Podcasts about jazz ensemble

We start to gear up for the 2025 PMEA All-State Festival by talking with the conductors of all six All-State ensembles. Today we talk with JD Frizzell, All-State Contemporary A Cappella Ensemble Conductor and Gary Smulyan, All-State Jazz Ensemble Conductor. Learn about the musical programs and what student participants can expect.

With the next Trump administration imminent, California is warning college students with undocumented parents to apply for financial raid at their own risk. Fire weather conditions will rise in the coming days as Santa Ana winds return. CSULB's Pacific Standard Time jazz ensemble prepares for a cultural exchange trip to Cuba. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Igmar Thomas is a New York-based trumpeter, composer, and bandleader of the jazz ensemble, Revive Big Band. Thomas and the band have just released their debut album, Like A Tree It Grows, which reimagines compositions from Thelonious Monk, Wayne Shorter, and more for a big band format. Thomas is with us for a Listening Party and to discuss his career, his process, and his experience as Music Director for acts like LL Cool J, Busta Rhymes, The Fugees, Nas, and Lauryn Hill.

Jeff Tylutki, Director of Bands and Performance Music at Keystone College in La Plume, PA, speaking about the fall concert titled, "The Year's Last, Loveliest Smile," to be presented on Sunday, October 20, 2024, in the Theatre at Brooks at 7:00 pm. There is no admission charge, and there will be a chance to meet representatives of the Northeast Regional Cancer Institute. Featured will be the KC Symphonic Band, the Vocal Ensembles and Jazz Ensemble, with music for everyone. www.keystone.edu/music 570-945-8599

“I wanted to get kids to work more collaboratively. We say we're a collaborative group, but the conductor is behind the piano teaching the choir parts rather than saying, ‘here's the part I want you to learn. Go learn it. Here are the expectations and come back and self-assess yourself.' So, I designed performance tasks. I'll work on it as a group first, so they have some capacity for it. Then I'll have them break into sectionals and go reinforce it.”William Gunn is the director of music at Plymouth Regional High School where he conducts the Concert Band, Jazz Ensemble, Concert Choir, Chamber Singers, and teaches a year long guitar elective. He is also the music director of the Pemigewasset Choral Society in Plymouth, NH, and a teaching lecturer in music education at Plymouth State University. Mr. Gunn received his bachelor of music in music education from Ithaca College and his masters of music in conducting from Colorado State University. Mr. Gunn has studied conducting with Wes Kenney, Dwight Bigler, Steve Peterson, and Eric Hammer. Mr. Gunn is the immediate past president of New Hampshire ACDA and serves as the Treble Choir Chair for the NHMEA All-State Festival.To get in touch with Will, you can find him on Instagram @willdotg or email him at wgunn@pemibaker.org.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonCreative RiskArtists and creatives, GET RISKY! Candid convos, expert interviews & actionable advice.Listen on: Apple Podcasts Spotify

On the July 20 WBGO Journal, singer and talk show host Volora returns to her roots in Newark and a chat with NYO Jazz ensemble members heading to South Africa

Técnica de composición musical basada en el dodecafonismo de Arnold Schönberg. Mientras este aplica un principio serial a las alturas de las doce notas de la escala cromática, el serialismo amplía la aplicación de este fundamento a diferentes parámetros musicales como ritmo, intensidad y timbre._____Has escuchadoAll Set for Jazz Ensemble (1957) / Milton Babbitt. The Contemporary Chamber Ensemble; Arthur Weisberg, director. Nonesuch (1974)Gruppen: für drei Orchester. Werk Nr. 6 (1955-1957) / Karlheinz Stockhausen. Berliner Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1996)Scambi (1957) / Henri Pousseur. Sub Rosa (2002)Structures pour deux pianos. Livre II (1961) / Pierre Boulez. Pierre-Laurent Aimard y Florent Boffard, pianos. Deutsche Grammophon (1995)_____Selección bibliográficaBANDUR, Markus, Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Birkhauser Verlag, 2001BAZAYEV, Inessa y Christopher Segall (eds.), Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism. Routledge, 2020BENITEZ, Vincent, “Reconsidering Messiaen as Serialist”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 267-299*GALLOPE, Michael, “Why Was This Music Desirable? On a Critical Explanation of the Avant-Garde”. The Journal of Musicology, vol. 31, n.º 2 (2014), pp. 199-230*GRANT, M. J., Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press, 2008GULDBRANDSEN, Erling E., “Pierre Boulez in Interview, 1996 (II). Serialism Revisited”. Tempo, vol. 65, n.º 256 (2011), pp. 18-24*IDDON, Martin, The Cambridge Companion to Serialism. Cambridge University Press, 2023MCCARTHY, John y Joe Peter, Harmonic Grammar and Harmonic Serialism. Equinox Publishing, 2016MOORE, Allan F., “Serialism and Its Contradictions”. International Review of the Aesthetics and Sociology of Music, vol. 26, n.º 1 (1995), pp. 77-95*NEIDHÖFER, Christoph, “Inside Luciano Berio's Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*PERLE, George, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. University of California Press, 1991RAO, Nancy Yunwha, “Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music”. Perspectives of New Music, vol. 40, n.º 2 (2002), pp. 190-231*ROIG-FRANCOLÍ, Miguel A., Understanding Post-Tonal Music. Routledge, 2021SMALLEY, Roger, “Serialism for Today”. Tempo, n.º 90 (1969), pp. 2-7*SMITH BRINDLE, Reginald, Serial Composition. Oxford University Press, 1968VANDER WEG, John D., Serial Music and Serialism: A Research and Information Guide. Routledge, 2000WHITTALL, Arnold, Serialism. Cambridge University Press, 2008* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

