Podcast appearances and mentions of Stephen Frears

Send us a textDan and Mike go noir as they dive into Stephen Frears' The Grifters in its stunning new 4K release from the Criterion Collection. The brothers Smith break down the performances of John Cusack, Anjelica Huston, and Annette Bening, discuss the film's slick style and haunting score, and debate whether this neo-noir classic holds up over 30 years later. Con games, complicated mothers, and Criterion polish—this one's a wild ride!#podcast #YouTube #trendingActress Karissa Lee Staples Support the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on Instagram Leave a 5-star rating/review on Apple Podcasts

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es High Fidelity, es una película de comedia romántica dramática del año 2000 dirigida por Stephen Frears. La película está basada en la novela británica homónima de 1995 de Nick Hornby. Plot: Rob, dueño de una tienda de discos y creador compulsivo de listas, relata sus cinco rupturas más importantes, incluida la que esta pasando en ese momento. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

This week the society continues through the world of Touchstone Pictures with 2000's High Fidelity, directed by Stephen Frears and starring John Cusack.  Sit back and let these grand tunes guide you through all the dysfunction you can bear and more - and don't forget the Jack Black!  Are these guys ever going to do Disney movies again?!Follow @medfieldfilm on social media for the latest updates.  

Dusende protesteren in de Türkei gegen Fastsetten vun Erdogan-Rutfödderer +++ EU-Top-Drepen snackt doröver wat de US-Politik für Europa nakaamt +++ Stephen Frears kriggt Bremer Filmpries ut de Hand vun Hugh Grant +++ Extremweerutstellung in dat Klimaahuus Bremerhoben +++ Veer junge Lüüd sünd achterna en Autounfall swoor versehrt in en Krankenhuus kamen +++ Dat Weer

In this episode, we wind the clock back to the start of the 90s to pay a visit to the world of crime dramas with Jason's next pick. Backed up by Martin Scorcese and featuring a star-studded cast led by John Cusack, Anjelica Huston, and Annette Benning, come join us as we check out Stephen Frears' The Grifters from 1990. Prepare for two drastically different takes as Jason finds himself charmed by the flick and Dustin serves up a buffet of quibbles and hangups. But before all that, Jason dishes on some new Shudder watches and Dustin caps off the rest of his AVP franchise rewatch. And so much more! Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: Last Straw (2023) & The Coffee Table (2022) & Heroes Shed No Tears (1984) -Dustin: Prometheus (2012) & Alien: Covenant (2017) & Alien (1979) & Alien: Romulus (2024) & Aliens (1986) & Alien 3 (1992) & Alien Resurrection (1997) Show Notes: -The Grifters Trailer -Go check out all the other fine shows on the Prescribed Films Podcast Network -Related Film: Blood Diner -Related Film: Milk & Serial -Related Short: The Chair -Related Film: Predator -Related Topic: Miramax -Related RPG: Alien The Roleplaying Game -Related Game: Alien: Isolation -Related Film: Terminator 2: Judgment Day -Related Film: The City of Lost Children -Related Franchise: Witchcraft -Related Film: Miracle Mile -Related Film: The Reflecting Skin -Related Film: Ghostbusters -Related Film: Airplane -Related Film: An American Werewolf in London -Related Film: Cape Fear -Related Film: Lady and the Tramp -Related Film: Phantom of the Paradise -Related Film: The Sting -Related Film: Psycho -Related Film: Air Force One -Related Film: Candyman -Related Film: Dangerous Liasons -Related Film: The Big Heat -Related Film: Film Stars Don't Die in Liverpool -Related Film: The Lady Vanishes -Related Artist: Cher -Related Film: Misery -Related Film: Ghost -Related Film: The Dead Thing -Related Film: Reversal of Fortune -Related Film: Dead Ringers -Related Film: The Shrouds -Related Author: Alexandre Dumas -Related Novel: The Three Musketeers -Related Novel: The Count of Monte Cristo -Related Film: The Count of Monte Cristo (2024) -Related Film: The Three Musketeers: Milady -Related Film: The Three Musketeers (1973) -Related Film: The Man in the Iron Mask -Related Film: Titanic Next Time: The Three Musketeers: D'Artagnan (2023)

durée : 00:28:54 - Alexandre Desplat, compositeur de musique de films - Récompensé par deux Oscars et trois Césars, c'est l'un des compositeurs les plus prisés du cinéma, en France comme à Hollywood. Alexandre Desplat dirige l'Orchestre de Paris à la Philharmonie fin janvier dans une sélection de ses partitions pour Wes Anderson, Stephen Frears ou Guillermo del Toro.

