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CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription.Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. On our latest installment, filmmaker and Zohran Video Guy Anthony DiMieri joins us to talk to tell us about the wild twists and turns of his career as an indie filmmaker turned key contributor to the Zohran & SubwayTakes cinematic universes, dark woke, and why everyone is obsessed with Geese. We're removing the paywall for the next week so you can give it a listen.You'll also get an invite to our second reading group meet-up: a discussion of Richard Barbrook and Andy Cameron's seminal 1995 year essay, “The Californian Ideology,” and Fred Turner's recent article for The Baffler, “The Texan Ideology.” That's going down on Sunday, January 11.In 2005, the music and culture critics Simon Reynolds and Mark Fisher (RIP) began using the term hauntology — a riff on “ontology” — to describe an emergent genre in UK music, built from archival recordings from post-war England, vinyl crackle, and haunted, elegiac atmospherics. (Think: Burial, The Caretaker, and the eerie catalog of the label Ghost Box.) They borrowed the term from Jacques Derrida, who used it to describe a present haunted by futures that had never arrived; Reynolds and Fisher heard that idea vibrating through a generation of musicians excavating Britain's cultural memory.Fisher explored hauntology's political dimension, rooting the movement in a longing for Britain's pre-Thatcherite social democratic past and an affection for cultural touchstones like the BBC Radiophonic Workshop, Brutalist architecture, and films like The Wickerman. Reynolds, meanwhile, mapped its musical lineage—back to '90s hauntology predecessors like Boards of Canada and Broadcast, and across the pond to J Dilla-era hip-hop and underground movements like freak folk, hypnagogic pop, and chillwave.A recent CUJO reading group on the topic inspired us to invite Simon—the author of books like Rip It Up and Start Again, Retromania, and Futuromania (listen to our ep about it!)—to help us mark the 20th anniversary of hauntology and explore what it has to teach us about mobilizing the culture of the past in a way that feels meaningful and even forward-lookingSimon joins us to dig into the cultural factors that gave rise to hauntology, the 21st-century fetish for obsolete media, and the differences between hauntology and simple nostalgia or “retro.” We also talk about the pasts that continue to haunt us—from rave culture to Marxism—and he gives us a sneak peek at his forthcoming book, Still in a Dream: Shoegaze, Slackers and the Reinvention of Rock, 1984–1994, arriving in 2026.Listen to our HAUNTOLOGY PLAYLIST on Apple Music and YouTubeRead more of Simon on hauntology in Retromania: Pop Culture's Addiction to Its Own Past and over at ReynoldsRetroKeep up with Simon and his writing on blissblogFollow Simon on XAdditional reading:Jacques Derrida, Specters of Marx, The State of the Debt, the Work of Mourning and the New International, 1993.Mark Fisher, “October 6, 1979: Capitalism and Bipolar Disorder,” 2005.Simon Reynolds, “Haunted Audio, a/k/a Society of the Spectral: Ghost Box, Mordant Music, and Hauntology,” director's cut of an article in the November 2006 issue of The Wire.Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures, chapter 2, 2014. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe
Support Night Clerk Radio on Patreon In this episode, we're returning to one of our foundational topics: Hauntology. We cover Hauntology as a genre of music and learn about its distinctly UK-focused roots. This includes the history of veteran hauntological record label Ghost Box Records and discussions focused on two recent Hauntological albums.Albums Discussedu,i by Olivier Alary & Johannes MalfattiEntangled Routes by Pye Corner Audio Additional LinksEntangled Routes on SpotifyGhost Box Records on SpotifyGhost Box Records Primary ShopHauntology: Ghosts of Futures Past by Merlin CoverleyHAUNTED AUDIO, a/k/a SOCIETY OF THE SPECTRAL: Ghost Box, Mordant Music and Hauntology by Simon ReynoldsHauntologists mine the past for music's future by Mark PilkingtonHauntology Mix with Visuals CreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on Twitter
Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 126 - Blackest Ever Black A new mixtape or broadcast from Kiran Sande on NTS or Berlin Community Radio was always an opaque but complex pleasure in a way.. crime and dissonance. filigree and shadow. love backed by force. underwater moonlight, underwater dancehall. visions of the country, dreams about dreaming. space blues, rat life, time high fiction. abstractions of the industrial north. the future sound of loudon. half-dead ganja music. drowning by numbers. beat punk from the black ark.. are an attempt to describe. Blackest Ever Black the berlin and london-based label home to Raime, Tropic of Cancer, Dalhous, Lustmord, Weekend, Cut Hands and many other artists. furthermore there are Krokodilo Tapes, a cassette only sublabel for mixes and Confessions the one for planned series of jukebox 45´s with an 7" from Pete Swanson / Moin as the inaugural and last release. The other label special - between then and now! listen to mixes made by BEB (2010-2014) crossed with some own brand records in a three hour noko edit. 1. intro. Tod Dockstader - slambrass (excerpt) [Boosey & Hawkes, 1981] 2. Radikal Satan - espacio [La Voix Des Sirènes, 2010] 3. Headwar - untitled (hopital torture punition IV) [Label Brique; Les Potagers Natures, 2011] ### Blackest Ever Black – She Died With Her Eyes Open 1. Amebix - sunshine ward (glad to be bad) (excerpt) [Spiderleg, 1984] 2. Chasing Voices - acidbathory (excerpt) [Preserved Instincts, 2010] 3. Yellow Tears - don't cry (fragment) [Hospital, 2009] 4. Burzum - rundgang um die transzendentale säule der singularität [Misanthropy; Cymophane, 1996] 5. Second Layer - black flowers [Cherry Red, 1981] 6. Mecanica Popular - daguerrotipo (excerpt) [Grabaciones Accidentales, 1987] ### Blackest Ever Black –BCR– April 2014 1. Breather - radiation [Sonic Incision, 1984] 2. Alexander Lewis - the third room [Blackest Ever Black, 2013] 3. Moin - elsie [Confessions, 2012] 4. Cut Hands - belladonna theme [Blackest Ever Black, 2013] ### Blackest Ever Black –NTS– 11 September 2013 1. Jane Arden & Jack Bond - anti-clock [Excerpt] 2. Holly Golightly - your love is mine [Flapping Jet, 1998] 3. Michael O´Shea - guitar no.1 [Dome, 1982] 4. Roland P. Young - in source [Flow Chart, 2006] ### Raime –Boiler Room London– 19 March 2012 1. Art Fleury - micrononsense [No-Sense, 1981] ### Blackest Ever Black – The Scold's Bridle :. 1. British Electric Foundation - b.e.f. ident [Virgin, 1981] ### Blackest Ever Black –NTS– 6 November 2013 1. M.J. Harris & Martyn Bates - the cruel mother (Musica Maxima Magnetica, 1997) 2. Iancu Dumitrescu - pierres sacres (excerpt) (Ideologic Organ, 2013) 3. Compound Eye - journey from anywhere (Editions Mego, 2013) 4. Mike Ratledge / Laura Mulvey & Peter Wollen - riddles of the sphinx sequence 7 (Rec. 77; Mordant Music, 2013) ### Blackest Ever Black –NTS– 27 February 2013 1. Floating di Morel - astonish obviate [Hidden, 1995] ### Blackest Ever Black – Dream Theory In Haltemprice 1. Calendar Crowd - perfect hideaway dub [Romantic, 1982] 2. A Tent - parachuting in bolivia [Edigsa, 1982] 3. Years On Earth - and i dream [Calypso Now, 1984] 4. DZ Lectric & Anthon Shield - lickin´ (the naked sign) [DMA2, 1985] 5. Tronics - charlie manson [Alien, 1981] 6. Brainbombs - the whore [Blackjack, 1994] ### Blackest Ever Black –NTS– 9 October 2013 1. Shampoo Boy - fall (fragment) [Blackest Ever Black, 2013] 2. Derek Raymond / Gallon Drunk - excerpt from i was dora suarez [Clawfist, 1993] 3. A Tent - dockland lullaby parts 1 & 2 [Cherry Red, 1981] 4. Possession - for andre gide [A-Mission, 1984] ### Blackest Ever Black –BCR– March 2014 1. Michael Lytle - the knight of swords comes & cuts away one by one all the things you cling to, until you're left with only one (the seed of your next life) [Cornpride, 1976] 2. Peter Lewis & Jon English - lonely woman, ornette coleman [Cornpride, 1976] 3. Tropic Of Cancer - a color [Blackest Ever Black, 2011] 4. Dalhous - he was human and belonged with humans [Blackest Ever Black, 2013] ### Raime – You Can't Hide Your Headcrack 1. Rema-Rema - fond affections [4AD, 1980] 2. Raspberry Bulbs - i was wrong [Blackest Ever Black, 2013] 3. Secret Boyfriend - beyond the darkness [Blackest Ever Black, 2013] # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/
