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In today's episode, I'm wrapping up the music for the indoors castle sections of the Rocketeer vs the Third Reich pixelart game I've been making. Last week, I based the melody on the Jenny Theme from the Rocketeer soundtrack by James Horner and made a short segment (about 30 sec long), trying to make it sound both regal and ominous. I think the theme in the film plays when Jenny is captured by Neville Sinclair, who is both Hollywood royalty and a secret Nazi spy, so that seems appropriate. I think in that segment, she is taken to his Frank Llyod Wright style house after being drugged and wakes on his bed (I think after real life events mirroring such events have hit a little too close to home in recent years, Hollywood probably would not go there today, but this was 1991). Nonetheless, I wanted to give the theme an ominous theme to play up the tension in the castle so besides the melody itself, also added some ambient castle noises to try to give you an idea you are in a large stone building. More to come next week!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD! It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music. (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.) The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify, iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify. Join the mailing list for a digital free copy. You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book? Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2026/02/16/the-thirteenth-hour-podcast-549-and-like-a-hood-ornament-92-updates-on-the-rocketeer-vs-the-third-reich-video-game-5/
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Simon Franglen is a multi-award-winning British composer and record producer whose music has been included in some of the most critically acclaimed films of recent decades. Franglen composed the acclaimed score for James Cameron's AVATAR: THE WAY OF WATER in 2023, after his collaboration with the late James Horner on the original film in 2009. He received a 2023 World Soundtrack Award and a 2022 IFMCA Award for his efforts. His score was praised for expanding the sonic world of Pandora with both epic scale and profound intimacy and was a global hit, with the soundtrack album surpassing 750 million global streams. Over the past two years, he has continued his collaboration with Cameron on AVATAR: FIRE AND ASH, released in December 2025, a score that introduced major new themes, textures, and innovative electronica to the AVATAR musical universe. In January 2026, for TALKING SOUNDTRACKS, Jason Drury had the pleasure of talking to Simon via Zoom at his home in Los Angeles. During the interview, they talked about Simon's work on the AVATAR franchise, how he became involved in film music and his relationship and collaboration with the late great James Horner. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
This week, the boys jump aboard the Andrea Gail for The Perfect Storm 2000 Review, the Wolfgang Petersen disaster epic that tried to answer one simple question:What if Mother Nature just decided you were finished?It's a Monday night. You've done your research.You head down past Burleigh, just west of Palm Beach. Three chairs are waiting. Gow's checking stats, Damo's preparing the Snorbs Report, and Whitey's tweaking the levels.Game time.Based on the true story of a sword-fishing crew who sailed directly into a once-in-a-lifetime weather system, the film brings together an all-star cast, George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane and a collection of "hey-that-guy!" actors, but the real star might just be the ocean itself.Whitey is deep in his Clooney phase and openly declares him possibly "the most handsome man we've ever reviewed," while Gow and Damo debate whether the movie actually needs characters at all once the waves hit 100 feet. Because this is Born to Watch, the conversation doesn't stay serious for long.We cover:The legendary boat-on-the-wave shotWhy every sea captain is basically Captain AhabThe world's worst job (professional fisherman easily makes the grand final)Mark Wahlberg's historically patchy beardThe glow-stick responsibilities aboard a fishing vesselWhether the crew should've just sailed to Portugal insteadThe boys also dig into the film's strange structure. Half character drama, half disaster movie, half weather documentary, and somehow still compelling once the storm begins. Even critics admitted the storytelling problems stop mattering once the chaos kicks in. There's praise for the James Horner score, debate about the true events versus movie invention, and an unexpected emotional reaction to the funeral scenes. Plus:The 2000 Movie Lottery (Remember the Titans vs Bring It On vs The Cell)Box office success vs critic ratingsThe Snores Report returnsMichael Ironside is officially considered for Born to Watch RoyaltyAnd of course, the most important question of all:If you knew the storm was coming… would you still turn the boat around for the payday?Because sometimes the scariest part of a disaster movie isn't the wave, it's the decision that leads to it.JOIN THE CREWIf you enjoyed the episode, don't just listen, become part of the Born to Watch community. Leave a rating on Spotify or Apple, drop a YouTube comment, and tell us:Did Billy Tyne make the right call… or did he doom the Andrea Gail?#BornToWatch #ThePerfectStorm #MoviePodcast #FilmReview #GeorgeClooney #MarkWahlberg #DisasterMovies #2000sMovies #TrueStoryMovies #MovieNostalgia
In today's episode, I'm discussing some updates I've made in this past week on the pixelart Rocketeer game that I started a number of years ago. I took a break from the programming part to do some work on the art and music for the game. The game starts with a short intro cut scene told in 1-2 pictures + text, like old NES games, so I made a intro montage picture showing Cliff's life after the events of the movie, implying he's still a pilot, the rocketpack was rebuilt, and his friends - Jenny and Peevy - are still his main motivators. Here is a short video showing some footage from last week discussed in last episode. I successfully got the throwing physics to work, so now Cliff can toss grenades he finds. He can also blow himself up that way, though, so you have to be careful. I was thinking that if you do that, maybe the death scene will be Peevy calling Cliff a chowderhead or something.See the picture at https://13thhr.wordpress.com/2026/02/09/the-thirteenth-hour-podcast-548-and-like-a-hood-ornament-91-updates-on-the-rocketeer-vs-the-third-reich-video-game-4/I also started working on the music for these intro levels. Since they are inside a castle, I wanted there to be a different theme than the outdoor flying levels, like Super Mario Brothers. I'm using a variation of the Jenny Theme from the Rocketeer soundtrack by James Horner for these levels so started working out the notes, the drums, and the tempo. It's very rough at this point, but my hope it I can make a loopable bit that can play over and over during these levels. More to come next week!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD! It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music. (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.) The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify, iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify. Join the mailing list for a digital free copy. You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book? Just email me at writejoshuablum@gmail.com for more details!
On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC’s popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood’s dancefloor anthems to Avatar’s lush, habitable moon, Pandora.
On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC's popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood's dancefloor anthems to Avatar's lush, habitable moon, Pandora.
On this episode of The Movie Podcast, Daniel, Shahbaz, and Anthony are joined by Grammy winning and Golden Globe nominated composer Simon Franglen to discuss his work on Avatar: Fire and Ash. Simon has helped shape the sound of some of cinema's most iconic moments, from producing Record of the Year for Celine Dion's “My Heart Will Go On” on Titanic to scoring blockbuster films like Avatar: The Way of Water and Avatar: Fire and Ash, which has been number one at the box office for five consecutive weeks. With credits on four of the highest grossing films and six of the best selling albums of all time, Franglen has collaborated with filmmaking greats like James Cameron and Terrence Malick, music legends including Michael Jackson, Whitney Houston, Madonna, and Celine Dion, and composers such as James Horner and Howard Shore. James Cameron's Avatar: Fire and Ash is now playing in theatres. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/moviepod Try it risk-free now with a 30-day money-back guarantee! Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices
You poor fools - imagine thinking that The Film Scorer was actually on hiatus? Far, far from the truth. Ending the fifteen second break I took after interviewing Daniel Lopatin is Simon Franglen! For those that don't know, Simon is fresh off of scoring Avatar: Fire and Ash, having already scored Avatar: The Way of Water and working with longtime collaborator James Horner on the first film. This is a much less tangential interview than normal, with essentially our whole focus revolving around Avatar: creating and expanding the palette, the scope and breadth of themes, his prior work with James Horner and carrying a core team through all three films, and, above all, making sure the boss (Jim Cameron) is happy. Simon's score for Avatar: Fire and Ash and the rest of his music is available on all major platforms. Avatar: Fire and Ash is currently in theaters, and if we're lucky there might be a few more Avatar films on the way some day. You can find out more about Simon on his website.
