Podcast appearances and mentions of Jason Graves

Should Growers Spray Their Alfalfa for Pests? Minimizing Costs for Cattle Producers Adding Perennials to the Landscape   00:01:05 – Should Growers Spray Their Alfalfa for Pests?: Jeff Whitworth, K-State crop entomologist, kicks off the show, reminding alfalfa growers of what insects they could be seeing and if they should spray. Crop Insects in Kansas   00:12:05 – Minimizing Costs for Cattle Producers: K-State cow-calf Extension specialist, Jason Warner, and K-State agricultural economist, Dustin Pendell, continue today's show as they converse about what cattle producers should track and manage if they are hoping to minimize costs. AgManager.info KFMA   00:23:05 – Adding Perennials to the Landscape: Ending today's show is K-State Research and Extension Central Kansas horticulture agent, Jason Graves, discussing the importance of soil health for adding heat-loving perennials to the home landscape.      Send comments, questions or requests for copies of past programs to ksrenews@ksu.edu.   Agriculture Today is a daily program featuring Kansas State University agricultural specialists and other experts examining ag issues facing Kansas and the nation. It is hosted by Shelby Varner and distributed to radio stations throughout Kansas and as a daily podcast.   K‑State Research and Extension is a short name for the Kansas State University Agricultural Experiment Station and Cooperative Extension Service, a program designed to generate and distribute useful knowledge for the well‑being of Kansans. Supported by county, state, federal and private funds, the program has county Extension offices, experiment fields, area Extension offices and regional research centers statewide. Its headquarters is on the K‑State campus in Manhattan

I wanted to get a Handheld Talk episode out for the holiday but unfortunately, due to my own carelessness, my files for that have been lost. Instead, enjoy this little playlist I threw together featuring songs from games we played this year. Hope you enjoy! See you soon for our Pathologic 2 episode. —RosePlaylist:"Two of Everything" by Tori Beaumont from "Immortality""Kusabi Love or Die Remix" by Masafumi Takada from "The Silver Case""Clair de Lune" by Claude Debussy, arranged by Masafumi Takada from "The Evil Within 2""Fear II" by Yutaka Minobe from “Rule of Rose”"Koe" by Tsukiko Amano from “Fatal Frame III: The Tormented”"Miracle Workshop" by Vasily Kashnikov from “Pathologic 2”"You Came Back" by Ockeroid from “Crow Country”"Dead Space” by Jason Graves from “Dead Space”"Silencio Zero" by Vasily Kashnikov from “Pathologic 2”"The Tormented" by Tsukiko Amano and Ayako Toyoda from “Fatal Frame III: The Tormented”"The Reverse Will (Unseen Paths)" by Akria Yamaoka from “Silent Hill 2 (2024)”"Opening" by Nainita Desai from “Immortality”"Fairtale Town" by Ockeroid from “Crow Country””Shoot Speed" by Masafumi Takada from “Killer7”"Twyrine" by Vasily Kashnikov from “Pathologic 2”"Backbiting" by Yutaka Minobe from “Rule of Rose”"The Attic" Yutaka Minobe from “Rule of Rose”"Rave On" Masafumi Takada from “Killer7”

HOUSE OF ASHES , LE TEST par Yohann LemoreÀ savoir► Sortie : 22/10/2021► Plateformes : PS4/PS5, One, Series, PC► Développeur : Supermassive Games► Editeur : Bandaï Namco Entertainment ► Genre : Horror / Narratif► Age : 18HOUSE OF ASHES, Soundtrack by Jason Graves► https://www.youtube.com/watch?v=ER4oUYt1pP8&list=PLBO2h-GzDvIY0Hj5AV9H-tLV64QBsXqdo

DEAD SPACE (2013) , LE TEST par Yohann LemoreÀ savoir► Sortie : Février 2013► Plateformes : PS3, XBOX 360, PC► Genre : Action / Horreur► Age : 18+Dead Space 3 Soundtrack by Jason Graves► https://www.youtube.com/watch?v=ZlnfO8liJvY&pp=ygUXZGVhZCBzcGFjZSAzIHNvdW5kdHJhY2s%3D

