Podcasts about Scarface

In hour one, Tua is going to get hit and he wants us to know he's ready for it. Hoch compares Tua's demeanor to Tony Montana from Scarface. Plus, various Dolphins cuts are underway as we approach roster deadline day. After, previewing Canes - Notre Dame with John Michaels.

We return to the world of Brian De Palma and his gangster opus that is arguably his most popular movie with our review/breakdown of Scarface. Journey with us as we discuss this wild little movie and that scene chewing Al Pacino performance. Is this De Palma's masterpiece or one of the most overrated movies of all time? So pour some rye, grab your best your best clubbin' suit, and get ready to say hello to Tony Montana and his little friend. Cheers!

EPISODE 102 -  “TALKIES, GANGSTERS, & BUGS BUNNY: THE WARNER BROTHERS JOURNEY” - 8/25/25 In this week's episode, we're turning the spotlight on the incredible journey of the Warner brothers—Harry, Albert, Sam, and Jack—four ambitious siblings who rose from modest immigrant roots to create one of the most influential movie studios in the world: Warner Bros. Studios. Their story begins in the early 20th century, with a hand-cranked projector and a traveling film show, and evolves into a groundbreaking entertainment empire that would forever change the film industry. From their early struggles during the silent film era to their game-changing release of The Jazz Singer, in 1927, the first feature-length "talkie," the Warner brothers didn't just adapt to change—they drove it. Join us as we trace the rise of Warner Bros., a studio born from risk, vision, and a relentless belief in the power of storytelling.   SHOW NOTES:  Sources: Warner Brothers: Hollywood's Ultimate Backlot (2014), by Steven Bingen; Early Warner Brothers Studios (2010), by E.J. Stephens & Marc Wanamaker; You Must Remember This:  The Warner Bros. Story (2008), by Richard Schickel & George Perry; Hollywood Be Thy Name: The Warners Bros. Story (1994), by Cass Warner; The Warner Brothers' Story (1979), by Clive Hirschhorn; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Great Train Robbery (1903); Dante's Inferno (1911); Peril on the Plains (1912);  Raiders on the Mexican Border (1912); My Four Years in Germany (1918); Don Juan (1926);  The Jazz Singer (1927); Little Caesar (1931);  The Public Enemy (1931); Scarface (1932); Baby Face (1933); Female (1933);  Marked Woman (1938); Jezebel (1938);  Angels with Dirty Faces (1938); Captain Blood (1935);  The Sea Hawk (1935);  Charge of the Light Brigade (1936); The Adventures of Robin Hood (1938); The Life of Emile Zola (1937); Confessions of a Nazi Spy (1939); The Maltese Falcon (1941);  Now Voyager (1942);  The Big Sleep (1946); High Sierra (1941);  The Big Sleep (1946); White Heat (1949); You're In The Army Now (1941);  Yankee Doodle Dandy (1942); This Is The Army (1943); Casablanca (1943); Mission To Moscow (1943); A Streetcar Named Desire (1951); East of Eden (1955);  Rebel Without a Cause (1955); Giant (1956); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Quake discusses Hernandez Govan found not guilty in Young Dolph's Murder, Key Glock and Young Dolph's family react to Govan being found not guilty, Drake can see Kendrick Lamar's contract in UMG lawsuit, Drake has purchased 2Pac's iconic Death Row chain, Freddie Gibbs reveals 50 Cent and Scarface as his rap inspirations, Ghostface Killah wants to work with Eminem, Kanye West launches new crypto coin and much more.(00:00) - Intro(02:27) - Hernandez Govan Found Not Guilty In Young Dolph's Murder(04:11) - Key Glock and Young Dolph's Family React To Govan Being Found Not Guilty For Dolph's Murder(07:49) - Drake Can See Kendrick Lamar's Contract In UMG Lawsuit Judge Rules(12:30) - Drake Has Purchased 2Pac's Iconic Death Row Chain(20:46) - Freddie Gibbs Reveals 50 Cent and Scarface As His Rap Inspirations(29:33) - Kanye West Launches New Crypto Coin(36:36) - Ghostface Killah Wants To Work With Eminem(39:19) - New Music(39:55) - Album Sales

