Podcast appearances and mentions of Boy George

Today, we're recapping the finale of The Real Housewives of Rhode Island reunion and discussing how this freshman cast may have delivered Bravo's strongest debut season in years. But could one cast member already be on the way out? Plus, reports suggest The Real Housewives of New York is facing challenges behind the scenes as filming continues, while fans are once again calling for The Real Housewives of Miami to return. And the drama surrounding Dorit Kemsley isn't slowing down as her ongoing battle with PK takes another turn, with Boy George. Visit Seagrass Co. Explore UpandAdamLive.com Watch Up and Adam! Channel 2 Listen on Apple Podcasts Join YouTube Memberships Socials Instagram: https://instagram.com/upandadamlive/ Facebook: https://facebook.com/upandadamlive Twitter: https://twitter.com/upandadamlive TikTok: https://www.tiktok.com/@upandadamlive Merch https://shop.upandadamlive.com Inquiries asst@upandadamlive.com Disclaimer The views expressed in this video and on Up And Adam Live! are for entertainment purposes only. All content is protected under Fair Use (Copyright Act 1976).   Learn more about your ad choices. Visit megaphone.fm/adchoices

Another day, another moment to break down all the facts in the ever changing Milania, Teresa, Louie arrest mess.  Milania has lawyered up and entered rehab. Pictures of Teresa with a black eye have surfaced all over the internet. Louie leaks more info to The Sun and fans are left turning to us to help separate fact from fiction, truth from untrue.  Pinky Cole's shockingly low monthly income is revealed as her bankruptcy case moves forward.  Last, but not least, Dorit trashes the F out of PK with a special message for Father's Day earlier this week. Boy George retaliates and proves what a messy queen he is by sharing a message of his own for the one and only Ms. Kemsley. Now this is the feud our beloved little 80's hearts cannot get enough of. Karma Chameleon that! @behindvelvetrope  @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: TUMBLE - Tumbleliving.com/VELVET (10% Off Plus Free Shipping On The Most Beautiful Inexpensive Rugs Which Are Spill Proof)  MYFITNESSPAL - podcasts.myfitnesspal.com (Use Code VELVET, All Upper Case Letters, For 15% Off The Premium App That Will Change Everything For You Regarding Fitness & Nutrition)  PROGRESSIVE - www.progressive.com (Visit Progressive.com To See If You Could Save On Car Insurance) ZENNI OPTICAL -  zenni.com/podcast (Use Code Podcast15 For 15% Off Your First Order Of The Most Affordable, Stylish Glasses and Sunglasses)  ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

We've got it ALL today. A bit of Bravo. A bit of Taylor and Travis and a some HARD opinions on ABC's most likely decision to release The Bachelorette. 

Today, we're breaking down Boy George's surprising response to Dorit Kemsley's Father's Day post and why fans are weighing in on the growing controversy. Plus, after a strong start to The Real Housewives of Rhode Island reunion, we discuss what explosive moments could still be coming in Part 2. Over in New Jersey, new reports suggest Season 15 is facing major hurdles as production struggles continue to raise questions about the franchise's future. And on Below Deck Mediterranean, the crew deals with what may be the most difficult charter guest we've seen in years! Visit Seagrass Co. Explore UpandAdamLive.com Watch Up and Adam! Channel 2 Listen on Apple Podcasts Join YouTube Memberships Socials Instagram: https://instagram.com/upandadamlive/ Facebook: https://facebook.com/upandadamlive Twitter: https://twitter.com/upandadamlive TikTok: https://www.tiktok.com/@upandadamlive Merch https://shop.upandadamlive.com Inquiries asst@upandadamlive.com Disclaimer The views expressed in this video and on Up And Adam Live! are for entertainment purposes only. All content is protected under Fair Use (Copyright Act 1976).   Learn more about your ad choices. Visit megaphone.fm/adchoices

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Tamra has a big announcement she makes and Teddi reveals “Valley Boy” heard the last podcast! Plus, we have an OPINION on Boy George’s recent Instagram posts. He sure does love to get in the mix… he might need a diamond!See omnystudio.com/listener for privacy information.

On today's episode of Juicy Scoop, I am breaking down the absolute shocker that Jelly Roll and Bunnie XO are divorcing! Is this split completely manufactured, or was the whole marriage a total sham from the start? I'm also diving into the Father's Day social media madness, calling out which celebrities actually celebrated their former husbands and baby daddies, who chose total radio silence, and who pulled it off the best. Then, we need to talk about Million Dollar Nannies, a wild new reality show that has me completely stunned that these supposedly wealthy parents are willingly exploiting their private lives and their own children just for a fleeting taste of TV fame. I am so excited to be joined by the hilarious TikTok sensation Evan Lazarus, who blew up by masterfully recapping Bethenny Frankel's unhinged social media presence; plus, he's dishin' all about his personal ties to the Real Housewives of Rhode Island and that infamous mistress who completely hijacked the entire season. Finally, we're covering Boy George inserting himself into Dorit and PK's split, Lisa Vanderpump making nice with PK, the shocking allegations surrounding Milania Giudice's domestic violence arrest, and whether Teresa's new book cover is totally AI-generated! -Elevate your summer wardrobe.  Head to quince.com/juicy  for free shipping on your order and 365-day returns. -If you're ready to finally sleep great and feel like yourself again, head to bioptimizers.com/juicyscoop and use my exclusive code JUICYSCOOP to get 15% off any order. You'll get great discounts, free gifts, and the peace of mind of never running out. -Get a free can of OLIPOP! Buy any 2 cans of Olipop in store, and we'll pay you back for one. Works on single cans of any flavor, any retailer. Go to drinkolipop.com/JUICYSCOOP -Go to Leesa.com for 30% off select mattressesPLUS get an extra $50 off with promo code JUICYSCOOP, exclusive for my listeners -Sleep cooler this summer with Boll & Branch during their Annual Summer Event. For a limited time, get 20% off sitewide at bollandbranch.com/juicyscoop with code juicyscoop. Subscribe to my new show Juicy Crimes!: ⁠https://bit.ly/juicycrimes⁠ Stand Up Tickets and info: ⁠https://heathermcdonald.net/ ⁠ Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: ⁠https://bit.ly/JuicyScoopPod⁠ ⁠https://www.patreon.com/cw/juicyscoop⁠ Watch the Juicy Scoop On YouTube: ⁠https://www.youtube.com/@JuicyScoop⁠ Shop Juicy Scoop Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://juicyscoopshop.com/?srsltid=AfmBOopTZFUvAeokrJJ6dQ5wuAW1T3nssO6pHk47u7KymJUBtBgKCvfX⁠ Follow Me on Social Media: Instagram: ⁠⁠https://www.instagram.com/heathermcdonald/⁠ TikTok: ⁠https://www.tiktok.com/@heathermcdonald⁠ YouTube: ⁠https://www.youtube.com/@HeatherMcDonaldOfficial Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last Voyage: An update on the search for that Michigan mom who vanished, boating in the Bahamas. Was it an accident or a crime?  Plus, Boy George–re-recording “Karma Chameleon,” and the surprising role A-I played.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Moviewallas, Joe, Rashmi, and Yazdi are finally back together and tackling a packed slate of movies and music documentaries. First up is Mortal Kombat 2, the latest entry in the long-running video game franchise. Does it deliver the over-the-top action fans are hoping for, or is it another missed opportunity? Next, the team discusses Pressure, a tense historical drama set around the D-Day invasion that explores the enormous responsibility placed on the meteorologists whose forecasts helped shape the course of history. Then it's time for Tuner, an intimate character-driven drama that sparks a lively discussion about performance, relationships, and the choices we make when our lives begin to drift out of tune. Finally, the hosts dive into Boy George and Culture Club, a fascinating documentary chronicling the rise, fall, and enduring legacy of one of the most distinctive bands of the 1980s. From the New Romantic movement to personal relationships within the band, it's a revealing look at the people behind the music. As always, expect plenty of movie banter, strong opinions, and a few unexpected tangents along the way. Hosted by Joe, Rashmi & Yazdi www.moviewallas.com Timestamps 00:00 – Start 04:49 – Mortal Kombat 2 16:02 – Pressure 24:07 – Tuner 35:25 – Boy George and Culture Club #Moviewallas #MortalKombat2 #PressureMovie #Tuner #BoyGeorge #CultureClub #MoviePodcast #FilmReview #Cinema #MovieReviews #TooManyMoviesTooLittleTime

