Podcast appearances and mentions of James Horner

Guion y dirección de Phil Alden Robinson; música: James Horner; Un granjero de Iowa (Kevin Costner), casado y con una hija, tiene un día una experiencia sobrenatural.

In this special episode of Turning Trekkie, we boldly go... to the movie theater! Join us as we relive the cinematic magic of Star Trek II: The Wrath of Khan on the "Silver Screen." Whether you're a seasoned Trekker (like Richard) or a newcomer catching up at warp speed (like Christel), we break down all the reasons why this 1982 classic still hits hard! From the iconic performances to the emotional gut punches (yes, we're looking at that scene) we cover it all! Hear our fresh reactions, fun facts, and learn how seeing Kirk and Khan clash on the "Big Screen" hits differently than just watching at home. Spoiler alert: We left the theater quoting all the famous lines and humming James Horner's incredibly catchy score all the way home.

Nearly two years ago, Dylan announced that he'd be writing a Dark Universe take on Field of Dreams. Now, for his last solo pitch of the Death's Door Saga, he finally has to pitch it, and it's not remotely the script he initially planned. So, is that a good thing, or a bad thing? What the Hell is Field of Nightmares, and how will it be recieved by Dalton, who has no fondness for the 1989 baseball film on which it's based? PLUS: A quick clip from this month's bonus episode, on which D&D pitch a chapter in the Jenny & Carol saga based on the obscure TV movie Snow White: A Tale of Terror! Dylan would also like to acknowledge the late, great film composer James Horner, whose themes from the original Field of Dreams feature heavily in his score to this episode. TIMESTAMPS 00:00:00 - Intro 00:02:32 - Why Field of Dreams? 00:07:28 - Dalton hates Field of Dreams 00:08:57 - A brief Field of Dreams recap 00:11:44 - Fan expectations 00:15:00 - Director choice (or is it?) 00:21:02 - Prologue 00:25:31 - Discussion 00:27:00 - Act One 00:42:57 - Discussion 00:46:46 - Act Two Part One 01:11:01 - Discussion 01:21:23 - Bonus pod clip 01:22:27 - Act Two Part Two 01:31:54 - Discussion 01:38:13 - Act Three 02:03:00 - Mid-Credits scene 02:04:48 - The Post-Credits scene that WASN'T 02:06:02 -  Discussion 02:11:15 - The ACTUAL director choice! 02:12:24 - Coming up next… 02:16:02 - Patron acknowledgement

Master '80's auteur Lawrence Kasdan (The Big Chill, Silverado, Body Heat) kicked off the '90's with this dark comedy based upon the bizarre true story of a philandering husband whose wife conspired to murder him....and yet he wouldn't die. :o The husband is Joey played by Oscar-Winner Kevin Kline (A Fish Called Wanda, Dave), the wife is Rosalie played by Emmy-Winner Tracey Ullman (Tracey Takes On) and the cast just gets more interesting from there including Oscar-nominee Joan Plowright as Rosalie's mother, Oscar-nominated River Phoenix as Rosalie's friend, PLUS Oscar-Winner William Hurt and Keanu Reeves playing two drug-using cousins.  And believe it or not....each of these characters are involved in this murder plot....AND they're ALL funny no less?? :) This film was pretty much forgotten almost as soon as it was released back in the Spring of 1990, let's find out if it should have been. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Esta noche la Banda Sinfónica de Montevideo, vuelve a presentar un espectáculo inolvidable con las bandas sonoras que marcaron generaciones y trae un repertorio renovado.Es un recorrido por la mejor música de películas y una celebración a los grandes compositores que dieron sonido a la magia del cine: John Williams, Hans Zimmer, Ennio Morricone, Alan Silvestri, James Horner, Howard Shore y Alan Menken, entre otros.El programa de "Banda Sinfónica de Película" incluye música de El mago de Oz, Ben-Hur, Superman, Forrest Gump, Avatar, El señor de los anillos: El retorno del Rey y Batman: El caballero de la noche asciende.Será una noche para emocionarse, recordar y dejarse llevar por la música que hizo historia en la gran pantalla. La cita es este martes 8 de abril a las 20:00 horas en el Teatro Solís. Entradas en venta por Tickantel.

Bienvenidos a una de esas semanas de cine en las que no es fácil elegir el adjetivo calificativo que resuma mejor la oferta heterogénea que acaba de desembarcar en las salas de cine. Y es que acaba de llegar un videojuego pixelado como "Minecraft", que se convierte en película; un héroe legendario de la Suiza medieval como es Guillermo Tell, que ya tiene su peli aventurera; una emotiva introspección en el mundo de la sordera y de las relaciones de pareja con la peli española "Sorda" y un thriller un tanto macabro, también español, y protagonizado por Blanca Suárez y Daniel Grao: "La huella del mal". Min 5: MINECRAFT, LA PELÍCULA (3 estrellas) En el tranquilo mundo del Overworld, Steve vive felizmente junto a su fiel lobo Denis.Allí, puede construir todo lo que desee en pocos minutos. Sin embargo, la amenaza del siniestro Malgosha irrumpe en su vida al secuestrarlos. La misión de rescatarlos recae en cuatro inadaptados transportados inesperadamente a este mundo cúbico. Jack Black y Jason Momoa protagonizan la esperada adaptación de uno de los videojuegos con más seguidores de todo el mundo y que se convierte en una buena opción de entretenimiento sin complejos para toda la familia. Min 16: GUILLERMO TELL (3 estrellas) Claes Bang encarna con intensidad y carisma a Guillermo Tell, el legendario ballestero suizo que desafió al poder tiránico en nombre de la libertad. En un territorio montañoso marcado por la opresión del Imperio de los Habsburgo, Tell se ve obligado a ejecutar una peligrosa hazaña: disparar una flecha sobre la cabeza de su propio hijo, como castigo por no inclinarse ante el sombrero del gobernador Gessler. Bajo la dirección del británico Nick Hamm, Guillermo Tell cobra nueva vida en una interesante y entretenida reinterpretación cinematográfica del legendario héroe suizo que ha convencido sin alardes a nuestro Filtro Luchini. Min 24: SORDA (3,5 estrellas) En Sorda, la debutante Eva Libertad ofrece una mirada íntima, valiente y profundamente humana sobre la experiencia de vivir en un mundo que no siempre escucha. Protagonizada por Miriam Garlo, en una interpretación conmovedora y auténtica, la película narra la historia de una mujer sorda que desea ser madre, mientras se enfrenta a los desafíos invisibles que impone una sociedad normativizada y llena de prejuicios. A su lado, Álvaro Cervantes encarna a su pareja, en un relato que explora el amor, la comunicación, el deseo y las barreras —tanto externas como internas— que emergen en el camino hacia la maternidad. Min 31: LA HUELLA DEL MAL (2,5 estrellas) Dirigida por Manuel Ríos San Martín, La Huella del Mal es un inquietante thriller psicológico que ahonda en las raíces del crimen y en los límites de la mente humana. Protagonizada por Blanca Suárez y Daniel Grao, la historia se sitúa en una pequeña localidad sacudida por un asesinato que despierta los fantasmas del pasado y revela un entramado de secretos largamente enterrados. Min 37: UNA VIDA EN SECRETO (1 estrella) "Una vida en secreto" es una película estadounidense de 2024 dirigida por Savi Gabizon y protagonizada por Richard Gere y Diane Kruger. La trama sigue a Daniel, un adinerado empresario neoyorquino interpretado por Gere, quien descubre que su exnovia Rachel (Suzanne Clément) tuvo un hijo suyo hace 20 años sin su conocimiento. Min 42: LA PELI DE TU VIDA, CON PEDRO ÁNGEL SÁNCHEZ Uno de los locutores más queridos y seguidos de Radio Castilla-La Mancha, Pedro Ángel Sánchez, ha compartido con la audiencia cuál es la película que más le ha marcado a lo largo de su vida. Director del programa musical "La tarde suena bien" y autor del exitoso libro "Nada es eterno, salvo La Carrá", Pedro Ángel se adentra en los recuerdos de su memoria cinéfila para desvelar ese título que dejó una huella imborrable en su corazón. Esta vez nos toca mirar hacia uno de los grandes directores de nuestra tierra. Min 51: BSO "WILLOW": ADIÓS A VAL KILMER Y el diván de las bandas sonoras quiere hacerse eco en este capítulo de una triste noticia. La muerte, a los 65 años, del actor americano Val Kilmer. Después de conocer con qué peli de su filmografía se quedan Alberto Luchini y Raquel Hernández, Ángel Luque ha querido poner el foco en su papel de intrépido caballero protector y seductor en Willow. Y es que la peli de Ron Howard, del año 88, tiene un aval que supera al propio resultado de la película: La banda sonora del gran James Horner que nos servirá para decir adiós al actor que dejó su impronta en Top Secret. Top Gun, Heat, el Santo o Batman Forever.

