Podcast appearances and mentions of jamie christopherson

Lego 2K Drive, le test par Yohann LemoreChapitres► 0:00 : Intro► 0:58 : Gameplay► 4:32 : Modes de jeu► 6:49 : Réalisation globale► 8:09 : Verdict et perspectivesÀ savoir► Développeur : Visual Concepts► Editeur: 2K Games► Sortie : 19/06/2023► Plateformes : Multisupport► Genre : Course ► Age : Dès 7 ansCrédits audio► Lego 2K Drive Soundtrack by Andrew Carroll, DJ Stanfill, Jamie Christopherson & Joe Sanders

This week we're joined by famed Youtubist Kay of Kay and Skittles. When we started this pod they immediately got in contact and insisted we have them on for a Metal Gear Rising Revengeance episode. A game we all love that's seen a bit of a resurgence in recent years — not so much for its soundtrack — but as we discuss, the songs mirror the story and themes of the game quite strongly. The EDM inflected Nu Metal gives it a very specific vibe and we love it here on the pod. 00:00:00 Jamie Christopherson; Jason Miller - Rules of Nature (Platinum Mix) 00:02:29 Talk 1 00:12:41 Logan Mader; Jamie Christopherson; Tyson Yen - The Only Thing I Know for Real (Maniac Agenda Mix) 00:15:03 Jamie Christopherson; Akira Takizawa; Graeme Cornies - I'm My Own Master Now (Platinum Mix) 00:17:09 Logan Mader; Jamie Christopherson; Maniac Agenda - A Stranger I Remain (Maniac Agenda Mix) 00:19:32 Logan Mader; Jamie Christopherson; Maniac Agenda; Kit Walters - The Stains of Time (Maniac Agenda Mix) 00:21:43 Talk 2 00:28:51 Jamie Christopherson; Akira Takizawa; Graeme Cornies - Dark Skies (Platinum Mix) 00:31:09 Jamie Christopherson; Akira Takizawa; John Bush - Return to Ashes (Platinum Mix) 00:33:23 Jamie Christopherson; Akira Takizawa; Kit Walters - A Soul Can't Be Cut (Platinum Mix) 00:35:39 Talk 3 00:41:12 Jamie Christopherson - Chasing The Wind 00:43:16 Jamie Christopherson - Rising Action 1 00:45:08 Jamie Christopherson - Dwarf Gekko 00:47:12 Jamie Christopherson - Mystical Ninja 00:49:24 Talk 4 00:58:27 Jamie Christopherson; Ferry Corsten; Akira Takizawa; Logan Mader - The Hot Wind Blowing featuring Ferry Corsten (Platinum Mix) 01:00:44 Logan Mader; Jamie Christopherson; Maniac Agenda; Jason Miller - Red Sun (Maniac Agenda Mix) 01:02:54 Logan Mader; Jamie Christopherson; Maniac Agenda; Jimmy Gnecco - Collective Consciousness (Maniac Agenda Mix) 01:05:31 Logan Mader; Jamie Christopherson; Akira Takizawa; Pete Crossman; Jimmy Gnecco - It Has To Be This Way (Platinum Mix) 01:08:25 Talk 5 01:22:08 Jamie Christopherson, Pete Crossman, James Chapple, David Kelly, Graeme Cornies - The War Still Rages Within Podcast Twitter: https://twitter.com/crtpodsystem Reese's Twitter: https://twitter.com/yourverygoodbud Tom's Mastodon: https://jorts.horse/@forpush Reese's Mastoton: https://jorts.horse/@yourverygoodbud Tumblr: https://www.tumblr.com/crtsoundsystem Podcast Twitch: https://www.twitch.tv/crtsoundsystem Email: crtpodsystem [@] gmail Kay's Youtube: https://www.youtube.com/@KayAndSkittles Kay's Twitter: https://twitter.com/kayandskittles Kay's Patreon: https://www.patreon.com/kayandskittles AGAB Pod: https://twitter.com/agabpod VGATWTOE Pod: https://twitter.com/vgatwtoe CRT Artwork by https://www.instagram.com/juicezombie.art/

