Podcasts about kodak ektachrome

On this episode of Dev Party, Vania and Eric (@surfmartian and @conspiracy.of.cartographers on IG) talk about going back to locations shot long ago. Vania developed Kodak Ektachrome in one of Cinestill's slide film developers (and once she's experimented with it more, we'll do an episode about it). Here are her shots:     Meanwhile, Eric revisited a couple of places that he had shot before. When he first shot these spots, he used a Holga with some sort of expired Fuji slide film xpro'd in C-41 a decade ago. Ten years later, he returned with a Graflex and Fomapan 100 devved in FA-1027. Here they are, side by side.   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits All Through a Lens: IG, Website, Patreon, Spotify Playlists

We’re talking about Kodak Ektachrome – the history of the film and the various processes used to develop it. We’ll also give you some advice on shooting and developing expired film. We’ve got the answering machine question, some more trivia, AND we’ll give a call to Janet (@janet_built_a_wet_plate on IG), the woman who built her own wetplate camera.After a bit of small talk and trivia, we get down to it! First up is the answering machine question:Apart from photography, does other analog media play a role in your life?We got a bunch of wonderful responses – and two people who still use reel-to-reels – amazing!LET’S TALK ABOUT EXPIRED FILMOn our first segment, we both talk about our experiences with shooting and developing expired film. We get specific and continuously warn that there are no rules.That whole “one stop for every decade” thing isn’t exactly bunk, but it’s not something you can ever count on.First we go over how to shoot it – everything depends upon the original ISO and how the film was stored. You likely only know one of these things, so good luck!Then we go over processing. Basically, box speed always.Here are some of Eric’s oldest shots:Camera: Mamiya RB67 Lens: Mamiya-Sekor 3.8/90 Film: Ilford Panchromatic; x-1960s; 6iso Process: HC-110; 1+90; 18minCamera: Argus C3 (1953) Film: Adox KB-21 (expired 1951); 25iso Process: Rodinal 1+50; 14minCamera: Ricoh KR-5 Film: Adox KB-21 (x-1959); 10iso Process: Xtol; Stock; 7minCamera: Argus C3 (1953) Film: Adox KB-21 (expired 1951); 25iso Process: Rodinal 1+50; 14minCamera: Argus C3 (1953) Film: Ilford Pan F (x-12/1960) Process: Rodinal 1+50; 10minLET’S CALL JANET!Suppose you wanted to shoot wetplate collodian, but you didn’t know much about cameras or photography. And then suppose that instead of buying an old ass camera to figure it out, you just built one yourself.That’s Janet. And we had a wonderful conversation with her about camera building, wetplate workshops, the opera (she said that “wetplate collodian is the opera of photography”) and so much more. It really was a delightful interview. THE HISTORY OF EKTACHROMEEktachrome and its process has been around for nearly 75 years. We delved into the subject, talking about each of the various E’s (E-1, E-2, E-6, etc).We used the research of Maurice Fisher and Michael Talburt (here) as the backbone, but fattened it up with various newspaper photography columns that were published as Kodak broke the news of Ektachrome (and the numerous iterations along the way).We even take you through the earliest Ektachrome Process, step by step!PATREON SHOUTOUTS!MichaelLeland BuckBob DeHoffJesseAlan MillsMike CrawfordMatthew StubbsKen BertramshadesJanet Devereaux-GaffneyRyan BarkerLIz PotterMichelle SingletaryRalph BrandiMartín VenturaColin CameronSpace_CritterJaya BhatAlex PurcellOmolsSteve TesterAlex MorrisonMillsMillsAdam RobertsTim AndersonDan TreeOr sachsKate Miller-WilsonJonathan FengJuliet SchwabMichael DaleskollimatornRobert BurtonAbel SilvaKikie WilkinsAlan Joseph MarxDave WalkerJames HuffstutlerJamie MaldonadoNick GaylordAnd this episode, our featured patron is Jamie Maldonado! You can (and should) find him at (@jamiemphoto on IG). —–Be sure to check out our Dev Party episodes.Music by Last Regiment of Syncopated DrummersVania: IG, Flickr, ZinesEric: IG, Flickr, Zines, ECN-2 KitsAll Through a Lens: IG, Website, Patreon