The Rocketeer is a 1991 American superhero film from Walt Disney Pictures. Directed by Joe Johnston, it stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton, Paul Sorvino, and Tiny Ron Taylor. It is based on the character of the same name created by comic book artist and writer Dave Stevens.Set in 1938 Los Angeles, California, The Rocketeer tells the story of stunt pilot Cliff Secord, who discovers a hidden rocket pack that he thereafter uses to fly without the need of an aircraft. His heroic deeds soon attract the attention of Howard Hughes and the FBI, who are hunting for the missing rocket pack, as well as the Nazi operatives who stole it from Hughes. What's not to love?We've got a packed house for this episode in Hollywoodland. Connor, Frank, Matt and Peter all made sure to clear their schedules to talk about what's become something of a hidden gem. Accompanied by a stellar score by James Horner, join the boys as we go back to the early days of the super hero genre.You can watch The Rocketeer on Disney+. Be sure to follow us on Instagram.

In episode 38, Johnny talks to soundtrack nut, Aliens fan, and all-round good guy from Iowa, Joe Foster. Their chat includes a lengthy discussion on Ripley's return to LV-426, they talk about James Horner, Ed Zwick and Michael Biehn, and they discuss whether wearing a pith helmet somehow makes you able to drink beer faster.This conversation was recorded online in mid-March of 2025.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' Loco Looper game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.

Dans cet épisode de ComicsDiscovery, on enfile nos plus beaux jetpacks pour fracasser du nazi ! Delcourt, au travers d'un album hommage, nous replonge dans l'univers inventé par Dave Stevens, Rocketeer. Dans cet album, les grands noms du comics mettent en scène dans des aventures extraordinaires, cet héros inspiré par les récits pulp. Dave Stevens : un illustrateur de talent entre comics, animation et cinémaAvant de créer The Rocketeer, Dave Stevens fait ses débuts dans l'industrie du comics en travaillant comme encreur pour Russ Manning sur les adaptations de Tarzan et Star Wars en comic strips. Il rejoint ensuite le monde de l'animation en collaborant avec Hanna-Barbera sur des séries comme Super Friends et The Godzilla Power Hour. Son talent pour l'illustration le conduit également à devenir storyboarder pour des productions télévisées et cinématographiques, comme Les Aventuriers de l'Arche Perdue (Indiana Jones). Après le succès de The Rocketeer, Stevens s'est principalement consacré à l'illustration. Il réalise des couvertures mettant en scène des pin-ups et surtout Betty Page dont il est fan. Il devient au fil des années un ami proche et un grand soutien. Bien qu'il ait produit peu de bandes dessinées après The Rocketeer, son style méticuleux et son amour du rétro ont marqué plusieurs générations d'artistes. Spades vous en parle plus en détail dans l'émission. The Rocketeer : un héros pulp entre hommage et modernitéC'est en 1982, dans les pages bonus de Starslayer chez Pacific Comics, que The Rocketeer fait ses premiers pas sous la plume de Dave Stevens. Passionné par l'esthétique des années 40 et les serials d'aventures comme Commando Cody, l'auteur imagine Cliff Secord, un cascadeur intrépide qui découvre un jetpack expérimental et devient un justicier. Véritable condensé de l'esprit pulp, Cliff incarne l'aventurier courageux, un brin tête brûlée, évoluant dans un monde rempli d'espions, de gangsters et de nazis. Stevens ne se contente pas de reproduire les codes du genre : son héroïne, Betty, directement inspirée de la pin-up Betty Page, est bien plus qu'une simple faire-valoir. Forte et indépendante, elle apporte une dimension moderne à cet univers, faisant de The Rocketeer un vibrant hommage à l'âge d'or du pulp tout en le réinventant avec une touche de fraîcheur et d'élégance. Les aventures de RocketeerPeut-être êtes-vous familier de Rocketeer et de son univers via son adaptation en 1991 par le futur réalisateur de Captain America, Joe Johnston produite par Disney. Ce film d'aventure à l'ancienne met en scène Bill Campbell dans le rôle de Cliff Secord, tandis que Jennifer Connelly incarne Betty (rebaptisée Jenny pour l'occasion). Face à eux, Timothy Dalton campe un parfait méchant hollywoodien, inspiré d'Errol Flynn, mais avec une particularité : il est cette fois un espion nazi. Fidèle à l'esthétique des années 40, le film est un bel hommage aux serials d'époque, porté par une mise en scène soignée et une bande originale signée James Horner. Dans l'émission, c'est Faye qui vous parle de cette adaptation et vous recommande vivement la vidéo de Meea consacrée au film, un contenu riche et très bien documenté qui revient sur son histoire et son impact : https://www.youtube.com/watch?v=casrC6hCdV0 Les nouvelles aventures de RocketeerCette semaine, The Rocketeer revient chez Delcourt avec un album hommage célébrant l'héritage de Dave Stevens. Ce recueil réunit plusieurs histoires inédites signées par de très grands noms du comics, parmi lesquels Kurt Busiek, Mark Waid, John Cassaday, Michael Allred, Bruce Timm ou encore Adam Hughes. Avec son esthétique soignée, cet album est un superbe objet empli de nostalgie, un véritable hommage à l'univers et au style du créateur de The Rocketeer. Cependant, si vous ne connaissez pas encore ce héros à jetpack, on vous conseille plutôt de commencer par les comics originaux de Dave Stevens ou par le film de Joe Johnston, car ce nouvel album s'adresse avant tout aux fans de longue date déjà attachés à l'univers de The Rocketeer. Retrouvez nos chroniqueurs : Céline : Découvrez ses réseaux ici Faye : Découvrez ses réseaux ici Spades : Découvrez ses réseaux ici James : Découvrez son InstagramSuivez-nous sur nos réseaux sociaux : Facebook : ComicsDiscovery sur Facebook Twitter (X) : @comicsdiscovery sur Twitter Instagram : @comicsdiscovery sur Instagram TikTok : @jamesetfaye sur TikTok Écoutez nos podcasts sur vos plateformes préférées : Spotify : ComicsDiscovery sur Spotify Ausha : ComicsDiscovery sur Ausha Apple Podcasts : ComicsDiscovery sur Apple Podcasts Deezer : ComicsDiscovery sur Deezer Retrouvez nos replays vidéo : YouTube : ComicsDiscovery sur YouTube Twitch : James et Faye sur Twitch Pour nous soutenir :Vous aimez notre travail ? Vous pouvez nous aider sur Tipeee ! Rejoignez-nous sur Discord :Venez discuter avec nous sur notre serveur Discord :Rejoindre le serveur Découvrez nos autres productions :Retrouvez toutes nos productions et articles sur notre site officiel :James & Faye

