one lesson! There will be a lot of thumb-work involved in this lesson, as well as a lot of rapid movement with the index finger. Finally, you'll learn an exciting and fast apoyando (alternating finger) technique run-on that nicely wraps up these three combined falsetas into a solid remate (finishing) sequence!
Clique sur "PLUS" pour avoir tous les liens !!! ⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️ Planetary lockdown (Ron "Bumblefoot" THAL) impro solo with Flamenco guitar ! (Alhambra 4F Pure E8). #planetarylockdown #bumblefoot #flamenco ⭐ How to play Flamenco Guitar ? (in french)
I'm very thrilled to speak to my guest today, guitarist, Nicola Pignatiello. He teaches at the Liceo Giordano Bruno in Rome and also at CESMI. This is the episode that all my guitarist audience members have been waiting for, and we will be diving deep into the topic of partimento on the guitar. He has recorded some really beautiful partimento realizations on the guitar that have received very positive responses from the partimento community and we will talk further about realizing partimenti on the guitar. 0:46 Background 1:41 Did you start with Classical Guitar? 2:07 Joining the conservatory at 15 3:08 What were your musical influences while growing up? 4:10 Was it 10 years of Conservatory? 4:25 Did you see yourself as a concert artist? 5:04 When did you discover Partimento? 5:50 Why did you take lessons with Enrico Baiano? 6:39 What recordings of Baiano did you like? 7:13 What happened in the lessons with Enrico Baiano? 8:01 What year was it when you discovered Partimento? 8:52 What made you think about combining partimento with the guitar? 10:53 How did you begin your development in partimento in 2005-2012? 13:47 When did people start playing 6-string guitars? 15:15 When in the 18th century did the 6-string guitar appear? 15:56 Fernando Sor, Mauro Giuliani and Ferdinando Carulli as representative of the 18th century style 17:35 What are the similarities between the Lute and the Guitar? 19:31 Were people realizing basso continuo on the baroque guitar or lute with strumming? 20:37 Why did you pick Giuliani and Carulli as models for partimento? 22:25 Solfeggi 22:48 What was in Giuliani's style that had traces of the partimento lineage? 24:38 Mauro Giuliani outselling Beethoven's piano sonatas 26:57 Does counterpoint easy to realize on the guitar? 28:41 Do you have to compensate when doing the Rule of the Octave on guitar? 30:15 How should someone start learning partimento on the guitar? 31:24 How similar are the different Rule of Octave versions among the 18th century guitar treatises 32:12 On having to transpose partimenti into more guitaristic keys 33:29 How do you prevent bad counterpoint on the guitar? 34:25 Cadences on the guitar? 36:14 When realizing figured bass, did the baroque guitar strum or using 3 voice textures? 36:51 Is that the same on the Classical guitar? 37:15 Learning with chord symbols on the guitar 39:00 Where Chord symbols originated from 40:26 Did they tolerate parallelism in guitar-type instruments because of the way they are constructed? 42:04 Did Fernando Sor have a method book? 42:52 What about dissonances on the guitar in partimento? 43:58 Bass Motions on the guitar 45:29 Nicola plays more Bass Motion examples 46:19 Bass Motions - Up a 4th down a 5th 47:06 Why is the guitar notated in treble clef? 48:00 What are some good treatises and manuscripts that would be relevant for partimento on the guitar? 48:43 Should we keep it to 2 voices on the guitar? 50:27 Is it heresy to try all these things on a non-classical guitar? 51:14 Can partimento be improvised on the guitar? 52:46 Free improvisation and composition on the guitar 53:52 How would you teach a young kid in the partimento-style of music education on guitar? 55:23 What about reading chords on the guitar in terms of Figured bass? 56:35 What about improvising on a very simple bass, how does that sound on the guitar? 59:24 How many ways can I color a simple progression on the guitar? 1:00:40 How do you development diminution on the guitar? 1:02:58 On the partimento bass lines being too difficult to realize on the guitar 1:04:41 How have your classical guitar colleagues reacted to your partimento realizations on the guitar? 1:05:51 What do you make of the rise in popularity in partimento over the last 2 years? 1:06:52 What do you think about South American classical guitar? 1:09:20 How do you analyze classical guitar literature? 1:10:59 Do you write figures or arabic numerals in circles when analyzing? 1:11:16 On the lack of historic models in realizing partimento on the guitar unlike the keyboard and the general difficulty 1:13:21 Felix Horetzky 1:13:57 Can you recommend any historically-informed classical guitarists? 1:15:47 On the passing of Julian Bream 1:17:06 Flamenco Guitar 1:18:21 Discussing Chord symbols and their related hand shapes 1:25:03 Wrapping Up