Should strategy be done once and then just heads down until it's delivered on? Or should it change every month or quarter based on reality? What are the characteristics of good strategy? What are the factors that influence the ability of the organisation to execute it? Should you share your strategy with your customers? So many questions, and so little time. But in today's episode we give answering these questions and more a good crack. Enjoy this week's interview with strategy and execution specialist Jamie Christopherson, Director at Maximus International as we pull apart the development of strategy and the critical factors that influence execution. Over 18 years he's helped organisations across the globe develop and execute on transformative strategies that have catapulted their companies to the next level, including some of our previous guests! Here's What We Cover This Week…. 02:58 – Jamie's Career Background 07:12 – What is Strategy? 12:00 – The Value of Outside-In vs Inside-Out Strategic Thinking 14:38 – What the Three Hindu Gods Have to Do with Good Strategy 19:52 – Good Strategy Requires a Strong Leadership Team 24:25 – Why Strategy and Operating Rhythms Are Critical if You're Scaling 32:51 – How to Communicate Strategy Throughout the Organisation 36:14 – How Customer-Focused Is Your Strategy If You Can't Share it With Them? 42:30 – 3 Minutes of Absolute Gold with Jamie 46:13 – How to Connect with Jamie ‍IF YOU GOT VALUE FROM TODAY'S EPISODE, PLEASE REMEMBER TO: Rate and review us on Apple Podcasts Register to be the first to know when new episodes drop and free tools are published at www.scaleupspodcast.com, or Drop us a question about scaling using Speakpipe on the website, or email questions@scaleupspodcast.com. ‍ ‍FOLLOW US ON YOUR FAVOURITE SOCIALS: ScaleUps Podcast on LinkedIn: linkedin.com/scaleupspodcast ScaleUps Podcast on Instagram: instagram.com/scaleupspodcast ScaleUps Podcast on Facebook: facebook.com/scaleupspodcast Watch the full episode at ScaleUps Podcast on Youtube: www.youtube.com ‍ ‍YOU CAN CONNECT JAMIE CHRISTOPHERSON AND MAXIMUS INTERNATIONAL AT: Website: maximus.com.au LinkedIn: linkedin.com/in/james-christopherson LinkedIn: linkedin.com/company/maximus-international ‍ ‍YOU CAN REACH OUT TO CONNECT WITH SEAN DIRECTLY VIA: LinkedIn: linkedin.com/in/seansteeleprofile Website: seansteele.com.au

In this sequel episode to 'Games Review Scores We Got Wrong', hear more about our process of assigning scores to classic games as we pick out the times we got it right. It's two men, getting defensive about old review scores. What makes a better podcast than that?This week's music is from the Resident Evil 6 soundtrack by Akihiko Narita and the Metal Gear Rising Revengeance soundtrack by Jamie Christopherson and Jason Miller.  

