Podcast appearances and mentions of John N Smith

Dangerous Minds is a 1995 American drama film directed by John N. Smith and produced by Don Simpson and Jerry Bruckheimer. It is based on the autobiography My Posse Don't Do Homework by retired U.S. Marine Louanne Johnson, who in 1989 took up a teaching position at Carlmont High School in Belmont, California, where most of her students were African-American and Latino teenagers from East Palo Alto, a poverty-stricken, racially segregated, and economically deprived city. 

O CINEMA LIVRE desta sexta-feira (24), às 19 horas, comentará sobre o tema O PAPEL DO PROFESSOR NA SOCIEDADE, analisando o filme "Além dos muros da escola" (2008), de Laurent Cantet. E mais os quadros: CURTAS | As notícias do mundo do Cinema; DICAS | 7 filmes sobre a relação professor-aluno; e PERFIL| ROBIN WILLIANS - o grande ator e seus papéis de professor na tela grande. François Marin trabalha como professor de língua francesa em uma escola, localizada na periferia de Paris. Ele e seus colegas de ensino buscam apoio mútuo na difícil tarefa de fazer com que os alunos aprendam algo ao longo do ano letivo. Marin tem na escola alunos problemáticos, violência, tensões étnicas entre os alunos, o que testa sua paciência e, mais importante, sua determinação como um educador. Quadro Curtas: 1- Novo filme de Denzel Washington é aclamado pela crítica; 2- Atriz Palestina denuncia limpeza étnica de Israel ém Festival de Cinema; 3- Unesco e Netflix se unem para buscar cineastas africanos do futuro; 4- Zé do Caixão vai ganhar reboot americano produzido por Elijah Wood; 5- Ruthie Thompson, artista lendária da Disney, morre aos 111 anos. Quadro Dicas: 1- O Prećo do Desafio (1988, Ramôn Menéndez); 2- Sociedade dos Poetas Mortos (1989, Peter Weir); 3- Mentes Perigosas (1995, John N. Smith); 4- O Sorriso de Monalisa (2003, Mike Nrwel); 5- O Primeiro da Classe (2006, Peter Werner); Escritores da Liberdade (2007, Richard LaGravenese); 7- O Substituto (2011, Tony Kayne). Os programas ao vivo são transmitidos simultaneamente no Youtube = https://www.youtube.com/watch?v=kjeABuEbdtI Facebook = https://www.facebook.com/149688861907827/posts/1670942093115822/

Tra film di varia natura ed interpretazioni più o meno memorabili, si consuma la monografia della brava e bella Michelle Pfeiffer, tra le parole e le opinioni dei soliti Houssy e Carfa. Monografia dedicata all'amico JoJo, che la desiderava follemente.Elenco dei film citati:Grease 2, regia di Patricia Birch (1982)Scarface, regia di Brian De Palma (1983)Tutto in una notte (Into the night), regia di John Landis (1985)Ladyhawke, regia di Richard Donner (1985)Sweet Liberty - La dolce indipendenza (Sweet Liberty), regia di Alan Alda (1986)Le streghe di Eastwick (The Witches of Eastwick), regia di George Miller (1987)Donne amazzoni sulla Luna (Amazon women on the moon), regia di Joe Dante e John Landis (1987)Una vedova allegra... ma non troppo (Married to the Mob), regia di Jonathan Demme (1988)Tequila Connection (Tequila Sunrise), regia di Robert Towne (1988)Le relazioni pericolose (Dangerous Liaisons), regia di Stephen Frears (1988)I favolosi Baker (The Fabulous Baker Boys), regia di Steve Kloves (1989)La casa Russia (The Russia House), regia di Fred Schepisi (1990)Paura d'amare (Frankie and Johnny), regia di Garry Marshall (1991)Batman - Il ritorno (Batman Returns), regia di Tim Burton (1992)Due sconosciuti, un destino (Love Field), di Jonathan Kaplan (1993)L'età dell'innocenza (The Age of Innocence), regia di Martin Scorsese (1993)Wolf - La belva è fuori (Wolf), regia di Mike Nichols (1994)Pensieri pericolosi (Dangerous Minds), regia di John N. Smith (1995)Qualcosa di personale (Up Close & Personal), regia di Jon Avnet (1996)A Gillian, per il suo compleanno (To Gillian on Her 37th Birthday), regia di Michael Pressman (1996)Un giorno... per caso (One Fine Day), regia di Michael Hoffman (1996)Segreti (A Thousand Acres), regia di Jocelyn Moorhouse (1997)Sogno di una notte di mezza estate (A Midsummer Night's Dream), regia di Michael Hoffman (1999)Storia di noi due (The Story of Us), regia di Rob Reiner (1999)Le verità nascoste (What Lies Beneath), regia di Robert Zemeckis (2000)Mi chiamo Sam (I Am Sam), regia di Jessie Nelson (2001)White Oleander, regia di Peter Kosminsky (2002)Hairspray - Grasso è bello (Hairspray), regia di Adam Shankman (2007)Stardust, regia di Matthew Vaughn (2007)Chéri, regia di Stephen Frears (2009)Capodanno a New York (New Year's Eve), regia di Garry Marshall (2011)Dark Shadows, regia di Tim Burton (2012)Cose nostre - Malavita (The Family), regia di Luc Besson (2013)Madre! (Mother!), regia di Darren Aronofsky (2017)Assassinio sull'Orient Express (Murder on the Orient Express), regia di Kenneth Branagh (2017)Ant-Man and the Wasp, regia di Peyton Reed (2018)Avengers: Endgame, regia di Anthony e Joe Russo (2019) - cameoMaleficent - Signora del male (Maleficent: Mistress of Evil), regia di Joachim Rønning (2019)

