Podcasts about Julie Taymor

Kyle, Joe, and Rick are joined by the Sun Sentinel's sports reporter, Adam Lichtenstein, to review the 2007 jukebox musical romantic drama film, "Across The Universe." Directed by Julie Taymor, written by Dick Clement and Ian La Frenais, with music by Elliot Goldenthal, "T Bone" Burnett, and Matthias Gohl, as well as The Beatles. The film stars Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs, Martin Luther McCoy, T.V. Carpio, with Joe Cocker, and Salma Hayek. We ranked the 28 songs from the deluxe soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

We're talking about musicals this month, and we're kicking things off with Julie Taymor's Beatles-extravaganza, Across The Universe! Kat and Jocelyn discuss having both too many (AND not enough) ideas, Kat adopts a firm anti-Sturgess position, and one of us has a surprisingly hard time naming any Beatles songs.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

Today, I'm thrilled to announce my interview with Tony-winning director Julie Taymor. Tune in to hear some of the stories of her legendary career, including the visual motif of circles in THE LION KING, adapting the plot of the film, exploring artifice in THE TEMPEST on stage and on screen, working with Kathryn Hunter on A MIDSUMMER NIGHT'S DREAM, practicing mask work in auditions, how studying myths in college influenced her later work, her pioneering work on the film FRIDA, why Shakespeare's dialogue is inherently visual, creating a new form of theater in Korea, finding ideographs for every production she directs, bringing THE HAGGADAH to life at the Public Theater, collaborating with Elliott Goldenthal, combining opera and musical theater in JUAN DARIEN, finding a visual take on M. BUTTERFLY, changing the ending of GROUNDED, her opera debut with OEDIPUS, honing her craft in Paris, Indonesia, and Japan, the modern relevance of SPIDER MAN: TURN OFF THE DARK, her new musical THE GRAND DELUSION, and so much more. Don't miss this fascinating conversation with a true visionary.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we conclude our exploration of The Tempest by examining three distinct interpretations of Shakespeare's final solo play. We begin with Julie Taymor's 2010 film adaptation, featuring Helen Mirren as Prospera, and reflect on the criticism of it we read about in our episode, The Tempest: Patriarchy, Gender, and Power in Shakespeare's Play. We then turn to The Globe's 2013 stage production, directed by Jeremy Herrin, to discuss how its traditional staging and ensemble approach illuminate the play's theatricality and humor. Finally, we analyze the Donmar Warehouse's 2016 production, directed by Phyllida Lloyd and starring Harriet Walter, which reimagines The Tempest within a women's prison as part of Lloyd's groundbreaking Shakespeare Trilogy. Throughout this episode, we reflect on what (for us) makes an effective production of The Tempest and discuss how these productions can be used to illuminate the text.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Grab Anthony Hopkins' memoir, We Did Okay, Kid, at Libro.fm or Bookshop.org. Find additional links mentioned in the episode in our Linktree. Works referenced: Herrin, Jeremy and Ian Russell, directors. The Tempest. Performance by Roger Allam, et al., Globe Player, Shakespeare's Globe, 2013. https://player.shakespearesglobe.com/productions/the-tempest-2013/. Accessed 2025. Lloyd, Phyllida, director. The Tempest. Performance by Harriet Walter, et al., Digital Theatre: The Tempest, Digital Theatre+/Donmar Warehouse, 2018, https://www.digitaltheatre.com/watch/vod/37666819/the-tempest. Accessed 2025. Taymor, Julie, director. The Tempest. Performance by Helen Mirren, et al., Buana Vista Home Entertainment Inc, 2011. Trueman, Matt. "London Theater Review: Phyllida Lloyd's All-Female 'the Tempest.'" Variety, Variety, 23 Nov. 2016, variety.com/2016/legit/reviews/the-tempest-review-all-female-women-1201925792/.    

Jim Hill and Drew Taylor celebrate Halloween week by taking a deep dive into Disney's darkest fairy tale — and the long, strange legacy of “Pinocchio.” From canceled attractions and creepy Hong Kong mazes to Julie Taymor's unrealized Broadway musical, this little wooden boy has haunted Disney history for over 80 years. Why Walt Disney once scrapped six months of work on “Pinocchio” The forgotten Disneyland expansion that almost gave us “Pinocchio Square” How Hong Kong Disneyland turned the film into a full-blown haunted maze Julie Taymor's eerie, abandoned “Pinocchio” stage musical The odd connections between “Pinocchio,” “Wicked,” and “Who Framed Roger Rabbit” Plus Drew talks about four new animated shorts that he recently saw at Disney Studios which are up for Oscar consideration next year A spooky, story-filled episode perfect for animation fans and Halloween listeners alike. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Drew Taylor celebrate Halloween week by taking a deep dive into Disney's darkest fairy tale — and the long, strange legacy of “Pinocchio.” From canceled attractions and creepy Hong Kong mazes to Julie Taymor's unrealized Broadway musical, this little wooden boy has haunted Disney history for over 80 years. Why Walt Disney once scrapped six months of work on “Pinocchio” The forgotten Disneyland expansion that almost gave us “Pinocchio Square” How Hong Kong Disneyland turned the film into a full-blown haunted maze Julie Taymor's eerie, abandoned “Pinocchio” stage musical The odd connections between “Pinocchio,” “Wicked,” and “Who Framed Roger Rabbit” Plus Drew talks about four new animated shorts that he recently saw at Disney Studios which are up for Oscar consideration next year A spooky, story-filled episode perfect for animation fans and Halloween listeners alike. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textZach Langley Chi Chi joins us once again to talk about William Shakespeare's final play, The Tempest, as well as Julie Taymor's 2010 film adaptation starring Helen Mirren as a gender-swapped Prospero. Subscribe to Zach's wonderful podcast, I'm So Popular: https://www.patreon.com/imsopopularAnd for a special episode of Back Matter where a lot of tea is spilled, subscribe to our Patreon: https://www.patreon.com/GettingLitSupport the show

In this revealing and often hilarious episode of Still Here Hollywood, Alfred Molina sits down with Steve Kmetko to reflect on his incredible journey—from getting impaled in the opening scene of Raiders of the Lost Ark to becoming a fan-favorite villain as Doc Ock in Spider-Man 2 and No Way Home. Molina opens up about working with directors like Spielberg, Sam Raimi, and Julie Taymor, shares behind-the-scenes stories from Boogie Nights and Frida, and explains why the theater still calls him back. Whether you're a film buff, Marvel fan, or just love a great Hollywood story, this episode is packed with heart, humor, and cinematic history. #AlfredMolina #RaidersOfTheLostArk #DocOck #SpiderMan2 #Frida #BoogieNights #StillHereHollywood #SteveKmetko #HollywoodPodcast #MovieLegends #CharacterActor #MarvelMovies Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

For nearly 30 years, “The Lion King” musical has been captivating audiences, becoming the highest-grossing production of all time, in theatre or in film. But when creator Julie Taymor was approached to make the stage show, she had never seen the original animated Disney movie it's based on. Julie joins Tom Power to tell us the story behind the production, the one scene in the movie that seemed impossible to recreate on stage, and why she wanted to accept the challenge.