Film Photography Podcast Episode 226 - July 1, 2019   Topics: Shooting new Kodak Ektachrome and other E6 films, KenFlex TLR Camera, Dr Is In Segment, Lensbaby Velvet 56 and More!   Our main site: https://filmphotographyproject.com/   Please visit our webstore: https://filmphotographystore.com/

We're back for our first episode for 2019! Our videographer, Kevin Keegan, joins to discuss his experience filming Kodak EKTACHROME on Super 8 for the first time. We do an Instagram Live during the podcast and things get weird! We recap our latest work from 2018 and share our goals and plans for 2019! Help us out and subscribe to our YouTube Channel: https://www.youtube.com/c/studioc41   #shootsomefilmdangit!

One of our most interesting and fascinating episodes of BEHIND THE LENS thanks to special guests writer/director CHRIS MUL and writer/director SHRAYSI TANDON. When I say "fascinating", I'm talking about writer/director CHRIS MUL and his latest film ASTRAL. A fascinating and intense meld of the ideas behind astral projection and the centuries-old history of "Shadow People" and sleep paralysis, ASTRAL started as the germ of an idea thanks to co-writer MICHAEL MUL's own interest in astral projection. From there, the brothers creativity took off and crafted an intriguing narrative story of a young man using astral projection to connect with his dead mother. Making the story of ASTRAL even more fascinating is that lead actor FRANK DILLANE himself had experienced sleep paralysis which is the gateway to "Shadow People." Listen as Chris talks about the film's visual design, something that for him starts in the writing phase, working with cinematographer Charles Heales and their use of negative space and VFX, as well as the thematically subconscious use of color which comes to life in the production design of Madeau Christou. Plus, the research that went into this story. Then news journalist turned documentary filmmaker SHRAYSI TANDON joins us talking about her debut documentary INVISIBLE HANDS. Exploring the subject of child labor and trafficking around the globe (and that includes the United States), her passion for factual truth-telling is at the forefront of the discussion just as it permeates the entire film. The statistics alone are frightening and given that, it is surprising that this is the first documentary to focus on the subject. Listen as Shraysi talks about her process in crafting the film visually, and with a throughline of story, obtaining interviews from experts, as well as the Herculean task of editing. And something I found interesting is the discussion on the learning curve from tv news journalist to filmmaker. But before we get to Chris and Shraysi, we're talking BLACKkKLANSMAN. Hot into awards season and with BLACKkKLANSMAN already picking up some nominations (Independent Spirit Award nomination for Adam Driver for Best Supporting Actor), we dive into the cinematography of the film with CHAYSE IRVIN as he talks with us in a prerecorded exclusive interview about his approach to the visual design of the film, working with director Spike Lee, and shooting on Kodak Ektachrome and Vision 3 film. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Film Photography Podcast Episode 204 - November 1, 2018 Michael Raso is joined by Leslie Lazenby, John Fedele, Mark Dalzell and Mark O'Brien. Discussed is Kodak Ektachrome history, Great Big Story, Film Ferrania Update and more. Show Notes:https://filmphotographyproject.com/podcast/ FPP On-Line Storehttps://filmphotographystore.com/

Andre's meet up with Adrian Doyle and his first experience shooting the new Kodak Ektachrome. Mike buys stuff, shoots some APS film, and fails at repairing a Yashica Electro 35. Finally, a recording sent in from Anil Mistry www.anilmistryphoto.com about his photo book titled "Monochrome" which includes fantastic insights into the thought process behind the book and making photo books in general.

