Podcasts about Lalo Schifrin

CONTENT WARNING: Discussion of death, knife fights, gunfire, murder, sexual misconduct, parental trauma, parental negliect, parental abuse. We weren't aware there was such a thing as being a method director, but this legendary film seems to have proven that's a thing. Because it's one thing to make a schlocky B-movie for teenagers about juvenile delinquents. It's another completely to try to reverse engineer that terrible movie into art for a budding movie star and enable his worst tendencies while also having an affair with his 16-year-old co-star, and his other co-star, and possibly him. This movie is a mess, which is actually being kind, because its director might be even more of a disaster. Somehow a bad movie with great acting gives us perhaps some of the greatest trivia of all time. We're deep in our angsty feels as we watch 1955's Rebel Without a Cause on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Rebel Without a Cause, written and composed by Leonard Rosenman. Copyright 1955 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “The Cincinnati Kid (Instrumental)” from the soundtrack to the film The Cincinnati Kid, written and composed by Lalo Schifrin. Copyright 1965 Warner Bros. Entertainment Inc. All Rights Reserved.

This week I'm recommending four crime films from the 1970s and early 80s. Each one centers on a planned job, bank heists, robberies, break-ins, and none of them go smoothly. The tone across these films is lean, serious, and focused on the people involved more than the action. There's a lot of attention to detail, and they hold up well.Charley Varrick (1973) Directed by Don Siegel. Walter Matthau plays a bank robber who ends up in the crosshairs of something bigger than expected. Matthau had just done more comedic work at the time, so this role stood out. Joe Don Baker plays a contract killer hired to clean things up. Lalo Schifrin did the score, which is sharp and suits the pace. It was based on the novel The Looters by John Reese.The Anderson Tapes (1971)Directed by Sidney Lumet. Sean Connery is a thief planning to rob an entire apartment building. The film stands out for how it handles surveillance. Almost every major character is being watched by police, by private groups, by government agencies. This was Christopher Walken's first film. The music is by Quincy Jones, and it's more experimental than you'd expect.Thief (1981) Michael Mann's first feature film. James Caan plays a professional safecracker who wants to get out after one last job. Mann used real tools and brought in actual former thieves to advise on the technical side. The film has a cold, exact feel. The soundtrack is by Tangerine Dream. It's shot in Chicago and uses the city well without overdoing it.The Getaway (1972) Directed by Sam Peckinpah. Steve McQueen and Ali MacGraw star as a couple on the run after a robbery. The script was written by Walter Hill and based on a novel by Jim Thompson. The film was a big success when it came out and mixes action with slower moments of tension. McQueen did many of his own stunts. It's one of the more polished crime films of its time.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

The Mission Impossible franchise has been going strong for nearly thirty years, so it's a bit surreal to see it apparently come to an end, with Tom Cruise hanging up the mantle as Ethan Hunt. To celebrate the final entry, Mission: Impossible - The Final Reckoning, the film's composers Max Aruj and Alfie Godfrey join the show! Naturally, the three of us spend most of the interview talking about Mission: Impossible, including spending a year straight exclusively scoring the film, how score fits into the broader film making process in a project of this scale, the difficulty in scoring the two major set pieces, and how and when to utilize Lalo Schifrin's iconic main theme. The last point was a particularly interesting one to me, as I've seen quite a few people wondering about it as well given that they don't quote the full theme often at all. Trust me, it's all intentional and done for good reason! I also want to point out how prevalent the theme of teamwork is in this interview. Naturally, it's become a main thematic motif throughout the film series, with Cruise's Ethan Hunt willing to essentially do anything possible to save his team (and, in turn, save the world). Would Max or Alfie hold onto a biplane as it speeds thousands of feet in the air? Not sure. But they will spend a lot of timing raising up their colleagues and team members. Something I can definitely get behind. One note: Alfie's voice is the first you'll hear and Max provides the first longer answer. Mission: Impossible - The Final Reckoning is currently in theaters, and Max and Alfie's score (as well as much of their other work) is available on all major platforms.

durée : 01:58:54 - Le Bach du dimanche du dimanche 01 juin 2025 - par : Corinne Schneider - Au programme de cette 343e émission : zoom sur les musiques de noces composées par Bach ; le nouvel album « Complicité » de la pianiste américaine Simone Dinnerstein avec son ensemble Baroklyn (Supertrain, 30 mai) et la « Towering Toccata » de Lalo Schifrin (1977). - réalisé par : Anne-Lise Assada

pWotD Episode 2945: Mission: Impossible (film series) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 207,672 views on Sunday, 25 May 2025 our article of the day is Mission: Impossible (film series).Mission: Impossible is an American series of action spy films, based on the 1966 TV series created by Bruce Geller. The series is mainly produced by Tom Cruise, who plays Ethan Hunt, an agent of the Impossible Mission Force (IMF). The films have been directed, written, and scored by various filmmakers and crew, while incorporating musical themes from the original series by Lalo Schifrin.Starting in 1996, it follows the missions of the IMF's main field team, under Hunt's leadership, to stop an enemy force and prevent an impending global disaster. The series focuses on Hunt's character, and like the television series' structure, is complemented by an ensemble cast, such as Luther Stickell (played by Ving Rhames) and Benji Dunn (played by Simon Pegg), who have recurring roles.The series has experienced a generally positive reception from critics and audience. It is the 17th-highest-grossing film series of all time, earning over $4.35 billion worldwide, and is often cited as one of the best action franchises to date. The sixth film, subtitled Fallout, was released on July 27, 2018 and is currently the series' highest-grossing entry. The seventh film, Dead Reckoning Part One, was released in July 2023, and an eighth and final film, The Final Reckoning, had its theatrical release in late May 2025. The films are co-produced and released by Paramount Pictures.In 2024, the series received its first Academy Award nominations, with Dead Reckoning Part One being nominated in the categories of Best Visual Effects and Best Sound at the 96th ceremony.This recording reflects the Wikipedia text as of 02:03 UTC on Monday, 26 May 2025.For the full current version of the article, see Mission: Impossible (film series) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ayanda.

durée : 00:04:26 - Schifrin déchiffré : le thème de "Mission Impossible" - par : Max Dozolme - A l'occasion de la présentation du film Mission Impossible : The Final Reckoning hier soir à Cannes, Max Dozolme vous propose comme mission, ce matin, si vous l'acceptez, d'espionner et de découvrir les secrets du thème musical de la saga signé Lalo Schifrin !