“Jazz and classical music contaminations”Igor Stravinsky (1882 - 1971) - Ebony Concerto1.        Allegro moderato2.       Andante     3.       Moderato Woody Herman, clarinettoIgor Stravinsky, direttoreWoody Herman's BandNew York, 1946 About composition*****08:32Igor Stravinsky (1882 - 1971) - Preludium for Jazz Ensemble (1936/53)Columbia Jazz EnsembleIgor Stravinsky,conductor About composition ******10:04Igor Stravinsky (1882 - 1971) - ConcertinoPrima versione per quartetto d'archiParker Quartet:Daniel Chong, violinKen Hamao, violinJessica Bodner, violaKee-Hyun Kim, cello About composition******16:48Igor Stravinsky (1882 - 1971) – Piano Rag MusicIgor Stravinsky, pianoforte******From Charlie Parker With Strings-          John Klenner e Sam M. Lewis - Just friends    20:05Just friends è una canzone popolare composta da John Klenner e Sam M. Lewis e inciso per la prima volta nel 1932 dal cantante Russ Columbo, accompagnato dall'orchestra di Leonard Joy e lo stesso anno fu realizzata anche un'altra versione da Ben Selvin e la sua orchestra. -          Matt Dennis - Everything Happens to Me    23:38Everything Happens to Me è una canzone scritta da Tom Adair (testo) e Matt Dennis (musica) nel 1940 ed è stata registrata per la prima volta dall'orchestra di Tommy Dorsey con Frank Sinatra. Nel 1957 Sinatra registrò nuovamente la canzone con l'Hollywood String Quartet e questa versione fu inclusa nel suo album del 1957 Close to You.-          Gerry Mulligan – Rocker    26:54Charlie Parker - sassofono contralto; Mitch Miller – oboe; Bronislaw Gimpel, Max Hollander, Milton Lomask - violini; Frank Brieff - viola; Frank Miller - violoncello; Myor Rosen - arpa; Stan Freeman - pianoforte; Ray Brown - contrabbasso; Buddy Rich - batteria; Jimmy Carroll - arrangiatore e direttore d'orchestraAbout Charlie Parker whit stringsQuesto podcast è stato prodotto per scopi esclusivamente didattici e per la diffusione della cultura musicale, senza fini di lucro.

Das Joshua Jaswon Octet ist ein in Berlin ansässiges zeitgenössisches Jazz-Ensemble, das sich aus einem breiten Querschnitt junger Ausnahmemusiker aus den führenden europäischen Jazzszenen zusammensetzt. Unter der Leitung des in London geborenen Saxophonisten und Komponisten Joshua Jaswon hat das Ensemble sein Debütalbum "Silent Sea" im Oktober 2020 veröffentlicht. Letztes Jahr ist das aktuelle Album "Polar Waters" erschienen. Jaswon konzentrierte sich darin auf die Erforschung der fließenden Rollen, Klangfarben und Texturkombinationen im und auf das Ensemble im Einzelnen auswirkt. Am 8. Juni 2024 spielt das Joshua Jaswon Octet in der Kunstfabrik Schlot in Berlin. Mastermind Joshua Jaswon ist heute zu Gast im Studioeins im Bikini Berlin.

Das Joshua Jaswon Octet ist ein in Berlin ansässiges zeitgenössisches Jazz-Ensemble, das sich aus einem breiten Querschnitt junger Ausnahmemusiker aus den führenden europäischen Jazzszenen zusammensetzt. Unter der Leitung des in London geborenen Saxophonisten und Komponisten Joshua Jaswon hat das Ensemble sein Debütalbum "Silent Sea" im Oktober 2020 veröffentlicht. Letztes Jahr ist das aktuelle Album "Polar Waters" erschienen. Jaswon konzentrierte sich darin auf die Erforschung der fließenden Rollen, Klangfarben und Texturkombinationen im und auf das Ensemble im Einzelnen auswirkt. Am 8. Juni 2024 spielt das Joshua Jaswon Octet in der Kunstfabrik Schlot in Berlin. Mastermind Joshua Jaswon ist heute zu Gast im Studioeins im Bikini Berlin.

Das Joshua Jaswon Octet ist ein in Berlin ansässiges zeitgenössisches Jazz-Ensemble, das sich aus einem breiten Querschnitt junger Ausnahmemusiker aus den führenden europäischen Jazzszenen zusammensetzt. Unter der Leitung des in London geborenen Saxophonisten und Komponisten Joshua Jaswon hat das Ensemble sein Debütalbum "Silent Sea" im Oktober 2020 veröffentlicht. Letztes Jahr ist das aktuelle Album "Polar Waters" erschienen. Jaswon konzentrierte sich darin auf die Erforschung der fließenden Rollen, Klangfarben und Texturkombinationen im und auf das Ensemble im Einzelnen auswirkt. Am 8. Juni 2024 spielt das Joshua Jaswon Octet in der Kunstfabrik Schlot in Berlin. Mastermind Joshua Jaswon ist heute zu Gast im Studioeins im Bikini Berlin.