fWotD Episode 2727: The Dark Pictures Anthology: House of Ashes Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Tuesday, 22 October 2024 is The Dark Pictures Anthology: House of Ashes.The Dark Pictures Anthology: House of Ashes is a 2021 interactive drama and survival horror video game developed by Supermassive Games and published by Bandai Namco Entertainment. It is the third game of the first season of The Dark Pictures Anthology. The game features a multilinear plot in which decisions can significantly alter the trajectory of the story and change the relationships between the five playable protagonists; some lead to their permanent deaths. House of Ashes is set during the 2003 invasion of Iraq and follows five characters—four Americans working for the US Armed Forces and one Iraqi Republican Guard—who must escape from an underground Akkadian temple and survive the vampiric creatures that infest the area. Ashley Tisdale, who plays CIA operative Rachel King, was marketed as the game's leading actress. Jason Graves, a long-time collaborator with Supermassive for the series, composed the soundtrack during COVID-19 lockdowns in the United Kingdom.Reappearing in House of Ashes are staple mechanics of The Dark Pictures Anthology, such as quick time events (QTEs), two single-player and two multiplayer modes, and collectibles that allow players to see visions of possible future events. New features include a more interactive camera system, a handheld light source for easier navigation, and three difficulty levels to manage QTEs. The films Aliens, Predator, and The Descent, as well as the H. P. Lovecraft novella At the Mountains of Madness and the myth of the Curse of Akkad were the main influences for the game. The creatures were made using motion capture and hand animation, and the temple's design was inspired by ancient Mesopotamian architecture. Military specialists and Arabic speakers were consulted to ensure a faithful depiction of the war.House of Ashes was released for PlayStation 4, PlayStation 5, Windows, Xbox One, and Xbox Series X/S on 22 October 2021, to mixed reviews. Several critics deemed it an improvement from the previous two instalments in the anthology, and points of praise included the replay value, QTE intensity, cinematography, multiplayer modes, and likeability of the Iraqi character. Critiques were directed towards the game's pacing, scare factor, facial animations, texture and animation glitches, and handling of the Iraq War. The fourth game in the series and the season one finale, The Devil in Me, was revealed in a teaser trailer at the end of House of Ashes and released on 18 November 2022.This recording reflects the Wikipedia text as of 13:46 UTC on Tuesday, 5 November 2024.For the full current version of the article, see The Dark Pictures Anthology: House of Ashes on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.

UNTIL DAWN 2024, le test par Yohann LemoreÀ savoir► Sortie : 04/10/2024► Plateformes : PS5, PC► Développeur : Ballistic Moon► Editeur :Sony Interactive Entertainment► Genre : Horreur / Narratif► Age : +18Crédit Audio :UNTIL DAWN Soundtrack by Jason Graves ► https://www.youtube.com/watch?v=Y0dasRBKWwY&list=PLocqHZj7MJflk6bmKBvpJLFDKFiP4cMwj

October is here, so naturally we decided to play...an action game? This spooky season, we take a look at the sequel to a contemporary survival horror hit. Does it live up to its predecessor? Join us as we discuss bland villains, speculative re-releases, and how much we'd clearly rather be playing Uncharted 2 again.Note: The music track at the start of the episode is “It Had To Be Unitology”, composed by Jason Graves for the Dead Space 2 Original Videogame Score. We in no way have or claim ownership of this music.MandaloreGaming's video on Dead Space 2 (Mark mentioned the wrong YouTuber when talking about this video): https://www.youtube.com/watch?v=hZ8zyhw-On4Support the showEmail us at: dcellmedia@gmail.com

In this episode, Dave chats with BAFTA-winning composer Jason Graves, known for his work on blockbuster games like Dead Space, Tomb Raider, and Call of Duty: Warzone. They reminisce about their college days and explore Jason's journey from percussionist to leading industry composer, discussing his creative process and the evolution of game music!Music Composition for Games Coursehttps://elvtr.com/course/music-composition-for-gameshttps://jasongraves.com/Watch this episode on YouTubehttps://youtu.be/lfp3Qrv2pJYCymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

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On the latest episode, I'm joined by Jason Graves! Jason is best known for a number of different video game scores, such as the Dead Space games, Tomb Raider, Far Cry Primal, and Moss 1 and 2, so it's no surprise that we spend much of our conversation talking about his latest game scores: Still Wakes the Deep and No Rest for the Wicked. They're two very different games, in terms of genre, style, gameplay, and more, and so Jason's scores are equally unique. We probably spend the most time talking about the former game's score, which is a combination of a string quarter, woodwinds, a bass synth, and a roughly two foot tall sculpture - it may seem weird, but I promise that it sounds good. Along the way, we cover things like his journey through scoring, how he works with game writers to understand concepts and plot points before they're rendered in-game, and differences (perceived and real) between scoring for film and video games.   Still Wakes the Deep (the game and the score) releases on June 18, while No Rest for the Wicked is currently in early access with Jason's score forthcoming. You can also find many of Jason's other scores physically or on all major platforms. Find out more about Jason on his website.

In this episode, hear directly from your MEC leadership team: Capt. Justin Houck, chair; Capt. Keith McClanahan, vice chair; Capt. Cody Stroope, secretary-treasurer; and Capt. Jason Graves, our union's first executive administrator. 

Tomb Raider de 2013 é o reboot mais recente da franquia, o jogo procurou revitalizar a personagem Lara Croft quanto o tom de suas histórias. O título se propôs a modificar a imagem da aventureira inabalável para uma exploradora mais pé no chão. Tomb Raider atualiza sua gameplay para a tendência de jogos de ação em terceira pessoa vigente, proporcionando momentos de tirar o fôlego. No entanto, a aventura de Lara Croft conta com um fator de exploração que enriquece a experiência além de cumprimento de uma narrativa linear. Transcrição do Episódio Música: First Blood, A Call For Help e The Descent por Jason Graves. Redes Sociais: @levelsecreto Apresentação, Produção, Roteiro, Edição e Identidade Visual por Erick Oliveira.