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

A new podcast episode of "Sound Speed Action" is out now — and with it we start at the beginning with the 1996 thriller “Mission Impossible” to kick off this series.Brian DePalma (Scarface, Carlito's Way) adapts the beloved thriller series for the big screen in a way that no one else can. He has a style all to himself. A really fun thing with this movie is that there is always so much detail and information to be taken from any scene you are watching in this movie. In every viewing you will definitely have a moment of “oh I didn't notice that before!”The action set pieces from the initial embassy job, to the Langley break-in scene, to the TGV helicopter chase — this movie set the bar high for action!Did we mention this movie also has a crazy fun cast? Tom Cruise, Jon Voight, Kristin Scott Thomas, Ving Rhames, Jean Reno and Vanessa Redgrave!Danny Elfman makes this movie a thrill with his exciting and dramatic soundtrack which is made only better by Lalo Schifrin's original Mission Impossible theme track and a sneaky inclusion of music too by The Cranberries and U2 members Adam Clayton and Larry Mullen Jr.The gadgets that don't always work, the tension created by ultra-silent moments during missions (Langley), the stunts, the fights — this movie is an absolute ride.One area that we were a little split on with this movie is that DePalma does a great job at trusting his audience to pay attention, read between the lines, and figure things out themselves. The other side of that is that this movie has been critiqued by some saying that the plot at times can feel a little overly complicated. Still, whatever view you have there, it's hard to deny how fun and original this movie was (and still is), at the time it was released.“Mission Impossible” is streaming now on Paramount Plus and Prime Video and is available to rent and buy on all platforms too. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit sohrabsmovieq.substack.com

Hoy Carol Kaye cumple 90 años. ¿Quién es? Vas a alucinar. Bajista y guitarrista grabó su instrumento en varios, en muchos de los mayores éxitos de la música popular estadounidense desde finales de los años cincuenta del siglo pasado para los artistas más históricos: Elvis Presley, The Beach Boys, Barbra Streisand, Sam Cooke, Quincy Jones, Buffalo Springfield, J.J. Cale, Simon & Garfunkel, Joe Cocker, etc, etc, etc. He aquí una selección sucinta. ¡Feliz cumpleaños, Carol! DISCO 1 LALO SCHIFRIN Mission Impossible (ESCA) DISCO 2 THE BEACH BOYS California Girls (ESCA)  DISCO 3 GLORIA JONES Tainted Love (ESCA)  DISCO 4 THE MONKEES I’m A Believer (ESCA) DISCO 5 RITCHIE VALENS La Bamba (ESCA) DISCO 6 ELVIS PRESLEY Suspicious Mind (ESCA) DISCO 7 NANCY SINATRA These Boots Are Made For Walking (ESCA) DISCO 8 J.J. CALE Carry On (ESCA) DISCO 9 THE RIGHTEOUS BROTHERS You’ve Lost That Loving Feeling (ESCA) DISCO 10 BUFFALO SPRINGFIELD  Expecting To Fly (ESCA) DISCO 11 QUINCY JONES Them From Bill Cosby Show (ESCA) DISCO 12 SIMON & GARFUNKEL Homeward Bound (ESCA) DISCO 13 GLEN CAMPBELL Wichita Lineman (ESCA) DISCO 14 SAM COOKE Summertime (ESCA) DISOC 15 JOE COCKER Feeling Alright (ESCA)Escuchar audio

It shouldn't be any surprise that extortion is a common practice in government. After the 1980 to 1988 war, Saddam Hussein asked President George H. Bush what he was going to give him for fighting Iran. Bush replied, "Nothing. You didn't win," So Hussein invaded Kuwait for its oil, which made Bush invade Iraq. Extortion can have serious consequences. President Trump says he'll stop the Ukraine/Russia war if Ukraine will give back 350 billion. MUSIC James Newton Howard, Lalo Schifrin, John Barry, Bernard Herrmann, David Shirer

MONSTER PARTY HAS A SONG IN ITS HEART.  NOW WE'LL NEVER GET IT BACK IN ITS JAR! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, get their toes a tappin' for this monstrous music festival of an episode. Follow the bouncing ball as we present… SOUNDTRACKS: THE SONGS!!! Soundtracks are usually remembered for the emotion-evoking melodies that gracefully punctuate the moments of a film. There are many masters of this remarkable craft: Jerry Goldsmith, John Williams, Tangerine Dream, Vangelis, John Barry, Lalo Schifrin, Goblin, John Carpenter, Bernard Herrmann, and countless others that only James Gonis could remember. But occasionally, plopped in the middle of all this symphonic pageantry, is an actual song with lyrics that makes us wish for a Karaoke bar strictly for nerds. Get ready for a sinister sing-a-long as we chart the hits from campy sci-fi favorites like The Blob and The Green Slime, bawdy beach films, 70's and 80's horror classics, genre TV shows, classic kaiju films, the world of James Bond, Star Trek and Star Wars, an odd sampling of Jerry Lewis films, and sooooo much more! Helping us DJ this shindig of shocks is a friend of the show, who was our last in-studio guest before COVID 19 screwed everything up. He's a soundtrack journalist, editor, genre columnist, podcaster, and supervises soundtrack temp tracks for many films. He's also a really great actor! Please welcome back… DANIEL SCHWEIGER! (FILM MUSIC LIVE, ON THE SCORE, FANGORIA, CINEFANTASTIQUE, HORROR FAN, THE NEW YORK REVIEW OF RECORDS, FILM SCORE MONTHLY, BUBBA HO-TEP, PHANTASM RAVAGER, HAPPY HORROR DAYS, BLOODY BLOODY BIBLE CAMP, PACIFIC BREEZE, HE'S FOR THE STREETS) THIS EPISODE IS SO CATCHY, IT MIGHT JUST RAISE DICK CLARK FROM THE DEAD! HE IS DEAD, RIGHT?

durée : 00:03:20 - Le Regard culturel - par : François Angelier - En un coffret de 16 CD, le producteur Stéphane Lerouge offre un parcours complet des musiques de films de Lalo Schifrin et donne à entendre l'univers sonore d'un des plus grands musiciens contemporains, entre Stravinsky et Dizzy Gillespie.

Vá em frente, faça o seu dia e mergulhe de cabeça em nosso primeiro episódio dedicado ao inigualável Lalo Schifrin. Falamos sobre as trilhas que ele fez para os filmes de Dirty Harry, e se você acha que esquecemos da contribuição de Jerry Fielding, só vamos olhar feio e perguntar: do you feel lucky, punk?