Lee caps off Black History Month with another Blaxploitation playlist for your listening pleasure, in a slightly shorter episode than usual (hey, it's a short month). --Call Me Mister Tibbs (Main Title) from "They Call Me Mister Tibbs" (1970) --Quincy Jones --Coffin Ed and Grave Digger & Cotton Comes to Harlem from "Cotton Come to Harlem" (1970) --Galt MacDermot; vocals by George Tipton --Main Theme from "Hammer" (1972) --Solomon Burke --Hit Man (What You Gonna Do) from "Hit Man" (1972) --H.B. Barnum --Tell That Man to Go to Hell & Hot Wheels (The Chase) from "Gordon's War" (1973) --Badder Than Evil --Newness in Rhythm (Throw a Punch at Me) from "Detroit 9000" (1973) --Luchi De Jesus --Three Hoods from "Sheba Baby" (1975) --Monk Higgins --Main Title & WW III from "Friday Foster" (1975) --Luchi De Jesus; vocals on Main Title by Ward L. Chandler --Pool Hall Rock from "Cleopatra Jones and the Casino of Gold" (1975) --Dominic Frontiere --End Credits from "Joshua" (1976) --Mike Irwin --Ghetto St. U.S.A. (Vocal) from "Petey Wheatstraw" (1977) --Nat Dove & The Devils with Mary Love. Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Couch Potato Theater: Commando (1985) Fandom Podcast Network YouTube Channel Link: https://www.youtube.com/@FandomPodcastNetwork Couch Potato Theater Audio Podcast Link: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! On this episode we celebrate and discuss the 40th Anniversary of Arnold Schwarzenegger's action classic, Commando (1985). Plot: "A retired Special Forces colonel tries to save his daughter, who was abducted by his former subordinate, and a warlord forcing him to help lead a military coup in his home country" Commando is a 1985 American action film directed by Mark L. Lester and produced by Joel Silver. It stars Arnold Schwarzenegger in the lead role, alongside Rae Dawn Chong, Alyssa Milano, Vernon Wells, Bill Duke, David Patrick Kelly and Dan Hedaya. The musical score was composed by James Horner. Commando was released in the United States on October 4, 1985, where it received praise for the action sequences and humor. The film became a commercial success at the box office and was nominated for a Saturn Award for Best Special Effects. Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew - Lacee Aderhold on X, Letterboxd, Bluesky, Discord & Bluesky: @LaceePants / Instagram: @thelaceepants #CouchPotatoTheater #CPT #FandomPodcastNetwork #FPNet #FPN #Commando #Commando1985 #CommandoMovie #MarkLLester #ArnoldSchwarzenegger #RaeDawnChong #AlyssaMilano #VernonWells #BillDuke #DanHedaya #DavidPatrickKelly #JamesHorner #80sActionMovies #1985Movies #LetOffSomeSteamBennett. #KevinReitzel #KyleWagner #LaceeAderhold

Min 5: FILTRANDO "THE BRUTALIST" ¿GENIALIDAD O DECEPCIÓN? Bienvenidos a una gran semana de cine en la que, por fin, a poco más de un mes de los Oscar 2025, se estrena el último "as" que faltaba poner sobre la mesa para llegar a la gran cita de Hollywood con los deberes hechos y para tener una percepción más completa de cuáles se merecen ser las pelis del año. Es la más extensa, para muchos la más completa y remueve el drama de la inmigración tras la Segunda Guerraa Mundial. Ya está en salas The Brutalist. La peli de un sorprendente Brady Corbert llega con tres Globos de Oro, con Adrian Brody como favorito al Oscar y con elogios de toda índole pese a sus 215 minutos de duración. La crítica le pone un notable alto y nuestros críticos Alberto Luchini y Raquel Hernández nos explican por qué "The Brutalist" podría jhaber sido una película para la posteridad, pero si diluye en su tramo final. CALIFICACIÓN EDC: 3,75 estrellas Min 20: FLOW: LA JOYA LETONA ANIMADA QUE HUELE A OSCAR En "Flow, un mundo que salvar", un gato se despierta en un mundo cubierto de agua, donde la raza humana parece haber desaparecido. Busca refugio en un barco con un grupo de otros animales. Pero llevarse bien con ellos resulta ser un reto aún mayor que superar su miedo al agua. Todos tendrán que aprender a superar sus diferencias y adaptarse a este nuevo mundo en el que se encuentran. Esta película de animación coproducida por Letonia, Francia y Bélgica ya sorprendió llevándose el Globo de Oro y ha entusiasmado de forma desigual a nuestros críticos. Su calidad es una serie amenaza para la mismísima "Robot Salvaje". CALIFICACIÓN EDC: 4 estrellas Min 27: LA FIEBRE DE LOS RICOS: Galder sale del Hoyo Un inesperado virus empieza a acabar con los ciudadanos más ricas e influyentes del planeta, sin que nadie sepa qué sucede. Cuando todos ellos han muerto, los siguientes en sufrir ese destino son los multimillonarios, luego los millonarios, así sucesivamente hasta que acaba con cualquier persona con algo de dinero. Galder Gaztelu, el director de "El Hoyo", sale de su zona de confort y se atreve con una propuesta rompedora que se inicia de forma brillante y pierde enteros en su desenlace. Pese a su irregularidad sale muy viva de nuestro Filtro Luchini. CALIFICACIÓN EDC: 3 estrellas Min 33: EL PROFESOR DE ESGRIMA (Francia. 2025) París, 1887. En una sociedad en rápida evolución, el duelo es el último lugar donde uno puede defender su honor. Clément Lacaze, carismático maestro de esgrima, se encuentra atrapado en una espiral de violencia destructiva. Conoce a Marie-Rose Astié, una feminista adelantada a su tiempo, y decide enseñarle el complejo arte del duelo. El actor y director Vicent Perez dirige y protagoniza esta película de época que valora con pulso firme Alberto Luchini. CALIFICACIÓN EDC: 3 estrellas Min 36. ESPECIAL BESO 30 AÑOS DE JUMANJI Y adentrados en nuestra zona 'chill out' de la música de cine, nos toca soplar una nueva tarta de cumpleaños con Ángel Luque. Y es que, entre los aniversarios y efemérides que nos trae este 2025, se encuentra una aventura que marcó un antes y un después en el cine de fantasía y aventuras que empezaba a introducir el CGI. Se trata de "Jumanji", que cumple 30 años y que nos va a servir para recorrer una propuesta familiar que se convirtió en saga de éxito en 2017 con "Welcome to the jungle". Así que abre bien los oídos para disfrutar de los temas de James Horner y Henty Jackman para los tres títulos que componen la saga Jumanji.

We're back after our year break, and we are so excited to talk Titanic and all things Cameron. We bring in sci-fi expert Travis Olson to talk about JC's least fictional film and hear his thoughts on why it's the greatest movie of all time. Connor shares many stories about his viewing experiences and Jon loves the scope and wishes for more films like this.WARNING: Major spoilers for Titanic Follow us:Facebook: https://www.facebook.com/rulesoftheframe/  Instagram: https://www.instagram.com/rulesoftheframe  Twitter: https://twitter.com/RulesOfTheFrame  YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featured  Films mentioned in this episode:Titanic (1997) | Dir. James CameronHouse (1977) | Dir. Nobuhiko ObayashiAvatar (2009) | Dir. James CameronThe Abyss (1989) | Dir. James CameronThe Lord of the Rings (2001-2003) | Dir. Peter JacksonPirates of the Caribbean: The Curse of the Black Pearl (2003) | Dir. Gore VerbinskiIntolerance (1916) | Dir. D.W. GriffithWar of the Worlds (2005) | Dir. Steven SpielbergGangs of New York (2002) | Dir. Martin ScorseseThe Creator (2023) | Dir. Gareth EdwardsTop Gun: Maverick (2022) | Dir. Joseph KosinskiRaiders of the Lost Ark (1981) | Dir. Steven SpielbergKingdom of Heaven (2005) | Dir. Ridley ScottTrue Lies (1994) | Dir. James CameronAvatar: The Way of Water (2022) | Dir. James CameronOppenheimer (2023) | Dir. Christopher NolanThe Terminator (1984) | Dir. James CameronAliens (1986) | Dir. James CameronTerminator 2: Judgement Day (1991) | Dir. James CameronBarbie (2023) | Dir. Greta GerwigKillers of the Flower Moon (2023) | Dir. Martin ScorseseBraveheart (1995) | Dir. Mel Gibson