Faith No More is teasing a return to the stage. Taylor Swift's Toy Story 5 anthem is #1 this week. Middle school dating is so ridiculous. Rod Stewart pictured at Scotland World Cup win shortly after cancelling a concert due to illness. Boy George is pulling a Taylor Swift with an awful AI twist. South San Francisco opened a new food hall today. Vinnie's got your good news story of the day. Humans prefer to walk counterclockwise. Plus, When Did That Happen?

Hour 1: Jelly Roll and Bunnie Xo are getting divorced. Why now? West Wilson's ‘Summer House' contract was not renewed. Sarah has to move back in with John. Are pickles highly overrated? Sarah isn't the right person to ask. A food trend forecaster says pickles are now a main character. Leonardo DiCaprio's first on screen kiss was with a man. Stephen King sold the rights to ‘The Shawshank Redemption' and never cashed the check. Should we have seen this coming? Welcome to GenZ's praise kink era. Hour 2: Chairs celebrities sat in are for sale! Does Taylor Swift's chair elevate the price of Travis Kelce's chair? Mayor Mamdani confirmed Taylor Swift is getting married in New York City. Bob still isn't convinced. A time capsule is being buried on America's 250th birthday, and every state gets to contribute. Do time capsules ever get dug up? A woman is dipping her chips in salt. No surprise, Sarah has questions. Hour 3: If you needed a nose job, would you go to Michael Jackson's surgeon? Vinnie's got a story about John Stamos. The best characters in Toy Story, ranked. Did ‘Cars' blow their chance at a legacy like Toy Story? Bay Area's favorite water park just closed. GenZ wants to ditch a lot of the wedding pressures. Is it all financially motivated? Hour 4: Faith No More is teasing a return to the stage. Taylor Swift's Toy Story 5 anthem is #1 this week. Middle school dating is so ridiculous. Rod Stewart pictured at Scotland World Cup win shortly after cancelling a concert due to illness. Boy George is pulling a Taylor Swift with an awful AI twist. South San Francisco opened a new food hall today. Vinnie's got your good news story of the day. Humans prefer to walk counterclockwise. Plus, When Did That Happen?

Today on the Woody and Wilcox Show: Chelsea's late and finding ticks; Boy George uses AI to re-record Karma Chameleon; GLP-1 medications improve male testosterone levels and sperm count; World Cup is introducing new countries to people; Women are gatekeeping Midol; Pigeons can spot cancer; New hockey show on Netflix; And more!

In this episode, Scott welcomes an old friend to the podcast - Sarah Uriarte Berry. Scott and Sarah did a production of "Grease" together and they had a great time reminiscing about the show and talking about her incredible career on Broadway, on tour, and what it was like being the very first Belle at The Disneyland Resort. Sarah Uriarte Berry made her Broadway debut as Eponine in "Les Miserables" and later reprised her role for the 10th Anniversary Production. She also starred as Belle in "Disney's Beauty and the Beast" twice on Broadway: First at the Palace Theater, and 11 years later, paired with Donny Osmond at the Lunt-Fontanne. Also on Broadway, Sarah won critical acclaim as Franca in "The Light in the Piazza" at Lincoln Center Theater, where she received Drama Desk and Outer Critics Circle Award nominations for Best Supporting Actress.On tour, she played the role of Betty Schaefer in "Sunset Boulevard" with Petula Clark and the role of Julie Jordan in "Carousel" with Patrick Wilson. For "Carousel," she won an Ovation Award for Best Actress in a Musical. She also recently toured with "Disney Princess - The Concert."Other notable theatre credits include starring as Cinderella in "Rogers & Hammerstein's Cinderella" for the New York City Opera alongside Eartha Kitt, Nicola in "Taboo" opposite Boy George, "Next To Normal," "End Of The Rainbow," "A Little Night Music" at the Kennedy Center, soloist in Bernstein's Mass at Carnegie Hall, and "Sondheim on Sondheim" at the Hollywood Bowl alongside Vanessa Williams, Jesse Tyler Ferguson, and Jonathan Groff.Sarah's film appearances include roles in the feature film "Frontera" starring Ed Harris, Eva Longoria and Michael Peña, and "Pretty Bird" starring Billy Crudup. On television, Sarah's appeared on "Law and Order - Criminal Intent," "Six Degrees," The Tony Awards, and can be seen as Saint Jellorica in the infamous Cats episode of "Unbreakable Kimmy Schmidt."Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

In which Amy returns!  Robert & Amy discuss The Apprentice, The Trillionaire, Blood, UNIVAC, Boy George, positivity, what is (and isn't) a threat, and the joy and value of complaining!

Flag day. National Bourbon day. Entertainment from 2024. 1st country #1 song, "under god" added to US pledge of allegiance. Todays birthdays - Harriet Breecher Stowe, Cliff Edwards, Burl Ives, Dorthy McGuirem Marla Gibbs, Donald Trump, Nick Van Eede, Boy George, Jasmine Bleeth. Henry Mancini died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Bourbon whiskey - William BeckmanYour a grand old flag - Sing a long with kidsI had some help - Post Malone   Morgan WallenThe little old log cabin in the lane - Fiddlin John CarsonBirthdays - In da club - 50 Cent     https://www.50cent.com/When you wish upon a star - Cliff EdwardsHolly jolly Christmas - Burl IvesThe Jeffersons TV themeI just died in your arms - Cutting CrewDo you really want to hurt me - Culture ClubExit - Whenever your around - The Charlesys     https://www.charlesy.co.uk/the-History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

New Spielberg, new EWF doc from Questlove, new Shudder and more this week!