During our Next Level discussion about this very episode, our friend Sacha counted up how many times we've had Jason Graves on an episode of Level, and Level's friend, Top Score. Six times on Top Score, six times on Level, and this marks the 13th ep dedicated to his music. Best part is, we know there will be many more! This time, it's all about battle royale and Call of Duty: Modern Warfare II DLC called Warzone. The Warzone maps are DLC for Modern Warfare II players, and Jason's released a soundtrack of the music from them. It's always great having him on the show - I always learn something about his approach and I can't wait our next conversation! Come chat with us on Discord about game music, and see the video of my conversation with Jason on the Level with Emily YouTube channel. PLAYLIST by Jason Graves for Call of Duty: Modern Warfare II Warzone unless noted otherwise 00:00 Welcome to Al Mazrah 5:10 Unearthed 10:54 Unearthed 14:06 Enemy Anthem 15:07 Welcome to Al Mazrah 15:35 Power Broker 21:22 Resurfacing 24:13 Perilous 27:10 Controlled Chaos 38:11 Welcome to Al Mazrah 38:42 Other Sprouts by Sam Keenan

In space, no one can hear you - wait, this isn't Alien! In this very spoooooooky episode, we discuss something else set in space - both its original and remade forms. Join us as we discuss sci-fi character names, great atmosphere, and how Mark is apparently the only one who didn't mind the flamethrower.Also, we totally forgot to record the Kwasnicki rating! Jason gave it an 8.7. Pretty good!Note: The music track at the start of the episode is “The Leviathan”, composed by Jason Graves & Trevor Gureckis for the Dead Space (2023) Original Soundtrack. We in no way have or claim ownership of this music.Support the showFollow Dead Cell Media and its members on Twitter at:-Dead Cell Media: https://twitter.com/deadcellmedia-Mark Sullivan: https://twitter.com/nibelheimian-Delaila Lugo: https://twitter.com/assassina_san

A conversation with Jason Graves, the legendary composer of Dead Space, Tomb Raider, Moss, Call of Duty Modern Warfare 2 Warzone.Wassup Conversations is available on YouTube and all the major podcast streaming services.:https://www.nikoofarmusic.com/wassupSupport the show

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The reasons why some critics decried SUPER FLY on its release aren't ours to criticize (but we make that mistake on this episode a couple times anyway), but they're important to understanding its long-term impact. The bone it picks with the aftermath of the Civil Rights movement – that many of its victories were pyrrhic, and that America still has far to go before it can claim racial equity – makes it feel ahead of its time and very much of its time. Its actual function as a movie may have aged less than beautifully (it's not actually that much fun to watch or follow along with), but its combination of style (hello The Curtis Mayfield Experience) and cynicism give SUPER FLY an outsized cultural influence that precedes itself. Listen to an episode of Jason's other podcast, CrossFade, where he and Matt Helgeson discussed the music of SUPER FLY (and Rush's 2112) with video game composer Jason Graves: https://podcasts.apple.com/us/podcast/curtis-mayfield-vs-rush-feat-jason-graves/id1501267072?i=1000524248893 “I'll Let You Trip for Awhile: Curtis Mayfield's Super Fly” by Jay Ditzer for Perisphere, the Trylon blog: https://www.perisphere.org/2023/07/07/ill-let-you-trip-for-awhile-curtis-mayfields-super-fly/ Five Super Fly Hip-Hop Samples” by Matthew Tchepikova-Treon for Perisphere, the Trylon blog: “https://www.perisphere.org/2023/07/07/five-super-fly-hip-hop-samples/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Music throughout from the SUPER FLY soundtrack by Curtis Mayfield. Timestamps 0:00 - Episode 235: SUPER FLY (1972) 3:26 - The episode actually starts 5:56 - The Patented Aaron Grossman Summary 9:13 - The sound of SUPER FLY, moralizing, and Priest's self-determinism 29:42 - Contextualizing the 1972 critical response 39:47 - Was Sig Shore hip enough? 44:01 - Scenes that have no place in this movie 50:01 - The Junk Drawer 55:26 - Good Grief, Give Me a GIF!