This is part of a series about overlooked movies from 2005.  ***Referenced media:“The Emigrants” (Jan Troell, 1971)“The New Land” (Jan Troell, 1972)“The Lord of the Rings: The Fellowship of the Ring” (Peter Jackson, 2001)“The Lord of the Rings: The Two Towers” (Peter Jackson, 2002)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Syriana” (Stephen Gaghan, 2005)“The Thin Red Line” (Terrence Malick, 1998)“John Wick” (Chad Stahelski, 2014)“Pocahontas” (Mike Gabriel and Eric Goldberg, 1995)“Spaceballs” (Mel Brooks, 1987)“Apocalypto” (Mel Gibson, 2006)“Badlands” (Terrence Malick, 1973)“Days of Heaven” (Terrence Malick, 1978)“Avatar” (James Cameron, 2009)“The Jerk” (Carl Reiner, 1979)“Quest for Fire” (Jean-Jacques Annaud, 1981)“Heaven's Gate” (Michael Cimino, 1980)Audio quotation:“The New World” (Terence Malick, 2005), including the songs “First Landing” and “All Is Lost” by James Horner, https://www.youtube.com/playlist?list=PLF58BABF8997A9930“Cash Register Cha-Ching | Sound Effect | (Kaching) - Sound - HD” by cashregistersound, https://www.youtube.com/watch?v=trR5YxZjfes“The Jerk” (Carl Reiner, 1979)“Das Rheingold”, including “Prelude” by Richard Wagner (1869), https://www.youtube.com/watch?v=chLhMuCLEPk

This week, I'm reading the ninth chapter of the Peter David penned movie novelization of the 1991 Rocketeer film.  This chapter is when the Rocketeer makes his debut!  This is one of the few part of the comic the plays out on the big screen, as Cliff in the comic also goes airborne for the first time to save Malcolm, a former WW1 flier who hangs out at the airfield.  Click on the picture of Cliff taking off to watch the scene in the film.  The James Horner score really completes the scene.  As always, thanks for listening! ∞∞∞∞∞∞∞∞  Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack! Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people. Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music. Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack. Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape. Website: https://13thhr.wordpress.com Book trailer: http://bit.ly/1VhJhXY Interested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details! https://13thhr.wordpress.com/2024/12/23/the-thirteenth-hour-podcast-488-and-like-a-hood-ornament-66-reading-the-rocketeer-movie-novelization-chapter-9/

Buckle up for this comprehensive Braveheart (1995) Movie Review—a journey into the heart of one of Hollywood's most iconic films.Few films, like Braveheart, have managed to carve a lasting legacy in cinematic and cultural history. Released in 1995, this historical epic directed by and starring Mel Gibson became an instant classic, captivating audiences with its sweeping storytelling, larger-than-life battles, and deeply emotional core. For this week's episode of Born to Watch, we're diving headfirst into this towering masterpiece, analysing how its themes of freedom, love, and sacrifice resonate decades later. A Hero Rises: The Story of William WallaceAt its core, Braveheart tells the story of William Wallace, a Scottish warrior who leads a rebellion against the oppressive English rule of King Edward I. The film opens with a hauntingly serene Scottish countryside juxtaposed with the brutal reality of English occupation. After a devastating personal loss, Wallace transforms from a reluctant farmer into a passionate freedom fighter. Mel Gibson's portrayal of Wallace is both gritty and charismatic, embodying the very spirit of defiance that fuels the film's narrative.The screenplay, penned by Randall Wallace (no relation to the historical figure), balances historical inspiration with a touch of artistic liberty. While purists may critique its deviations from recorded history, the film's emotional truth—its depiction of sacrifice, unity, and resistance—rings powerfully true.Mel Gibson's Vision: Direction and PerformanceMel Gibson's dual role as director and lead actor is one of the film's defining achievements. His direction imbues Braveheart with a sense of grandeur rarely seen in modern cinema. The sweeping shots of the Scottish Highlands serve as a breathtaking backdrop, while the intimate close-ups capture the raw human emotion behind every battle cry. Gibson's commitment to authenticity extends to the brutal, unflinching depiction of medieval warfare, which remains shocking and visually stunning.As William Wallace, Gibson delivers one of the most memorable performances of his career. His impassioned speeches, particularly the iconic "They may take our lives, but they'll never take our freedom!" moment, are the stuff of cinematic legend. Gibson's portrayal of Wallace is deeply layered, presenting him not just as a warrior but as a man burdened by grief, love, and the weight of his people's hopes.Epic Battles, Epic StakesNo Braveheart review would be complete without acknowledging its jaw-dropping battle sequences. From the clash at Stirling Bridge to the final, gut-wrenching moments of Wallace's sacrifice, the film's action is both visceral and meticulously crafted. Cinematographer John Toll's use of handheld cameras during battles immerses viewers in the chaos, while James Horner's soaring score underscores every charge, every cry, and every victory with haunting beauty.The brutality of the battles isn't just spectacle—it's storytelling. Every sword swing, every desperate shout is a reminder of what's at stake: a nation's freedom and identity. Gibson doesn't shy away from the costs of war, making Braveheart as much about the price of liberty as its pursuit.Themes That ResonateAt its heart, Braveheart is more than just a historical epic; it's a meditation on universal themes that continue to resonate today. The film explores the tension between individual desires and collective responsibility, the sacrifices demanded by leadership, and the unyielding pursuit of justice in the face of tyranny.Wallace's unwavering dedication to freedom, even at the cost of his life, is an enduring symbol of resistance against oppression. It's no surprise that Braveheart has become a touchstone for movements and individuals seeking to inspire courage and change.Cultural and Historical ImpactBraveheart was met with widespread acclaim upon its release, winning five Academy Awards, including Best Picture and Best Director. Its success sparked a renewed interest in medieval and historical dramas, paving the way for films like Gladiator and The Last Samurai.Critically, Braveheart has faced scrutiny over its historical inaccuracies. However, its ability to capture the emotional essence of the Scottish struggle for independence has made it a beloved cultural artifact, particularly in Scotland, where it helped reignite national pride.Flaws Worth MentioningWhile Braveheart soars in many aspects, it's not without its flaws. Historical purists may bristle at its liberties with the timeline and events of Wallace's life. Characters like Princess Isabella of France are romanticised to the point of fantasy, which can detract from the film's otherwise grounded emotional core.The film's depiction of the English as uniformly villainous has also been criticised for lacking nuance. However, these critiques pale compared to the sheer impact and resonance of the story.Why It Still MattersNearly three decades after its release, Braveheart continues to inspire and entertain. Its combination of grand storytelling, unforgettable performances, and universal themes has ensured its place in the pantheon of cinematic greats. For modern viewers, the film serves as both a thrilling spectacle and a poignant reminder of the sacrifices made in the pursuit of freedom.In today's world, where the fight for justice and autonomy remains a constant, Braveheart feels as relevant as ever. Its message—that courage and conviction can change the course of history—rings true, reminding us all of the power of a single voice.Final VerdictBraveheart is more than just a movie; it's an experience. From its sweeping cinematography to its heart-pounding battles, from its unforgettable performances to its stirring themes, this film is a testament to the enduring power of storytelling. Whether revisiting it for the hundredth time or experiencing it for the first, Braveheart remains a must-watch for lovers of epic cinema.So, grab your kilts, swords, and courage—this Braveheart (1995) Movie Review is just the beginning of our journey into one of the most powerful films ever made. Tune in to this week's episode of Born to Watch for more insights, behind-the-scenes stories, and passionate discussion about why this film remains an all-time classic.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/

It's time to go back to Titanic. My Big Score producer and Titanic super-fan Ellie Warren joins us to break down The Score for The Movie of the 1990s. Join us, won't you, as we discuss Leo-Mania, the sound design, the film's crescendo in the third act, "My Heart Will Go On", and much, MUCH more in this super-sized episode on James Horner's score for Titanic. My Big Score was created and hosted by Christopher Dole. Our producer, editor, and social media consultant is Ellie Warren. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material. And if you like the show, share it with your friends, any way that you can!