Greetings, Gamers! Welcome to our first ever sequel episode: Rivals, Rogues, and Frenemies, Part II! The first time we heard from the likes of Proto Man, Shadow the Hedgehog, and Skyward Sword's Groose. Who will be on the roster this time? Join us, and find out! Thanks as always to our amazing patrons and the artists who made our show art and theme song. Links to their content can be found below the playlist on our YouTube video! You, too, can become a patron at patreon.com/vgmvgm, and you can reach out to us by e-mail at verygoodmusicvgm@gmail.com, on Twitter @Shootkapow, or by leaving us a voice message at anchor.com/vgmvgm. You can also leave us a comment on YouTube and while you're at it, please let us know if you like the video, and subscribe and ring the bell to be notified of future episodes! We look forward to hearing from you! Playlist: X vs Zero – Naoto Tanaka – Mega Man X5 (PlayStation, 2000, Capcom) Mothiva's Grand Stand! – Tristan Alric – Bug Fables: The Everlasting Sapling (Windows 2019, Switch/PS4/XB1 2020, Moonsprout Games/DANGEN Entertainment) Battle! Rival – Junichi Masuda – Pokemon HeartGold and SoulSilver (DS, 2009, Game Freak/Nintendo) The Only Thing I Know For Real – Logan Mader & Jamie Christopherson, vocals by Tyson Yen – Metal Gear Rising: Revengeance (PS3/360/PC, 2013, PlatinumGames/Konami) Revali, Ace Archer & Aviator – Kumi Tanioka, Reo Uratani, Ryotaro Yagi, Haruki Yamada – Hyrule Warriors: Age of Calamity (Switch, 2020, Omega Force/Nintendo) Cafeteria (Raphael's Stage) – Kazuhiko Uehara, Hideto Inoue, Harumi Ueko – Teenage Mutant Ninja Turtles: Tournament Fighters (SNES, 1993, Konami) Magalor the Wayfarer (Lor Starcutter) – Hirokazu Ando, Jun Ishikawa – Kirby's Return to Dream Land (Wii, 2011, Hal Laboratory/Nintendo) Knuckles Theme Special Remix – Tee Lopes, feat. Jun Senoue, originally by the Sonic 3 & Knuckles sound team – Sonic Mania Adventures (2018, YouTube, SEGA) Together with Shauna – Shota Kageyama – (HoopsandHipHop Remix) – Pokemon X & Y (3DS, 2013, Game Freak/Nintendo) The Loner, Falco Lombardi (Reorchestrated) – Hajime Wakai, arr. Literal Orchestra – Star Fox Command (DS, 2006, Q–Games/Nintendo) Felix's Battle Theme – Motoi Sakuraba – Golden Sun: The Lost Age (Game Boy Advance, 2002, Camelot Software/Nintendo) Bury the Light Dynamic Montage – Casey Edwards feat. Victor Borba, arr. Case Tech279 and RK) – Devil May Cry 5 (PS4/XBox1/PC, 2019, Capcom) Mid-Boss Mayhem – Grant Kirkhope – Mario + Rabbids Kingdom Battle (Switch, 2017, Ubisoft/Nintendo) Bass's Theme/Theme of Forte – Makoto Tomozawa – Mega Man 7 (SNES, 1995, Capcom) and Shusaku Uchiyama – Mega Man 8 – (PS1/Saturn, 1996, Capcom) Blooper Reel: Customization – flashygoodness – Rivals of Aether (Windows/XB1 2017; Switch 2020, Developed and Published by Dan Fornace) Patrons: Alex Messenger The Last Rican Ryan Steele Skeletroy Kung Fu Carlito Forrest Shamlian The Mysterious Nathan Artists: Naomi Rubin Carlos Leon-Roman Ben "The Diad" Dishman Skeletroy --- Send in a voice message: https://anchor.fm/vgmvgm/message

This is another old interview I did with Jamie Christopherson who did the score to American Wrestler among lots of video game scores as well. You'll hear as we discuss his career and a lot more. Along with music by this very composer! --- Support this podcast: https://anchor.fm/randy-andrews/support

If you think news is cool, well we have something for you! A podcast of the latest video game news of the week! this week we cover Ubisoft Forward and its various announcements, the Final Hours of Half-Life Alyx, Amazon delays its forthcoming MMO, Tetris makes it into prime time, and more! Plus, we have the new releases that you crave and we discuss the most extreme lengths we've gone to just to play our beloved video games. Intro: "I'll Never Forget You" - Kirby's Dream Band Outro: "New Lands" - The Lord of the Rings: The Battle for Middle-earth, by Jamie Christopherson & Bill Brown Check out our Discord community at https://discord.gg/ZTzKH8y Podcast audio produced by Jeremy Lamont