Photo by Phil Caruso.In this episode, we welcome Buddy Joe Hooker. Buddy Joe is a legendary Stuntman and Stunt Coordinator, with over sixty years working in the business. Some of the films he's worked on include The Conversation, Close Encounters of the Third Kind, First Blood, The Outsiders, Rumble Fish, The Right Stuff, Scarface, To Live and Die in L.A., Days of Thunder, Carlito's Way, From Dusk Till Dawn, Grosse Pointe Blank, Deja Vu, Grindhouse, Django Unchained, and Megalopolis. In our chat, he shares about his early days, how he learned all his skill-sets — and stories from performing stunts in motorcycles, cars, trucks, fight scenes, and beyond.“The Making Of” is presented by AJA:DIT Chris Bolton talks on-set live grading and routingIn on-set production, precise, real-time color management and conversion and reliable routing are essential, which is why DIT Chris Bolton leverages AJA ColorBox and KUMO 3232-12G across projects. Read this interview to get his perspective on what makes a great DIT and to learn more about his live grading setup.Next-Gen Connectivity for Demanding WorkflowsThe OWC Thunderbolt 5 Dock delivers cutting-edge performance with Thunderbolt 5 ports that offer up to 2x more bandwidth than previous generations. Perfect for post-production pros, it powers up to 3 high-res displays, ultra-fast storage, and pro accessories simultaneously. With 2.5Gb Ethernet and a full array of essential ports, it's your all-in-one hub for high-performance creative workflows.Explore hereInsights from Giovanni Ribisi:HED: Bring Filmmaking to Your Classroom with LUMIX EDUDEK: Discover how LUMIX EDU can support your school's video production goals with camera loaners, curriculum resources, and hands-on training.Learn more and get involved hereZEISS Summer Savings Event:Now through September 1, save up to $4,000 on select Nano Prime lens sets and another $3,000 on the ZEISS Lightweight Zoom LWZ.3.Visit hereNew Solutions from Videoguys:Bring your vision to life with the SanDisk Professional Creator Series—fast, reliable storage designed specifically for content creators like you. Whether you're capturing footage on your iPhone or Android device, flying a drone, or shooting with a digital camera, SanDisk gives you the tools to stay in control of every shoot, every transfer, every edit, and every backup. From microSD and SD cards to portable SSDs and high-performance flash drives, the Creator Series is built to keep up with your creativity.Ready to take your content to the next level? Call Videoguys today at 800.323.2325 to learn more and find the perfect storage solution for your workflow! Browse hereFeatured Film Book:KISS ME QUICK BEFORE I SHOOTThis film memoir is all about the magic of filmmaking and forging a cinematic personal life in Hollywood. It is full of invaluable experiences and unique industry stories of a celebrated film/TV career, and should be required reading for every film lover. It includes stories of a producer turning out to be the assassin of the Mafia boss who allowed The Godfather to film in NY; to shooting the pyramids of Egypt for Battlestar Galactica; to directing a grumbling Mr. T on The A-Team; to almost decapitating a young Drew Barrymore right after ET; and to unwittingly almost delaying James Cameron's early career!“Finally, a book for all who love the movies written by a filmmaker who has walked the walk in TV and film. A very entertaining journey of fascinating industry stories providing a true look behind the curtain of filmmaking.”JOE ALVES, Production Designer JAWS, British Academy Award for CLOSE ENCOUNTERS OF THE THIRD KINDPickup a copy at KISS ME QUICK BEFORE I SHOOT Kindle Ebook AmazonPodcast Rewind:August 2025 - Ep. 92…“The Making Of” is created by Michael Valinsky.Promote your products or services in this newsletter and reach 250K filmmakers, TV production pros, and content creators each week. Email us at: mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Today, I'm thrilled to announce my interview with Oscar nominee Mary Elizabeth Mastrantonio. Tune in to hear some of the stories of her legendary career, including her unconventional path to WEST SIDE STORY, how THE HUMAN COMEDY fulfilled a childhood dream, what Brian De Palma taught her during SCARFACE, the thrill of singing SUNDAY IN THE PARK WITH GEORGE, how AMADEUS inspired her to take acting lessons, why Aldonza in MAN OF LA MANCHA is a thankless role, dancing for Jerome Robbins, how THE MARRIAGE OF FIGARO changed courses in rehearsal, why THE KNIFE was ahead of its time, her relationship with Joseph Papp, how she almost starred in KISS ME, KATE, the extended rehearsal process for THE COLOR OF MONEY, how theater is different in London, balancing jet lag with LAW AND ORDER, how Roger Rees led the company of THE WINSLOW BOY, and so much more. Don't miss this candid conversation with a star of stage and screen.

On the 131st episode of Fear and Loathing in Cinema, a podcast that has spent more time in the ‘90s than the Clinton administration. Bryan, Dan, and Preston revisit a movie that asks the big, important questions: Can an Austrian killing machine convincingly teach preschool? Is it okay to introduce children to heroin dealers before phonics? And why, exactly, was Kindergarten Cop shown at every elementary school movie day like it was Charlotte's Web? Yes, they're talking about Kindergarten Cop (1990), the high-concept action comedy where Arnold Schwarzenegger, fresh from body-slamming aliens and blowing up jungles, trades his Uzi for juice boxes and circle time. The trio dive headfirst into the genre whiplash of Ivan Reitman's wildly successful, weirdly traumatic family action-comedy. This is a film, after all, that made over $200 million by pitching itself as “Daddy Day Care meets Scarface,” except with more feral children and less Eddie Murphy in makeup. The post Episode #131 – Kindergarten Cop (1990) first appeared on Boomstick Comics.