Visit https://DelaflorTeachings.com/futuring to learn more about how to design your desired futures and receive a Futuring journey audio meditation in either English or Spanish.In the second part of this masterclass/ podcast episode with Peter Vishaka, he continues to share, based on Vedic Astrology, what he sees unfolding in the world.In the last ten years Peter, our guest this week, has been living In Bali, India, Southern Thailand, Australia, and Hawaii, teaching Yoga Philosophy, teaching and learning more Astrology and vedic sciences. He has taught classes in understanding Vedic time cycles of global consciousness (The Yugas), Classes on Mantra Yoga, and performing and leading vedic fire puja rituals (Agnihotra).He has practiced Vedic sciences for over 25 years and has been a Vedic astrologer for over 16 years where he has given thousands of Vedic reading and Ayurvedic remedies.He has also been a recording engineer for over 25 years and has recorded over 30 professional CDs and play classical instruments as the Sarode, Mohan Vina, and has played Flamenco Guitar professionally for over 20 years.So if you want a Vedic astrology reading he offers powerful wisdom regarding your karmas at this time. He does a very unique form of astrocartography that can help you to find the power spots on the planet.You can find Peter on Facebook at Peter Vishaka: https://www.facebook.com/peter.vishakaOr contact him through his website www.astro-vedic.comAs a token of our gratitude we will love to gift you a Futuring Journey, so visit https://DelaflorTeachings.com/futuring to learn more about how to design your desired futures and receive the Futuring journey audio meditation in either English or Spanish.
Visit https://DelaflorTeachings.com/futuring to learn more about how to design your desired futures and receive a Futuring journey audio meditation in either English or Spanish.In the last ten years Peter, our guest this week, has been living In Bali, India, Southern Thailand, Australia, and Hawaii, teaching Yoga Philosophy, teaching and learning more Astrology and Vedic sciences. He has taught classes in understanding Vedic time cycles of global consciousness (The Yugas), Classes on Mantra Yoga, and performing and leading Vedic fire puja rituals (Agnihotra).He has practiced Vedic sciences for over 25 years and has been a Vedic astrologer for over 16 years where he has given thousands of Vedic reading and Ayurvedic remedies.He has also been a recording engineer for over 25 years and has recorded over 30 professional CDs and play classical instruments as the Sarode, Mohan Vina, and has played Flamenco Guitar professionally for over 20 years.So if you want a Vedic astrology reading he offers powerful wisdom regarding your karmas at this time. He does a very unique form of astrocartography that can help you to find the power spots on the planet.You can find Peter on Facebook at Peter Vishaka: https://www.facebook.com/peter.vishakaOr contact him through his website www.astro-vedic.comAs a token of our gratitude we will love to gift you a Futuring Journey, so visit https://DelaflorTeachings.com/futuring to learn more about how to design your desired futures and receive the Futuring journey audio meditation in either English or Spanish.
Pedro Cortes is a master Flamenco guitar musician with roots in Spanish Gypsy traditions. He learned his craft from his family's close friend Flamenco legion -- 'Uncle' Sabicas. Mr Cortes performed professionally since he was 17 – all over the world – St. Louis Opera -- New York Grand Opera -- Guthrie Theatre’s production of Lorca’s "Blood Wedding" – and he had a regular gig at Alegerias – at the Spanish Benevolent Society -- until the pandemic hit. The artist was interviewed before his performance at a music salon arranged by Deirdre Towers in honor of her longtime companion who had recently died -- Jared Newman. Pedro played his own composition "Mineros" on Jared's guitar. NOTE: In the program notes photo - Pedro Cortes is playing the blanca guitar commissioned by Paul Jared Newman and made by Andrés Marvi in Ferreirola, Spain. See acast.com/privacy for privacy and opt-out information.