Today, on a very special episode of THE 1UPBEAT, it's our annual best-of-the-year show. We are going to do something a little bit differently this year and cover a wide variety of video game scores released in 2022 over the course of three episodes. In this first episode, you'll hear music from Jason Graves, Olivier Deriviere, Yuzo Koshiro, Inon Zur, Tadashi Ikegami, Hirokazu Ando, Jan Vašina, Dominik Svoboda, Tee Lopes, Kristofer Maddigan & Yoko Shimomura. Part two coming soon… Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CHAN CHAN CHAAAAAN!!!! Hola a todos querid@ oyente, antes de que abras el episodio quedas advertido de que en esta ocasión nos adentramos en una dimensión todavía inédita en Píxel Sonoro: la música en los juegos del terror. Y lo hacemos a bordo del USG Ishimura porque en este episodio tratamos el diseño del sistema de sonido empleado en Dead Space, la joya de Visceral Games que vio la luz en el año 2008 y que ha recibido su impresionante remake hace bien poquito. Hablamos de los "Fear Emitters", que contribuyen el principal atractivo sonoro del juego y que hacen de la obra de Jason Graves todo un distintivo dentro del subgénero. Literlamente, es un sistema que te hace estar en tensión continuamente. Además hablamos de la corriente estilística que siguió Jason Graves para componer la música, algunos de sus métodos, qué peso tiene la música de cine de terror en todo esto.... En fin, muchas cosas en poquito tiempo. ¡Espero que lo disfrutéis sin morir!

Finalmente! O dia chegou! Depois de 623 menções em outros podcasts, análogas aos fragmentos do diário do Senhor Soberano (não intencionalmente), nós vamos falar de Mistborn. Mais especificamente do primeiro livro, O Império Final, da primeira trilogia, A Primeira Era. Neste primeiro de três programas, nós analisamos, elogiamos, criticamos e discutimos a história, a estrutura de pseudo-heist, os personagens, os temas, a execução destes temas, e principalmente a maestria na fina arte de não ter medo de esconder informações importantes do leitor que Brandon Sanderson possui. Participantes: Luca Piancastelli e Vítor Batista Músicas: Discombobulate (Hans Zimmer, Sherlock Holmes OST), Dancing with the source (Borislav Slavov, Divinity: Original Sin 2 OST), The hidden enemy (Jason Graves, The Order: 1886 OST)

A big bunch of horrifying video game music that came out last year! We sample 2 tracks from each soundtrack and are join by fan favourite, Donnie Smalls.Song list:Dumet by Jason Graves from The Dark Pictures Anthology: The Devil In MeThe Chase by Jason Graves from The Dark Pictures Anthology: The Devil In MeGhostwire:Tokyo by Masatoshi Yanagi from Ghostwire TokyoYaseotoko II by Masatoshi Yanagi from Ghostwire TokyoThe Quarry Main Theme by Ian Livingstone from The QuarryLodge Attacked by Ian Livingstone from The QuarryRun, Jump, Fight by Olivier Deriviere (feat. London Contemporary Orchestra) from Dying Light 2 Stay HumanBreath of the City by Olivier Deriviere (feat. London Contemporary Orchestra) from Dying Light 2 Stay HumanCrash Landing by Finishing Move Inc. from The Callisto ProtocolInfection by Finishing Move Inc. from The Callisto ProtocolNew album by Voltz Supreme: Tears, Tangos & Terror https://distrokid.com/hyperfollow/voltzsupreme/tears-tangos--terror-music-from-the-krispy-krakenJason Graves on Music Respawn: https://www.wshu.org/podcast/music-respawn/2023-02-10/jason-graves-from-dead-space-to-the-devil-in-meJoin the Voltz Supreme Discord: https://discord.gg/T82YyfKH4r

Episode #283 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera dive into the aesthetic of steam and steampunk! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS England Main Menu from Railway Empire [Dag Winderlich, 2018] Vectron from SteamWorld Dig [H.M. Hammarin, 2013] No Roses for the Wicked from SteamWorld Dig 2 [Pelle Cahndlerby, 2017] Alysidhian Fields from SteamWorld Quest: Hand of Gilgamech [Pelle Cahndlerby & Oscar Rydelius, 2019] Last Man Standing from The Order: 1886 [Jason Graves, 2015] Armada Battle from Skies of Arcadia [Yutaka Minobe, 2000] Arx Vaporum from Vaporum [Karel Antonín, 2017] Steam, Steel, Strangers II from Code Name: S.T.E.A.M. [Yoshito Sekigawa, 2015] Old Soldiers Die Hard from F.I.S.T.: Forged In Shadow Torch [Caisheng Bo, 2021] The Unwound Future from Professor Layton and the Unwound Future [Tomohito Nishiura, 2008] Clockwork Crafter -Steampunk- from Minecraft [Gareth Coker, 2016] Sauna from Persona 4 [Shoji Meguro, 2008] Stage 2-2 from Steel Empire [Noriyuki Iwadare, 1992] Gat's Bar from SteamWorld Heist [Steam Powered Giraffe, 2015] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

When last we left composer Trevor Gureckis, he was just beginning his eerie, unsettling work on M. Night Shyamalan's acclaimed Apple TV+ series Servant. But in the intervening years, he's lent his uniquely experimental grasp of both classical and electronic instruments to films like The Goldfinch, Bloodline, and Old. But his most recent project sees him dipping not just into the world of video games, but the existing soundscape of a previous composer: EA's high-def remake of the space horror classic Dead Space.   Building from Jason Graves' dissonant, screeching-metal score to the original game, Gureckis' role is to flesh out the expanded adventures of Isaac Clarke, the unlucky engineer who finds himself amid a monstrous infestation of alien creatures aboard the USG Ishimura. That includes giving voice to new areas of the game, as well as new narrative sections that lend Isaac greater narrative weight than in the original game.   Now, Trevor joins us on the show once again to catch up with his work since Servant began, his first foray into video game scoring, and the challenge of composing new material that matches the existing voice of another composer's work.   You can find Trevor Gureckis at his official website here.   Dead Space is currently available for PS5, Xbox Series X|S, and PC. You can also listen to his score for the remastered Dead Space on your preferred music streaming service courtesy of EA Music.