durée : 02:04:21 - Musique matin du mardi 21 janvier 2025 - par : Jean-Baptiste Urbain - Récompensé par deux Oscars et trois Césars, c'est l'un des compositeurs les plus prisés du cinéma, en France comme à Hollywood. Alexandre Desplat dirige l'Orchestre de Paris à la Philharmonie fin janvier dans une sélection de ses partitions pour Wes Anderson, Stephen Frears ou Guillermo del Toro. - réalisé par : Margot Page

Dois filmes leves, produzidos em 2022, da fina dramaturgia inglesa que não são nada superficiais. Em comum, duas protagonistas obstinadas em seus propósitos e cujas narrativas têm elementos que lembram as fábulas. Estamos falando de "O Rei Perdido", filme do aclamado diretor britânico Stephen Frears, e de "Sra. Harris vai a Paris", de Anthony Fabian. Ambos estão na Amazon Prime Video.  Músicas: - Ice Cream Toast - https://pixabay.com/pt/music/batidas-ice-cream-toast-156583/, by FASSounds - https://fassounds.com/ - It Afrobeat - RoyaltyFreeMusic⁠ -  ⁠https://pixabay.com/music/afrobeat-it-afrobeat-149308 ⁠- Night In Venice by ⁠Kevin MacLeod⁠ - https://www.youtube.com/watch?v=dM2ZZ3Sdeco&t=0s⁠ | License: https://creativecommons.org/licenses/by/4.0/

Noirvember 2024 ends with a bang as we delve into Stephen Frears' electrifying neo-noir The Grifters. Adapted from Jim Thompson's novel by screenwriter Donald Westlake, this razor-sharp film stars Anjelica Huston as Lily Dillon, a veteran con artist manipulating the odds at the racetrack. Her uneasy reunion with estranged son Roy (John Cusack) and his cunning girlfriend Myra (Annette Bening) sparks a volatile triangle of deception and betrayal in the high-stakes world of grifting.Mike is joined by crime fiction experts Andrew Nette and Jedidiah Ayres to untangle this web of cons and double-crosses. Plus, executive producer Barbara De Fina and producer Peggy Rajski reveal what it took to bring this stylish, unsettling tale to life.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Noirvember 2024 ends with a bang as we delve into Stephen Frears' electrifying neo-noir The Grifters. Adapted from Jim Thompson's novel by screenwriter Donald Westlake, this razor-sharp film stars Anjelica Huston as Lily Dillon, a veteran con artist manipulating the odds at the racetrack. Her uneasy reunion with estranged son Roy (John Cusack) and his cunning girlfriend Myra (Annette Bening) sparks a volatile triangle of deception and betrayal in the high-stakes world of grifting.Mike is joined by crime fiction experts Andrew Nette and Jedidiah Ayres to untangle this web of cons and double-crosses. Plus, executive producer Barbara De Fina and producer Peggy Rajski reveal what it took to bring this stylish, unsettling tale to life.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

La Marquise de Merteuil sollicite son ancien amant, le Vicomte de Valmont, pour lui proposer un défi immoral. On ne badine pas avec l'amour, et certaines liaisons, dangereuses, peuvent s'avérer fatales. On va parler séduction et manipulation, envie de venir y penser avec moi? Idée originale Amélie Damelincourt.Musique originale de John LKL.Visuel Clotilde Philippe.ça me fait penser, lire, regarder:Les Liaisons Dangereuses, Choderlos de LaclosCruel Intentions, Roger Kumble, 1999 (film)Cruel Intentions, Phoebe Fisher and Sara Goodman, 2024 (série sur Prime)De L'éducation des Femmes, Choderlos de Laclos, 1783L'Ecole des Femmes, MolièreGatsby le Magnifique, Francis Scott FitgueraldLe Château d'Otrante, Horace WalpoleLe Projet Blair Witch, Daniel Myrick et Eduardo Sánchez, 1999L'harmonie des Genres, Noémie De LattreL'amour Sous Algorithme, Judith Duportail, 2019Les Liaisons Dangereuses, Stephen Frears, 1988Les Liaisons Dangereuses, Adaptation et Mise en scène d'Arnaud DENIS, 2024 (Théâtre des Champs Elysées)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode of our movie podcast, we dive deep into The Grifters (1990), Stephen Frears' stylish neo-noir crime thriller based on Jim Thompson's novel. We discuss the central trio of characters—Roy (John Cusack), a streetwise grifter with a deep-seated mistrust of others; Lilly (Annette Bening), a seductive and manipulative con woman; and his mother, the sharp and cynical Iris (Anjelica Huston), who is caught in the web of deceit spun by both. This character study is as much about emotional manipulation and familial tension as it is about the art of the con. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support