Kodak Ektachrome is shipping! Juan Alatorre sends some love to arm the APS Revival, Aaron Alfano emails an update on his Pentax K1000, Eric Hendrickson of www.pentaxs.com for Pentax repairs, Jennifer Zehner emails an update to her public darkroom effort in New Jersey called the Obscura Darkroom. Also, a question from George Griffin about what inspires you to shoot photography. This leads to discussion of photography as a creative outlet but also a way to document your life. How mundane daily photos may be more important in the future than photos of only your life's major moments. Dustin Cogsdell sends in his first of a series of "On the road camera reviews" about the Canon AE-1 Program. Finally, how print exchanges can motivate your photography and give a more human element to sharing your work.

In this episode - Kodak Ektachrome is finally released, and the 'I'm Back' digital back for your 35mm analogue camera. - Ektachrome - www.kodak.com/GB/en/motion/Products/Production/ektachrome/default.htm Im Back - http://imback.eu/home/ Drop me an email at sootandwhitewash@gmail.com or send me a call in with the Anchor app. Instagram - @neil_piper and @sootandwhitewash www.neilpiper.com --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

In this episode we are joined by the brilliant and talented Sandra Coan, professional newborn, maternity and portrait photographer, and photography and business educator. We talk about shooting film professionaly, lighting, and the realities of maintaining a successful business in photography for over 18 years.  Sandra is one of the new Kodak Ektachrome beta testers, and you can hear her talk all about her experiences with it on the August 26th episode of the Studio C-41 podcast    https://www.sandracoan.com/ https://www.sandracoaneducation.com/ https://ladybossworkshops.com https://www.instagram.com/sandracoan/ https://www.facebook.com/SandraCoanPhotography/ https://twitter.com/SandraCoan   Email links: https://www.stage-electrics.co.uk www.analogforevermagazine.com https://austerityphoto.co.uk analoglives.org   Analogue Wonderland Summer Holiday Competition: https://analoguewonderland.co.uk/pages/kodak-summer-holidays-competition   Emulsive Secret Santa 2018 Registration: https://emulsive.org/articles/secret-santa/emulsive-secret-santa-2018-public-registration-is-now-open   Eric, who is running our Instagram and can be found here:  https://www.instagram.com/conspiracy.of.cartographers/    Website: https://sunny16podcast.com  Twitter: https://twitter.com/sunny16podcast/ Instagram: https://www.instagram.com/sunny16podcast/ Facebook @sunny16podcast Email us - sunny16podcast@gmail.com Music from ‘Promises I Should Have Kept’ by Roja on Spotify, Amazon or iTunes

Nick and Graham start off the show talking about slide film and the forthcoming Kodak Ektachrome along with some Agfachrome that Graham stumbled upon several years ago. They then begin with a description of what the purpose of a Film Transport Mechanism is and why it’s an important part of any camera build. Graham describes the three major film handling systems in use today (14:39) and then goes on to talk about a bunch of different systems that are either no longer in use or represent only a tiny fraction of cameras in use today. He did forget completely the Disc camera system though you can probably understand why that one slipped his mind. They talk about Heather Oelklaus (19:21)  and her pinhole panel truck Little Miss Sunshine and how she uses an array of paper negatives to produce large-scale pinhole images. You can visit her web page at CameraKarma.com to see a video of her truck and the process she uses for large-scale images. Graham mentions Corey Canon of The Lensless Podcast and his discussion of building a single-shot 8X10 as a way of focusing the image-making process and eliminating distraction (1:08:00). Nick talks about his dream film transport system that allows any spacing for any format in a single device. (1:10:45). Nick reviews two books that he finds are valuable to the homemade camera builder (1:31:30), Adventures with Pinhole and Homemade Cameras, John Evans  and Experimental Photography, A Handbook of Techniques, Marco Antonini, Sergio Minniti, Francisco Gomez, and Gabriele Lungarella. Nick floats the idea of a pinhole bird feeder (1:40:15), sure evidence that this episode has gone way too long.

Andre's first week at Cinestill, call ins from Inspirado Projecto and John Gregory, Polaroid Spectra, the struggle of enjoying life moments vs. documenting life moments, and the Kodak Ektachrome teaser!