Another pause in our time travelling music charts this month for another Now Playing episode where we're each talking about an album we've been listening to a lot over the last few months. Colin has chosen Mordant Music's uncompromising, glitchy, hauntological 2006 meisterwerk “Dead Air”, Tracey has chosen welsh chamber pop multi-instrumentalist's excellent but confusingly titled 2016 record “2013”, & Ian's chosen post metal supergroup Battle Of Mice's amazing 2006 record “A Day Of Nights” We also briefly discuss listeners picks for best songs of 1968 & 1979, records by The Lodger, Max Gowan, Milk Bottle Sympathy, Japanese Breakfast, Les Shirley, Garbage, Моне́точка, and Kauan, Plus the short life expectancies of 1970s kids playing on farms, trolling norweigan murdery fascists, and unexpected swan movement synchronised to harrowing post metal soundscapes. We'll be back to our normal format next month where we'll be choosing our favourite songs from 2001. Listen to the albums on Spotify here - Mordant Music – Dead Air - https://open.spotify.com/album/1YeGzJxLEnSOYuaGQVkZXd?si=fj75fLzlQdu7J5LMMbVVHg&dl_branch=1 Meilyr Jones – 2013 - https://open.spotify.com/album/48IAjwtoTqbR7hIgFTBc9J?si=nRnSeislQtCPQUKI5sBnKw&dl_branch=1 Battle Of Mice – A Day Of Nights - https://open.spotify.com/album/5HXZmkbgxp4xssJdI1b9zu?si=1MpCY-5DT4-QyfUAxb5sZg&dl_branch=1 As always, if you enjoy the music please consider supporting the artists by buying their records etc. Hosts - Ian Clarke, Colin Jackson-Brown & Tracey B Recorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig Podcasts Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast We're part of the We Made This podcast network. Find all our episodes plus other brilliant shows such as We Buy Records, Pick A Disc, Giddy Carousel Of Pop plus Colin and Ian's other podcast Free With This Months Issue and loads more at http://wemadethispod.com/ https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis
Another pause in our time travelling music charts this month for another Now Playing episode where we're each talking about an album we've been listening to a lot over the last few months. Colin has chosen Mordant Music's uncompromising, glitchy, hauntological 2006 meisterwerk “Dead Air”, Tracey has chosen welsh chamber pop multi-instrumentalist's excellent but confusingly titled 2016 record “2013”, & Ian's chosen post metal supergroup Battle Of Mice's amazing 2006 record “A Day Of Nights” We also briefly discuss listeners picks for best songs of 1968 & 1979, records by The Lodger, Max Gowan, Milk Bottle Sympathy, Japanese Breakfast, Les Shirley, Garbage, Моне́точка, and Kauan, Plus the short life expectancies of 1970s kids playing on farms, trolling norweigan murdery fascists, and unexpected swan movement synchronised to harrowing post metal soundscapes. We'll be back to our normal format next month where we'll be choosing our favourite songs from 2001.Listen to the albums on Spotify here - Mordant Music – Dead Air - https://open.spotify.com/album/1YeGzJxLEnSOYuaGQVkZXd?si=fj75fLzlQdu7J5LMMbVVHg&dl_branch=1 Meilyr Jones – 2013 - https://open.spotify.com/album/48IAjwtoTqbR7hIgFTBc9J?si=nRnSeislQtCPQUKI5sBnKw&dl_branch=1 Battle Of Mice – A Day Of Nights - https://open.spotify.com/album/5HXZmkbgxp4xssJdI1b9zu?si=1MpCY-5DT4-QyfUAxb5sZg&dl_branch=1As always, if you enjoy the music please consider supporting the artists by buying their records etc.Hosts - Ian Clarke, Colin Jackson-Brown & Tracey BRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsSay hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast We're part of the We Made This podcast network. Find all our episodes plus other brilliant shows such as We Buy Records, Pick A Disc, Giddy Carousel Of Pop plus Colin and Ian's other podcast Free With This Months Issue and loads more at http://wemadethispod.com/ https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis
Writer and film-maker Jonathan Meades joined us at the Bookshop to present and discuss *Pedigree Mongrel* (Test Centre), a new album composed of specially-recorded readings from his books *Pompey* (1993), *Museum Without Walls* (2012) and *An Encyclopaedia of Myself* (2014). Combined with the distinctive soundscapes of Mordant Music, *Pedigree Mongrel* is both a unique retrospective of Meades’s fictional and essayistic writings, and a new and significant standalone work. See acast.com/privacy for privacy and opt-out information.