Pour ce nouvel épisode, Niki et Bi vous proposent un épisode en deux parties sur le complexe du « white savior » ou le « sauveur blanc ».  Dans cette deuxième partie, Niki et Bi explorent les formes de dénonciation du white savior, puis abordent le complexe du « black savior » ou du « sauveur noir » et donnent quelques tips pour éviter d'adopter cette posture.  Messages de Niki et Bi:  Les témoignages de notre rencontre avec le white savior en Côte d'Ivoire sont nos expériences personnelles, ce ne sont pas des généralités et ne concernent qu'une minorité de comportements observés. N'hésitez pas à nous écrire pour continuer cette discussion par mail ou sur les réseaux sociaux.  Références de l'épisode Sujet Comptes Instagram - No White Saviors - Barbie Savior - Benguiste : ivoirien (dans le contexte de la Côte d'Ivoire) vivant en Europe ou en Amérique. Expression également utilisée dans d'autres pays africains tels que le Cameroun pour parler des camerounais vivant en Europe.  - « Ségou », Maryse Condé - « Amkoullel, l'enfant peul », Amadou Hampâté Bâ - Chanson « Ma vie va changer », Donny Elwood  - Ted de Chimamanda Ngozi Adichie, « The danger of a single story » (le danger d'une histoire unique)  Bonus vidéos - White Savior: The Movie Trailer  - Dangerous minds, John N. Smith avec Micheal Pfifer (1995) - How to get more likes on social media?  Kiff du moment  - « My African Clichés », podcast disponible sur Apple, Deezer - My Afro Week, informations du live instagram sur les plantes médicinales  - « Le gène égoïste », Richard Dawkins  - « Les figures de la révolution africaine », Saïd Bouamama  - La série « Maitresse d'un homme marié », disponible sur Youtube  - Le groupe de musique bissau-guinéen Super Mama Jombo  Posez vos questions et donnez votre avis par mail: madameattrapetoncoeur@gmail.com. Suivez-nous sur les réseaux sociaux: - Instagram: @madameattrapetoncoeur - Twitter: @Madame_Attrape - Facebook: @madameattrapetoncoeur Un immense merci à : - Tiemoko Camara pour les illustrations - Malick Kebe pour l'univers graphique - Roland Boussou pour la musique