In Folge 203 sprechen Pfarrer Martin (frisch gebackenes Geburtstagskind!) und Nerd Seba über ihre Fußball-Traumata – passend zur WM. Es gibt Smalltalk-Facts zu unserem ersten Gegner Curacao, außerdem geht es um die Wiederkehr Jesu, Endzeit und Boy George. Und um eine neue Betrugsmasche auf Whatsapp, über die du unbedingt Bescheid wissen solltest!Shownotes: indeon.de/pfarrerundnerdWhatsapp-Channel: http://tinyurl.com/pnwhatsapp

Dori tried to watch the Kylie documentary on Netflix but gave up the moment she saw Jason Donovan and his amazing, not technicolour — spray-on leather pants.Danny Pintauro, AKA Jonathan from Who's the Boss?, has a new project with Amazon, and Balki turns into a d*ck when he puts on a pair of deck shoes.The names of Masters of the Universe toys sounded so made up, so Paulo made some up, which leads to a conversation about adult toys that does not go as expected.Finally if you've ever felt like murdering a cat after watching Flashdance, we may just have the explanation.Who's the Boss? Cast Update (00:04:42): https://pagesix.com/2026/05/18/celebrity-news/80s-sitcom-star-turned-amazon-delivery-driver-divulges-harsh-reality-of-casts-residual-pay/80s Action Movie Quiz (00:10:08): https://www.buzzfeed.com/ellie4me/spend-a-day-in-the-1980s-and-ill-give-you-an-actMovie Recommendation: The Flamingo Kid (00:14:25): https://www.youtube.com/watch?v=Kf6kjsSgd38He-Man Character Guessing Game (00:26:41): https://motuvintagevariants.com/pages/figure-checklistFisher-Price Nostalgia (00:30:07): https://ultimateclassicrock.com/iconic-fisher-price-toys/Two 80s Truths and a Lie (00:35:53): Boy George and Karma Chameleon: https://www.music-news.com/news/UK/189195/Boy-George-releasing-AI-Karma-ChameleonManiac Origin story: https://www.yahoo.com/entertainment/music/articles/1980s-hit-maniac-inspired-slasher-180204000.html# 80s pop culture, # That 80s Show, # podcast, # TV shows, # movies, # music, # toys, # Kylie Minogue, # Jason Donovan, # Who's the Boss?, # Tony Danza, # Alyssa Milano, # Danny Pintauro, # sitcoms, # drug addiction, # BuzzFeed quiz, # action movies, # Return of the Jedi, # The Flamingo Kid, # Matt Dillon, # Garry Marshall, # coming-of-age story, # Marisa Tomei, # Bronson Pinchot, # Masters of the Universe, # He-Man, # toy line, # Castle Grayskull, # action figures, # Fisher-Price garage toy, # childhood toys, # Two 80s truths and a lie, # Michael Sembello, # Jon Bon Jovi, # Boy George, # AI music, # nostalgia, # 1980s entertainment, # personal anecdotes, # humor.

Dorit Kemsley has been dumped by Boy George, but will she have the same fate on RHOBH? See what she's saying about returning to the show. Plus, Blake Lively and Justin Baldoni bring forth new arguments in today's new court hearing with Judge Liman. And Mackenzie Shirilla's father Steve continues to advocate for his daughter's innocence. Finally, you can enjoy your favorite foods without the pain. We're so excited to partner with FODZYME and offer you 30% off your first order when you go to http://icaneatagain.com/nofilter Become a Member of No Filter: ALL ACCESS: https://allaccess.supercast.com/ Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb Disclaimer: The views expressed in this video, on this YouTube Channel, and on No Filter with Zack Peter are for entertainment purposes only. All content is protected under Fair Use Rights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Knock, knock… who's there? It's another episode of The Chris Moyles Show on Radio X podcast, and it's all things excellent and fantastic and brilliant and other superlatives!We have something brand spanking new for you, The Chris Moyles Sixty Second Soaps! This involved a table read of a script that was written, narrated and directed by our very own Captain Crapbeard! Now, was it just a prank on Dom to get him to say whatever we wanted? You be the judge!We also have the usual offering of great interviews. A smorgasbord of celebrities, if you will…Boy George, you come and go, you come and go! He told us that Culture Club are back! They take on some UK arenas later this year, and he confesses that he wants to write the United Kingdom's song for Eurovision someday!If you're a fan of Parks and Recreation, then you'll want to her Chris talk to Aziz Ansari! He was here to talk about his ‘Hypothetical Tour' at The Royal Albert Hall, but I also think he was here to make use of the studio aircon!He acts, he races cars, and he acts again, and he appears as a guest on The Chris Moyles Show… Michael Fassbender came in tell us all about the new series of ‘The Academy'!You want even more? You can't handle even more! But if you can handle even more, then you can have:Culture Club karaokePolly forgot her shortsWho is Amadeus?