Rebecca and Tori are joined once again by Louise for the last episode of this Shakespeare series. We have some conflicting opinions about the play as we delve into characters and performances. Colonialism, power dynamics, and the impact of casting choices on the portrayal of characters are all topics of conversation. Because Russell Brand is one of the actors, we touch on his recent legal issues. MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the way | Mid-Air Machine | Free Music ArchiveSound EffectsRecord Scratch: Sound Effect free on PixabayThe Tempest Quote from the 2010 adaptation by Julie Taymor | YouTubeSourcesItalian Vogue | Oscar Costume Design - The TempestMooncalf - WikipediaBackstage | Helen Mirren's New Tempest TwistThe Tempest (2010 film) - WikipediaThe Timeless Oak: Symbolism and Significance Through the Ages - Symbol SagePine Trees in Myth and Spirituality: Resilience and RenewalEasy as GCSE | Shakespeare in Seven Minutes: The Tempest Summary | YouTube

Dante Ferretti"Bellezza imperfetta"Io e PasoliniA cura di David MiliozziEdizioni Pendragonwww.pendragon.itDante Ferretti, tre premi Oscar, tra i più celebri scenografi al mondo, racconta il suo lungo sodalizio professionale e umano con Pier Paolo Pasolini, cominciato da giovanissimo sul set de Il Vangelo secondo Matteo e terminato il 2 novembre 1975, quando il cadavere martoriato del grande poeta e pensatore fu ritrovato all'idroscalo di Ostia. Ripercorrendo il lungo tratto di carriera che ha condiviso con Pasolini, l'autore ci mostra anche gli straordinari bozzetti delle scenografie che hanno dato forma all'immaginario filmico pasoliniano, confrontandoli con i fotogrammi degli stessi film.Consegnandoci un ritratto scanzonato e crepuscolare di un uomo che possedeva il raro dono di capire il suo tempo, insieme al sapore di un'epoca irripetibile del cinema italiano e internazionale (sfilano davanti ai nostri occhi Federico Fellini, Elio Petri, Maria Callas, Martin Scorsese, Tim Burton e tanti altri), queste pagine ci rivelano il volto inedito di un artista immenso, capace, sul set e nella vita, di investire le persone che gli erano accanto di un'energia umana e intellettuale tanto potente da cambiarle per sempre.Dante Ferretti (Macerata, 1943) ha avuto una carriera strepitosa che iniziò, ventenne, proprio con Pier Paolo Pasolini, di cui fu aiuto scenografo per Il Vangelo secondo Matteo (1964), Uccellacci e uccellini (1966) e Edipo re (1967); con lui firmò la sua prima scenografia, Medea (1970), e da quel momento Pasolini lo volle al suo fianco fino al suo ultimo film, Salò o le 120 giornate di Sodoma (1975). Ferretti ha lavorato con i più importanti registi italiani – Luigi Comencini, Marco Bellocchio, Elio Petri, Liliana Cavani, Marco Ferreri, Ettore Scola, Franco Zeffirelli –, e in particolare con Federico Fellini, per cui è stato aiuto scenografo nel Fellini Satyricon del 1969 e scenografo in cinque film, fino all'ultima opera cinematografica del maestro riminese, La voce della Luna (1990). I geniali, visionari mondi da lui creati per Il nome della rosa (1986) e Le avventure del barone di Munchausen (1988), per cui ricevette la prima nomination all'Oscar, lo hanno reso celebre a Hollywood e nel mondo, dando avvio a un impressionante elenco di collaborazioni internazionali – tra gli altri, Terry Gilliam, Neil Jordan, Anthony Minghella, Brian De Palma, Martin Brest, Julie Taymor, Tim Burton, Kenneth Branagh – e alla speciale affinità creativa con Martin Scorsese, per cui ha firmato le scenografie di ben nove film da L'età dell'innocenza (1993) a Silence (2016). Per Pendragon è autore di Bellezza imperfetta. Io e Pasolini (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

  Justin joins Derek to discuss Julie Taymor's feature film adaptation of one of William Shakespeare's earliest plays, Titus Andronicus!

Julie Taymor is a tour de force when it comes to penning scripts for theatre, film and opera. Her 1997 stage adaptation of Disney’s ‘The Lion King’ secured 11 Tony Award nominations, including a win for best direction. It is now the third-longest-running show on Broadway of all time and is celebrating its 25th anniversary. Her 1999 directorial debut, ‘Titus’, earned her an Oscar nomination for best costume design, while her 2002 film, ‘Frida’, led to five nominations. Here she joins Georgina Godwin to speak about her stellar career, working with international theatre companies and her upbringing in 1960s America. See omnystudio.com/listener for privacy information.

Released December 25th, Christmas Day, Julie Taymor's debut feature Titus was 187th-highest grossing movie of the year, going on to gross just about three million dollars worldwide on an 18 million dollar budget. Titus, adapted from the Shakespeare (or possibly not Shakespeare) play came on the heels of Taymor hitting the cultural spotlight with her enormous Broadway success The Lion King. Titus makes great use of her maxilamist sensibilities, given that it is Shakespeare's most violent, sensationalist play - which also explains why it is among his least-popular, and generally considered one of the worst not titled Henry VIII. With an incredible cast and eye-catching style, and with Shakespeare adaptations as popular as ever, many assumed Titus would ride a wave of critical success and award accolades to boost its box office, but it was not meant to be. Beautiful, violent, over-long, absurd, inspired, and tonally inconsistent, Titus is more a curiosity now than a classic. This week, we talked about it with film critic Carmen Paddock, who, in her own words, "specializes in changing distribution methods and cross-media adaptations, where the limitations of film, literature, music, and time are explored and exploited to reveal new sides to old narratives." Find Carmen on Bluesky @carmenchloieReleased December 25th, Christmas Day, Julie Taymor's debut feature Titus was 187th-highest grossing movie of the year, going on to gross just about three million dollars worldwide on an 18 million dollar budget. Titus, adapted from the Shakespeare (or possibly not Shakespeare) play came on the heels of Taymor hitting the cultural spotlight with her enormous Broadway success The Lion King. Titus makes great use of her maxilamist sensibilities, given that it is Shakespeare's most violent, sensationalist play - which also explains why it is among his least-popular, and generally considered one of the worst not titled Henry VIII. With an incredible cast and eye-catching style, and with Shakespeare adaptations as popular as ever, many assumed Titus would ride a wave of critical success and award accolades to boost its box office, but it was not meant to be. Beautiful, violent, over-long, absurd, inspired, and tonally inconsistent, Titus is more a curiosity now than a classic. This week, we talked about it with film critic Carmen Paddock, who, in her own words, "specializes in changing distribution methods and cross-media adaptations, where the limitations of film, literature, music, and time are explored and exploited to reveal new sides to old narratives." Find Carmen on Bluesky @carmenchloie