Nadie que haya visto la primera película de "El Planeta de los Simios" olvidará su sorprendente final. La novela es muy distinta. Publicada en 1963, es obra de un escritor francés que fue espía en el sudeste asiático durante la Segunda Guerra Mundial, Pierre Boulle (1912-1994). Fueron adquiridos los derechos del libro para el cine por un pequeño productor llamado Arthur Jacobs, que es considerado el verdadero artífice del film. El guion está escrito por el maestro de la primera edad de oro de la televisión, Rod Serling, creador de la serie The Twilight Zone (Dimensión desconocida o En los límites de la realidad), auxiliado por uno de los represaliados de la lista negra del acoso anticomunista, Michael Wilson. Aunque fue el conservador Charlton Heston, el que propuso al director de la generación de la televisión, Franklin Schaffner, para esta producción de Zanuck para la Fox, que rechazaron antes, varios estudios. En este programa de radio, "Al Trasluz", escuchamos fragmentos de libro, leído por Eugenio Barona, así como diálogos de la versión doblada de la película de Schaffner en 1968. Escuchamos canciones inspiradas en la historia por Shabam en 1976 (On The Planet Of The Apes) y el cantante cristiano Mark Cox (I Feel Like An Alien On The Planet Of The Apes). Los comentarios de José de Segovia son sobre el fondo instrumental de la banda sonora original de la película de John Paesano para la última película (Kingdom Of The Planet Of The Apes), la anterior de Michael Giacchino (War Of The Planet Of The Apes), John Williams con la London Philharmonic Orchestra en 1978, el argentino Lalo Schifrin en 1974 y Patrick Doyle para "El amanecer del planeta de los simios". El diseño sonoro y la realización técnica es de Daniel Panduro.

Les élèves du collège Marais de Villiers ont préparé trois émissions lors d'une séance d'initiation à la radio "à vous les studios", enregistrée le 20 janvier. # CRITIQUE Dans cette émission présentée par Arthur, on parle de critique. Le chroniqueur Elliott délivre sa critique acerbe de Vianney puis Arthur et Jack de légumes verts. Présentateur : Arthur Réalisateur : Gabin Chroniqueurs : Elliott, Arthur et Jack Musique : La même - Maitre Gims ft. Vianney *** THE GREEN DEBATE Dans cette émission présentée par Eloan, on parle de politique et de la campagne présidentielle pour 2027. Présentateur : Eloan Réalisateur : Inigo Journaliste : Felix Invité : Gabin Musique : Blackbird - The Beatles *** SOUS LES PROJECTEURS Dans cette émission présentée par Jack, on parle de cinéma. La journaliste Lucie y reçoit Omar Sy (Ahmed), pour parler du monde du cinéma et de sa carrière et la chroniqueuse Lucille donne ses impressions du film Sonic 3. Présentateur : Jack Réalisateur : Yakoub Journaliste : Lucie Invité : Ahmed Chroniqueuse : Lucille Musique : Thème du film Mission impossible - Lalo Schifrin

Les élèves du collège Marais de Villiers ont préparé trois émissions lors d'une séance d'initiation à la radio "à vous les studios", enregistrée le 20 janvier. # CRITIQUE Dans cette émission présentée par Arthur, on parle de critique. Le chroniqueur Elliott délivre sa critique acerbe de Vianney puis Arthur et Jack de légumes verts. Présentateur : Arthur Réalisateur : Gabin Chroniqueurs : Elliott, Arthur et Jack Musique : La même - Maitre Gims ft. Vianney *** THE GREEN DEBATE Dans cette émission présentée par Eloan, on parle de politique et de la campagne présidentielle pour 2027. Présentateur : Eloan Réalisateur : Inigo Journaliste : Felix Invité : Gabin Musique : Blackbird - The Beatles *** SOUS LES PROJECTEURS Dans cette émission présentée par Jack, on parle de cinéma. La journaliste Lucie y reçoit Omar Sy (Ahmed), pour parler du monde du cinéma et de sa carrière et la chroniqueuse Lucille donne ses impressions du film Sonic 3. Présentateur : Jack Réalisateur : Yakoub Journaliste : Lucie Invité : Ahmed Chroniqueuse : Lucille Musique : Thème du film Mission impossible - Lalo Schifrin