Das Joshua Jaswon Octet ist ein in Berlin ansässiges zeitgenössisches Jazz-Ensemble, das sich aus einem breiten Querschnitt junger Ausnahmemusiker aus den führenden europäischen Jazzszenen zusammensetzt. Unter der Leitung des in London geborenen Saxophonisten und Komponisten Joshua Jaswon hat das Ensemble sein Debütalbum "Silent Sea" im Oktober 2020 veröffentlicht. Letztes Jahr ist das aktuelle Album "Polar Waters" erschienen. Jaswon konzentrierte sich darin auf die Erforschung der fließenden Rollen, Klangfarben und Texturkombinationen im und auf das Ensemble im Einzelnen auswirkt. Am 8. Juni 2024 spielt das Joshua Jaswon Octet in der Kunstfabrik Schlot in Berlin. Mastermind Joshua Jaswon ist heute zu Gast im Studioeins im Bikini Berlin.

SHOW NOTES Episode 012 • May 13, 2024     FIRST STRAIN   News ‘n' Notes:   • University of Rio Grande adds football and a band:   https://www.msn.com/en-us/sports/other/university-of-rio-grande-relaunches-football-adds-marching-band/ar-AA1nwIgZ   https://highlandcountypress.com/sports/university-rio-grande-adding-football-marching-band-fall-25#gsc.tab=0   https://www.rioredstorm.com/general/2023-24/releases/20240423redpab   • Percussive Arts Society 2024 Hall of Fame inductees include Thom Hannum:   https://pas.org/pas-blog/pas-hall-of-fame-class-of-2024/     SECOND STRAIN   • #MeToo in the Band World: an Introduction   Katherine Needleman: https://www.facebook.com/KatherineNeedlemanOboist/ https://twitter.com/realknoboe?lang=en     TRIO   This week's interview guest: JOE WRIGHT   Joe Wright is a music teacher, specializing in band and general music, at Chenery Middle School in Belmont, MA, since September of 2020. He spent nineteen years in a variety of roles, but mostly band, in the Andover, MA public schools. He taught band from grades 4-12, elementary and middle school general music, and high school chorus. He directed several level of jazz bands, was music director for high school drama guild productions, and directed four musicals at one of the three middle schools. He spent nine years at Boston University, beginning with a master's program in music education, and leading to an opportunity to direct several university bands, teach courses in music education, and coordinate the practicum program for music education students. Over the course of that time, he also taught music in early childhood program in the BU/Chelsea Schools partnership, taught music classes at Boston University Academy, and coordinated the Young Artists' Orchestra for the BU Tanglewood Institute. He was privileged to have studied tuba with Sam Pilafian while at BU. He was inducted into Kappa Kappa Psi, Tau Beta Sigma, and Pi Kappa Lambda honor societies. His first teaching position was for four years in the public schools of Waterville, ME, where he led bands for grades 5 through 12, including jazz bands and the high schools marching band. He received his Bachelor of Music from the University of New Hampshire in 1988, where he studied tuba with Nicolas Orovich. He played in the Wind Symphony, Orchestra, Jazz Ensemble, chamber ensembles, marching band (including two seasons as drum major), and was music director for two productions of the Theater Department. He served as a Resident Assistant, and is a brother of Phi Kappa Theta. He holds a CAGS (certificate of advanced graduate study) in Educational Leadership at Fitchburg State University. He is a member of the North Worcester County Symphony Orchestra, the Central Mass Brass, Clan MacPherson Pipes and Drums, and the Fitchburg State University Band. He grew up in Maine, and throughout school was active in music, drama, history, and athletics. He attended the Cape Elizabeth Schools through 8th grade, and graduated from York High School in 1984.   https://sites.google.com/view/adifferentkindofbeautiful/home?authuser=0 https://twitter.com/JWright781Music     DOGFIGHT   • The Cory Band   https://coryband.com/ https://www.youtube.com/@thecoryband1884     FOLLOW US!   BandWagon RSS feed: feed.podbean.com/heyband/feed.xml BandWagon website: heyband.podbean.com BandWagon on Facebook: facebook.com/profile.php?id=61555170345309 Rob ("HammertonMedia") on Facebook: facebook.com/HammertonMedia Rob on X/Twitter: twitter.com/DrRob8487   SUBSCRIBE TO BANDWAGON!   https://www.podbean.com/site/podcatcher/index/blog/eg706GUVzixV   SEND US YOUR FEEDBACK!   Email: heybandwagon@yahoo.com Voicemail: speakpipe.com/HeyBandWagon