In a world veering ever closer to the edge of itself, BLVD HVNNY is borne—a spectral pulse in the gathering dark. This is the shadow-self of Cito, known for fronting South African bands WONDERboom, El Cantante, and Absinthè. With BLVD HVNNY, a more introspective and cinematic expression takes form—gothic, electronic, and unafraid to dwell in the sublime weight of melancholy. What began as a solitary studio project—beat-driven, synth-laced, and self-contained—soon outgrew its walls. The live stage demanded more. And so, BLVD HVNNY evolved into a full-bodied force: a five-piece band of formidable musicians who now breathe life into the sound both on stage and in studio. While the music still leans into its electronic roots, each element is played live—sampled textures rendered through real instruments, giving the songs a visceral, haunting immediacy. Their evocative reimagining of Nick Cave and The Bad Seeds' The Weeping Song, featuring Ross Learmonth of Prime Circle, held the #1 spot on Mix 93.8 FM's SA Top 40 for five consecutive weeks and was crowned Song of the Year. Visually, the world of BLVD HVNNY is just as potent. Joaquín, directed by Bradley Devine, claimed Best Music Video at five international film festivals, while Nocturnes added three more to the collection. The debut album, IX, is a sonic descent—a beautifully fractured mirror of mood and memory. It features lyrical collaborations with long-time co-writer Erin Alden (Lilac Sky, Joaquín, Scarface); gothic icon Ashton Nyte of The Awakening (who also lends his voice to She's One of Us Now); and the haunting presence of Bronwyn Leigh Fink on a stirring rendition of Yazoo's Winter Kills. That same track was further elevated by a powerful creative reunion with old school friend and world-renowned producer Craigie Dodds, who's masterful, genre-defying touch drew out the song's buried intensity and cast it in a bold, twisted light. At the helm of the rest of album's production are two studio visionaries: Matthew Fink—formerly of The Awakening and producer to a host of South African alt pop rock records—and Barry Berk, whose refined ear and immersive mix work have left their unmistakable mark on every track. With BLVD HVNNY, Cito delves into exquisitely sculpted darkness—unravelling personal mythologies, chasing echoes through shadowed halls, and weaving together goth, trip hop, and electronica into something that lingers, long after the final note. In this interview, we spoke to Cito about ‘IX' and the journey that he has been on to see it become reality. We also talk about the evolution of BLVD HVNNY, the desire to expand, what the future might hold, and so much more. Find out more here: https://www.instagram.com/blvdhvnny/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Karen talks to cold case cracker Paul Novack about the Lynette Campbell and Tammy Lynn Leppert missing persons cases.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Scarface, sorti en 1983, est un film de Brian de Palma avec comme toile de fond le trafic de drogue, lʹascension dʹun petit malfrat, et les réfugiés cubains en Floride. Dans le rôle principal, Al Pacino qui incarne Tony Montana, jeune homme réfugié aux Etats-Unis, dévoré dʹambition, qui va devenir un patron de la drogue. Tony Montana est Scarface, le balafré, réplique de celui dʹHoward Hawks, sorti en 1932. Mais le remake de Brian de Palma offre un tout autre éclairage sur lʹAmérique des années 80. Ce nʹest plus le temps de la prohibition, mais le temps des malfrats de droit communs cubains, lâchés par Castro sur les USA. Scarface choque à sa sortie et ne rencontre pas le succès escompté. Le public et la critique ne pardonnent pas à De Palma de dénaturer un classique du cinéma. Encore moins à son scénariste Oliver Stone dʹavoir transformé le gangster inspiré dʹAl Capone en un clown violent, le nez plein de cocaïne. Ajoutez à cela une esthétique très assumée, où le rouge sang et le blanc neige de la drogue se fondent dans des décors très colorés, floridiens, des dialogues crus, un langage attrapé dans la rue, le mot fuck répétés plus dʹune centaine de fois, la passion des armes à feu, la drogue à gogo, et on peut imaginer que le film nʹest pas du goût de tout le monde. Mais nous allons vous raconter tout ça. Nous avons comme référence un livre sur Al Pacino de Karina Longworth, Anatomie dʹun acteur, un autre sur Brian de Palma et ses entretiens avec Samuel Blumenfeld. Nous avons des archives, des anecdotes, des extraits pour compléter notre narration. Il ne nous reste plus quʹà embarquer sur un bateau depuis Cuba, et à nous installer en Floride pour monter notre empire de la drogue. REFERENCES Samuel Blumenfeld et Laurent Vachaud, Brian de Palma, entretiens, GM, 2019 Karina Longworth, Al Pacino, Anatomie dʹun acteur, cahiers du cinéma, 2013. le making of du film https://www.youtube.com/watch?v=5cbigPPWQBY Leonardo Gandini, Brian de Palma, Du Thriller psychanalytique au pur film dʹaction, la carrière éclectique dʹun réalisateur toujours controversé, Gremese, Rome, 2002 Luc Lagier, Les mille yeux de Brian de Palma, Cahiers du cinéma, auteurs, Editions Dark Star 2003 Brian de Palma on Scarface https://www.youtube.com/watch?v=PuCqcvORq5Y

Send us a textStep back into the pre-Code chaos with the original Scarface—before the cocaine and neon came the Tommy guns and tabloid frenzy. We dissect Howard Hawks' gritty gangster epic, explore how it scandalized America, and debate whether Paul Muni's Tony Camonte still holds cinematic swagger. Bonus: the wild story behind the film's censorship battle.Actress Karissa Lee Staples Oh Brother Podcast: Support the Show! (get early access) Listen on all podcast platforms Subscribe on YouTube Follow us on Instagram

Remakes continue to proliferate on our screens. Over the last few months, we've had live action remakes in cinemas of classic animations Snow White, Lilo And Stitch, and How To Train Your Dragon, along with legacy reboots of the horror hit I Know What You Did Last Summer and DC's Superman, and - coming soon - a new spin on the 1980s comedy The Naked Gun.So is this all just evidence of a dearth of creativity in Hollywood? Or are there some artistically valid reasons to re-make existing films? And can a remake ever be better than the original? Ellen E Jones and Mark Kermode delve into the past, present and future of the remake. Mark speaks to critic Anne Billson about the remakes she considers worthy of our attention, from Brian De Palma's Scarface to John Carpenter's The Thing. And he also talks with Jim McBride who, in 1983, directed Breathless - a remake of Jean-Luc Godard's French New Wave classic A Bout de Souffle, which Mark has long considered superior to the original.Ellen talks to TV critic Roxana Hadadi about what television can bring to the remake party - and about the TV series that managed to improve on their source material. And Ellen also speaks to Noah Hawley, showrunner of the multi-Emmy winning Fargo and upcoming Alien: Earth TV series, about the creative possibilities of TV reboots. Producer: Jane Long A Prospect Street production for BBC Radio 4

Caitlyn and Tyler chat about the work of director Brian De Palma. Including: Carrie, Blow Out and Scarface! They also advocate for bullying.