Dirty Harry (1971) is a film that not only redefined the crime thriller genre but also cemented Clint Eastwood's place as one of cinema's most iconic leading men. In this week's episode of Born to Watch, Whitey and Gow are joined by special guest Will the Worky to discuss this gritty masterpiece that follows the relentless pursuit of justice by Inspector Harry Callahan. With its unforgettable storytelling, striking cinematography, and the moral dilemmas it raises, Dirty Harry is more than just a film—it's a cultural landmark. In this Dirty Harry Movie Review, we'll break down why this movie remains a genre-defining classic.A Plot as Sharp as Harry's MagnumThe plot of Dirty Harry grips you from the very first frame. San Francisco is under siege by the Scorpio Killer, a psychopathic sniper terrorising the city with seemingly random acts of violence. From the chilling opening, where a woman is gunned down while swimming in a rooftop pool, to Scorpio's taunting letters to the police, the film wastes no time establishing the stakes. Harry Callahan is assigned to the case, and the audience is quickly introduced to his no-nonsense approach to law enforcement.The tension escalates as Scorpio's crimes become more horrifying, including a demand for ransom and threats to kill schoolchildren. As Harry tracks the killer, the film raises moral questions about justice. Harry's unorthodox and often brutal tactics contrast sharply with the red tape and legal technicalities that allow Scorpio to evade justice. This moral grey area forms the backbone of the film, making every decision Harry makes feel weighty and consequential.Clint Eastwood as Harry CallahanClint Eastwood's magnetic performance as Inspector Harry Callahan is at the heart of the film. Already a star thanks to his roles in Sergio Leone's Westerns, Eastwood brings a rugged charisma to Harry, a man hardened by years of dealing with San Francisco's worst criminals. Harry's disdain for bureaucracy and willingness to cross ethical boundaries make him a fascinating antihero.Eastwood's portrayal balances toughness with a quiet vulnerability. Harry isn't a superhero; he's a man doing what he believes is necessary to protect the innocent, even if it means operating outside the boundaries of the law. His stoic demeanour and undeniable screen presence make Harry Callahan one of cinema's most enduring characters.A Villain Who Gets Under Your SkinA great hero needs a formidable villain, and Dirty Harry delivers one of the most unsettling antagonists in film history with the Scorpio Killer, played by Andrew Robinson. Inspired by the real-life Zodiac Killer, Scorpio is a sadistic predator who revels in chaos and fear. Robinson's performance is chilling, blending moments of eerie calm with outbursts of unhinged violence.Scorpio's unpredictability keeps the audience on edge, and his ability to manipulate the legal system adds another layer of tension. This isn't a villain Harry can overpower; he must outwit him while navigating the constraints of the justice system. The dynamic between Harry and Scorpio elevates the film, making their battle a thrilling game of cat-and-mouse.Cinematography and the Gritty Streets of San FranciscoOne of Dirty Harry's standout features is its use of San Francisco as a backdrop. The city becomes a character in its own right, with its steep hills, foggy streets, and iconic landmarks providing a rich, atmospheric setting for the story. The cinematography by Bruce Surtees captures the grittiness of urban life in the 1970s, grounding the film in a harsh reality that feels both timeless and authentic.Surtees uses natural light and shadow to great effect, particularly in the nighttime sequences, which heighten the tension and give the film a noir-like quality. The action scenes, from the tense stakeouts to the thrilling final showdown, are shot with a rawness that makes them feel immediate and visceral. The result is a film that immerses viewers in its world, making the stakes feel all the more real.Action and Suspense Done RightDirty Harry masterfully balances moments of quiet suspense with bursts of intense action. The pacing is deliberate, building tension as Harry gets closer to catching Scorpio. When the action erupts, it's brutal and unrelenting, reflecting the story's high stakes. The film's most memorable sequences, including Harry's iconic “Do I feel lucky?” confrontation and the climactic chase through a quarry, are perfectly executed, blending taut direction with Eastwood's commanding screen presence.Dirty Harry's grounding in the story sets the action apart. Every gunshot, every punch, every chase serves a narrative purpose, heightening the stakes and revealing more about Harry's character. The action is never gratuitous; it's a natural extension of the film's themes and conflicts.A Soundtrack That Sets the ToneThe film's score, composed by Lalo Schifrin, is another standout element. The music combines jazz and orchestral elements with avant-garde sounds, creating a sense of unease that mirrors the tension onscreen. Schifrin's unconventional rhythms and eerie melodies enhance the film's atmosphere, making the viewer feel the menace of Scorpio's presence and the relentless drive of Harry's pursuit.Themes of Justice and MoralityOne of the reasons Dirty Harry remains so compelling is its exploration of justice and morality. The film asks difficult questions about the balance between individual freedoms and the need for public safety. Harry's methods are controversial, often skirting the line between heroism and vigilantism. He's a character who doesn't fit neatly into the role of a traditional hero, which makes him all the more fascinating.The film also critiques the bureaucracy of law enforcement, highlighting how red tape and legal loopholes can prevent justice from being served. This theme resonated deeply in the 1970s, a time of social unrest and disillusionment with authority, and it remains relevant today.A Legacy That EnduresMore than 50 years after its release, Dirty Harry continues influencing the crime thriller genre. Its impact can be seen in countless films and TV shows, from Lethal Weapon to Breaking Bad. Harry Callahan's uncompromising attitude and moral complexity have become archetypes for antiheroes, and the film's gritty realism set a new standard for action cinema.Dirty Harry also launched a successful franchise, with Eastwood reprising the role in four sequels. While the later films vary in quality, the original remains a benchmark for the genre—a film that challenges, thrills and entertains in equal measure.Dirty Harry is more than just a movie; it's a cultural phenomenon that redefined what a crime thriller could be. With its sharp storytelling, unforgettable characters, and moral complexity, the film has earned its place as a timeless classic. Whether you're a first-time viewer or a longtime fan, Dirty Harry remains a must-watch for anyone who loves cinema.This week on Born to Watch, Whitey, Gow, and special guest Will the Worky explore why this 1971 masterpiece still resonates with audiences today. Tune in to the latest episode to dive deeper into the legacy of Harry Callahan and the world of Dirty Harry.Please follow the Podcast and join our community at 

Atonalité, musique sérielle, funk, fusion, jazz, rien n'échappe à l'oreille sagace de Schifrin, l'agité de la B.O., fan de Stravinsky, Berg et Dizzy Gillespie. A Hollywood, l'Argentin a pu laisser libre court à sa créativité débordante. Dans ce troisième et dernière épisode, nous irons dans les coulisses de ses plus grandes musiques de film et de série, de Dirty Harry à Mannix en passant, bien sûr, par Mission Impossible !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A 24 ans, Lalo Schifrin dirige l'orchestre de jazz officiel de la radio argentine. Pour celui qui vient de boucler ses études au conservatoire de Paris avec le compositeur Olivier Messiaen, c'est une consécration. Mais plus qu'un pianiste, Schifrin est un arrangeur né et un passionné de musique à l'image. C'est lors de son séjour à Paris qu'il s'est fait sa culture cinéma, dans les salles des Champs Elysées. Et en  juillet 1956, sa vie va basculer lorsqu'il rencontre son idole de jeunesse : Dizzy Gillespie. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A l'occasion de la sortie du splendide coffret 16 CDs The Sound Of Lalo Schifrin, itinéraire d'un jeune gamin qui voulait devenir homme-orchestre. De Buenos Aires à Hollywood en passant par New-York et Paris, saga de l'un des plus grands compositeurs de musique au cinéma. Dans ce premier épisode, poussons les portes de cet immeuble cossu de Buenos Aires où Lalo à grandi, à deux pas de l'un des plus beaux opéras du monde, le Théâtre Colón !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Lalo Schifrin ist nicht nur einer der erfolgreichsten Hollywood-Komponisten, sondern auch ein einflussreicher Jazzmusiker.

In this episode, I will embark on a vibrant musical journey through the soul-stirring rhythms, grooves, and melodies of Brazil. From the samba-infused funk of Banda Black Rio's “Expresso Madureira” to the hypnotic pulse of Airto's “Tombo in 7/4,” this playlist celebrates the rich fusion of jazz, samba, and bossa nova that has captivated listeners around the world. I will dive into the magnetic voices of Sandra de Sá and Miriam Makeba, groove to the playful swing of Trio Mocotó, and lose ourselves in the cinematic elegance of Lalo Schifrin's “Bossa Nova em Nova York.” Experience the cosmic allure of Flora Purim alongside the timeless brilliance of Jorge Ben and Toquinho's "Carolina Carol Bela." Every track tells a story steeped in Brazilian culture, resilience, and joy. So sit back, stream in, and let Jazz Matters take you on a soulful adventure as we explore some of Brazil's rich musical tapestry. This is Jazz Matters: Digs Brazil – where music truly matters. Please Enjoy the Music I Love Essential Info Link to my blog supporting this mix - https://www.jazzmattersuk.com/blogs/exploring-brazil-s-sonic-tapestry Explore my Website and dive into Blogs, interviews Content, Music, Videos and Images - https://www.jazzmattersuk.com Music free to stream - https://pod.co/nudirections My Info - https://www.jazzmattersuk.com/introducing-jazz-matters/introducing-ray All social media links and more – https://www.jazzmattersuk.com/linkhub Feel free to reach out to me using the contact form on my website. jazzmattersuk.com and I'll respond no matter where you are. Jazz Matters Playlist Airto - Andei (l Walked) Banda Black Rio - Expresso Madureira Miriam Makeba - Xica da Silva Sandra De Så - Trem da Central Trio Mocoto - Swinga Sambaby Os Brazoes - Volks-Volkswagen Blue Rosa Maria - Deixa Nao Deixa Tenorio Jr. - Nebulosa Lalo Schifrin - Bossa Nova Em Nova York Jorge Ben, Toquinho - Carolina Carol Bela Flora Purim - Moon Dreams Dom Um Romao - Escravos de Jo Deodato – Skyscrapers Zé Roberto - Lotus 72D Salinas - Tenha Fé, Pois Amanhä um Lindo Dia Vai Nascer Airto - Tombo in 7/4 Sandra De Så - Olhos Coloridos