This week I'm speaking to the wonderful Wharton, who is of Chinese and white European heritage. Wiz's debut nove, Ghost Girl, Banana follows Sook-Yin in 1960s England, exiled from Kowloon, and her daughter Lily in 1990s, embarking on a secret pilgrimage to Hong Kong to discover the lost side of her identity, following  a mysterious letter telling her she has inherited a LOT of money from a stranger. It's no surprise that this sweeping story is being adapted for TV, and it is such a brilliant read.Wiz Wharton was born in London of Chinese-European heritage. She is a prize-winning graduate of the National Film and Television school, where she studied screenwriting under the filmmakers Mike Leigh, Stephen Frears and Kenith Trodd. Her debut novel Ghost Girl, Banana deals with issues of identity, belonging and familial secrets. In 2023, she was named by the Scottish Government Expo Fund as one of the 40 writers predicted to set the literary world alight. I'm so glad she's my guest today.  Support the show

This is episode 21 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay's closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others.  Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers:   -What is Sound Design? -What was his journey into the industry like?  -The importance of mentors?  -How did he come to meet Lynne Ramsay and build that relationship?  -Why do people keep coming back to him?  -How to sync up the process between sound and the edit?  -How does he approach character and perspective with sound?  -What are the mistakes that directors make when working with sound designers?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Paul's Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli.    In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK's film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here.    Nugget of the week   Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death's Founder Started a $700million Water Brand | Found Effect   Credits Music by Oliver Wegmüller   Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Director, co-writer, and star of The People's Joker (one of our favorite films of the year), Vera Drew joins for a discussion of the sexy, taboo-breaking, teen thriller Cruel Intentions. A 90s update of the 18th century Peirre Choderlos de Laclos novel 'Les Liaisons dangereuses' (aka Dangerous Liaisons), the film is a darkly comic and gleefully misanthropic erotic thrill ride featuring a top notch cast of up-comers-comers playing deeply unlikable - but incredibly sexy - people, who are all (in the words of our guest) "acting their asses off."We discuss the sensational young cast, including Reese Witherspoon, Selma Blair, Ryan Phillippe, and an exceptional Sarah Michelle Gellar, and find delights in the "teens play-acting adults" uncanniness of the movie's milieu. Then we revel in the film's preternatural handling on eroticism and desire, finding ways to constantly steam up the screen even while the actors (mostly) keep their clothes on. Finally, we find a through-line from some of Vera's other favorite films to Cruel Intentions, note how the movie defies a "so bad its good" valuation, and illimunate why criticisms of the film's supposed moralism might be reading it wrong. The People's Joker is still in theaters and now available on VOD, Blu-Ray and VHS! Find showtimes near you or purchase your copy today.Follow Vera Drew on Twitter.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

The finale of our season on the awesome movie year of 2000 features our audience choice poll winner, Stephen Frears' High Fidelity. Directed by Stephen Frears (based on the novel by Nick Hornby) and starring John Cusack, Iben Hjejle, Jack Black and Todd Louiso, High Fidelity defeated two other music-themed dramas in our audience choice poll.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/high-fidelity-2000), Stephen Holden in The New York Times (https://archive.nytimes.com/www.nytimes.com/library/film/033100fidelity-film-review.html), and Owen Gleiberman in Entertainment Weekly (https://ew.com/article/2000/03/24/high-fidelity-8/).Thanks to special guest Rich Rosen of Wax Trax Records in Las Vegas for joining us. Check out Wax Trax at https://www.waxtraxonline.com/ and https://www.facebook.com/waxtraxrecords.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our...

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The fourteenth episode of our season on the awesome movie year of 2000 features our cult classic pick, Ben Younger's Boiler Room. Written and directed by Ben Younger and starring Giovanni Ribisi, Nicky Katt, Nia Long, Vin Diesel and Ben Affleck, Boiler Room was inspired by Younger's experience interviewing for a job at a Long Island brokerage firm.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/boiler-room-2000), A.O. Scott in The New York Times (https://archive.nytimes.com/www.nytimes.com/library/film/021800boiler-film-review.html), and Emanuel Levy in Variety (https://variety.com/2000/film/reviews/boiler-room-1117778648/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring our audience choice poll winner, Stephen Frears' High Fidelity.