We are finishing up our discussion of the 5th Academy Awards or the films of 1931/32. We cover the winners from our 10-movie mini-tournament in this episode. The nominees were: Arrowsmith, Bad Girl, The Champ, Five Star Final, Grand Hotel, One Hour With You, Shanghai Express, The Smiling LieutenantThe films we added were: Scarface and Dr. Jekyll and Mr. HydeNote: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:1:50 - Bad Girl12:00 - Shanghai Express21:05 - The Champ30:45 - Five Star Final46:45 - Grand Hotel - Conclusions58:55 - Did the Oscars Get it Wrong?1:00:25 - Top 5 Films1:01:15 - Jake Gyllenhaal Corner1:02:10 - Come back to any of these films?1:02:30 - Patterns1:03:35 - Best Best Picture Ranking1:05:55 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice

The show's YouTube audience hates Solana for saying Kobe isn't a top 3 Laker. Josh Appel admits he has never watched the movie Scarface. Hoch and Crowder are very concerned with Zach Wilson heading into the Dolphins season. A list of the top places in Miami to take someone you hate leads into a conversation about visiting the Everglades… Crowder wants to take Hoch on a boat ride & Solana admits to an ER trip following some mosquito bites.

In hour one, our reaction to Shane Gillis ESPY performance last night. Our YouTube audience is outraged at Solana for arguing Kobe Bryant is not a top 3 Lakers player of all time. The Stanley Cup is at Flanigan's! After, we have a ton of topics to cover with Josh Appel but it all gets derailed when he admits to never having seen Scarface.

Hoch had a plethora of topics to cover with Josh Appel including the Panthers schedule release, swing-off at the MLB All-Star game and Dolphins notes but it all unravels when Appel admits to having never watched the movie Scarface.

In hour two, is Scarface one of those must-see movies for anyone in South Florida? A Dolphins training camp preview & discussing our biggest concerns headed into the new season. For Hoch and Crowder, it continues to be the backup QB. LeBron and the Heat - is it even something worth considering?

In Part 2, we pick up where we left off in Part 1. Dregs shares the story of the day he started doing graffiti. It was also when he began experimenting with rapping. Dregs talks about all the “cool shit in The City” back then, the early 2000s. From sports and music to the aforementioned underworld of San Francisco, SF was lit. It was a time when you could simply step outside your home and find something or someone or some people. You could take a random Muni ride and let stuff happen. And it happened all over town, with creativity pouring out of so many corners. For Dregs, tagging happened first. He started hanging out more in The Sunset, which was quieter than his own hood. He and his buddies would tag, hang out in the park with their boomboxes, drink 40s, and freestyle. One of those buddies had a computer audio-editing program and a cheap mic (RIP Radio Shack). That friend sent him a track over AIM and it blew young Dregs away. Then he learned that two other guys wanted to battle. Dregs hopped on a bus to Lawton Park to join in. It was his first rap battle. The crew that battled that day ended up uniting and making more and more music together. They formed a tagging crew called GMC (Gas Mask Colony), which didn't last long as as a tagging crew, but they kept the name for their rap group. But the group splintered. As mentioned, Dregs ended up at ISA in Potrero. He got into a DJ program and honed his skills. Soon, it was time to get into a studio to lay down some tracks. They recorded their first song and people liked it. The crew of four included several different ethnicities and neighborhoods across San Francisco, so they had widespread reach. We take a sidebar to discuss how Dregs got his name. It's a story that involves the movie Scarface. Because of time, I ask Dregs to walk us quickly through the years between getting underway with hip-hop and starting his show, History of The Bay. He did music with his GMC posse as well as some solo projects. Days of hanging out and drinking 40s gave way to adult-life realities—jobs and such. They hadn't figured out a way to make money off their art. Dregs went to City College and then spent two years at UC Riverside. He came back and worked as a youth counselor in the Tenderloin. At another job in TL, a woman in supportive housing where Dregs worked had a psychotic breakdown. He was the only employee around, and even though he was about to leave for the day, he helped her out. The next day, a boss type thanked Dregs, but told him he'd never get properly compensated for what he did until or unless he had a bachelor's degree. And so he enrolled at SF State. He was in his late-twenties at this point, and did better in school than he had ever done. He was a straight-A student, in fact. He took a heavy courseload. It was the first time he'd had Black teachers. One of them advised Dregs to go to graduate school. He looked through the graduate-level programs available and decided that law was his best fit. And so off he went, to law school in Davis. He did well at this level, also. He graduated, passed the California bar, and got hired by a firm. He was making good money and thought about saying good-bye to making music. But then the folks he worked with at the law firm convinced him not to. One of the first cuts he did in that era was a collaboration with Andre Nikatina called “Fog Mode.” When the song dropped, it was the pandemic. Dregs had been doing his law work from home. It “sucked,” he tells me. But the track took on a life of its own. He realized amid it all that it was time to go for it with his art. One of the first steps was to get his social media ramped up. Some people suggested TikTok, but Dregs wasn't sure what content to throw up on that app. Others said, “Talk about you, talk about your interests.” He looked around and realized that no one out there was really talking about the SF/Bay hip-hop Dregs grew up on, or the prolific taggers he ran with. Around this time, in December 2021, his dad passed away. In the early stages of his grief, Dregs figured it was once again time to quit art and turn his energy and attention to taking care of his mom. But then something happened, something that some of us who've experienced loss can possibly relate to. In March 2022, Dregs launched History of The Bay on TikTok. With his music and social media popping, his law work took a back seat. Folks in his firm took notice and laid Dregs off. It was for the best. Find Dregs online at his website or on social media @dregs_one. Get History of The Bay on any podcast app. We end the podcast with Dregs' take on our theme this season—keep it local.