Today's Guest is Meredith Patterson and she happens to be a very good friend of Scott's. They met another lifetime ago…waaaaaay back in December 1996 and got to perform together 8 shows a week on the US and Canadian tour of Singin' in the Rain.   When the record button for this interview was pressed and when Meredith and Scott popped up on each others screens, they were so happy to see each other, they wound up talking and reminiscing for a while before they even talked about Meredith's career and the Disney stuff.  Since they talked for so long about so many things, and since people have asked what doesn't make the Final Cut - what gets edited out of these interviews - what's going to happen is this - Part 1 is released today, Part 2 will come out next week, and the week after, a bonus episode of some of Meredith and Scott's personal conversation will come out, with Meredith's blessing. You'll hear these two friends laugh, reminisce about their time together, etc.  On Broadway, Meredith is known for her incredible skills as a dancer both in balletic grace and tap dancing, and the New York Times compared her to the legendary Ginger Rogers. How's that for a compliment? She made her broadway debut in the Julie Taymor directed play The Green Bird. For those not familiar, Julie Taymor directed the Broadway musical, The Lion King. Meredith then lived the classic understudy's dream come true when she took over the starring role of Peggy Sawyer in the Tony Award Winning Revival of 42nd Street, where she made her Broadway musical debut.  Meredith was also the first non-original principal to be recorded for posterity with the Lincoln Center Archives. When her Broadway contract was up, Meredith went on to star in the groundbreaking Moscow production of 42nd Street, where she was the first American actress to perform in an English-speaking production in Russia. Also on Broadway, she originated the role of Judy Haynes in Irving Berlin's White Christmas. Other theatre credits include A Christmas Carol at Madison Square Garden and The Boy Friend where she played the Julie Andrews role of Polly Browne under the direction of Julie Andrews. Her national tour credits include starring as Judy Haynes in White Christmas, Polly in Crazy For You, and Kathy Seldon in Singin' in the Rain.  Her television career began with her hilarious role on Boston Legal in a 5 episode arch opposite Candace Bergen and Tom Selleck for Disney owned ABC. She also guest starred on Law & Order SVU opposite Marissa Hargitay, The Good Wife, and Made in Jersey. She played Francesca on All My Children and is featured as one of the last 3 girls for the role of Val in the critically acclaimed A Chorus Line documentary, Every Little Step. Meredith made her feature film debut as Marilyn Monroe in Paramount's Company Man. Some other film credits include Broken Flowers, where she played opposite Bill Murray and was Lady Alyssa in Disney's The Princess Diaries II: Royal Engagement with Julie Andrews, Anne Hathaway, and Chris Pine. Meredith now lives in Montana with her husband and two children where she runs her own production company. She's written two books and she has her own podcast, all of which we'll be talking about...in Part 2 so stay tuned! This episode picks up at the end of Meredith and Scott reminiscing. Enjoy Part 1 of Scott's conversation with the lovely...the talented...Meredith Patterson! Email: ⁠TheMouseAndMePodcast@gmail.com⁠ Support: ⁠www.patreon.com/themouseandme⁠ FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from ⁠https://incompetech.filmmusic.io⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

Theatre, opera and film director Julie Taymor is regarded as one of the most imaginative directors and designers working today. Her stage version of the Lion King is the highest grossing show in Broadway history, having made nearly $2 billion, and it recently marked its 25th year in London. The Lion King Julie two Tony Awards, including for best director of a musical in 1997, making her the first woman to do so. Julie Taymor has told Shakespearean stories on stage and the big screen including Titus, starring Anthony Hopkins and The Tempest with Helen Mirren. Her film credits also include Frida, a biopic of painter Frida Kahlo, and the Beatles jukebox musical movie Across The Universe. She tells John Wilson how seeing Rashomon, Akira Kurosawa's 1950 film, as a teenager, was a formative cultural experience. Kurosawa's ingenious approach to narrative opened her eyes for the first time about the possibilities of innovative storytelling. She also recalls how her travels around Indonesia and Bali after graduation, and in particular, witnessing a ceremony in the isolated Balinese village of Trunyan have had a profound impact on her work as a designer and director. Julie reveals how she came up with the ground-breaking concept and some of the designs for the stage version of Disney's The Lion King. She also gives her opinion on some of the difficulties faced by the ill-fated Broadway musical Spider Man: Turn Off The Dark, on which she was co-writer and director until being replaced during its previews. The production, which featured music and lyrics by Bono and The Edge of U2, was ridden with technical and financial problems, and resulted in several legal disputes.Producer: Edwina Pitman

More podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Juan MartinezTitle: Gilded Needles by Michael McDowellHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Juan's collection Best Worst American & horror novel Extended StayJackleg PressStoryStudioTananarive Due's The ReformatoryEden Robins' Remember You Will DieSofia Samatar's The Practice, the Horizon, and the ChainAnanda Lima's Craft: Stories I Told the DevilJesse Ball's The Repeat RoomT.E.D. Klein's The CeremoniesPeter StraubBeetlejuice, directed by Timothy BurtonTales from the Crypt & Tales from the DarksideThe Nightmare Before Christmas, directed by Henry SelickMcDowell's The Elementals"A little bit like Edith Wharton with more murder"Jaws, directed by Steven SpielbergArthur Conan Doyle's The Adventures of Sherlock HolmesVictor Hugo's The Hunchback of Notre Dame & Les MisérablesTriangle of Sadness, directed by Ruben ÖstlundAlexandre Dumas' The Count of Monte CristoThe Abominable Dr. Phibes, directed by Robert FuestThey Might Be GiantsLydia LunchRobert MapplethorpePatti SmithShakespeare's Titus Andronicus & Julie Taymor's film adaptationThomas Ligotti, Bruno Schulz, & Franz KafkaMcDowell's Death CollectionStephen King, Philip K. Dick, & C.J. CherryhAnne Lamott's Bird by BirdThe Ghosts of Where We Are FromJuan's DNC protest coverage at the Believer, parts one & twoFollow Juan on Instagram & Threads for the good doodle content

More podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Juan MartinezTitle: Gilded Needles by Michael McDowellHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Juan's collection Best Worst American & horror novel Extended StayJackleg PressStoryStudioTananarive Due's The ReformatoryEden Robins' Remember You Will DieSofia Samatar's The Practice, the Horizon, and the ChainAnanda Lima's Craft: Stories I Told the DevilJesse Ball's The Repeat RoomT.E.D. Klein's The CeremoniesPeter StraubBeetlejuice, directed by Timothy BurtonTales from the Crypt & Tales from the DarksideThe Nightmare Before Christmas, directed by Henry SelickMcDowell's The Elementals"A little bit like Edith Wharton with more murder"Jaws, directed by Steven SpielbergArthur Conan Doyle's The Adventures of Sherlock HolmesVictor Hugo's The Hunchback of Notre Dame & Les MisérablesTriangle of Sadness, directed by Ruben ÖstlundAlexandre Dumas' The Count of Monte CristoThe Abominable Dr. Phibes, directed by Robert FuestThey Might Be GiantsLydia LunchRobert MapplethorpePatti SmithShakespeare's Titus Andronicus & Julie Taymor's film adaptationThomas Ligotti, Bruno Schulz, & Franz KafkaMcDowell's Death CollectionStephen King, Philip K. Dick, & C.J. CherryhAnne Lamott's Bird by BirdThe Ghosts of Where We Are FromJuan's DNC protest coverage at the Believer, parts one & twoFollow Juan on Instagram & Threads for the good doodle content

Villain, I have done thy podcast!   The Becks are tackling the bard himself in this week's episode on Titus Andronicus, and its 1999 Julie Taymor adaptation Titus! Listen in as Codie and Billy break down this often forgotten Shakespeare tragedy, tell tales of theatre school, and try not to get too horny on main.   What is the strangest setting you've seen a play adapted into? Let us know at soonmajorpod@gmail.com   linktr.ee/soonmajorpod

To kick of a jukebox musical marathon, Carie and Ross attempt to understand how a visually stunning film with fantastic musical arrangements can lose THIRTY MILLION DOLLARS. That's right, it's Across the Universe (2007), a story about a cluster of bohemians navigating the turbulent world of 1960's America. Carie gets excited about Eddie Izzard's fabulous cameo, and less excited about Bono. Ross struggles with the thin narrative and shallow relationships between characters. Salma Hayek is here for no reason? And it would never be a period piece without a little of Ross' History Corner regarding the political pipeline of Richard Nixon to D0nald Trnmp.  RELATED MEDIA: History of the Detroit Uprising DONATE TO THE DETROIT HISTORICAL SOCIETY! SUPPORT QUEER PODCASTS!     