Vinyl records play a significant role in Jay and Deon's lives. They're 100% obsessed with music. But how did this madness all start? Well, episode 40 of LLR examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed while another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it! Put it in your souls already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast include (in order of appearance): Brothers Johnson, dialogue from Peter Pan Records' "G.I. Joe: Escape From Adventure Team Headquarters" storybook, DJ Sanz, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Sir Reginald Kenneth Dwight*, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, the King of Pop*, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) King of Pop - GTBT* (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) #6 Pop Hit W.E. 04_FEB_1984* (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest ⁠Electric Kitsch⁠. Drink ⁠Blue Chair Bay⁠ flavored rums. Feeling like jumping into a ravine? There's ⁠help⁠ available. *some details have been changed

What composer James Horner attempted with Field of Dreams had never been done. In this episode, we look at the unorthodox, emotional score that Horner created on the fly. We also discuss a man who has played catch more than 900 days in a row, and the impact he's had on countless lives.

Clearly, vinyl records play a significant role in Jay and Deon's lives. But how did this all start? Well, episode 40 examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed and another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it. Put it in your soul already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast includes (in order of appearance): Brothers Johnson, Holland-Dozier-Holland, Derrick Harriott, Townes Van Zandt, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Elton John, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, Michael Jackson, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) Michael Jackson – Got to be There (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) Elton John – I Guess That's Why They Call it the Blues (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest Electric Kitsch. Drink Blue Chair Bay flavored rums. Feeling like jumping into a ravine? There's help available.

Min 5: Filtrando al nuevo “Gladiador” Se acabó la cuenta atrás. La segunda y más que esperada segunda parte de Gladiador está arrasando ya en todas las pantallas del mundo. Casi 25 años después, a sus 86 años, Ridley Scott vuelve a la arena del Coliseo y a la Roma de los excesos para resucitar el peplum en la era del CGI y de los superhéroes agotados. Y tal es la polvareda que está levantando este regreso que hay muchas preguntas que responder para quienes aún no la hayan visto: ¿Está a la altura del primer "Gladiador"? ¿Es más que un continuo homenaje al clásico del 2000? ¿va más allá del efectismo y la grandilocuencia? ¿Es para tanto el ya elogiado papel de Denzel Washington? ¿Cumplen Pedro Pascal y Paul Mescal? CALIFICACIÓN EDC: 3 ESTRELLAS Las respuestas y las calificaciones en en un FILTRO LUCHINI que también analiza y puntúa los siguientes estrenos: Min 18 “Nunca te sueltes” USA. (Alexandre Aja) CALIFICACIÓN EDC: 2,5 estrellas Min 22: “EL BAÑO DEL DIABLO”. Austria (Severin Fiala) CALIFICACIÓN EDC: 2,5 estrellas Min 28: POLVO SERÁN. España (Carlos Marques-Marset) CALIFICACIÓN EDC: 3 estrellas Min 33: WALDO. (España) EL DOCUMENTAL DEL AÑO Calificación EDC: 4 estrellas Min 37: LA PELÍCULA DE TU VIDA Hoy en “La película de tu vida”, un director manchego, natural de Alcázar de San Juan, Hugo de la Riva, talento emergente de la tierra con cortos premiadísimos como Sancho, Tarde de pesca, Campeón o Mañana nos explica por qué “Parque Jurásico” es el título que ha marcado su amor por el cine. Min 40: ENTREVISTA CON EDUARD FERNÁNDEZ Nos toca hacer balance de una gran edición del CIBRA, que ha permitido que el cine y la literatura sean de nuevo referencia obligada en Toledo en el arranque de este mes de noviembe. El FESTIVAL DEL CINE Y LA PALABRA ha tenido como medio oficial a CMM y hace una semana bajaba el telón de su décimo sexta edición a lo grande, con presencias destacadas como las de Eduard Fernández, Paz Vega, Julieta Serrano o Jorge Perugorría. Lo mejor de la presencia de Estamos de Cine en esa gala final, el cara a cara con el actor del momento, Eduard Fernández, que nos habla del gran reto que ha tenido que asumir para afrontar su trabajo en “El 47” y en “Marco”. Min 45: ESPECIAL BSO 20 años de TROYA Ángel Luque aprovecha la reactivación del peplum en salas para sacar la tarta del 20 aniversario de TROYA. La película que sólo cuatro años después de GLADIADOR se convirtió en un fenómeno comercial que ha envejecido casi tan bien como la poderosa banda sonora del ya desaparecido James Horner.

Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to join in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do, you can participate in all upcoming all-request programs. Before we get into today's episode, we must first discuss its origins. On October 30, 2023, I worked late into the evening to complete the first ALL REQUEST HALLOWEEN SPECIAL. The audio was recorded, tracks were chosen, and the editing was finished. I tried to export the show, and to my horror Adobe Audition crashed. I restarted the application and tried again. Same result, but this time I received an error message indicating that my voice-over file was corrupt. It took nearly an hour to record the voiceover and several hours to edit the episode. I was also in the midst of one of my busiest years ever, so I didn't have the time or energy to do it all over again, so I informed my Patrons that the show would be postponed and rescheduled for this year! Thank goodness I have a wonderful community of patrons over there, they understand and waited patiently for the show to be done.  Fast forward almost 365 days, and here we are; everything has been re-recorded, re-edited, and... I am pleased to announce that the show has been successfully exported for you to enjoy today! For this first ever Patreon All Request Halloween Special show, you get to hear some spooky favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Alan Rogers, Al Brown, Glenn McDorman, Don Mase, Will Welch, Angela Rabatin, Deniz Çağlar, Jérôme Flick, Stacy Livitsanis, Lee Wileman, Joe Wiles, Jeffrey Graebner, Victor Field, Eldaly Morningstar, Steve Karpicz, Dave Williams and Carl Wonders. They requested tracks from such composers as Ronald Stein, John Harrison, Christophe Beck, Herdís Stefánsdóttir, Christopher Young, Jerry Goldsmith, James Horner, Wojciech Kilar, Bruno Coulais, Bruce Broughton, Dean Kopri, Joesph LoDuca, Alejandro Amenabar, and John Williams. Thank you to everyone who participated. Again, if you didn't get a chance to submit a request but want to be a part of the next all-request program, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon community. However, you should not feel obligated to participate. I am not forcing anyone to join. Remember, this podcast is always free to listen to, but if you want to support the program and join the Patreon community, we'd be delighted to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Send us a textEpisode 009 Join us for an electrifying experience with the legendary Judd Miller, a maestro of the Electronic Valve Instrument (EVI). In this first part, Judd takes us through his transformative journey from being a traditional trumpet player to becoming a pioneer in the world of electronic music. You'll gain insight into how his early influences and a vibrant West Coast jazz scene shaped his path, leading him to collaborate with iconic composers like James Horner and Maurice Jarre, and work on monumental film scores. As Judd reminisces, he shares the pivotal moments that marked his career, from intense studio sessions to the exhilarating challenge of sight-reading in front of orchestras. Hear first-hand about the serendipitous encounter with Terry Harrington that led Judd to embrace the EVI, rekindling his passion and setting the stage for groundbreaking collaborations. With anecdotes about his time with the Yellowjackets and creative experiences with Michael Brecker, discover the intricate art of integrating electronic instruments into traditional settings during a time of musical revolution. Prepare for a joyous ride through the lighter side of studio life, where camaraderie and humor add flavor to Judd's stories. From humorous pranks in recording sessions to the unforgettable live performances with legends like Barbra Streisand, Judd's tales offer a charming glimpse into a bygone era of music-making. Through it all, this episode celebrates not just a career but a lifetime of musical innovation and memories, promising to captivate fans of film music, jazz, and the art of sound design alike.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