Hi everyone! Welcome back for another Indie Wednesday spotlight. One Movie Punch continues to extend our network with today’s segment, allowing both myself and our audience a taste of the microbudget and independent features being produced. Sometimes we find hidden gems. Sometimes we find films that have problems. Today’s film is a daytime noir that definitely sits in the former category, especially if you live in, or like to make fun of, Los Angeles and its quirkier denizens. Even better, I had a chance to speak with writer/director Alex Goldberg about the film, which stars his spouse, Catia Ojeda, in the lead role. We talk about the film itself, what it’s like to work with your spouse, Los Angeles, and a whole lot more. I’ll be interspersing segments from that interview throughout the review. In lieu of running a promo, we’ll be playing the full trailer audio beforehand for CLOSURE (2019). Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is CLOSURE (2019), the daytime comedy noir film written and directed by Alex Goldberg. After making a promise to her dying mother, and in the midst of the fallout of her long-term relationship, Nina (Catia Ojeda) has flown out to Los Angeles in search of her estranged sister to deliver the news. But when she learns from her former roommate Yasmina (Cynthia Addai-Robinson) that her sister’s been missing for weeks, Nina begins a search around Los Angeles, which leads her to some dark and funny places. No spoilers. I can remember the first time I landed in Los Angeles. It was a very busy time in my life, having just graduated college and accepted a job at a consulting firm, with a project based in the San Fernando Valley. I arrived late at night, and after arguing with the car rental place over my age, started driving in one of the largest cities in the world. This was before GPS was really a thing for consumer use, or even before you could get directions printed off the Internet, so I ended up driving around lost for about two hours, getting more and more frustrated, and scared, and not finding help from just about anywhere I stopped. I remember checking into the hotel, passing out from exhaustion, and very little of the orientation the next day. It was the first major culture shock of my life, where I was all alone in a completely new place. I was just twenty-three years old, and it was a mess of emotions. I spent the entire first week learning the highways, finding places to eat, discovering the huge diversity in radio stations, and learning about the people around me. And they were... different. ALEX: “Well, the inspiration was when my wife, Catia Ojeda, and I had moved to Los Angeles. We had been working in New York, and we came to LA, and there’s a bit of a culture shock. Not as dramatic as say... I mean, New York is a big metropolis, as is Los Angeles. In our field, we found a lot of people who were really self-driven and you’d meet them and they would talk a lot about themselves. I wanted to spin a tale where someone needs to solve a mystery, and no one is not only helping them out, but doesn’t particularly care.” I don’t mean different in a bad way, but compared to my mostly monochromatic upbringing, in Los Angeles, I was being exposed to new people and lifestyles at a very rapid pace, doing my best to adapt while not offending anyone. My experience is why I connected so much with Catia Ojeda’s excellent fish out of water performance as Nina. I’ve seen plenty of films where actors have clearly forgotten those initial, tumultuous feelings, but Ojeda nails that combination of uneasiness and excitement in an accessible, genuine way. Her reactions to those around her, as she’s introduced to spiritual practices, alternative diets, and open relationships, feels very authentic, probably because Alex and Catia have lived it. ALEX: “Here’s a big story, actually. So, when we came to LA, we brought my play ‘It is Done’, which she starred in. So, we did a production in Hollywood. It got great reviews. We did well. She started working and the play got optioned into a movie. So, when I signed the option agreement, I realized a couple of things. One, they could fire me at any time. That’s normal. It’s my idea, but they could take me off it. And there’s really no shot she would get to play the part, let alone audition for it. And that’s standard. So, I’m getting some work going on over here. She’s getting work over there, and we’re like, let’s try to create something where we can work together on something. So, that’s why I wrote it with her in mind.” Surrounding Nina is a host of unique characters, including: her sister’s current roommate, Yasmina, a pan-spiritualist actor/model; her sister’s neighbors, the ironically named Prudence (Milena Govich) and her probably over-tolerant boyfriend Jack (John Sloan); and eventually, Hugo (Tom Choi) a rich man looking for a long-term relationship using a bizarre method. Tom Choi is one of the hardest working actors in the business, with a filmography that is a CVS receipt long, and he was perfect for the character. ALEX: “He’s awesome. There’s a couple things about Tom. One is, yeah, he was perfect for the role, because he’s got these rugged, leading man looks, but he also projects a nice guy and a funny guy, which is important because after all of these characters, in this particular venue, when she meets this guy, you don’t want him to be sleazy, at least not at first. You want him to be someone that oh, maybe she can trust this guy. And for the most part, he is trustworthy and it comes across that way.” A great story and a great cast are paired with some very excellent musical selections. CLOSURE’s soundtrack is a combination of straight-ahead jazz scoring and more contemporary, groovier, even electronic jazz of today. Noir works best with jazz, but modern noir needs modern sounds, and this particular pairing is the result of two key individuals involved with the project. ALEX: “I met a guy named Zak Shelby-Szyszko, who is big in the modern jazz world. He works for a couple of labels and the Angel City Jazz Festival. And I brought him the script, and I said, ‘Do you think you can help me find contemporary artists: (1) who would be interested in this, and (2) who would work on our very limited budget?’ He was able to pull a bunch of names. Some very well known in the jazz circle. Some up and coming. So, we had a lot of choices to work from. The other person is Jamie Christopherson, who is our composer. And he came to us through our producer. And he liked the vibe we were doing. He had already heard some of the pieces that Zak had brought in, and said, ‘Let’s... I can score around this.’ So a lot of the more traditional jazz elements were his pieces, including that trumpet you mentioned, which is so great. Are there any drawbacks to CLOSURE? Not any more than other low-budget and independent productions. That’s doubly so around Los Angeles, where permitting is some of the most tedious and most expensive to acquire. It was also shot over twelve days, due to the competing schedules of the principle cast, which makes the final output quite remarkable. CLOSURE might lack a great deal of the polish that can only come from massive budgets and exclusive schedules, but it more than makes up for it between Goldberg’s excellent story and Ojeda’s authentic performance. So, how much did this incredible daytime noir cost? ALEX: “I don’t have the exact number. We’re in the $100,000 range, so between $100,000 and $200,000. I know people are making movies for $7,000 and $10,000. That’s ultra. That’s super low-budget. I mean, we had a crew, and that’s how you do it in twelve days. You have a DP who’s awesome, who brings in her own camera people she trusts. Our art department... department in quotes, it’s a small group... they were like, ‘Let me bring in my people so we can move quickly.’ Yeah, twelve days is tough. So, it was two six-day weeks of principle photography, then we had three splinter days where we had really limited crew. The second and third splinter day, we didn’t have audio. We just shot MOS.” Sometimes producers like to hide budget numbers, especially in an age of box office comparisons, but I’ll just say that you won’t find many other modern films being made for $200,000 that are this well put together. Especially in Los Angeles. Kudos to the whole team involved in this picture. CLOSURE (2019) is a daytime noir picture about a woman searching for her lost sister in the City of Angels, with the mostly unhelpful assistance of those around her. Catia Ojeda plays an excellent fish out of water, as her character moves between mystery and comedy, all accompanied by an excellent jazz score and soundtrack. If you are looking for a fun and engaging film, that pokes fun at the quirkier sides of Los Angeles, absolutely look no further. You won’t regret spending ninety minutes on this film. Rotten Tomatoes: 80% Metacritic: NR One Movie Punch: 8.1/10 CLOSURE (2019) is not rated and is currently available on VOD and with ads on Tubi.