Danya Taymor is a Tony Award-nominated director for her first musical work on Broadway in THE OUTSIDERS. She holds a multifaceted portfolio of work, directing Will Arbery's HEROES OF THE FOURTH TURNING, Jeremy O. Harris' DADDY, Khat Knotahaiku's GRAVEYARD SHIFT, Antoinette Nwandu's PASS OVER, Danai Gurira's FAMILIAR, Martyna Majok's QUEENS and many more. Danya is a recipient of several awards and fellowships for her work, including the Cullman Award for Extraordinary Creativity from Lincoln Center, Time Warner Directing Fellowship at Women's Project, 2050 fellowship at New York Theatre Workshop, and the Lincoln Center Directors Lab. In this episode, Danya discusses building trust and creativity in a rehearsal room, looking for theater spirits in Ireland, and getting the stamp of approval from S.E. Hinton herself.    Tickets to THE OUTSIDERS Tickers to KISS ME KATE Watch Pass Over

In this week's episode, Joel Crump is at the OPENING NIGHT of The Outsiders! He interviews producer and Academy Award Winner Angelina Jolie, cast members Brody Grant, Sky Lakota-Lynch, Jason Schmidt, Joshua Boone, and Daryl Tofa, creative team members LaChanze, Justin Levine, Danya Taymor, and Jamestown Revival, and VIP guests Mario Cantone, Lorraine Toussaint, and Julie Taymor! Joel also discusses what's happening this week on Broadway (Apr. 7-12)! Indulge in Broadway buzz like never before with "The Weekly Dose of Joel: Everything Broadway and More." This podcast, brought to you by the Broadway Podcast Network and Broadway Time, delivers the latest news, theater history, and exclusive interviews with Broadway stars, all in one podcast! Don't miss out on your front-row seat to the magic of Broadway! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Met: Live in HD is a series of live opera performances transmitted to selected venues, primarily movie theaters around the world, in high-definition video, via satellite from the Metropolitan Opera in New York City. The first transmission was the Julie Taymor production of a condensed English-language version of Mozart's The Magic Flute, on December 30, 2006.Veteran TV director Gary Halvorson, an accomplished classical pianist, has been the primary director of these telecasts from the beginning.  Gary had directed episodes of popular TV series Friends, Everyone Loves Raymond, The Drew Carey Show, and Two and a Half Men, plus a telecast of which he is most proud, an episode for television of the popular radio program, From the Top.

Erik Childress is back from SXSW and Steve Prokopy joins him to catch up on nine films released this week. They include a pair of documentaries about one of our most beloved comic actors (Remembering Gene Wilder) and one of the 20th century's most iconic artists (Frida). Mia Wasikowska tries to teach kids how to eat (Club Zero) and Zach Braff tries to marry a chef who may have eaten someone who does agree with him (French Girl). Steve suggests why Focus has basically buried the satire it brought to Sundance this year? (The American Society of Magical Negroes). In the world of true stories, Anthony Hopkins tries to save children from the Nazis (One Life) while Mark Wahlberg befriends a dog in a race (Arthur the King). Finally, Michael Keaton directs himself as a hitman again (Knox Goes Away) and the director of Saint Maud tells her own dirty little noir about the addiction of romance and hate (Love Lies Bleeding). 0:00 - Intro 1:38 - Remembering Gene Wilder 8:29 - Frida 15:09 – The American Society of Magical Negroes 23:59 - Club Zero 34:56 - One Life 45:23 - French Girl 53:21 - Arthur the King 1:00:53 - Knox Goes Away 1:11:36 - Love Lies Bleeding 1:18:36 - Outro

This week the Dames look at historical films and biopics directed by women. Strangely rare and often underpraised, we sit down to talk about three great examples: Julie Taymor's Frida (2002), Ana DuVernay's Selma (2014), and Regina King's One Night in Miami (2020).

Hakuna Matata everyone! We're excited to talk about The Lion King today! Get ready to dive into puppets, new music, and the brilliance of Julie Taymor. Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com

Rodrigo Prieto is the cinematographer of two of last year's most celebrated films: Barbie and Killers of the Flower Moon, for which he is Oscar-nominated. Rodrigo talks with Marc about finding the right look for multiple Martin Scorsese movies as well as his strategy for achieving what Greta Gerwig called "artificial authenticity." They also talk about Rodrigo's work with Spike Lee, Alejandro González Iñárritu, Ang Lee, Julie Taymor, Oliver Stone, Cameron Crowe, Pedro Almodóvar, and Ben Affleck, his visual contributions to films like Babel, Frida, Brokeback Mountain, and Argo, as well as his own film which he just directed. Hosted on Acast. See acast.com/privacy for more information.

Tell me more, tell me more! Today we are joined by Didi Conn. You Might Know Her From Grease, Grease 2, You Light Up My Life, Raggedy Ann & Andy: A Musical Adventure, The Magic Show, Frida, Benson, and Shining Time Station. We spoke with THEE Didi Conn about her iconic performance in the Grease films as Frenchie, the legacy of the franchise carrying on with Grease Live! and Joan Blondell's shoes, and our age-old question about psoriasis as heart disease. Plus, how Toy Story stole from Raggedy Ann & Andy, standing by for Mercedes Ruehl on Broadway, her horrific experience with Joseph Brooks, and the beauty of the musical The Magic Show. This one was a total thing of dreams. Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: Jacob Elordi is hot to everyone. And Barry Keoghan has the ugly sexy thing down We loved Cailly Spaeny and Lily Gladstone and Erika Alexander Golden Globes were a mess this year Da'Vine Joy Randolph is so good and we are hoping for an Oscar nomination for The Holdovers (don't jinx it) Da'Vine episode of YMKHF Carol Channing and Pearl Bailey special Aloha (2015)  was indeed directed by Cameron Crowe, not Alexander Payne Tracy Morgan took Eddie Murphy's advice for The Last O.G. and hired Da'Vine Love Chris Klein in Election  Our Oscar nominated guests on YMKHF: Kathleen Turner (Ep #9), Shohreh Aghdashloo (Ep#72), JoBeth Williams (#99),  and Lesley Ann Warren (Ep #78) Lily Gladstone is nonbinary Yalitza Aparicio from Roma garnered all kinds of acclaim, and where is she now? Tantoo Cardinal is so good In the Stephen Schwartz musical, The Magic Show starring Doug Henning  Starred in the movie, Joseph Brooks You Light Up My Life Joseph Brooks who “wrote” and directed it was a horrible man,. He met a grisly end Her son is autistic and is currently living in The Center for Discovery Autismspeaks.org Played Denise, Benson's new secretary on Benson Didi Conn introduced herself to David Shire as his crush, Charlotte Rampling, who wrote the music for Farewell My Lovely Was the voice of Raggedy Ann in the 1977 Richard Williams animated movie, Raggedy Ann and Andy: A Musical Adventure Joe Raposo wrote all the music for the movie and he had written a lot of music for Sesame Street and The Electric Company (including the “C is for Cookie” and the Sesame Street song) Was a standby and then replacement for Mercedes Ruehl in Lost in Yonkers (1991) with Irene Worth and Kevin Spacey Fonz and the Happy Days Gang cartoon  Stacey Jones in Shining Time Station, which she says was horrible for her career Conductors: Ringo Starr, George Carlin, Alec Baldwin The tv show was funded by Amtrak and MTH Electric Trains Thomas movie was filmed on The Isle of Man Of course played Frenchie in the 1978 classic, Grease (director: Randal Kleiser, choreographer: Pat Birch, producer: Allan Carr)  Kelly Ward (Putzie) was dance captain for Pat Birch Grease: Rise of the Pink Ladies has been wiped from Paramount+ Tegrin's ad: “The heartbreak of psoriasis” Was there film in the camera for Frenchie's number in Grease 2? Skating with the Stars judge was a dick (start at 3:27) Was Alice Ghostley's Mrs Murdoch gay (watch the dancing)  Was waitress in Frida and had Across the Universe (friends with Julie Taymor and worked with her on the stage play, The Green Bird) Lifted out the door on Cagney and Lacey (s6e12). Who had more upper body strength? Both! CGI'd pink ladies guy head on body in Rise of the Pink Ladies Dr Pepper theme song: “I'm a Pepper, You're a Pepper” In My Life one of the worst Broadway shows I've ever seen (it was a huge flop) and he has Tourette's not autism Our interview with Talia Balsam (ep #12)  introduced us to You Light Up My Life David Shire (Didi's husband) wrote the Oscar-nominated song for Norma Rae Barry Pearl holds all the Grease secrets   