The Radical Bureaucrat: Noliwe Rooks At the beginning of her most recent book, Dr. Noliwe Rooks shares a conversation she had over and over with her white, affluent students at Princeton. They called education “the civil rights issue of our time,” and seemed eager and committed to eradicating educational inequity. Rooks quickly noticed that for all their enthusiasm, few of her students had actually visited the underserved schools and neighborhoods they wanted to help or talked to the parents, students, and educators there. When Rooks brought up this type of engagement, they seemed dismissive of the idea that it was even necessary. In today's conversation, Dr. Rooks shares how these repetitive conversations reflect broad rhetoric in the education reform movement and historical patterns in the racialized history of education in the U.S. She shares the concept of "segrenomics," economic and business models that require segregation to produce profits. She describes the great lengths that formerly-enslaved people in the rural south took to build schools in their communities, why white philanthropists took all the credit, and how similar patterns echo in today's education politics. Rooks explores all the reasons why, if we ever hope to serve our most marginalized communities as bureaucrats, we need to engage meaningfully and continuously with community members who've been organizing, teaching, and fighting for education resources for decades. Further reading: · Cutting School: Privatization, Segregation, and the End of Public Education by Noliwe M. Rooks. 2017. https://www.goodreads.com/book/show/34196066-cutting-school · Comparative and International Education Society https://www.cies.us/ Referenced in this episode: · Waiting for “Superman,” David Guggenheim, 2010. https://www.imdb.com/title/tt1566648/ · Dangerous Minds, John N. Smith, 1995. https://www.imdb.com/title/tt0112792/ · Stand and Deliver, Ramón Menéndez, 1988. https://www.imdb.com/title/tt0094027/ · Race to the Top: 2009 U.S. Department of Education initiative that awarded grants to education reform initiatives. https://en.wikipedia.org/wiki/Race_to_the_Top · EduColor Collective: http://www.educolor.org/about/ · Teach for America: https://www.teachforamerica.org/ Show notes by Hannah E. Brown; “Aquarela” do Brasil by Ary Barroso, Performed by Peter Markowski, Luke Maurer, and Abram Guerra; Thanks to Chris Martinie for logo and all of you for your love and support.

Our next foray into Luhrmann territory is his version of the 16th-century play: WILLIAM SHAKESPEARE'S ROMEO + JULIET (1996). Sam goes off on one about one of his pet topics, and we take things further by discussing the playful and inventive qualities of the play brought out by Luhrmann — along with his innovative use of pop culture and the art of the soundtrack.Next WeekThe next Baz Luhrmann film sees us jumping into the next decade, with AUSTRALIA (2008), available here: https://www.amazon.com/Australia-Shea-Adams/dp/B001UG56ES.This Week's MediaQ — THE WINGED SERPENT (1982): Larry Cohen, Michael Moriarty, Candy ClarkBROEN IIII (2018): Hans Rosenfeldt, Sofia Helin, Kim BodniaRecommendations THE USUAL SUSPECTS (1995): Bryan Singer, Kevin Spacey, Gabriel Byrne DANGEROUS MINDS (1995): John N. Smith, Michelle Pfeiffer, George DzundzaBROKEN ARROW (1996): John Woo, John Travolta, Christian SlaterACROSS THE UNIVERSE (2007): Julie Taymor, Evan Rachel Wood, FootnotesYou can get a general overview of the storyline here: https://en.wikipedia.org/wiki/Romeo_and_Juliet (and compare the film version here: [https://en.wikipedia.org/wiki/Romeo_%2B_Juliet]). Shakespeare's primary sources were a 1562 Arthur Brooke poem (https://en.wikipedia.org/wiki/The_Tragical_History_of_Romeus_and_Juliet) and a prose work, published later in the 1560s by William Painter (https://en.wikipedia.org/wiki/William_Painter_(author)). Rob mentions Bertolt Brecht (https://en.wikipedia.org/wiki/Bertolt_Brecht) as a touchstone for the opening presentation of the drama; for more on Brechtian stage mechanics, see here: https://www.nottingham.ac.uk/english/documents/innervate/09-10/0910jonesebrecht.pdf. Rob refers to ‘smash cuts' a couple of times — if, like Sam, you felt you needed to look this up, then this may help: http://tvtropes.org/pmwiki/pmwiki.php/Main/SmashCut. We discuss long takes towards the end, in relation to the Mantua scenes of Romeo's boredom; here are a few good comparators: http://www.indiewire.com/2014/03/ranking-the-20-greatest-most-celebrated-long-takes-87699. Finally this Q&A has some good ideas on the ‘soundtrack v score' idea that we start to mention at the end of today's episode: https://movies.stackexchange.com/questions/26376/what-is-the-difference-between-a-movies-soundtrack-and-its-score.