BAFTA winning composer Jason Graves talks about his latest scores The Dark Pictures: The Devil In Me and The Dark Pictures: Switchback VR, his work on a number of top-selling video games including the epic Dead Space trilogy, and the important role that audio plays in VR games.

Jason Graves je mezi herními skladateli tak trochu unikát. Vystudovaný skladatel, profesionál, co se roky živil celkem rutinní prací pro reklamu a rádia, jednoho dne čirou náhodou dostal zakázku na herní soundtrack. A během toho měsíce práce si uvědomil, že tohle je přesně to, co chtěl celý život dělat. To se stalo před dvaceti lety a od té doby má Graves na kontě obdivuhodný počet her, z nichž se řada stala komerčními hity. Tomb Raider, Far Cry Primal, Until Dawn, Dead Space, Devil May Cry, několik titulů ze světa Star Treku a opravdu nepočítaně dalších. Etabloval se hlavně jako autor hororových a sci-fi soundtracků, ale dokázal se dobře vypořádat i s úplně jinými žánry včetně dětských her. A právě životu a dílu Jasona Gravese se věnujeme v tomto dílu podcastu Retro noty. Možná budete sami překvapení, kam až tohoto chlapíka, co původně nechtěl skládat ani pro hry ani pro filmy, jeho práce zavála... Podívejte se na ⁠https://www.retronation.cz⁠ na skvělé výlety do herního retra!

Composer Jason Graves has a new score out, and it's flipping scary. The fourth installment of The Dark Pictures Anthology, The Devil In Me follows a film crew trapped within a replica of H.H. Holmes's infamous Murder Castle, where he tortured and murdered more than two dozen unsuspecting tourists in town for the Chicago World's Fair in 1893. The antagonist in The Devil In Me slowly herds his victims into traps, and Jason's music reflects this slow terror walk. It's fantastic. You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

Dead Space Remake, le test par Yohann LemoreA savoir► Sortie : 27/01/2023► Plateformes : PS5, Series, PC► Genre : Action horreur► Editeur : Electronic Arts► Développeur: EA Motive► Age : +18Crédits audio :► Dead Space Soundtrack by Jason Graves & Trevor Gureckishttps://www.youtube.com/watch?v=C48MrH30Cfs

Composer Trevor Gureckis scored about two hours of new music (not all of which is on the soundtrack) for the Dead Space remake. EA kept Jason Graves's original score intact, and Trevor scored the new cutscenes, battles and other content added to the game to fill out the story. And it's great. It's very Dead Space, and is unique to Trevor's style. At the time of recording, I was provided 3 tracks, and they were all quite different. I loved doing a deep dive on all 3 with Trevor, and we hope you enjoy the conversation! You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

Jason Graves talks about his iconic soundtrack for 'Dead Space' and his latest score for 'The Devil in Me'

Composer Jason Graves has paved an incredible career path over the years, with a strong focus on scoring games. We take a walk down memory lane as Jason talks about his early years being mentored by composers like Elmer Bernstein, the ins and outs of scoring games, how working on Until Dawn with Supermassive Games led to The Dark Pictures Anthology, and how he approached the latest installment The Devil In Me. We also talk about scoring video game tie-ins to movies like Flushed Away and King Arthur, and how he always tries to get the composer of the film's blessing and insight before doing a game like that. Jason also talks about how it feels that the Dead Space remake is upon us, and how touched he is that they decided to re-use his original score in the remake. Lots of amazing insight and great stories from one of the most prominent composers in gaming! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

THE DEVIL IN ME,, le test par Yohann LemoreA savoir► Sortie : 18/11/2022► Plateformes : One, Series, PS4, PS5, PC► Développeur : Supermassive Games► Editeur : Bandai Namco► Genre : Horreur / Film interactif► Age : +18Crédits audio :► The Devil In Me Soundtrack by Jason Graveshttps://www.youtube.com/watch?v=1jZDGC0rXQs Autres contenus sur les jeux Supermassive Games