Want a little taste of the Rock Out With Your Cart Out bonus episodes? I’ll post a few minutes of them in the regular feed so you have a chance to see what you’re missing out by not backing us on Patreon! Jason Arriola and Dominic Chavez are wrapping up their discussion about Lost Planet: […]

Jason Arriola and Dominic Chavez are trying to think cool thoughts during the end of this summer. To help us with that, we decided to listen to the rather intense soundtrack for Lost Planet: Extreme Condition. Jamie Christopherson handled the composition duties for this one. He would later go on to handle the Metal Gear Rising: Revengance soundtrack, […]

As prophecy foretold, the GameBytes Show crew is back to set you on the path of knowledge, with the latest in video game news, new releases, and discussion topic! However, in a twist of fate, the news this week is handled by LeGrande, who rolls out possibly our best news segment of all time! Jeremy handles the new releases, and we get the Jerod Picks for the summer Steam Sale. Finally, we discuss some of those delisted video games that the world simply must get back. Do you agree? Tell us on Twitter, and add to the list! Intro: "Another Winter" - Scott Pilgrim vs the World: The Game, by Anamanaguchi Outro: "Spreading Hope" - The Lord of the Rings: The Battle for Middle-earth, by Jamie Christopherson & Bill Brown Check out our Discord community at https://discord.gg/ZTzKH8y

The E3 predictions episode! We talk about what we expect and want to see this E3 from major video game publishers and the big 3 console makers. Song of the show: from Metal Gear Rising: Revengeance - Rules of Nature by Jamie Christopherson

Mobile games eh? That's what Jeremy has been up to. That's ok though, they're good ones! Dale finally gets around to finishing up one of the greatest gaming trilogies ever and LeGrande dives back into Metal Gear with Rising Revengeance! Intro: "Rules of Nature" - Metal Gear Rising, by Jamie Christopherson. Outro: "Island Atlas" - Tactics Ogre: Let Us Cling Together, by Masaharu Iwata (Basiscape)