Kodak Ektachrome revival news on the Kodakery Podcast and some other new film podcasts I have recently found!

In January of 2017, we announced that Kodak Ektachrome film would be coming back to the market. The process is coming along well. We've been busy testing and making sure it meets all the expectations that exist in this passionate community and are looking forward to its market release in 2018. And in case you're wondering about the who what when and where and why, we brought in some of our own Kodak employees who are involved with the re-manufacturing to chat. So, let's jump into the Kodakery and talk with them!

Film Photography Podcast – Episode 161 – April 15th, 2017 The gang is back in action and joining Michael Raso in the studio today is John Fedele, Leslie Lazenby, and Mark Dalzell! And what show today with lots of listener letters, the Pentax MV, the return of Kodak Ektachrome, and so much more! So grab yourself a Mr. Brown Iced Coffee and stay tuned!

Let's start off the show with an announcement. RAWtalk will be moving to bi-weekly opposed to each week. The reason for the switch is to allow us to focus on making more "Real World Reviews" and "5 Min Portraits". This weeks show is brought to you by LEXAR. LEXAR is the official card and card reader of RAWtalk. Starting at 50:05 we have the triple critique. First we start off by critiquing Todd's first time using the Canon 5D Mark IV. Next we check out Stephen's concert photos shot with the Canon 5D Mark IV. Finally we look at my low light concert photos as a recent show. 00:00:16 Ready to Rumble? 00:01:42 RAWTalk ANNOUNCEMENT!!! 00:07:07 Another IMPORTANT ANNOUNCEMENT! 00:08:16 Plug of the Week 00:11:28 Jared's Dad Checks In 00:12:45 Photo News 00:12:59 Nikon is 100 00:14:16 Keep Your Drone Cozy 00:17:02 GH5 00:23:30 Kodak is Back, All Right 00:27:27 1 of 4 D-Day Film Rolls Survived 00:32:36 32 Inch 8K Display 00:36:07 2 Billion Dollar Chipotle Law Suit 00:42:20 Triple 4K Display Laptop 00:44:43 RED Helium is a 108? 00:46:20 Gear of the Week 00:50:05 Todd's Photo Critique 01:06:36 Stephen's Photo Critique 01:27:45 Jared's Photo Critique 01:37:17 Memes of the Week 01:42:25 Wheel of Fro