This week on the No More Late Fees podcast Danielle and Jackie are joined by journalist and author  Andrew Buss. Andrew has written for publications like Vanity Fair, Consequence of Sound, The Laugh Button, Vulture and has just released his new book Top Five: How High Fidelity Found Its Rhythm and Became a Cult Movie Classic. His new book about the 1997 film High Fidelity, features interviews with Jack Black, Stephen Frears, Todd Louiso, Sara Gilbert, DV DeVincentis, Steve Pink, Nick Hornby, Fred Armisen, and more!  --- No More Late Fees  ⁠https://nomorelatefeespodcast.com⁠ 909-601-NMLF (6653) — Follow Us on Social: Instagram https://www.instagram.com/nomorelatefees  TikTok https://www.tiktok.com/@nomorelatefees  Facebook https://www.facebook.com/nomorelatefees Youtube https://www.youtube.com/@nomorelatefees  Twitter https://x.com/NoMoreLateFees  — CONQUERing https://⁠⁠myconquering.com⁠⁠  10% Off Code: JACKIE10 — NostaBeauty https://nostabeauty.com  20% Off Code: NMLF  --- Andrew Socials Instagram https://www.instagram.com/andrewlbuss/  Twitter https://twitter.com/AndrewLBuss  Top Five: How ‘High Fidelity' Found Its Rhythm and Became a Cult Movie Classic https://www.amazon.com/shop/nomorelatefeespodcast/list/16Y5HTTWULOPT?ref_=cm_sw_r_cp_ud_aipsflist_aipsfnomorelatefeespodcast_5XNVHB6ECQKV3138YGM2  — --- Support this podcast: https://podcasters.spotify.com/pod/show/nomorelatefees/support

Our exit today has us making our ultimate mixtape and talking about our worst break ups. This week, we are talking about High Fidelity, based on the Nick Hornby novel and directed by Stephen Frears. And, we have picked up a passenger for the episode, friend of the show and quizmaster extraordinaire Taylor Cole! Along the way, Taylor becomes the first person to ever compare High Fidelity to Taxi Driver, Ross uses the word "myopic" way too much, and we discuss the rise of Jack Black, John Cusack as romantic lead, the benefits of talking directly to the camera, Stevie Wonder, the musical and TV adaptations of High Fidelity, and what some actors will do for a great wig. Plus, Taylor brings a fun game to stump Tripp and Ross! Thememusic by Jonworthymusic. Powered by RiversideFM. The Great American Pop Culture Quiz Show, hosted by Taylor Cole. G & T with Greta & Taylor. CFF Films with Ross and friends. Movies We've Covered on the Show on Letterboxd. Movies Recommended on the Show on Letterboxd.

This week we discuss Stephen Frears's film-adapted-from-a-play-adapted-from-a-novel Dangerous Liaisons, starring Glenn Close, John Malkovich, and Michelle Pfeiffer.Plus: James finally visits the Vanguard!LINKS:Trailer for Dangerous LiaisonsMalkovich and Sinise in True WestJohn Candy in Uncle Buck: "unbreakable"

In this shortcast edition of the Podcast for Social Research, recorded live at BISR Central, BISR's Rebecca Ariel Porte and Isi Litke discuss Stephen Frears's 1985 classic of queer cinema, My Beautiful Laundrette. Conversation ranges over the film's Thatcherite backdrop; its depiction of queer, and cross-racial, love; and its inimitable mix of gritty social realism and dreamlike sensuality. What's unique, in the queer cinematic canon, about a film made just before the AIDS crisis emerged in British public consciousness—that is, just prior to the inceasing identification of queerness with disease? How does it weave elements of the fairy tale into its story of cross-class, cross-racial love? And how does the film, with its "qualified utopian hope," contrast with later, more pessimistic classics of the New Queer Cinema? Why, in a film set in a laundromat, is it a source of optimism that some things don't stay clean? 

Pride Month continues as Amanda and Zach talk about the 1985 Stephen Frears small budget film My Beautiful Launderette. This movie is marked by wonderful performances and a positive LGBTQ story. So why can't Amanda and Zach agree on this film? Take a listen and don't forget to like us on Facebook and follow us on Twitter. Make sure to leave a 5 star rating on Apple Podcasts. Have questions or comments? Shoot an email to dbcrazypod@gmail.com and we will answer them on the next podcast. Please subscribe on Apple Podcasts, Pandora, Amazon Podcasts, TuneIn, Spotify, or Google Podcasts and remember to rate and leave a comment. The feedback helps us tremendously!

On the two hundred and fortieth episode of THE THIRD ACT PODCAST the crew has multiple personalities.Christian and Jericho get in front of the mics to talk about a multi-decade selection of Stephen Frears films for an episode we're calling Face Your Frears. For our first review we dig into a coming of age queer laundromat movie MY BEAUTIFUL LAUNDRETTE. We also check out a horror romance retelling of Dr. Jekyll and Mr. Hide, MARY REILLY. Finally, we talk about a genre hopping crime film, DIRTY PRETTY THINGS. We also discuss hearts in toilets, Joe Pesci, and frosted tips.Keep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Q&A on the Max series The Regime with actor & executive producer Kate Winslet, actors Andrea Riseborough and Guillaume Gallienne, showrunner/executive producer/writer Will Tracy, and directors and executive producers Stephen Frears and Jessica Hobbs. Kate Winslet stars in this limited series as the Chancellor of an unnamed Central European nation that is unraveling behind the palace walls.