An innovative music educator and accomplished musician, composer, conductor and performer, Ron Castonguay was named Director of the Arts and Music Director at The Frederick Gunn School in 2019. Ron teaches all levels of Vocal Ensemble, String Ensemble, and Concert Jazz Band as well as AP Music Theory and provides private music instruction. He is responsible for the leadership and development of the school's Visual and Performing Arts programs and champions the growth and integration of the arts and community through the new Thomas S. Perakos Arts and Community Center. As a result of these efforts, the school has developed collaborations and maintains partnerships with local arts organizations, including Pilobolus, Sherman Chamber Ensemble, the Litchfield Jazz Festival and Litchfield Jazz Camp. Prior to his arrival at Gunn, Ron served for 23 years as Department Chair for the Performing Arts and Music Director for grades 9 through 12 at Gulliver Preparatory School in Miami, Florida. There, he created and directed the school's String Ensemble and Symphony Orchestra, Wind Ensemble, Jazz Ensemble, Jazz Combo and Vocal Ensemble. His ensembles performed at Lincoln Center, Carnegie Hall, Walt Disney World and Universal Studios, the Strathmore Center for the Performing Arts and other notable venues, and consistently earned top marks at district, state and national music festivals. Ron holds a bachelor's degree in music theory and composition from the University of Miami (Florida). He is a professional saxophonist, experienced conductor and published composer. He conducted the professional run of “Into the Woods” at the Adrienne Arsht Performing Arts Center in Miami in 2015 and performed an alto saxophone solo with the Miami Symphony on Gershwin's Rhapsody in Blue. Ron's compositions have been performed numerous times and span a wide array of ensemble genres, from instrumental to choral, and in all musical idioms, from classical to contemporary to jazz. His compositions are currently available at JWPepper.com and LeapYearMusic.com. One of his choral works, Trust In The Mercy Of Your God, was debuted by the University of Miami Chorale under the direction of Jo-Michael Scheibe, and a concert of Castonguay's compositions and arrangements were presented at the University of Miami's Gusman Hall in 2009. Most recently, Ron released his new book, "Rhythmic Sight-Reading: The Tik-A Tee Method," on March 15, 2024. It is a 172-page spiral bound method book for any and every ensemble, focusing only on rhythm and time signatures, from basic to advanced, with over 346 practice exercises, all accompanied by over 363 supplemental MP3s. Learn more at https://www.roncastonguay.com/ Ron has been, or is currently, an active member of the National Association for Music Education, American String Teachers Association, Connecticut Music Educators' Association, Jazz Education Network, Florida Orchestra Association, Florida Vocal Association, Florida Bandmasters' Association, Florida Music Educators' Association, Florida American String Teachers Association, and the Florida Schools Music Association. As a saxophonist, Ron has released two self-produced CDs of original music in the contemporary jazz genre; 1998's Subtle Touch and On The Right Track, released in 2008. He is also a studio musician, most recently performing all of the saxophone parts on Kate Nauta's Holiday LP. Ron's music is available on Pandora, Spotify, iTunes, and CDBaby. He performs live as a solo artist as well as a member of a jazz duo called Perfect Manhattan, and two jazz/blues/funk bands called Front Burner and The Roxtones. Ron is available as a commissioned composer (any idiom), a guest conductor (any genre), and a professional saxophonist (classical or jazz). ​Ron resides in Washington, CT, with his wife, Melissa, and their two daughters, Siena and Summer. Contact Ron at: Ron@RonCastonguay.com --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support

We start to gear up for the 2024 PMEA All-State Festival by talking with the conductors of all six All-State ensembles. Today we talk with Rob Dietz, All-State Contemporary A Cappella Ensemble Conductor and Dr. Jason Kush, All-State Jazz Ensemble Conductor. Learn about the musical programs and what student participants can expect.

It's time to discover, learn, and play jazz piano with Mike Steinel!Mike Steinel is a jazz trumpeter, pianist, composer, arranger and novelist. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent releases are Song and Dance on Origin Records (2018) and Saving Charlie Parker on Rosewood Audio (2022)Mike served as Professor of Jazz Studies at the University of North Texas from 1987 to 2019. He founded and directed the UNT Jazz Combo Workshop for 25 years. Mr. Steinel has served as Co-Chair of the Jazz Advisory Panel for the National Endowment for the Arts. He holds a BME degree from Emporia State University and a MME degree from the University of North Texas.Websites:www.mikesteinel.comwww.savingcharlieparker.com Bookstore:http://www.mikesteinel.com/page-4/ YouTube Channelhttps://www.youtube.com/@bobfan1127Now, enjoy my interview with Mike Steinel.Warm Regards,Dr. Bob LawrenceJazz Piano SkillsSupport the show

Abrimos número 45.2023 de La Montaña Rusa con nuestra portada, el brillante trabajo del guitarrista y compositor David Preston, del que escuchamos su nuevo álbum, Purple / Black Vol. One. Después disfrutaremos del clarinetista Ben Goldberg, al que escucharemos como es habitual, rodeado de talentos, en uno de sus últimos trabajos, Everything Happens to Be. de 2021. Nuestro Clásico de la Semana fue el gran Eric Dolphy en estas sesiones de grabación del año 1961, junto a The Latin Jazz Ensemble, tituladas Caribé. Seguir leyendo La Montaña Rusa 45.2023. David Preston. Ben Goldberg. The Latin Jazz Ensemble + Eric Dolphy. Tigran Hamasyan. Ethic Labs. Ruiqi Wang. en La Montaña Rusa Radio Jazz.

Piedmont Community Church Chancel Choir, Jazz Ensemble, Congregation, Piedmont, California

The Maroon's Jake Zucker and William Kimani interview saxophonist and Chicago native Chico Freeman, who performed live at the 2023 Hyde Park Jazz Festival as part of the Chico Freeman Quintet. They are joined by Michael Allemana (Ph.D. '20), a researcher of ethnomusicology and Director of the University's Jazz Ensemble. Chico's bio: "Heralded as one of the most important saxophonists of our time, composer and producer Chico Freeman has perfected an immediately recognizable approach to music and composition, blending what he has experienced from his past and providing fluidity into a future of infinite musical possibilities. "As part of the Freeman family legacy of Chicago (legendary NEA Jazz Master saxophonist Von Freeman is his father and guitarist George Freeman and drummer Bruz Freeman are his uncles), Chico amassed a diverse performance résumé including R&B, blues, hard bop, and avant-garde. His collegiate studies in Advanced Composition and Theory at Northwestern University propelled him to a position teaching composition at the AACM (Association for the Advancement of Creative Musicians) Music School, as well as a Master's degree in Composition and Theory at Governor State University, where he studied composition with NEA Jazz Master Muhal Richard Abrams." (hydeparkjazzfestival.org) This interview was recorded at the Study at University of Chicago on Saturday, September 23, 2023. Portrait courtesy of Gert Chesi