We're decked out in our red carpet finest for our podcast's official awards ceremony: the Eurovangies! It just wouldn't be the end of the Eurovision 2026 season without some new awards, some old favorites, and even a listener postcard or two. Jeremy demands justice for Latvia's second place artist, Dimitry's stumping for his man Boy, and Oscar tells us we all need to Pray.  Watch Kautkaili's "Te un tagad" at Supernova this year on YouTube: https://www.youtube.com/watch?v=Bmdfpyip0CQ  Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joineurovangelistsEurovangelists is an American Eurovision podcast, made in the US for Eurovision fans worldwide. The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Jay went to a fancy mall to reward himself with an extravagant new watch and ran away because of an odd reason. Bobby explains that exclusive stores are just an illusion. | Jacob makes a hand gesture during the show that stops the fun. | A sexy video with women in thongs sparks a debate over ladies' underwear. | Jay's crush on Boy George escalates to a new level. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Another Grand Final has come and gone, and hoo boy, what a year for Eurovision! A new winner, a first-time winning country, drama, intrigue, hot mic moments - everything a fan could want out of a Grand Final. While we've got more opinions to come next week in our yearly Eurovangies awards, this week we've got our immediate thoughts about the contest. Jeremy mourns for his beloved Sam, Dimitry's pleased to Australia return to what they do best, and Oscar says Biiiiiiitch! The New York Times articles discussed on this week's episode: https://www.nytimes.com/2026/05/11/world/europe/eurovision-israel-gaza-netanyahu.html https://www.nytimes.com/2026/05/11/world/europe/eurovision-israel-votes.html This week's companion playlist: https://open.spotify.com/playlist/4wKOZdC2xwpGdfkSl7N8zl Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joineurovangelists Eurovangelists is an American Eurovision podcast, made in the US for Eurovision fans worldwide. The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Surprisingly enough, he's a grandfather. Alright Doug, what's the lede? Doggies in PKs? The Comeback? Stan Kroenke collecting sports championship infinity stones? Good call on the under, Doug. Herrera's walkoff was not a good piece of hitting. Still +12500 to win the World Series. 41 more wins cashes the over ticket. Wetherholt the favorite to win NL ROY. Chairman gave his tickets to Tim and his son because "The Companion" canceled. Don't tell the four year old it was a six inning game last night. Fan interest is picking up.Happy 80th Birthday, Cher! McGreevy with a little shoutout to Jackson pregame yesterday. Mentioned TMA during his sit down with Frank. Doggies get the win in penalties last night. Four months until the next round? EPL talk. Mt. Rushmore of handsome men.The Heat Is On. Bubba Puffington. The answer of course is Bronson Pinchot. How do you pronounce Herrera's name? Audio of his walkoff homerun. Audio of Herrera post game talking about the team's trust in each other. Audio of Oli Marmol on BK and Ferrario talking about pulling McGreevy after 75 pitches.Happy anniversary to this song. Doug cheated and needs to be suspended. Audio of Drink talking about Ahmad Hardy's condition and his recovery. The Tarps Off Boys got moved into the right field bleachers last night. First pitch kinda got away from him. Drink also talking about if he'd like to see the "Tarps Off" trend hit Faurot Field. Crud yeah, I loved it. Marmol talking about overcoming mistakes that were made and still find a way to overcome. O'Brien a little shaky lately.A little trivia from Tim's algorithm. Three states with only one professional team in the Big 4. No cheating, Doug! Rain may ruin Jackson's Memorial Day weekend at the lake. Who doesn't love a good go kart session? A caller has a Judge Reinhold/Arkansas update for Tim. Why do you listen to this show in Little Rock? The good ole days living on Wash Ave. Judge Reinhold and the Arkansas Travelers. Surprise guest at 9 tomorrow.Jeremy Rutherford stops by the studio. JR didn't write about The Dotem in The Athletic. Customary two-part questions for JR. Hoosier Hot. Is Binner a Blue next year or nah? JR is hairy in all the wrong places. The assistant coach search. Imaginary river waitress.The Spreckles Theatre. Just know that there's some people a little bit better than you. Nashville getting a Super Bowl in 2030. Iggy asked Chairman Kurt to have Oli Marmol sign a hat yesterday. Chairman had no intentions of actually doing it. More Marmol audio from BK & Ferrario talking about purchasing the block of tickets for the Tarps Off guys. 3-0 with the SFA guys in the building. It's metaphysics, Doug. Is this team more connected with the fans than the early 00's teams? How much is Doug being paid to gaslight?Who was your favorite of Sarah Jessica Parker's love interests on Sex And The City? That's why you invest in Movie Boi. Michael and Devil Wears Prada 2 coming up Saturday on Movie Boi. The Mandela Effect. Design Aire Heating & Cooling EMOTD.A Boy George hat and a housecoat is a good look. First album you ever had. Oli on BK & Ferrario on this year's rotation being sustainable. Keeping an eye on O'Brien. The Piggly Wiggly. Chairman wants to be in Cinci to see Navy Caps. Sounds like Jackson's not going to the lake now.Doug might be interested in taking Tatis off of the Southside Seamen's hands. The show IS bad radio. Addition by subtraction with this year's squad. Doesn't mean any of the guys were problems in the room. Taking up those roster spots wasn't a winning formula.Checking in with the Cardinals preseason predictionary. Actually Martin has the floppy disk so maybe we'll get to this tomorrow. How's Ray King Held up? Man, Tim's pissed about this predictionary thing. What time's the Strode-grum start?And the winner of the Design Aire Heating & Cooling EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-22:45) The Spreckles Theatre. Just know that there's some people a little bit better than you. Nashville getting a Super Bowl in 2030. Iggy asked Chairman Kurt to have Oli Marmol sign a hat yesterday. Chairman had no intentions of actually doing it. More Marmol audio from BK & Ferrario talking about purchasing the block of tickets for the Tarps Off guys. 3-0 with the SFA guys in the building. It's metaphysics, Doug. Is this team more connected with the fans than the early 00's teams? How much is Doug being paid to gaslight?(22:53-40:49) Who was your favorite of Sarah Jessica Parker's love interests on Sex And The City? That's why you invest in Movie Boi. Michael and Devil Wears Prada 2 coming up Saturday on Movie Boi. The Mandela Effect. Design Aire Heating & Cooling EMOTD.(40:59-57:18) A Boy George hat and a housecoat is a good look. First album you ever had. Oli on BK & Ferrario on this year's rotation being sustainable. Keeping an eye on O'Brien. The Piggly Wiggly. Chairman wants to be in Cinci to see Navy Caps. Sounds like Jackson's not going to the lake now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jess is joined by playwright and "male actress" CHARLES BUSCH! Topics include: ROSIE O'DONNELL producing the disastrous Boy George musical 'Taboo,' performing at The Duplex in the late 70s, becoming close with JOAN RIVERS, the chaos of interviewing LIZA, working with NATASHA LYONNE, and how 'Vampire Lesbians of Sodom' became one of the longest-running Off-Broadway plays of all time. ⭐ Night of 1000 Judys: June 1 @Joe's Pub * all donations benefit The Ali Forney Center * ⭐ IG: @jessxnyc ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island

Yes. It is that time of the year when DJ Moose listens to every song that was preformed in a national Eurovision Song Contest final. There are many countries that run competitions to pick their submissions to Eurovision, opening it up to so many interesting and unique artists… many of whom pique DJ Moose’s musical tastes. The Eurovision Song Contest final is on May 17. Want more info on Eurovision and all the national selections… this site is fantastic: https://eurovisionworld.com Don’t forget to do something for Ukraine, as DJ Moose is certain many of the bands and artists, do. Слава Україні! Героям слава! This is who DJ Moose played in this episode : Intro – 00:00 Micro with DJ Moose – 00:30 Sara Kapo – Të dua shumë (Albania) – 03:01Marquise – Chuva (Portugal) – 05:22Elpo – Blakus (Latvia) – 08:08Late Runner – Can U Feel It? (Denmark) – 11:04Lavina – Kraj mene (Serbia) – 14:03The Elliens – Crawling Whispers (Ukraine) – 16:45Monokate – Tut (Ukraine) – 19:33 Micro with DJ Moose – 22:09 Senhit feat. Boy George – Superstar (San Marino) – 25:04Rug!le – Ikona Žemaitė (Lithuania) – 29:09Dagna – Sau meluojam (Lithuania) – 31:06The Astrolabe – Drop It (Greece) – 33:53Jack Lupino – Adrenalin (Serbia) – 36:13Matt Blxck – Ejja lejja ħdejja ‘l hawn (The Flute) (Malta) – 39:00Lokytė (The Sneekers Remix) – Vilko akių (Lithuania) – 41:07Lolita Zero – Salve in meum mundum (Lithuania) – 43:43Hansanova – Lumina (Lithuania) – 46:09Bambole di pezza – Resta con me (Italy) – 49:07 Micro with DJ Moose – 52:07 Look Mum No Computer – Eins, Zwei, Drei(UK) – 54:55Akylas – Ferto (Greece) – 58:04Alexandra Căpitănescu – Choke Me (România) 1:01:00Satoshi – Viva, Moldova (Moldova) – 1:03:58 or Listen to The Gothic Moose – Episode 657 – Eurovision 2026 byDJ Moose on hearthis.at Here is the link to download this episode in MP3 Note: After about a year, episodes may no longer be available here or elsewhere. Shows are sometimes missing from Youtube due copyright restrictions. Use the handy built-in player:

Yes. It is that time of the year when DJ Moose listens to every song that was preformed in a national Eurovision Song Contest final. There are many countries that run competitions to pick their submissions to Eurovision, opening it up to so many interesting and unique artists… many of whom pique DJ Moose’s musical tastes. The Eurovision Song Contest final is on May 17. Want more info on Eurovision and all the national selections… this site is fantastic: https://eurovisionworld.com Don’t forget to do something for Ukraine, as DJ Moose is certain many of the bands and artists, do. Слава Україні! Героям слава! This is who DJ Moose played in this episode : Intro – 00:00 Micro with DJ Moose – 00:30 Sara Kapo – Të dua shumë (Albania) – 03:01Marquise – Chuva (Portugal) – 05:22Elpo – Blakus (Latvia) – 08:08Late Runner – Can U Feel It? (Denmark) – 11:04Lavina – Kraj mene (Serbia) – 14:03The Elliens – Crawling Whispers (Ukraine) – 16:45Monokate – Tut (Ukraine) – 19:33 Micro with DJ Moose – 22:09 Senhit feat. Boy George – Superstar (San Marino) – 25:04Rug!le – Ikona Žemaitė (Lithuania) – 29:09Dagna – Sau meluojam (Lithuania) – 31:06The Astrolabe – Drop It (Greece) – 33:53Jack Lupino – Adrenalin (Serbia) – 36:13Matt Blxck – Ejja lejja ħdejja ‘l hawn (The Flute) (Malta) – 39:00Lokytė (The Sneekers Remix) – Vilko akių (Lithuania) – 41:07Lolita Zero – Salve in meum mundum (Lithuania) – 43:43Hansanova – Lumina (Lithuania) – 46:09Bambole di pezza – Resta con me (Italy) – 49:07 Micro with DJ Moose – 52:07 Look Mum No Computer – Eins, Zwei, Drei(UK) – 54:55Akylas – Ferto (Greece) – 58:04Alexandra Căpitănescu – Choke Me (România) 1:01:00Satoshi – Viva, Moldova (Moldova) – 1:03:58 or Listen to The Gothic Moose – Episode 657 – Eurovision 2026 byDJ Moose on hearthis.at Here is the link to download this episode in MP3 Note: After about a year, episodes may no longer be available here or elsewhere. Shows are sometimes missing from Youtube due copyright restrictions. Use the handy built-in player:

Det er Eurovison uge! 80’er stjernen Boy George stillede op for San Marino i et lidt forfejlet comeback, og i den anledning kigger vi tilbage på hans karriere og tidligere skandaler. Grand Prix-legenden Keld Heick har været i audiens hos kongen for at takke for sit ridderkors, og vi har ham med på telefon til at fortælle om oplevelsen. Vi har også Dennis Knudsen med på telefon til at kommentere nogle falske rygter, der hævder, at hans 3-årige datter er syg med kræft. Dennis aftjener i øvrigt sin værnepligt for tiden, og om det fortæller han, at han har taget ja-hatten på. Din vært er Ditte Okman og i panelet sidder Niels Thulesen Dahl, Per Kuskner og Jonas Kuld Rathje. Lyt til nye episoder af Det, vi taler om hver fredag kl. 14. Følg Det, vi taler om på Facebook og @ditteokman på Instagram. Vært: Ditte Okman Redaktør: Andreas Østergaard Producer: Donya Lykkeberg Video: Bertil Jarløv Busch https://youtu.be/hxHy3pZbjes Rettelse: En gæst i programmet kom med en kommentar, mens der blev spillet musik og mikrofonerne skulle have været slukket. Den kommentar er klippet ud efter udgivelsen. RADIO IIII beklager fejlen.See omnystudio.com/listener for privacy information.

Politics Culture and Some Other Shit May 12th 2026The hasbara onslaught continues against Ireland unabated.  Boy George shills on for his Zionist paymasters equating Judaism with Zionism whilst throwing Ireland under the bus along with more zio-propaganda publications masquerading as journalistic outlets. I interviewed Paidi McNicol from the Save Lough Neagh campaign and People Before Profit about the Lough Neagh Film Festival he organised at the weekend here in Lurgan and about the upcoming Save Lough Neagh march in Ardboe this weekend. I talk a little about James Connolly on the anniversary of his death, the greatest Irish man. And some other shit. Links. Tommy Greenes Book Troubled Watershttps://www.omahonys.ie/troubled-waters-p-10616562.htmlEoghan O'Ceannabhanhttps://eoghanoceannabhain.bandcamp.com/Kneecaphttps://kneecap.ochre.store/Patreonhttps://www.patreon.com/c/politicscultureandsomeothershitTwitterhttps://x.com/PCASOSpodcastYou Tubehttps://www.youtube.com/channel/UC2vCVNlWbQlyythJEEM4z_wUpscrolled@pcasospodcast

This week, Geordie & Michelle explore the murky world of eugenics...Most parents want their kids to succeed, but what happens when parenting stops being encouragement and starts becoming engineering? This week, Geordie & Michelle look at the bizarre and tragic story of Hildegart Rodríguez — known as The Red Virgin. Born in Madrid in 1914, Hildegart was created by her mother, Aurora Rodríguez Carballeira, as a human experiment. Obsessed with eugenics and the idea of creating the “perfect woman”, Aurora carefully chose a man for his intelligence and social standing, got pregnant, raised a female 'project' and turned Hildegart into a child prodigy. Except at some point, Hildegart began to get a mind of her own and that's when things get dark... Listen now to this story about genius, obsession, control and feminism and what happens when a child is raised as a project instead of a person. So grab a brown lemonade and settle in as the pair chat Eurovision, Boy George, German toilets and more, only on Eavesdroppin'. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, tell your friends and subscribe in all the usual places – it really helps :) Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: http://www.eavesdroppinpodcast.comorhttps://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast Hosted on Acast. See acast.com/privacy for more information.