“No espaço, ninguém pode ouvir seus gritos.” Mas vai escutar todas as trilhas da série slasher mais famosa do espaço, Alien! Nesta primeira parte, a tetralogia original, dos retalhos de Ridley Scott em Jerry Goldsmith, passando pelo arranca-rabo entre James Horner e James Cameron, a estreia de Elliot Goldenthal no Fincher maldito, e a parceria Frizzell-Jeunet.

C'est indéniable : dans l'espace, personne ne vous entend crier. Mais nul besoin de tendre l'oreille pour capter les partitions étranges et terrifiantes conçues par les xénomorphes Jerry Goldsmith et James Horner pour les deux premiers volets de la saga Alien. Aujourd'hui, les Space Marines de Total Trax replongent en mode commando dans ces partitions cultes qui ont fait trembler des générations de spectateurs.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

n this conversation, the hosts discuss the movie Troy and try Uzo, a Greek liquor. They share their opinions on the director's cut of the film and the performances of the actors. They also talk about the music in the movie and the differences between the director's cut and the theatrical cut. Overall, they enjoy the movie and the Uzo drink. The conversation in this part revolves around the taste of water, the casting of Brad Pitt as Achilles, the portrayal of characters in the movie, and the battle scenes. The hosts discuss the different tastes of water and their preferences for canned water. They also share their opinions on Brad Pitt's performance as Achilles and the accuracy of the portrayal of characters from mythology. The battle scenes, particularly the attack on the beaches of Troy and the fight between Ajax and Hector, are also discussed. The principal themes of this part of the conversation include the differences between the poem and the movie, the portrayal of kingship and honor, the battle scenes, and the brutality of war. The conversation also touches on the significance of the Trojan horse and the different scores by Gabriel Yard and James Horner. Overall, the conversation explores the complexities of war, the moral dilemmas faced by the characters, and the impact of their actions. In this final part of the conversation, the differences between the director's cut and the theatrical cut of the movie Troy are discussed. The changes in the score, the extended storyline, and the portrayal of Greek mythology are analyzed. The participants share their opinions on the director's cut and the theatrical cut, with some preferring one over the other. The favorite Greek folklore and gods are also mentioned. Overall, the conversation provides a comprehensive review of the movie Troy. #beer #baf #moviepodcast #season4 #podcastlife #comedy #podcastlovers #2024 #cocktails #hilarious #podcasts #moviereview #podcastsofinstagram #moviefacts #liquor #drinkreview #barrelagedflickspodcast #barrelagedflicks #moviereviews #subscribe #drunkpodcast #podcast #barrelagedchicks #podcastsofyoutube #youtube #viral #drinkreviews #thetastingroom #guys #brothers #moviefacts #debates #arguments Please leave a LIKE on this video if you enjoyed our show and Subscribe to our YOUTUBE CHANNEL. Don't forget to follow us on Instagram for show updates, plus behind-the-scenes photos of the drinks we've enjoyed on the show and pint review cards! "If you're enjoying our show, please consider leaving us a 5-star review on Spotify, Goodpods, or Apple Podcasts! Your support means the world to us." Don't miss out on our exclusive offers and ways to support the show: - Elevate your beard game with amazing products like Beard oil, Balm, Cologne, and more from [Copper Johns Beard](https://copperjohnsbeard.com). Use code BAF10 at checkout for a 10% discount! - Fuel your day with kickass coffee from [Coffee Bros](http://coffeebros.com). Use code BAF10 at checkout for 10% off your order! - If you would like to support our podcast, head over to our [PATREON](https://www.patreon.com/barrelagedflickspodcast). - Explore our selection of T-shirts, Hoodies, Tank tops, and more at our new Barrel Aged Flicks podcast Store: [What a Maneuver](https://whatamaneuver.net/collections/barrel-aged-flicks-podcast). And don't forget to follow us on social media for updates: - Instagram: [@barrelagedflickspodcast](https://www.instagram.com/barrelagedflickspodcast/) - Facebook: [Barrel Aged Flicks Podcast](https://www.facebook.com/barrelagedflickspodcast) Also, CHECK OUT BARREL AGED CHICKS PODCAST, our sister podcast: - [Apple Podcasts](https://podcasts.apple.com/us/podcast/barrel-aged-chicks-podcast/id1675542641) - [Spotify](https://open.spotify.com/show/620zXgp0ksEU5Cnt1bXAaO?si=8a95dd9c039644b8) - Instagram: [@barrelagedchicks](https://www.instagram.com/barrelagedchicks)n

Another busy month equals another TMBDOS! Grab Bag episode of Blood on the Tracks! That's where Lee does the very lazy thing of building this episode's playlist from tracks found on official episodes of the They Must Be Destroyed On Site! podcast, and does very little talking about the music, if any at all. This playlist covers soundtrack and score selections found in various episodes between 265 and 314. Enjoy! --Self Destruction from "Predator" (1987) --Alan Silvestri (Episode 265) --Brainscan (Main Theme) from "Brainscan" (1994) --George S. Clinton (Intermission #42) --Music at the Mall from "Cyborg" (1989) --Kevin Bassinson (Episode 275) --Medusa from "Clash of the Titans" (1981) --Laurence Rosenthal (Episode 279) --Piruliruli from "Little Rita of the West" (1967) --Rita Pavone & Lucio Dalla (Episode 281) --The Children from "Mad Max: Beyond Thunderdome" (1985) --Maurice Jarre (Episode 287) --Inseguita from "Baron Blood" (1972) --Stelvio Cipriani (Episode 288) --Troglomen from "When Men Carried Clubs and Women Played Ding-Dong" (1971) --Alluminogeni (Episode 292) --Vulcain from "Rabid" (1977) --Claude Vasori (Episode 297) --Running on the Beach from "Nightmare Beach" (1989) --Claudio Simonetti (Intermission #45) --Main Theme from "Dracula A.D. 1972" (1972) --Michael Vickers (Episode 298) --Main Title from "The Satanic Rites of Dracula" (1973) --John Cacavas (Episode 298) --You & Me from "Freebie and the Bean" (1974) --Dominic Frontiere & Bobby Hart (Episode 302) --Knights of the Night from "Opera" (1987) --Steel Grave (Episode 309) --Cowboy's Attack from "Battle Beyond the Stars" (1980) --James Horner (Episode 310) --Green Rocky Road from "Targets" (1968) --The Daily Flash (Episode 314) Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