Brian Vaccaro graduated from Webster University in St. Louis in 1996 with a Bachelor's Degree in Music with an emphasis in Jazz Studies. He continued his education at Southern Illinois University at Edwardsville where he earned a Master's Degree in Music in Guitar Performance in 2000. Since completing his studies, Brian has been active as an educator as well as a performer. He has taught a variety of jazz and general music courses including Jazz History, Jazz Ensemble, Guitar Ensemble, Rock History, Private Guitar Study and numerous others at Lindenwood University, Southwestern Illinois College, St. Louis Community College, Grand Center Arts Academy and St. Charles Community College. In 2010, Brian received the Outstanding Adjunct Faculty award from St. Louis Community College at Meramec. Brian is now Executive Director of the 501c3 organization "St. Louis Classical Guitar". He has also performed and recorded with many of the top musicians in the St. Louis area. "Going Through the Motions", the debut album by the Brian Vaccaro Trio, was honored to be included in the "Notable Releases of 2011" list by noted critic and author W. Royal Stokes. Brian currently performs in and around the St. Louis area.

Your band can sound authentic when playing Latin styles - just check this out! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast  Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

Josh Feldstein Verve Jazz Ensemble leader Josh Feldstein has been a jazz drummer for more than 30 years. A native New Yorker who grew up on the NYC jazz scene, Josh formed the VJE in 2006 as a local performing group in the Danbury, CT area. The straight-ahead jazz unit – which paid homage to the legendary music of the famed Verve record label – soon took off with a large local following. After many years, at the prompting of its fans, Josh agreed to record the VJE's first album, aptly titled “It's About Time,” which unexpectedly hit #5 on the national JazzWeek radio chart in 2013. Fans and radio alike asked for more, and so, as an encore, Josh guided the band through the recording of its second album, “East End Sojourn” (2014) with guest guitarist Peter Bernstein joining the studio date. To the band's surprise, this album also achieved significant status with jazz radio, reaching #8 on the national JazzWeek chart and propelling the VJE to its second consecutive top 10 radio album. From there, Josh happily embraced the band's emerging studio recording pathway, initiating the group's third and fourth albums, “Perimeter” (2016) and “Swing-A-Nova” (2017), which resulted in another top 10 JazzWeek chart performance as well as a top 100 Album of the year placement. Looking to advance the band's sound and approach, in 2018 Josh expanded the VJE from its original 5 pieces — headed up by Jon Blanck on tenor and Tatum Greenblatt on trumpet — to 7 instruments, adding Alexa Tarantino on alto / flute and Willie Applewhite on trombone, which served to round out the rhythm section of Steve Einerson on piano and Elias Bailey on bass. Its septet album "Connect The Dots” proved to be a turning point for the VJE, the album hitting #1 on the JazzWeek chart in September 2018 for two consecutive weeks, and staying in the JazzWeek top 10 nearly 3 months. "Night Mode" (2019) expanded the VJE's wide US and European footprint further, again placing top 10 on the JazzWeek charts to much critical acclaim. And in January 2021, Josh and the VJE released its latest offering, “The VJE: Very Live!” — the Verve Jazz Ensemble's first live album, recorded at a benefit concert in Hadley, MA just prior to the pandemic lockdown. As VJE leader, drummer and occasional writer and arranger, Josh selects the band's music. He works closely with Jon Blanck, Tatum Greenblatt and other VJE musicians to craft the group's broad portfolio of arrangements, and oversees the band's steady recording and production schedule. A jazz musician through and through, Josh has studied extensively with drumming legends John Riley and Joe Morello. Josh was born in Manhattan and received his degree from Queens College, City University of New York. In addition to working on the VJE's next recording already, Josh is also diligently pursuing new musical and percussive challenges on his never-ending road to better understanding and performing the musical art form he loves called Jazz.

Jazz fans, you're gonna love this episode's podcast guest.  He's the drummer for a talented ensemble of musicians that composes jazz in the spirit of the Verve labels of the 50s and 60s  bop heyday. They just released their 8th album this past May and we'll feature music from that record as well as others. The band is the Verve Jazz Ensemble, and from that band is their band leader, Josh Feldstein, Someone You Should Know.Buy Rik a cold one Link to the Verve Jazz Ensemble WebsiteLink to the Verve Jazz Ensemble FacebookLink to the Verve Jazz Ensemble InstagramLink to the Verve Jazz Ensemble TwitterLink to the Verve Jazz Ensemble on SpotifyLink to the Verve Jazz Ensemble's YouTube ChannelOrder the new album "All In"Tickets for "Jazz at Sunset"Video Links:Tin Tin DeoDisc Jockey JumpAll music used by permission from the artistSomeone You Should Know 2023 // CatGotYourTongueStudios 2023How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