Min 5: SONG SUNG BLUE: CANCIÓN PARA DOS (3 estrellas) Song Sung Blue, dirigida por Craig Brewer (Hustle & Flow, Footloose) y protagonizada por Hugh Jackman y Kate Hudson, es un musical de tono íntimo y clásico que, bajo la apariencia de una feel-good movie, explora con sensibilidad la necesidad de creer en los sueños cuando el tiempo parece haberse agotado. Inspirada en una historia real y atravesada por el cancionero de Neil Diamond, la película sigue a una pareja corriente que encuentra en la música una vía de escape frente a la frustración vital y el desgaste emocional, construyendo un relato sobre segundas oportunidades, el amor maduro y la dignidad de quienes persisten sin garantías de éxito. Min 15: NOUVELLE VAGUE (3,5 estrellas) Nouvelle Vague, dirigida por Richard Linklater (Boyhood, Antes del amanecer) y protagonizada por Guillaume Marbeck, Zoey Deutch y Aubry Dullin, es una elegante y cinéfila inmersión en el nacimiento de la Nouvelle Vague francesa que reconstruye, casi en tiempo real, el rodaje y el espíritu revolucionario de À bout de souffle de Jean-Luc Godard. Lejos del biopic convencional, Linklater propone un ejercicio de estilo lúcido y juguetón que captura la efervescencia creativa, la camaradería y las tensiones entre un grupo de jóvenes cineastas dispuestos a dinamitar las reglas del cine clásico desde las calles de París. Min 21: LA CRONOLOGÍA DEL AGUA (1,5 estrellas) La cronología del agua, debut en la dirección de Kristen Stewart, adaptando las memorias de Lidia Yuknavitch, y protagonizada por Imogen Poots, es una obra radicalmente íntima y física que se adentra sin concesiones en el trauma, el deseo y la reconstrucción de la identidad femenina. A través de una narrativa fragmentada y sensorial, Stewart rehúye el relato biográfico convencional para sumergir al espectador en una experiencia emocional cruda, donde la escritura, el cuerpo y el agua funcionan como espacios de resistencia y supervivencia. Min 26: LA ASISTENTA (3 estrellas) La asistenta, dirigida por Paul Feig (La boda de mi mejor amiga, Un pequeño favor) y protagonizada por Sydney Sweeney y Amanda Seyfried, se ha convertido en uno de los thrillers psicológicos más comentados de la temporada gracias a un relato que combina suspense doméstico y perversión emocional con notable eficacia comercial. Adaptando el bestseller homónimo de Freida McFadden, la película sigue a una joven que entra a trabajar como asistenta en una lujosa casa, pronto atrapada en una relación de poder, manipulación y secretos que desdibujan la frontera entre víctima y verdugo. Min 34: RONDALLAS (3,5 estrellas) Rondallas, dirigida por Daniel Sánchez Arévalo (Azuloscurocasinegro, Primos, La gran familia española) y protagonizada por Javier Gutiérrez, María Vázquez, Judith Fernández y Tamar Novas, es una comedia dramática que estrenó en cines españoles el 1 de enero de 2026 y ha generado un notable impacto por su mezcla de emoción popular y reflexión social. El filme se sitúa en un pequeño pueblo marinero de Galicia dos años después de un trágico naufragio: ante el duelo colectivo y el desgaste anímico, los habitantes deciden reactivar su rondalla —una agrupación de música tradicional que une a varias generaciones— como vehículo de sanación, resiliencia y celebración comunitaria, transformando la pérdida en una nueva forma de unión y sentido vital. Min 35: EL MÉDICO 2 (2,5 estrellas) El médico?2, dirigida por Philipp Stölzl (El médico / Der Medicus, North Face) y protagonizada por Tom Payne, Emily Cox, Aidan Gillen y Liam Cunningham, es una secuela épica que retoma la odisea del médico medieval Rob Cole para explorar, con mayor ambición narrativa y vigor visual, los dilemas humanos, éticos y políticos de la medicina en una Europa medieval hostil a lo extranjero. Min 38: AVANCE ESTRENOS 16 ENERO 1) 28 años después: El templo de los huesos, dirigida por Nia DaCosta y protagonizada por Ralph Fiennes y Jack O'Connell, retoma la saga postapocalíptica con tensión y acción visceral; 2) El mal, de Juanma Bajo Ulloa, con Natalia Tena y Tony Dalton, ofrece un intenso drama sobre la oscuridad interior y las consecuencias de la ambición; 3) Turno de guardia (Heldin), de Petra Biondina Volpe, retrata el desgaste emocional de una enfermera enfrentada a un hospital en crisis Min 42: LA PELÍCULA DE TU VIDA, CON ÁNGEL LUQUE Y sí, nos e podía escapar, tras despedir 2025 con la confesión de Roberto Lancha, la sección La película de tu vida se abre en 2026 con la elección de nuestro experto en bandas sonoras. Ángel Luque nos desvela por qué "Bailando con Lobos" (1990) más allá de la prodigiosa e inolvidable composición de John Barry, es el título que marcó su convencido amor por el cine. Min 50: BSO AVATAR: FUEGO Y CENIZA (3,5 estrellas) La banda sonora de Avatar: Fire and Ash (Avatar 3), compuesta por Simon Franglen, se sitúa como uno de los pilares sensoriales del tercer capítulo de la saga, marcando una evolución clara respecto a los dos primeros filmes. Franglen —colaborador histórico de James Horner y responsable del score de Avatar: The?Way of Water— dedica siete años de trabajo y casi 1900 páginas de partituras orquestales para construir un universo sonoro que acompaña los 195 minutos de metraje, inventando incluso nuevos instrumentos para reflejar auténticamente la riqueza cultural y emocional de Pandora.