In the thirtieth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Austin Wood to discuss the troublesome aspects of pop cultural elitism as well as the dangers of letting other artists speak for your emotions in the gender critical examination of masculine insecurity that is Stephen Frears' adaptation of Nick Hornby's novel High Fidelity (2000). 

In her new book, Shakespeare: The Man Who Pays the Rent, Dame Judi  Dench and actor/director Brendan O'Hea chat about her long history with the Bard. On this episode, Dench and O'Hea join host Barbara Bogaev to talk about Dench's experiences playing Ophelia, Gertrude, Lady Macbeth and Titania. Plus, parrots, Polonius, dirty words, Ian McKellen, why it's easier to laugh while working on a tragedy, and more. Dame Judi Dench has played nearly all of Shakespeare's great roles for women, plus a few non-Shakespearean parts, too, including the title role in Stephen Frears' Philomena, M in 8 of the James Bond films, Granny in Kenneth Branagh's Belfast, and Queen Elizabeth in Shakespeare in Love, for which she won an Academy Award. Brendan O'Hea has acted in and directed multiple productions at Shakespeare's Globe in London, and appeared with Dench in the film Quantum of Solace. Their book Shakespeare: The Man Who Pays the Rent is available from St. Martin's Press. From the Shakespeare Unlimited podcast. Published April 9, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica, with help from Kendra Hanna. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from London Broadcast Studios and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Welcome back to the Video Store Podcast, where we dive deep into the shelves of the past to bring you hidden gems and nostalgic hits from the golden era of film. In today's episode, which we are released a few days early, we're celebrating the enchanting and whimsical world of Irish or Irish-adjacent cinema, with a touch of the fantastical and the downright bizarre. Whether you're a lover of heartfelt tales, classic folklore, or intergalactic adventures with a green twist, we've got something special for you. So, grab your favorite snack, and let's journey to the Emerald Isle and beyond through the magic of movies.First up on our list is "Waking Ned Devine" (1998). This charming film transports us to a tiny Irish village where Ned Devine has won the lottery. There's just one little problem—Ned can't claim his winnings because he's passed away from the shock of his good fortune. What follows is a hilarious and heartwarming plot by the villagers to claim the prize money, proving that community and cleverness can go hand in hand. It's a feel-good movie that captures the spirit of Ireland and its people, making it a must-watch for anyone in need of a good laugh and a warm heart.Next, we step back in time to "Darby O'Gill and the Little People" (1959), a delightful journey into Irish folklore. This classic film tells the story of Darby O'Gill, a wily old storyteller who matches wits with the king of the leprechauns. With its enchanting special effects (revolutionary for its time) and captivating performances, including a young Sean Connery in a singing role, this movie is a magical experience for all ages. It's a perfect pick for families or anyone who loves a good fairy tale.Shifting gears to a more grounded story, "The Van" (1996) gives us a slice of life in Dublin. Directed by Stephen Frears, this comedy-drama follows two friends who decide to start a fish and chips van during the 1990 World Cup. It's a story about friendship, dreams, and the ups and downs of starting a business. The film captures the gritty, yet hopeful spirit of Dublin in the 90s and is a testament to the resilience and humor of its people.Lastly, we venture into the wild and wacky with "Leprechaun 4: In Space" (1996). Yes, you heard that right—in space! This horror-comedy takes the traditional Irish myth to new heights, quite literally, as the malevolent leprechaun seeks his bride on a distant planet. It's a cult classic that blends sci-fi, horror, and absurd humor. This movie is definitely not for everyone, but if you're in the mood for something completely out of left field, it's an entertaining watch.That wraps up our cinematic journey to Ireland and beyond. Each of these films offers a unique taste of Irish culture, mythology, and the undeniable charm that comes from storytelling on the Emerald Isle. Whether you're in the mood for laughter, adventure, or just a good old-fashioned tale, these movies are sure to enrich your movie-watching experience.Thanks for tuning into the Video Store Podcast. Don't forget to subscribe for more movie recommendations and deep dives into cinema's most interesting corners. Sláinte, and see you next time!Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Sex! Deception! Gossip! It's all there in the delectable ‘Dangerous Liaisons.' Director Stephen Frears joins the podcast to relive the making of the classic 1988 film and winner of three Oscars. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we dive into the eagerly anticipated HBO limited series The Regime. Starring Kate Winslet, the Stephen Frears-directed satire takes the audience into an unnamed European country in the grasp of an unstable authoritarian regime. The series seems to have polarized both audiences and critics alike on its tone and performances, so we weigh […] The post ‘The Regime:' Will Winslet Win Another Emmy For This Divisive Political Satire? appeared first on Awards Daily TV.