The art of the flamenco guitar has expanded as a worldwide phenomenon because of each musician's willingness to share his or her knowledge. In other words, there is no room for covetousness of one's own knowledge of his or her falsetas, otherwise the global flamenco guitar community would be one of secrecy…but to the contrary, Flamenco culture involves the generous sharing of ideas, art, letras, falsetas, stories, etc. In this episode, Ben discusses the topic of the “culture of sharing” in the real flamenco community in Andalucía vs. the culture of covetousness in the domestic flamenco community in the United States. Remember that every dollar helps make The Flamenco Guitar Pocast and guitar video tutorials possible. Head on over to patreon.com/Flamenco4U to donate and become a patron. When you join, you'll get flamenco guitar TABs and other benefits for becoming a patron! Download the FREE flamenco guitar arpeggio mini-course at LearnTheFlamencoGuitar.com.
Episode #65 - Steve Stevens. Steve is one of the most original guitarists to emerge from the ’80s rock scene, best known for his 30 year partnership with Billy Idol, his work on Michael Jackson’s “Dirty Diana”, his Grammy Award winning performance on “Top Gun Anthem” and his work with Vince Neil on “Exposed”.0:00:00 - Intro0:01:37 - Welcome Steve & Living In California 0:02:38 - Learning the Guitar at a Young Age0:05:12 - Guitar Teacher's Advice 0:06:35 - Fame Music School 0:08:08 - The Hip Kid in School & The Concert 0:09:30 - Working for the Bra Company 0:11:20 - The Name "Steve Stevens" 0:13:13 - The Fine Malibus & Bill Aucoin 0:15:30 - Working with Billy Idol & First Record0:19:14 - "Eyes Without a Face"0:21:54 - Working With Harold Faltermeyer & Grammy0:23:38 - "Dirty Diana" With Michael Jackson & Bubbles 0:25:19 - Working with Robert Palmer 0:27:27 - Vince Neil "Exposed" Album 0:30:33 -Touring with Van Halen 0:32:30 - It's Cool to Shred Again 0:33:42 - Kings of Chaos 0:35:00 - Sebastian Bach at The Iridium 0:38:05 - Deadland Ritual 0:39:10 - Mick Jagger Phone Message 0:40:30 - Working with Ozzy Osbourne 0:42:15 - Steve's Solo Record 0:45:22 - Flamenco Guitar & Bryan Adams 0:47:15 - New Billy Idol Record With Butch Walker 0:49:20 - David Lee Roth Offer 0:50:20 - Guitar Player Persona 0:52:45 - Meeting Slash 0:54:55 - Billy Idol Fans & Inspiration 0:56:30 - Keys to Success 0:58:50 - Sobriety & Adrenaline Rush 1:00:55 - Josie Stevens (Steve's Wife) 1:04:05 - Wounded Warriors 1:06:40 - Steve's New Website & Ray Guns 1:07:55 - Steve On Cameo & Twitter 1:09:55 - Married to Rock TV Show1:11:25 - Rock n Roll Fantasy Camp 1:12:48 - Wrap Up Steve's Website:https://www.stevestevensguitar.comWounded Warrior Project:https://www.woundedwarriorproject.orgChuck Shute Instagram:https://www.instagram.com/chuck_shute/Support the show (https://venmo.com/Chuck-Shute)
Have you every wondered what the difference is between flamenco guitar strings and classical guitar strings? Well, you've landed on the right episode of the Flamenco Guitar Podcast, because we are going to talk about that very subject on today's show! Get your FREE TABs! You can view the tutorial video featured in this episode HERE!
John Sanders, guitarist for Mlebourne band Alarum talks to higgo about the bands latest album Circles End, challenges before the release, connecting with fans during covid, why he used a $10 guitar, and other guitarists you need to look out for. Alarum - Circles End is out now on CD, Vinyl (triple gatefold special as well) and digitally. See omnystudio.com/policies/listener for privacy information.