Diane and Sean discuss the "best" Star Trek movie, The Wrath of Khan. Episode music is, "Genesis Countdown", by James Horner from the OST.- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- BlueSky: WhyDoWeOwnThisDVD- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show
James Horner is a queer chronicler who educates the public and diverts discrimination from his community. Horner focuses on ordinary queer folk, their issues, and LGBTQ+ icons like Marsha P. Johnson, a rights activist. The artist focuses on painting, but also experiments with drawings, sculptures, and zines. Using a simple color palette, Horner starts his figurative works with a line drawing and develops them to be muscular, abstract, and sometimes humorous. A native New Yorker, Horner has an M.F.A. in painting from Lehman College and is an artist and board member at the Amos Eno Gallery in Manhattan. He has a 40-year retrospective exhibition at the gallery, “Making of an American Dandy,” as well as an exhibit, “Queer Today – Love, Power, Freedom,” with his art collective, Magenta Lounge. Horner exhibits artwork mainly around the United States – at The Bronx Museum, The Tulsa Artists Coalition Gallery, Satchel Projects, public art shows in Chicago, and The Leslie-Lohman Museum of Art. Recent residencies include the DNA Artists Residency and Atelier Artist Residency, and his work has appeared in Out and Advocate magazines. Friday Night Throwdown,” 2010, Acrylic, paper, fabric, and marker on canvas, 95” x 48” “Keith Haring – Pop Icon,” 2024, Acrylic on paper, 22” x 30” “Homebody,” 2024, Acrylic and leather/metal belt on canvas, 22” x 28”
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It's not every movie that is 14+ years in the making, that will feature multiple sequels and somehow keep it fresh. How did James Cameron DO IT for the original Avatar film in 2009? What did The 2GuysTalking Perspective Review Series of think of it BACK THEN? Time to revisit a deep-dive, comprehensive detailing of what is arguably the largest monetary success in feature film history as well as for you to check out the most-comprehensive, educational links listing for the original film - Thanks to 2GuysTalking! The Perspective Reviews Podcast Connection Links: Connect with The Host (and View Direct Contact information Below!) Subscribe to This Podcast & Listen Now! Subscribe, Like, and Share Everywhere! Help Perspective Reviews Grow! Rate this Podcast on iTunes! The ultimate success for every podcaster – is FEEDBACK! Be sure to take just a few minutes to tell the hosts of this podcast what YOU think over at iTunes! It takes only a few minutes but helps the hosts of this program pave the way to future greatness! Not an iTunes user? No problem! Be sure to check out any of the other many growing podcast directories online to find this and many other podcasts on The 2GuysTalking Podcast Network! Housekeeping — A Call for Input: The value of Avatar is truly a perpetual thing. Depending on your age, favorite program and "perspective" - we know that you'll have questions about the movie, our opinions and concepts we haven't even thought of. Contact us today to tell us more about what you think now! Links to Enjoy This Film! It's easy to have the same great experience from this film as we go! Hit the links below and get your copy of the film's soundtrack, score or even the movie itself! Links from This Episode -- -- The 24Podcast.Com Effort: The Review of the Worst Days of Jack Bauer's Life: http://24Podcast.Com -- The Little-Known Bootleg of The Original Avatar by James Cameron: https://www.youtube.com/watch?v=thsc60UTUIE -- The Original Avatar (2009) Trailer: https://www.youtube.com/watch?v=5PSNL1qE6VY -- The Original Avatar Soundtrack by James Horner (2009): https://amzn.to/3Gf7FWu -- Buy the Original Avatar DVD.Blu-Ray Combo (by James Cameron) Movie Now! https://amzn.to/3YI7b2B -- Check Out All of the Weapons Featured Inside of Avatar (2009)! https://www.imfdb.org/wiki/Avatar -- Check Out All of the Vehicles Featured Inside of Avatar (2009)! https://www.imcdb.org/movie_499549-Avatar.html -- Check Out All of The Creatures from Avatar (2009): https://www.youtube.com/watch?v=NQV_Ua_dpZQ -- The BoxOfficeMojo Report for Avatar (2009): https://www.boxofficemojo.com/release/rl876971521/ -- District 9: A Movie That DID Give Us Aliens, Gore and VIOLENCE Galore: https://www.imdb.com/title/tt1136608/ -- Read More About Avatar (2009) on WIkipedia:: https://en.wikipedia.org/wiki/Avatar_(2009_film) -- Why Are the Na'Vi (from Avatar 2009) Blue? https://www.youtube.com/watch?v=7_DJ26Iw-_E -- Have Your Avatar Mind BLOWN - By The AvatarWIKI: https://james-camerons-avatar.fandom.com/ -- 25 Things You Still Missed from Avatar (2009): https://www.youtube.com/watch?v=mr0AuQ-tMjw -- Read More About the Art of Avatar (2009) via Wikipedia: https://en.wikipedia.org/wiki/The_Art_of_Avatar -- Check Out the IMDB.Com LIsting for Avatar (2009): https://www.imdb.com/title/tt0499549/ -- Behind Avatar: Science, Technology, Art & Design: https://scriptphd.com/from-the-lab/2009/12/14/behind-avatar-science-technology-art-and-design/ -- The IMDB.Com Parent's Guide to Avatar (2009): https://www.imdb.com/title/tt0499549/parentalguide -- Filmmaker, Graphic Designer and Submariner James Cameron Leeches Standard Font for His Own Misguided Purposes: https://www.inverse.com/entertainment/avatar-snl-sketch-papyrus -- Avatar (2009) Merchandise on Etsy: https://www.etsy.com/market/avatar_2009 -- Avatar Is Just Slightly Overrated - A Review by Alex Hefner: https://www.youtube.com/watch?v=YbWYoo9aegY&t=1279s -- What is a McGuffin? https://www.studiobinder.com/blog/what-is-a-macguffin-definition/ -- Avatar: A Retrospective Review: https://www.youtube.com/watch?v=b7IPG7nJkao -- Avatar (2009) With and Without CGI (Behind the Scenes): https://www.youtube.com/watch?v=b7IPG7nJkao -- The Making of Avatar (2009) - Behind the Scenes: https://www.youtube.com/watch?v=_Y8Buy5b6DQ -- The Na'Vi (The People) - Explained: Understanding Avatar: https://www.youtube.com/watch?v=ONGdhROj8Jk -- Deleted Scenes from Avatar (2009) That Would Have Changed Everything: https://www.youtube.com/watch?v=BBgidF29xQ0 -- Avatar (2009) Scenes in 4k: https://www.youtube.com/watch?v=3G6J-ITWekA&list=PLiAyVWLOMrdULq0Rid7whV35YMm8GNk9b -- The Biology of Avatar (2009): https://www.youtube.com/watch?v=Hm1JFLpkofs -- The History of the Avatar (2009) Program: https://www.youtube.com/watch?v=MWTXI21x3hc -- Avatar's Planet of Pandora - is TERRIFYING: https://www.youtube.com/watch?v=eKZIJK_rS7U -- Na'Vi Biology - Explained: https://www.youtube.com/watch?v=1NnBgrOqB6I -- Avatar: Pandora - a World of Impossibilities: https://www.youtube.com/watch?v=xUUwZNap19Ugpd Calls to the Audience Inside this Episode: -- What do YOU remember about The Hype from Avatar (2009)? Tell us now? -- Where did YOU see Avatar (2009)? Tell us now? -- How much did YOU pay for a ticket to see Avatar (2009)? Tell us now? -- Where did YOU see Avatar (2009)? Tell us now? -- What did YOU think was "Good" inside Avatar (2009)? Tell us now? -- What did you think was "Bad" inside Avatar (2009)? Tell us now? -- Where do YOU think The Avatar (2009) Franchise will go from here? Tell us now? -- We're always on the hunt for new ideas and feedback. Ready to have YOUR input used inside one of our "All-Fan-Input" episodes? Tell us now? Tell us what you think! It's never too late to be an advertiser in this podcast, thanks to Perpetual Advertising! Contact us now and learn more about why podcasting allows your advertising dollar to live across millions of future listeners – FOREVER! The Host of this Program: Mike Wilkerson: Mike Wilkerson Is the PodFather of St. Louis, and has been hosting, producing, concepting and enhancing podcasts since 2005. As a professional content creator, Mike has been making and documenting every mistake in the Podcasting industry so you won't have to when you're ready to begin. With thousands of of hours of business, marketing and life experience behind and in front of the mic and keyboard, he has created a vibrant and always-growing business tapestry via The 2GuysTalking Podcast Network. As a perpetual student, Mike continues to foster interests in Crisis Negotiator Training, Firearms Instruction and helping people to find the next step in their career with an active interest in hunting light bulb moments. — Mike Wilkerson on Facebook — Mike Wilkerson on LinkedIn — Mike Wilkerson on X — 2GuysTalking on LinkedIn