We're kicking off what has turned into an annual tradition because we've now done it twice, Family Movie Month! This week we're buying an old mansion with Bebe Neuwirth, rolling the dice with Kirsten Dunst and remembering a time when Bonnie Hunt was seemingly always on our televisions with 1995's “Jumanji”! We also get a pitch perfect Patricia Clarkson making a meal out of the mom role, a pre-law Laura Bell Bundy, Jonathan Pryce getting the Home Alone treatment, best supporting screams from David Alan Grier and James Horner's score sweeping us away like a living room monsoon. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods. --Main Theme from "Bigfoot" (1970) --Richard Podolor --The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith --Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter --Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York --Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr. --High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps --Suite from "Snowbeast" (1977) --Robert Prince --What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough --Main Title from "Return to Boggy Creek" (1977) --Darrell Deck --Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians --My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends --Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends --Suite from "Night of the Demon" (1980) --Dennis McCarthy --Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker --Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?) --Main & End Titles from "Demon Warp" (1988) --Dan Slider Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Celebrating 40 years of Star Trek III: The Search for Spock. Not long after Star Trek II: The Wrath of Khan hit theatres, Paramount readies the next film in the franchise because Wrath of Khan does so well. Coming out nearly two years later, Star Trek III: The Search for Spock makes history by being the first Star Trek film to be directed by one of the cast members, in this case, Leonard Nimoy. In this episode, Part II of Twin Cities Trekkies' Star Trek Film Extravaganza, host Wes Huntington is joined by fellow Star Trek podcaster Alex Brisson, one half of Star Trek: The Original Siblings podcast to talk about the film, certain aspects of it, and their Star Trek stories. Any feedback you have can be submitted to the Facebook page (facebook.com/TCTrekkiesPod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us voice messages by going to the link at the bottom of this episode's page in your podcast platform. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! *Music from the film is used for entertainment purposes, and is credited to James Horner; intro music is credited to Leonard Rosenman.*

This week we leap with composer James Horner to one of Mike's favourite films - 1986 sci-fi Aliens. But what do the rest of us think of it, and do we regard as highly as many seem to?

In this episode of In Case You Forgot About…, get ready to blast off with the four brothers as we discuss an underrated classic: The Rocketeer! Set in 1930s Los Angeles, this film features a corrupt actor with a towering henchman, a captivating score from James Horner, New York City-style gangsters, heroes kicking Nazi butts, and, of course, a stylish rocket that's essentially a character of its own. We talk about it all and more! Join us for the fun, and don't forget to bring some chewing gum. Starring Billy Campbell, Jennifer Connelly, Alan Arkin, and Timothy Dalton. Fair Use Disclaimer: This podcast includes short media clips that are utilized for discussion, commentary, and educational purposes, which we believe qualify as fair use under United States copyright law. Please see podcast home page for more information.

Today we present our latest ALL REQUEST SHOW on THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so, you will be able to participate in all upcoming all-request programs. For this all-request program, Jason Drury stepped in once again as host and gave our wonderful patrons a choice between four themes to choose from: War Films, End Credits, British Film and TV Shows, and Box Office Blockbusters. A vote was held on our Patreon page, and End Credits won with 50% of the vote. Our participants today include Eldaly Morningstar, Glenn McDorman, Victor Field, Angela Rabatin, Don Mase, Lee Wileman, Will Welch, Stacy Livitsanis, Deniz Çağlar, Carl Wonders, Joe Wiles, Thomas Tinneny, Dave Willians, and Alan Rogers.  They requested tracks from such composers as Johnny Costa, Michael Small, Henry Mancini, Ennio Morricone, Jerry Goldsmith, Debbie Wiseman, Keiki Kobayashi, Yoko Kanno, James Horner, John Williams, James Newton Howard, Carl Davis, and David Shire. Thanks to everyone who participated. For those who didn't get a chance to send in a request and want to be a part of the next all-request program, we'd love to have you join our wonderful CINEMATIC SOUND RADIO PODCAST Patreon family. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Lee is back to cover musical selections from the films in the later half of Roger Corman's directing career, between the years 1963 to 1990. --End Title from "The Raven" (1963) --Les Baxter --Main Theme from "The Haunted Palace" (1963) --Ronald Stein --Main Title Theme from "The Terror" (1963) --Ronald Stein --Prince Prospero & Prospero's Court from "The Masque of the Red Death" (1964) --David Lee --Main Title & End Title from "The Tomb of Ligeia" (1964) --Kenneth Jones --End Credits from "The Man with the X-Ray Eyes" (1963) --Les Baxter --Theme from The Wild Angels from "The Wild Angels" (1966) --The Visitors --Blue's Theme; Bongo Party; & The Wild Angels Ballad (Dirge) from "The Wild Angels" (1966) --Davie Allen and The Arrows --Midnight Rider from "The Wild Angels" (1966) --The Hands of Time --A Little Head; Flash, Bam, Pow; & Gettin' Hard from "The Trip" (1967) --The Electric Flag --Main Title from "The St. Valentines Day Massacre" (1967) --Fred Steiner --Dance Party & Wild Racers Theme from "The Wild Racers" (1968) --The Sidewalk Sounds --Opening Titles from "Target Harry" (1969) --Les Baxter --Bloody Mama from "Bloody Mama" (1970) --Big Foot --Bubble Gum Girl from "Gas-s-s-s" (1970) --Johnny & The Tornados --This is the Beginning from "Gas-s-s-s" (1970) --Robert Corff --Deathsport from "Deathsport" (1978) --Andy Stein --Main Titles from "Frankenstein Unbound" (1990) --Carl Davis Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

In honor of Roger Corman's recent passing, we decided not to do a movie he directed... instead we opted for one he was the Executive Procedure of... 1980's classic, Humanoids from the Deep. Directed by Barbara Peeters and Jimmy T. Murakami, with an original score by James Horner.

Boldly go into our most gloriously geektacular (and yes, longest) episode as Javi and Paul embark on an epic exultation of the soaring sacred text that is STAR TREK II: THE WRATH OF KHAN. On June 4, 1982, Nicholas Meyer arguably saved the franchise by redefining it as a space opera mashup of Horatio Hornblower and Run Silent Run Deep, with a virtuosic score by the great James Horner. Instead of making sequel to 1979's STAR TREK: THE MOTION PICTURE, Meyer cunningly chose to forge a follow-up to the 1967 episode “Space Seed,” reuniting Ricardo Montalban with the iconic role of Khan, unleashing his towering performance as the ultimate antagonist. (And stick around until the end for a shocking decision about what our next movie will be!)

In this episode Lee pays tribute to the late Roger Corman by covering the soundtracks and scores of several of his directorial credits. In this first of a planed two-part series, the years 1957 to 1962 are looked at. --Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein --Main Title from "Not of this Earth" (1957) --Ronald Stein --The Creep from "Carnival Rock" (1957) --The Shadows --Rock All Night & Rock 'n' Roll Guitar from "Rock All Night" (1957) --The Blockbusters --Main Titles from "Teenage Doll" (1957) --Walter Greene --Main Title from "Sorority Girl" (1957) --Ronald Stein --Hurry from "War of the Satellites" (1958) --Walter Greene --Suite from "Viking Women and the Sea Serpent" (1958) --Albert Glasser --Main Title & End Title from "Machine Gun Kelly" (1958) --Gerald Fried --Folk Song from "I, Mobster" (1959) --Gerald Fried --Suite from "A Bucket of Blood" (1959) --Fred Katz --Main Title from "The Wasp Woman" (1959) --Fred Katz --Main Title from "The Little Shop of Horrors" (1960) --Fred Katz --Completely Insane & Madeline's Brother from "House of Usher" (1960) --Les Baxter --Creature from the Haunted Sea from "Creature from the Haunted Sea" (1961) --Fred Katz & Betsy Jones-Moreland --Main Title from "The Pit and the Pendulum" (1961) --Les Baxter --End Title from "Tales of Terror" (1962) --Les Baxter --Suite from "The Premature Burial" (1962) --Ronald Stein --Main Title from "The Intruder" (1962) --Herman Stein Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Lee and Daniel kick-off an extended series on films either directed by (or in some way overseen by) the late Roger Corman. This time out it's the somewhat shoddy, but fun alien invasion flick "It Conquered the World" (1956), staring Lee Van Cleef and a very game Beverly Garland. Then they tackle the biggest swing Corman had made towards a mainstream sci-fi picture, with his "Magnificent Seven" in space film "Battle Beyond the Stars" (1980). Lots of ground is covered in this one, so round up your posse of space mercs and get ready to fight mind-controlling pickles from Venus. "It Conquered the World" IMDB  "Battle Beyond the Stars" IMDB"  Daniel's other podcast, I Don't Speak German.  Featured Music: "Cowboy's Attack" & "Epilogue/End Title" by James Horner.