Welcome to the What's Next! podcast with Tiffani Bova.   I'm thrilled to bring back a conversation with Josh Linkner that I believe is extremely timely in our tech-driven world.    Josh is a five-time tech entrepreneur and hyper-growth CEO, two-time New York Times Bestselling author, top-rated keynote speaker, and founding partner of Detroit Venture Partners.    Josh lives at the intersection of tech and advertising. In this episode, we explore how this intersection includes hacking, reinvention, and creativity.    THIS EPISODE IS PERFECT FOR… anyone who wants to hear a different perspective on innovation as Josh reveals the common threads he found among law enforcement and cybersecurity professionals about how they approach problem-solving and change.    TODAY'S MAIN MESSAGE… innovation is creativity directed productively. It's not a copycat company or idea but uncovering greatness in otherwise nondescript pieces of stone.   WHAT I LOVE MOST… Josh was adamant that you don't have to end a whole company's history to start a new one. He says big ideas and creativity are often combinations of little ideas strung together in a compelling way.     Running time: ­­­33:46   Subscribe on iTunes   Find Tiffani on Social: Facebook Twitter LinkedIn   Find Josh on Social: Website  LinkedIn  Twitter  

This week we explore Ska-Jazz. Specifically, we talk to Fred Reiter (aka Rocksteady Freddie), the band leader of the New York Ska-Jazz Ensemble. And we aim to understand the difference between the jazz-influenced traditional ska sound and ska-jazz. Fred gives us a simple explanation and a more complex technical explanation. But Fred also talks about his entire personal history in music: He studied jazz in high school--clarinet, flute and saxophone. He played the sax in a variety of bands including the N.Y. Citizens, The Scofflaws and The Toasters. New York Ska-Jazz Ensemble started as a recording project, but he soon realized there was a demand for it on the live circuit. The band continues to play. To this day they have played in 37 different countries. Fred also tells us what it was like to be a part of the legendary Skavoovie tour in 1993 (The Special Beat, The Selecter, The Skatalites, The Toasters), what it was like to share the stage with Coolie Ranx, how the German band The Busters helped get the New York Ska-Jazz Ensemble to Europe, and what it was like to back ska legend Laurel Aitken in the 90s. Plus we discuss various elements of jazz, and why the elitism of the genre he experienced in New York may have influenced him to play in ska bands. Support the show

The Southern University Jazz Ensemble - “Clean Air” from the 1973 album Goes To Africa With Love from Now-Again Records What was once an incredibly rare record is now re-issued, thanks to Eothen “Egon” Alapatt's Now-Again Records label. Recorded in 1971, the student-performed album, The Southern University Jazz Ensemble's Goes to Africa With Love, was originally given away as souvenirs at Southern University in Baton Rouge, LA. This reissue marks the first time it has been made available commercially.  The group was instructed and led by legendary avant-garde jazz clarinetist Alvin Batiste, and the LP was reissued in his memory. Jazz historian Bret Sjerven provides liner notes for this release, alongside never-before-published photos. Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The great trumpeter and blues singer's records for Commodore - with Chu Berry's Jazz Ensemble in 1941 (Chu Berry, Clyde Hart, Al Lucas, Jack Parker), Albert Ammons' Rhythm Kings in 1944 with Vic Dickenson, Don Byas, Ammons, Israel Crosby and Sid Catlett) and his own bands in 1944 (Earl Bostic, Byas, Lucky Thompson, Lem Johnson, Hart, Ace Harris, Catlett, John Simmons and others) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

David explains why Ron DeSantis is a raging bully looking to fight anyone. Now Disney sues DeSantis, DeSantis sues Disney-- it's The Magic Kingdom versus King Dumb. Guest: Professor Mike Steinel, author of "Saving Charlie Parker: A Novel." Mike Steinel is a jazz trumpeter, pianist, composer and arranger. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent release is Song and Dance on Origin Records (2018). Chapters: 00:00 David does The News 07:21 Professor Mike Steinel 28:26 "Talk Is Cheap" written and performed by Professor Mike Steinel 35:10 "Tuckered Out" written and performed by Professor Mike Steinel SUBSCRIBE TO DAVID'S NEWSLETTER: https://davidfeldman.substack.com Take David wherever you go by subscribing to this show as a podcast! Here's how: https://davidfeldmanshow.com/how-to-l... And Subscribe to this channel. SUPPORT INDEPENDENT MEDIA: https://www.paypal.com/biz/fund?id=PD... More David @ http://www.DavidFeldmanShow.com

Dr. Philip Simon, Associate Professor of Music Emeritus at Wilkes University in Wilkes-Barre, speaking about the upcoming spring concerts of Wilkes' musical ensembles: The Chamber Orchestra under John Vaida on Monday, May 1, 2023; The Civic Band under Dr. Simon's direction, on Tuesday, May 2; and the Jazz Ensemble directed by Dr. Simon on Wednesday, May 3, at the Dorothy Dickson Darte Center for the Performing Arts on the Wilkes Campus. www.wilkes.edu

The journey of following Jesus can be at times lonely, isolating, and unfulfilling. What if that's all part of the process?  Counselor, professor, and author Mark Dorn joins the pod to talk about why he believes Christians and especially pastors and church leaders need to lean in to their feelings of longing and unfulfillment, why he thinks chasing after fulfillment is antithetical to the way of Jesus, and why darkness is a precious opportunity.  Mark S. Dorn is Professor of Music at Colorado Christian University, as well as a private practice counselor.  In his work at CCU, Mark leads the Symphonic Band and Jazz Ensemble, teaches trumpet lessons, and is actively involved in the mentoring of undergraduate students.  He is both a freelance musician and conductor, as well as an author. With a longtime investment in discipleship and counseling, his curiosity about how knowing God can lead to personal transformation has propelled him into counseling, writing, and a lot of musing about the journey. He is married to Jill, with four grown children, a new baby, and ten grandchildren, and lives in Morrison, Colorado where he is never far from his next mountain adventure. The Future Christian Podcast is a production of Torn Curtain Arts and Resonate Media.  