In this episode of Sync Music Matters, I'm joined by composer and music producer Simon Franglen for a fascinating conversation spanning pop production and film score. Simon reflects on his early career writing jingles and programming the Synclavier for Trevor Horn, an experience that placed him at the intersection of music and emerging technology. That foundation led to high-level session gigs working on music for artists including Michael Jackson, Whitney Houston, and Celine Dion – culminating in his role producing “My Heart Will Go On” for Titanic. His transition into film scoring began with Dances With Wolves, working alongside John Barry and then Alan Sylvestri and James Horner. Experience that shaped his approach to melody and storytelling. We discuss how those lessons continue to inform his work today. The conversation then turns to Simon's latest project, Avatar: Fire and Ash, where he recorded new themes and created original musical instruments to help define the film's sonic world. With a piano in the room, Simon plays excerpts from the score, offering rare insight into his creative process. Simon talks about the film's songs including “Dream as One” by Miley Cyrus and “The Future and The Past” sung by Zoë Saldaña and how they support the narrative. We also explore the decline of strong thematic composition in modern cinema and why Hollywood has shifted away from it. Finally, Simon offers his perspective on AI and the music industry, addressing both the risks and the enduring importance of human creativity. Listen to the Avatar: Fire and Ash Score on Spotify
Every good (or bad) movie needs an awesome villain and producer Joel Silver ensured that was the case with most of his movies. We mention all kinds of antagonists rom Lethal Weapon & 48 Hrs. To The Warriors, Executive Decision & Die Hard To Demolition Man, Streets of Fire, Kiss Kiss Bang Bang, The Losers & Ricochet To The Last Boy Scout, Ninja Assassin, Demon Knight, Predator & Road House. How many actors keep being reused in all of his movies? P.S. Al Leong is still a national treasure! CHECK OUT OUR STELLAR GUESTS: Summer Brooks (The Babylon Project), Film Blogger Ethan Weeks, Oliver Rockside & Jasen Bach (In Your Earholes) SONG/AUDIO INTRO: New York Film Academy 2016 interview with Joel Silver "Captured" by James Horner (from the Commando OST)
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
In this special show, Jason Drury continues to celebrate 50 episodes of THE ARCHIVE by concluding the countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
In part two of our seven-part series counting down the TOP 25 SCORES OF THE 21st CENTURY, we will be featuring three more honourable mentions. In this episode, you'll hear selections from Hans Zimmer, James Horner and Thomas Newman. If you haven't listened to part one yet, I highly recommend doing so first. Part three will be available next week. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Joel Nichols. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
In the premiere episode of this special ‘Behind the Screen' podcast series celebrating the crafts of 'Avatar: Fire and Ash', Grammy-winning composer Simon Franglen reveals what he learned from late composer James Horner, defining the culture of the world of Pandora through music, inventing and 3D printing new instruments, and how James Cameron's passion for music has made Franglen's work uniquely streamlined. Learn more about your ad choices. Visit megaphone.fm/adchoices
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
In this special show, Jason Drury celebrates 50 episodes of THE ARCHIVE with a countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Send us a textWrong place, wrong time, same Filmshake! We're back and Dying Harder than ever, as we talk 1990's Die Hard 2. One of our host's AOL Instant Messenger handles in the 90's was "John McClane," so there might be a little bias here, Mr. Falcon!We also talk our punishment film, 1990's punch and kick-fest, Bloodfist II. But AOL's John McClane doesn't find it a punishment at all! He inexplicably loves it! Can our other host's sanity take all this kicking, punching, shooting, and exploding partisanship? Will he also be swept away in this wave of kickboxing and gasoline? Find out on Filmshake!Music Heard this Episode:"Bloodfist II Credits Theme" -- Nigel Holton"Commando Main Title" -- James Horner"The Runway" -- Michael Kamen"Finlandia" -- Michael KamenSupport the showIntro music - "If" by Broke For FreeConnect with us!TwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Last time on THE FLAGSHIP SHOW, I presented part one of my two-part interview with film music journalist, Cinematic Sound Radio host and friend, Jason Drury. If you haven't listened to that episode, I highly recommend you do so before listening to this episode. In part two, Jason and I talk about feedback from the public, Jason's James Horner audio documentary, how he came to be a member of Cinematic Sound Radio, his future aspirations, and his relationship with the late recording engineer, Mike Ross-Trevor. I thank Jason for taking the time to talk with me and to open up candidly, not only about his passions but also about sharing some of the deeper personal stories. Here now is part one of my chat with Jason, a discussion which took place on a warm fall evening in my dimly lit studio on September 25, 2025 —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Plongez dans les coulisses de "My Heart Will Go On", la chanson emblématique du film Titanic, dont l'histoire est aussi surprenante que son succès. Initialement, James Cameron ne voulait qu'une version instrumentale. Mais le compositeur James Horner a convaincu Céline Dion d'enregistrer une version vocale… à contrecœur. Ce choix inattendu a pourtant marqué l'histoire : la chanson est devenue un phénomène mondial, tout comme le film.À retenir :Céline Dion était réticente à chanter le titre, enregistré en une seule prise.Le morceau a contribué au triomphe du film Titanic, qui a remporté 11 Oscars.Plus de 20 millions d'exemplaires du single ont été vendus dans le monde.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Ida og Jostein snakker om hvordan de ble interessert i filmmusikk og hva de lytter til om dagen. John Williams. James Horner. Jerry Goldsmith. Hans Zimmer. Bernard Herrmann. Bear McCreary. Alle… Les mer
"Apolo 13" (1995), música de James Horner.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Today's program is a special one. This is the first interview that I've conducted since way back in 2000, when I interviewed Michael Giacchino during the MEDAL OF HONOR: UNDERGROUND recording sessions in Seattle. Maybe one day I'll unearth that interview for you all. Back on September 25th of this year, I sat down with CINEMATIC SOUND RADIO's own Jason Drury, who will be releasing his 50th episode of THE ARCHIVE on this podcast soon. Jason was visiting Robert Daniels and me once more, and during one of his last evenings here, he made his way to the CINEMATIC SOUND RADIO studios to have a chat about his lifelong fascination with film music, which began at an early age with his discovery of the music of Barry Grey, John Williams and James Horner, among others. We also chatted about turning his passion into broadcasting, first on the internet radio station KASPAAR in his home of Kent, England, and then joining CINEMATIC SOUND RADIO, where he completed his magnum opus, a three-part documentary on James Horner. Afterwards, Jason created two new podcast series for CINEMATIC SOUND RADIO, called THE ARCHIVE and TALKING SOUNDTRACKS. Since 2021, Jason has expanded his influence as a writer and interviewer for FILM SCORE MONTHLY, engaging with many of today's leading composers. Beyond his broadcasting and journalistic work, he remains an avid movie-goer and cricket enthusiast. As a proud member of the INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION (IFMCA), Jason continues to champion the world of film music, sharing his insight, enthusiasm, and deep appreciation for the art form with audiences around the world. We also delve into Jason's personal journey, including his experiences with bullying and the lasting impact it had on his confidence. He shares how film music became a vital source of comfort and strength during those difficult years. Ultimately, that passion led him to podcasting, which helped him rebuild his self-belief and connect with others who share his love for the art form. Here now is part one of my chat with Jason, a discussion which took place on a warm fall evening in my dimly lit studio on September 25, 2025 Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
