Podcast appearances and mentions of john bruce yeh

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

On this episode of Classical Chicago, Cedille President Jim Ginsburg talks with clarinetist John Bruce Yeh, who has served the Chicago Symphony Orchestra as assistant principal clarinetist since 1979, about his experience recording "Chicago Clarinet Classics."

Episode 39: Hey! It's John Bruce Yeh! The longtime member of the Chicago Symphony Orchestra joins Sam on the podcast today to talk about what he was up to during the pandemic. Topics discussed also include the necessity to be versatile and what orchestras are doing to adapt to the ever changing arts world in order to better serve their communities.

Today, I speak with a wonderful storyteller of sound, Assistant Principal Clarinetist of the Chicago Symphony John Bruce Yeh. In our conversation, John shares how his artistic journey unfolded.  He takes us on an amazing trip, featuring great musical figures, which shows the various elements that go into the making of a world-class musician. He also talks about how to prepare fully for an audition (it involves “raiding” the stage... in a way!), how to enter the professional life, and he gives us amazing insight on music-making in general. This was a great conversation and I know you'll walk away inspired and motivated!   Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.    THE MUSIC MASTERY EXPERIENCE is back in June 2021 This is a LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and get RESULTS! The Music Mastery Experience gives you all the tools you need to start performing at your best! Save your spot now here and get access to all the early bird bonuses   MORE ABOUT JOHN BRUCE YEH:   Website: https://cso.org/about/performers/chicago-symphony-orchestra/clarinet1/john-bruce-yeh/ YouTube channel: https://www.youtube.com/channel/UCXbWXWXVo6xV7jn4GE5oyig Facebook: https://www.facebook.com/chicagopromusica Instagram: https://www.instagram.com/jyehcondor/ Twitter: https://twitter.com/jyehcondor   The first Asian musician ever appointed to the Chicago Symphony Orchestra, as well as the longest-serving clarinetist in CSO history, John Bruce Yeh joined the CSO in June of 1977, having been appointed solo Bass Clarinet of the Orchestra at the age of nineteen by Sir Georg Solti. Two years later, he was named Assistant Principal and solo E-flat Clarinet. He served as Acting Principal Clarinet of the CSO from 2008-2011. Recently he has also performed as Guest Principal Clarinet of The Philadelphia Orchestra as well as of the Seoul Philharmonic in Korea and the Guangzhou Symphony Orchestra in China. Yeh has performed concertos with the CSO on several occasions, including the 1998 American premiere of Elliott Carter's Clarinet Concerto with Pierre Boulez conducting, and the 1993 performance of Carl Nielsen's Clarinet Concertowith Neeme Järvi. A concert recording of the Nielsen was released on the CSO CD set Soloists of the Orchestra II: From the Archives, vol. 15. In 2004, Yeh was featured in Leonard Bernstein's Prelude, Fugue and Riffs in collaboration with the Hubbard Street Dance Company and the CSO conducted by David Robertson. An enthusiastic champion of new music, John Bruce Yeh is the dedicatee of new works for clarinet by numerous composers, ranging from Ralph Shapey to John Williams. A prizewinner at both the 1982 Munich International Music Competition and the 1985 Naumburg Clarinet Competition in New York, Yeh continues to solo with orchestras around the globe. His more than a dozen solo and chamber music recordings have earned worldwide critical acclaim. In 2007, Naxos International released a disc titled “Synergy,” of single and double concertos with clarinet and symphonic wind ensemble featuring John, his wife Teresa, his daughter Molly, and the Columbus State University Wind Ensemble conducted by Robert Rumbelow. Yeh is director of Chicago Pro Musica, which received the Grammy Award in 1986 for Best New Classical Artist. He frequently appears at festivals and on chamber music series worldwide, and he has performed several times with Music from Marlboro; the Guarneri, Ying, Colorado, Pacifica, Calder, and Avalon string quartets; as well as the Chamber Music Society of Lincoln Center. With his wife, clarinetist Teresa Reilly, erhu virtuoso Wang Guowei, and pipa virtuoso Yang Wei, Yeh formed Birds and Phoenix an innovative quartet dedicated to musical exploration by bridging Eastern and Western musical cultures. In their debut performance in September 2006, the group performed works by Victoria Bond, Pamela Chen, Lu Pei, and Bright Sheng, all commissioned for them by Fontana Chamber Arts in Kalamazoo, Michigan. Passionately committed to music education, Yeh served for twenty-six years on the faculty of DePaul University's School of Music, and he joined the faculty at Roosevelt University's Chicago College for the Performing Arts in 2004. He has taught master classes at many universities and conservatories including the Juilliard, Eastman and Manhattan Schools of Music, The Cleveland Institute of Music, Northwestern University, and the University of Michigan. In addition, he is on the faculty of Midwest Young Artists in Fort Sheridan, Illinois. Born in Washington, D.C., and raised in Los Angeles, John Bruce Yeh pursued premedical studies at UCLA, where he also won the Frank Sinatra Musical Performance Award. He entered the Juilliard School in 1975 and attended music schools in Aspen, Marlboro, and Tanglewood. He cites Gordon Herritt, Gary Gray, Michele Zukovsky, Harold Wright, Ray Still, Marcel Moyse, Allan Dennis, and Mehli Mehta as influential mentors.         Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians!   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works so hard to make the podcast sound as good as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