Este HYPEBALL viene con sabor a gloria… y polémica

This week Harrison will review "Scarface (1932)" starring Paul Muni and directed by Howard Hawks#scarface #paulmuni #howardhawks #reelyoldmoviesBinbuster Links:YT: https://www.youtube.com/c/BinbusterInstagram: https://www.instagram.com/thebinbuster/Letterboxd: https://letterboxd.com/binbuster/Twitter/X: https://x.com/thebinbusterJoin my Discord!: https://discord.gg/VWcP6ge2Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tipSocial Media Links: https://linktr.ee/reelyoldmovies

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS.  Season 15's temporal pincer movement is inverted with this week's pairing to present its earlier film first. So, one week early, we present to you SCARFACE (1983) with returning guest Erik Van Der Wolf from the Blood & Popcorn podcast filling in for Jack who had a boat to catch.  After last week's meager showing with First Blood, we return to the blood-filled squib in full force in a movie whose violent reputation Erik disputes, taking a chainsaw to arguments by contemporary critics and noting the various cutaways and reaction shows in lieu of direct onscreen violence. He also makes a case that director Brian De Palma shows uncharacteristic restraint in camera flourishes. What's unrestrained— agreed then and now—is the profanity, clocked at 1.32/minute “f's” given, timed by some film nerd and diligently regurgitated by one of your chin beard hosts who watched the Blu-ray commentary.  Typically, we make a halfhearted attempt here in the show notes for a plot recap, but we all know the story of Scarface who's got his word and his balls. This 1980's remake marks a rare confluence of film and actual contemporary events as its Scarface, aka cocaine cowboy Tony Montana played by Al Pacino, is a Cuban refugee, mapping the original immigrant story of the 1932 movie onto real Florida violence. The film is also credited as giving Michelle Pfiefer her breakout role (if one discounts Grease II) in portraying coke whore arm candy. And actual Cuban immigrant and total hottie Steven Bauer plays Montana's bestie (and friend's sister-fucker) Manny Ray.   Blood packets explode during a hotel drug deal gone wrong and again when Montana promotes himself over his boss's dead body and then again when given cocaine super powers at the end of the film as Scarface holds off a mercenary army of hitmen, but surprising no squib explodes when Montana shoots Ray in a fit of rage for what could be interpreted as incestual cockblocking. But you knew the plot already.    Listen as adult boys who grew up in the VHS era (and Thomas) discuss a film that guest Erik loves and the others find a lesser entry in the De Palma 80s filmography. Guest Erik brings a reread of the Oliver Stone screenplay and filmic muscle memory to recite scenes from the formative flick; Ryan stays bullish on the original black and white gangster picture (and on the film Two of a Kind, the 1983 feature that reunited John Travolta and Olivia Newton-John after Grease I), mainly wishing the De Palma film was closer to the original film's runtime; Ken warms to the film and to Erik; and Thomas might have an opinion after his first watch but is more interested in the sequel videogame for the PS2 and prequel novels by comic book and erotic vampire author L.A. Banks.   Next week, Jack returns to discuss the school shooter film Elephant. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

In this inspiring episode of Best in Fest, Leslie speaks with Jack Teeter—marketing legend behind iconic Universal hits like Back to the Future, Scarface, and The Breakfast Club. Now a director and producer, Teeter shares how his old-school marketing chops fueled the creation of Blind Logic: The Ralph Teeter Story, a powerful documentary about his blind great-uncle who invented cruise control. Discover what still works in film marketing today, how to compete with indie budgets, and why testing your content might be the most underrated tool in your kit. A must-listen for filmmakers, marketers, and movie buffs alike.

Sign up for Catherine's class on gangster capitalism here: https://www.catherine-liu.com/about   Why do we admire our capitalist gangsters? Is it their up from poverty, American exceptionalist origin stories? We'll discuss...LIVE   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (speciallyYouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3egFacebook: https://www.facebook.com/Thisisrevolutionpodcast/Twitter: @TIRShowOaklandInstagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...

In this episode of This Comic Cooks Audio, Vactor and Shoff break down the final three episodes of Marvel's Ironheart on Disney+. Did Riri Williams really make a deal with Mephisto? Was the finale satisfying or a missed opportunity? We dive into the show's biggest twists, from AI Natalie and the trauma behind the tech to Parker Robbins' Scarface downfall and the multiversal magic of Zelma Stanton.Topics include:The real meaning behind Riri's final choiceDormammu and the evil behind the capeHow the finale sets up Strange AcademyComic book vs MCU differences for The Hood, Natalie, and moreWhat worked, what didn't, and what we hope comes next

Ready to save $10k-$50k in taxes this year? Book a call here:► https://taxstrategy365.com/pod-appIn this episode, I break down how I analyze real estate deals using patterns, historical percentages, and what I call “return on hassle.” I share a story about a 16-unit property I almost bought to retire my mom and how a mentor helped me realize it wouldn't work—just by looking at the percentages. I go deep into operating expense ratios, debt service thresholds, and how to factor in time and risk. I also touch on contracts, financing contingencies, and why I only move on deals that match my strike zone.Timestamps:00:00:00 Intro – why percentages never lie00:00:50 The 16-unit deal I almost bought to retire my mom00:02:15 Bringing in a mentor to review the numbers00:03:28 Learning to read patterns in properties and people00:04:11 Scarface quote and the power of percentages00:05:46 Ted Williams and only swinging at your pitch00:08:13 Applying the strike zone concept to investing00:09:14 Long-term rental analysis: revenue, OPEX, debt00:11:45 Utility setups and checking meters on multifamily00:13:54 Margin of error and padding your projections00:14:42 Short-term rental rules and the 15% revenue test00:16:16 Sneaky data hacks: talking to local co-hosts00:18:29 Evaluating money down vs. ROI on interest savings00:20:50 Guaranteed returns and the “return on hassle” concept00:23:00 FHA vs. conventional loan and PMI traps00:27:54 Why you must revisit the numbers at month 1600:29:04 Diagnosing why a deal is underperforming00:31:08 Pattern recognition and IRS fraud flags00:33:40 What's included in operating expenses?00:36:28 Community, status, and why people never downgrade00:39:53 Appreciation markets vs. cash flow plays00:41:33 Writing contracts with flexibility: “and/or assign”00:44:05 Laying out all the skunks as a seller00:46:02 Contingencies: inspection, appraisal, financing, permits00:51:04 Buying the LLC to preserve STR permits00:54:20 DSCR strategy and using interest rate leverage00:56:05 Only swing at your pitch and know your advantage00:58:16 Speed, trust, and recognizing patterns in people01:00:32 Final thoughts and the value of knowing your safety netWant me to answer your real estate questions? Come to my next Ask Me Anything Q&A:► https://taxstrategy365.com/pod-amaLet's connect!► Instagram: https://www.instagram.com/ryanbakkecpa/► LinkedIn: https://www.linkedin.com/in/ryanbakkecpa/► Twitter: https://twitter.com/RyanBakkeCPA► Facebook: https://www.facebook.com/ryanbakkecpa► TikTok: https://www.tiktok.com/@ryanbakkecpa⁠*None of this is meant to be specific investment advice, it's for entertainment purposes only.