The Doctor and Elizabeth Smith Board the Titanic and begin the voyage of a life time but what dark secrets await them on board the most unsinkable boat in history and will they be forced to change the past or learn from History.Dean Eddie Woodlock as The Forgotten 18th Doctor Jericho Guinn as Elizabeth Smith Lewis St Louis as Edward Smith Jeremy Maddog as William Murdoch sandy Jack as John Stanley Pual Usher as Thomas Andrews Doctor who music composed by Delia Derbyshire remix by Souds Smyth productions My Heart Will Go On was composed by James Horner, with lyrics by Will Jennings. Song sung by Celine Dion ‧ 1997
De la multiplicació dels pans i els peixos a la multiplicació de la Nocilla. Crítica teatral de l'obra «Carn humana», de Josep Julien. Intèrprets: Meritxell Calvo i Santi Ricart. Disseny espai: Anna Tantull. Disseny d'il·luminació: Xavi Gardés. Veu en off: Joana Poll. Cap tècnic: Anna Mei Fuentes. Producció: Anna Rius / Mola Produccions. Ajundantia producció: Emma Arquillué / Mola Produccions. Fotografia: Marc Mampel / Gusto Audiovisual. Premsa: Ruben Garcia i Ainara Llorente / Barc Comunicació. Ajudant de direcció: Pepo Blasco. Direcció: Josep Julien. Sala Atrium, Barcelona, 30 octubre 2025. Veu: Andreu Sotorra. Música: Deats of Titanic. Interpretació: James Horner. Composició: James Horner, Nick Vestuto i Will Jennings. Àlbum: Titanic, 1997.
The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world. Today's episode features Phil Yao, Hollywood studio hornist. About Phil: With over 1,500 credits in film, television and recording, USC graduate Phillip Yao has worked with many of the world's top composers and musicians including John Williams, James Horner, Michael Giacchino and Jerry Goldsmith. He can be heard on recordings showcasing a variety of artists from all genres; Hilary Hahn, Barbra Streisand, Aerosmith, Ray Charles, and Neil Diamond, to name a few. In addition, he has years of orchestral, opera, ballet, and Broadway show experience having been a member of the Pasadena Symphony and playing with the Pacific Symphony, Los Angeles Chamber Orchestra, Los Angeles Opera, Phantom of the Opera and Miss Saigon. He and his wife, harpist, Alison Bjorkedal, currently spend time gardening, golfing, and beekeeping. They also enjoy spending time with Phil's 3-year old grandson. Post-playing, Phil has joined the team at Juliani Music Preparation.
Jeff Russo - Scoring Alien: Earth. On Sync Music Matters this week, I sit down with Emmy-winning composer Jeff Russo the creative force behind some of television's most memorable music. From the darkly playful Fargo score to his latest work on Alien Earth (now streaming on Disney+), Jeff has a gift for crafting soundscapes that challenge, surprise, and deepen the stories they accompany. We talk about scoring Alien: Earth and following in the footsteps of Jerry Goldsmith and James Horner. Jeff also reflects on his early career as a producer and songwriter, working alongside Wendy Melvoin and Lisa Coleman from Prince's band The Revolution, and his friendship with Lenny Kravitz. Our conversation also dug into his long-standing creative partnership with Noah Hawley. Their first project together, The Unusuals, marked the start of a collaboration that has carried through to Fargo and now Alien Earth. Jeff spoke about the trust and shared vision that comes from years of working together. And then there are the instruments. The Bassdesmaphone or the Aztec Death Whistle, the unconventional tools tools which spark creativity This episode is full of insights and inspiration Jeff Russo is an Emmy Award-winning and Grammy-nominated composer, songwriter, guitarist, vocalist and music producer. Jeff has scored a plethora of movies and TV series and received an Emmy in 2017 for his work on Fargo and was nominated a further four times. Recent film credits include The Last Rodeo; Star Trek: Section 31 whilst resent series include FX's Alien: Earth and Netflix' Untamed Jeff is also a founding member, lead guitarist and co-songwriter of two-time Grammy nominated, multi-platinum selling rock band,Tonic Jeff Russo on Instagram Jeff Russo Website
KC and Andy love board games.We know that.They also love movie scores! In this episode the gamer bros celebrate the incredible movie music of James Horner and will quickly explain a few games that you'll love that play into those film themes!No...not just games about sinking ships."I will never let go, Jack. I'll never let go"
Everyone has a unique gift that can be used to help others. Check out this brief story to learn how one woman's gift to her husband provided comfort to more than 1,500 people—somewhere beyond the sea.Enjoy! #beyondthesea #mindset #purpose #relationships #positivityThis Volume 8 Issue 4 positivity essay originally appeared on the Hashtag Positivity website on September 10, 2025. Retrieved from https://www.hashtagpositivity.com/blog/beyond-the-sea ABOUT THE HOSTJonas Cain, M.Ed. is a storyteller, magician, musician, and facilitator of fascination, helping people experience abiding joy through curiosity ad wonder. jonas@hashtagpositivity.com MUSIC & AUDIO CLIPSPlease Note: I do not own these audio clips. They are provided here for educational and illustrative purposes.“Nearer My God To Thee” by Sarah Flower Adams & Lowell Mason (1841)Performed by Jonathan Evans-Jones (1997)“Beyond the Sea” by Charles Trenet (1946) & Jack Lawrence (1958)Performed by Jef Krolick (2012)“My Heart Will Go On” by James Horner (1997)Performed by AMoney & Daniel Jang (2019)“Beyond the Sea” by Charles Trenet (1946) & Jack Lawrence (1958)Performed Bobby Darin (1958)
Our second trip to VAL-halla finds Paul, Arlo, and Eric contemplating two very different experiences of Val Kilmer's ‘80s career: Tony Scott's 1986 pro-war classic Top Gun and the 1988 Tolkien rip Willow, helmed by–of all people–Ron Howard. The twist is that the mega-popular Top Gun is a terrible, empty film that survives on aesthetics alone and the notorious flop Willow is a fun little high fantasy romp. The gang discusses the insidious nature of Top Gun, Val's fleeting scenes as Iceman, the superior role of Madmartigan in Willow, and the ominous James Horner horn riff. Plus, The Sandman season 2 arrives on Netflix and Arlo went to see The Fantastic Four: First Steps. NEXT: everybody goes to see Fantastic Four! BREAKDOWN 00:00:26 - Intro / Banter 00:17:50 - Top Gun 00:48:42 - Willow 01:35:25 - Outro / Next MUSIC “Danger Zone” by Kenny Loggins, Top Gun (1986) “Willow's Last Journey (Madmartigan's Farewell)” by KIMSUNGHOON, Val Kilmer Forever: A Tribute to a Hollywood Legend (2025)
This week, we celebrate the career of another film composer we absolutely love. Wayne and David join Jeff to discuss the life and music of award-winning film composer James Horner, and offer their picks for our Top 5 Favorite Scores. For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member! Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.