Boy George tells Teddi Mellencamp to shut the F up in this weeks feud we never knew we needed but cannot get enough of. Amanda Frances reclaims her scam artist moniker in a power move which has left her cast mates speechless. The Golden Life Trailer drops. Katie and Stassi reconcile while Lala and Katie feud. Brit Eady's lawsuit against Bravo moves forward. In other news, RHORI is in overdrive. The ladies head to Newport for a Doll Lunch as Kelsey leaves her mystery boyfriend, Ashley I cries over having no problems, Rosie is mad, Jo Ellen meddles and Rulla's absence leads to even more questions about her husband's infidelity that seem to be ultimately answered in a mid season trailer that has left everyone wanting more! @behindvelvetrope @davidyontef Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailDana Wilkey from Real Housewives of Beverly Hills had insider tea on Russell Brand being a predator in early 2023 — well before the Channel 4 documentary, well before Sunday Times broke it, and well before anyone was talking about it publicly — and today she's sharing those receipts alongside a full breakdown of Russell Brand's viral Piers Morgan Uncensored interview that nobody else is covering the way she does. The tea came from inside the UK comedy circuit including a WhatsApp group set up among female UK comics specifically to warn each other about Russell Brand — and when you hear what was being said back then you're going to understand why this interview with Piers Morgan hits so differently. Russell Brand is currently facing charges of rape and sexual assault involving four women and Dana breaks down exactly how he spends the first ten minutes of the Piers Morgan interview psychologically setting up the entire conversation before a single real question is asked — and the parallel she draws to how Jeffrey Epstein operated with powerful people is something you genuinely will not hear anywhere else. Then there's the Andrew Tate and Tristan Tate connection to what Russell Brand is doing rhetorically in this interview that nobody is talking about — and Dana breaks down exactly what he's doing and why it should concern you. Plus Katy Perry's 2013 Vogue interview where she reveals she has a deep dark secret about Russell Brand locked in her safe for a rainy day — and what could that possibly be given everything we now know? The Edinburgh Fringe Festival culture is also covered — including Hardeep Singh Kohli charged with rape and Tom Binns convicted of 35,000 child images — and why Dana thinks that environment matters to understanding Russell Brand's behavior. Then we tease what is an explosive Patreon exclusive deep dive on PK Kemsley where Dana has figured out the real story behind how PK built his old wealth — and it involves a disgraced banker, a $35 million self-dealing accusation from his own partners, and a financial pattern he has repeated on every woman in his life including Loretta Gold and Dorit Kemsley — and the Florida trust that Dorit almost certainly doesn't know exists. The full PK Kemsley deep dive including Rachel Uchitel, Boy George, Pelé, Tatiana Kurchulava and the Dorit Kemsley financial trap is exclusively on Patreon — subscribe now at https://www.patreon.com/cw/DishingDramaWithDanaWilkey

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

While we're not doing as much predicting this year, you better believe we've got opinions about our favorites, so we're welcoming back pop music expert Dave Holmes of International Waters to take a look at what we're liking in 2026. Jeremy's dancing on the table, baby, Dimitry is always mindful of his Croatia history, Dave shocks us with his #1 pick, and Oscar just wants more. Linda Lampenius on Baywatch in 1999: https://www.youtube.com/watch?v=ELYPQ7tw7mE This week's companion playlist: https://open.spotify.com/playlist/0ipIZVcS6eqQ0h0NZ5vk03 Thanks to everyone who participated in this year's MaxFunDrive! Still want to get in on the action? Follow this link to support this show (and get in on our limited-time keychain sale to benefit the Center for Constitutional Rights): https://maximumfun.org/joineurovangelists Eurovangelists is an American Eurovision podcast, made in the US for Eurovision fans worldwide. The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

The first Eurovision Semi Final started with a bang, but does the back half of the show pack the same punch? Michael and Jack run through the latter half of the first semi, and find out how much of is made for a quick coffee or loo break. You can enjoy the first Semi live on SBS and On Demand on Wednesday 13 May at 5am (AEST) and in prime time (with some added extras) on Friday 15 May at 7:30pm (AEST). In this episode: Dive into religion Watch out for the arena anthem Wonder what could happen with some real metal in proceedings Get involved  Listen to this year’s entries on your preferred platform Follow JOYEurovision across Facebook, Instagram, Threads, TikTok, Bluesky and X at linktr.ee/joy_eurovision Not in Australia? Grab this podcast via Spotify Podcasts. Make your vote count via the poll (and be in the chance to win something special) – closes 12 May Playlist Montenegro: Tamara Živković – Nova Zora Estonia: Vanilla Ninja – Too Epic To Be True Israel: Noam Bettan – Michelle Belgium: ESSYLA – Dancing On The Ice Lithuania: Lion Ceccah – Sólo Quiero Más San Marino: SENHIT (with Boy George) – Superstar Poland: ALICJA – Pray Serbia: LAVINA – Kraj mene The post Previewing the second half of Eurovision 2026 Semi Final 1 appeared first on JOY Eurovision.

If we're going to talk about all the music videos from Eurovision 2026, we need another opinionated Eurovision fan in the mix, so we're joined this week by ESC Ben! He's chatting with us from the UK about all our music video faves (and least faves) from the class of 2026. Jeremy has Fuego at home, Dimitry is sick to his stomach at the sight of AI fakery, Ben wants one video to Just Go, and Oscar's choreomaxxing. Find ESC Ben on TikTok: https://www.tiktok.com/@itsescben Find ESC Ben on Instagram: https://www.instagram.com/itsescben/ Find ESC Ben on Bluesky: https://bsky.app/profile/did:plc:jpyolb536sy4febnqbaw4zzh Watch all the music videos from 2026: https://www.youtube.com/watch?v=b9AdRrA554o&list=PLd2EbKTi9fyVFOasv4LXA7gUf5tq1DaoD&pp=sAgC Vote in the Shadow Bracket every day on our Instagram page! You can listen to the competing songs on Spotify or watch the performances on YouTube. This week's companion playlist: https://open.spotify.com/playlist/4SMdBK4qmAq9g09iXIAVRx Thanks to everyone who participated in this year's MaxFunDrive! Still want to get in on the action? Follow this link to support this show (and get in on our limited-time keychain sale to benefit the Center for Constitutional Rights): https://maximumfun.org/joineurovangelists Eurovangelists is an American Eurovision podcast, made in the US for Eurovision fans worldwide. The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