In this week's episode, Lukas and Ryan welcome Composer Jason Graves, known for his amazing scores in games like The Dark Pictures Anthology, Until Dawn, The Dead Space series and so much more! Plus, the Game Awards Nominees have been announced! We break down some of the categories and give our thoughts on the announcement! Jason Graves: https://jasongraves.com - Twitter: https://twitter.com/jgmusic Lukas Eggen: https://twitter.com/lukaseggen Ryan Smith: https://twitter.com/smitty2447 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Composer Jason Graves talks about his music for Moss: Book II, a VR game where the player helps a mouse named Quill save her homeland from evil. The score has numerous solos for various wind instruments, like flute, oboe, English horn and Irish penny whistle. Jason also mentions the baby grand piano he bought and features in the soundtrack, and a couple different types of dulcimers are heard too. It's such lovely music! You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

Dead Space 2 le test par Yohann LemoreÀ savoir :► Sortie : Janvier 2011► Développeur : Visceral Games► Éditeur : Electronic Arts► Genre : Action / Horreur► Age : 18+Crédits audio :► Dead Space 2 Soundtrack by Jason Graveshttps://www.youtube.com/watch?v=0I4roQE9KNQ&list=PL04F49846B75B860C

Jason Graves, star of his own retro gaming channel hangs out with us to talk gaming. Be sure to sub him up! link below! https://www.youtube.com/c/JasonGravesPoser and his discord server: https://discord.com/channels/767981417740501022/767981672644739072   NerdCage LIVE is... Jay Saint G Joe of FallenOne Gaming   @Pretty Guardian  Derek aka IAmTheOneWhoNerds NerdCage LIVE MERCH STORE IS NOW OPEN!! BUY OFFICAL MERCH BELOW: https://www.teepublic.com/user/nerdcage-live-merchstore The greatest hangout spot for all things NERD Culture is over on the Facebook Discussion group known as NERDCAGE NATION! Join over in the link below: https://www.facebook.com/groups/516827829468308 The NerdCage LIVE DISCORD Server is Now Up and Running! Join over in the link below: https://discord.com/channels/830576035698835466/947318441394700331 Every Tuesday we play old school and new school games on TWITCH! https://Twitch.TV/NerdCageLive For updates check out our Twitter: https://Twitter.com/Nerd_Cage and on Instagram: https://Instagram.com/Nerd_Cage Follow Pretty Guardian on her other platforms: https://www.youtube.com/c/PrettyGuardian https://www.twitch.tv/xprettyguardian https://www.facebook.com/prettyguardian2020 https://discord.com/invite/djGGC9t https://www.instagram.com/xprettyguardianx/ https://steamcommunity.com/id/xprettyguardianx/ And Derek's other platforms: https://www.youtube.com/user/Derekofthedead https://www.facebook.com/bonuscommentary https://www.twitch.tv/iamtheonewhonerds Logo and Banner designed by Michael Long. Animated Intro and Outro created by Roy Miles "NerdCage LIVE Intro", "NerdCage LIVE Outro", "'NerdCage LIVE on Twitch" and "NerdCage LIVE & Friends" Voiced and Produced by Matthew Farden. Written and edited by Jay Saint G. "Rage In The Cage" Voiced and Produced by Matthew Farden, Written by Jay Saint G visual intro by Jay Saint G with music provided by White Bat Audio. If you want Matthew Farden to voice YOUR work check out his website at: www.matthewfarden.com Music provided by Bensound at www.bensound.com "Rage In The Cage" and "LIVE on Twitch" Bedmusic by Max Brhon - "Humanity" [NCS Release] you can find it here: https://youtu.be/OJhqsUnKUWw Audio Only Podcasts for NerdCage LIVE Available below: Podbean: nerdcagelive.podbean.com Spotify: https://open.spotify.com/show/5D6nUQE8PwgEolfLVahyYK Stitcher: https://www.stitcher.com/s?fid=547026&refid=stpr TuneIn: tunein.com/podcasts/Media--Entertainment-Podcasts/NerdCage-Live-p1337681/?topicId=149341541 Audible: https://www.youtube.com/watch?v=1PvjRIkwIl8 Apple Podcasts: https://podcasts.apple.com/us/podcast/nerdcage-live/id1520077541 iHeartRadio: https://www.iheart.com/podcast/269-nerdcage-live-68316953/ Also now on Pandora! https://www.pandora.com/podcast/nerdcage-live/PC:41155 Write a review of our show here on Podchaser: https://www.podchaser.com/podcasts/nerdcage-live-1312112

In this episode Nathan & Craig talk about reframing work/life balance, visiting Jason Graves, health backcasting, buyorborrowmusic.com, Bruce Springsteen's 50+ year run of rock n roll, Primal, and much more. Subscribe to the Soundiron Podcast: https://anchor.fm/soundiron-podcast For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:09) Intro * (0:58) Work/Life Balance is Impossible * (9:05) Dr. Peter Attia & Health Backcasting * (11:58) Visiting Jason Graves studio * (18:18) buyorborrowmusic.com * (22:47) Bruce Springsteen * (25:11) First guitar? * (27:00) Springsteen continued * (35:00) Recommendations Welcome to Soundiron, where the world is your orchestra! We create professional virtual instrument plugins and sample libraries for music, media, cinema, games, production and musical education. For over a decade, we've built an ever-growing selection of inspiring instruments, orchestral sections, drums, percussion ensembles, choirs, solo voices, folk and vintage instruments, sonic contraptions, cinematic effects and sound-designed creations. Each Soundiron library is built with unmatched fidelity, professional quality, intuitive controls, cutting-edge features and unique content you won't find anywhere else! #soundiron #musicpodcast #brucespringsteen