In this episode of Nerd Legion, we dive deep into the retrospective analysis of Krull, a polarizing cult classic of 1980s fantasy cinema. We break down the highs and lows, discussing everything from the film's impressive visuals, soundtrack by James Horner, and a strong ensemble cast including young Liam Neeson and Robbie Coltrane. We critique the film's convoluted script, misaligned dialogue, and missed potential, comparing it with contemporaries like Conan and Star Wars. How could an all-star creative crew including director Peter Yates, cinematographer Peter Suschitzky, and editor Ray Lovejoy fail to live up to their potential in Krull? Get 50% off FACTOR meals at https://www.factormeals.com/nerdlegion50off with code nerdlegion50off. High-quality, never-frozen meals delivered to your home!
What is Krull? Who is Krull? Where is Krull? Why is Krull? These are all time-honored questions asked by no one - except those of us who have experienced the fantasy sci-fi would-be saga that is Krull. Join Paul, Javi, and the stalwart Producer Brad as they journey through space (they think) and time (maybe?) to experience the (it thinks) epic battle between a princess, her prince, and their rag-tag misfit army of actors who would go on to do far better work (Liam Neeson? What are you doing here?) against an intergalactic dictator (we guess) and his army of poorly-armed, partially-ambulatory stormtroopers (kinda). Thrill to the modest swordplay, marvel at the adequate production design, and let your spirit rise to the strains of one of James Horner's minor soundtracks! It's a deep (ish) dive into one of the lost (not really) classics (now we're being generous) of the summer of '83, so buckle your swash and get ready, because once you go Krull, you come back… uh, null?Show Notes:1983 Box OfficeJuly 29,1983 Weekend Box OfficeKrull Box Office ResultsFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.
This week, Dave is drinking again! United Airlines will do that to you, even after a 6-month hiatus. After a pair of un-stuffy mini-reviews of “Superman” (2025) and “Eddington”, the boys head back to 2003 to discuss the legendary film year. Our featured conversation is a first-time visit to “House of Sand and Fog”, the Sir Ben Kingsley, Jennifer Connelly, and Shohreh Aghdashloo film, directed by Vadim Perelman, shot by Roger Deakens, scored by James Horner, which is a powerhouse drama so powerful it nabbed two acting Oscar nominations. None of those was for Jennifer Connelly, who won for “A Beautiful Mind” the year before. Grab a beer and give us a listen! linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro + News; 6:01 Dave's “Superman” mini-review; 11:15 John's “Eddington” mini-review; 17:28 Gripes; 25:41 2003 Year in Review; 53:12 Films of 2003: “House of Sand and Fog”; 01:37:35 What You Been Watching?; 01:37:35 Next Week's Episode Teaser Additional Cast/Crew: Ron Eldard, Frances Fisher, Kim Dickens, Jonathan Ahdout, Navi Rawat, Carlos Gomez, Andre Dubus III, Shawn Lawrence Otto. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Intern, The Eternaut, Attack on London: Hunting the 7/7 Bombers, Heads of State, September 5. Additional Tags: Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana,
Sci-Fi July rolls on with Battle Beyond the Stars (1980), Roger Corman's ambitious space opera directed by Jimmy T. Murakami and written by a pre-Lone Star John Sayles. This wild interstellar remix of The Seven Samurai stars Richard Thomas as Shad, a naive farm boy turned cosmic recruiter who must assemble a team of eccentric mercenaries to defend his planet from the tyrannical Sador—played with ruthless relish by John Saxon.Mike is joined by Father Malone and Chris Stachiw to dig into the film's unforgettable cast of characters, James Horner's rousing score (which sounds suspiciously like his work for Star Trek II), and the early visual effects work of James Cameron. Special guest Allan Holzman, the film's editor (and future director of Forbidden World), offers behind-the-scenes insights from the golden age of Corman's New World Pictures. Low-budget spectacle, recycled spaceship sets, and alien oddballs abound in this scrappy cult favorite.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Sci-Fi July rolls on with Battle Beyond the Stars (1980), Roger Corman's ambitious space opera directed by Jimmy T. Murakami and written by a pre-Lone Star John Sayles. This wild interstellar remix of The Seven Samurai stars Richard Thomas as Shad, a naive farm boy turned cosmic recruiter who must assemble a team of eccentric mercenaries to defend his planet from the tyrannical Sador—played with ruthless relish by John Saxon.Mike is joined by Father Malone and Chris Stachiw to dig into the film's unforgettable cast of characters, James Horner's rousing score (which sounds suspiciously like his work for Star Trek II), and the early visual effects work of James Cameron. Special guest Allan Holzman, the film's editor (and future director of Forbidden World), offers behind-the-scenes insights from the golden age of Corman's New World Pictures. Low-budget spectacle, recycled spaceship sets, and alien oddballs abound in this scrappy cult favorite.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
50 años nada menos acaba de cumplir el escualo asesino con el que Steven Spielberg aterrorizó a media humanidad. Cinco décadas desde el estreno de “Tiburón”, la película que lanzó la carrera de su director, se convirtió en la más taquillera de la historia hasta entonces y de alguna forma cambió el cine comercial. En este episodio salimos de pesca para contaros como fue el rodaje de aquella película. También recordamos al compositor James Horner, el autor de la música de películas como “Titanic”, “Braveheart” o “Avatar” que falleció hace ahora 10 años cuando se estrelló la avioneta que él mismo pilotaba. La última película que rodó John Wayne, “El último pistolero” es el western que Jack Bourbon nos trae esta semana y hemos charlado con el actor Alex Monner que ha estrenado película este viernes: “Los bárbaros”.