"And in this corner we have an out, proud, wrestler." Wait, what? Wrestlers can be gay? Of course they can. We queers are everywhere, so let's celebrate with Ry Levey, film maker.His film Out In The Ring, showcases the hidden world of queer wrestlers and also parallels the nuances of the wrestling world imitate the queer world. From drag and performance art to the homoerotic costumes and positions. Nothing is left to the imagination when Queers invade the ring.About RyRy Levey is a 20+ year film industry professional who has publicized and or distributed over 100 Feature films, including award winning documentaries like Emmy Award winner MATT SHEPARD IS A FRIEND OF MINE, Oscar nominated THE INVISIBLE WAR, and films by documentary legends Frederick Wiseman and Steve James, Tony winning and Oscar nominated filmmaker/Theatre icon Julie Taymor and 2 time Oscar winner Sharmeen Obaid-Chinoy.His documentary feature directorial debut, OUT IN THE RING was the recipient of 4 Intl. film festival awards.Connect With RyWebsiteInstagramX - Twitter

Dylan and Connor are joined by Broadway's newest leading man Vincent Jamal Hooper (The Lion King, Hamilton). They dive right into hearing about Vincent's time in the Pridelands so far, why the stampede and Shadowland sequences in The Lion King are undefeated, and how he's putting his own mark on Simba. They discuss Julie Taymor and Lin Manuel Miranda being in their respective bags when creating their mammoth musicals. Vincent lifts up Ragtime and Passing Strange as benchmark moments in his journey to Broadway, and campaigns for himself to play The Youth in a Passing Strange revival. Call Stew! Vincent shares how his triple crown of In the Heights productions as Benny led to his casting in Hamilton, which also introduced him to his partner. They chat about friend of the pod Lyndon Watts, Anatomy of a Fall, Fellow Travelers on Showtime, and Bodies on Netflix, and Vincent even teases the upcoming White Girl in Danger cast album. Go see Vincent star in The Lion King on Broadway!Follow Vincent on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

We are finishing up our series on Shakespeare's Titus Andronicus by discussing two prominent adaptations and how they match up to what we've studied in our episodes.  First, we will take a look at Julie Taymor's 1999 epic surrealist film adaptation, Titus, starring Antony Hopkins and Jessica Lange. Then, we compare it to the 2017 Royal Shakespeare Company production directed by Matthew Woodward. Join us as we explore these two very different productions of Shakespeare's bloody and brutal play! Taymor, Julie, director. Titus. Fox Searchlight Pictures, 2000. "Titus Andronicus." , directed by Matthew Woodward, and William Shakespeare. , produced by Griselda Yorke. , Royal Shakespeare Company, 2017. Alexander Street, https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cvideo_work%7C3999879. 

THE LION KING  Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi  |  Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda WoolvertonWorks Consulted & Reference :The Lion King (Original Production Directed by Julie Taymor)The Lion King (Original Film Directed by Roger Allers & Rob Minkoff)The Lion King: Pride Rock on Broadway by Julie TaymorThe Lion King - The Full Film Script by Bill Scollon & Marbara MontiniDisney Theatrical Productions: Producing Broadway Musicals the Disney Way by Amy S. OsatinskiThe Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen' Edited by George RodosthenousThe Lion King: A 'Blockbuster Feline' on Broadway and Beyond by Barbara Wallace GrossmanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"They Live in You" from The Lion King (Original Broadway Cast Recording)  | Music & Lyrics by Lebo M., Mark Mancina, & Jay Rifkin | Performed by  Samuel E. Wright & Ensemble - The Lion King"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

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Erik speaks with Academy Award Nominee, film editor, producer, director, and writer, Frederick Marx about his focus on providing a voice for disadvantaged and misunderstood communities, through his production company Warrior Films, which highlights unique stories of greatness! IT'S YOUR WONDERFUL LIFE! Two-minute project teaser: https://warriorfilms.org/its-your-wonderful-life/ More about Frederick: Frederick Marx has lived his life mission as a socially dedicated film artist for 45 years. He is an internationally acclaimed, Oscar and Emmy nominated producer/director. He was named a Chicago Tribune Artist of the Year, a Guggenheim Fellow, and a recipient of a Robert F. Kennedy Special Achievement Award. His film HOOP DREAMS played in hundreds of theatres nationwide after winning the Audience Award at the Sundance Film Festival and was the first documentary ever chosen to close the New York Film Festival. It was on over 100 “Ten Best” lists nationwide and was named Best Film of the Year by critics Roger Ebert, Gene Siskel, Gene Shalit, and Ken Turran and by the Chicago Film Critics Association. Ebert also named it Best Film of the Decade. Prestigious awards include: Academy Nomination (Best Editing), Producer's Guild, Editor's Guild (ACE), Peabody Awards, the Prix Italia (Europe's top documentary prize) and The National Society of Film Critics Award. Utne Reader named it one of 150 of humanity's “essential works,” the Library of Congress recently added it to its prestigious National Film Registry, and the International Documentary Association named it the Best Documentary Ever. HOOP DREAMS ignited Marx's lifelong passion for the well-being of youth. That led to BOYS TO MEN? (2002) – a snapshot of the dire state of teen boys in the U.S. today. BOYS TO MEN? chronicles one year in the lives of three fifteen year old boys as they struggle to define themselves meaningfully as men. Soon Marx will make his final film on youth – RITES OF PASSAGE: MENTORING THE FUTURE. This documentary is about solutions. It will demonstrate why it's necessary to initiate and mentor all the world's youth. It will show audiences how it can be done, provide them with the tools to do it, and inspire them to take up the challenge. VETERANS JOURNEY HOME, a five part series of films, tells the story of the 2.7 million returning US veterans and what it takes for them to successfully transition back into civilian life. Whether officially diagnosed with PTSD or not, most vets carry the psychic scars of “moral injury” and will carry the battle within long after the bullets stop flying. Marx's films show them healing and transforming. In 1993, Marx received an Emmy nomination for HIGHER GOALS (1992) for Best Daytime Children's Special. Producer, Director, and Writer for this national PBS Special, Marx directed Tim Meadows of “Saturday Night Live” fame. Accompanied by a curriculum guide, the program was later distributed for free to over 4,200 inner city schools nationwide. His most recent film JOURNEY FROM ZANSKAR (2010) - featuring the Dalai Lama, with narration by Richard Gere - is now in worldwide release. THE UNSPOKEN (1999), Marx's first feature film, features stellar performances from star Sergei Shnirev of the famed Moscow Art Theatre (Russian voice of Disney's ALADDIN), and Harry J. Lennix, most known for MATRIX, Spike Lee's GET ON THE BUS, Tim Robbins' BOB ROBERTS, and Julie Taymor's TITUS. A hobbyist songwriter, Marx recorded a number of his songs collectively known as ROLLING STEEL (1991). Marx's vision for cross-cultural understanding is reflected in PBS' international human rights program OUT OF THE SILENCE (1991), the widely acclaimed personal essay DREAMS FROM CHINA (1989), and Learning Channel's SAVING THE SPHINX (1997). He consulted on Iranian-Kurdish director Bahman Ghobadi's feature TURTLES CAN FLY (2004) and was a teacher of renowned Thai feature filmmaker Apichatpong Weerasethakul.