Episode 247 with Taylor and Adam. Come send it with the boys, as we discuss - The Wallabies, Kids sports, Movie night at work, Scarface, Nurses, Joshua Brown, Male teachers, Social media, The Marist Brothers, Alex Toohey, Oasis, and much more... Patreon BoSodes(Bonus Episodes): https://patreon.com/BigSendPodcast Please forward all complaints to: bigsendpodcast@gmail.com Thanks for your support xx

Critique of Hollywood and Media Bias: Cruz argues that the NYT list prioritizes political messaging over storytelling and entertainment. He claims the list reflects elitist, left-leaning Hollywood values and ignores popular, inspirational, or patriotic films. Alternative Film List: Cruz presents his own list of 30 films from the past 25 years that he believes are more representative of quality cinema. His selections include: Gladiator, The Patriot, A Beautiful Mind, Lord of the Rings, Saving Private Ryan, American Sniper, Hidden Figures, Top Gun: Maverick, and Avatar. He emphasizes true stories, war films, musicals, and movies with strong moral or patriotic themes. Personal Movie Preferences: Cruz shares his favorite films (The Princess Bride, The Godfather, Scarface, Fletch), and discusses his love for musicals and classic comedies. He recounts personal anecdotes, including taking his mother to Broadway shows and watching Saving Private Ryan and Dallas Buyers Club. Cultural Commentary: The conversation touches on broader cultural issues, such as the disconnect between Hollywood and everyday Americans, the importance of storytelling, and the role of cinema in shaping public perception. Please Hit Subscribe to this podcast Right Now. Also Please Subscribe to the 47 Morning Update with Ben Ferguson and the Ben Ferguson Show Podcast Wherever You get You're Podcasts. Thanks for Listening #seanhannity #hannity #marklevin #levin #charliekirk #megynkelly #tucker #tuckercarlson #glennbeck #benshapiro #shapiro #trump #sexton #bucksexton#rushlimbaugh #limbaugh #whitehouse #senate #congress #thehouse #democrats#republicans #conservative #senator #congressman #congressmen #congresswoman #capitol #president #vicepresident #POTUS #presidentoftheunitedstatesofamerica#SCOTUS #Supremecourt #DonaldTrump #PresidentDonaldTrump #DT #TedCruz #Benferguson #Verdict #justicecorrupted #UnwokeHowtoDefeatCulturalMarxisminAmericaYouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

We are covering the 5th Academy Awards or the films of 1931/32. There were 8 nominees this year so we added 2 more to make a 10 movie 2-parter. We cover the losers in this episode. We also chat about a short film: Laurel and Hardy's "The Music Box."The nominees were: Arrowsmith, Bad Girl, The Champ, Five Star Final, Grand Hotel, One Hour With You, Shanghai Express, The Smiling LieutenantThe films we added were: Scarface and Dr. Jekyll and Mr. HydeNote: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:7:35 - The Music Box15:40 - Round 1 Match-Ups and Deciding Winners and LosersLosers Discussion21:30 - One Hour With You 26:20 - The Smiling Lieutenant32:50 - Scarface44:05 - Arrowsmith55:30 - Dr. Jekyll and Mr. Hyde1:08:55 - Best of the Worst & Worst of the Worst1:09:30 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice

Send us a textHistorically, Saint and Jim have railed against the idea of reboots, especially as compared to original IPs — especially ones that might never get made in favor of recycled rehash. However, even your curmudgeonly co-hosts must grudgingly admit that, at least on occasion, sometimes the creative types don't get it right until the second try. On this edition of FYF, the guys kick off the first edition of the three-episode Trilogy of Triumph by looking at reboots of movies and TV shows that were arguably better than the originals. From "A Star is Born" to "Dune" and even "Scarface", these reb- wait, "Scarface" was a redux? You're kidding. Wow! The Al Pacino one? Okay, that's interesting. Clearly, this one has some surprises in store. So saddle up and lend us your earholes for a look at some retreads that actually delivered.