点钞神技惊呆老外，听听他们怎么说！继中国功夫后，中国的又一“神技”-点钞，看得老外们目瞪口呆。令人钦佩！中国女人用五指计数法在短短几秒内点清成捆的现金报道表示，这则山东潍坊点钞竞赛的考核片段拥有“中国社交媒体五百万惊人点击”，其采用的经典五指计数法效率和精准度远胜点钞机。短短数秒只是中国银行职员的工作缩影，评论区各路溢美之词展现了外国网友对此的惊讶与好奇。这些中国出纳员是世界上最快的点钞机下面分享下国外网友的部分评论：She should take up Flamenco Guitar!她应该拿起弗拉明戈吉他！Want her by my side when I hit the casino.叱咤赌场的时候，得有她在身旁。Those fingers are very impressive and quick and that sound! I find it mesmerizing. (I've watched it four times)手指令人钦佩，风驰电掣，我发现它有催眠功效。（我已经看了四遍了）I doubt if today's millennial could even identify actual dollar bills.我怀疑现在的千禧一代能否认识真正的钞票。In Canada it will be like, One, two…oh wait it's three bucks? Let me use machine…在加拿大会是这样：1,2…哦，等一下，三美元，还是让我用机器吧…
点钞神技惊呆老外，听听他们怎么说！继中国功夫后，中国的又一“神技”-点钞，看得老外们目瞪口呆。令人钦佩！中国女人用五指计数法在短短几秒内点清成捆的现金报道表示，这则山东潍坊点钞竞赛的考核片段拥有“中国社交媒体五百万惊人点击”，其采用的经典五指计数法效率和精准度远胜点钞机。短短数秒只是中国银行职员的工作缩影，评论区各路溢美之词展现了外国网友对此的惊讶与好奇。这些中国出纳员是世界上最快的点钞机下面分享下国外网友的部分评论：She should take up Flamenco Guitar!她应该拿起弗拉明戈吉他！Want her by my side when I hit the casino.叱咤赌场的时候，得有她在身旁。Those fingers are very impressive and quick and that sound! I find it mesmerizing. (I've watched it four times)手指令人钦佩，风驰电掣，我发现它有催眠功效。（我已经看了四遍了）I doubt if today's millennial could even identify actual dollar bills.我怀疑现在的千禧一代能否认识真正的钞票。In Canada it will be like, One, two…oh wait it's three bucks? Let me use machine…在加拿大会是这样：1,2…哦，等一下，三美元，还是让我用机器吧…
点钞神技惊呆老外，听听他们怎么说！继中国功夫后，中国的又一“神技”-点钞，看得老外们目瞪口呆。令人钦佩！中国女人用五指计数法在短短几秒内点清成捆的现金报道表示，这则山东潍坊点钞竞赛的考核片段拥有“中国社交媒体五百万惊人点击”，其采用的经典五指计数法效率和精准度远胜点钞机。短短数秒只是中国银行职员的工作缩影，评论区各路溢美之词展现了外国网友对此的惊讶与好奇。这些中国出纳员是世界上最快的点钞机下面分享下国外网友的部分评论：She should take up Flamenco Guitar!她应该拿起弗拉明戈吉他！Want her by my side when I hit the casino.叱咤赌场的时候，得有她在身旁。Those fingers are very impressive and quick and that sound! I find it mesmerizing. (I've watched it four times)手指令人钦佩，风驰电掣，我发现它有催眠功效。（我已经看了四遍了）I doubt if today's millennial could even identify actual dollar bills.我怀疑现在的千禧一代能否认识真正的钞票。In Canada it will be like, One, two…oh wait it's three bucks? Let me use machine…在加拿大会是这样：1,2…哦，等一下，三美元，还是让我用机器吧…
Danny Aguilera is a comedian born in California but, raised in Delaware. Danny shares his experience growing up in Delaware as a Mexican child, and the youngest of 5 children. Including what he was able to learn from his brother who suffered from addiction. Danny details who and what inspired him to get into comedy as well as why he believes it's valuable to have few boundaries as a comedian. Danny also discuses his views on the modern world regarding cancel culture, immediate gratification, and privacy. Intro/Outro: “Malagueña - Flamenco Guitar" by Ben Woods. @DannyAguilera_
Storytelling, Flamenco Guitar, Creative process I really enjoyed catching up with Paul George. Paul is no stranger to the Onespace community, having hosted Tijuana Cartel, at Onespace HQ Bondi with Kallidad opening the event. Paul was also part of the incredible line up in Wild Marmalade at “Earth Beats” Onespace event at The Sydney Opera House. Paul shares how he has been playing guitar since he was 11 years old, and when he was a teen he would play it every night and fall asleep with his guitar, he always knew he wanted to be a musician. He shares many of the different jobs he held, and some of them may surprise you, but they all guided him back to the path he was set to take.. Paul grew up in the Gold Coast and met Carey O'Sullivan, while at school and their friendship took them onto the path of creating, learning, and co-producing music and they went on to perform live and then tour the world. It was so nice to learn about Paul's past and how he came to come to where he is today, doing what he loves and continuing to play music and learn and grow. “Tijuana Cartel serves up a tasty mix of world music and club beats. These Gold-Coast-based our addicts are renowned for their live shows and tight production.” triple j Unearthed How you can support Tijuana Cartel to continue doing what they love, and bringing us new music, especially during these unknown times, Donate to Patreon account, follow them on social media, join a live event. https://www.patreon.com/tijuanacartel