We continue to gear up for the 2023 PMEA All-State Festival by talking with the conductors of all six All-State ensembles. Today we talk with Joe Boga, All-State Jazz Ensemble Conductor and Charlie Masters, All-State Vocal Jazz Conductor. Learn about the musical programs and what student participants can expect.

This year the jazz fusion ensemble Snarky Puppy won their fifth Grammy. Michael League, founder and bandleader, joins Reset to chat about the band's beginnings, his label GroundUP Music and how sounds from around the world influence his work. You can catch Snarky Puppy this evening at the Riviera Theatre this evening.

Mark S. Dorn is Professor of Music at Colorado Christian University, as well as a private practice counselor. In his work at CCU, Mark leads the Symphonic Band and Jazz Ensemble, teaches trumpet lessons, and actively mentors undergraduate students. He is both a freelance musician and conductor, as well as author. With a longtime investment in discipleship and counseling, his curiosity about how knowing God can lead to personal transformation has propelled him into counseling, writing, and a lot of musing about the journey. He is married to Jill, with four grown children and ten grandchildren, and lives in Morrison, Colorado, where he is never far from his next mountain adventure.

Dr. Philip Simon of the Wilkes University Music Faculty, speaking about his return to campus following his retirement, in order to teach & direct the Civic Band and Jazz Ensemble. There will be a series of concerts presented by the Wilkes groups including: The Civic Band on December 4, 2022, at 3:00 pm, at the Darte Center on the Wilkes campus in Wilkes-Barre. The Chamber Orchestra under John Vaida on December 5 at 8:00 pm at the Darte Center. The Jazz Ensemble on December 7 at 7:30 at the Darte Center. The Choral Ensembles under Matthew Rupcich on December 11 at St. Stephen's Church, 35 S. Franklin Street in Wilkes-Barre at 3:00pm. There is no admission charge for any of the concerts. www.wilkes.edu/

In Part 3/3 with Terry White, Kyle and Terry share tons of their favorite charts for Jazz Ensemble, from beginning level to advanced. A must listen for any jazz teachers, and a great close to this three-part series! Don Zentz Jazz Literature List To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director!

Who doesn't love an awards ceremony?! As you can imagine, when Seb and Verity were invited to come and interview the winners at the 20th Ivors Composers Awards the lure of a celebration, a party atmosphere, bowl food and plentiful wine was a no brainer!This episode features some of the inspirational and extraordinarily talented recipient's of this year's awards - along with some old friends of the pod…We've kept in some of the chat in between guests and a couple of eggy moments to give a true representation of our first awards ceremony experience but if you prefer your coverage slicker and more professional, we will be releasing a YouTube program soon.Huge thanks to Rebecca Johns at Premier Classical for inviting us to The Ivors, along with Edward Christian-Hare who kept us on the straight and narrow. Plus a massive thank you to old friend Ian Whitehead for filming proceedings and making us look coherent - big ask! In order of appearance we spoke to;Charlotte Harding - former Ivors winner & TIAB guest who was a panellist this year.Laurence Crane - Winner of Small Chamber category Twitter: @Crane1LTori Freestone - Winner of Jazz Ensemble category Twitter: @ToriFreestoneLiz Dilnot Johnson - Winner of Community and Participation category Instagram: @lizdilnotjohnson Twitter: @lizjohnsoncompBrett Dean - Winner of Chamber Ensemble category Twitter: @BrettdeanmusicTalvin Singh - Winner of the Innovation Award Instagram: @talvinsinghmusic Twitter: @talvinsinghHannah Conway - Winner of Sound Art categoryCheryl Frances-Hoad - Winner of Large Ensemble category Instagram: @CherylHoad Twitter: @CherylHoadJoanna Marsh - Winner of Choral category Instagram: @joannamarshcomposerYou can follow Three In a Bar on Instagram @threeinabarpodhttps://www.instagram.com/threeinabarpod/We are on Twitter @threeinabarpod https://www.twitter.com/threeinabarpodAnything you'd like to share with us? Drop us a line at hello@threeinabar.comSUPPORT THREE IN A BAR ON PATREONClick here: https://www.patreon.com/threeinabar Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

In Part 2/3 of this great conversation Kyle and Terry dive into some very practical ways band directors can help their students succeed in Concert Band and Jazz Ensemble. Don Zentz - Best Charts to use with your band Master List! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director!

Learn from one of the best Jazz Writers and Clinicians out there! This is the first part of a THREE part series to take your Jazz Ensemble to the next level! A can't miss! Don Zentz - Best Charts to use with your band Master List! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director!

Our 40th episode already?! How time flies (like a zeppelin carrying two unsupervised children). Today we're flying over critical thinking territory as we talk about the episode "Dances With Bigfoot" which... well, you'll see. This is another from our 'Let's Get Problematic' category. Get ready to side-wind into booby trap and volcano sacrifice tropes! And also a world where children can take flying lessons at no cost (other than their lives).  *** Do you want YOUR letter read on the podcast? Want to send us questions, feedback, and other fun stuff? E-mail us at sleepless.stcanard@gmail.com! Twitter: http://www.twitter.com/canardpod   Facebook group: https://www.facebook.com/groups/sleepless.stcanard    Site: http://www.sleepless-stcanard.com   SOUND EFFECTS: Intro from Darkwing Duck Outro: https://youtu.be/zoyloKayJng 

On today's show, we highlight a couple of local music groups that provide free concerts to the Spartanburg area. The Spartanburg Community Band was formed in 1996 and the Spartanburg Jazz Ensemble started shortly after that.  Both groups have concerts coming up over the next 2 weekends - The concert band is on Oct 16th at Chapman and the jazz ensemble is on the 23rd at Spartanburg Community College.In today's show I speak with John Holloway and Rick Meehan from the concert band and Tom Wright from the jazz ensemble.  We will learn about the history of both groups and get more details on the upcoming concerts.We would love it if you would leave a rating and review on Apple podcasts. That really helps people find the show.Please follow our Facebook page and join our group for more information about upcoming episodes.https://www.facebook.com/gospartanburgpodhttps://www.facebook.com/gospartanburgpod/groupsWe would love to hear from you. ...