 Prepare to be transported to a world of psychedelic wonder as visionary filmmaker Julie Taymor takes us behind the scenes of her 2007 masterpiece 'Across the Universe', revealing the intricate and mind-bending creative process that brought this unforgettable  Learn more about your ad choices. Visit megaphone.fm/adchoices

“Do, do, do, do, do, do. Why isn't the issue here who I am?!””May-usical month is back with a vengeance ... and The Beatles! We're kicking off the month by celebrating Julie Taymor's psychedelic, underappreciated jukebox musical. We're talking about the adorable (and insufferable) coming-of-age experience of discovering The Beatles for the first time, why this film resonated so heavily with teen girls, and the fantastical approach the film takes to Vietnam and radicalization. ------Morning AnnouncementsJoin the Soleil Space streaming platform and community today and start exploring a world of diverse, authentic stories. Visit www.soleilspace.com to start your FREE 2-month trial for This Ends At Prom podcast listeners using Promo Code: "TEAP60"------Across The Universe Is A Cult Classic — So Why Doesn't Julie Taymor Get Any Respect? rb.gy/9t30v------Become a Patron! https://www.patreon.com/thisendsatprom-------- Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular Fiddler Afn Dakh at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher's unique approach to the character of Lazar Wolf, working with Joseph Papp on Cafe Crown, how his role in the film The Cradle Will Rock got expanded, why Joel Grey's acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.

Présentation de l'invitée : Depuis le 15 septembre et jusqu'au 5 mars 2023, Le Palais Galliera nous plonge dans l'intimité de Frida Kahlo, artiste mexicaine née le 6 juillet 1907 et disparue le 13 juillet 1954 dont l'oeuvre autobiographique a su par sa puissance et son engagement ,marquer durablement le monde de l'art, jusqu'à faire de cette artiste, une des icônes de la pop-culture. En collaboration avec le Museo Frida Kahlo, cette exposition retrace la vie de l'artiste grâce à la découverte incroyable en 2004 d'objets lui ayant appartenu et provenant de la Casa Azul, où elle a vécu tout au long de sa vie. Bien loin des clichés, le Palais Galliera propose à travers un parcours biographique et thématique de comprendre comment s'est construite l'identité de Frida Kahlo à travers son œuvre et son apparence. Pour ce nouvel épisode, j'ai eu la chance de parcourir cette exposition accompagné de Miren Arzalluz, directrice du Palais Galliera qui m'a fait découvrir une autre facette de Frida Kahlo, en me racontant l'histoire de ses objets (photos, vêtements, bijoux, lettres, cosmétiques, objets médicaux etc.) témoins de sa vie passionnée et tumultueuse. « Ce n'est pas une rétrospective sur Frida Kahlo, mais une exposition qui nous permet de rentrer dans son intimité et qui nous parle de la construction de son image en tant que femme, en tant qu'artiste à travers l'imagerie extraordinaire que nous avons tous en tête. » Ce que vous allez apprendre dans cet épisode : Qu'est ce que le Palais Galliera Miren Arzalluz se présente Présentation de Frida Kahlo La genèse de l'exposition L'influence de la révolution mexicaine Sa découverte de l'art après son accident L'histoire de la Casa Azul L'influence du costume Tehuana Frida Kahlo et le communisme Frida Kahlo et Diego Rivera : un couple explosif L'intime et le féminin au coeur de son oeuvre Ses premières expositions à Paris et New-York Sa rencontre avec André Breton et les surréalistes Réaffirmer sa culture grâce au vêtement Transcender la souffrance par l'art La Fridamania : pourquoi elle continuer à inspirer L'influence de Frida Kahlo sur la mode contemporaine « Frida Kahlo est devenue une icône culturelle, mais aussi esthétique. » « Frida Kahlo a tout de suite compris la force des vêtements pour s'exprimer et se construire. » « Nous voulons proposer de nouvelles lectures autour de la mode et Frida Kahlo nous permet de le faire. Sa popularité nous permet aussi d'élargir notre public : on voit des gens qui ne venaient que rarement au Palais Galliera, voire qui ne connaissent pas notre musée. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com. Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'épisode de Miren Arzalluz sur Entreprendre dans la mode : https://podcasts.apple.com/us/podcast/miren-arzalluz-directrice-du-palais-galliera-la-mode/id1300541489?i=1000566776940 Le Palais Galliera : https://www.palaisgalliera.paris.fr/ La Casa Azul : https://www.museofridakahlo.org.mx/ Diego Rivera : http://www.artnet.fr/artistes/diego-rivera/ Frida (2002) Julie Taymor : https://youtu.be/-CTM7FcY1LE Frida Kahlo par Nickolas Muray : https://www.artsy.net/article/artsy-editorial-intimate-iconic-photos-nickolas-muray-frida-kahlo Frida Kahlo photographiée par Toni Frissell en 1937 pour le Vogue américain : https://artsandculture.google.com/asset/frida-kahlo-photographed-for-the-october-1-1937-issue-of-vogue-toni-frissell/UQFWVaTWC8xZnw?hl=fr 5 objets de l'exposition au Palais Galliera qui racontent Frida Kahlo : https://www.parismusees.paris.fr/fr/actualite/5-objets-de-l-exposition-au-palais-galliera-qui-racontent-frida-kahlo