Our guest James Dunovan is an editor, writer, director, colorist, and expert in the art of the Irish goodbye. He's a long-time friend of Andrea and her husband, and is our resident dungeon master and friendly neighborhood nerd, being a gamer in every sense of the word. James picked Stephen Frears' “High Fidelity,” starring John Cusack, Lisa Bonet, and introducing the world to Jack Black. We discuss how this film brought about a change to the rom-com/dramedy genre, the fantasy of the "perfect woman" and how it damages the woman in question as well as the creator of the fantasy. We talk about how the film objectifies women- and how our lead character tries to learn not to. This week's women in film facts are Frances Marion and Helen Hayes, some of the most influential women in history in screenwriting and acting, respectively. You can find more of James at @james.dunovan on instagram, but honestly, if you want the full experience of the talented man that is James? Then you'll have to play D&D with him.

Omar, a young Brit from a Pakistani family, and his boyfriend Johnny, a former skinhead, attempt to open the nicest laundromat in London while tackling issues of family, race, class, sex, crime, and Thatcher-era austerity. Starring Saeed Jaffrey, Roshan Seth, Daniel Day-Lewis, Gordon Warnecke, and Shirley Anne Field. Written by Hanif Kureishi and directed by Stephen Frears

2016 - the last year of the Obama administration, and the year of the ill-conceived GHOSTBUSTERS reboot -- the start of a highly upsetting time in America. It was also the year this week's film hit the theaters. This tone-deaf period piece lives up to the clumsiness of it's inspiration. SUPPORT THE SHOW  https://www.patreon.com/user?u=84434074 FOLLOW THE SHOWhttps://www.instagram.com/freshmoviepod/https://twitter.com/freshmoviepodhttps://www.tiktok.com/@fresh.movie.pod?is_from_webapp=1&sender_device=pcFOLLOW CHELSEA https://www.instagram.com/chelseathepope/https://twitter.com/chelseathepopeFOLLOW VICTORIA https://letterboxd.com/vicrohar/  EMAIL THE SHOWabreathoffreshmovie@gmail.com  SHOP THE SHOWhttp://tee.pub/lic/bvHvK3HNFhk  YouTube Channel  

Frank Rich is a journalist, author, and television producer. A writer-at-large for New York magazine, he was previously chief drama critic and an OpEd columnist for the New York Times. He executive produced the long-running HBO series Succession and Veep as well as the limited series White House Plumbers and the documentaries Six by Sondheim and Becoming Mike Nichols. Frank's books include The Greatest Story Ever Sold: The Decline and Fall of Truth from 9/11 to Katrina and the memoir Ghost Light. He has been awarded 6 Emmys, 3 Peabody Awards, 3 Golden Globe Awards, and a Producer's Guild Award. His journalism honors include the George Polk Award for Commentary and the Goldsmith Career Award for Excellence in Journalism from Harvard University. He has twice been a Pulitzer Prize finalist. In 2015, he was inducted into the Theater Hall of Fame. His new limited series for HBO, The Regime, starring Kate Winslet and directed by Stephen Frears, is scheduled to premiere in March 2024. Join us as Frank takes us on a riveting ride through his celebrated life and illustrious career, sharing memories of childhood, his early theater inspirations (including his relationship over the years with iconic composer and lyricist Stephen Sondheim), his tenure at the New York Times, and his award-winning work in television. He also shares his thoughts on the state of the media, AI, the comparisons to Succession's Roy family with the Trumps, and more. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Todd Louiso has acted in several notable projects over the years, such as films which include Scent of a Woman, Apollo 13, The Rock, Jerry Maguire, and Thank You for Smoking. He has made guest appearances on television shows like Fraiser, Silicon Valley, House, Angie Tribeca and Married. While his presence on-screen has always made sense, Todd's freedom of expression behind the camera can be felt through his palpable, strong character-driven films. Love Liza, starring Phillip Seymour Hoffman, is among them — a gripping, subtle portrait of grief through the eyes of an emotionally vulnerable man — which won the Waldo Salt Best Screenplay Award at the Sundance Film Festival. After writing and directing the high school singing-themed satire, The Marc Pease Experience, starring Ben Stiller, Jason Schwartzman and Anna Kendrick, he explored the effect of depression, the complications of connection and being understood in Hello I Must Be Going, which his wife, Sarah Koskoff wrote, and starred Melanie Lynskey in what ended up being one of her most pivotal roles as a leading woman. For his directorial efforts, Todd was nominated for the Grand Jury Prize at Sundance. He co-wrote the film adaptation of Macbeth, which starred Michael Fassbender and Marion Cotillard, and recently acted in the dramatic film, Raymond & Ray, with Ewan McGregor and Ethan Hawke. In our conversation, we discussed the origins of The Fifteen Minute Hamlet, which he adapted through a chance encounter with Tom Stoppard; how Martin Breast and Stephen Frears informed his approach toward acting and directing; a unique meeting with Chris Farley when Todd was interning at Saturday Night Live; and collaboratively building emotionally-raw character pieces from the ground up.Opening Credits: Viscid - Closed Loop I CC BY-NC-ND 4.0 DEED; Jangwa - Regola I CC BY 4.0 DEED. Closing Credits: Thomas Paul - That Thing I CC BY-NC 4.0 DEED.