It's Festive Friday and todays movie is a fresh take on a Christmas classic! ABOUT CHRISTMAS KARMA A hard-nosed businessman, Mr. Sood, is forced to confront his past, present, and future over one fateful Christmas Eve - guided by three unforgettable spirits - on a journey toward compassion and redemption. AIR DATE & NETWORK FOR CHRISTMAS KARMA November 14, 2025 | Theatrical Release  CAST & CREW OF CHRISTMAS KARMA Director: Gurinder Chadha Writers: Gurinder Chadha, Charles Dickens Producers: Gurinder Chadha, Amory Leader, Celine Rattray Cast: Kunal Nayyar as Eshaan Sood Leo Suter as Bob Cratchit Boy George as Ghost of Christmas Future Billy Porter as Ghost of Christmas Present Eva Longoria as Ghost of Christmas Past BRAN'S CHRISTMAS KARMA SYNOPSIS It's Christmas Eve and Scrooge is not thrilled. His employees are busy throwing a Christmas party. And this is when we find out this is a musical. Honestly, had no idea. Scrooge fires everyone except his accountant Bob Cratchit. He reluctantly gives Bob an advance on next month's pay so he can buy presents for his kids. Scrooge hates Christmas. When he gets home, he thinks he sees something on the door, but it's nothing. Except when he goes to go to sleep, he hears a loud bang on the door. It's the ghost of his old business partner, Jacob Marley. Marley warns Scrooge that he better change his ways OR ELSE! To help him, he will be visited by three spirits throughout the night. Scrooge is like whatever and falls asleep. He is woken up by the ghost of Christmas past. It's Eva Longoria, DUH! She projects images of where he grew up in Africa with his best friend Akiiki. We see him and his family learn the news that all Asians must leave the country within 90 days. Scrooge is forced to watch his father die and other bad stuff. But it's not all bad. We see him at his first job, falling in love, proposing. But her parents don't believe he will be able to financially support their daughter. So Scrooge is like just wait and see. I'll show you! Scrooge starts a business and refuses to help his first boss, Mr. Fezziwig, when he asked him to help him. He shows up a year later, shows that he has money to her parents but she isn't interested because she learned about how he treated Fezziwig. She shows him what happened to her but he's not interested. He insists that he regrets nothing! It's time for the ghost of Christmas present! He's fun. He's funky. He's Billy Porter. He shows him the Cratchit house on Christmas who is discussing Scrooge. Bob says he's just sick. Something is broken inside of him. Then he sees his nephew at a Christmas party, mocking Scrooge, and dancing big. Suddenly, the ghost of Christmas future. Obviously, it's Boy George. And he is joined by Billy Porter for a duet while Eva Longoria stands there awkwardly. He discovers his death, but more importantly the death of Tiny Tim. He promises he will change. He wakes up and it's Christmas. HE DIDN'T MISS IT! He goes to give money to everyone. And they all meet up to celebrate at the Christmas carnival. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hosts Nate Wilcox and Ed Legge continue their discussion of Michaelangelo Matos' "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" with a look at the incredibly glamorous 1984 Grammy awards when Michael Jackson reigned supreme (except for one surprise moment from Annie Lennox), Boy George gaffed, The Police were far away and Cyndi Lauper was primed for the next year's show. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Buy the book and support the show.⁠ Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Bannister onThe Indian singer Asha Bhosle who soundtracked countless Bollywood films and collaborated with Boy George, Michael Stipe and Damon Albarn.Sir Neil Cossons, a leading light in the development of the UK's museums.Professor Harold Ellis, the respected surgeon whose long career began at the same time as the foundation of the NHS.Daphne Selfe, the elegant model who was rediscovered in her seventies and transformed the image of older people in fashion.Producer: Ed Prendeville Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Colin PatersonArchive: Ironbridge Gorge Museum, BBC News, 01 Jan 1930; Network East, BBC Two, 22 Aug 1987; The Courage to Fail: Nerves of Steel, BBC Two, 02 Nov 1987; Talk of the 80's: Neil Cossons, BBC Two, 21 Dec 1989; Everywoman, BBC World Service, 16 Dec 2002; PM, BBC Radio 4, 02 Jul 2008; Saturday Live, BBC Radio 4, 26 Dec 2009; Woman's Hour, BBC Radio 4, 16 May 2013; Evening News, BBC London, 03 Jul 2018

Monday, from the Palm Street Studio, it's another podcast.  It's tax day!  The podcast is out of Facebook jail.  Phil has an ear infection and a story.  Tuesday night bowling update, we are so close to the end, will the Palm Street Studio team be in the finals?  Infamous Quick has a new album dropping and it will happen on the podcast!  An epic 8 bar rip from The Grumpy Griller's wife's birthday.  We missed Boy George.  Phil wants his gong back.   Featuring The Grumpy Griller, Brian "The Blade", Hall of Famer Junior!, Sir Phillip Nichol, and Lord Adam Filkins.  Make good choices!

A rare audio interview with Dame Katy (transcript below) in which she bares ALLWe're backstage at DKD's one womxn show, in the Barnsley British Region for injured and infirm trans womxn veteransJulie – it's you! They said there was a lady wanting to see me.(Shouts to security) I say Doreen - this ain't no lady - its Julie! Tell her carer we'll be 5 minutes max!Dame Katy, I am beside myself with excitement, here I am in the venue, with a few of my lezzer friends, Talking about how brilliant it is the hour 1970s fashion choices now appear to be briefly trendy again, and I realise it's you on the bill! I was told it was a Lynyrd Skynyrd tribute.You were lucky to get past Doreen, Julie. I've just taken her on. She used to work for Chappell Roan but sadly she was a bit too heavy handed. I blame the parents, Doreen wasn't to know that kiddie had brittle bone disease - a head lock never did me no harm!I'd offer you a drink Julie but it looks like you've had enough! It's so good to see you & always in that trusty cardi. What I've always said about you Julie is that you don't give in to trends. Everyone's jabbing away with the Ozempic and here's you looking like you've spent a fortnight on an all inclusive in Benidorm. You're not in the family way are you? I told you to steer clear of Pisshead Pat!So I'm guessing you're wanting another exclusive? Book sales flagging? I was sorry to hear about your last effort. The vicar said it was a book he couldn't wait to put down! Oh by the way I saw your ex husband the other week, that James Dreyfus, he was outside Bargain Booze scratching around the bins trying to bum a fag. He said he'd do owt for £20 so I've got him coming to do the gutters next week.Julie:Thank you Dame Katy, can I just say how fabulous you look and what an amazing show! ‘Puppetry of the Shenis'. Who knew your meat and two veg could be so ambidextrous!DKD:Its attracting rave reviews Julie! There was a queue around the block on press night. You couldn't move for celebrities - I was literally beating off a well known boy band desperate to see a glimpse of my opening. It all started one night when I was watching Channel 4 and this lady, (sporting one of Cher's old wigs and a cheap blouse), was playing the keyboard with her micro penis - the crowd were lapping it up! Well I thought to myself, I've got a least 5 inches on her and if that's what passes for entertainment these days then sign me up!Fast forward a few months and here we are! It's a 2 part show Julie, first half I do impressions with my shenis - Donald Trump, Noel Edmonds, Bob Marley - my ‘No Woman No Cry' leaves folk speechless. Then second half I do expressionist dance to the Greatest Hits of Eurovision - I saw your little eyes light up when I whipped off my skirt during ‘Making Your Mind Up' and you got to see my ‘Ding A Dong'. There's a lot of talk of me transferring to Broadway - mind you, its' me whose doing all the talking!Julie:What about politics Dame Katy. You were strongly rumoured to be standing in the next election.DKD:Standing? Is that a cheap dig? Anyway, it's just a rumour Julie. Granted, I am one of the most impotent voices in queer politics right now but I saw how them Brighton gays treated poor Eddie Izzard. Apparently they saw her as just a joke candidate with a pink beret and a pair of plastic tits. Can you imagine if I won? Working in the House of Parliament? I could end up having a heated three way with Nigel Farage & Zack Polanski (Again!). I haven't got the time anyway Julie, I'm helping out an old friend whose fallen on bad times. You remember that ex P.A turned struggling author pal of mine?Julie:JK Rowling?DKD:She who must not be named! Yes, well she's only been telling folk her little wizarding hustle is being turned into a TV series. You've got to laugh! It'll be like ‘Eldorado' all over again. She's a complete fantasist! But I said I'd help her out with the scripts so I've added a new character into the mix to get the green haired they/them brigade back on side. It's a new Hogwarts Teacher who takes the Gender Queer Studies classes. She's trans, she's a doctor, a Pride of Britain award winner and an ex model.As the series progresses, she takes centre stage with her magical powers - she can literally turn men into women just by saying it! Can you believe that? I know it's a bit far fetched - it makes Stranger Things look like a documentary, but I reckon it will be a big hit with the LGBTQOMDU2+ community who enjoy living in a world of make believe. Some say TV has got too woke and we shouldn't keep on forcing this queer manifesto down people's throats, but I'm not complaining!Julie:I don't know where you find the time Dame Katy. Million selling books, charity endeavours, script writing, cabaret shows... is there no start to your talents?DKDI surprise myself Julie! And you won't believe this - the Royal Mail's been in touch wanting to commemorate me on a stamp! My head literally being licked by thousands! Then there's I'm A Celebrity Get Me Out of Here - but do I really want to be dropped into overgrown Australian bush? I bet you wouldn't say no Julie! I'll give it some thought; the money's good but its them challenges that put me off - dark confined spaces, putting dodgy stuff in my mouth - I'm getting flashbacks to the toilets in Heaven 1997! Plus I wouldn't want to risk them putting Boy George back on the show; his luxury item would be a radiator and I'd spend the next 3 week handcuffed to it like some trans Terry Waite!JulieDid you hear the news about your arch nemesis, Lynsay Watson?DKDHear the news? I nearly laughed my bollocks off seeing her being bundled into the back of that Police van, Julie. Absolute state of it. I thought they were nicking Meatloaf at first! Worzel Gummidge's hair was in better nick than that! I've seen some photo filters do some heavy lifting but that's just taking the piss - proof positive that the camera does lie and you can polish a turd! To think she used to be a copper; I bet her helmet was always filthy! But I don't hold a grudge Julie. Someone with skin that looks like the surface of Mars should be pitied really. Plus I'm not a vengeful woman (god strike down anyone one says I am), I've even bought a special chair for her, just needs a few hundred volts putting through it.**knock at the door**I don't get a minute to myself. If that's Fat Tony wanting to borrow 20 grand again they'll be hell to pay. I've got to be up early as they've invited me back on Woman's Hour to discuss the sticky subject of female sperm - apparently folk are resistant to talk about it as it always leaves a nasty taste in the mouth.Watch how you go Julie, there's a man in a beat up old Fiat 500 in the car park, I reckon he sleeps in it. Looks like the lovechild of Jimmy Saville with bad hair plugs, ranting and foaming at the mouth. Tells anyone that listens that he used to read the news on TV - I said ‘yeah, and I shagged Trevor McDonald!'.....Doreen if you could see Julie out, AFTER she's put my purse back! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit juliebindel.substack.com/subscribe