À l'occasion de la sortie de l'anthologie Lalo Schifrin en 16 CDs : The Sound of Lalo Schifrin, le pianiste et compositeur Jean-Michel Bernard, ami intime du maestro brossera le portrait du compositeur de «Mission impossible », « L'inspecteur Harry », « Bullit »...

durée : 00:58:37 - Legrand/Schifrin, parcours croisés (2/3) - par : Thierry Jousse - Deuxième épisode de notre série dédiée à Lalo Schifrin et Michel Legrand, avec un focus sur leur travail au cœur du Hollywood des années 1960-70, auprès de Steve McQueen et de Clint Eastwood… - réalisé par : Béatrice Trichet

Series, películas… de Quincy, de Lalo, de Isaac Hayes, de Ennio Morricone o de Nino Rota. Policías, ladrones, detectives privados, gangsters… De “El Padrino” a “Superdetective en Hollywood” pasando por “Shaft”, “Coffy” o “Jackie Brown”, “Misión Imposible”, “La Huída”, “Ironside”, “Colombo”, “Kojak”, “Banacek”, “Hawaii 5-0”…  DISCO 1 ISAAC HAYES Theme From Shaft (6) DISCO 2 WILLIE HUTCH Theme From Foxy Brown (2) DISCO 3 ROY AYERS Coffy Is The Color (CAN YOU DIG IT - CD 1 - 1)  DISCO 4 QUINCY JONES & TOOTS THIELEMANS Love Theme Frome “The Getaway” (YOU’VE GOT IT BAD - 4) DISCO 5 QUINCY JONES Theme From “Ironside” (SMACKWATER JACK - 3) DISCO 6 MIKE POST Hill Street Blues TVE GREATEST HITS- Car 2 Core 3)  DISCO 7 JOHN BARRY ORCHESTRA James Bond Theme (1) DISCO 8 ADAM CLAYTON/ LARRY MULLEN/LALO SHIFFRIN Theme From “Mission Imposible” (1) DISCO 9 LALO SCHIFRIN Dirty Harry Main Title (ESCA) DISCO 10 LALO SCHIFRIN The First Snowfall (BULLITT- 13)  DISCO 11 LALO SCHIFRIN Mannix (Cara 1 Corte 1) DISCO 12 HAROLD FALTERMEYER Axel F (From "Beverly Hills Cop" Soundtrack) (Cara 2 Corte último) DISCO 13 APOLLO FOUR FORTY Charlie’s Angels (14) DISCO 14 JAMES NEWTON HOWARD Theme From “The Fugitive Movie” (5) DISCO 15 ENNIO MORRICONE The Untouchables End Titles (Cara 1 Corte 1) DISCO 16 NINO ROTA The Godfather Waltz (Main Title) (1)Escuchar audio

durée : 00:58:57 - Lalo Schifrin / Michel Legrand, parcours croisés (1/3) - par : Thierry Jousse - Pour fêter la sortie simultanée du coffret The Sound of Lalo Schifrin et du film Il était une fois Michel Legrand, premier épisode d'un parcours croisé entre deux compositeurs de la même génération, tous deux marqués par le jazz.

Dans Pop culture, Mathieu Alterman raconte chaque week-end l'actualité qui fait du bien aux yeux, au cœur et aux oreilles.

durée : 02:05:20 - Musique matin du jeudi 05 décembre 2024 - par : Jean-Baptiste Urbain - De "Mission Impossible" à "Mannix", Lalo Schifrin a révolutionné la musique pour l'écran. Pianiste virtuose, il a mêlé jazz, classique et rythmes latins pour créer des BO cultes. Retour sur la carrière du compositeur argentin de 92 ans avec Stéphane Lerouge, auteur d'une riche anthologie. - réalisé par : Yassine Bouzar

durée : 00:29:04 - Stéphane Lerouge, spécialiste de musique à l'image, restaurateur de bandes originales de films et concepteur de la collection discographique Ecoutez le cinéma ! au sein d'Universal Music France - De "Mission Impossible" à "Mannix", Lalo Schifrin a révolutionné la musique pour l'écran. Pianiste virtuose, il a mêlé jazz, classique et rythmes latins pour créer des BO cultes. Retour sur la carrière du compositeur argentin de 92 ans avec Stéphane Lerouge, auteur d'une riche anthologie.

Stan Getz y Charlie Byrd ('Desafinado'), Herbie Mann ('Samba de uma nota só'), Cal Tjader y Clare Fischer ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Luiz Bonfá ('Lamento no morro'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter Sextet ('Insensatez'), Coleman Hawkins ('Um abraço no Bonfá'), Zoot Sims ('Recado bossa nova part 1'), Dizzy Gillespie ('Desafinado') y Stan Getz y Charlie Byrd ('Samba triste).Escuchar audio

durée : 00:59:17 - Banzzaï du jeudi 28 novembre 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Featuring Carole Boinet des Inrocks pour le numéro de fin d'année !