50 años nada menos acaba de cumplir el escualo asesino con el que Steven Spielberg aterrorizó a media humanidad. Cinco décadas desde el estreno de “Tiburón”, la película que lanzó la carrera de su director, se convirtió en la más taquillera de la historia hasta entonces y de alguna forma cambió el cine comercial. En este episodio salimos de pesca para contaros como fue el rodaje de aquella película. También recordamos al compositor James Horner, el autor de la música de películas como “Titanic”, “Braveheart” o “Avatar” que falleció hace ahora 10 años cuando se estrelló la avioneta que él mismo pilotaba. La última película que rodó John Wayne, “El último pistolero” es el western que Jack Bourbon nos trae esta semana y hemos charlado con el actor Alex Monner que ha estrenado película este viernes: “Los bárbaros”.
Hello, I am Randy Andrews, your host. These episodes are older but I am reissuing them. this is the third episode in a series of episodes for Star Trek This one is of course for Star Trek III The Search for Spock Eric Woods and I go into detail on the film and its background. We discuss the behind the scenes, the props and so much more. This episode will involve discussing some of the trivia from IMDB curated and then discussing some of the liner notes from the deluxe edition of the score of the film. Then we will discuss some key music cues from the film and see how those affect us or even show the brilliance of James Horner's great score. We talk a lot about Stealing the enterprise and we discuss Christopher Lloyd, he's awesome. Eric Woods as you know is a talented podcaster who runs Cinematic Sound Radio and I am a part of his podcasting network. There are several shows associated with the network. He has been doing the podcast or a form of it for over 25 years. He's a good friend from Kitchner Ontario Canada and is a great admirer of film scores. He also has a Patreon where you can join and share in the playlist and the exclusive shows only to Patreons With the show we discuss points on the film and background on the production of the movie. After that we go into the cues from the film, some we will do a selection of two to three cues per section and we discuss background on the different selections Then we promote our shows The theme for Soundtrack Alley is composed by Alexander Schiebel and you can find his work at www.xanderscores.com Please check out my website www.soundtrackalley.com follow the podcast through your favorite podcasting app. Follow for more info through my social pages www.instagram.com/soundtrackalley www.x.com/soundtrackalley www.facebook.com/soundtrackalley
this is the second episode in a series of episodes for Star Trek Eric Woods and I go into detail on the film and its background. We discuss the behind the scenes, the props and so much more. this episode will involve discussing some of the trivia from IMDB curated and then discussing some of the liner notes from the deluxe edition of the score of the film. Then we will discuss some key music cues from the film and see how those affect us or even show the brilliance of James Horner's excellent score. Eric Woods as you know is a talented podcaster who runs Cinematic Sound Radio and I am a part of his podcasting network. There are several shows associated with the network. He has been doing the podcast or a form of it for over 25 years. He's a good friend from Kitchner Ontario Canada and is a great admirer of film scores. He also has a Patreon where you can join and share in the playlist and the exclusive shows only to Patreons With the show we discuss points on the film and background on the production of the movie. After that we go into the cues from the film, some we will do a selection of two to three cues per section and we discuss background on the different selections Then we promote our shows The theme for Soundtrack Alley is composed by Alexander Schiebel and you can find his work at www.xanderscores.com Please check out my website www.soundtrackalley.com follow the podcast through your favorite podcasting app. Follow for more info through my social pages www.instagram.com/soundtrackalley www.x.com/soundtrackalley www.facebook.com/soundtrackalley
In this special episode of Turning Trekkie, we boldly go... to the movie theater! Join us as we relive the cinematic magic of Star Trek II: The Wrath of Khan on the "Silver Screen." Whether you're a seasoned Trekker (like Richard) or a newcomer catching up at warp speed (like Christel), we break down all the reasons why this 1982 classic still hits hard! From the iconic performances to the emotional gut punches (yes, we're looking at that scene) we cover it all! Hear our fresh reactions, fun facts, and learn how seeing Kirk and Khan clash on the "Big Screen" hits differently than just watching at home. Spoiler alert: We left the theater quoting all the famous lines and humming James Horner's incredibly catchy score all the way home.
Nearly two years ago, Dylan announced that he'd be writing a Dark Universe take on Field of Dreams. Now, for his last solo pitch of the Death's Door Saga, he finally has to pitch it, and it's not remotely the script he initially planned. So, is that a good thing, or a bad thing? What the Hell is Field of Nightmares, and how will it be recieved by Dalton, who has no fondness for the 1989 baseball film on which it's based? PLUS: A quick clip from this month's bonus episode, on which D&D pitch a chapter in the Jenny & Carol saga based on the obscure TV movie Snow White: A Tale of Terror! Dylan would also like to acknowledge the late, great film composer James Horner, whose themes from the original Field of Dreams feature heavily in his score to this episode. TIMESTAMPS 00:00:00 - Intro 00:02:32 - Why Field of Dreams? 00:07:28 - Dalton hates Field of Dreams 00:08:57 - A brief Field of Dreams recap 00:11:44 - Fan expectations 00:15:00 - Director choice (or is it?) 00:21:02 - Prologue 00:25:31 - Discussion 00:27:00 - Act One 00:42:57 - Discussion 00:46:46 - Act Two Part One 01:11:01 - Discussion 01:21:23 - Bonus pod clip 01:22:27 - Act Two Part Two 01:31:54 - Discussion 01:38:13 - Act Three 02:03:00 - Mid-Credits scene 02:04:48 - The Post-Credits scene that WASN'T 02:06:02 - Discussion 02:11:15 - The ACTUAL director choice! 02:12:24 - Coming up next… 02:16:02 - Patron acknowledgement
Master '80's auteur Lawrence Kasdan (The Big Chill, Silverado, Body Heat) kicked off the '90's with this dark comedy based upon the bizarre true story of a philandering husband whose wife conspired to murder him....and yet he wouldn't die. :o The husband is Joey played by Oscar-Winner Kevin Kline (A Fish Called Wanda, Dave), the wife is Rosalie played by Emmy-Winner Tracey Ullman (Tracey Takes On) and the cast just gets more interesting from there including Oscar-nominee Joan Plowright as Rosalie's mother, Oscar-nominated River Phoenix as Rosalie's friend, PLUS Oscar-Winner William Hurt and Keanu Reeves playing two drug-using cousins. And believe it or not....each of these characters are involved in this murder plot....AND they're ALL funny no less?? :) This film was pretty much forgotten almost as soon as it was released back in the Spring of 1990, let's find out if it should have been. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
The Rocketeer is a 1991 American superhero film from Walt Disney Pictures. Directed by Joe Johnston, it stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton, Paul Sorvino, and Tiny Ron Taylor. It is based on the character of the same name created by comic book artist and writer Dave Stevens.Set in 1938 Los Angeles, California, The Rocketeer tells the story of stunt pilot Cliff Secord, who discovers a hidden rocket pack that he thereafter uses to fly without the need of an aircraft. His heroic deeds soon attract the attention of Howard Hughes and the FBI, who are hunting for the missing rocket pack, as well as the Nazi operatives who stole it from Hughes. What's not to love?We've got a packed house for this episode in Hollywoodland. Connor, Frank, Matt and Peter all made sure to clear their schedules to talk about what's become something of a hidden gem. Accompanied by a stellar score by James Horner, join the boys as we go back to the early days of the super hero genre.You can watch The Rocketeer on Disney+. Be sure to follow us on Instagram.