A Composer Tribute to James Horner Twenty-one film, television, video game composers deliver their heart-felt thoughts and reflections about the man, James Horner, and his music. Listen to their thoughts set to many of James Horner's most memorable scores. Episode Highlights 00:00 — Introduction 01:00 — Austin Wintory 02:34 — Debbie Wiseman 03:51 — Greg Edmonson 05:21 — Frederick Wiedmann 07:12 — Jeff Rona 08:51 — Introduction to special tribute 09:23 — Jo Blankenburg 10:41 — Grant Kirkhope 12:07 — Mark Griskey 15:36 — Jason Graves 17:03 — Neal Acree 07:57 — Garry Schymann 20:02 — Sam Hulick 20:45 — Introduction to special tribute II 21:12 — Chance Thomas 23:17 — Jessica Curry 24:10 — Scott Glasgow 27:10 — Rolfe Kent 28:20 — Penka Kouneva 30:30 — James Christopherson 31:36 — Elia Cmiral 32:13 — Olivier Deriviere 33:54 — Kathryn Bostic 36:08 — Close Music Selections 00:00 — "Teaching Mathematics Again" (A Beautiful Mind) by James Horner 00:54 — "Closing Credits" (A Beautiful Mind) by James Horner 02:38 — "Epilogue" (Searching for Bobby Fischer) by James Horner 04:51 — "An Epitaph to War" (Glory) by James Horner 23:44 — "Part 2" (Iris) by James Horner 07:25 — "The Lovemaking" (Cocoon) by James Horner 09:23 — ""Wunderkind" by Jo Blankenburg 10:30 — "Main Title" (Battle Beyond the Stars) by James Horner 12:26 — "Deciding to Build the Field" (Field of Dreams) by James Horner 13:33 — "All Systems Go" (Apollo 13) by James Horner 16:02 — "The Ludlows" (Legends of the Fall) by James Horner 18:48 — "Casper's Lullaby" (Casper) by James Horner 19:52 — "A Kaleidoscope of Mathematics" (A Beautiful Mind) by James Horner 20:48 — "Becoming One of the People…" (Avatar) by James Horner 21:45 — "Suite from Avatar: The Video Game by Chance Thomas 23:17 — "Main Title - Takeoff (The Rocketeer) by James Horner 30:23 — "Rose" (Titanic) by James Horner 29:05 — "My Heart Will Go On" (Titanic) by James Horner 30:23 — "Main Title" (Braveheart) by James Horner 33:08 — "The Passage of Time" (Bicentennial Man) by James Horner 35:02 — "All Love Can Be" (A Beautiful Mind) Notes: Special THANKS to all of the composers listed above who gave of their time to contribute to this project. Also thanks to The Krakower-Poling PR and Costa Communications for their assistance. Austin Wintory - http://austinwintory.com/ Debbie Wiseman - http://www.debbiewiseman.co.uk/ Greg Edmonson - http://gregedmonson.com/ Frederick Wiedmann - http://www.frederikwiedmann.com/ Jeff Rona - http://jeffrona.com/ Jo Blankenburg - http://joblankenburg.com/ Grant Kirkhope - http://www.grantkirkhope.com/ Mark Griskey - http://www.griskey.com/ Jason Graves - http://www.jasongraves.com/ Neal Acree - http://www.nealacree.com/ Garry Schymann - http://garryschyman.com/ Sam Hulick - http://samhulick.com/ Chance Thomas - http://www.chancethomas.com/ Jessica Curry - http://www.thechineseroom.co.uk/ Scott Glasgow - http://www.scottglasgowmusic.com/ Rolfe Kent - http://www.rolfekent.com/ Penka Kouneva - http://www.penkakouneva.com/ Jamie Christopherson - http://www.jamiechristopherson.com/ Elia Cmiral - http://www.eliacmiral.com/ Olivier Deriviere - http://olivierderiviere.com/ Kathryn Bostic - http://www.kathrynbostic.com/ Follow Christopher Coleman Twitter. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info

Chance Thomas had some Howard-Shore-sized boots to fill when scoring The Lord of the Rings Online expansion pack Riders of Rohan, so we brought Jamie Christopherson on board to give us a composer's opinion. He's written his own Lord of the Rings music thanks to the Battle for Middle-earth series, and now the magnificent, melodic fields of the Riddermark beckon. Onward to Theme for Rohan!

0:00:59 - 0:16:25 Opening Segment & What We've Been Up To, featuring Magan Cubed     0:17:03 - 3:09:41 Main Topic: the X-men movies. X1-3, Origins, First Class, The Wolverine & Days of Future Past     3:10:17 - 3:12:05 Closing & Internet Whoring. NO MAILBAG.     Music Used   "Boing Zoom DAKOTA!" by Shadow, from Rock Candy 1 “Dark Skies (Platinum Mix)” by Jamie Christopherson, from the Metal Gear Rising: Revengeance OST   “Cut You Down To Size” by Jamie Christopherson, from the Metal Gear Rising: Revengeance OST