Something a little outside of the normal scope of Countermelody for today's episode: Earlier this year I published a bonus episode on the fascinating singer/songwriter Benard Ighner (1945-2017) and his modern-day standard “Everything Must Change,” which I re-present today. The song has had a profound effect on me ever since I heard the version by the great Oleta Adams on her 1990 solo debut album, Circle of One. At the time I assumed that Oleta herself had written it, but I came to discover that it was penned by Ighner and first recorded by Quincy Jones on his 1974 album, Body Heat, and that since then many, many pop and jazz singers of the past fifty years have covered the song. All these different versions have both delighted and fascinated (as well as occasionally mystified and frustrated) me. The song itself is both fatalistic and hopeful, which is exactly the place I find myself as Election Day in the US approaches. Intrigued by both the song and its composer, I dug deeper and discovered all I could about Benard Ighner. An autodidactic musical polymath, Ighner rubbed shoulders with some of the greatest pop and jazz musicians of his time, and not just the hundreds of singers and instrumentalists who have jumped on the “Everything Must Change” bandwagon! This song brings out either the very best or the very worst of those who interpret it. In choosing my favorite versions, I have veered toward those who embrace understatement rather than vocal caterwauling and children's choruses. The episode begins with examples of Ighner's early work from the late sixties and early seventies, including pseudonymous encounters with Dizzy Gillespie (as Benard Ito) and Lalo Schifrin (as Alexander Saint Charles); proceeding through songs he wrote and produced for Shirley Bassey, Marlena Shaw, and Carmen McRae; as well as two excerpts from his solo album, a one-off 1978 Japanese release entitled Little Dreamer. We then hear ten different versions of the song, including, among others, Nina Simone, June Christy, Peggy Lee, Sarah Vaughan, Minako Yoshida (sung to her own Japanese translation), a recent magisterial live performance by Oleta Adams, and, even Ighner himself, who, alongside his other many musical talents, possessed a velvety baritone voice of exceptional beauty, poise, and power. May this episode provide hope, courage, and insight for all of those who do believe that we can overcome the mad popularity-contest antics of this election cycle and lean toward a future in which morality and hope can still prove to be guiding principles. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Trumpet player/composer John Birks “Dizzy” Gillespie (born Oct 21, 1917) was, along with Charlie Parker, one of the major innovators behind the bebop movement in jazz. His pyrotechnic technical abilities on the trumpet set the bar high for all the players of that instrument who came after him. He was responsible for a number of compositions that have become jazz standards, and his bands have served as launching pads for a number of musicians who have become well known in their own rights, among them James Moody, Lalo Schifrin, John Coltrane, Jimmy Heath, Benny Golson, Lee Morgan and the entire Modern Jazz Quartet, which was the rhythm section of his big band at one point.  Enjoying the show? Help keep it going by donating here.

Bossa nova con grabaciones de Stan Getz y Charlie Byrd ('Desafinado', 'O pato'), Antonio Carlos Jobim, Baden Powell y Herbie Mann ('Samba de uma nota só'), Paul Horn, Cal Tjader, Clare Fischer y Laurindo Almeida ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter ('Insensatez'), Shorty Rogers, Bud Shank, Shelley Manne y Laurindo Almeida ('Chega de saudade'), Dave Brubeck ('Castilian blues'), Coleman Hawkins ('Um abraço no Bonfá), Luiz Bonfá ('Lamento no morro') y Herb Alpert & The Tijuana Brass ('Desafinado'). Escuchar audio

durée : 00:58:45 - Alain Delon, star magnétique (1/4) : Un acteur international - par : Thierry Jousse - Disparu le 18 août dernier, Alain Delon laisse une trace considérable dans le cinéma où il fut souvent accompagné par d'excellents compositeurs. Pour le premier épisode de cette saga, voici un échantillon de sa carrière internationale, où l'on croisera notamment Nino Rota et Lalo Schifrin…

durée : 01:59:28 - CInéma (4/4) ; hommage à Alain Delon et à Gena Rowlands - par : Laurent Valero - Aujourd'hui, dans Retour de plage, la Bande Originale des films d'Alain Delon : de Nino Rota à François de Roubaix, en passant par Lalo Schifrin, Ennio Morricone ou Eric Demarsan, et tant d'autres… ainsi qu'un hommage à une autre étoile qui vient de nous quitter : Gena Rowlands.

We know what you're thinking: Hasn't NostalgiaCast covered a Clint Eastwood movie before? Well, to tell you the truth, in all this excitement, we've kinda lost track ourselves. But there's still plenty of icons and iconography to cover, and this episode takes aim at DIRTY HARRY, Don Siegel's crime thriller classic that catapulted Eastwood from Western star to action star status. Jonny and Darin discuss the cinematography, questionable morality, and all-around controversy that drove both left-leaning AND right-leaning audiences into an absolute tizzy.

What's that, by the side of the road? Is that a... vomiting nun, played by star of stage and screen Irene Dailey? And what's that, up in the sewing room? Is that a... priest covered in flies, played by Oscar-winner Rod Steiger? However you feel about it, there's no question that Stuart Rosenberg's O.G. THE AMITYVILLE HORROR (1979) is an iconic launch of a never-ending franchise, one that's produced more clunkers than most—but which seems to have legs like no other. With '70s icons Margot Kidder and James Brolin along for the ride, plus plenty of ferrofluid and a requisite microfiche scene, we don't need to be told twice to GET OUT. Joining us for the first of two episodes is our pal, YA horror author extraordinaire Gretchen McNeil. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-26:42Honor Roll and Detention (spoiler-heavy): 26:43-1:04:42Superlatives (spoiler-heavier): 1:04:43-1:21:32 Director Stuart RosenbergScreenplay Sandor Stern, based on the book by Jay AnsonFeaturing James Brolin, Irene Dailey, Murray Hamilton, K.C. Martel, Margot Kidder, Meeno Peluce, Natasha Ryan, Michael Sacks, Helen Shaver, Rod Steiger, Don Stroud, Amy Wright Gretchen McNeil is the author of several young adult novels including Dig Two Graves, Possess, 3:59, Relic, Get Even, Get Dirty, and Ten, as well as the horror/comedy novels #murdertrending, #murderfunding, and #noescape. Her most recent novel is Four Letter Word, pitched as an homage to Hitchcock's Shadow of a Doubt. "Ten: Murder Island," the film adaptation of Ten, premiered on Lifetime, and Get Even and Get Dirty have been adapted as the series “Get Even” and “Rebel Cheer Squad: a Get Even series” for the BBC and Netflix. Our theme music is by Edward Elgar, and, this week, by Duck Sauce.  Music from The Amityville Horror (1979) by Lalo Schifrin. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Le thème musical de Mission Impossible composé par Lalo Schifrin, est bien évidemment l'un des thèmes les plus culte et les plus connus du cinéma.Mais comment a t-il été créé et surtout, comment a t-il été arrangé au fur et à mesure des différents films et des différentes époques ?On vous raconte tout dans MéloCiné !