Diane and Sean discuss the Emma/Emily of it all with The Amazing Spider-Man. Episode music is, "Oscorp Tower" by James Horner, from the OST.Support the Show.

1980's Battle Beyond the Stars A farm boy recruits a band of outlaws to save the planet Akir from forces that threaten to wipe them out from the face of the universe. A battle stretching beyond the stars begins here. This low budget sci fi version of Seven Samurai is, well, a low budget version of that classic movie.  It has a wide range of characters and locations.  The ships look terrible and the acting is hilarous.  The film score is amazing and led James Horner to land the Wrath of Khan film, so we can be thankful for that.  Cheapseat Reviews the Podcast that explores the Hollywood film industry for the greater good. 

Using TierMaker, we rank the best film scores of all time! We discuss films from composers such as John Williams, Hans Zimmer, Alan Silvestri, Max Steiner, James Horner, and many more! How does The Godfather score compare to the James Bond theme? Is The Dark Knight trilogy score as good as the original Danny Elfman Batman score? How do classics like Casablanca and Fiddler on the Roof compare against modern films like Interstellar and Dune? We debate it all!

In this Intermission episode Lee gives some thoughts on the legacy of the recently deceased king of B-movies Roger Corman. He also talks about what he's been watching recently, including the new horror film "Abigail". Lee's recent guest spot on The Grindbin Podcast.  Featured Music: "The Battle Begins" and "Main Title" from Battle Beyond the Stars, by James Horner.

A breathwork meditation on nostalgia.

James Horner, the legendary film composer, has left an indelible mark on the world of movie music. His works in the 80s, 90s, and 2000s continue to resonate with audiences worldwide. Now, PERSEVERANCE RECORDS, in collaboration with SPECTRAL SHIMMERS PRODUCTIONS and THE JAMES HORNBER ESTATE, is embarking on a remarkable project: re-recording and releasing renditions of Horner's early, previously unreleased musical compositions. In this special edition of TALKING SOUNDTRACKS, Jason Drury talks to orchestrator Nikiforos Chrysoloras and PERSEVERANCE RECORDS founder and producer Robin Esterhammer about the project, as well as talking about their love of James Horner's music. You will also be hearing exclusive mock-up clips of the two scores which are being re-recorded, THE HAND and THE DRESSER as well as a mock-up clip of "Pentimenti", one of the early concert pieces composed by James Horner, due to be recorded during the planned session. You can support the Kickstarter campaign by clicking HERE! Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Travel back to the year 1995 when we all found out who shot Mr. Burns, Apollo 13 came out so that all future movie trailers can use James Horner's music for their dramatic themes, and Calvin & Hobbes sled off into the snow one final time. Reminisce as the Podouken crew assembles their Neo Geo 4 slot with their picks of 1995 with Savage Reign, Far East of Eden: Kabuki Klash, Pulstar, and Puzzle de Pon! Why are this year's MVS releases an attack of the clones? How did this episode become so… suggestive? Did we just stumble upon the secret inspiration of Naruto? Was the return of Time-Boy a success? The questions this week include which arcade character do we think has the most rizz (which required our old asses to look up the definition of “rizz”) and what game is at the top of our bucket list to play on dedicated hardware? Join the Podouken Discord and ask your own questions which could be included in a future episode by following this link: discord.gg/k5vf2Jz

We visit a James Cameron classic and ask a young first-time viewer how it compares to modern Cameron films. For related episodes of the Alien franchise, check out 768: Alien (1979) and 1004: Predator (1987). The Bad For Me tweet ripping off Cameron's ALIEN$ pitch. The next episode will be Yes, Madam (1985).

[School of Movies 2024] Is this the last true swashbuckler of the 20th Century? It's certainly the Zorro movie so great, and so wildly successful in all of its aims that there hasn't really been a landmark big screen appearance since then (that wasn't the leading man playing a cat). Antonio Banderas and Catherine Zeta Jones in their prime, and Anthony Hopkins delivering my personal favourite performance of his.  Here, in this commissioned episode, we go through every department, exploring the multitude of exceptional craftspeople, thespians, stunt coordinators, wardrobe heads, practical FX masters, all the while accompanied by the music of the late, great master of horns, composer James Horner. All of their work blends together into an absolutely magnificent, sweeping romantic adventure of revenge and liberation, with not only the greatest fencing scenes ever filmed, but the sexiest!  This is the second of a trio of absolutely astonishing films directed by Martin Campbell. We have already covered the third, (twice!) Casino Royale (2006), and we really do need to get around to covering the first, GoldenEye (1995). Guest: Brenden Agnew @BLCAgnew of Cinapse

l⁠inktr.ee/CatchingUpOnCinema⁠ This February is “Frame of Reference” month at Catching Up On Cinema! All month long, Trevor and Kyle will be reviewing films that have frequently been referenced in recent episodes of the podcast. This week, Trevor and Kyle review Martin Campbell's, The Mask of Zorro (1998)! A long gestating project that encountered many delays, ran over budget, and saw many directors step into and out of the director's chair, The Mask of Zorro (1998) would ultimately be ushered into theaters by director Martin Campbell in the summer of '98. Starring Antonio Banderas and Anthony Hopkins as the titular Zorro, and featuring Catherine Zeta-Jones in a star making turn as Elena, The Mask of Zorro is a gorgeous production, both in terms of the aesthetic appeal of its stars and starlets, and the sumptuous production design. Much as was the case in director Campbell's previous film, GoldenEye (1995), the stunt work and action choreography in The Mask of Zorro is top-notch, showcasing dynamic swordplay, horseback riding, and acrobatics. Energetically scored by James Horner, the soundtrack for The Mask of Zorro is highly thematic, with memorable flourishes and melodies sprinkled throughout, and some truly show stopping action cues making the production soar whenever Zorro jumps into the fray. Unlike other modern takes on comic book and radio heroes such as The Shadow (1994) or The Phantom (1996), The Mask of Zorro successfully manages to find a comfortable balance in showing reverence for and paying homage to classic Hollywood, resulting in a film that is wholly modern in its pacing and editing, while clearly bearing the DNA of swashbucklers of old. A magnificent action film with a period charm, The Mask of a Zorro is a movie that this reviewer eagerly anticipated prior to its release, greatly enjoyed when it arrived in theaters and on VHS, and now, roughly 25 years later, has grown to truly love. Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like, share, subscribe, and we'll catch you next time!

Jason Drury continues the first show of 2024 by playing “Prologue/Opening City” from the classic science-fiction film SOYLENT GREEN (FSM RECORDS) by Fred Myrow, which is celebrating its 50th anniversary this year. The show then continues with exciting music from the pen of John Williams for THE LOST WORLD: JURASSIC PARK (LA LA LAND RECORDS), and James Horner from WINDTALKERS (INTRADA RECORDS). Japanese composer Joe Hisashi then takes centre stage with a suite from his current album, A SYMPHONIC CELEBRATION: MUSIC FROM THE STUDIO GHIBLI FILMS OF HAYAO MAYAZAKI (DEUTSCHE GRAMOPHONE). You'll then hear music from Richard Band's score to PUPPET MASTER: AXIS OF EVIL (INTRADA RECORDS). The show ends with the end title music from Michael Giacchino's score for STAR TREK: INTO DARKNESS (VARESE SARABANDE) which is celebrating its 10th anniversary. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

ESTHER 9:2 Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Opening song, "Spooklight" from the album, "The Clamour and the Crash" by Jeff Foote