My take on Scarface a lot of hype but not enough bite!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Pride is known as the root of all evil and no movie shows the tragedy of this vice like Scarface. Al Pacino's masterful performance as Tony Montana highlights this 1980s classic. We may have even bought our own tigerInstagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com YouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

REDIFF - Dans les années 1920, Al Capone règne en maître sur le monde du crime organisé à Chicago, avec une main de fer et un flair pour les affaires illégales. De la prohibition aux règlements de comptes sanglants, découvrez comment le petit Alfred est devenu le terrible Scarface. Avec Lorànt Deutsch, Entrez dans l'Histoire d'Al Capone. Crédits : Lorànt Deutsch, Eric Lange Tout l'été, retrouvez l'inimitable Lorànt Deutsch pour vous révéler les secrets des personnages historiques les plus captivants !Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

David and Dana discuss Bill Gates' mosquitos, porch pirates, Drew Barrymore, hula hooping bears, Sydney Sweeney, Zendaya, and a 2nd grade Scarface play. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What makes us keep watching a show three seasons past its prime? Why do some critically acclaimed series leave us cold while others become personal obsessions? The Powers Point crew tackles these questions and more in this entertaining deep-dive into viewing habits with special guest Mo.The conversation flows naturally from Keith's liquid diet adventures and Jim's buffet experiences to a passionate analysis of Breaking Bad's legacy. When Mo confesses he couldn't finish Better Call Saul despite loving the original series, it sparks a thoughtful examination of how spin-offs often struggle to capture the magic that made their predecessors great. The group contemplates whether Walter White truly died and draws fascinating parallels to other controversial series finales like The Sopranos.Everyone takes turns revealing the popular shows they just couldn't connect with – from Big Bang Theory to Seinfeld – creating a judgment-free space to admit when critical darlings simply don't resonate. These confessions lead to a broader discussion about what makes entertainment personally meaningful versus universally acclaimed. When the topic turns to potential Scarface sequels, the hosts debate whether modern filmmaking techniques could ever recapture the gritty authenticity that defined the original.The episode takes an unexpected nostalgic turn when Keith reveals he's been watching Scott's old wrestling videos on YouTube, leading to hilarious stories from their wrestling days including unexpected table crashes and colorful commentary. Throughout it all, the camaraderie between hosts shines through, making listeners feel like they're simply hanging out with friends discussing their latest streaming obsessions.Whether you're looking for your next binge-worthy recommendation or validation that it's okay to dislike that show everyone else loves, this episode delivers with humor, honesty and the Powers Point promise: everything is on the table except religion and politics. Tune in next week when the crew tackles "What are you playing?" – from board games to video games and everything in between.Thanks for listening, hope you come back next weekSupport the showThank you for joining us on today's show, as always, we appreciate each and every one of you! Talk to you soon.X - @PodcastScottIG - Powers31911Tik Tok scottpowers6969 Keith Tik Tok keith.maki08

Dom DiTommaso back in for the Early Morning Show! Why do people want to see Aaron Rodgers fail in Pittsburgh? Dom embarrassingly fell for something fake yesterday. And Oneil Cruz was benched in last night's Pirates game.

BT and Sal dive into a lively discussion about their cinematic viewing habits, revealing surprising gaps and strong opinions. Sal admits to shockingly never seeing Die Hard with a Vengeance and only recently watching the original Die Hard, much to BT's disbelief and comedic outrage over Sal's qualms about John McClane's bare feet. Their conversation quickly spirals into a broader "guy movie" quiz, with BT challenging Sal on classics like Scarface, The Godfather, Goodfellas, and Shawshank Redemption, while Sal reveals he's missed out on Fight Club, Heat, and Rambo, leading to further playful jabs and a call for Sal to expand his action film horizons.

Cal & Liam are back with more The New Batman Adventures reviews continuing with the return of Arnold "The Ventriloquist" Whesker and Scarface in the episode "Double Talk." The hosts discuss a plot penned by Robert Goodman that sees Arnold struggling, by no fault of his own, to adjust to life without his Mob Boss personality. Along the way Cal & Liam discuss the compassion of Batman that flies in the face of the average anti-Batman redditor, a musical theme that evokes Arthur's emotional struggle, a review answering machines and phonebooths, and an inspiring performance by our main antagonist as both Arnold and Scarface. Plus the hosts discuss how they might feel if the Scarface character had gone the way of the Chucky doll, plus a preview of next week's special bonus episode that features one of the main cast of The New Batman Adventures on this week's all new DCAU Review!Please Consider Supporting the Podcast:Become a monthly or one time supporter of the pod at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠buymeacoffee.com/DCAUReview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the pod on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and please consider leaving us a 5-star review⁠⁠⁠⁠⁠⁠⁠Subscribe to our new YouTube Channel ⁠⁠⁠⁠⁠⁠⁠Support the pod by picking up some merch at our shop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dcaureview.myspreadshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us: Twitter/X ⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠ Instagram ⁠⁠⁠⁠⁠@DCAUReview⁠⁠⁠⁠⁠Resume Mission Final Scores:Plot: Cal: 9/10 – Liam: 8/10Visuals/Animation: Cal: 10/10 – Liam: 7/10Music: Cal: 8/10 – Liam: 7/10Voice Acting: Cal: 9/10 – Liam: 9/10Bonus Point: NoneFinal Tally: Cal: 36/40 *– Liam: 31/40*Top Pick

Subscribe To The Willie D Live Audio Podcast at:https://podcasters.spotify.com/pod/show/williedlivepodcastArtistActivist InvestorPodcasterSupport This ChannelCashApp http://cash.app/$williedlive PayPal http://www.paypal.me/williedlive Support My Foundationhttps://marvelousbridge.orgFollow me on Social Media:Instagram: williedliveTwitter: williedliveTikTok: williedliveFacebook: williedofficial

We're visiting July 2022 now, and there was only one story in town as Alice Fraser and Mark Steel joined Andy for Bugle issue 4236 - Does Boris think he's Scarface?Hear more of our shows, buy our book, and help keep us alive by supporting us here: thebuglepodcast.com/This episode was produced by Chris Skinner and Laura Turner Hosted on Acast. See acast.com/privacy for more information.