Présentation de l'invitée : Depuis le 15 septembre et jusqu'au 5 mars 2023, Le Palais Galliera nous plonge dans l'intimité de Frida Kahlo, artiste mexicaine née le 6 juillet 1907 et disparue le 13 juillet 1954 dont l'oeuvre autobiographique a su par sa puissance et son engagement ,marquer durablement le monde de l'art, jusqu'à faire de cette artiste, une des icônes de la pop-culture. En collaboration avec le Museo Frida Kahlo, cette exposition retrace la vie de l'artiste grâce à la découverte incroyable en 2004 d'objets lui ayant appartenu et provenant de la Casa Azul, où elle a vécu tout au long de sa vie. Bien loin des clichés, le Palais Galliera propose à travers un parcours biographique et thématique de comprendre comment s'est construite l'identité de Frida Kahlo à travers son œuvre et son apparence. Pour ce nouvel épisode, j'ai eu la chance de parcourir cette exposition accompagné de Miren Arzalluz, directrice du Palais Galliera qui m'a fait découvrir une autre facette de Frida Kahlo, en me racontant l'histoire de ses objets (photos, vêtements, bijoux, lettres, cosmétiques, objets médicaux etc.) témoins de sa vie passionnée et tumultueuse. « Ce n'est pas une rétrospective sur Frida Kahlo, mais une exposition qui nous permet de rentrer dans son intimité et qui nous parle de la construction de son image en tant que femme, en tant qu'artiste à travers l'imagerie extraordinaire que nous avons tous en tête. » Ce que vous allez apprendre dans cet épisode : Qu'est ce que le Palais Galliera Miren Arzalluz se présente Présentation de Frida Kahlo La genèse de l'exposition L'influence de la révolution mexicaine Sa découverte de l'art après son accident L'histoire de la Casa Azul L'influence du costume Tehuana Frida Kahlo et le communisme Frida Kahlo et Diego Rivera : un couple explosif L'intime et le féminin au coeur de son oeuvre Ses premières expositions à Paris et New-York Sa rencontre avec André Breton et les surréalistes Réaffirmer sa culture grâce au vêtement Transcender la souffrance par l'art La Fridamania : pourquoi elle continuer à inspirer L'influence de Frida Kahlo sur la mode contemporaine « Frida Kahlo est devenue une icône culturelle, mais aussi esthétique. » « Frida Kahlo a tout de suite compris la force des vêtements pour s'exprimer et se construire. » « Nous voulons proposer de nouvelles lectures autour de la mode et Frida Kahlo nous permet de le faire. Sa popularité nous permet aussi d'élargir notre public : on voit des gens qui ne venaient que rarement au Palais Galliera, voire qui ne connaissent pas notre musée. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com. Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'épisode de Miren Arzalluz sur Entreprendre dans la mode : https://podcasts.apple.com/us/podcast/miren-arzalluz-directrice-du-palais-galliera-la-mode/id1300541489?i=1000566776940 Le Palais Galliera : https://www.palaisgalliera.paris.fr/ La Casa Azul : https://www.museofridakahlo.org.mx/ Diego Rivera : http://www.artnet.fr/artistes/diego-rivera/ Frida (2002) Julie Taymor : https://youtu.be/-CTM7FcY1LE Frida Kahlo par Nickolas Muray : https://www.artsy.net/article/artsy-editorial-intimate-iconic-photos-nickolas-muray-frida-kahlo Frida Kahlo photographiée par Toni Frissell en 1937 pour le Vogue américain : https://artsandculture.google.com/asset/frida-kahlo-photographed-for-the-october-1-1937-issue-of-vogue-toni-frissell/UQFWVaTWC8xZnw?hl=fr 5 objets de l'exposition au Palais Galliera qui racontent Frida Kahlo : https://www.parismusees.paris.fr/fr/actualite/5-objets-de-l-exposition-au-palais-galliera-qui-racontent-frida-kahlo

Présentation de l'invitée : Depuis le 15 septembre et jusqu'au 5 mars 2023, Le Palais Galliera nous plonge dans l'intimité de Frida Kahlo, artiste mexicaine née le 6 juillet 1907 et disparue le 13 juillet 1954 dont l'oeuvre autobiographique a su par sa puissance et son engagement ,marquer durablement le monde de l'art, jusqu'à faire de cette artiste, une des icônes de la pop-culture. En collaboration avec le Museo Frida Kahlo, cette exposition retrace la vie de l'artiste grâce à la découverte incroyable en 2004 d'objets lui ayant appartenu et provenant de la Casa Azul, où elle a vécu tout au long de sa vie. Bien loin des clichés, le Palais Galliera propose à travers un parcours biographique et thématique de comprendre comment s'est construite l'identité de Frida Kahlo à travers son œuvre et son apparence. Pour ce nouvel épisode, j'ai eu la chance de parcourir cette exposition accompagné de Miren Arzalluz, directrice du Palais Galliera qui m'a fait découvrir une autre facette de Frida Kahlo, en me racontant l'histoire de ses objets (photos, vêtements, bijoux, lettres, cosmétiques, objets médicaux etc.) témoins de sa vie passionnée et tumultueuse. « Ce n'est pas une rétrospective sur Frida Kahlo, mais une exposition qui nous permet de rentrer dans son intimité et qui nous parle de la construction de son image en tant que femme, en tant qu'artiste à travers l'imagerie extraordinaire que nous avons tous en tête. » Ce que vous allez apprendre dans cet épisode : Qu'est ce que le Palais Galliera Miren Arzalluz se présente Présentation de Frida Kahlo La genèse de l'exposition L'influence de la révolution mexicaine Sa découverte de l'art après son accident L'histoire de la Casa Azul L'influence du costume Tehuana Frida Kahlo et le communisme Frida Kahlo et Diego Rivera : un couple explosif L'intime et le féminin au coeur de son oeuvre Ses premières expositions à Paris et New-York Sa rencontre avec André Breton et les surréalistes Réaffirmer sa culture grâce au vêtement Transcender la souffrance par l'art La Fridamania : pourquoi elle continuer à inspirer L'influence de Frida Kahlo sur la mode contemporaine « Frida Kahlo est devenue une icône culturelle, mais aussi esthétique. » « Frida Kahlo a tout de suite compris la force des vêtements pour s'exprimer et se construire. » « Nous voulons proposer de nouvelles lectures autour de la mode et Frida Kahlo nous permet de le faire. Sa popularité nous permet aussi d'élargir notre public : on voit des gens qui ne venaient que rarement au Palais Galliera, voire qui ne connaissent pas notre musée. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com. Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'épisode de Miren Arzalluz sur Entreprendre dans la mode : https://podcasts.apple.com/us/podcast/miren-arzalluz-directrice-du-palais-galliera-la-mode/id1300541489?i=1000566776940 Le Palais Galliera : https://www.palaisgalliera.paris.fr/ La Casa Azul : https://www.museofridakahlo.org.mx/ Diego Rivera : http://www.artnet.fr/artistes/diego-rivera/ Frida (2002) Julie Taymor : https://youtu.be/-CTM7FcY1LE Frida Kahlo par Nickolas Muray : https://www.artsy.net/article/artsy-editorial-intimate-iconic-photos-nickolas-muray-frida-kahlo Frida Kahlo photographiée par Toni Frissell en 1937 pour le Vogue américain : https://artsandculture.google.com/asset/frida-kahlo-photographed-for-the-october-1-1937-issue-of-vogue-toni-frissell/UQFWVaTWC8xZnw?hl=fr 5 objets de l'exposition au Palais Galliera qui racontent Frida Kahlo : https://www.parismusees.paris.fr/fr/actualite/5-objets-de-l-exposition-au-palais-galliera-qui-racontent-frida-kahlo