In episode 38, Johnny talks to soundtrack nut, Aliens fan, and all-round good guy from Iowa, Joe Foster. Their chat includes a lengthy discussion on Ripley's return to LV-426, they talk about James Horner, Ed Zwick and Michael Biehn, and they discuss whether wearing a pith helmet somehow makes you able to drink beer faster.This conversation was recorded online in mid-March of 2025.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' Loco Looper game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.
Lee caps off Black History Month with another Blaxploitation playlist for your listening pleasure, in a slightly shorter episode than usual (hey, it's a short month). --Call Me Mister Tibbs (Main Title) from "They Call Me Mister Tibbs" (1970) --Quincy Jones --Coffin Ed and Grave Digger & Cotton Comes to Harlem from "Cotton Come to Harlem" (1970) --Galt MacDermot; vocals by George Tipton --Main Theme from "Hammer" (1972) --Solomon Burke --Hit Man (What You Gonna Do) from "Hit Man" (1972) --H.B. Barnum --Tell That Man to Go to Hell & Hot Wheels (The Chase) from "Gordon's War" (1973) --Badder Than Evil --Newness in Rhythm (Throw a Punch at Me) from "Detroit 9000" (1973) --Luchi De Jesus --Three Hoods from "Sheba Baby" (1975) --Monk Higgins --Main Title & WW III from "Friday Foster" (1975) --Luchi De Jesus; vocals on Main Title by Ward L. Chandler --Pool Hall Rock from "Cleopatra Jones and the Casino of Gold" (1975) --Dominic Frontiere --End Credits from "Joshua" (1976) --Mike Irwin --Ghetto St. U.S.A. (Vocal) from "Petey Wheatstraw" (1977) --Nat Dove & The Devils with Mary Love. Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.
Couch Potato Theater: Commando (1985) Fandom Podcast Network YouTube Channel Link: https://www.youtube.com/@FandomPodcastNetwork Couch Potato Theater Audio Podcast Link: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! On this episode we celebrate and discuss the 40th Anniversary of Arnold Schwarzenegger's action classic, Commando (1985). Plot: "A retired Special Forces colonel tries to save his daughter, who was abducted by his former subordinate, and a warlord forcing him to help lead a military coup in his home country" Commando is a 1985 American action film directed by Mark L. Lester and produced by Joel Silver. It stars Arnold Schwarzenegger in the lead role, alongside Rae Dawn Chong, Alyssa Milano, Vernon Wells, Bill Duke, David Patrick Kelly and Dan Hedaya. The musical score was composed by James Horner. Commando was released in the United States on October 4, 1985, where it received praise for the action sequences and humor. The film became a commercial success at the box office and was nominated for a Saturn Award for Best Special Effects. Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel: https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew - Lacee Aderhold on X, Letterboxd, Bluesky, Discord & Bluesky: @LaceePants / Instagram: @thelaceepants #CouchPotatoTheater #CPT #FandomPodcastNetwork #FPNet #FPN #Commando #Commando1985 #CommandoMovie #MarkLLester #ArnoldSchwarzenegger #RaeDawnChong #AlyssaMilano #VernonWells #BillDuke #DanHedaya #DavidPatrickKelly #JamesHorner #80sActionMovies #1985Movies #LetOffSomeSteamBennett. #KevinReitzel #KyleWagner #LaceeAderhold
We're back after our year break, and we are so excited to talk Titanic and all things Cameron. We bring in sci-fi expert Travis Olson to talk about JC's least fictional film and hear his thoughts on why it's the greatest movie of all time. Connor shares many stories about his viewing experiences and Jon loves the scope and wishes for more films like this.WARNING: Major spoilers for Titanic Follow us:Facebook: https://www.facebook.com/rulesoftheframe/ Instagram: https://www.instagram.com/rulesoftheframe Twitter: https://twitter.com/RulesOfTheFrame YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featured Films mentioned in this episode:Titanic (1997) | Dir. James CameronHouse (1977) | Dir. Nobuhiko ObayashiAvatar (2009) | Dir. James CameronThe Abyss (1989) | Dir. James CameronThe Lord of the Rings (2001-2003) | Dir. Peter JacksonPirates of the Caribbean: The Curse of the Black Pearl (2003) | Dir. Gore VerbinskiIntolerance (1916) | Dir. D.W. GriffithWar of the Worlds (2005) | Dir. Steven SpielbergGangs of New York (2002) | Dir. Martin ScorseseThe Creator (2023) | Dir. Gareth EdwardsTop Gun: Maverick (2022) | Dir. Joseph KosinskiRaiders of the Lost Ark (1981) | Dir. Steven SpielbergKingdom of Heaven (2005) | Dir. Ridley ScottTrue Lies (1994) | Dir. James CameronAvatar: The Way of Water (2022) | Dir. James CameronOppenheimer (2023) | Dir. Christopher NolanThe Terminator (1984) | Dir. James CameronAliens (1986) | Dir. James CameronTerminator 2: Judgement Day (1991) | Dir. James CameronBarbie (2023) | Dir. Greta GerwigKillers of the Flower Moon (2023) | Dir. Martin ScorseseBraveheart (1995) | Dir. Mel Gibson
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April of 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to join in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do, you can participate in all upcoming all-request programs. Before we get into today's episode, we must first discuss its origins. On October 30, 2023, I worked late into the evening to complete the first ALL REQUEST HALLOWEEN SPECIAL. The audio was recorded, tracks were chosen, and the editing was finished. I tried to export the show, and to my horror Adobe Audition crashed. I restarted the application and tried again. Same result, but this time I received an error message indicating that my voice-over file was corrupt. It took nearly an hour to record the voiceover and several hours to edit the episode. I was also in the midst of one of my busiest years ever, so I didn't have the time or energy to do it all over again, so I informed my Patrons that the show would be postponed and rescheduled for this year! Thank goodness I have a wonderful community of patrons over there, they understand and waited patiently for the show to be done. Fast forward almost 365 days, and here we are; everything has been re-recorded, re-edited, and... I am pleased to announce that the show has been successfully exported for you to enjoy today! For this first ever Patreon All Request Halloween Special show, you get to hear some spooky favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Alan Rogers, Al Brown, Glenn McDorman, Don Mase, Will Welch, Angela Rabatin, Deniz Çağlar, Jérôme Flick, Stacy Livitsanis, Lee Wileman, Joe Wiles, Jeffrey Graebner, Victor Field, Eldaly Morningstar, Steve Karpicz, Dave Williams and Carl Wonders. They requested tracks from such composers as Ronald Stein, John Harrison, Christophe Beck, Herdís Stefánsdóttir, Christopher Young, Jerry Goldsmith, James Horner, Wojciech Kilar, Bruno Coulais, Bruce Broughton, Dean Kopri, Joesph LoDuca, Alejandro Amenabar, and John Williams. Thank you to everyone who participated. Again, if you didn't get a chance to submit a request but want to be a part of the next all-request program, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon community. However, you should not feel obligated to participate. I am not forcing anyone to join. Remember, this podcast is always free to listen to, but if you want to support the program and join the Patreon community, we'd be delighted to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com