⭐Scarface (1932) - Too Violent for Its Time—Now a Classic⭐

The world is watching in horror as Los Angeles turns into a real-life immersive Rage Against The Machine song. Is the President looking for a Reichstag to set on fire as he threatens to use US troops on US citizens? Plus, the Battle of the Bastards! First, what does Trump's mega fallout with Musk tell us about the realities of far right politics… if anything? Then, what's behind Zia Yusuf's on-off resignation from Reform UK?  Escape Routes • Raf recommends Maybe I'm Amazed by John Harris.  • Alison recommends Scarface (1983) directed by Brian de Palma.  • Matt recommends Your Friends And Neighbours with John Hamm and The Studio with Seth Rogan on Apple TV+.  • Andrew recommends All Asimov And No Fresh Air by Half Man Half Biscuit.  www.patreon.com/ohgodwhatnow Presented by Andrew Harrison with Alison Phillips, Rafael Behr, and Matt Green. Audio Production by Robin Leeburn. Video Production by Chris Jones. Music by Cornershop. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Deremy Dove and Thomas Sena (Pop Culture Five Podcast) join for the final Martin Scorsese themed movie focus special.   This week, it's the Corruption Themed Trilogy: WOLF OF WALL STREET, THE IRISHMAN & KILLERS OF THE FLOWER MOON!     TOPICS DISCUSSED: *Why are these well-intended misfires somewhat dull & rather inaccurate? *Why does Wolf of Wall Street feel as divisive as Scarface? *Why were some of the actors in The Irishman unfairly thrown under the bus for playing underveloped characters? *Why did Scorsese get too derivative of his own style here? *And a neat clip at the end of a Scorsese 2019 BBC1 Radio Interview where he discussed the on-going arguments about running time and movie lengths.      

By now, all the good "criminal nicknames" have been taken: Scarface, Jack the Ripper, the Zodiac Killer, Bonnie & Clyde, the Wet Bandits. But the "Bathroom Vanity Villains" is still available. For now. At least until you hear this Setting the Bar story! Source: https://wreg.com/news/local/men-seen-carrying-stolen-counter-faucet-on-bikes-after-midtown-burglary/

June 2025 Movies at Alamo Drafthouse In this episode of Mostly Superheroes, get up to date with the latest screenings at Alamo Drafthouse St. Louis this June! Whether you're looking for new releases, special screenings, or classic throwbacks, there's something for everyone. Mark Bluestein from Alamo breaks it down with Logan and Andy. Thanks for tuning in. Enjoy! Full episode, Subscribe and so much more: www.mostlysuperheroes.com  New Releases Karate Kid Legends (2025) Thunderbolts* (2025) Friendship (2025) The Phoenician Scheme (2025) Lilo & Stitch (2025) Megan 2.0 (2025) 28 Years Later (2025) The Life of Chuck (2025) Elio (2025) F1 (2025) How to Train Your Dragon (2025) – Live-Action Remake Classic & Special Screenings Dogma (1999) – 25th Anniversary Screening Friday the 13th (1980) – Special One-Night Screening Bride of Chucky (1998) Brokeback Mountain (2005) Scarface (1983) Conan the Barbarian (1982) Jaws (1975) – Limited Screening The Hunger Games: Mockingjay Part 2 (2015) Harry Potter Series (2001–2011) Special Events & Movie Parties Midsommar (2019) – Movie Party Bond for Pride Month – Special Screening Kids Camp Series – Featuring Garfield, Lyle Crocodile, and Hotel Transylvania https://drafthouse.com/st-louis  ©2025 Carrogan Ventures, LLC

Our hosts return to the Podcave to review the episode, Catwalk.Unfortunately, it's not one that claws its way into their hearts. They both agree that the episode is surprisingly bland and forgettable, falling flat like a plank of wood.Dong Yang lets it "hang" a bit too much in this episode, as they over animate Scarface's expressions, turning him from a puppet into a real boy. Making him less creepy and more cartoonish, which undermines his intimidation.Our hosts also joke about Catwoman's cringe poetry recitals, and her apparent belief that the Tasmanian Tiger is a cat and not a marsupial. Plus, they wonder if the giant log fight between Batman and Rhino was overcompensating for something? Tip Jar: https://buymeacoffee.com/batmantaspodJoin Our Discord - https://discord.com/invite/bQF76V3nUsOutbreaks Vol. 1 Launch Page - https://www.kickstarter.com/projects/speechcomics/outbreaks-volume-1-an-ongoing-zombie-anthology-series?ref=discovery&term=outbreaks&total_hits=1475&category_id=252⁠⁠⁠⁠⁠⁠Follow us on TikTok⁠⁠⁠⁠⁠⁠ - https://www.tiktok.com/@batmantaspod?_t=8zn1yhsgnfz&_r=1⁠⁠⁠⁠⁠⁠Follow us on YouTube⁠⁠⁠⁠⁠⁠ - https://www.youtube.com/@batmantaspod⁠⁠⁠⁠⁠⁠Follow the Pod on Instagram⁠⁠⁠⁠⁠⁠ - https://www.instagram.com/batmantaspod/⁠⁠⁠⁠⁠⁠⁠Follow the Pod on Facebook⁠⁠⁠⁠⁠⁠⁠ - https://www.facebook.com/BatmanTASPod/⁠⁠⁠⁠⁠⁠Follow the Pod on Twitter⁠⁠⁠⁠⁠⁠ - https://twitter.com/batmantaspod1⁠⁠⁠⁠⁠⁠Subscribe to Will's Patreon⁠⁠⁠⁠⁠⁠ - https://www.patreon.com/willrobson⁠⁠⁠⁠⁠⁠Speech Comics Website⁠ - https://www.speechcomics.com/Will's WhatNot Page⁠⁠⁠⁠⁠⁠⁠ - https://www.whatnot.com/user/speechcomics