Want to see the video version of this podcast? Please visit Youtube here: https://www.youtube.com/watch?v=lYOKr5S4YvU 0:00 - Talent Cannot Be Taught 9:05 - Most People Don't Want Massive Success 22:12 - It Takes Most Actors 20 Years To Learn This Lesson 41:22 - How To Boost Confidence 53:30 - What Happens When an Actor Faces a "Bad Script"? 1:11:25 - Why An Acting Audition Is The Real Job 1:25:43 - This Is What Stops An Actor From Getting Into Character 1:36:50 - If You Put Business First You'll Never Be An Artist BUY THE BOOK - THE AUTHENTIC ACTOR: The Art and Business of Being Yourself https://amzn.to/3ECXbjk Michael Laskin has been a working professional actor for over 40 years in film, television, and the theatre – from SEINFELD to BIG LITTLE LIES and a great deal in between. He has worked extensively off-Broadway, and at some of America's leading regional theatres, including The Guthrie Theatre, The Actors Theatre of Louisville, The Geffen Playhouse, The Seattle Repertory Theatre, and The Mixed Blood Theatre Company. Additionally, he was awarded a Fringe First Award at The Edinburgh Festival for playing “Richard Nixon” in TEA WITH DICK AND GERRY, which went on to a successful run at London's Roundhouse Theatre. Michael also starred in the Canadian premier of the Pulitzer Prize winning drama “Talley's Folly” and his most recent stage work was the American premiere of the one-person play, ALTMAN'S LAST STAND in Los Angeles. A recipient of a Bush Fellowship with The Guthrie Theatre, he was also awarded a Distinguished Alumnus Award from The University of Minnesota's College of Liberal Arts. A graduate of Northwestern University's theatre department where he received his bachelor's degree, Michael also has a masters degree in theatre management from The University of Minnesota. Additionally he's taught acting at USC, UCLA, Queen's College-Cambridge (UK), The Actors Centre (London), Art Center College of Design, Kennesaw University, the University of Minnesota, the Hawaii International Film Festival, and South Coast Repertory Co. He's had the privilege of working with some of the great artists in film and theatre, including Barry Levinson, Stephen Frears, Walter Matthau, John Sayles, Paul Mazursky, Bob Rafelson, Michael Langham, Robert Duvall, Roy Dotrice, and many others. MORE VIDEOS WITH MICHAEL LASKIN https://bit.ly/3TF5v73 CONNECT WITH MICHAEL LASKIN https://www.michaellaskinstudio.com https://www.imdb.com/name/nm0489644 https://www.instagram.com/michaellaskinstudio https://twitter.com/michaellaskin MORE MICHAEL WIESE PRODUCTIONS AUTHORS https://mwp.com (Affiliates) SAVE $15 ON YOUTUBE TV - LIMITED TIME OFFER https://tv.youtube.com/referral/r0847ysqgrrqgp ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *These are affiliate links, by using them you can help support this channel.