Berkshires Jazz presents an evening of big-band jazz, with saxophonist-vocalist Grace Kelly and the UConn Jazz Ensemble on Sunday, October 9 at The Stationery Factory in Dalton, Massachusetts.

Victor Rice studied music at Manhattan School of Music intending to be a New York City session bass player. That is until he got talked into joining The Scofflaws in 1988. From that point forward, he became immersed in the world of ska. In fact, after doing a fantastic job producing The Scofflaws' first album, Bucket started hiring him to produce Moon Ska albums. He produced Skavoovie and The Epitones' Ripe, The Pietasters' Oolooloo, The Slackers' Better Late Than Never and The Adjusters' Before The Revolution. Today we speak to Victor Rice about his time in The Scofflaws, producing Moon Ska albums, and playing bass in the New York Ska-Jazz Ensemble. But we also cover his time at King Django's studio Version City, where he and Agent Jay (The Slackers), worked on many a brilliant album like Rocker T's Nicer By The Hour. And we also devote some time to talking about dub techniques and dub history, as Victor has become a master of the genre. His dub name is Strikkly Vikkly. We also talk about Victor's TWO Latin Grammys, some of his work with The Skatalites, what it's like to stay at European squat houses, why he moved to Brazil in 2002, and what it was like to do a dub remix of Hepcat's From Outta Nowhere album. We also talk about Victor's four solo albums: At Version City (1999), In America (2003), Smoke (2017), and Drink (2020)The Proffitt PodcastThe podcast that shows you tips & strategies to create content with confidence!Listen on: Apple Podcasts Spotify Support the show

This episode is also available as a blog post: https://thecitylife.org/2022/06/07/carnegie-hall-citywide-series-the-hot-sardines-ft-nellie-mckay-afro-latin-jazz-ensemble-the-broadway-sinfonietta-and-more-free-on-fridays-in-july-at-bryant-park-picnic-performances/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

On this week's episode of Out and About, host Jenn Gordon of Arts Partners is joined by jazz icon Chuck Israels and Heartland Festival Orchestra Artistic Director David Commanday to talk about the HFO's upcoming concert “Iconic Jazz.”The concert is happening on Saturday, March 19 at Five Points in Washington. Chuck Israels found early fame as a bassist in the Bill Evans Trio in the 1960's, going on to collaborate with some of the greatest jazz artists of all time; including Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, and many others. Chuck and his jazz trio will perform his own charts and arrangements on stage with the HFO Jazz Ensemble. For tickets and more information visit Heartland Festival Orchestra.

Professional double-bassist Craig Scott of the Sydney Conservatorium joins Dan and Pia to discuss the ultimate team: the jazz ensemble.“There's probably no better example of democracy than a jazz ensemble – individual freedom, but with responsibility to the group,” –Michelle ObamaJazz improvisation follows a set of rules that enable creativity within a structure, so that out of a predictable pattern can come something different each time it's performed.Within an ensemble, each member might get their own moment to lead, by taking on the melody of the piece and expanding on it. The musician in the lead role can then signal, through their solo, that it's time for another musician to take up that leadership role. This requires all members of the band to be listening, not just to the notes, but for other cues to lead or make space for others.Links Judy Bailey Trio playing My Romance Yes to the Mess: Surprising Leadership Lessons from Jazz

This episode is a special concert replay, originally airing on November 23, 2020, featuring the Carroll University Jazz Ensemble.  View the full concert video here View on-demand performances here For more information about upcoming events: Carrollu.edu/arts

This episode is a special concert replay, originally airing on November 23, 2020, featuring the Carroll University Chamber Orchestra.  View the full concert video here View on-demand performances here For more information about upcoming events: Carrollu.edu/arts

When the New York Times book critic Dennis Lehane writes about the opening of James Ellroy's novel, “Perfidia” he states. “There — Whalen's Drugstore, Sixth and Spring Streets. The site of four recent felonies. 211 PC — Armed Robbery.” For better and often for worse, that style — jumpy, feverish and anarchic — mirrors the world we enter.” So too does our opening track reflect this jumpy, feverish and anarchic feeling. Composed and arranged by today's guest, a musician who has performed and recorded with many world class musicians including Dizzy Gillespie, Eddie Henderson, The Temptations, 10,000 Maniacs, The Four Tops and many others. My guest is a saxophonist, composer, arranger and educator as well as the founder, artistic director and conductor of the Rockland Youth Jazz Ensemble, an adjunct jazz professor at Bergen Community College, Bergen Catholic High School's Jazz Ensemble director and vice-president of the Rockland County Jazz and Blues Society. In 2019 he was the recipient of the Arts Council of Rockland's 2019 Performing Artist Award. It is my honor to introduce today's guest, the leader of The Peter Furlan Project and The Peter Furlan Trio & Quintet, Peter Furlan.