Wonder what camera you should buy to get really good pictures?   Or maybe you'd like to upgrade your lens because the pictures you are taking are just not looking like the ones you'd like to be taking?   25 year veteran photographer, Jason Graves joins us on the show today chatting about gear and what you should do INSTEAD of running out to spend money on lots of new equipment.    LINKS MENTIONED IN THE SHOW: Free Manual Mode Handbook: https://cozyclicks.lpages.co/mm/ https://www.instagram.com/jasongraves_photography/  

In this episode Nathan chats with Jason Graves - an film and game music composer based in North Carolina. Jason has scored games such as The Dark Pictures Anthology, Moss, Tomb Raider, Far Cry Primal, Until Dawn, The Order: 1886 and Dead Space. His repertoire is truly diverse, from aleatoric and sweeping orchestral journeys in space, to haunting and immersive soundscapes in historical, gothic and supernatural worlds, to manipulating ancient instruments in a Stone Age natural environment and whimsical waltzes for an intimate pastoral palette. Check out his links here: https://jasongraves.com/ ✍️ Please make sure to leave us a review! Listen On Apple Podcasts: https://apple.co/3uitBds Listen On Spotify: https://spoti.fi/3Jl6iEc Listen On Google Podcasts: https://bit.ly/3DW6M2A For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:00) Introducing Jason Graves * (0:52) Creating the sonic identity of Moss * (6:26) Main differences of virtual reality * (9:19) Live sounds, using remote players * (15:12) Do your live players improvise? * (17:40) YT channel, making your own Kontakt instruments * (30:23) How do you experience the games? * (33:23) Career journey after leaving CA * (40:17) Networking in the early days * (48:09) Building out the new studio * (51:03) Construction process * (56:01) Using Circle Bells * (57:33) Recent personal project you've enjoyed? * (1:01:46) Love of animals, work/life balance Soundiron is a premium developer of virtual instruments and sample libraries for songwriters, composers and sound designers. They are a team of programmers, engineers, composers and instrumentalists passionate about building beautiful-sounding instrument plugins that are inspiring to play. Whether you're new to music production or a seasoned pro in the film, television, advertising, video game, or music recording industries, They've got you covered. Soundiron serves the best and brightest composers and artists in film & media today. #soundiron #musicpodcast #jasongraves

Gaming has always enjoyed a special relationship with the movies, but title don't always transfer well from one medium to the other. Louise looks at the symbiotic relationship between games and movies and talks to composer Nainita Desai about his music for the upcoming new Sam Barlow game Immortality. The programme includes music by Stuart Chatwood for Prince of Persia, Henry Jackman for Uncharted 4, Jim Dooley for Epic Mickey 2, and Mark Mothersbaugh for Ratchet & Clank. The programme also has music from Jason Graves for House of Ashes, Harry Manfredini for Friday the 13th and John Paesano for Marvel's Spider-Man. The Hi Score is Jeremiah Pena's music for Jurassic World Evolution.

Taking care of your heart and soul is not selfish, it's strategic and spiritual. Adventure is something often with an unknown outcome. It requires faith, risk and trust. All elements that help us grow personally and fight complacency. This interview was captured with alive audience at a men's conference. Zack sits down with Jason Graves for this special summer episode to talk more about the spirituality of adventure.

Josh Graves joins Aaron Guyett for todays Living.Fit Show! Josh is a career Strength Coach, and personal trainer.  Josh and  his wife, Haydee, have owned their family friendly personal training facility, Fitness On Fire for (7) years, located in Irvine, CA . Their award winning personal training facility currently employs over 20 team members. Fitness On Fire also has a member led committee that helps the gym host 4 philanthropic events per year to give back to the community.A few of Josh's accreditations including him being: USA OCR Level 1 Coach, FMS Certified Movement Specialist, NASM CPT, TRX Level 1, Russian Kettlebell Certified (RKC), and SPARTAN SGXWhen Josh worked for 24 Hour Fitness he was chosen to represent the company at 2010 and 2012 Olympic Games.  Hosting facilities for the athletes and spending time with USOC Strength and Conditioning Staff at two of the Olympic Training Centers. Josh is a lifelong learner. He is involved with Bedros Keullian's Mastermind Groups, and he is also an active member of the Todd Durkin Mastermind Team, with nearly 200 top fitness trainers, facilities, and gym owners in the world. He attends 3 large strength and conditioning summits every year.  He is also a competitive obstacle course racer.  He participates in roughly 10-15 major fitness events per year including: Spartan Race, Marathons, Ragnar Relay Runs, and is currently training for a Skyrace in the summer of 2022. In 2019, he qualified for the Spartan World Championships in Lake Tahoe and placing 12th in his age group.