Présentation de l'invitée : Depuis le 15 septembre et jusqu'au 5 mars 2023, Le Palais Galliera nous plonge dans l'intimité de Frida Kahlo, artiste mexicaine née le 6 juillet 1907 et disparue le 13 juillet 1954 dont l'oeuvre autobiographique a su par sa puissance et son engagement, marquer durablement le monde de l'art, jusqu'à faire de cette artiste, une des icônes de la pop-culture. En collaboration avec le Museo Frida Kahlo, cette exposition retrace la vie de l'artiste grâce à la découverte incroyable en 2004 d'objets lui ayant appartenu et provenant de la Casa Azul, où elle a vécu tout au long de sa vie. Bien loin des clichés, le Palais Galliera propose à travers un parcours biographique et thématique de comprendre comment s'est construite l'identité de Frida Kahlo à travers son œuvre et son apparence. Pour ce nouvel épisode, j'ai eu la chance de parcourir cette exposition accompagné de Miren Arzalluz, directrice du Palais Galliera qui m'a fait découvrir une autre facette de Frida Kahlo, en me racontant l'histoire de ses objets (photos, vêtements, bijoux, lettres, cosmétiques, objets médicaux etc.) témoins de sa vie passionnée et tumultueuse. « Ce n'est pas une rétrospective sur Frida Kahlo, mais une exposition qui nous permet de rentrer dans son intimité et qui nous parle de la construction de son image en tant que femme, en tant qu'artiste à travers l'imagerie extraordinaire que nous avons tous en tête. » Ce que vous allez apprendre dans cet épisode : Qu'est ce que le Palais Galliera Miren Arzalluz se présente Présentation de Frida Kahlo La genèse de l'exposition L'influence de la révolution mexicaine Sa découverte de l'art après son accident L'histoire de la Casa Azul L'influence du costume Tehuana Frida Kahlo et le communisme Frida Kahlo et Diego Rivera : un couple explosif L'intime et le féminin au coeur de son oeuvre Ses premières expositions à Paris et New-York Sa rencontre avec André Breton et les surréalistes Réaffirmer sa culture grâce au vêtement Transcender la souffrance par l'art La Fridamania : pourquoi elle continuer à inspirer L'influence de Frida Kahlo sur la mode contemporaine « Frida Kahlo est devenue une icône culturelle, mais aussi esthétique. » « Frida Kahlo a tout de suite compris la force des vêtements pour s'exprimer et se construire. » « Nous voulons proposer de nouvelles lectures autour de la mode et Frida Kahlo nous permet de le faire. Sa popularité nous permet aussi d'élargir notre public : on voit des gens qui ne venaient que rarement au Palais Galliera, voire qui ne connaissent pas notre musée. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com. Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode. Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références : L'épisode de Miren Arzalluz sur Entreprendre dans la mode : https://podcasts.apple.com/us/podcast/miren-arzalluz-directrice-du-palais-galliera-la-mode/id1300541489?i=1000566776940 Le Palais Galliera : https://www.palaisgalliera.paris.fr/ La Casa Azul : https://www.museofridakahlo.org.mx/ Diego Rivera : http://www.artnet.fr/artistes/diego-rivera/ Frida (2002) Julie Taymor : https://youtu.be/-CTM7FcY1LE Frida Kahlo par Nickolas Muray : https://www.artsy.net/article/artsy-editorial-intimate-iconic-photos-nickolas-muray-frida-kahlo Frida Kahlo photographiée par Toni Frissell en 1937 pour le Vogue américain : https://artsandculture.google.com/asset/frida-kahlo-photographed-for-the-october-1-1937-issue-of-vogue-toni-frissell/UQFWVaTWC8xZnw?hl=fr 5 objets de l'exposition au Palais Galliera qui racontent Frida Kahlo : https://www.parismusees.paris.fr/fr/actualite/5-objets-de-l-exposition-au-palais-galliera-qui-racontent-frida-kahlo

This is an encore episode of "The View." The co-hosts return Tuesday, Jan. 3 LIVE with all-new episodes. Actor Edward Norton explains why he jumped on board Rian Johnson's movie “Glass Onion: A Knives Out Mystery,” addresses his character's likeness to Elon Musk and shares how the cast passed their downtime with murder mystery games. In Hot Topics, the co-hosts react to Rep. Marjorie Taylor Greene saying that she “would have won” the Jan. 6 attack if she was in charge and calling her comments sarcasm later on. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julie Taymor made history being the first female director to win a Tony Award for Best Director of a Musical. One of the most iconic directors of our generation, Julie is also a writer of theater, opera and film. Her stage adaptation of The Lion King debuted in 1997, and received eleven Tony Award nominations, with Taymor receiving Tony Awards for Best Director and Costume Designer. Her film Frida, about Mexican artist Frida Kahlo, was nominated for five Academy Awards, including a Best Original Song nomination for Taymor's composition "Burn It Blue".  Julie has a strong passion for mask work, puppetry work, and why many people who watch The Lion King may not understand the extreme levels of talent required to be a great performer with a mask on. Julie also discusses what the show means to her, why it's so important to the world, and what really drives her. Hosted by Ilana Levine, Produced by Alan Seales, part of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we dip into the Julie Taymor oeuvre to discuss the 2007 jukebox musical based on the songs of some band we've never heard of. Angie recalls when she first first discovered Cinema and Kaveh files a lawsuit on behalf of our boy Miloš.Get CuriosityStream + Nebula for only $14.99 for a full year, by visiting CuriosityStream.com/musicalsplainingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Large-scale puppetry! Shakespearean romance! And a booze-loving kitten! All this PLUS Jerry Lewis battles a mad scientist, a giant monster, and overbearing parents! It's The Adventures of Jerry Lewis #96!

"Nothing's gonna change my world..." Grab your "Help!" album and your Strawberries because this week we're diving into Julie Taymor's movie musical "Across the Universe!" Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Brianna Socials Brianna Jones on Twitter Brianna Jones on Instagram Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you make a compelling series without any moving images? How do you direct name talent like Helen Hunt and Alan Cumming? How do you direct a series like this at all? How do you use marketing to become number 1 in fiction podcasts? Those questions and more will be answered on this episode of The Working Director. Hosted by Director/Producer Jenn Page. To join our private FB group for directors, or to learn about The Working Director accelerator that helps emerging filmmakers become working directors faster, visit TheWorkingDirector.Pro. Jenny Curtis is a podcast director, producer, host & creator with CurtCo Media. She directed, produced and acted in the hit audio drama SOLAR, which hit #1 in science fiction on the apple charts and amassed over 1 million downloads within three months of release. As host of Hollywood Unscripted, she interviewed such filmmakers and talent as Lee Daniels, Alfred Molina, Julie Taymor, D'Arcy Carden, Chris Columbus, and more. A Moment of Your Time, created by Jenny, provided a platform for contributors around the globe to share daily pieces of creative expression in a celebration of individualism, artistry, and hope. She is a company member/Media director with the immersive theater company, The Speakeasy Society. With the company has performed in “The Johnny Cycle”, “The Johnny Cycle: The Living”, “Wild Party”, “Ebenezer: An Immersive Internet Spectacular 2021”. Trained with a BFA in Acting from California Institute of the Arts (CalArts), Jenny is a SAG/AFTRA actress who has appeared in TV and film such as: Modern Family, Any Bullet Will Do opposite Bruce Davison, and Postpartum opposite Danielle Harris (taking home “Best Actress” from The International Horror Hotel Festival). Additionally, Jenny has worked behind the scenes in film, digital, music videos, commercials, animation, theater, and casting. Website: Solarthepodcast.com/listen Solar Twitter/Instagram/Facebook: @solarthepodcast Jenny Twitter/Instagram: @thejennycurtis --- Send in a voice message: https://anchor.fm/theworkingdirector/message

Diane and Sean discuss Julie Taymor's musical celebrating the Beatles, Across the Universe. Episode music is "With a Little Help From My Friends", written by John Lennon and Paul McCartney, performed by Joe Anderson, Jim Sturgess, Christopher Tierney, Curtis Holbrook, John Jeffrey Martin, Matt Caplan, Aisha De Haas, and Bill Buell from the OST.Support the show