How does photography work? Johnny's Leica MP that we used as a prop (Steve Huff Photo) How does a camera work? (Tech, How Stuff Works) When were cameras invented? It depends...400BC if you count the ancient Chinese 'camera obscura' (Wikipedia) The camera obscura...who needs TV? (Wikipedia) The first proper photograph apparently took 8 hours to expose, credited to Joseph Nicephore Niépce, 1820s (University of California, Santa Barbara) 130-year-old plate camera captures pictures of modern Britain (but you must stand still for 15 minutes) (Daily Mail Australia) How the human eye works: It's a 'camera-type eye' (livescience) Why do your pupils get bigger in the dark? (Wonderopolis) What is a lens? (Explain That Stuff!) Cameras, lenses & how photography works (How-To Geek) Understanding camera lenses (Cambridge in Colour) What is exposure? (Cambridge in Colour) Squinting helps you focus - it narrows the 'aperture' of your eye (Wired) What is an aperture? (Wikipedia) A dicussion about wide aperture & unfocused light rays (Photography StackExchange) Principal focal length (HyperPhysics, Georgia State University) Understanding focal length (Nikon) Depth of field: How 'deep' is the amount of stuff that's in focus (Cambridge in Colour) As this photo of Elon Musk shows, a professional portrait usually focuses on the face & blurs the background (Feedoxy) "A lens typically has a set of marked 'f-stops' that the f-number can be set to" (Wikipedia) Pic: As your f-number increases, your aperture gets smaller & less light gets in (Wikipedia) Free f-stop chart (Tech Radar) Pic: Example of a Leica camera showing the f-stops on the lens, 2.4, 2.8, 4, 5.6, 8, 11 (Leicaphilia) Super groovy pinhole glasses that claim to strengthen your eyes (HealthTap) Diagram of light rays going through a wide & narrow aperture (Photography Life) Understanding shutter speed: A beginner's guide (Photography Life) Pic: Example of a shutter speed dial on a film camera (Roger & Frances) Pic: This is what Johnny's 'curtain shutter' looks like - the bit that reveals the 35 mm film segment (photo.net) What is a camera shutter? (Wikipedia) A history of shutter types (Early Photography) What is 35 mm film? (Wikipedia) F1.0 lenses are super expensive & rare - this is what the photos look like...kinda nice hey? (Fstoppers) What is a prime lens? i.e. they don't zoom (B&H) Why are some lenses so expensive? (Photography Life) What is infinity focus? (School of Digital Photography) Who killed infinity focus? (B&H) The Man Who Knew Infinity (IMDb) The amazing mathematician Srinivasa Ramanujan (Wikipedia) Sally Gunnell (Wikipedia) Uluru (Wikipedia) Photographs of ocean waves captured with a long lens & slow shutter (PetaPixel) The secret to photographing hummingbirds (B&H) Slow motion footage of bullets going through stuff (DrDaveBilliards, YouTube) Femto-photography: Visualising photons in motion at a trillion frames per second (MIT) Film speed is a measure of its sensitivity to light (Wikipedia) ISO has been the standard for speed/sensitivity since 1974 (Wikipedia) How to make & use a pinhole camera (Kodak) Some thoughts on why people never smiled in old photos (Vox) How film works: Black & white vs colour (Kodak) What is slide film? (I Still Shoot Film) Some lovely slide films shot on Fuji Velvia (I Still Shoot Film) Some lovely slide films shot on Fuji Provia (I Still Shoot Film) Some lovely slide films shot on Kodak Ektachrome (I Still Shoot Film) A handy PDF guide on how to develop black & white film yourself (Ilford) How does photographic paper work? (Wikipedia) How do digital cameras work? (Tech, How Stuff Works) Digital camera sensors: Backs up Johnny's 'buckets of photons' analogy (Cambridge in Colour) Why more megapixels isn't always better (Gizmodo) Baaaaaall pit! (Kids'nShape) The 72 ppi web resolution myth (Photoshop Essentials) The iPhone 6S has a 12 megapixel camera (Apple) Introduction to medium format photography (I Still Shoot Film) Why medium format is so gorgeous (Reframe, Gizmodo) Phase One medium format digital cameras: May set you back up to $55K (CNET) Polaroid cameras (Polaroid Australia) How does a Polaroid camera work? (Tech in our everyday life) The Impossible Project: "Reinventing instant film from scratch" (IMPOSSIBLE) Guy Ritchie (bio.) Pic: Thingy that magnifies negatives so you can see what will be in your photo if you develop it (eBay) Pic: Nessie (CNN) Marked up photos show how iconic prints were edited in the darkroom (PetaPixel) Old timey flash bulbs (Camerapedia) ISO: How high can you go? Apparently up to 409,600 these days! (DIGITALPhotoPro) Common slide film seems to be around 50 or 100 ISO, but there's mention of higher numbers (120 Studio) Old timey photographic plates had very low ISO numbers: This example is 5 (Fstoppers) Daguerreotype: "The first publicly announced photographic process" (Wikipedia) Old timey photographic plates (Wikipedia) Places that still offer film processing in Melbourne (urbanlight) Cheeky review? (If we may be so bold) It'd be amazing if you gave us a short review...it'll make us easier to find in iTunes: Click here for instructions. You're the best! We owe you a free hug and/or a glass of wine from our cellar

On this weeks episode of Analog Talk Chris and Timothy are joined by Nates Matos. They discuss Polariod Orginals, Kodak Ektachrome, getting yourself out of a rut, and creating zines! Support this podcast at — https://redcircle.com/analog-talk/exclusive-contentWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.