What better way to start the new year than to take a look at the first Chickweed Lanes of 2024? Well, I guess it might be better to NOT look at them at all. But that's really not on the table for us, now, is it? Please excuse Jeff sounding like he's broadcasting from inside a tin can. He was literally inside a tin can. Once again, get ready to enjoy some smooth jazz segues, because the technical problems again befall us. But we soldier on and find ourselves back in the world of ear-kissing and the familiar restaurant booths with seat-backs of varying heights (and nothing on the tables of course). Xiulan insists that her husband Hugh kiss Edda's ear, which he does without hesitation. Polly and Lolly practice piano, which for some fucking reason bothers Edda. There's more about kissing ears, then Amos decides to kiss Edda's neck, which is so very difficult what with all of the fucking turtlenecks everywhere. Then we end our episode with more Polly and Lolly. It's shocking (or is it?) that a random sampling of the first 8 strips from 2024 give us all of the things that are so tiresome and annoying about the strip. That, we suppose, is the genius of Brooke Mac-El-Dee. The Chickweed strips we discuss this episode: You can find all of the strips either on Twitter by clicking here (https://x.com/9chickweedRAGE/status/1751963970750325138?s=20), or on Instagram by clicking here (https://www.instagram.com/p/C2r74dyL7EK/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==). This fully turtlenecked episode includes: Jazz! Lalo Schifrin Champagne Turtlenecks! Greedo (https://www.youtube.com/watch?v=y2cajwgDyLM) from Star Wars Rectum? Hell, it killed 'em both! McEldowney Ellipsis Ear kissing Even more turtlenecks! Piano practice So many turtlenecks! Kissing your Ben Franklin The jazz flute (https://www.youtube.com/watch?v=_c_ufaxeSTs) from Anchorman Full William Frawley Connect Four (https://www.youtube.com/watch?v=P0rFtlKZk30) Winnie the Pooh Attack of the 50-Foot Woman Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Twitter: @9ChickweedRAGE (https://twitter.com/9chickweedRAGE). And we're on Instagram: @9ChickweedRage (https://www.instagram.com/9chickweedrage/).

durée : 01:58:39 - Le Bach du dimanche - par : Corinne Schneider - Au programme de cette 277e émission : « Bach to Swing » pour la dernière émission de l'année 2023 avec le Manhattan Jazz Orchestra, The Big Phat Band, le WDR Big Band, le Rias Big Band Berlin, Lalo Schifrin et Jacques Loussier ; et deux Cantates pour le Nouvel An (BWV 122 et 41) - réalisé par : Emmanuel Benito

Modern Jazz Quartet, Julie London, Teddy Wilson, Erroll Garner, Nina Simone, Nellie Lutcher, Lalo Schifrin, Paul Horn, Gene Bertoncini w. Michael Moore, Jim McHarg w. Lonnie Johnson. Those are records I dug from my storage locker: great albums I played for myself this week.. And I found at least one track from each I wanted…Continue reading Episode 254: More From my LP Collection

TVC 626.6: Jon Burlingame, author of Music for Prime Time, talks to Ed about the three eras of music for television, and how the role of music supervisors on a television series has become particularly important today, when many shows use pre-existing songs to convey the theme and mood of a series. Music for Prime Time: A History of American Television Themes and Scoring is available in bookstores everywhere through Oxford University Press and Amazon.com. Jon Burlingame is also the producer, along with Doug Schwartz, of The Quinn Martin Collection, a three-volume CD collection released by La La Land Records. Volume 1, released in 2019, features music composed by Jerry Goldsmith, John Parker, Dave Grusin, and Lalo Schifrin for Barnaby Jones, Cannon, Dan August, and Most Wanted, respectively; Volume 2, released in 2019, features music composed for The Invaders by Dominic Frontiere, Richard Markowitz, Sidney Cutner, Duane Tatro, and others; Volume 3, released in 2020, features music composed by Patrick Williams for several episodes of The Streets of San Francisco (including the pilot movie), plus Williams' score for “The Seduction Squad,” an episode of A Man Called Sloane. According to Jon, a fourth volume is scheduled for release in 2024. If you love the music of Quinn Martin's shows, all of these volumes are highly worth adding to your collection. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 625.6: Jon Burlingame, author of Music for Prime Time, talks to Ed about the television work of renowned composers Jerry Goldsmith (Barnaby Jones, Police Story, The Loner) and Patrick Williams (The Streets of San Francisco, The Mary Tyler Moore Show, The Bob Newhart Show, Lou Grant, The Magician). Topics this segment include why Goldsmith was reluctant to score the pilot for Barnaby Jones (and how his theme for Barnaby, ironically, ended up being one of his best known TV compositions) and why no one was better than Williams at composing a jazz score for television. Music for Prime Time: A History of American Television Themes and Scoring is available in bookstores everywhere through Oxford University Press and Amazon.com. Jon Burlingame is also the producer, along with Doug Schwartz, of The Quinn Martin Collection, a three-volume CD collection released by La La Land Records. Volume 1, released in 2019, features music composed by Jerry Goldsmith, John Parker, Dave Grusin, and Lalo Schifrin for Barnaby Jones, Cannon, Dan August, and Most Wanted, respectively; Volume 2, released in 2019, features music composed for The Invaders by Dominic Frontiere, Richard Markowitz, Sidney Cutner, Duane Tatro, and others; Volume 3, released in 2020, features music composed by Patrick Williams for several episodes of The Streets of San Francisco (including the pilot movie), plus Williams' score for “The Seduction Squad,” an episode of A Man Called Sloane. According to Jon, a fourth volume is scheduled for release in 2024. If you love the music of Quinn Martin's shows, all of these volumes are highly worth adding to your collection. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