Part 2 of my interview with Julie Gunn. We start with some more lovely music from Ricardo and then Julie tells a funny story about accosting a hip-hop street dancer on the streets of San Francisco. She then explains about their fabulous workshops for children and institutions which started in New Jersey and then they took them all over Africa and shares about the benefits of clapping. There was another funny story about one particular prison and how the big burly prison guards took to Flamenco. Plus, what does tree-planting have to do with Flamenco dancing? I end with Julie singing a couple of songs with Ricardo from a concert they performed at my house while they were staying. www.ricardogarciaguitarist.com
I was thrilled to interview my great friend Julie Gunn, who manages her extremely talented partner of 27 years, Ricardo Garcia, world renowned, Award-winning Flamenco and Classical guitarist. They were staying with us and I had forgotten how much I drink when with a fellow Brit, so had a sore head a few mornings. Julie reveals how she is a “manifesting maven” or you might think it purely coincidental, that’s up to you. She talks about the surprising story of how she and Ricardo met, plus fascinating stories about their travels all over the world, from Edinburgh in Scotland, across Africa and to San Francisco. From female plumbers with hilarious names to accosting hip hop dancers on the streets, Julie has been one of my most interesting guests so far. At the end, Ricardo treats us to some beautiful guitar.
Recorded and Produced by Esai SaucedoPresented by Modern Vintage RadioFeatured Songs, written and recorded by AlmaNova Duo & Almer Imamovic*Sarajevo Nights (feat. Debut)Grand Duo Concertant Opus 85 IV Allegreto Espressivo written by Guiliani (feat. Classic Guiliani)Bosna Nova (feat. After Hours)Rain (feat. After Hours)Journey (feat. Journey)*Stani Draga by Almer Imamovic (feat. Stani Draga)Intro and Outro song by The Full Suns
Paul Bosauder is a flamenco guitarist and a composer of Lebanese/New Zealand origin. His playing is expressive, elegant and true to the heart of flamenco music.Paul has performed in Spain, Belgium, Switzerland, Greece, France, Lebanon, UK, USA and New Zealand. He currently works as a flamenco guitarist in Spain, after having completed his studies in concert flamenco guitar at ESMUC.Paul and Pat go way back to the 1990s where they worked together on Paul's then pop/rock band SODA in Auckland.Watch the full, live conversation at www.facebook.com/DeptofConversationwww.theDOC.nzOther useful links================Youtubehttps://goo.gl/uLs7j5Spotifyhttps://goo.gl/zYQUhCiTuneshttps://goo.gl/rMFT7FStitcherhttps://goo.gl/GQkfpS
We are continuing our series of chord-change videos. These chord changes, which we will be exploring in-depth together, are some of the most common and most indispensable chords for the flamenco guitar. As you continue exploring the flamenco guitar, you will discover just how frequently these chords will pop up. ...So I want to expose you to these chords ASAP! ...You'll thank me later
Ali is back from his European odyssey! As a welcome home we sit down to reflect on some of the music he encountered on the trip including chamber music at the Rijksmuseum, Flamenco guitar in Barcelona, a heavy cover of The Police in Poland and more! Plus we listen to Tame Impala's new sounds from their upcoming LP's teaser, 'The Slow Rush'.We now have a new website! Check out:www.pirateradiopod.com for more Pirate Radio Podcast content!
This week we have Friend of the show Paul Stewart (@Paul_djp_stewart) & @Bangabrownin Date Mahonee is in Full Effect Send To @OverratedTruth or Overratedtruthpod@gmail.com Attn: Date Mahonee Order Your Merch ! on Instagram Or Email! When Talking About the Podcast Use #OverRatedTruthPod DONATE TO OUR PATREON: Patreon Link Email: Overratedtruthpod@gmail.com Follow all our social media's InstaGram : @OverRatedTruth @BadLucc354 @LaZyBDaGreat @TheeMahonee @GoodKingBad_ www.Twitter.com/OverRatedTruPod https://www.facebook.com/The-OverRated-Truth-Podcast-197772597611375/t Powered By : Digital Soapbox Network & Radio.com Support the show. See omnystudio.com/listener for privacy information. --- Send in a voice message: https://anchor.fm/theoveratedtruth/message
Today's guest is David Cullington from Auckland New Zealand. He is the Principal and Designer at Xador Labs. David shares the story about how he stumbled upon Design while trying to be unemployed on the internet. True. He shares that he spent some time in Spain learning Flamenco Guitar and how as a child he would make and sew clothes for his action figures. David is a funny guy and I really enjoyed this interview.