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Bioplastic Crop Mulch Research Wool Camp for Youth Pollinator-friendly Landscape Plants     00:01:09—Bioplastic Crop Mulch Research--K-State biological and agricultural engineer Vaishali Sharda talks about a major research project involving three universities, including K-State, which has set out to develop a fully-degradable bioplastics product that can be applied to crop fields for the purposes of soil and water conservation and weed control:  she'll be working on the product application and crop impact aspects of this National Science Foundation-funded effort   00:12:06—Wool Camp for Youth--K-State sheep and meat goat specialist Alison Crane talks about the 2nd annual Flint Hills Farm to Fashion Camp for youth, which will take place in late June on the K-State campus:  it's an opportunity for young people to learn about how a farm product eventually becomes a commercial product...in this case, wool   00:23:06—Pollinator-friendly Landscape Plants--On this week's horticulture segment, Central Kansas Extension District horticulture agent Jason Graves discusses landscape plant selection for attracting bees and other pollinators to the home setting...that's the topic he addressed on the latest K-State Garden Hour yesterday Send comments, questions or requests for copies of past programs to ksrenews@ksu.edu. Agriculture Today is a daily program featuring Kansas State University agricultural specialists and other experts examining ag issues facing Kansas and the nation. It is hosted by Eric Atkinson and distributed to radio stations throughout Kansas and as a daily podcast.   K‑State Research and Extension is a short name for the Kansas State University Agricultural Experiment Station and Cooperative Extension Service, a program designed to generate and distribute useful knowledge for the well‑being of Kansans. Supported by county, state, federal and private funds, the program has county Extension offices, experiment fields, area Extension offices and regional research centers statewide. Its headquarters is on the K‑State campus in Manhattan.

A classic interview Morgan did with legendary composer Jason graves ! Jason Graves won a prestigious BAFTA award for DEAD SPACE !

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David interviews Jason Graves about his recent deal investing in Mobile Home Parks. Jason explains why he loves mobile home parks over multi-family properties, but also telss us why he wouldn't go it alone. The Multi Family Deal Lab Podcast dissects deals of everyday people who are building a Multi Family business and realizing financial freedom. We'll cover how each investor got their deal, how they raised the money to fund it, what surprises and unexpected challenges they faced during the due diligence process and how they handled them, how they chose their markets and more. The show shares experiences you can use for your own deals.  

Louise Blain focuses on the theme of horror in gaming music, including Little Nightmares, Silent Hill, Dying Light and the Resident Evil series. Louise meets composer Jason Graves to talk about his music for Dead Space 2 and Until Dawn, and about his musical creation known as “The Instrument”. Also in the programme, a sneak preview of Bobby Krlic's new score for the forthcoming release, Returnal.

(S03E03) Sam Hughes speaks with jason Graves about how his career developed, mentors, inspirations, workflow and more! Two-time British Academy Award-winning composer Jason Graves is renowned for his textural concept scores and innovative orchestration in cinematic narrative games such as Moss, Tomb Raider, Far Cry Primal, Until Dawn, The Order: 1886 and Dead Space. His repertoire is truly diverse, from aleatoric and sweeping orchestral journeys in space, to haunting soundscapes in historical, gothic and supernatural worlds, to manipulating ancient instruments in a stone age natural environment. Most recently Graves composed the charming and beautifully animated storybook adventure Moss, winner of Best Music for an Indie Game at the 2019 G.A.N.G. Awards/Game Develpers Conference, as well as scoring the interactive drama The Dark Pictures Anthology and music for the DC Universe TV series Swamp Thing. Special thanks to Callum Tennick for editing. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

Jason Graves is renowned for his textural concept scores and innovative orchestration in cinematic narrative games such as Tomb Raider, The Order: 1886, Dead Space, and Lone Echo, for which he made his first appearance on The Annotator (Episode 13). One of Graves' most recent projects has been for VR video game, MOSS from Polyarc.In Moss, players guide a young mouse hero named Quill on an epic journey while also manipulating the field of play as their own character and key ally to Quill. Moss brings together classic components of a great game – characters, combat, and exploration – with the exciting, interactive opportunities of virtual reality. In this episode, Jason Graves shares about how both his and Polyarc's greatest desire was for the player to make a true emotional connection with the game, including through Jason's original music. Jason also talks about how he was first introduced to the Malukah, who has performed on three of his game scores, but Moss finally being his opportunity to take full advantage of her mesmerizing talents. ANNOTATED TRACKS02:20- "Dear Reader"08:07- "Cinder Skies"13:30- "Legends Old and New"19:28- "Home to Me"SOUNDTRACKThe original soundtrack was released by Materia Collective on August 3, 2018. It can be found on Bandcamp, Amazon.com, itunes.com, Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can also hear more music and find out more about Jason Graves at his official site: http://www.jasongraves.com/. You can also follow him on Twitter @jgmusicABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioGoogle Play PodcastsRSS Feed