CSO musicians James Smelser (horn), Jennifer Gunn (flute & piccolo), Patricia Dash (percussion), Lawrence Neuman (viola), John Bruce Yeh (clarinet) and Esteban Batallán (trumpet) speak about the subject of working collaboratively with conductors, including the excellence Music Director Riccardo Muti brings to the Orchestra; memories of how former Music Director Sir Georg Solti challenged musicians to raise standards; and how CSO players work to build energy and excellence into each concert. Musical excerpts include CSO recordings of Mahler, Brahms, Mozart, R. Strauss, Tchaikovsky, Shostakovich, Liszt, Bruckner, Ravel, Smetana and Stravinsky. For more information, visit cso.org/intermission.

In 1977, the Chicago Symphony hired its first Asian musician, John Bruce Yeh, in the clarinet section.  Twenty-one years later, Robert Chen took over the concertmaster position, arguably the most notable position in a symphony orchestra.  Since that time, the CSO, along with orchestras across the U.S., has seen an explosion of numbers of Asian … Continue reading Episode 016 – The Inv-Asian of the American Symphony Orchestra →

Chicago Symphony Orchestra clarinetist John Bruce Yeh and composer James M. Stephenson discuss the making of their upcoming album "Liquid Melancholy — Clarinet Music by James M Stephenson" (available April 13: https://cedille-records.lnk.to/BeDd3SC )

  Interview with clarinetist John Bruce Yeh, guest artist for the Masterworks II: Risque concert, November 7, 2015. John Bruce Yeh on Wikipedia

  Interview with clarinetist John Bruce Yeh, guest artist for the Masterworks II: Risque concert, November 7, 2015. John Bruce Yeh on WikipediaSupport the show (https://www.coloradogives.org/FortCollinsSymphony/overview)

This week's show celebrates Chicago Symphony Orchestra Assistant Principal Clarinet player John Bruce Yeh with selections from all 6 of his Cedille albums.

This program features works inspired by verses of Carl Sandburg, François Villon, Wallace Stevens, Nikolaus Lenau, and Billy Collins. Playlist LEO SOWERBY (1895–1968) Prairie – Poem for Orchestra after Carl Sandburg (16:41) From Prairie: Tone Poems by Leo Sowerby Cedille Records CDR 90000 033 (Track 2) Czech National Symphony Orchestra Paul Freeman, conductor COLERIDGE-TAYLOR PERKINSON (1932–2004) Grass: Poem for Piano, Strings & Percussion (1956) (16:08) From Coleridge-Taylor Perkinson: A Celebration Cedille Records CDR 90000 087 (Track 4) Joseph Joubert, piano Chicago Sinfonietta Paul Freeman, conductor JEHAN ALAIN (1911–1940) Dans le rêve laissé par la ballade des pendus de Villon (6:34) From Radical Piano Cedille Records CDR 90000 027 (Track 14) Easley Blackwood, piano THOMAS ALBERT (b. 1948) Thirteen Ways (1997) III. Nimble, capricious (2:28) From thirteen ways Cedille Records CDR 90000 067 (Track 14) eighth blackbird AUGUST KLUGHARDT (1847–1902) Schilflieder (Songs of the Reeds), Op. 28 (1872) Feurig (2:47) From Poetic Inspirations Cedille Records CDR 90000 102 (Track 4) Alex Klein, oboe Richard Young, viola Ricardo Castro, piano VIVIAN FUNG (b. 1975) The Man in the Moon (3:25) From The Billy Collins Suite Cedille Records CDR 90000 115 (Track 7) John Bruce Yeh, clarinet David Cunliffe, cello Marta Aznavoorian, piano Steve Robinson, narrator