Today's guest is David Cullington from Auckland New Zealand. He is the Principal and Designer at Xador Labs. David shares the story about how he stumbled upon Design while trying to be unemployed on the internet. True. He shares that he spent some time in Spain learning Flamenco Guitar and how as a child he would make and sew clothes for his action figures. David is a funny guy and I really enjoyed this interview.
In this episode of the “Am I Crazy Or Am I Raving” Henry’s Child Podcast Tobby and Thom sit down to talk about everything music-related. They start with the story of how Tobby joined Henry’s Child: A recommendation from a friend (Bishop Freeman of band “Toxic Zombie”) and the reputation of the band were two big factors that contributed to Tobby saying “Yes!”. Tobby tells the story of how he moved from Myrtle Beach to Eugene, joining “Grynch” and eventually putting together “We Have Guns”. Tobby rekindles a story about how he created a website for the Eugene studio Central Node and got offered a job in Portland, where he eventually moved to a few years ago. We play the songs “Toy Soldier” from “Grynch” and “Dead Rising” from “We Have Guns”. Tobby discussed the amount of instruments he plays, including a degree in Flamenco Guitar, and why he is passionate about drums. We talk about the momentum that swung him into taking the gig with Henry’s Child. This includes what it took to honor the original recordings, when playing them for live shows, and ultimately how that affected his playing on the new album. Tobby talks about what it took to keep the sound as close to Henry’s Child as possible, while putting his own spin on it at the same time. We end this episode with Tobby mentioning an important upcoming gig on 3/23/18 in Lebanon. It’s a benefit for Jason Rowe (from “Strange Dichotomy” and “30 Pound Test”), who was recently diagnosed with cancer. The benefit is two nights, with 10 bands each night. Official Website http://henryschild.com/ YouTube: https://www.youtube.com/channel/UCo31Ezkv6jKZBkdgpJSKH4A Bandcamp: https://henryschild.bandcamp.com Facebook: https://www.facebook.com/henryschild1/ Twitter https://twitter.com/henrys_child
Don Cortes Maya (Flamenco Guitar) | ♫ Analyse Trémolo piami ♫ | En réponse aux derniers commentaires :+) la technique du trémolo, beaucoup de choses à dire mais voilà une première idée sur cette technique. Et si tu veux en savoir plus sur la main droite du guitariste : https://thejoyofplaying.com/la-main-droite-du-guitariste Pour aller encore plus loin, abonne-toi à la chaine YOUTUBE ►► www.youtube.com/user/AArtistesPerformance ☞ Et clique sur le pouce ! Fais passer à tes amis musiciens, chaque jour je te partage de nouvelles infos sur ton quotidien, ta pratique, ton organisation de travail, et le plaisir de jouer longtemps et sans douleur ! O▽ Les infos de ma liste personnelle : https://thejoyofplaying.com/present ➞ Toute l'actu sur Facebook https://www.facebook.com/TheJoyOfPlaying/ ➞ Mon Podcast sur Sondcloud https://soundcloud.com/marcpapillon * Cette vidéo est purement fan-made, si vous musiciens (les propriétaires) souhaitez supprimer cette vidéo, s'il vous plaît CONTACTEZ-NOUS DIRECTEMENT. Nous la supprimerons avec respect. Email : marc@artistesperformance.com
If you are into classical and flamenco guitar, you are in for a special treat! We are honored to have in studio guitarist Eric Hansen. Eric has just released his new album Glistening and we are going to take a look at it and Eric's playing. Eric is in town to do a series of concerts with Jim Stubblefield, of Incendio, and Jim joins us in studio to talk about this new endeavor and guitar playing in general. And, as an added bonus, we have Dan Sistos in studio to join in the fun! We will talk about Glistening, Hansen-Stubblefield, guitars, tone, recording, and also Eric installing the Carlos Juan pickups in his guitars and Jim Stubblefield's main axe!