** For Ad-Free Episodes, Join Our Patreon! ** https://www.patreon.com/thesurvivorsquad This is Part 2 of our two-part interview with Sandra Booker. Sandra Booker is a multifaceted artist known for her distinctive voice in the modern jazz world, having performed with renowned musicians like Wynton Marsalis and Lalo Schifrin. Her musical style uniquely combines various genres, from R&B to classical, and she has been academically trained, earning a B.A. in ethnomusicology from UCLA and conducting workshops at prestigious institutions. Outside of her music, Booker is an advocate for wellness in cancer therapy through music, the founder of several initiatives to promote unique creative expressions, and is becoming recognized in the writing sphere, working on multiple novels and contributing to notable publications. Sandra's GoFundMe  https://www.gofundme.com/f/sandra-booker-v-cancer Sandra's IG @bookergroupmusic  https://www.instagram.com/bookergroupmusic/ ***Join our Survivor Squad True Crime Podcasting Course!*** https://coaching.terranewellsurvival.com/ethical-true-crime-podcasting/ Survivor Squad Podcast links: https://linktr.ee/thesurvivorsqaud Join our Patreon: https://www.patreon.com/thesurvivorsquad • Terra's links: https://linktr.ee/terranewell  • Collier's links: https://collierlandry.com/links • Collier's Podcast https://podcasts.apple.com/us/podcast/the-collier-landry-show/id1551076031 • Book a 1-on-1 with Terra for trauma/ toxic relationship coaching: https://calendly.com/terranewell91/15-minute-coaching-consult?month=2023-06  • Join Terra's Complementary Trauma Support Group: Every 1st and 3rd Monday 5:00 PM PT mailto: Terranewellcoaching@gmail.com   It's important to consider seeking support from a licensed mental health professional or support group. Talking to a trusted friend/family member can also be beneficial in overcoming trauma and its aftermath.  •Psychology Today: https://www.psychologytoday.com/ •Trauma-Recovery.org: https://trauma-recovery.org/ •American Psychological Association: https://www.apa.org/ •National Institute of Mental Health: https://www.nimh.nih.gov/index.shtml •National SA Hotline 1-800-656-4673 https://www.rainn.org/ •National Domestic Violence Hotline 800-799-7233 https://www.thehotline.org/ Come See The Survivor Squad Podcast At Crimecon In Orlando, Florida, September 22nd-24th 2023! Use Code SQUAD and get 10% off your badge! https://www.crimecon.com/CC23#TICKETS  Join The Survivor Squad at Obsessed Fest in Dallas, Texas! October 20th-22nd 2023 https://www.obsessednetwork.com/obsessed-fest Mentioned in this episode: Next EVO CBD ➡️ Upgrade your life with NextEvo CBD - the experts in CBD! Go to https://NextEvo.com/MPT to get 25% off + a FREE bottle of Premium Pure CBD ($50 value, limit 1 use per customer)

** For Ad-Free Episodes, Join Our Patreon! ** https://www.patreon.com/thesurvivorsquad This is Part One of our two-part interview with Sandra Booker. Sandra Booker is a multifaceted artist known for her distinctive voice in the modern jazz world, having performed with renowned musicians like Wynton Marsalis and Lalo Schifrin. Her musical style uniquely combines various genres, from R&B to classical, and she has been academically trained, earning a B.A. in ethnomusicology from UCLA and conducting workshops at prestigious institutions. Outside of her music, Booker is an advocate for wellness in cancer therapy through music, the founder of several initiatives to promote unique creative expressions, and is becoming recognized in the writing sphere, working on multiple novels and contributing to notable publications. Sandra's GoFundMe  https://www.gofundme.com/f/sandra-booker-v-cancer Sandra's IG @bookergroupmusic  https://www.instagram.com/bookergroupmusic/ ***Join our Survivor Squad True Crime Podcasting Course!*** https://coaching.terranewellsurvival.com/ethical-true-crime-podcasting/ Survivor Squad Podcast links: https://linktr.ee/thesurvivorsqaud Join our Patreon: https://www.patreon.com/thesurvivorsquad • Terra's links: https://linktr.ee/terranewell  • Collier's links: https://collierlandry.com/links • Collier's Podcast https://podcasts.apple.com/us/podcast/the-collier-landry-show/id1551076031 • Book a 1-on-1 with Terra for trauma/ toxic relationship coaching: https://calendly.com/terranewell91/15-minute-coaching-consult?month=2023-06  • Join Terra's Complementary Trauma Support Group: Every 1st and 3rd Monday 5:00 PM PT mailto: Terranewellcoaching@gmail.com   It's important to consider seeking support from a licensed mental health professional or support group. Talking to a trusted friend/family member can also be beneficial in overcoming trauma and its aftermath.  •Psychology Today: https://www.psychologytoday.com/ •Trauma-Recovery.org: https://trauma-recovery.org/ •American Psychological Association: https://www.apa.org/ •National Institute of Mental Health: https://www.nimh.nih.gov/index.shtml •National SA Hotline 1-800-656-4673 https://www.rainn.org/ •National Domestic Violence Hotline 800-799-7233 https://www.thehotline.org/ Come See The Survivor Squad Podcast At Crimecon In Orlando, Florida, September 22nd-24th 2023! Use Code SQUAD and get 10% off your badge! https://www.crimecon.com/CC23#TICKETS  Join The Survivor Squad at Obsessed Fest in Dallas, Texas! October 20th-22nd 2023 https://www.obsessednetwork.com/obsessed-fest Mentioned in this episode: Next EVO CBD ➡️ Upgrade your life with NextEvo CBD - the experts in CBD! Go to https://NextEvo.com/MPT to get 25% off + a FREE bottle of Premium Pure CBD ($50 value, limit 1 use per customer)

Todo lo inesperado, fortuito, impensado e intrascendente que tiene que ver con el cierre de un gran negocio. Como arruinarlo antes de sellarlo con un trago. ECDQEMSD podcast - El Cyber Talk Show - episodio 5548 Buenos Negocios Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo: Con quién anda Shakira? - Besos con Hamilton casa en Miami con Alejandro Sáenz? - Fiesta del triunfo de la 4T - AMLOFest International Tour - Motín en cárcel de Honduras - La fiesta de la música - Un Top 5 de músicos franceses - FFF, Les Négresses Vertes, Manu Chao - Sartre, Lalo Schifrin, Brandon Flowers y Lana del Rey. Historias Desintegradas: Cómo cerrar un negocio - Al calor de las copas - La comitiva ya cerró el traro - Habla el dinero - Pasión perruna - Las marcas de la emoción - Celos o custodia - Patos y gallinas - A los besos - No voy a admitirlo -  Revisando el celular - El Zorro y el Sargento García - Las espadas de madera - Criticando chilangos - Yo fui aquella - Solsticio de Verano e Invierno - Día del sol y más... https://www.canaltrans.com/ecdqemsd_podcast_2023/5548_buenos_negocios.html En Caso De Que El Mundo Se Desintegre Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

GGCAP celebrates the birthday (AND the release of his directorial debut, Marvel's "Werewolf by Night") of Oscar, Emmy and Grammy-winning film & TV composer Michael Giacchino with this ENCORE presentation of a fascinating interview from 2018. In this episode, Michael talks about the birth of film scores, the golden age of "contract musicians” and the influence of Dave Grusin, Henry Mancini, Lalo Schifrin and Max Steiner. Also, Don Knotts gets tough, Martin Scorsese picks out pop songs, Jerry Goldsmith conducts in an ape mask and Michael teams with the legendary John Williams! PLUS: Ray Harryhausen! Appreciating Randy Newman! The genius of Hoyt Curtin! Paul McCartney grooves to Dr. Strange! And Michael pays tribute to Japanese monster movies! Learn more about your ad choices. Visit megaphone.fm/adchoices