Chappell Roan complains about her fans, Taylor Frankie Paul Cop Cam breakdown, Meghan Markle's Australian grift, The Rise of the Red Hot Chili Peppers: Our Brother Hillel, Jack Reacher body cam, and Scottie Pippen's still bitter. It's the 40th anniversary of Van Halen's 5150. Keven McGonigle has made the Detroit Tigers Opening Day roster. Max Clark and his tattoos are sent to Triple-A Toledo. We dump way too many facts about Rick Monday. Will Disney dump ABC? Delta Airlines sticks it to members of Congress. TSA is not to thrilled with ICE at the moment. Trump and Iran. That's it. Nobody knows. Erika Kirk grieves differently. RIP OnlyFans owner Leo Radvinsky. Dead at 43 of cancer. His memory will live in through countless whores. RIP Seth Peterson. Meghan Markle is gearing up to grift Australia. Jack Quaid seems to hate her. Taylor Frankie Paul cop cams have been released. She's digging herself in a deeper hole. Britney Spears has been seen for the first time since her DUI. Drew watch Necessary Roughness last night. The Red Hot Chili Peppers have a new documentary on Netflix. Chappell Roan claims she does not hate children. Boy George is NOT a fan. She has quite the history of complaining about her fans. Spring Break 2026 is chaos. Jack Reacher was wearing a bodycam when he beat the crap out of his neighbor. Trudi remains committed to Alan Ritchson. JLo looks disgusted when she's hanging with her daughter. Pronouns are so 2020. Scottie Pippen is still being salty about Michael Jordan. Check out his latest commercial with Mr. Pibb. Jackie O is the Ryan Seacrest of Australia… without the views. Merch remains available. Buy it before it's gone or miss out. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Use code trashy at the link below to get an exclusive 60% off an annual Incogni plan: incogni.com/trashy Today we're bringing you one of our occasional Dumpster Dives, where we catch up on the latest news from the Trashy Divorces Cinematic Universe. In the Dumpster today: Corey Feldman's long running divorce is over, but he's found something else to be mad about: the time he was almost cast in What's Eating Gilbert Grape. Leo DiCaprio earned an Oscar nomination instead.  Hugh Jackman and Sutton Foster are reportedly planning to get married, but Hugh's children aren't entirely on board. Also, no prenup? Come on, celebrities. Do you even listen to our show? 80s pop master Boy George has some advice for notoriously press-averse Chappell Roan.  Another 80s pop master, Billy Joel, was honored at Carnegie Hall, accompanied to the show by his friend P!NK. Is Tom Brady dating Scooter Braun's ex, Yael? Maybe so, but Giselle still wins the divorce, Tom.  Dearly departed Shannen Doherty is somehow still in court with her ex-husband, who wants the terms of their divorce agreement adjusted because, you know, she lost her fight with breast cancer two years ago.  Finally, Cindy Crawford made the mistake of sharing her morning routine with social media. The results were... well, you can guess. A request: If you listen on Apple Podcasts and this arrives on your phone in a timely manner, would you mind dropping us a line at trashydivorces@gmail.com to let us know? We - and many podcasters - are struggling with a glitch from Apple's latest update. Thank you for your support and your patience. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liza Minelli and Martin Scorsese had some crazy party days together, we get a Rhianna shooting update, Boy George loves AI, the best ice cream flavors, and AZ residents do their annual snow plow naming.

It's time to stop being filled with jealousy and judgement of others! Boy George admits he used to love hating people, but now actively chooses compassion and kindness.In this chat with Fearne, Boy George explains how this philosophy has helped him celebrate his own and other peoples' successes more fully. He also talks about why he loves fame now, but would have done his early fame differently, and about the solace he gets from talking to his late mum.Plus, he's writing songs about everything from global war to scrubbing his floors with ChatGPT, so does Boy George see a future where art and AI co-exist?If you liked this episode of Happy Place, you might also like:Samantha RenkeZandra RhodesLulu Hosted on Acast. See acast.com/privacy for more information.

EP899: Bryan heads to his Brother's big bachelor party for a bit of fun, gambling and Boy George?? It's stranger than fiction!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.