Tracklisting @ mitaminelab.com / soundcloud.com/mitaminelab
Snow day. Including music from David Bowie, King Midas Sound, Mordant Music, Redshape, G.R.R.L., Oni Ayhun, Van Rivers vs. Nukubus, Pantha du Prince, Mount Kimbie, Linkwood, Oneohtrix Point Never, and Harmonia & Eno '76.
Rare Frequency Podcast 40: Light 1 Hans-Joachim Roedelius, "Rue Fortune" Jardin Au Fou (Bureau B) CD 2009 2 Mordant Music, "Hummdrumm" Picking O’er the Bones (Mordant Music) CD 2009 3 Caboladies, "Crowded" Crowded Out Memory (Gneiss Things) CDr 2009 4 Oneohtrix Point Never, "Zones Without People" Zones Without People (Arbor) LP 2009 5 Tim Hecker, "Where Shadows Make Shadows" An Imaginary Country (Kranky) CD 2009 6 Brendan Murray, "From the Melted Past" s/t (Students of Decay) CD 2009 7 Haruki, "Don’t Moan Unless Asked" To Humble a Nest (The Land Of) CD 2009 8 Sublamp, "Monophoneme" Breathletters (Dragon’s Eye) CD 2009 9 Heribert Friedl, "Phase 1" Recherche_00 (Non-Visual Objects) CD 2009 10 Asmus Tietchens, "FmF 1" Flachen mit Figuren (Non-Visual Objects) CD 2009 11 Philip Samartzis / Michael Vorfeld, "Schaube" Scheckenrock (Non-Visual Objects) CD 2009 12 Pink Floyd, "Set the Controls for the Heart of the Sun" A Saucerful of Secrets (Columbia) CD
Rare Frequency Podcast 30: Sprung (opening music: Raymond Scott, “Domino,” Manhattan Research Institute (Basta) CD) 1 Baris Manco, "Flower Called Love" Hava Nargile (Dionysus) CD 2001 2 Boredoms, "8" Super Roots 6 (Vice) CD 2007 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 Mordant Music, "Fading Font" Mordant Music Sampler (Mordant Music) mp3 2007 5 Belbury Poly, "Cool Air" Farmer’s Angle (Ghost Box) EP 2008 6 Jozef van Wissem, "Into the Abyss of Perdition" A Priori (Incunabulum) CD 2008 7 Warner Jepson, "Blood Knot" Totentanz and Other Electronic Music, 1958-73 (Expanding Melon) CD 2008 8 Frank Rothkamm, "Encounter With Remarkable Trees" Just Three Organs (Flux) CD 2008 9 Schlammpeitziger, "Dauerdachdeck Dritter" Schwingstelle Fur Rauschabzug (Sonig) CD 2008 10 Felix Kubin, "Bruder Luzifer" Filmmusik (A-Musik) CD 2001 11 Shots, "Arabian Nightmare" Dubstep Drama (Rinse FM) CD 2008