Join us at our YouTube channel to join in LIVE for upcoming author interviews!  https://tinyurl.com/dabbleyoutube A young woman trapped in a deeply dysfunctional family in the seedy wilds of 1990s South Florida has to make a choice—save her family, or save herself—in this larger-than-life debut novel from the acclaimed author of Lay the Favorite (a memoir about Raymer's years in Las Vegas and her work in the sports betting industry, which was made into a feature film directed by Stephen Frears and starring Rebecca Hall and Bruce Willis). In Beth Raymer's FIREWORKS EVERY NIGHT (Random House, on-sale 6/27) we meet twelve-year-old CC (named after her father's beloved Canadian Club whiskey), an unforgettable protagonist who narrates her life story with dark comedy and compassion for her family, even as her parents “opt out of parenthood” as well as society. CC's father is a born grifter, a used-car salesman who burns down his dealership in southern Ohio for enough insurance money to set up a life for himself, his wife, and his two young daughters in a place he picks largely at random, because the living seems easy. CC's mother is thirty-five going on seventeen, a housewife who just wants to drive a Mustang and hang out at the mall. CC's big sister Lorraine goes from loving Debbie Gibson and jelly shoes to having a full-on drug addiction and listening only to heavy metal, after enduring forms of abuse within her family. In the midst of this dysfunction, CC is trying to stay afloat and make it out—to achieve some semblance of a stable life while coming up against the structural and cultural challenges of growing up in poverty. While a work of fiction, Raymer's novel is very much drawn from real life. Hers is a unique voice telling a story with a lot of darkness, but also with incredibly comedy, compassion, and heart.  For even as CC is a young woman failed by most of those around her, she still is a character determined to succeed, and one who refuses to disavow the place and people she came from.  And while her story is harrowing, I think you will also find it surprisingly poignant.

durée : 00:54:15 - Le masque et la plume - par : Jérôme Garcin - Les critiques ont vu "Les trois Mousquetaires" de Martin Bourboulon, "Je verrai toujours vos visages" de Jeanne Herry, "The lost king" de Stephen Frears, "Le capitaine Volkonogov s'est échappé" de N. Merkoulova et A. Tchoupov, "L'établi" de Mathias Gokalp et "C'est mon homme" de Guillaume Bureau. - réalisé par : Xavier PESTUGGIA

The filmmaker Stephen Frears ("The Queen") discusses his latest film, "The Lost King" which opens Friday, March 24th in theaters. Also, the director John Clayton Doyle and film's subject Doug McCorkle with their hybrid fiction/non-fiction film "I'm An Electric Lampshade". That film is currently on demand and on digital platforms.

"The Lost King" had its world premiere at the 2022 Toronto International Film Festival, where it received positive reviews, and it is now being released in theaters in the U.S. by IFC Films. Part of the film's charm comes from its irresistible cast, but another part comes from the delightful screenplay, which is based on an incredible true story. Co-screenwriter Jeff Pope was nice enough to spend some time talking with us about his work on the film, working with co-screenwriter Steve Coogan, how director Stephen Frears brought the story to life, and more! Please check out the interview below and enjoy! Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Reference Max, where we have a lot to say on new releases so fitting it all into a multi-splooshy, spoiler-free review episode!Dig through the archives of growing pains, investigative journalism and historical fanfare with Armageddon Time, She Said & The Lost King this week.0:00 Intro0:43 Start1:55 Armageddon time14:38 She Said24:07 The Lost KingWebsite | Apple | Patreon | Twitter | Instagram

This week, The Cine-Files is honored to be joined by Senior Writer for The National Review Charles CW Cooke to explore a film which takes us inside the royal family during one of the most difficult and controversial moments in the last 50 years. Directed by Stephen Frears and starring Helen Mirren and Michael Sheen, The Queen is a brilliant, incisive and very human look at a collision between tradition and the modern world, a real human family trapped within centuries of tradition and the relationship between the general public and person who had become more legend than living being. If you haven't seen this incredible film you can buy or stream it right here. https://amzn.to/3dlkO4Z Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support

On The Cine-Files, we've always felt an obligation to pay tribute to the great artists we've lost by exploring some of their most important works. However, we've never extended those tributes to the lives of public figures or political leaders. Queen Elizabeth II, however, seems to transcend those categories and the fact that there is a brilliant award film exploring some of the most tempestuous days of her life made this decision a no-brainer. The Queen directed by Stephen Frears and starring Michael Sheen and Helen Mirren in a tour de force performance as Elizabeth is a fascinating, powerful film and we are honored to be joined in our discussion by Senior Writer for The National Review, Charles CW Cooke. If you haven't seen this incredible film you can buy or stream it right here. https://amzn.to/3dlkO4Z Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support

The abuse of power and resulting fall from grace in Todd Field's new TAR put us in mind of another cautionary tale of entitlement and bad behavior, in the form of 1988's DANGEROUS LIAISONS. So this week we're revisiting Stephen Frears' lush, lavish depiction of not-so-secret affairs among the French aristocracy to consider what keeps this 17th-century period piece from feeling stodgy, the cruel intentions at work in its many romantic pairings, and what distinguishes its final shot as one of the all-time greats. Plus, listeners bring some of their own interpretation and insight to our recent pairing of BRIEF ENCOUNTER and DECISION TO LEAVE. Please share your comments, thoughts, and questions about DANGEROUS LIAISONS, TAR, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: “Beyond My Control” by George Fenton Learn more about your ad choices. Visit megaphone.fm/adchoices