If you are into classical and flamenco guitar, you are in for a special treat! We are honored to have in studio guitarist Eric Hansen. Eric has just released his new album Glistening and we are going to take a look at it and Eric's playing. Eric is in town to do a series of concerts with Jim Stubblefield, of Incendio, and Jim joins us in studio to talk about this new endeavor and guitar playing in general. And, as an added bonus, we have Dan Sistos in studio to join in the fun! We will talk about Glistening, Hansen-Stubblefield, guitars, tone, recording, and also Eric installing the Carlos Juan pickups in his guitars and Jim Stubblefield's main axe!
If you are into classical and flamenco guitar, you are in for a special treat! We are honored to have in studio guitarist Eric Hansen. Eric has just released his new album Glistening and we are going to take a look at it and Eric's playing. Eric is in town to do a series of concerts with Jim Stubblefield, of Incendio, and Jim joins us in studio to talk about this new endeavor and guitar playing in general. And, as an added bonus, we have Dan Sistos in studio to join in the fun! We will talk about Glistening, Hansen-Stubblefield, guitars, tone, recording, and also Eric installing the Carlos Juan pickups in his guitars and Jim Stubblefield's main axe!
Voigt Music presents ArtSpark, a musical and arts variety show, hosted by Edie Baran and Yuri Rashkin. The show will be broadcast live on blogtalk radio in front of a live studio audience. WHEN: Sunday, April 17, 2016 from 1:00 – 3:00pm WHERE: Voigt Music Center, 34 South Main St, Janesville WI. Admission is free to this family- friendly event. GUESTS FOR APRIL 17: The guitar and vocal duo, Tess & Dave (Teresa Nguyen and David Bitter); Vickie Neitzel, accordion player; Yuri Rashkin on piano; Rob Tomaro on guitar and vocals; Nima Salimi with his Flamenco Guitar. Edie and Yuri will also be interviewing Tony Farrel Jr., of Voigt’s Music Center, Esther Turner on meditation, and and Alicia Reid of Raven’s Wish.
Jesse talks about his experience working with artists like BB King, (who even at 70 years of age was a regal presence), Diana Krall, Brazilian jazz singer Flora Purim, Ray Charles and Tommy Emmanuel. Jesse tells of working on a project with Tommy Emmanuel recording several takes of a guitar part that were all completely different and all brilliant. www.jessecook.com
April 23, 2014. A concert featuring guitarist Torcuato Zamora and flamenco dance company Furia Flamenco. Speaker Biography: Torcuato Zamora was born amidst the rhythms and legends of Granada in Spain. At the age of five he moved to Barcelona where he began studying classical guitar; by age fifteen he began giving concerts professionally with Ramón Delgado and Graciano Tarragó. In the 1960s he came to the U.S., and since then he has devoted himself to presenting flamenco and classical, South American music, and his own compositions. Speaker Biography: Furia Flamenca, founded by director Estela Velez in January 2003, is a flamenco dance company whose style combines flamenco's gypsy heritage and modern flamenco choreography with the best elements of its dancers' backgrounds. The dancers in this performance are Sylvia Melecio and Karina Valverde. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6342
Mundofonías 2014-07#08 - Flamenco y seda - Flamenco and silk Trazamos una sonora ruta de la seda desde Iberia a Palestina, Afganistán y China, para recrearnos después con buenas guitarras flamencas que suenan en la Rough Guide to flamenco guitar, que saldrá a la luz a finales de agosto. We walk a musical silk road from Iberia to Palestine, Afghanistan and China, and after that we enjoy some fine flamenco guitars, from The Rough Guide to Flamenco Guitar, to be issued at the end of August. OliveTreeDance - Serviço Assabè - Crisi Khalas - Badek zafi ('The Rough Guide to the music of Palestine') Guo Gan - The lantern festival [Músicos afganos / Afghan musicians] - [Rabab] ('Inside Afghanistan. Recordings by Deben Bhattacharya') [Músicos afganos / Afghan musicians] - [Nomadic tribal song of separation] ('Inside Afghanistan. Recordings by Deben Bhattacharya') Pepe Habichuela - Al aire [Bulería] ('The Rough Guide to flamenco guitar') Carles Benavent [+ Paco de Lucía] - Dicen de mí ('The Rough Guide to flamenco guitar') Tomatito - Caminillo viejo [Tangos] ('The Rough Guide to flamenco guitar') Antonio Rey - Chakiba ('The Rough Guide to flamenco guitar') Amos Lora - Cerro negro [Rondeña] ('The Rough Guide to flamenco guitar') Web: www.mundofonias.com Mapa de emisoras: www.mundofonias.com/mapa Podcast: www.mundofonias.com/podcast Facebook: www.facebook.com/mundofonias Twitter: @mundofonias Radio Círculo (Madrid, ES) Radio Universidad de Guanajuato (MX) Ràdio País (Occitània, FR) Multicult.fm (DE) 88vier (Berlin/Potsdam, DE) Radio UNAM (México DF, MX) UABC Radio (Baja California, MX) RCFM (ES) Rádio Filispim (Galiza, ES) Radio Groovalización (FR) Ràdio Klara (València, ES) Radio Universidad de Atacama (CL) Radio Artigas (UY) Radio Paris La Paz (BO) TTRadio (ES) Radio Universidad de Puerto Rico (PR) Radio Kolor (Cuenca, ES) Radio Universidad Autónoma de Yucatán (MX) Radio Filarmonía (Lima, PE) Radio Aukan (CL) Radio Inter S'cool (GP) Radio Educación del Mayab (MX) Rádio Zero (PT) Radio Universidad de Concepción (CL) Radio Universidad de Salamanca (ES) Onda Polígono (ES) Onda Campus (ES) WLCH Radio Centro (US) Radio Isora (Canarias, ES) Radio Sonora Internacional (CO) Radio Fuga (ES) Radio Camino (ES) Radio La Voz de Guamote (EC) Mundofonías Radio (ES) #musicasdelmundo #musicasdomundo #worldmusic #folk #musicadomundo #musiquedumonde #musiquesdumonde
Learn to play the guitar with : Guitar Lessons, Classical & Beyond
This guitar lesson is about the free stroke technique. This is the guitar technique that we acoustic guitar players use most of the time to Read More →
Like so many American flamenco guitarists, Juanito Pascual's guitar journey began with a heavy dose of the electric guitar greats like Jimi Hendrix and Eric Clapton, progressed to jazz, and was inevitably drawn to flamenco. With his upcoming release, Juanito Pascual New Flamenco Trio, he comes full circle to by bringing all those influences together. Today on the All Strings Considered, Juanito talks about his progression through various styles, about being an American taking part in the flamenco tradition, which so often means comparing oneself to players who have been immersed in that complex tradition since birth. He also discusses his struggles with chronic hand problems, his new method book, and you'll get to hear an exclusive pre-release track from New Flamenco Trio, which will be released this February.
The December show was stellar with standing room only and a crackling energy in Rafa's Lounge! Aaron Gilmartin started the night off with original songs on Flamenco Guitar and continued to accompany the letters with Flamenco, banjo and ukulele.Marlene Nichols read a saucy letter from her 80 year old self to her present day self with advice we can all take to heart.Lisa Waugh and Chris Sheets transported us to Alabama and the hardships endured by her Uncle Lee who grew up poor amidst fifteen siblings. A theatrical first at To Whom It May Concern as Chris played the part of Uncle Lee and spun a tale of drinking, fighting, thieving and redemption.Drew Droege improvised a letter based on the audience suggestion of a scarlet letter. As usual he was loose, witty and hilarious.Margot Leitman proved why she is a five time Moth winner with letters of a high school crush gone horribly wrong.To Whom It May Concern's producer, Jayne Entwistle, read a letter to none other than Santa Claus or, as is more accurate for her British upbringing, Father Christmas.
Grisha speaks about his quest to enrich the classical guitar canon by the addition and performance of works by the great composers of the solo flamenco guitar, like Sabicas, Paco de Lucía, Rafael Riqueni, Gerardo Nuñez, Manolo Sanlucar, and others. It's truly inspiring to hear about the role his father had in Grisha's musical training; his search for flamenco repertoire when sheet music was a sought-after commodity in Russia at the time, his patience, his support and dedication. You'll also hear about Grisha's chance to play for Paco de Lucía and Grisha's recordings of two works by Sabicas and two more by Paco de Lucía.
Adam and I chatted about his new and second guitar concerto titled, Paisajes (Landscapes), about growing up in Spain (and everywhere else!), about the flamenco/classical guitar split, and Segovia's flamenco past. You'll hear the first movement of Paisajes (Lanscapes), which is an orchestral version of a flamenco Alegrías, the rumba that begins his latest album, his amazing interpretation of Albeñiz's Sevilla, and a great Balkan-sounding tune in 13/8!
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